Home Maker Quotes

The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.

I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house?

God is going to send you someone that will rescue you. Then one day you will rescue them in return and together your story will rescue others. He has always been a God of rescues and a maker of warriors for his grace. You only need to believe that you are part of something greater than you know.

Ben and Freda were happy for Cindy. She had recovered from the horrible abuses she had suffered the previous year. Her last bad dream was over five months behind her. Her schoolwork was excellent, and her home and farm chores were done promptly without any supervision. Her face without a smile was a rare sight. Ben and Freda exchanged glances. Tears had slipped glistening over their eyes.

A Woman's Question Do you know you have asked for the costliest thing Ever made by the Hand above? A woman's heart, and a woman's life--- And a woman's wonderful love. Do you know you have asked for this priceless thing As a child might ask for a toy? Demanding what others have died to win, With a reckless dash of boy. You have written my lesson of duty out, Manlike, you have questioned me. Now stand at the bars of my woman's soul Until I shall question thee. You require your mutton shall always be hot, Your socks and your shirt be whole; I require your heart be true as God's stars And as pure as His heaven your soul. You require a cook for your mutton and beef, I require a far greater thing; A seamstress you're wanting for socks and shirts--- I look for a man and a king. A king for the beautiful realm called Home, And a man that his Maker, God, Shall look upon as He did on the first And say: "It is very good." I am fair and young, but the rose may fade From this soft young cheek one day; Will you love me then 'mid the falling leaves, As you did 'mong the blossoms of May? Is your heart an ocean so strong and true, I may launch my all on its tide? A loving woman finds heaven or hell On the day she is made a bride. I require all things that are grand and true, All things that a man should be; If you give this all, I would stake my life To be all you demand of me. If you cannot be this, a laundress and cook You can hire and little to pay; But a woman's heart and a woman's life Are not to be won that way.

No writing is wasted. Did you know that sourdough from San Francisco is leavened partly by a bacteria called lactobacillus sanfrancisensis? It is native to the soil there, and does not do well elsewhere. But any kitchen can become an ecosystem. If you bake a lot, your kitchen will become a happy home to wild yeasts, and all your bread will taste better. Even a failed loaf is not wasted. Likewise, cheese makers wash the dairy floor with whey. Tomato gardeners compost with rotten tomatoes. No writing is wasted: the words you can't put in your book can wash the floor, live in the soil, lurk around in the air. They will make the next words better.

These places are time machines, spaceships, story-makers, secret-keepers. They are dragon-tamers, dream-catchers, fact-finders, and safe places. They are full of infinite possibilities and tales worth taking home.

Every man needs two women, a quiet home-maker, and a thrilling nymph.

Pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

A NATION'S GREATNESS DEPENDS ON ITS LEADER To vastly improve your country and truly make it great again, start by choosing a better leader. Do not let the media or the establishment make you pick from the people they choose, but instead choose from those they do not pick. Pick a leader from among the people who is heart-driven, one who identifies with the common man on the street and understands what the country needs on every level. Do not pick a leader who is only money-driven and does not understand or identify with the common man, but only what corporations need on every level. Pick a peacemaker. One who unites, not divides. A cultured leader who supports the arts and true freedom of speech, not censorship. Pick a leader who will not only bail out banks and airlines, but also families from losing their homes -- or jobs due to their companies moving to other countries. Pick a leader who will fund schools, not limit spending on education and allow libraries to close. Pick a leader who chooses diplomacy over war. An honest broker in foreign relations. A leader with integrity, one who says what they mean, keeps their word and does not lie to their people. Pick a leader who is strong and confident, yet humble. Intelligent, but not sly. A leader who encourages diversity, not racism. One who understands the needs of the farmer, the teacher, the doctor, and the environmentalist -- not only the banker, the oil tycoon, the weapons developer, or the insurance and pharmaceutical lobbyist. Pick a leader who will keep jobs in your country by offering companies incentives to hire only within their borders, not one who allows corporations to outsource jobs for cheaper labor when there is a national employment crisis. Choose a leader who will invest in building bridges, not walls. Books, not weapons. Morality, not corruption. Intellectualism and wisdom, not ignorance. Stability, not fear and terror. Peace, not chaos. Love, not hate. Convergence, not segregation. Tolerance, not discrimination. Fairness, not hypocrisy. Substance, not superficiality. Character, not immaturity. Transparency, not secrecy. Justice, not lawlessness. Environmental improvement and preservation, not destruction. Truth, not lies. Most importantly, a great leader must serve the best interests of the people first, not those of multinational corporations. Human life should never be sacrificed for monetary profit. There are no exceptions. In addition, a leader should always be open to criticism, not silencing dissent. Any leader who does not tolerate criticism from the public is afraid of their dirty hands to be revealed under heavy light. And such a leader is dangerous, because they only feel secure in the darkness. Only a leader who is free from corruption welcomes scrutiny; for scrutiny allows a good leader to be an even greater leader. And lastly, pick a leader who will make their citizens proud. One who will stir the hearts of the people, so that the sons and daughters of a given nation strive to emulate their leader's greatness. Only then will a nation be truly great, when a leader inspires and produces citizens worthy of becoming future leaders, honorable decision makers and peacemakers. And in these times, a great leader must be extremely brave. Their leadership must be steered only by their conscience, not a bribe.

What is a woman that you forsake her And the hearth fire and the home acre To go with that old grey widow-maker?

This is man: a writer of books, a putter-down of words, a painter of pictures, a maker of ten thousand philosophies. He grows passionate over ideas, he hurls scorn and mockery at another's work, he finds the one way, the true way, for himself, and calls all others false--yet in the billion books upon the shelves there is not one that can tell him how to draw a single fleeting breath in peace and comfort. He makes histories of the universe, he directs the destiny of the nations, but he does not know his own history, and he cannot direct his own destiny with dignity or wisdom for ten consecutive minutes.

Every time I’m in an airport, I think I should drastically change my life: Kill the kid stuff, start to act my numbers, set fire to the clutter and creep below the radar like an escaped canine sneaking along the fence line. I’d be cable-knitted to the hilt, beautiful beyond buying, believe in the maker and fix my problems with prayer and property. Then, I think of you, home with the dog, the field full of purple pop-ups—we’re small and flawed, but I want to be who I am, going where I’m going, all over again.

They think the recipe for a 'home-maker' is- a woman who isn't smart enough, lacks skills and above all isn't ambitious enough! Well she is every bit as smart as the woman who puts on a suit to go to work in a man's world to prove- times have changed! She is every bit as intelligent!

How he loathed his life-long slavery to the clock, that pervasive intimate negative opposed to every spontaneous impulse. "It's the clock that is the nay-sayer to life," he thought

I give nightly praise to my Maker that I never cast a ballot to bring that lazy, disreputable, ill-tempered beast into what was once my home. I'm glad that I had the courage to go on record as opposing that illegitimate, shameless flea-bag that now shares my bed and board. You abstainer, you!

Beauty has laws, and an appreciation of them is not possessed equally by all. The more primitive and ignorant a race, or class, the less it knows of true beauty. The Indian basket-maker wove beautiful things but they did not know it; give them the cheap and ugly productions of our greedy "market" and they like them better. They may unconsciously produce beauty, but they do not consciously select it.

This morning, on the avenue, my death was walking next to me, under the plane-trees. I came back home, lied on the bed. My death looked tired as much as I was. A few minuts later, I woke up, made a coffee and opened a poems book. Some light came out from the book. I think it was at this moment that my death left the appartment, crossing the door, without noise. It was not her time, and perhaps she was depressed by the beauty of a few words, yes, perhaps the death doesn't support books and prefers the head ache maker television.

Don’t sit at home and wait for mango tree to bring mangoes to you wherever you are. It won’t happen. If you are truly hungry for change, go out of your comfort zone and change the world.

You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--

Eva had passionate love and devotion to give them, but neither patience nor understanding. There was no sacrifice in the world which she would not joyfully make for her children except to live with them.

