Holster Quotes

We've searched our database for all the quotes and captions related to Holster. Here they are! All 100 of them:

I am unarmed. But Butler here, my ...ah...butler, has a Sig Saucer in his shoulder holster, two shrike-throwing knives in his boots, aderringer two-shot up his sleeve, garrotte wire in his watch, and three stun greanades concealed in variouse pockets. Anything else, Butler?
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
A laugh came from the cockpit and Thorne appeared in the doorway, strapping a gun holster around his waist. "You're asking the cyborg fugitive and the wild animal to be the welcoming committee? That's adorable.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
We used our minds like weapons clenched tightly in our fists, struggling to return them back to their holsters without injuring ourselves in the process.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Well,' I said. 'I could strip off my clothes and reveal to you that under my jeans and sweatshirt I'm actually wearing a tank top and short-shorts, much like Lara Croft from Tomb Raider...only mine are flame-retardant and covered in glow-in-the-dark dinosaur stickers.' No one stirred. Not even Christopher, who actually has a thing for Lara Croft. 'I know what you're thinking,' I went on. 'Glow-in-the-dark dinosaur stickers are so last year. But I think they add a certain je ne sais quoi to the whole ensemble. It's true, short-shorts are uncomfortable under jeans and hard to get off in the ladies' room, but they make the twin thigh-holsters in which I hold my high-caliber pistols so easy to get to....' The oven timer dinged. 'Thank you, Em,' Mr. Greer said, yawning. 'That was very persuasive.
Meg Cabot (Airhead (Airhead, #1))
Hey, give me my gun, would you?” Zane asked as he shifted, only to wince as the skin pulled. “Why, you planning on shooting me in the ass when I turn around?” Ty asked sarcastically as he reached for the holster. “Tempting, but you’d probably get off on it,” Zane said, holding out his hand.
Abigail Roux (Cut & Run (Cut & Run, #1))
Vadim swallowed, felt his throat too tight to move, then, still staring at the bottle, smelling the desert and Dan, and himself, his hand reached to his side, opened the holster of the pistol. Took out the mag, took the bullet from the chamber, clicked the mag in place again, rolled the bullet between his fingers. He looked at Dan, sideways, saw the man stare at him, all eyes, dark eyes, and the way the pale desert moon made his face a place of shadows. He reached for Dan’s hand, opened the fingers and placed the bullet into the palm. “This is the bullet you’ll use to kill me if I walk away again.” Because if I walk away again, I’ll be in so much pain I’m better off dead anyway.
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
I lowered the gun but didn’t holster it. Not just yet. She could turn out to be psychotic. Or a door-to-door salesperson.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
You don't understand!' Foaly objected. Trouble cut him off with a chop of his hand through the air. 'I never understand. That's why we pay you and your dork posse." Foaly objected again. 'They are not dorks!' Trouble found space for yet another holster. 'Really? That guy brings a Beanie Baby to work every day. And your nephew, Mayne, speaks fluent Unicorn.' 'They're not all dorks,' said Foaly, correcting himself.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
So many of us had been armed that there were holsters and weapons scattered among the passed-out bodies like mercenary prizes in a fleshy Cracker Jack box.
Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
I’ll be real discreet,” Tank said. As discreet as a six-foot-six, no-neck guy weighing three hundred and fifty pounds, all dressed in black SWAT clothes, with a Glock holstered at his side could be.
Janet Evanovich (Plum Spooky (Stephanie Plum, #14.5))
She holstered her weapon, raising the hem of her skirts and stepping lightly around the dead bodies.
A.F. Stewart (Mechanized Masterpieces: a Steampunk Anthology)
And so, as the mob backs away to give them space... as the riot police holster their weapons, standing down, and as Risa takes the podium, calming the crowd with a voice as soothing as a sonata, Connor Lassiter holds his family like he'll never let them go.
Neal Shusterman (UnDivided (Unwind, #4))
You know that ‘no weapons at work’ policy?” I asked the twitching and growing hairy monstrosity standing less than ten feet from me. His yellow eyes bored into me with raw animal hatred. There was nothing recognizably human in that look. “I never did like that rule,” I said as I bent down and drew my gun from my ankle holster, put the front sight on the target and rapidly fired all five shots from my snub-nosed .357 Smith & Wesson into Mr. Huffman’s body. God bless Texas.
Larry Correia (Monster Hunter International (Monster Hunter International, #1))
Marc ducked, holstered his weapon. “You want to play? Have it your way.” But then Darcangelo was behind him. “I’ve got this, Hunter. You go find the girl’s dad. I’ll handle Karate Kid here. I haven’t had a good workout in weeks.
Pamela Clare (Skin Deep (I-Team, #5.5))
My instinct was always have your gun in your hand. Especially when you are telling somebody to do something. But, in fact, the police academy discourages this. They feel your gun should rarely, if ever, be brought out of its holster. Most certainly not when children are involved, which is exactly when I saw myself using my gun most often. A truant teenager loitering outside a movie theater is going to be far more motivated to return to school when he has the barrel of a .45 pressed against his cheek.
Augusten Burroughs (Possible Side Effects)
The signature item is an attitude. It is the gun in your holster that makes you feel well dressed and invincible.
