Homestead Life Quotes

There are seasons of our lives when nothing seems to be happening, when no smoke betrays a burned town or homestead and few tears are shed for the newly dead. I have learned not to trust those times, because if the world is at peace then it means someone is planning war.

Laurent!’ said Makedon, greeting Laurent warmly. ‘I am glad to take up your invitation to hunt with you in Acquitart when this campaign is over.’ He clapped Laurent on the shoulder. Laurent said, ‘My invitation.’ Damen wondered whether he had ever been clapped on the shoulder in his life. ‘I sent a messenger to my homestead this very morning to tell them to begin preparing light spears for chamois.

Of course I am extra strong, but those who try know that strength and knowledge come with doing. I just love to experiment, to work, and to prove out things, so that ranch life and "roughing it" just suit me.

A human life, I think, should be well rooted in some spot of a native land, where it may get the love of tender kinship for the face of the earth, for the labours men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference amidst the future widening of knowledge: a spot where the definiteness of early memories may be inwrought with affection, and kindly acquaintance with all neighbours, even to the dogs and donkeys, may spread not by sentimental effort and reflection, but as a sweet habit of the blood. At five years old, mortals are not prepared to be citizens of the world, to be stimulated by abstract nouns, to soar above preference into impartiality; and that prejudice in favour of milk with which we blindly begin, is a type of the way body and soul must get nourished at least for a time. The best introduction to astronomy is to think of the nightly heavens as a little lot of stars belonging to one's own homestead.

Reading things that are relevant to the facts of your life is of limited value. The facts are, after all, only the facts, and the yearning passionate part of you will not be met there. That is why reading ourselves as a fiction as well as fact is so liberating. The wider we read the freer we become. Emily Dickinson barely left her homestead in Amherst, Massachusetts, but when we read 'My life stood -- a loaded gun' we know we have met an imagination that will detonate life, not decorate it.

Daily homestead life is much more hard-core than cottagecore.

More than once I have tried to picture myself in the position of a boy or man with an honoured and distinguished ancestry which I could trace back through a period of hundreds of years, and who had not only inherited a name, but fortune and a proud family homestead; and yet I have sometimes had the feeling that if I had inherited these, and had been a member of a more popular race, I should have been inclined to yield to the temptation of depending upon my ancestry and my colour to do that for me which I should do for myself. Years ago I resolved that because I had no ancestry myself I would leave a record of which my children would be proud, and which might encourage them to still higher effort.

In life, loss was the engine that set Wilder's fiction in motion. Exile propelled the powerful emotional current of the Little House books, an intensely felt nostalgia for people and places lost to her. That emotion was absent in "Free Land," relegating it to homesteading soap opera. Its loosely linked anecdotes were joined not by familial love but by Lane's, and the Post's, ideology.

They were allowed a little touch at each of the books, but only with their fingertips tonight, literature cannot bear dirty hands; first we'll have to back each volume with paper, the covers must not get dirty, nor the spines slit, books are the nation's most precious possession, books have preserved the nation's life through monopoly, pestilence, and volcanic eruption, not to mention the tons of snow that have lain over the country's widely scattered homesteads for the major part of every one of its thousand years.

Even as a boy Jack had loved the smell of the ground softening in the thaw and coming back to life. Not this spring. A damp, moldy dreariness, something like loneliness, had settled over the homestead. At first Jack did not know its source. Maybe it was only his own mood. Perhaps it was the spring weather, with overcast skies and freezing rain that soaked through the cabin walls. Mabel, too, seemed beset by a morose restlessness.

...nor do I want to suggest that the Amish are perfect people or that their way of life is perfect. What I want to recommend are some Amish principles: 1) They have preserved their families and communities. 2) They have maintained the practices of neighbourhood. 3) They have maintained the domestic arts of kitchen and garden, household and homestead. 4) They have limited their use of technology so as not to displace or alienate available human labour or available free source of power (the sun, wind, water, and so on). 5) They have their farms to a scale that is compatible both with the practice of neighborhood and with the optimum use of low-power technology. 6) By the practices and limits already mentioned, they have limited their costs. 7) They have educated their children to live at home and serve their communities. 8) They esteem farming as both a practical art and a spiritual discipline. These principles define a world to be lived by human beings, not a world to be exploited by managers, stockholders, and experts.

When I'm on a backhoe, I'm shaping clay. I am a sculptor. I am a farm artist.

Here in the country, on a little farm in southern Georgia, I am building a quiet life of resistance. I am a radical peasant, and every day I take out my little hammer, and I keep building.