He walked that night across the beach and back again, Titan running free and barking and playing with the cold waves. He walked with his brother. He walked with his aunt. He walked with his uncle. He walked with that girl he liked, the one he never knew, and her cat. He walked with his father and his mother. He walked with his sister and her husband, and their children. It was all in his head, that endless walk of naked feet against the sand. He walked alone until the water hit against the wall and the drizzle was the sea and the wind and his dream of staying home.

It wasn't because Eva had not tried her best. She had nearly killed herself trying. But she had been like a gifted mathematician set to paint a picture.

Personal emotions should be carefully monitored. Emotional ties are to be exploited but never felt.

When I was older and was half through college, I chanced to be spending a few days at home near the end of summer vacation. With a feeling of great temerity I asked her one day why it was that she would not let me read any of the Pauline letters. What she told me I shall never forget. “During the days of slavery,” she said, “the master’s minister would occasionally hold services for the slaves. Old man McGhee was so mean that he would not let a Negro minister preach to his slaves. Always the white minister used as his text something from Paul. At least three or four times a year he used as a text: ‘Slaves, be obedient to them that are your masters …, as unto Christ.’ Then he would go on to show how it was God’s will that we were slaves and how, if we were good and happy slaves, God would bless us. I promised my Maker that if I ever learned to read and if freedom ever came, I would not read that part of the Bible.” Since

There are seven incarnations (and six correlates) necessary to becoming an Artist: 1. Explorer (Courage) 2. Surveyor (Vision) 3. Miner (Strength) 4. Refiner (Patience) 5. Designer (Intelligence) 6. Maker (Experience) 7. Artist. First, you must leave the safety of your home and go into the dangers of the world, whether to an actual territory or some unexamined aspect of the psyche. This is what is meant by 'Explorer.' Next, you must have the vision to recognize your destination once you arrive there. Note that a destination may sometimes also be the journey. This is what is meant by 'Surveyor.' Third, you must be strong enough to dig up the facts, follow veins of history, unearth telling details. This is what is meant by 'Miner.' Fourth, you must have the patience to winnow and process your material into something rare. This may take months or even years. And this is what is meant by 'Refiner.' Fifth, you must use your intellect to conceive of your material as something meaning more than its origins. This is what is meant by 'Designer.' Six, you must fashion a work independent of everything that has gone before it including yourself. This is accomplished though experience and is what is meant by 'Maker.' At this stage, the work is acceptable. You will be fortunate to have progressed so far. It is unlikely, however, that you will go any farther. Most do not. But let us assume you are exceptional. Let us assume you are rare. What then does it mean to reach the final incarnation? Only this: at every stage, from 1 thru 6, you will risk more, see more, gather more, process more, fashion more, consider more, love more, suffer more, imagine more and in the end know why less means more and leave what doesn't and keep what implies and create what matters. This is what is meant by 'Artist.

Bold prayers honor God, and God honors bold prayers. God isn’t offended by your biggest dreams or boldest prayers. He is offended by anything less. If your prayers aren’t impossible to you, they are insulting to God. Prayers are prophecies. They are the best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life. The greatest tragedy in life is the prayers that go unanswered because they go unasked. God does not answer vague prayers. The more specific your prayers are, the more glory God receives. Most of us don’t get what we want because we quit praying. We give up too easily. We give up too soon. We quit praying right before the miracle happens. If you don’t take the risk, you forfeit the miracle. Take a step of faith when God gives you a vision because you trust that the One who gave you the vision is going to make provision. And for the record, if the vision is from God, it will most definitely be beyond your means. We shouldn’t seek answers as much as we should seek God. If you seek answers you won’t find them, but if you seek God, the answers will find you. If your plans aren’t birthed in prayer and bathed in prayer, they won’t succeed. Are your problems bigger than God, or is God bigger than your problems? Our biggest problem is our small view of God. That is the cause of all lesser evils. And it’s a high view of God that is the solution to all other problems. Because you know He can, you can pray with holy confidence. Persistence is the magic bullet. The only way you can fail is if you stop praying. 100 percent of the prayers I don’t pray won’t get answered. Where are you most proficient, most sufficient? Maybe that is precisely where God wants you to trust Him to do something beyond your ability. What we perceive as unanswered prayers are often the greatest answers. Our heavenly Father is far too wise and loves us far too much to give us everything we ask for. Someday we’ll thank God for the prayers He didn’t answer as much or more than the ones He did. You can’t pray for open doors if you aren’t willing accept closed doors, because one leads to the other. Just as our greatest successes often come on the heels of our greatest failures, our greatest answers often come on the heels of our longest and most boring prayers. The biggest difference between success and failure, both spiritually and occupationally, is your waking-up time on your alarm clock. We won’t remember the things that came easy; we’ll remember the things that came hard. It’s not just where you end up that’s important; it’s how you get there. Goal setting begins and ends with prayer. The more you have to circle something in prayer, the more satisfying it is spiritually. And, often, the more glory God gets. I don’t want easy answers or quick answers because I have a tendency to mishandle the blessings that come too easily or too quickly. I take the credit or take them for granted. So now I pray that it will take long enough and be hard enough for God to receive all of the glory. Change your prayer approach from as soon as possible to as long as it takes. Go home. Lock yourself in your room. Kneel down in the middle of the floor, and with a piece of chalk draw a circle around yourself. There, on your knees, pray fervently and brokenly that God would start a revival within that chalk circle.

We've always used stories as a way to pass on our history, as a way to explain things in life that we don't understand. We use them to make us feel connected to everything around us, and to help us escape to another time or place. Bookshops across the world are full of these stories. From travelling booksellers and undercover bookshops, to pop-up stalls and community hubs, walking into a good bookshop is like walking into another zone.These places are time machines, spaceships, story-makers, secret-keepers. They are dragon-tamers, dream-catchers, fact-finders and safe places. They are full of infinite possibilities, and tales worth taking home. Because whether we're in the middle of the desert or in the heart of a city, on the top of a mountain or on an underground train: having good stories to keep us company can mean the whole world.

Initially [my favorite books] seem to immerse me in another life, but ultimately they immerse me in me; I am looking through the window into another person’s home, but it is my face that I see in the reflection.

The gangs filled a void in society, and the void was the absence of family life. The gang became a family. For some of those guys in the gang that was the only family they knew, because when their mothers had them they were too busy having children for other men. Some of them never knew their daddies. Their daddies never look back after they got their mothers pregnant, and those guys just grew up and they couldn’t relate to nobody. When they had their problems, who could they have talked to? Nobody would listen, so they gravitated together and form a gang. George Mackey, the former representative for the historic Fox Hill community in The Bahamas.

I saw what Andrew did in our family. I saw that he came in and listened and watched and understood who we were, each individual one of us. He tried to discover our need and then supply it. He took responsibility for other people and it didn't seem to matter to him how much it cost him. And in the end, while he could never make the Ribeira family normal, he gave us peace and pride and identity. Stability. He married Mother and was kind to her. He loved us all. He was always there when we wanted him, and seemed unhurt by it when we didn't. He was firm with us about expecting civilized behavior, but never indulged his whims at our expense. And I thought: This is so much more important than science. Or politics, either. Or any particular profession or accomplishment or thing you can make. I thought: If I could just make a good family, if I could just learn to be to other children, their whole lives, what Andrew was, coming so late into ours, then that would mean more in the long run, it would be a finer accomplishment than anything I could ever do with my mind or hands." "So you're a career father," said Valentine. "Who works at a brick factory to feed and clothe the family. Not a brick-maker who also has kids. Lini also feels the same way... She followed her own road to the same place. We do what we must to earn our place in the community, but we live for the hours at home. For each other, for the children.

My grandmother Rose was a tough woman, so tough she'd built the family home with her own hands while my grandpa worked as a tailor in the market. She'd even built the furnace and molded the bricks herself, which is not an easy job, and even today, not the job of a woman.

I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. There are plenty of examples. I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. I went to bed in great excitement and in the morning I woke up and the gifts were there, but no one had seen the Befana. True miracles are the ones whose makers will never be known; they are the very small miracles of the secret spirits of the home or the great miracles that leave us truly astonished. I still have this childish wish for marvels, large or small, I still believe in them.