Caroline de Maigret (How to Be Parisian Wherever You Are: Love, Style, and Bad Habits)
I locked the door, for what good it would do me, and went to bed. The Browning Hi-Power was in its second home, a modified holster strapped to the headboard of my bed. The crucifix was cool metal around my neck. I was as safe as I was going to be and almost too tired to care. I took one more thing to bed with me, a stuffed toy penguin named Sigmund. I don't sleep with him often, just every once in a while after someone tries to kill me. Everyone has their weaknesses. Some people smoke. I collect stuffed penguins. If you won't tell, I won't.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes: Tell me, what is it you plan to do with your one wild and precious life? I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real. Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.) It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years. The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment. Hello there, dream. Also, don’t be realistic. The word “realistic” is poison. Who decides? And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real. The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?” Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch. You can let life happen to you, or you can happen to life. It’s harder, but so much better.
Laini Taylor
He misinterpreted it. "It is a gift," he said stiffly. Wounded, proud prince. I touched his face. He'd given me my mom and dad, my whole town, the entire state of Georgia back. "I was shaking my head at something I was thinking, not your words. Yes, I'd like to have your name, V'lane." He gave me that brilliant smile again, then his mouth was on mine. This time, when he kissed me, the unpronounceable Fae name slid sweeter than tupelo honey across my tongue and pooled there, warm and delicious, filling my mouth with a feast of taste and sensation beyond description before melting into the meat of it. Unlike the other times he's implanted his name in my tongue, it felt natural, unobtrusive. Also unlike those times, I wasn't battered by an erotic attack, forced into orgasm by his touch. It was an extraordinary kiss, but it invited without invading, gave without taking. He drew back. "We are learning from each other," he said. "I begin to understand Adam." I blinked. "The first man ? You know about Adam and Eve ?" V'lane didn't seem the kind to study human creation myths. "No. One of my race that chose to become human," he clarified. "Ah, Barrons comes growling." He gave the startling equivalent of a human snicker and was gone. I reached instinctively for my spear. It was back in the holster. I frowned. I'd forgotten to check. Had it ever been gone ? I turned. "Growling" was a mild word for it. Barrons stood in the doorway, and if looks could kill, I'd have been flayed alive in the street.
Karen Marie Moning (Dreamfever (Fever, #4))
I nod, checking the chamber of the gun before loading and cocking it. I holster it alongside the other pistol Jack gave me. I briefly think about grabbing even more weaponry, but if two pistols aren’t going to be enough to keep me safe, I don’t know what will do the job.", Celestra Caine in FADE by Kailin Gow
Kailin Gow (Fever (Fade, #4))
And who died and made you boss?" But I knew a lost cause when I saw it and was already pulling my hair back with nimble fingers. Niko slapped a shoulder holster against my chest. "No one. Like all truly great dictators, I seized that power myself. Now finish up. We leave in five minutes.
Rob Thurman (Nightlife (Cal Leandros, #1))
Larry had brought me blue jeans, a red polo shirt, jogging socks, my white Nikes, an extra cross from my suitcase, the silver knives, the Firestar complete with inner pants holster, and the Browning and its shoulder holster. He'd forgotten a bra, but hey, except for that it was perfect.
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
You can always tell an old soldier by the inside of his holsters and cartridge boxes. The young ones carry pistols and cartridges; the old ones, grub.
George Bernard Shaw (Arms and the Man)
Hate Poem I hate you truly. Truly I do. Everything about me hates everything about you. The flick of my wrist hates you. The way I hold my pencil hates you. The sound made by my tiniest bones were they trapped in the jaws of a moray eel hates you. Each corpuscle singing in its capillary hates you. Look out! Fore! I hate you. The blue-green jewel of sock lint I’m digging from under by third toenail, left foot, hates you. The history of this keychain hates you. My sigh in the background as you explain relational databases hates you. The goldfish of my genius hates you. My aorta hates you. Also my ancestors. A closed window is both a closed window and an obvious symbol of how I hate you. My voice curt as a hairshirt: hate. My hesitation when you invite me for a drive: hate. My pleasant “good morning”: hate. You know how when I’m sleepy I nuzzle my head under your arm? Hate. The whites of my target-eyes articulate hate. My wit practices it. My breasts relaxing in their holster from morning to night hate you. Layers of hate, a parfait. Hours after our latest row, brandishing the sharp glee of hate, I dissect you cell by cell, so that I might hate each one individually and at leisure. My lungs, duplicitous twins, expand with the utter validity of my hate, which can never have enough of you, Breathlessly, like two idealists in a broken submarine.
Julie Sheehan
Hey, he's not using a holster," I said, glancing at Alex's on the dresser. He laughed out loud. "Yeah, I guess he must want something shooting off. It'd be so great if these things were true to life - the next scene would show him at hospital like, clutching himself in agony."'Angel - L.A.Weatherly
L.A.Weatherly (Angel, #1)
Casey tucked the barrel at the small of his back and arranged his shirt. Vince shook his head. “You gotta get a holster. That is so fucking ghetto.” “No way—I like how it feels back there.” Casey grabbed his jacket and followed Vince outside. “Wait. That came out wrong.