A world without a Sabbath would be like a man without a smile, like a summer without flowers, and like a homestead without a garden. It is the most joyous day of the week. —HENRY WARD BEECHER

Everything she loved and cherished seemed to wither away. No matter how hard she fought, someone she loved always left, one way or another. Life remained still on the large grounds of the old family homestead. There was nothing but silence, followed by nights that brought the worst dreams with the oddest sense of foreboding knocking at her soul. Too many hours turned into days, all merging together, eating her alive from within.

After her first book was successful and she received pleas from children around the country to continue the story, she said, I began to think what a wonderful childhood I had had. How I had seen the whole frontier, the woods, the Indian country of the great plains, the frontier towns, the building of railroads in wild, unsettled country, homesteading and farmers coming in to take possession. I realized that I had seen and lived it all—all the successive phases of the frontier, first the frontiersman, then the pioneer, then the farmers and the towns. Then I understood that in my own life I represented a whole period of American history. That the frontier was gone, and agricultural settlements had taken its place when I married a farmer. It seemed to me that my childhood had been much richer and more interesting than that of children today, even with all the modern inventions and improvements.

Stories were made up and spun in the evenings in rooms smelling of melting lard and fried onions, village halls, smoky taverns, roadhouses, crofts, tar kilns, forest homesteads and border watchtowers. Tales were spun and told. About war. About heroism and chivalry. About friendship and hatred. About wickedness and betrayal. About faithful and genuine love, about the love that always triumphs. About the crimes and punishments that always befall criminals. About justice that is always just. About truth, which always rises to the surface like oil. Tales were told; people rejoiced in them. Enjoyed the fairy-tale fictions. Because, indeed, all around, in real life, things happened entirely back to front.

Part of Wordsworth’s complaint was directed towards the smoke, congestion, poverty and ugliness of cities, but clean-air bills and slum clearance would not, by themselves, have eradiated his critique. For it was the effect of cities on our souls, rather than on our health, that concerned him. The poet accused the cities of fostering a family of life-destroying emotions: anxiety about our position in the social hierarchy, envy at the success of others, pride and desire to shine in the eyes of strangers. City dwellers had no perspective, he alleged, they were in thrall of what was spoken of in the street or at the dinner table. However well provided for, they had a relentless desire to new things, which they did not genuinely lack and on which happiness did not depend. And in this crowded, anxious sphere, it seemed harder that it did on an isolated homestead to begin sincere relationships with others. ‘One thought baffled my understanding,’ wrote Wordsworth of his residence in London: ‘How men lived even next-door neighbors, as we say, yet still strangers, and knowing not each other’s names.

Even though the woman was not human—the land—or was less than human—a cow—farming had the symbolic overtones of old-fashioned agrarian romance: plowing the land was loving it, feeding the cow was tending it. In the farming model, the woman was owned privately; she was the homestead, not a public thoroughfare. One farmer worked her. The land was valued because it produced a valuable crop; and in keeping with the mystique of the model itself, sometimes the land was real pretty, special, richly endowed; a man could love it. The cow was valued because of what she produced: calves, milk; sometimes she took a prize. There was nothing actually idyllic in this. As many as one quarter of all acts of battery may be against pregnant women; and women die from pregnancy even without the intervention of a male fist. But farming implied a relationship of some substance between the farmer and what was his: and it is grander being the earth, being nature, even being a cow, than being a cunt with no redeeming mythology. Motherhood ensconced a woman in the continuing life of a man: how he used her was going to have consequences for him. Since she was his, her state of being reflected on him; and therefore he had a social and psychological stake in her welfare as well as an economic one. Because the man farmed the woman over a period of years, they developed a personal relationship, at least from her point of view: one limited by his notions of her sex and her kind; one strained because she could never rise to the human if it meant abandoning the female; but it was her best chance to be known, to be regarded with some tenderness or compassion meant for her, one particular woman.

The the street was quiet again. Country quiet. That's partly what took city natives like the Whitlams by surprise, Falk thought: the quiet. He could understand them seeking out the idyllic country lifestyle, a lot of people did. The idea had an enticing, wholesome glow when it was weighed out from the back of a traffic jam, or while crammed into a gardenless apartment. They all had the same visions of breathing fresh clean air and knowing their neighbors. The kids would eat home-grown veggies and learn the value of an honest day's work. On arrival, as the empty moving truck disappeared form sight, they looked around and were always taken aback by the crushing vastness of the open land. The space was the thing that hit them first. There was so much of it. There was enough to drown in. To look out and see not another soul between you and the horizon could be a strange and disturbing sight. Soon, they discovered that the veggies didn't grow as willingly as they had in the city window box. That every single green shoot had to be coaxed and prized from the reluctant soil, and the neighbors were too busy doing the same on an industrial scale to muster much cheer in their greetings. There was no daily bumper-to-bumper commute, but there was also nowhere much to drive to. Falk didn't blame the Whitlams, he'd seen it many times before when he was a kid. The arrivals looked around at the barrenness and the scale and the sheer bloody hardness of the land, and before long their faces all said exactly the same thing. "I didn't know it was like this." He turned away, remembering how the rawness of local life had seeped into the kids' paintings at the school. Sad faces and brown landscapes.

Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.

It is only our limited time frame that creates the whole "natives versus exotics" controversy. Wind animals, sea currents, and continental drift have always dispersed species into new environments... The planet has been awash in surging , swarming species movement since life began. The fact that it is not one great homogeneous tangled weed lot is persuasive testimony to the fact that intact ecosystems are very difficult to invade.

A chicken tractor, also known as a chicken ark, is a mobile coop that can be moved around to different places in your yard. It allows you to reap the benefits of letting your chickens roam free, while keeping them safe from most predators. They're a good option for areas where there are too many predators to completely free range chickens, but you don't want to keep your birds cooped up in a single area. You can place the tractor in an area for a couple days until the chickens have picked

TIMELINE OF LAURA INGALLS WILDER’S LIFE 1865-Laura’s sister Mary is born in Pepin, Wisconsin 1867-Laura Ingalls is born in Pepin, Wisconsin 1869-The Ingallses move to Indian Territory, Kansas 1870-Caroline Ingalls, “Carrie,” is born in Kansas 1871-The Ingallses return to the Big Woods of Wisconsin 1874-Lives in a dugout near Walnut Grove, Minnesota 1875-Charles Frederick Ingalls, “Freddy,” is born 1876-Laura’s brother, Freddy, dies at nine months old Laura moves with her family to Burr Oak, Iowa 1877-Grace Ingalls is born in Burr Oak 1879-Mary becomes blind after a fever 1880-The Ingallses begin homesteading in De Smet, Dakota Territory 1885-Almanzo Wilder and Laura Ingalls marry 1886-Rose Wilder born in De Smet 1894-The Wilders move to Mansfield, Missouri 1932-Little House in the Big Woods is published when Laura is sixty-five 1954-Laura awarded the first Laura Ingalls Wilder Award, for her eight-book Little House series 1957-Laura (age ninety) dies at her Rocky Ridge home in Mansfield

[Leslie Bennett] You have a teenager who desperately wants to separate...If you don't have a career, these New Domesticity types are likely to find themselves standing in the kitchen with all these domestic skills and no outlet for them, no way to earn a living.... [A]t that point your kids are not thanking you for having made the hand-pureed baby food and for giving them homemade cookies. They don't feel you've done them a big favor; they say, "Why didn't she ever grow up and take responsibility for her own life?

Travel now by all means—if you have the time. But travel the right way, the way I travel. I am always reading and thinking of the history and geography of a place. I see its people in terms of these, placed in the social framework of time and space. Take the prairies, for example; you’re wasting your time visiting these unless you know the saga of the homesteaders, the influence of law and religion at different times, the economic problems, the difficulties of communication, and the effects of successive mineral finds.

However, we must try to see, and the best place to begin may be with the fact that the family farm is not the only good thing that is failing among us. The family farm is failing because it belongs to an order of values and a kind of life that are failing. We can only find it wonderful, when we put our minds to it, that many people now seem willing to mount an emergency effort to “save the family farm” who have not yet thought to save the family or the community, the neighborhood schools or the small local businesses, the domestic arts of household and homestead, or cultural and moral tradition—all of which are also failing, and on all of which the survival of the family farm depends.

Unlike religions that offered a better life after death, the idealist callings of anarchism espoused making heaven on earth by ridding humankind of the shackles of oppressive governments and capitalism. Labor unions, like those at Homestead, were grenadiers on the front lines of the struggle. By challenging the rule of the robber barons they deserved the support of revolutionaries. But now several years later, Goldman and Berkman (or Sasha, as she called him) still remained only bystanders to any potential revolution. “We continued our daily work, waiting on customers, frying pancakes, serving tea and ice cream,” said Goldman. “But our thoughts were in Homestead with those brave steelworkers.