Alongside the ledger of atrocity, I keep another. The Palestinian doctor who would not abandon his patients, even as the bombs closed in. The Icelandic writer who raised money to get the displaced out of Gaza. The American doctors and nurses who risked their lives to go treat the wounded in the middle of a killing field. The puppet-maker who, injured and driven from his home, kept making dolls to entertain the children. The congresswoman who stood her ground in the face of censure, of constant vitriol, of her own colleagues’ indifference. The protesters, the ones who gave up their privilege, their jobs, who risked something, to speak out. The people who filmed and photographed and documented all this, even as it happened to them, even as they buried their dead. It is not so hard to believe, even during the worst of things, that courage is the more potent contagion. That there are more invested in solidarity than annihilation. That just as it has always been possible to look away, it is always possible to stop looking away. None of this evil was ever necessary. Some carriages are gilded and others lacquered in blood, but the same engine pulls us all. We dismantle it now, build another thing entirely, or we hurtle toward the cliff, safe in the certainty that, when the time comes, we’ll learn to lay tracks on air.

Anybody who knows anything knows how delicate and exacting a matter it is to try to tune in harmony two human beings, almost constitutionally out of tune even with themselves, full of strange complicated weaknesses and unexpected beauties and strength. Add to that the element of children, each of whom brings a full equipment of strange unexplored possiblities, and any fool can see that no outside complications are needed to make the problem a difficult one. "Marital Relations

Improbable as it may be, the day still has a few indignities left. The day waters down indignity with frustration to make it last longer. Abomination, thy name is Subway. He cannot enter. They flood through turnstiles, hips banging rods, and will not let him enter. He must get home, but it's all he can do to get halfway in before another one charges at him. A fish out of school. Everybody knows how it works except for him. All of them from every floor are crammed into this one subway car: the makers of memos, the routers of memos, the indexers filers and shredders of memos, the always-at-their-desks and the never-around. How do they all fit. Squabbling like pigeons over stale crumbs of seats. Everyone thinks they are more deserving, everyone thinks their day has been harder than everyone else's, and everyone is correct.

The world is a staircase,” hissed the accordion maker in the darkness. “Some go up and some come down. We must ascend.” She refused to agree, put her hands over her ears and moaned when he announced a departure date, later pointed up her chin and rolled her eyes like a poisoned horse when he brought home the trunk with metal corners.

IT IS SENSIBLE of me to be aware that I will die one of these days. I will not pass away. Every day millions of people pass away—in obituaries, death notices, cards of consolation, e-mails to the corpse’s friends—but people don’t die. Sometimes they rest in peace, quit this world, go the way of all flesh, depart, give up the ghost, breathe a last breath, join their dear ones in heaven, meet their Maker, ascend to a better place, succumb surrounded by family, return to the Lord, go home, cross over, or leave this world. Whatever the fatuous phrase, death usually happens peacefully (asleep) or after a courageous struggle (cancer). Sometimes women lose their husbands. (Where the hell did I put him?) Some expressions are less common in print: push up the daisies, kick the bucket, croak, buy the farm, cash out. All euphemisms conceal how we gasp and choke turning blue.

Mama and I sat on a burping bus full of chickens in cages, and round-eyed babies on round mothers' laps. (The Pinata-Maker's Daughter)

I do not relish leaving home, leaving my children, leaving the familiarity of my bed, my coffee maker, my slippers, but I do love hotels.

A Turkish Proverb says, “Coffee should be black as hell, strong as death, and as sweet as love.

Herbal medicine-making is much like dancing; it’s easy, it’s natural, and it’s undeniably delightful. To say the least, it is a lucid expression of one’s distinct character.

may occasionally pay lip-service to their value, but it ultimately has no real use for artists, dancers, poets, self-sufficient farmers, tree lovers, devoted followers of what it views as non-materialist cults — Christian or otherwise — handicraft workers, makers of their own beer, or, for that matter, stay-at-home moms and dads, all of whom, when they endure at all, do so at the margins and on the periphery of the social economy.

To be born again; to become like infants in God’s womb, entirely dependent, utterly quiet, never alone. Wordless communication, unspeakable love, cushioned against the world’s blows. Grace within the belly of our Maker.

KNOWN ABILITIES: Empath [DON’T BELIEVE ANYTHING ELSE MY MOM TELLS YOU] RESIDENCE: The Shores of Solace and Candleshade [ANYONE WANNA TRADE LIVES WITH ME?] IMMEDIATE FAMILY: Lord Cassius Sencen (father); Lady Gisela Sencen (mother) [AKA: WORST. PARENTS. EVER!] MATCH STATUS: Unregistered [TRY NOT TO BE TOO HEARTBROKEN, PEOPLE] [THOUGH I GOTTA SAY: I DON’T REALLY GET WHY EVERYONE PAYS SO MUCH ATTENTION TO THIS.] EDUCATION: Current Foxfire prodigy [AND PROUD DETENTION RECORD–HOLDER] NEXUS: No longer required [BECAUSE I’M COOL LIKE THAT] PATHFINDER: Not assigned. Restricted to Leapmasters and home crystals. [HA, THAT’S WHAT YOU THINK!] SPYBALL APPROVAL: None [BUT I HAVE FRIENDS WITH CONNECTIONS, THAT’S ALL I’M SAYING.…] MEMBER OF THE NOBILITY: No [THANK GOODNESS] TITLE: None [UM, HELLO, WHAT ABOUT LORD HUNKYHAIR? THAT’S A THING!] NOBLE ASSIGNMENT: None [MASTER MISCHIEF-MAKER] SIGNIFICANT CONNECTIONS: Fealty-sworn member of the Black Swan; former Wayward at Exillium; son to one of the leaders of the Neverseen [SWORN PROTECTOR OF THE MYSTERIOUS MISS F] ASSIGNED BODYGUARD(S): Ro (ogre) [AND SHE KNOWS, LIKE, 500,000 WAYS TO KILL YOU! SO IT’S REALLY NOT A GOOD IDEA TO MESS WITH US!]

I can remember Grandma telling stories about little nest makers leaving wards in the wid. The details would shift and change as she got older, but it always involved Saint Vinson's crystal spider and a wandering soul haunted by nightmares.

I can remember Grandma telling stories about little nest makers leaving wards in the wild. The details would shift and change as she got older, but it always involved Saint Vinson's crystal spider and a wandering soul haunted by nightmares.

Penelope embarked on a campaign to lobby Giles for her return ti work, who still insisted she remain at home sit was the natural order of things going back to time immemorial: me hunter - you homemaker me breadwinner - you bread-maker me child maker - you child raiser

A mood of constructive criticism being upon me, I propose forthwith that the method of choosing legislators now prevailing in the United States be abandoned and that the method used in choosing juries be substituted. That is to say, I propose that the men who make our laws be chosen by chance and against their will, instead of by fraud and against the will of all the rest of us, as now... ...that the names of all the men eligible in each assembly district be put into a hat (or, if no hat can be found that is large enough, into a bathtub), and that a blind moron, preferably of tender years, be delegated to draw out one... The advantages that this system would offer are so vast and obvious that I hesitate to venture into the banality of rehearsing them. It would in the first place, save the commonwealth the present excessive cost of elections, and make political campaigns unnecessary. It would in the second place, get rid of all the heart-burnings that now flow out of every contest at the polls, and block the reprisals and charges of fraud that now issue from the heart-burnings. It would, in the third place, fill all the State Legislatures with men of a peculiar and unprecedented cast of mind – men actually convinced that public service is a public burden, and not merely a private snap. And it would, in the fourth and most important place, completely dispose of the present degrading knee-bending and trading in votes, for nine-tenths of the legislators, having got into office unwillingly, would be eager only to finish their duties and go home, and even those who acquired a taste for the life would be unable to increase the probability, even by one chance in a million, of their reelection. The disadvantages of the plan are very few, and most of them, I believe, yield readily to analysis. Do I hear argument that a miscellaneous gang of tin-roofers, delicatessen dealers and retired bookkeepers, chosen by hazard, would lack the vast knowledge of public affairs needed by makers of laws? Then I can only answer (a) that no such knowledge is actually necessary, and (b) that few, if any, of the existing legislators possess it... Would that be a disservice to the state? Certainly not. On the contrary, it would be a service of the first magnitude, for the worst curse of democracy, as we suffer under it today, is that it makes public office a monopoly of a palpably inferior and ignoble group of men. They have to abase themselves to get it, and they have to keep on abasing themselves in order to hold it. The fact reflects in their general character, which is obviously low. They are men congenitally capable of cringing and dishonorable acts, else they would not have got into public life at all. There are, of course, exceptions to that rule among them, but how many? What I contend is simply that the number of such exceptions is bound to be smaller in the class of professional job-seekers than it is in any other class, or in the population in general. What I contend, second, is that choosing legislators from that populations, by chance, would reduce immensely the proportion of such slimy men in the halls of legislation, and that the effects would be instantly visible in a great improvement in the justice and reasonableness of the laws.