Cara McKenna (Lay It Down (Desert Dogs, #1))
Nonetheless, when it finally ended and the hairdressers left and Tess insisted upon pulling her to the mirror, Fire saw, and understood, that everyone had done the job well. The dress, deep shimmering purple and utterly simple in design, was so beautifully-cut and so clingy and well-fitting that Fire felt slightly naked. And her hair. She couldn’t follow what they’d done with her hair, braids thin as threads in some places, looped and wound through the thick sections that fell over her shoulders and down her back, but she saw that the end result was a controlled wildness that was magnificent against her face, her body, and the dress. She turned to measure the effect on her guard - all twenty of them, for all had roles to play in tonight’s proceedings, and all were awaiting her orders. Twenty jaws hung slack with astonishment - even Musa’s, Mila’s, and Neel’s. Fire touched their minds, and was pleased, and then angry, to find them open as the glass roofs in July. ‘Take hold of yourselves,’ she snapped. ‘It’s a disguise, remember? This isn’t going to work if the people meant to help me can’t keep their heads.’ ‘It will work, Lady Granddaughter.’ Tess handed Fire two knives in ankle holsters. ‘You’ll get what you want from whomever you want. Tonight King Nash would give you the Winged River as a present, if you asked for it. Dells, child - Prince Brigan would give you his best warhorse.
Kristin Cashore (Fire (Graceling Realm, #2))
My last semester at Vassar, I'd taken to wearing nunchakus in a strap-on holster and carrying around a samurai sword — that should tell you all you need to know.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
By standing and with me sitting, he was showing he was the dominant male in the room. I, however, had a .38 in a holster under my jacket, so I won.
Stephen Osborne (Animal Instinct (Duncan Andrews Thrillers, #2))
Austin could do little more than stare at the woman. "It's a prairie dog," he reminded her. Cautiously, she brushed her fingers over its head. "It's just a baby. Please help her." Dee was looking at him with so much hope in her big brown eyes that he couldn't do what he knew needed to be done. He slipped his gun into his holster. Thank God, she was married to his brother and not to him. Dallas could break her heart. Austin wouldn't.
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!" I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud." That like saying don't think of elephants, Josh said, "and then all you can think about is elephants." Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently. Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton.
Michael Scott
The mists seemed to draw back. Waxillium stood there, wearing a large, dusterlike coat, cut into strips below the waist. A pair of revolvers gleamed in holsters at his hips, and he rested a shotgun on each shoulder. His face was bloodied, but he was smiling.
Brandon Sanderson (The Alloy of Law (Mistborn, #4))
The trapper nodded and returned his pistol to its holster. 'He can count to one hundred if it suits you,' he said, opening and closing his hand to stretch it. Charlie made a sour face. ‘What a stupid thing to say. Think of something else besides that. A man wants his last words to be respectable.’ ‘I will be speaking all though this day and into the night. I will tell my grandchildren of the time I killed the famous Sisters brothers.’ ‘That at least makes some sense. Also it will serve as a humorous footnote.
Patrick deWitt (The Sisters Brothers)
Don't blame me, Pongo,' said Lord Ickenham, 'if Lady Constance takes her lorgnette to you. God bless my soul, though, you can't compare the lorgnettes of to-day with the ones I used to know as a boy. I remember walking one day in Grosvenor Square with my aunt Brenda and her pug dog Jabberwocky, and a policeman came up and said the latter ought to be wearing a muzzle. My aunt made no verbal reply. She merely whipped her lorgnette from its holster and looked at the man, who gave one choking gasp and fell back against the railings, without a mark on him but with an awful look of horror in his staring eyes, as if he had seen some dreadful sight. A doctor was sent for, and they managed to bring him round, but he was never the same again. He had to leave the Force, and eventually drifted into the grocery business. And that is how Sir Thomas Lipton got his start.
P.G. Wodehouse (Uncle Fred in the Springtime)
Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves. - MATTHEW 7:15
S.G. Holster (Terrible Lies (Thirty Seconds To Die, book 2))
Miss Pringle was not much larger than the handheld personal assistants of his own age, and usually lived, like the Old West’s Colt 45, in a quick-draw holster at his waist.
Arthur C. Clarke (3001: The Final Odyssey (Space Odyssey, #4))
Do you have protection?" "Sure do." Durbin flipped up his jacket to reveal the M9 in his shoulder holster. "You people can keep your superstitious mumbo-jumbo. I have all the protection I need.
Laura Oliva (A World Apart (Shades Below, #1))
It may be underfunded and at times mismanaged, but the [Endangered Species] Act is an unprecedented attempt to delegate human-caused extinction to the chapters of history we would rather not revisit: the Slave Trade, the Indian Removal Policy, the subjection of women, child labor, segregation. The Endangered Species Act is a zero-tolerance law: no new extinctions. It keeps eyes on the ground with legal backing-the gun may be in the holster most of the time, but its available if necessary to keep species from disappearing. I discovered in my travels that a law protecting all animals and plants, all of nature, might be as revolutionary-and as American-as the Declaration of Independence.
Joe Roman (Listed: Dispatches from America’s Endangered Species Act)
Just as he deepened their kiss, she grabbed her dagger from where it was holstered on her thigh. Gripped its hilt. And stabbed him through the chest. There was a moment of quiet. The Nightshade ruler met her eyes, right before his chin dipped, and he slowly looked down to his chest, where the dagger still stuck out, inches from his heart.