Then the lively Lemminkainen, Roamed about through every village, For the island-maidens' pleasure, To delight the braidless damsels, And where'er his head was turning, There he found a mouth for kissing, Wheresoe'er his hand was outstretched, There he found a hand to clasp it.230 And at night he went to rest him, Hiding in the darkest corner; There was not a single village Where he did not find ten homesteads, There was not a single homestead Where he did not find ten daughters, There was none among the daughters, None among the mother's children, By whose side he did not stretch him, On whose arm he did not rest him.240 Thus a thousand brides he found there, Rested by a hundred widows; Two in half-a-score remained not, Three in a completed hundred, Whom he left untouched as maidens, Or as widows unmolested. Thus the lively Lemminkainen Lived a life of great enjoyment, For the course of three whole summers In the island's pleasant hamlets, To the island-maidens' rapture, The content of all the widows;

I will always be grateful to have been the Democratic Party’s nominee and to have earned 65,844,610 votes from my fellow Americans. That number—more votes than any candidate for President has ever received, other than Barack Obama—is proof that the ugliness we faced in 2016 does not define our country. I want to thank everyone who welcomed me into their homes, businesses, schools, and churches over those two long, crazy years; every little girl and boy who ran into my arms at full speed or high-fived me with all their might; and the long chain of brave, adventurous people, stretching back generations, whose love and strength made it possible for me to lead such a rewarding life in the country I love. Thanks to them, despite everything else, my heart is full. I started this book with some words attributed to one of those pathbreakers, Harriet Tubman. Twenty years ago, I watched a group of children perform a play about her life at her former homestead in Auburn, New York. They were so excited about this courageous, determined woman who led slaves to freedom against all odds. Despite everything she faced, she never lost her faith in a simple but powerful motto: Keep going. That’s what we have to do now, too. In 2016, the U.S. government announced that Harriet Tubman will become the face of the $20 bill. If you need proof that America can still get it right, there it is.

In a sense, the farmer was the looniest speculator in a nation overrun with them. He was wagering he would master this fathomlessly intricate global game, pay off his many debts, and come out with enough extra to play another round. On top of that, he was betting on the kindness of Mother Nature, always supremely risky. But the farmer had no choice if he hoped to sustain himself and a way of life, the family farm. Instead, he was drawn into a kind of social suicide. The family farm and the whole network of small-town life that it patronized were being washed away into the rivers of capital and credit that flowed toward the railroads, banks, and commodity exchanges, toward the granaries, wholesalers, and numerous other intermediaries that stood between the farmer and the world market. Disappearing into all the reservoirs of capital accumulation, the family farm increasingly remained a privileged way of life only in sentimental memory. Perversely the dynamic Lincoln had described as the pathway out of dependency—spending a few years earning wages, saving up, buying a competency, and finally hiring others—now operated in reverse. Starting out as independent farmers, families then slipped inexorably downward, first mortgaging the homestead, then failing under intense pressure to support that mortgage (they called themselves “mortgage slaves”) and falling into tenancy—or into sharecropping if in the South—and finally ending where Lincoln’s story began, as dispossessed farm and migrant laborers.

Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.

And I realize my own culpability here--I don't want to spend the time and energy figuring how to solve my own rodent problems, so instead I nuke them. The irony is that, ostensibly, I have to come to this remote homestead to learn about Nature, with a capital N. To meditate on wilderness, on wildness. Only instead of apprenticing myself to the most basic concerns of such a life. . . I'm cheating myself of any real learning by opting for short-term solutions to long-term problems. It's a poisoning of the mind and the imagination, and what hemorrhages is a sense of responsibility to anything beyond my own comfort. But I do it, time and again. When the bait is gone, I put out another.

Still doing divorces?” Al Garcia asked. “Here and there.” Keyes hated to admit it, but that’s what covered the rent: he’d gotten damn good at staking out nooner motels with his three-hundred-millimeter Nikon. That was another reason for Al García’s affability. Last year he had hired Brian Keyes to get the goods on his new son-in-law. García despised the kid, and was on the verge of outright murdering him when he called Keyes for help. Keyes had done a hell of a job, too. Tracked the little stud to a VD clinic in Homestead. García’s daughter wasn’t thrilled by the news, but Al was. The divorce went through in four weeks, a new Dade County record. Now Brian Keyes had a friend for life.

We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.