she realized then that what she’d hitherto thought personal to her was, in fact, applicable to many women, masses of them, women whose husbands forced them to stay at home when they were more than willing to put their intellect to good use in the skilled workforce, women, such as herself, who were going bonkers with boredom and banality Penelope embarked on a campaign to lobby Giles for her return to work, who still insisted she remain at home as it was the natural order of things going back to time immemorial: me hunter – you homemaker me breadwinner – you bread-maker me child maker – you child raiser

On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.' 'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.' Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.' These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.

For as the body is clad in the cloth, and the flesh in the skin, and the bones in the flesh, and the heart in the whole, so are we, soul and body, clad in the Goodness of God, and enclosed. Yea, and more homely: for all these may waste and wear away, but the Goodness of God is ever whole; and more near to us, without any likeness; for truly our Lover desireth that our soul cleave to Him with all its might, and that we be evermore cleaving to His Goodness. For of all things that heart may think, this pleaseth most God, and soonest speedeth [the soul]. For our soul is so specially loved of Him that is highest, that it overpasseth the knowing of all creatures: that is to say, there is no creature that is made that may [fully] know how much and how sweetly and how tenderly our Maker loveth us. And therefore we may with grace and His help stand in spiritual beholding, with everlasting marvel of this high, overpassing, inestimable Love that Almighty God hath to us of His Goodness. And therefore we may ask of our Lover with reverence all that we will.

To quote Ms. Lauryn: i wrote these words for everyone who struggles in their youth... * * - Esther - * * "Don't worry that you'll be a copy The Maker had you on His mind the entire time Before a speckle of sand hit the darkness Before sound came from the void Before two drops of hydrogen And oxygen combined Before mama knew papa The vibrations in your voice are like thumbprints The fequency and wavelength your sound generates Reverberates in the universe Breaking and entering into souls A light house in a perfect storm Your siren song does not take but lends To safety To refuge To home Don't be afraid that its already been said - Speak Don't be afraid that its already been thought - Think In this generation This moment For this time

The dishes I loved best when I was small were the ones that took the longest to make. My puppy sense told me that time equaled loved, and love equaled deliciousness. On the time continuum, instant noodles tasted careless, like nothing at all; the kuy teav noodle maker's hand-cut mee were far superior. But the slowest and best noodles of all came from my mother's kitchen.

Such was the bridal-hour of Genius and Humanity. Who shall rehearse the tale of their after-union? Who shall depict its bliss and bale? Who shall tell how He, between whom and the Woman God put enmity, forged deadly plots to break the bond or defile its purity? Who shall record the long strife between Serpent and Seraph? How still the Father of Lies insinuated evil into good - pride into wisdom - grossness into glory - pain into bliss - poison into passion? How the 'dreadless Angel' defied, resisted, and repelled? How, again and again, he refined the polluted cup, exalted the debased emotion, rectified the perverted impulse, detected the lurking venom, baffled the frontless temptation - purified, justified, watched, and withstood? How, by his patience, by his strength, by that unutterable excellence he held from God - his Origin - this faithful Seraph fought for Humanity a good fight through time; and, when Time's course closed, and Death was encountered at the end, barring with fleshless arms the portals of Eternity, how Genius still held close his dying bride, sustained her through the agony of the passage, bore her triumphant into his own home - Heaven; restored her, redeemed, to Jehovah - her Maker; and at last, before Angel and Archangel, crowned her with the crown of Immortality. Who shall, of these things, write the chronicle?

Mr Wonka Goes Too Far The last time we saw Charlie, he was riding high above his home town in the Great Glass Lift. Only a short while before, Mr Wonka had told him that the whole gigantic fabulous Chocolate Factory was his, and now our small friend was returning in triumph with his entire family to take over. The passengers in the Lift (just to remind you) were: Charlie Bucket, our hero. Mr Willy Wonka, chocolate-maker extraordinary. Mr and Mrs Bucket, Charlie’s father and mother. Grandpa Joe and Grandma Josephine, Mr Bucket’s father and mother. Grandpa George and Grandma Georgina, Mrs Bucket’s father and mother. Grandma Josephine, Grandma Georgina and Grandpa George were still in bed, the bed having been pushed on board just before take-off. Grandpa Joe, as you remember, had got out of bed to go around the Chocolate Factory with Charlie. The Great Glass Lift was a thousand feet up and cruising nicely. The sky was brilliant blue. Everybody on board was wildly excited at the thought of going to live in the famous Chocolate Factory. Grandpa Joe was singing. Charlie was jumping up and down. Mr and Mrs Bucket were smiling for the first time in years, and the three old ones in the bed were grinning at one another with pink toothless gums. ‘What in the world keeps this crazy thing up in the air?’ croaked Grandma Josephine. ‘Madam,’ said Mr Wonka, ‘it is not a lift any longer. Lifts only go up and down inside buildings. But now that it has taken us up into the sky, it has become an ELEVATOR. It is THE GREAT GLASS ELEVATOR.

Sensuality is for you, not about you. It’s for you in a sense that you are allowed to indulge all of your senses and taste the goodness of this world and beyond. It’s also for you in a sense that you’re allowed to curate and express yourself in an authentic way (i.e. in the way you dress, communicate, live, love, play, etc.). However, sensuality is not ABOUT you, it’s about those to whom you were brought here to touch and inspire. It’s about the joy and pleasure you’re here to bring. You didn’t come here for yourself nor empty-handed, but you came here bearing special gifts. You were brought here to be a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures. Your passion is an indication of the sensual gift(s) you were endowed with before you made your grand entry into this world. Your divine mandate now is to exploit every sensual gift you have to the fullest whether it’s music, photography, boudoir or fashion modeling, etc. If you have a love for fashion, always dress impeccably well like my friend Kefilwe Mabote. If you have a love for good food and wine, create culinary experiences the world has never seen before like chef Heston Blumenthal whom I consider as one of the most eminent sensual innovators in the culinary field. Chef Heston has crafted the most sensually innovative culinary experience where each sense has been considered with unparalleled rigour. He believes that eating is a truly multi-sensory experience. This approach has not only led to innovative dishes like the famous bacon and egg ice cream, but also to playing sounds to diners through headphones, and dispersing evocative aromas with dry ice. Chef Heston is indeed a vessel of sensual innovation and a conveyor of heaven’s most deepest pleasures in his own right and field. So, what sensual gift(s) are you here to use? It doesn’t have to be a big thing. For instance, you may be a great home maker. That may be an area where you’re endowed with the most sensual innovative abilities than any other area in your life. You need to occupy and shine your light in that space, no matter how small it seems.

What we ought to realize about marriage is, first of all, that, like every other human relationship, it is a problem that is never completely solved and settled, once and for all, until both parties are dead and buried. And secondly, that it is an intensely personal affair and that nobody on earth can know as much about it as the two people involved. Consequently, advice and pressure from the outside are always given on the basis of insufficient information, and have at least a fifty-fifty chance of being wrong. "Marital Relations

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

The Beatles were particularly prominent examples, and Dylan’s central position in rock history is rooted in that brief period when he and the Beatles were running neck and neck. He released Bringing It All Back Home in the spring of 1965, Highway 61 Revisited that summer, and Blonde on Blonde a year later. Rubber Soul, the first Beatles album conceived as a cohesive artistic statement, was released in December 1965, followed by Revolver seven months later. In commercial terms the Beatles were in a different league: on the American market, they released four LPs of new material in 1965 and two in 1966, and each spent more than five weeks at number one on Billboard’s album chart, while Dylan would not have a number one album until the mid-1970s. But they were evolving from teen-pop hit-makers into mature, thoughtful artists, with Dylan as their acknowledged model. McCartney recalled playing him a tape of their new songs when he came through London in the spring of 1966: “He said, ‘O I get it, you don’t want to be cute anymore!’ That summed it up. . . . The cute period had ended. It started to be art.