Alex Aster (Nightbane (Lightlark, #2))
extreme zombie fighting” kit. Tactical boots and tacticals. Firefighting bunker gear. Nomex head cover tucked under the collar of the bunker gear. Full face respirator. Helmet with integrated visor. Body armor with integral MOLLE. Knee, elbow and shin guards. Nitrile gloves. Tactical gloves. Rubber gloves. Assault pack with hydration unit. Saiga shotgun on friction strap rig. A .45 USP in tactical fast-draw holster. Two .45 USP in chest holsters. Fourteen Saiga ten-round 12-gauge magazines plus one in the weapon. Nine pistol magazines in holster plus three in weapons. Kukri in waist sheath. Machete in over-shoulder sheath, right. Halligan tool in over-shoulder sheath, left. Tactical knife in chest sheath. Tactical knife in waist sheath. Bowie knife in thigh sheath. Calf tactical knife times two. A few clasp knives dangling in various places. There was the head of a teddy bear peeking out of her assault pack.
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
You're not safe with me." He cut me off, seeming to growl. "I don't want to be safe. I want to be with you. You can't do this alone.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
It’s a very private moment when your heart breaks. I was thankful we were alone. I knew I couldn’t keep her, but I would always do anything to protect her.
S.G. Holster (Heartlines (Thirty Seconds to Die, book 3))
Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to.
Joyce Carol Oates
He would always be something sharp and deadly on the inside, something that could be used to destroy, but every blade needs a sheath and every gun needs a holster to protect it. I had no problem offering myself up as the thing that kept this particular weapon secure.
Jay Crownover (Honor (The Breaking Point, #1))
Falconer was wearing his street clothes—jeans, a black turtleneck and an empty shoulder holster under his armpit. Cowboy boots. Little bit of beard stubble. John wondered if the guy would walk from one end of the street to the other without winding up covered in bitches.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I started picturing Rens smiling face, the warmth of his touch, the slight curl of his lip before he kissed me. Every happy memory came rushing back through the blackness illuminating it in brilliant color.
S.G. Holster (Terrible Lies (Thirty Seconds To Die, book 2))
Blood bound: “Here´s the plan-find him,kill him.” “That is not a plan. It´s not even a complete sentence.” “You got something better?” “How about this?” He pulled back the right side of his jacket and showed me his gun. It was bigger than mine. And it was fitted with a long, barrel-shaped silencer in what had to be a custom-made holster. “Nice,” I admitted, and his grin was back. But I couldn´t help but wondering why the hell he even owned a silencer. “I had a feeling you´d appreciate the reminder that I come well equipped.” “I´d appreciate it more if I thought you knew how to use that,” I said without thinking.
Rachel Vincent
Narcissa curled her lip. “Oh shut up, you sanctimonious whore. I’m sick of all your—” Hauk stunned her with his blaster. Narcissa cried out before she slumped to the floor. Hauk made no moves to break her fall. Instead, he holstered his weapon and met Desideria’s gaze unabashedly. “My mother always said that if you can’t improve the silence, you shouldn’t be speaking.” Fain let out a low whistle. “You stunned a girl, bro. Then let her hit the floor. Damn, and I thought I was callous.” Ignoring
Sherrilyn Kenyon (Born of Shadows (The League, #4))
Eyes that did not seem attached to anything rational stared out at the gentleman from a craggy canvas of inebriation, grief and hatred. In the leather holster that depended from John Lawrence Plugford’s waist sat a wide gauge sawed-off shotgun that had been covered with black paint. “Good morning,” Nathaniel said to the bestial face.
S. Craig Zahler (Wraiths of the Broken Land)
Below the waterbag were his guns,finely weighted to his hand. The two belts crisscrossed above his crotch. The holsters were oiled too deeply for even this Philistine sun to crack. The stocks of the guns were sandalwood, yellow and finely grained. The holsters were tied down with raw hide cord, and they swung heavily against his hips. The brass casings of the cartridges looped into the gun belts twinkled and flashed and heliographed in the sun. The leather made subtle creaking noises. The guns themselves made no noise.
Stephen King (The Gunslinger (The Dark Tower, #1))
And then there was Joss. I met him in a dimly lit office, where he regaled me with tales of adventure, swashbuckling, shootings, spaceships, and narrow escapes. Um, where do I sign? He gave me a new identity, a costume, a gun, and a long brown duster for a cape. I remember that meeting so well; it was like a superhero "origin" issue. I remember Joss looking at Polaroid photos of my first costume fitting, holding up the one with the duster and gun saying, "Action figure, anyone?" Never in my wildest. Like some sort of super-team benefactor, Joss made superheroes out of all of us, complete with a super-hideout spaceship. During filming, we'd all retreat to our dressing room trailers and emerge like Supermen with our alter egos. The boots, the suspenders, gun holstered low on my hip... with a flick and a spin of that wicked awesome coat over my shoulders, I became someone else.
Nathan Fillion
Do I make you nervous?" he said teasingly.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
There was no gentle way around it - hearts would be broken, relationships would be crushed and I was the messenger.