For the most part, food plays a very functional role in American culture. We eat to work. If Aini was visiting in my home, I'd tell her, “Don't eat anything you don't like. We don't care.” And we really wouldn't for the most part. But in many parts of the world, food is deeply rooted in the life of people. Sometimes I've had Indian hosts prepare meals for me that used spices grown on their homestead for hundreds of years. The best Indian meals take days to prepare. So to pass on eating dishes prepared for you in that context could be far more insulting than passing on a dish you just don't care for. It can be seen as an all-out rejection. And as for eating with utensils versus eating with our hands, one of my Indian friends puts it this way: “Eating with utensils is like making love through an interpreter!” That says it all when it comes to the affection most Indians have for their cuisine. To reject the food of an Indian colleague can be extremely disrespectful and can erode any possibility of a business partnership. Who would have thought food could play such a strong role in successful global performance? Edwin,

Midwest Book Full Review It's unusual to find a political and supernatural thriller so intrinsically woven into current issues about the fabric of American society that its fiction bleeds into a cautionary nonfiction tale, but Robert Hamilton's Crux: A Country That Cannot Feed Its People and Its Animals Will Fall represents such an achievement. Its saga of race, food security, violence and prejudice from religious and social circles alike, and the vulnerability of the American food supply chain provides a powerful story that holds many insights, perspectives, and warnings for modern-day readers concerned about this nation's trajectory. Readers who choose the story for its political and supernatural thriller elements won't be disappointed. The tale adopts a nonstop staccato, action-filled atmosphere as a series of catastrophes force veterinarian Dr. Thomas Pickett to move beyond his experience and objectives to become an active force in effecting change in America. How (and why) does a vet become involved in political scenarios? As Dr. Pickett becomes entangled in pork issues, kill pens, and a wider battle than that against animal cruelty, readers are carried into a thought-provoking scenario in which personal and environmental disasters change his upward trajectory with his new wife and their homestead. As Dr. Pickett is called on stage to testify about his beliefs and the Hand of God indicates his life and involvements will never be the same, readers receive a story replete in many social, spiritual, and political inquiries that lead to thought-provoking reflections and insights. True miracles and false gods are considered as he navigates unfamiliar territory of the heart, soul, and mind, coming to understand that his unique role as a vet and a caring, evolving individual can make a difference in the role America plays both domestically and in the world. From the Vice President's involvement in a national security crisis to the efforts to return the country to "its true Christian foundations," Robert Hamilton examines the crux of good intentions and beliefs gone awry and the true paths of those who link their personal beliefs with a changing political scenario. Whose side is God on, anyway? These and other questions make Crux not just a highly recommended read for its political thriller components, but a powerful social and spiritual examination that contains messages that deserve to be inspected, debated, and absorbed by book clubs and a broad audience of concerned American citizens. How do you reach hearts and minds? By producing a story that holds entertainment value and educational revelations alike. That's why libraries need to not only include Crux in their collections, but highlight it as a pivot point for discussions steeped in social, religious, and political examination. There is a bad storm coming. Crux is not just a riveting story, but a possible portent of a future America operating in the hands of a dangerous, attractive demagogue.

Everyone across America had the same idea at the same time. Chickens became the toilet paper of the spring.

I wonder how I can crowd all my joy into one short life.

In the only picture Brennan ever did for the legendary director John Ford, the character actor worked well beside Ford stalwarts such as Ward Bond, playing one of Earp’s brothers. Indeed, what is most remarkable about this film is the contrast between Clanton and his boys and Earp and his congenial brothers, the youngest of whom is killed when the Clanton gang rustles cattle the Earps have been driving to California. Brennan personifies the authority of evil, as he does in Brimstone (August 15, 1949), where he again bullies his boys into driving out homesteaders. It is almost as if in each subsequent film—especially in Westerns—Brennan is building a persona that is like a suit subjected to constant alteration without ever losing its basic contours. He would essay yet another version of the dominating father with sons in tow in Shoot Out at Big Sag (June 1, 1962), an independent production organized by his son Andy, in which Walter plays a pusillanimous preacher who has let down his wife and family by not defending them. But he ultimately redeems himself when he realizes he has lost the respect of everyone, including his daughter, who in the end proves to be his salvation owing to her unwillingness to accept her family’s defeatist mentality.

Particularly galling was the way the Homestead Act was abused. Passed during the Civil War, it was supposed to make a reality out of Lincoln’s version of the free labor, free soil dream. But fewer than half a million people actually set up viable farms over nearly half a century. Most public lands were taken over by the railroads, thanks to the government’s beneficent land-grant policy (another form of primitive accumulation); by land speculators backed by eastern bankers, who sometimes hired pretend “homesteaders” in acts of outright fraud; or by giant cattle ranches and timber companies and the like who worked hand in glove with government land agents. As early as 1862 two-thirds of Iowa (or ten million acres) was owned by speculators. Railroads closed off one-third of Kansas to homesteading and that was the best land available. Mushrooming cities back east became, in a kind of historical inversion, the safety valve for overpopulated areas in the west. At least the city held out the prospect of remunerative wage labor if no longer a life of propertied independence. Few city workers had the capital to migrate west anyway; when one Pennsylvania legislator suggested that the state subsidize such moves, he was denounced as “the Pennsylvania Communist” for his trouble. During the last land boom of the nineteenth century (from about 1883 to 1887), 16 million acres underwent that conversion every year. Railroads doubled down by selling off or mortgaging portions of the public domain they had just been gifted to finance construction or to speculate with. But land-grant roads were built at costs 100 percent greater than warranted and badly built at that, needing to be rebuilt just fifteen years later.