The essence of my case is this: given the fast pace of modern life, most of us tend to react too quickly. We don’t, or can’t, take enough time to think about the increasingly complex timing challenges we face. Technology surrounds us, speeding us up. We feel its crush every day, both at work and at home. Yet the best time managers are comfortable pausing for as long as necessary before they act, even in the face of the most pressing decisions. Some seem to slow down time. For good decision-makers, time is more flexible than a metronome or atomic clock.

As furniture makers, Chippendale and his contemporaries were masters without any doubt, but they enjoyed one special advantage that can never be replicated: the use of the finest furniture wood that has ever existed, a species of mahogany called Swietenia mahogani. Found only on parts of Cuba and Hispaniola (the island today shared by Haiti and the Dominican Republic) in the Caribbean, Swietenia mahogani has never been matched for richness, elegance, and utility. Such was the demand for it that it was entirely used up—irremediably extinct—within just fifty years of its discovery.

Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.

A profound depression came upon her. These were the moments in a mother's life about which nobody ever warned you, about which everybody kept a deceitful silence, the fine books and the speakers who had so much to say about the sacredness of maternity. They never told you that there were moments of arid clear sight when you saw helplessly that your children would never measure up to your standard, never would be really close to you, because they were not your kind of human beings, because they were not your children, but merely other human beings for whom you were responsible. How solitary it made you feel!

In the kitchen, something rumbled behind us, and without my permission, my body went flying. One minute I was on my side of the couch, the next second I was landing on Ryan. He grunted. Oh my god. I scrambled hard, fighting to get off him. I felt a huge hand wrap around my back, pulling me against him. He sounded amused. “You’re shaking.” “Something made a noise in the kitchen,” I sounded breathless. “Stay,” he said, pulling me off balance against his hard chest, “I’ll protect you from the fridge.” I lay there rigid against him, feeling his breath rise and fall beneath me. He was radiating heat. “That was the fridge?” “The ice maker,” he sounded amused.

If they cannot forgive me my foibles, then they are not such good people, no?"... "But they do forgive your foibles. They would welcome your company, too. But if you joined them, you would not understand what they were talking about. You would not have had the experiences that bind them together. You would be an outsider, not because of any act of theirs, but because you have not passed along the road that teaches you to be one of them. You will feel like an exile from the beautiful garden, but it will be you who exiled yourself. And yet you will blame them, and call them judgmental and unforgiving, even as it is your own pain and bitter memory that condemns you, your own ignorance of virtue that makes you a stranger in the land that should have been your home.

The rise of loneliness as a health hazard tracks with the entrenchment of values and practices that supersede any notion of "individual choices." The dynamics include reduced social programs, less available "common" spaces such as public libraries, cuts in services for the vulnerable and the elderly, stress, poverty, and the inexorable monopolization of economic life that shreds local communities. By way of illustration, let's take a familiar scenario: Walmart or some other megastore decides to open one of its facilities in a municipality. Developers are happy, politicians welcome the new investment, and consumers are pleased at finding a wide variety of goods at lower prices. But what are the social impacts? Locally owned and operated small businesses cannot compete with the marketing behemoth and must close. People lose their jobs or must find new work for lower pay. Neighborhoods are stripped of the familiar hardware store, pharmacy, butcher, baker, candlestick maker. People no longer walk to their local establishment, where they meet and greet one another and familiar merchants they have known, but drive, each isolated in their car, to a windowless, aesthetically bereft warehouse, miles away from home. They might not even leave home at all — why bother, when you can order online? No wonder international surveys show a rise in loneliness. The percentage of Americans identifying themselves as lonely has doubled from 20 to 40 percent since the 1980s, the New York Times reported in 2016. Alarmed by the health ravages, Britain has even found it necessary to appoint a minister of loneliness. Describing the systemic founts of loneliness, the U.S. surgeon general Vivek Murthy wrote: "Our twenty-first-century world demands that we focus on pursuits that seem to be in constant competition for our time, attention, energy, and commitment. Many of these pursuits are themselves competitions. We compete for jobs and status. We compete over possessions, money, and reputations. We strive to stay afloat and to get ahead. Meanwhile, the relationships we prize often get neglected in the chase." It is easy to miss the point that what Dr. Murthy calls "our twenty-first-century world" is no abstract entity, but the concrete manifestation of a particular socioeconomic system, a distinct worldview, and a way of life.

At all times it is a bewildering thing to the poor weaver to see his employer removing from house to house, each one grander than the last, till he ends in building one more magnificent than all, or withdraws his money from the concern, or sells his mill, to buy an estate in the country, while all the time the weaver, who thinks he and his fellows are the real makers of this wealth, is struggling on for bread for his children, through the vicissitudes of lowered wages, short hours, fewer hands employed, etc. And when he knows trade is bad, and could understand (at least partially) that there are not buyers enough in the market to purchase the goods already made, and consequently that there is no demand for more; when he would bear and endure much without complaining, could he also see that his employers were bearing their share; he is, I say, bewildered and (to use his own word) "aggravated" to see that all goes on just as usual with the millowners. Large houses are still occupied, while spinners' and weavers' cottages stand empty, because the families that once filled them are obliged to live in rooms or cellars. Carriages still roll along the streets, concerts are still crowded by subscribers, the shops for expensive luxuries still find daily customers, while the workman loiters away his unemployed time in watching these things, and thinking of the pale, uncomplaining wife at home, and the wailing children asking in vain for enough of food--of the sinking health, of the dying life of those near and dear to him. The contrast is too great. Why should he alone suffer from bad times?

pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect.

But these things that Rome had to give, are they not good things?” Marcus demanded. “Justice, and order, and good roads; worth having, surely?” “These be all good things,” Esca agreed. “But the price is too high.” “The price? Freedom?” “Yes—and other things than freedom.” “What other things? Tell me, Esca; I want to know. I want to understand.” Esca thought for a while, staring straight before him. “Look at the pattern embossed here on your dagger-sheath,” he said at last. “See, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.” Marcus nodded as the other glanced up at him. “Go on.” Esca took up the shield which had been laid aside at Cottia’s coming. “Look now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key to—if they ever had it.” He looked up at Marcus again very earnestly. “You cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.” “The sheath was made by a British craftsman,” Marcus said stubbornly. “I bought it at Anderida when I first landed.” “By a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Rome—he and his fathers before him—that he had forgotten the ways and the spirit of his own people.” He laid the shield down again. “You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.” For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, “When I came out from home, a year and a half ago, it all seemed so simple.” His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.

am possessed by the very greatest love of frugality, I must confess; I do not like a couch made up for display, nor clothing brought forth from a chest or pressed by weights and a thousand mangles to make it glossy, but homely and cheap, that is neither preserved nor to be put on with anxious care; the food that I like is neither prepared nor watched by a household of slaves, it does not need to be ordered many days before nor to be served by many hands, but is easy to get and abundant; there is nothing far-fetched or costly about it, nowhere will there be any lack of it, it is burdensome neither to the purse nor to the body, nor will it return by the way it entered; the servant that I like is a young home-born slave without training or skill; the silver is my country-bred father's heavy plate bearing no stamp of the maker's name, and the table is not notable for the variety of its markings or known to the town from the many fashionable owners through whose hands it has passed, but one that stands for use, and will neither cause the eyes of any guest to linger upon it with pleasure nor fire them with envy.