S.G. Holster (Terrible Lies (Thirty Seconds To Die, book 2))
The officer holstered his weapon, drawing out a set of cuffs.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
Do they make baby carriers with holsters?
K. Sterling (Find and Keep (Boys of Lake Cliff, #6))
I’m leaning that way, Frank. Go ahead and add the two pistols and shoulder holsters. I’ll play with them when I get back to my ranch. I suppose I should buy a vest or two as well.
C.J. Petit (Luke)
she threads a holster onto her belt and slips the 9 mm Glock into it.
Dean Koontz (The House at the End of the World)
On September 29, as they closed on her at the Capes of Virginia, Blackbeard donned his new, terrifying battle attire. He wore a silk sling over his shoulders, to which were attached “three brace of pistols, hanging in holsters like bandaliers.” Under his hat, he tied on lit fuses, allowing some of them to dangle down on each side of his face, surrounding it with a halo of smoke and fire. So adorned, a contemporary biographer reported, “his eyes naturally looking fierce and wild, [that he] made altogether such a figure that imagination cannot form an idea of a fury from Hell to look more frightful.
Colin Woodard (The Republic of Pirates: Being the true and surprising story of the Caribbean pirates and the man who brought them down)
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
A friend of mine'll follow him home tonight", Tiny said, "to get me the address. He's on the four to twelve. Around one, I'll put on a ski mask and go to that guy's house and put his head in his holster." "A ski mask," Dortmunder echoed. He was thinking how much good a ski mask would do to disguise this monster. In order to be effectively disguised, Tiny would have to put on, at a minimum, a three-room apartment.
Donald E. Westlake (Why Me? (Dortmunder, #5))
When Newt walked in the barn to get a rope, the Captain turned and handed him a holstered pistol and a gun belt. “Better to have it and not need it than to need it and not have it,” he added, a little solemnly.
Larry McMurtry (The Lonesome Dove Series)
I loved his enormous aptitude for compassion, adoration and respect. That was his way of showing love. He lacked the capacity for wickedness, and that caressed my belief that he might just be an angel. My angel.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
Archer kept his course toward the battleship. He opened his bomb bay doors for show, hoping to persuade the dreadnought to veer from its course. Then, as he began to pull up over the ship, Archer rolled his Avenger over on its back and took his .38-caliber service revolver from its holster. Running on anger born of pain and not a little adrenaline, he squeezed the trigger repeatedly, sending six rounds into the dark superstructure of the battleship.
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
Charlie?” He holstered his gun and waited until she looked at him. “Do you really think you could love a man who can outshoot you?” Her smile immediately flipped down. “Not sure how well August shoots, but that doesn’t—” “No, not August. Me.
Melissa Jagears (Engaging the Competition (Teaville Moral Society, #0.5))
Normally I’d hide my gun in a canvas bag or a purse. Today I didn’t bother. My Baby Desert Eagle rested in a hip holster. Its magazine held twelve rounds, .40 S&W, and I’d brought two spare magazines, in the interior pocket within the lining of my jacket.
Ilona Andrews (White Hot (Hidden Legacy, #2))
Reviewing our experiences, we had become more and more convinced that carrying arms was not only unnecessary in most grizzly country but was certainly no good for the desired atmosphere and proper protocol in obtaining good film records. If we were to obtain such film and fraternize successfully with the big bears, it would be better to go unarmed in most places. The mere fact of having a gun within reach, cached somewhere in a pack or a hidden holster, causes a man to act with unconscious arrogance and thus maybe to smell different or to transmit some kind of signal objectionable to bears. The armed man does not assume his proper role in association with the wild ones, a fact of which they seem instantly aware at some distance. He, being wilder than they, whether he likes to admit it or not, is instantly under even more suspicion than he would encounter if unarmed. One must follow the role of an uninvited visitor—an intruder—rather than that of an aggressive hunter, and one should go unarmed to insure this attitude.
John McPhee (Coming into the Country)
His gun was still holstered, but so were theirs. He had surprise on his side, and the urgency of the riders, as he could see a second cloud of dust not far behind them. Lonesome knew these men. He might not have known them personally, but he knew the look of men who'd seen battle during the war. Many soldiers from both sides had been unable to stop killing after the war, and he judged these men to be among them. The man riding point was the one he needed to worry about. He had the look of a man who would take some killing.
Bobby Underwood (The Trail to Santa Rosa (The Wild Country #2))
Shit! Halvorsen thought furiously, and for a moment one hand clawed under his sport-coat where there was a .38 in a clamshell holster. Then sanity reasserted itself. This was no drug bust or armed robbery; this was a crippled black lady in a wheelchair. She was rolling it like it was some punk’s drag-racer, but a crippled black lady was all she was just the same. What was he going to do, shoot her? That would be great, wouldn’t it? And where was she going to go? There was nothing at the end of the aisle but two dressing rooms.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
Careful now,” said Barron when she reached the tavern steps. She hadn’t heard him come out. “Someone might think you’ve got a heart under all that brass.” “No heart,” said Lila, pulling aside her cloak to reveal the holstered pistol and one of her knives. “Just these.