in one comic scene, Brennan and Cooper share the same bed, with Brennan’s arm, at one point, draped over Cooper’s. It is tempting to see Lillian Hellman’s hand in such scenes, since she was assigned to do rewrites of Busch’s script. She specialized in the sexual ambiguity of the ménage à trois, as in These Three (1936), a Goldwyn production that featured two schoolteachers in love with the same man. In The Westerner, it is the off-screen Langtry who links Brennan and Cooper. Her aura envelops Harden and dazzles Bean, especially since Bean has to work overtime to pry out of the laconic Harden luscious details the judge slavers over. Accompanied by Brennan’s moist patter, Cooper dryly doles out his delicacies, including a lock of Langtry’s hair (actually taken from the daughter of a homesteader who has fallen in love with Harden). During the Lux Radio Theatre production of The Westerner (broadcast September 23, 1940), Cooper’s droll delivery evoked more laughter than Brennan’s stridency.

Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At

Ava sang to remind them of what was important – the things that mattered in their lives. She sang about the love of hearth and home; the fire at night in the fireplace; dinner warm on the table; a caring wife and hard-working husband who relied on each other for everything; of babies still in their cradles; toddlers climbing on knees wanting to be cuddled; of teenage boys and girls helping their parents run the homestead. She sang of warm summers and cozy winters with lots of heavy blankets; of harmony and love; well-being and gratitude for the harvest - for the bounty by which they all lived. She sang of the joy of a new life; the births of their children; the enduring love in the twilight of old age between a man and his wife - the years behind them like the building blocks of an enormous castle.

From the moment that the first plow blade bit into the crust, the homesteaders began to destroy the foundations of their new life, and in a very few years the crust was gone--used up, scattered, blown away by the dry summer winds.

Lily came suddenly and violently awake a few hours later, and she stared up at Caleb with wide eyes as he held her in place on the bed, her hands pressed into the pillows. “Who was it?” he demanded. Lily knew he was asking who had attacked her in her cottage the night of the fire, knew he wouldn’t wait any longer to be told. Still she hesitated, not to protect Judd, but because she feared what could happen to Caleb if he took his revenge. “Judd Ingram,” she said quietly. Caleb swore, and the look in his eyes was murderous. “He didn’t hurt me, Caleb,” Lily reasoned hastily, grabbing at his upper arm with both hands. She was under no illusion that she could restrain the major if he chose to pull away, but she held on with all her might just the same. “Why are you defending the bastard?” Lily sighed. “I’m not, Caleb—he can burn in hell for all I care. It’s you I’m worried about.” Caleb relaxed a little and let his forehead rest against Lily’s. “I want to kill him,” he breathed. “I want to gut him like a trout and feed his insides to the crows.” “I know,” Lily said gently, her hands moving soothingly on his tense shoulders, “but you mustn’t take the law into your own hands. We’ve got trouble enough, Caleb, without your being hanged for murder or confined to a federal prison for the rest of your life.” He kissed her lightly on the mouth. “You’re right,” he conceded after a long moment. “You could have Judd thrown out of the army, couldn’t you?” Caleb nodded grimly. “Yes. But if I did that, he’d be free to hang around this part of the country. If you should end up on that homestead of yours, you’d be vulnerable to him.” Lily’s face fell at the prospect. “No,” Caleb went on, “I’ll have him transferred. Say, to Fort Yuma. He’ll feel right at home there with all those other scorpions to keep him company.” Lily sighed. “Suppose he attacks somebody else, Caleb? Suppose they don’t get away like I did?” Caleb’s hands were gentle on her shoulders. “I’ll make sure Ingram’s commanding officer knows what kind of man he is, Lily. Don’t worry.” With