Nothing—and I mean really, absolutely nothing—is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized—more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railroad tracks—and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time, and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily-spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply-hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known—almost none of it undertaken with aesthetics

Nothing – and I mean, really, absolutely nothing – is more extraordinary in Britain than the beauty of the countryside. Nowhere in the world is there a landscape that has been more intensively utilized – more mined, farmed, quarried, covered with cities and clanging factories, threaded with motorways and railway lines – and yet remains so comprehensively and reliably lovely over most of its extent. It is the happiest accident in history. In terms of natural wonders, you know, Britain is a pretty unspectacular place. It has no alpine peaks or broad rift valleys, no mighty gorges or thundering cataracts. It is built to really quite a modest scale. And yet with a few unassuming natural endowments, a great deal of time and an unfailing instinct for improvement, the makers of Britain created the most superlatively park-like landscapes, the most orderly cities, the handsomest provincial towns, the jauntiest seaside resorts, the stateliest homes, the most dreamily spired, cathedral-rich, castle-strewn, abbey-bedecked, folly-scattered, green-wooded, winding-laned, sheep-dotted, plumply hedgerowed, well-tended, sublimely decorated 88,386 square miles the world has ever known – almost none of it undertaken with aesthetics in mind, but all of it adding up to something that is, quite often, perfect. What an achievement that is. And

Our education system is like a money plant, which looks beautiful with big green leaves, but fails to produce any fruit or a flower. Undoubtedly, we are a home to the best doctors, scientists, poets, artists, and whatnot. But I feel, we miserably fail to evoke humanism, compassion, and tolerance in students. If we would count all the do’s and don’ts taught to us in our school, surely don’ts would exceed the number of the do's. I was forced to mug up certain things I was not interested in. Now, I understand the importance of questioning. I wish if our schools could teach us the art of questioning instead of just hunting for answers. Various facts are stuffed in delicate minds, but what about teachings on life, tutoring to never give up, and asking for students’ opinions on a subject? Yes, teaching these things would not directly increase the ‘GDP’ by creating human-machines, but would definitely create better minds and wonderful souls. I really wish our syllabus could preach to us the sheer value of knowledge, wisdom, and awareness. I wish our schools could nurture educated intellectuals, rather than literate persons. I wish we could pay more heed to the education ratio instead of just literacy ratio. We need more thinkers and fewer money makers. We are directed towards a goal already chosen for us, but not asked about our big fantasies and little dreams.

I remember standing against the bar in Budapest’s airport with a couple of workmates, some chaps from McLaren too, waiting for our homeward flight to be called after the ’92 race weekend. The chap behind the counter was doing the exact same thing: halving and squeezing oranges. Funny how these things spark memories. It was an exceedingly hot afternoon that day, and I remember seeing James Hunt walk through the door with Murray Walker. We were waiting for the same flight, a charter to London; I think pretty much the whole of the paddock’s British contingent was on it. Murray looked perfectly normal . . . like Murray really . . . open-necked shirt, briefcase, what have you; but James was wearing nothing but a pair of red shorts. He carried a ticket, a passport and a packet of cigarettes. That was it. There wasn’t even a pair of flip-flops to spoil the perfect minimalist look. The thing that really made the event stick in my mind, though, was that James was absolutely at ease with himself, perfectly comfortable. This was real for him, no stunt or affectation designed to impress or shock, this was genuine: James Hunt, former world champion driver, current commentator for the BBC; work done for the day . . . going home. Take me, leave me; do what you bloody well want, just don’t give me a hard time about your own petty hang-ups. He became a hero of mine that day. Sadly, his heart gave out the following summer and that was that. He was only forty-five. Mind you, he’d certainly packed a lot of living into those years.

...the Constitution is an invitation for the president and Congress to struggle for the privilege of directing foreign policy. Although the president is the principal foreign policy actor, the Constitution delegates more specific foreign policy powers to Congress than to the executive. It designates the president as commander-in-chief and head of the executive branch, whereas it gives Congress the power to declare war and the power of the purse. The president can negotiate treaties and nominate foreign policy officials, but the Senate must approve them. Congress is also granted the power to raise and support armies, establish rules on naturalization, regulate foreign commerce, and define and punish offenses on the high seas. Although the president is the chief foreign policy maker, Congress has a responsibility to be both an informed critic and constructive partner of the president. The ideal established by the founders is neither for one branch to dominate nor for there to be an identity of views between them. Rather, the founders wisely sought to encourage a creative tension between the president and Congress that would produce policies that advance national interests and reflect the views of the American people. Sustained consultation between the president and Congress is the most important mechanism for fostering an effective foreign policy with broad support at home and respect and punch overseas. In a world of both danger and opportunity, we need such a foreign policy to advance our interests and values around the globe.

I consider myself a student of colours and shades and hues and tints. Crimson lake, burnt umber, ultramarine … I was too clumsy as a child to paint with my moistened brush the scenery that I would have liked to bring into being. I preferred to leave untouched in their white metallic surroundings my rows of powdery rectangles of water-colours, to read aloud one after another of the tiny printed names of the coloured rectangles, and to let each colour seem to soak into each word of its name or even into each syllable of each word of each name so that I could afterwards call to mind an exact shade or hue from an image of no more than black letters on a white ground. Deep cadmium, geranium lake, imperial purple, parchment … after the last of our children had found employment and had moved out of our home, my wife and I were able to buy for ourselves things that had previously been beyond our means. I bought my first such luxury, as I called it, in a shop selling artists’ supplies. I bought there a complete set of coloured pencils made by a famous maker of pencils in England: a hundred and twenty pencils, each stamped with gold lettering along its side and having at its end a perfectly tapered wick. The collection of pencils is behind me as I write these words. It rests near the jars of glass marbles and the kaleidoscope mentioned earlier. None of the pencils has ever been used in the way that most pencils are used, but I have sometimes used the many-striped collection in order to confirm my suspicion as a child that each of what I called my long-lost moods might be recollected and, perhaps, preserved if only I could look again at the precise shade or hue that had become connected with the mood – that had absorbed, as it were, or had been permeated with, one or more of the indefinable qualities that constitute what is called a mood or a state of feeling. During the weeks since I first wrote in the earlier pages of this report about the windows in the church of white stone, I have spent every day an increasing amount of time in moving my pencils to and fro among the hollow spaces allotted to them in their container. I seem to recall that I tried sometimes, many years ago, to move my glass marbles from place to place on the carpet near my desk with the vague hope that some or another chance arrangement of them would restore to me some previously irretrievable mood. The marbles, however, were too variously coloured, and each differed too markedly from the other. Their colours seemed to vie, to compete. Or, a single marble might suggest more than I was in search of: a whole afternoon in my childhood or a row of trees in a backyard when I had wanted back only a certain few moments when my face was brushed by a certain few leaves. Among the pencils are many differing only subtly from their neighbours. Six at least I might have called simply red if I had not learned long ago their true names. With these six, and with still others from each side of them, I often arrange one after another of many possible sequences, hoping to see in the conjectured space between some or another unlikely pair a certain tint that I have wanted for long to see.

The practice of tipping a paint brush started contaminating everybody and everything in a watch dial factory. Painters noticed that after sneezing into a handkerchief, it would glow. You could see the brush twirlers walking home after dark. Their hair showed a ghostly green excitation, and they could spell out words in the air with their luminous fingers. Some, thinking outside the box, started painting their teeth, fingernails, eyelashes, and other body parts with the luminous paint, then stealing away to the bathroom, turning out the lights, and admiring the effect in the mirror. There was no problem finding gross radium contamination in a factory. There was no need for a radiation detection instrument. All you had to do was close the blinds. Everything glowed; even the ceiling. Most workers were each swallowing about 1.75 grams of radioactive paint per day. By 1922, things started going bad in the radium dial industry. In the next two years, nine young radium painters in the West Orange factory died, and 12 were suffering from devastating illnesses. US Radium, the biggest watch-dial maker in town, strongly denied that anything in their plant could be causing this. No autopsies were performed, and the death certificates recorded anemia, syphilis, stomach ulcers, and necrosis of the jaw as causes. The dead and ailing, however, had dentists in common, and these health professionals had noticed unusual breakdowns of the jaws and teeth in all of these women. It was beginning to look like another case of an occupational hazard, following closely behind tetraethyl lead exposure at General Motors and “phossy jaw” from white phosphorus fumes in the match industry. Could it be the radium?