Victoria E. Schwab (A Darker Shade of Magic (Shades of Magic, #1))
That theory will be blown when she’s conferring with the event security, wearing an earpiece and holstering a firearm under her business suit. Or if she perceives a threat and pulls a gun, because she—and no offense, sweetheart—looks awful trigger-happy.” She set her forearms on the table. “You have no idea how true that statement is. But right now the person I’d be gunning for most is you, sweetheart.” Then she smiled. Holy shit. The smile completely transformed her face—but Devin wasn’t sure if it was a good thing or a bad thing because the grin straddled the line between sexy and evil.
Lorelei James (Hillbilly Rockstar (Blacktop Cowboys, #6))
footpace! d'ye mind me? And if you've got holsters to that saddle o' yourn, don't let me see your hand go nigh 'em. For I'm a devil at a quick mistake, and when I make one it takes the form of Lead. So now let's look at you." The figures of a horse and rider came slowly through the eddying mist, and came to the side of the mail, where the passenger stood. The rider stooped, and, casting up his eyes at the guard, handed the passenger a small folded paper. The rider's horse was blown, and both horse and rider were covered with mud, from the hoofs of the horse to the hat of the man. "Guard!" said the passenger, in a tone
Charles Dickens (A Tale of Two Cities)
We need a plan.” “My plan is to do what I’ve always done.” Ambrose shoved the gun into its holster, leaving it unfastened for a faster draw. “And what have you always done?” “Wing it.” Ezra choked on a laugh. “That is the very definition of not having a plan.” “We got us a plan, we just don’t know how to go about it.” “Comforting.
Anonymous
but just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going
David Foster Wallace (Infinite Jest)
When I reached the age of five, I was told I was adopted as a baby, at that time I was gun and holster mad, a bit of a lone ranger, as was the rage in those days. My parents, Tom and Brenda, told me they went to see all these special kids and they picked me out from them. Waiting for my reaction, I looked up at my parents and chimed, ‘Did I have my guns on?
Stephen Richards (Born to Fight: The True Story of Richy Crazy Horse Horsley)
You know, it's an odd feeling to not know who you are," I started, trying to keep my voice even and not let urgency or anger skew my words.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
Perception in the eye of vengeance becomes blurred. Ren was in need of a slap on the face, but I knew what was coming and that it would do the job properly.
S.G. Holster (Terrible Lies (Thirty Seconds To Die, book 2))
I had no idea what any of that meant. However, when I accepted the pistol from her, it felt as natural as if I’d been born with it in my hand. I sheathed it in a sharkskin-and-horsehide vertical belt scabbard, which she also provided. At her insistence, I practiced drawing it half a dozen times; it came out of the holster and into a two-handed grip so slick that I impressed Sparky and scared myself
Dean Koontz (Quicksilver)
He turned the cylinder of the Colt and listened to the small, clear clicks it made. The grip was wood, the barrel cool and blue; the holster had kept a faint smell of saddle soap. He slipped the gun back in its holster, put the gun belt around his waist and felt the gun’s solid weight against his hip. When he walked out into the lots to catch his horse, he felt grown and complete for the first time in his life.
Larry McMurtry (The Lonesome Dove Series)
One of the two owners, the man who had been sitting in the front room, was stretched out in there asleep, stockinged-toes pointed at the ceiling, one hand backed defensively against his eyes to ward off the light. He'd taken off his vest and shoes, and that strap that wasn't straight enough to be a suspender-strap was dangling now around one of the knobs at the foot of the bed. It ended in a holster, with a black, cross-grained slab of metal protruding from it. Turner couldn't take his eyes off it, while the long seconds that to him were minutes toiled by. That meant out, that black slab, more surely than any door. He had to have it. More than that, it meant a continuance of out, for so long as he had it. And he wanted out with all the desperate longing of all trapped things, blindly scratching, clawing their way through a maze to the open. To the open where the equal chance is.
Cornell Woolrich (Marihuana)
He stowed a bottle of a local rotgut called Five Island Gin—nicknamed Five Ulcer Gin—in radioman Harry Brooks’s gas mask holster. When an MP tapped Brooks’s hip to check for the mask, the bottle broke and left Brooks with a soggy leg. It was probably for the best. Louie noticed that when he drank the stuff, his chest hair spontaneously fell out. He later discovered that Five Island Gin was often used as paint thinner. After that, he stuck to beer.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Sirens blasted, breaking the silence and spinning me around. The shrill sound was all too familiar, and I snapped into action. Vicious excitement replaced the restlessness, and I knew just how screwed up that was, but right then? Oh yeah, I could use a fight. Yesterday in the quad had been child’s play. Grabbing the Glock loaded with titanium bullets, I hooked it into the holster and fit it around my thigh. I snatched the daggers off the dresser and headed out the door, not even bothering with grabbing a shirt. I came to a complete stop as Josie’s door swung open. What in the holy fuck were Alex and Josie doing together? For just a few seconds, the three of us were literally frozen, staring at each other as the sirens blared overhead. And then Alex broke the silence. “Really?” she said dryly, eyeing me with a smirk. “You’re going to fight with the awesomeness of your six-pack as a weapon?” I arched a brow. “Yeah, you know, I was going to test out the whole abs of steel theory thing. The gun attached to my thigh and the daggers in my hands are just props. Mainly for show. Don’t want to take away from the gloriousness that is my body, though.” Her smirk flipped into a grin. “Whatever.” She started forward. Up ahead, a tall figure stepped out in the hall, and light glinted off the titanium daggers in his hands. Aiden. Of course their room had to be close to mine. Of. Course.