When was your first time?” “Oh.” He clears his throat in that familiar, stalling way. “I was sixteen. With Mary. She was my high school girlfriend.” I wonder if that means he’s only ever had sex with me and her. They could have been separated at some point. It’s possible he cheated on her, although he doesn’t seem the type. And it’s been years since she died. He could have had sex with someone else since then. That feels like too personal a question for our relationship, so instead, I ask, “What was she like?” I wouldn’t have asked that question earlier today. He’s not a talkative man, and I’ve been trying not to pry into his private thoughts and history. But he asked about me, so maybe I’m allowed to ask about him. I want to know more. A lot more. “Oh,” he mutters. “She was… I loved her.” I wait, but he doesn’t say anything else. He doesn’t need to. I understand. He’s a good man, so he doesn’t want to use me or take advantage of me, but there are clear boundaries around our relationship, and those boundaries will remain. He wants us to share this life and help each other out. He wants me to do the inside work that’s more than he can handle by himself. He wants to fuck me—no doubt about that. And he wants me to be safe and content in our practical arrangement. And he wants me to be honest and not keep secrets from him. But he doesn’t want me to be close to him. He’s not going to open up to me. His mother told me before I moved here that he got closed off after Impact, and it’s clear to me now that he’s likely to stay that way. That’s okay. It’s a little disappointing since something inside me wants to get close to him, but I don’t have to indulge that soft little instinct.

You need skills to be good at homesteading. You need farming, carpentry, and above all, you need to be able to impersonate Elvis. When society collapses, that’s probably what will save your life.

This has been a story of the buried life after all: Emily and Austin and Vinnie firing up at the spark Mabel touched off when she flirted with Austin’s buried passions and intruded on the Homestead and coveted the shadow-world of Sue and Emily. But to touch off that spark was Austin’s doing as well as Mabel’s. The feud was not wholly something that was done to the Dickinsons but was in some sense a sequel to what they were.

Once The Evergreens and then the Homestead opened their doors to Mabel Todd, emotions—a lethal mix of passion, jealousy and rage—erupted during the last years of the poet’s life, perpetuated by descendants and the authorities they co-opted or persuaded.

It is our custom to close the day with a reading from the Bible. Often when we have indeed seemed heavy-laden, we have found in its words new life and courage. Here on our lonely prairie we have felt a sense of nearness to Him who 'giveth power to the faint,' and have realized anew that 'to them that hath no might He increaseth strength.' However it may be for others, I feel that no homesteaders equipment would be complete without this book of books.

Has everyone in your life demanded you change something about yourself as a condition of their love?

Most émigrés, lacking the resources to establish themselves in England, traveled to other British outposts in North America known only by maps and rumors. The most popular destination for loyalists in the deep South was East Florida, which grew from a population of 4,000 to 17,000 in a single year.105 Within a few months of their arrival, however, the émigrés learned that Great Britain had ceded East Florida to Spain in the peace settlement. Not wishing to become Spanish subjects, the vast majority decided to move on. About one-third returned to the United States, some creeping back to their former homes, most settling on the frontier or some other location where their prior loyalties would not be known. Many others, including Thomas Brown and Robert Cunningham, sailed for the Bahamas, with a plantation economy based upon slavery. Those who carried their slaves to Jamaica, ironically, wound up protesting the trade policies of the British Parliament, just as their rebel opponents had done. Southern loyalists without slaves and nowhere better to go headed north to Canada, but many did not take well to the cold, and they too petitioned the British government, claiming it was “altogether impossible . . . to clear the ground, and raise the necessaries of life, in a Climate to southern Constitutions inhospitable and Severe.”106 They would prefer, they said, to trade in their homesteads in Canada for a small piece of the Bahamas.

There is little in life as rewarding as enjoying a salad composed entirely of things you’ve picked from your own garden

Indigenous peoples' DNA is seen as a resource for use in medical, behavioral, anthropological, and genetic variation studies. Kanaka Maoli DNA has been sought for research at UH. For example, Dr. Charles Boyd, who was a researcher at UH's Pacific Biomedical Research Center, drafted a proposal for a Hawaiian Genome Project seeking $5–10 million to produce an annotated map of the entire genetic makeup of the Hawaiian people. Boyd stated, “There are many communities now with their own unique genetic history imprinted into their genomes and these include Asians, Europeans and the peoples of Oceania. The Hawaiian genome represents an important example of one of these communities of the Oceania people.”12 Boyd was hoping to target residents of the Hawaiian Homestead communities because they are seen as being the most purebred native Hawaiians. He hoped to find a genetic basis for the high rate of obesity, diabetes, renal disease, and hypertension in Kanaka Maoli.13 This type of research essentializes the role of genes, while devaluing key environmental and lifestyle factors, including the role dispossession of land has had in traditional diet and activities.

The dispossession of the Dakota, the Homestead Act of 1862, and the war that they touched off set the stage for Laura Ingalls Wilder’s life.

The object of all who came to Oregon in early times was to avail themselves of the privilege of a donation claim, and my opinion to-day is that every man and woman fully earned and merited all they got, but we have a small class of very small people here now who have no good word for the old settler that so bravely met every danger and privation, and by hard toil acquired, and careful economy, saved the means to make them comfortable during the decline of life. These, however are degenerate scrubs, too cowardly to face the same dangers that our pioneer men and women did, and too lazy to perform an honest day’s work if it would procure them a homestead in paradise. They would want the day reduced to eight hours and board thrown in.