AS SHE HEALED, the women changed tactics and stopped their berating. Now they brought their embroidery and crocheting, and finally they used Ethel Fordham’s house as their quilting center. Ignoring those who preferred new, soft blankets, they practiced what they had been taught by their mothers during the period that rich people called the Depression and they called life. Surrounded by their comings and goings, listening to their talk, their songs, following their instructions, Cee had nothing to do but pay them the attention she had never given them before. They were nothing like Lenore, who’d driven Salem hard, and now, suffering a minor stroke, did nothing at all. Although each of her nurses was markedly different from the others in looks, dress, manner of speech, food and medical preferences, their similarities were glaring. There was no excess in their gardens because they shared everything. There was no trash or garbage in their homes because they had a use for everything. They took responsibility for their lives and for whatever, whoever else needed them. The absence of common sense irritated but did not surprise them. Laziness was more than intolerable to them; it was inhuman. Whether you were in the field, the house, your own backyard, you had to be busy. Sleep was not for dreaming; it was for gathering strength for the coming day. Conversation was accompanied by tasks: ironing, peeling, shucking, sorting, sewing, mending, washing, or nursing. You couldn’t learn age, but adulthood was there for all. Mourning was helpful but God was better and they did not want to meet their Maker and have to explain a wasteful life. They knew He would ask each of them one question: “What have you done?” (122-123)

In the introduction, I wrote that COVID had started a war, and nobody won. Let me amend that. Technology won, specifically, the makers of disruptive new technologies and all those who benefit from them. Before the pandemic, American politicians were shaking their fists at the country’s leading tech companies. Republicans insisted that new media was as hopelessly biased against them as traditional media, and they demanded action. Democrats warned that tech giants like Amazon, Facebook, Apple, Alphabet, and Netflix had amassed too much market (and therefore political) power, that citizens had lost control of how these companies use the data they generate, and that the companies should therefore be broken into smaller, less dangerous pieces. European governments led a so-called techlash against the American tech powerhouses, which they accused of violating their customers’ privacy. COVID didn’t put an end to any of these criticisms, but it reminded policymakers and citizens alike just how indispensable digital technologies have become. Companies survived the pandemic only by allowing wired workers to log in from home. Consumers avoided possible infection by shopping online. Specially made drones helped deliver lifesaving medicine in rich and poor countries alike. Advances in telemedicine helped scientists and doctors understand and fight the virus. Artificial intelligence helped hospitals predict how many beds and ventilators they would need at any one time. A spike in Google searches using phrases that included specific symptoms helped health officials detect outbreaks in places where doctors and hospitals are few and far between. AI played a crucial role in vaccine development by absorbing all available medical literature to identify links between the genetic properties of the virus and the chemical composition and effects of existing drugs.

My route, Sior Francis—and don't be surprised when you hear it—my route when I set out to find God... was... laziness. Yes, laziness. If I wasn't lazy I would have gone the way of respectable, upstanding people. Like everyone else I would have studied a trade—cabinet-maker, weaver, mason—and opened a shop; I would have worked all day long, and where then would I have found time to search for God? I might as well be looking for a needle in a haystack: that's what I would have said to myself. All my mind and thoughts would have been occupied with how to earn my living, feed my children, how to keep the upper hand over my wife. With such worries, curse them, how could I have the time, or inclination, or the pure heart needed to think about the Almighty? But by the grace of God I was born lazy. To work, get married, have children, and make problems for myself were all too much trouble. I simply sat in the sun during winter and in the shade during summer, while at night, stretched out on my back on the roof of my house, I watched the moon and the stars. And when you watch the moon and the stars how can you expect your mind not to dwell on God? I couldn't sleep any more. Who made all that? I asked myself. And why? Who made me, and why? Where can I find God so that I may ask Him? Piety requires laziness, you know. It requires leisure—and don't listen to what others say. The laborer who lives from hand to mouth returns home each night exhausted and famished. He assaults his dinner, bolts his food, then quarrels with his wife, beats his children without rhyme or reason simply because he's tired and irritated, and afterwards he clenches his fists and sleeps. Waking up for a moment he finds his wife at his side, couples with her, clenches his fists once more, and plunges back into sleep.... Where can he find time for God? But the man who is without work, children, and wife thinks about God, at first just out of curiosity, but later with anguish.

Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you

Since he has been home, he has felt unusually tender about his wife and guilty over his long absences. But he can’t tell what she feels about him. Norma Jean has never complained about his traveling; she has never made hurt remarks, like calling his truck a “widow-maker.” He is reasonably certain she has been faithful to him, but he wishes she would celebrate his permanent homecoming more happily. Norma Jean is often startled to find Leroy at home, and he thinks she seems a little disappointed about it.

I well remember the first great hemp shop that was opened in San Francisco around 1976. It was essentially a long wooden bar with stools for the customers. On the bar itself were a few large crocks containing the basic and cheaper forms of the weed—Panama Red, Acapulco Gold, Indian Ganja, and Domestic Green. But against the wall behind the bar stood a long cabinet furnished with hundreds of small drawers that a local guitar maker had decorated with intricate ivory inlays in the Italian style. Each drawer carried a label indicating the precise field and year of the product, so that one could purchase all the different varieties from Mexico, Lebanon, Morocco, Egypt, India, and Vietnam, as well as the carefully tended plants of devout cannabinologists here at home. Business was conducted with leisure and courtesy, and the salesmen offered small samples for testing at the bar, along with sensitive and expert discussion of their special effects. I might add that the stronger psychedelics, such as LSD, were coming to be used only rarely—for psychotherapy, for retreats in religious institutions, and in our special hospitals for the dying.

The war had made him see that not everything was quite as black and white as he’d once thought. Most people were neither all good nor all bad. The guy kneeling beside you in the trenches could be a prejudiced bastard one minute and, in the next, he might risk his neck for your skin. A peaceful looking town could turn out to be a booby-trapped nest of bombs. Even your mortal enemy was probably just a young guy far from home who missed his wife and kids.

we can figure that out, including how to talk about it in a way that Americans will understand and support, that will be both good policy and good politics. There’s another angle to consider as well. Technologists like Elon Musk, Sam Altman, and Bill Gates, and physicists like Stephen Hawking have warned that artificial intelligence could one day pose an existential security threat. Musk has called it “the greatest risk we face as a civilization.” Think about it: Have you ever seen a movie where the machines start thinking for themselves that ends well? Every time I went out to Silicon Valley during the campaign, I came home more alarmed about this. My staff lived in fear that I’d start talking about “the rise of the robots” in some Iowa town hall. Maybe I should have. In any case, policy makers need to keep up with technology as it races ahead, instead of always playing catch-up.

The building used to be a club. Like a private gentlemen’s club. Except upstairs, that’s where they’d meet their mistresses.” Parker smacked a hand to his forehead. “Hookers! Damn! And I took the courthouse!” “Not prostitutes.” Another offended look from Ashley. “Mistresses. It’s not just about sex, you know. There’s a very big difference.” “Is that the sad part?” Parker asked. Ashley continued, undaunted. “I found out there was a murder in one of those upstairs rooms. That when a very rich plantation owner wanted to end the relationship with his mistress, she stabbed him to death. In bed.” Calmly munching her popcorn, Roo gave a supportive thumbs-up. “And the drugstore next door to the museum? People who work there say they’ve heard moaning at night in one of those storage rooms on the second floor.” The boys traded glances. “And this moaning,” Parker said, straight-faced, “did it come before or after the guy was stabbed?” “Anyway,” Ashley continued, “that’s what I’ve got so far.” Noting her sister’s outstretched hand, Roo obligingly relinquished the popcorn. “Did y’all know that furniture makers ran some of the first funeral homes? Because they were the ones who built the coffins?” “Fascinating.” Parker was all dignified solemnity. “And such a grave undertaking.” He ducked as Ashley’s popcorn sailed at his head.

Did y’all know that furniture makers ran some of the first funeral homes? Because they were the ones who built the coffins?” “Fascinating.” Parker was all dignified solemnity. “And such a grave undertaking.” He ducked as Ashley’s popcorn sailed at his head.