Jennifer L. Armentrout (The Power (Titan, #2))
I was recently pulled over by the police in the wee hours of the morning on my way to vacation in Alabama. I was traveling with my family, and my wife and kids were asleep. I was on the phone with my brother Al, trying to get directions to our beach house. There was no one else on the road as I was driving through a small town. All of a sudden, flashing lights appeared out of nowhere and I pulled over. The lights woke up everybody in the car, and one of my kids said, “Maybe the policeman watches Duck Dynasty.” The officer came up to my window and asked for my driver’s license and insurance card. When I began to speak to the policeman, he put his hand on his holstered gun. My wife said, “Guess he’s not a fan.” The cop gave me a speeding ticket for driving forty-four miles per hour in a thirty-mile-per-hour zone, which was fine. Hey, I broke the law! But what made me a bit uncomfortable was that every time I opened my mouth he put his hand on his gun!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Bell holsters his pistol as Chain drops to one knee, begins searching bodies and bags. Lilac is watching him warily, the boy and girl clinging to her. "You with me? Lilac? Are you with me?" Lilac nods, hesitantly at first, then again, with resolve, and maybe it's calling her by her character name that does it, but she takes a breath, stands a little straighter. She is Lilac the meerkat, the heart of the Flower Sisters. Fierce and loyal, yet kind at heart, and she will do what must be done.
Greg Rucka (Alpha (Jad Bell, #1))
As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Before we go on from here, I just want to say," he paused and took a step closer to me and reached his hand out to my heart. "What I should have said back on the plane is I know you're real." His eyes narrowed, "I'll always fight for you, Lexi, in my own way.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
I stepped off the Learjet at the private airfield just before dawn. I’d been on the plane exactly seventeen hours, twenty-six minutes and fourteen seconds, wearing the same eight-hundred-dollar dress I’d worn when I killed a man twenty-five hours earlier. One of my shoes hadn’t made it out of the desert, and I clutched what remained of the other shoe in my right hand and my nine millimeter in the left. Apparently, eight-hundred-dollar dresses didn’t come with pockets or holsters, and I didn’t have the kind of cleavage that made a viable hiding place.
Jana Deleon (Louisiana Longshot (Miss Fortune Mystery, #1))
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
Caleb, what are you doing here? Are you crazy?" "I could ask you the same question." He glared at me. "I was following you, obviously." I shook my head and shoved my gun back into the waist of my pants. I'd forgotten a holster—go figure. "You need to go back to the Covenant. Now. Dammit, Caleb! What were you thinking?" "What are you thinking?" He glowered as he threw the question back at me. "I knew you were going to do something incredibly stupid. That's why I couldn't sleep at all. I sat by my damn window and waited. Low and behold, I see your crazy ass sneaking across the quad!
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
We need to talk," he insisted, opening the door to his jeep that was parked next to my car. I was still holding out hope this would end and I would see his smile soon. "What's wrong?" I retaliated before I go in. "There's something you need to know, something I haven't told you," he said, taking my backpack from me.
S.G. Holster (Thirty Seconds to Die (Thirty Seconds to Die, #1))
But none of them compared to the dangerous stranger in her room. While the men she was used to were hotter than hell, what they lacked was the fierce aura of power that emanated from this man and his stern, steely features. It was as if he were the deadliest of predators. Feral. That was the only word to do him justice. Surely there wasn’t another soldier in the entire universe who could match him in terms of raw beauty or lethal demeanor. His blond hair was snow white and his features sharp and icy. He wore a pair of black shades that annoyed her since she couldn’t see the upper part of his face or the color of his eyes. Not that it mattered. She saw enough to know that in the land of gorgeous men, he had no competition. As a stark contrast to his white hair, his clothes were a black so deep they seemed to absorb all light, and they were trimmed in silver … No, not silver. Those were weapons tucked into the sleeves and lapels of his ankle-length coat. The left side of it was pulled back, exposing a holstered blaster that was strapped to his left hip. The tall flight boots had silver buckles going up the sides that were fashioned into the image of skulls. At least that’s what she saw at first glance, but as he moved closer she realized those could come off and double as weapons, too. Wow, he was either extremely paranoid or more lethal than a team of League assassins. And that said something.
Sherrilyn Kenyon (Born of Night (The League, #1))
And there was my Roland to bear the whole weight Of the news which alone could save Aix from her fate, With his nostrils like pits full of blood to the brim, And with circles of red for his eye-sockets' rim. Then I cast loose my buffcoat, each holster let fall, Shook off both my jack-boots, let go belt and all, Stood up in the stirrup, leaned, patted his ear, Called my Roland his pet-name, my horse without peer; Clapped my hands, laughed and sang, any noise, bad or good, Till at length into Aix Roland galloped and stood. And all I remember is - friends flocking round As I sat with his head 'twixt my knees on the ground; And no voice but was praising this Roland of mine, As I poured down his throat our last measure of wine, Which (the burgesses voted by common consent) Was no more than his due who brought good news from Ghent.