But words can of course equally well carry a blessing with them. A good word at parting is a gift of strength to the traveller. When the king said “Good luck go with you, my friend,” the man set out carrying a piece of the king's power in him. “Luck on your way to your journey's end, and then I will take my luck again,” is a saying still current among the Danish peasantry. A good word given on coming to a new place meant a real addition to one's luck. When Olaf the Peacock moved into his new homestead, old Hoskuld, his father, stood outside uttering words of good luck; he bade Olaf welcome with luck, and added significantly: “This my mind tells me surely, that his name shall live long.” Orðheill, word-luck, is the Icelandic term for a wish thus charged with power, either for good or evil, according as the speaker put his goodwill into his words and made them a blessing, or inspired them with his hate, so that they acted as a curse. There was man's life in words, just as well as in plans, in counsel. Thoughts and words are simply detached portions of the human soul and thus in full earnest to be regarded as living things.

connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where they found only one completed log house and another under construction. There they homesteaded the town of Blair, Nebraska. For three generations there were Carters in Nebraska, first in Blair and then in Omaha, where I was bom. As a native Nebraskan, I feel a particular affinity for William F. Cody, who lived most of his adult life in Nebraska. My father, George W. Carter, could have seen Buffalo Bill's Wild West when it came to Omaha in August 1908. I wish I had known the old scout personally; I am glad I have come to know him better while writing this book. It is also my fond hope that readers will feel as I do, that Buffalo Bill Cody is well worth knowing. Writing a biography of someone long dead is always a challenge. You must come to understand the person, the motivations, the key events that altered the course of history. And there are the records, the letters, the reminiscences of contemporaries. In Bill. Cody's case the documentation is plentiful but sometimes contradictory. Did Buffalo Bill kill Yellow Hand-the "first scalp for Custer"-for example? There are those who say he did and detractors who say he did not. Who are. we . to ' believe? For the most part, if I found two or three accounts that agreed with each other, particularly if there were official government .records supporting him, I felt sure I could give the credit to Cody.

Listen to me! I seen you tackle one hurdle after another since we got together. You lost everythin’ and you picked yourself right back up. You learned how to do all these tough jobs and do ’em all real good. You took care of me and kept me goin’ and made life worth livin’ for me again. You’ve been brave and sweet and generous and determined and resilient, and you been all that thinkin’ this was just a practical arrangement. Without even knowin’ how much I love you. You’re the strongest person I’ve ever known, Chloe. You’re gonna be strong enough to do this too.” I

All those thoughts are whirling inside my head when Jimmy suddenly jerks to a stop. I stop too, gazing up at him with wide eyes. “I’m real sorry, Chloe,” he bursts out. “Why are you sorry?” “Sorry for actin’ like this. For upsettin’ you so much. The confusion is all my fault.” “No, it’s not.” If I’m sure of anything, it’s that I’m part of the blame for all this too. I’ve always been so scared and insecure. I’ve always felt so helpless. I’m probably too clingy. I’ve tried too hard to be exactly what he wants instead of being real with him. He’s always made it clear he wants me to be real, but I’ve been too scared to do it. “Yeah, it is,” he mutters. “At least most of it is. You’re right about our agreement. You didn’t get it wrong. That’s what I offered you. That’s all I offered. It’s not that I wasn’t hopin’ for more. But it all felt so… so weird. So it was easier to focus on the practical. I’ve never been good at relationships. Mary used to tell me all the time I got to say what I’m thinkin’ instead of always keepin’ it to myself. But I… I’m bad at that. So I assumed you knew. I kept hopin’ you were feelin’ what I was feelin’ so maybe I wouldn’t need to… to really open up.” I stare at him, breathless and excited and shaking again. I don’t exactly know what he’s trying to say, but it’s something. Something important. He’s never talked like this to me before. He clears his throat and drops his eyes the way he always does when he’s uncertain. “At first it was just the arrangement. I mean, I really needed a woman, and you were the prettiest thing I ever saw in my life. So I thought… well, maybe that’ll work.” “I understood that. Not about the pretty thing, but about the rest of it. I was never expecting anything else.” “I know. I see that now. You kept thinkin’ it while I was thinkin’ maybe we were… we were feelin’ more.” I gasp. “You were feeling more?” He shifts from foot to foot. Avoids my eyes for a few seconds before he finally holds my gaze. “Well, yeah. Didn’t you know that?