What a ghastly thing to have sensitive, helpless human beings absolutely in the power of other human beings! Absolute, unquestioned power! Nobody can stand that. It's cold poison. How many wardens of prisons are driven sadistically mad with it!

I stand looking at the two of them and suddenly a wave of loneliness sweeps over me, because I am not needed here. This tight knit pair are the real family, and I’m just a guest. Soon, it will be time for me to go or overstay my welcome, and I know, eventually, a third person will join them and find his home, and it will not be me.

She had sold it to the people back home by describing how colonists would reach the planet then, descending from the skies like deities to meet their new people. Instead of a harsh, untamed world, a race of uplifted sentient aides and servants would welcome their makers.

If you add up all the Christian missionaries from all denominations and missions agencies in the 10/40 window, there are about 40,000 “missionaries.” The number of Americans working in secular employment in the 10/40 window is 2 million.6 Assuming that the faith of Americans working overseas resembles that of Americans living at home, about 35 percent of them identify as born-again with some semblance of engagement in the faith, such as church attendance. If even one-third of that number were effective disciple-makers, that would increase the number of Christian evangelists on the front lines from 40,000 to 240,000, all without costing mission agencies another dime.

To explain the decoy effect further, let me tell you something about bread-making machines. When Williams-Sonoma first introduced a home “bread bakery” machine (for $275), most consumers were not interested. What was a home bread-making machine, anyway? Was it good or bad? Did one really need home-baked bread? Why not just buy a fancy coffee-maker sitting nearby instead? Flustered by poor sales, the manufacturer of the bread machine brought in a marketing research firm, which suggested a fix: introduce an additional model of the bread maker, one that was not only larger but priced about 50 percent higher than the initial machine. Now sales began to rise (along with many loaves of bread), though it was not the large bread maker that was being sold. Why? Simply because consumers now had two models of bread makers to choose from. Since one was clearly larger and much more expensive than the other, people didn't have to make their decision in a vacuum. They could say: “Well, I don't know much about bread makers, but I do know that if I were to buy one, I'd rather have the smaller one for less money.” And that's when bread makers began to fly off the shelves.2

Over time, the life of a productive artist becomes filled with useful conventions and practical methods, so that a string of finished pieces continues to appear at the surface. And in truly happy moments those artistic gestures move beyond simple procedure, and acquire an inherent aesthetic all their own. They are your artistic hearth and home, the working-places-to-be that link form and feeling. They become — like the dark colors and asymmetrical lilt of the Mazurka — inseparable from the life of their maker. They are canons. They allow confidence and concentration. They allow not knowing. They allow the automatic and unarticulated to remain so. Once you have found the work you are meant to do, the particulars of any single piece don’t matter all that much.

boots right off his feet. There were stories of men sucked down into the muck never to be seen again. Victor didn’t know if the stories were true, but he did think it possible. The mud was everywhere. In their hair under their helmets, flavoring their food, between their toes in their boots, layering their canteens, permeating their very souls. They couldn’t get away from the mud. They slept in it, fought in it, lived in it. Died in it. Sometimes after a hard downpour a new body part appeared out of the mud. Victor told himself it didn’t matter. Whoever he was, the man was dead, gone from his body to meet his Maker. What was left was just bone, sinew, and skin. And if Victor was ordered over the top and got hit by enemy fire to end up one of those bodies sunk down in the mud, what difference would it make if the soldiers lucky enough to still be breathing used his hand sticking out of the side of the trench to hold something up out of the mud. That’s how they were using Oscar’s. Nobody really knew the dead man’s name or even his nationality, but it only seemed right to name him, to make him part of their company when his hand emerged from the side of the trench. That’s how war was. A man had to survive as best he could. He couldn’t worry about what he’d left back home. He couldn’t worry about how long he was going to live. A man just had to follow orders and give all he had to win the war and save democracy. War wasn’t a thing like Victor had expected or maybe anything like anybody back in the States had expected. Back there, they’d taught them to march. Wasn’t much use for marching in the trenches. It was just hunkering down and hoping a sharpshooter didn’t spot your helmet if you forgot and lifted your head a few inches too high. Or that your gas mask would work when the Germans launched their mustard gas barrages. Or that you wouldn’t get the order to go over the top. Up

Although each of her nurses was markedly different from the others in looks, dress, manner of speech, food and medical preferences, their similarities were glaring. There was no excess in their gardens because they shared everything. There was no trash or garbage in their homes because they had a use for everything. They took responsibility for their lives and for whatever, whoever else needed them. The absence of common sense irritated but did not surprise them. Laziness was more than intolerable to them; it was inhuman. Whether you were in the field, the house, your own backyard, you had to be busy. Sleep was not for dreaming; it was for gathering strength for the coming day. Conversation was accompanied by tasks; ironing, peeling, shucking, sorting, sewing, mending, washing, or nursing. You couldn't learn age, but adulthood was there for all. Mourning was helpful but God was better and they did not want to meet their Maker and have to explain a wasteful life. They knew He would ask each of them one question: "What have you done?

At the time of our visit, European manufacturers doubted the robustness of the Indian car market, as well as the merits of being a minority partner in a government-managed company. Their fears were not without basis. Though the Indian economy had grown 7.2 per cent in 1980-81, it was not seen as a very vibrant economy. The demand for cars had been stagnant for a decade. Cars were highly taxed and were considered a luxury item. The economy was still closed and highly controlled and the business environment for foreigners was not friendly. If the number of cars produced was small, royalties would not yield much income. The stringent localization conditions would mean that profits from the sale of imported components would be low. The world car market was going through a downswing at that time and European car makers were battling stiff competition from Japanese cars on their home turf. Getting into an unfamiliar, and what appeared to be an unattractive market, was hardly a priority.

But also in particular, by and attour the Confession of Faith, do abolish and condemn the Pope's authority and jurisdiction out of this land, and ordains the maintainers thereof to be punished, Act 2, Parl. 1; Act 51, Parl. 3; Act 106, Parl. 7; Act 114, Parl. 12, King James VI.: do condemn the Pope's erroneous doctrine, or any other erroneous doctrine repugnant to any of the articles of the true and Christian religion, publicly preached, and by law established in this realm; and ordains the spreaders and makers of books or libels, or letters or writs of that nature to be punished, Act 46, Parl. 3; Act 106, Parl. 7; Act 24, Parl. 11 King James VI.: do condemn all baptism conform to the Pope's kirk, and the idolatry of the mass; and ordains all sayers, willful hearers and concealers of the mass, the maintainers and resetters of the priests, Jesuits, trafficking Papists, to be punished without any exception or restriction, Act 5, Parl. 1; Act 120, Parl. 12; Act 164, Parl. 13; Act 193, Parl. 14; Act 1, Parl. 19; Act 5, Parl. 20, King James VI.: do condemn all erroneous books and writs containing erroneous doctrine against the religion presently professed, or containing superstitious rites and ceremonies Papistical, whereby the people are greatly abused, and ordains the home-bringers of them to be punished, Act 25, Parl. 11, King James VI.: do condemn the monuments and dregs of bygone idolatry, as going to crosses, observing the festival days of saints, and such other superstitious and Papistical rites, to the dishonor of God, contempt of true religion, and fostering of great error among the people; and ordains the users of them to be punished for the second fault, as idolaters, Act 104, Parl. 7, King James VI.

storage bedroom closet (walk-in or standard) dresser armoire underbed storage boxes trunk or storage ottoman nightstand supplies needed trash bags/recycling bin, donation box, relocation box, fix-it box spray cleaner and cleaning cloth broom and dust pan and/or vacuum storage containers label maker and/or tags to hang from containers/baskets time commitment 4–10 hours quick assessment questions What are the main categories of clothing? What items could be placed in off-season storage? What

There are other forms of service which equally deserve the job description ‘Christian ministry’. For example, the calling of many girls to be wife, mother and home-maker is in the fullest sense ‘Christian ministry’, since she is serving Christ, her family and the community. So is every form of work — medicine, research, the law, education, social service, central and local government, industry, business and trade — in which the worker sees himself as cooperating with God in the service of man.