Robert Browning
Dennis Tueller, a Salt Lake City police officer and firearms instructor (since retired), asked just this question.  Uniformed officers are routinely faced with impact weapon bearing suspects.  So it’s natural for Tueller to wonder how far away a suspect can be and still use an impact weapon against an officer before he could defend himself. To answer his question, Tueller ran a bunch of empirical studies.  Which is just a fancy way of saying he ran a bunch of students through the exercise that would later become the Tueller Drill. Tueller learned that most officers can get a service pistol out of a holster and engage a threat with center-mass hits within 1.5 seconds.  So the question then becomes, how much distance can a bad guy cross in 1.5 seconds?  Timing a great many students running from a standing start, Tueller learned that someone can go about 21 feet in 1.5 seconds.  So 21 feet became the “Tueller distance,” or the maximum distance from a police officer a person can use an impact weapon against the officer before the officer can shoot them.  The Tueller Drill is often referred to as the “21 foot rule,” or the “7 yard rule.”  This really obscures the real take-home message of the Tueller Drill.  The value is not some particular distance.  What matters is your “Tueller distance.” People’s draw speeds vary.  Your Tueller distance will be greater or less than 21 feet depending on your ability to get the gun unholstered and pointed center-mass. The real lesson of the Tueller Drill is that someone armed with an impact weapon has the opportunity to use it at a far greater distance than most think—and certainly much greater distances than a juror might have otherwise thought.  If you imagine the length of typical American parking space, and add another three paces, you’ll be right about at 21 feet.
Andrew F. Branca (The Law of Self Defense: The Indispensable Guide to the Armed Citizen)
From around the periphery of the city the Marine battalion staffs arrived in small clusters of Humvees and LAVs, dismounting outside the walls of the MEF, striding in tight groups through the makeshift plywood door into the alcove of the stone mansion that served as the regi-mental HQ, draping their ceramic armor vests and Kevlar helmets over the wooden racks that lined the wall outside the conference room. Several carried M4 carbines or M16s, while others wore pistols on their hips or in shoulder holsters. It was like a meeting of knights in the fifteenth century—large, purposeful men neatly arraying their armor before sitting down at the banquet table to discuss the business of making war. The mood was upbeat, with many smiles exchanged. The dickering was over. It was time to finish the task. They stood talking until Col Toolan strode in; then they took seats around a long, square table with a huge photomap of Fallujah on the wall.
Bing West (No True Glory: Fallujah and the Struggle in Iraq: A Frontline Account)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
He glanced at Dehstroy, covered from head to toe in leather, courtesy Behr’s closet. He was still on the light side, his body still recovering from decades of torture and being held in a constant state of near starvation while being kept virtually immobile, chained to a dirty, rat feces-covered floor, but he was beginning to fill out now. His muscles were definitely more defined, he thought, catching a hint of pectoral outline through the black cotton T. But, Behr thought, he didn’t compare to his own thick, robust frame. “What are you grinning about over there?” Dehstroy asked, and Behr wiped his expression clear. “Were you just checking me out?” “What are you babbling about?” Flipping back his duster, Behr double checked his-hip holster, counting his blades, making sure everything was in its place. Definitely not trying to avoid the question. “Something you need to tell me?” Arching a thick brow, Dehstroy flashed a toothy, mocking smile his way. “Yeah, I was just wondering if you were an A cup or a B.” He shrugged. Looking down at his chest, Dehstroy adopted a thoughtful expression, then lifted his hands and cupped his pecs. “Nah, you’re way off. Definitely a C cup.
Brandi Salazar (A Warrior's Betrayal (Brotherhood, #2))
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Good to know,” Reacher said. “Tell your uncle no laws have been broken. Tell him he’s been paid for the room. Tell him I’ll see him later.” The guy on the right uncrossed his arms. The guy on the left said, “Are you going to be a problem?” “I’m already a problem,” Reacher said. “The question is, what are you going to do about it?” There was a pause, hot and lonely in the middle of nowhere, and then the two guys answered by brushing aside their coats, in tandem, casually, right-handed, both thereby showing black semi-automatic pistols, in pancake holsters, mounted on their belts. Which was a mistake, and Reacher could have told them why. He could have launched into a long and impatient classroom lecture, about sealing their fates by forcing a decisive battle too early, about short-circuiting a grander strategy by moving the endgame to the beginning. Threats had to be answered, which meant he was going to have to take their guns away, because probing pawns had to be sent back beaten, and because folks in Mother’s Rest needed to know for sure the next time he came to town he would be armed. He wanted to tell them it was their own fault. He wanted to tell them they had brought it on themselves. But he didn’t tell them anything. Instead he ducked his own hand under his own coat, grabbing at nothing but air, but the two guys didn’t know that, and like the good range-trained shooters they were they went for their guns and dropped into solid shooting stances all at once, which braced their feet a yard apart for stability, so Reacher stepped in and kicked the left-hand guy full in the groin, before the guy’s gun was even halfway out of its holster, which meant the right-hand guy had time to get his all the way out, but to no avail, because the next event in his life was the arrival of Reacher’s elbow, scything backhand against his cheekbone, shattering it and causing a general lights-out everywhere.
Lee Child (Make Me (Jack Reacher, #20))
Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.
Paul French (City of Devils: The Two Men Who Ruled the Underworld of Old Shanghai)