Hollow Knight Quotes

We've searched our database for all the quotes and captions related to Hollow Knight. Here they are! All 27 of them:

And yes, I came over here fully intending to seduce you." He lifted his head and whispered in my ear, "It's what I'm good at. Just like you're good at evading demons and kicking ass." "Kicking ass?" I questioned as he dropped his head back to the arm of the couch. His hand was exploring again, and I didn't want to move. "Yeah," he said, and I jumped as he found a ticklish spot. "I like a woman who takes care of herself." "Not much of a white knight on a horse, huh?" He raised one eyebrow. "Oh, I could," he said. "But I'm a lazy son of a bitch.
Kim Harrison (Every Which Way But Dead (The Hollows, #3))
My brow found the hollow of his collarbone, the place where we fitted together.
Harper Fox (Winter Knights)
The time has come. You know it in your soul. For I am your soul... You cannot escape me... You are puny, you are small – you are nothing – a hollow shell, a rusty trap that cannot hold me – Smoldering, I burn you – burning you, I flare, hot and bright and fierce and beautiful – You cannot stop me – not with wine or vows or the weight of age – You cannot stop me, but still you try – still you run – You try to drown me out... but your voice is weak...
Frank Miller (The Legend of Batman, Vol. 5: The Dark Knight Returns)
Why did things have to be so complicated with human beings?...Yet if we were not what we were, creatures with at least the awareness of purpose and honor, what would we be? Empty knights in armor, seeming so strong on the outside, yet hollow inside?
Piers Anthony (Crewel Lye: A Caustic Yarn (Xanth #8))
I wished I had told her what I was doing. I wished I had said more, argued more. Maybe then I wouldn't have this hollow ache in my chest whenever I thought of our parting words. Had she already moved on, forgotten me? In her position, what she said made sense, but the thought of her with someone else made me wish I had something to fight, to kill, just so I could forget.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
The peregrine falcon is the swiftest, most adept animal I have ever seen. It is worth noting that, like many bird, the falcon's bones are hollow. Travel light.
Ethan Hawke (Rules for a Knight)
After Christian's death he'd just existed. He felt nothing, just a sense of emptiness. In some ways he welcomed that hollowness inside of him. It was easier to be numb, not caring beyond the basic needs to survive. But with spring's return, some intangible force stirred inside him, as if his emotions had been frozen through dead of winter. Now it was time to live again. His spirit awakened.
Deborah Macgillivray (A Restless Knight (The Dragons of Challon, #1))
My impulse to pull away vanished. As I stood there, my shoulders became damp. I searched his expression, too jaded to believe in white knights. Happy endings were never handed out. You had to fight for them, earn them with bruised hearts and sacrifices. And I just couldn't do it right now. It hurt too much when it fell apart. "Don't make me promises", I whispered, and the earnest glow in his eyes tarnished.
Kim Harrison (Black Magic Sanction (The Hollows, #8))
There were candles glittering light and fires burning in hearths, but not a single person appeared. Fairytale images covered all the closed doors on the second floor: a rabbit in a crown, a knight holding a star-shaped key, a pastry goblin tossing sweets.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
XII. If there pushed any ragged thistle-stalk Above its mates, the head was chopped, the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruised as to baulk All hope of greenness? Tis a brute must walk Pashing their life out, with a brute's intents. XIII. As for the grass, it grew as scant as hair In leprosy; thin dry blades pricked the mud Which underneath looked kneaded up with blood. One stiff blind horse, his every bone a-stare, Stood stupified, however he came there: Thrust out past service from the devil's stud! XIV. Alive? he might be dead for aught I knew, With that red gaunt and colloped neck a-strain. And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. XV. I shut my eyes and turned them on my heart, As a man calls for wine before he fights, I asked one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards, the soldier's art: One taste of the old time sets all to rights. XVI. Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm to mine to fix me to the place, The way he used. Alas, one night's disgrace! Out went my heart's new fire and left it cold. XVII. Giles then, the soul of honour - there he stands Frank as ten years ago when knighted first, What honest man should dare (he said) he durst. Good - but the scene shifts - faugh! what hangman hands Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! XVIII. Better this present than a past like that: Back therefore to my darkening path again! No sound, no sight as far as eye could strain. Will the night send a howlet or a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. XIX. A sudden little river crossed my path As unexpected as a serpent comes. No sluggish tide congenial to the glooms; This, as it frothed by, might have been a bath For the fiend's glowing hoof - to see the wrath Of its black eddy bespate with flakes and spumes. XX. So petty yet so spiteful! All along, Low scrubby alders kneeled down over it; Drenched willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, rolled by, deterred no whit. XXI. Which, while I forded - good saints, how I feared To set my foot upon a dead man's cheek, Each step, of feel the spear I thrust to seek For hollows, tangled in his hair or beard! - It may have been a water-rat I speared, But, ugh! it sounded like a baby's shriek. XXII. Glad was I when I reached the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage, Whose savage trample thus could pad the dank soil to a plash? Toads in a poisoned tank Or wild cats in a red-hot iron cage - XXIII. The fight must so have seemed in that fell cirque, What penned them there, with all the plain to choose? No footprint leading to that horrid mews, None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews.
Robert Browning
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
Love by the sweat of thy brow. Not through whispered words of hollow sound or lofty dreams ne’er substance bound that more than oft do run aground. Nay, love with mighty, blistered hands that turn the soil and carve the land. A bearer of toil and golden band. Be strong! A founder of the feast! Protective knight who slays the beast! For promises and vows aloud are naught but wispy veneer shroud like cobwebs, frail, the airy words and wooing fail. So work, my darling. Toil as proof. Thy loyal heart be drained of youth and yet beat on, incessant sound. Both feet take root within the ground, and service be thy kingly crown. Love by the sweat of thy brow.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
What the fuck was that about?” Vaughn said, standing over me. “I pissed him off.” Dark blue eyes flicking to the restroom, Vaughn reached back and scratched at his shoulder. “All I know is when Judd came back from Texas, he was all hollowed out. Like a ghost, I guess. This morning before his bitch fit, he looked alive again. Whatever you said or did, can’t be that big a deal compared to the shit mood he’s been in lately.” Glancing at the restroom, I wanted to go back to before I said the words. My honesty ruined our happy morning. “You can’t take it personally,” Vaughn added when I just stared at the restroom. “You know how moody Judd is. Always crying and bitching about something. A freaking drama queen.” Grinning, I looked up at him. “Thank you.” “Men like us aren’t used to pretty girls looking at them like you look at Judd. He’s not sure what to do with you and you’re just gonna have to be patient while he figures shit out.” “Okay,” I said, studied him. Whereas Judd hid a deep sorrow and iced heart behind his walls, I sensed Vaughn concealed a barely contained rage. He smiled easily enough, but it was a ruse. Just like Judd who acted like the world didn’t touch him, Vaughn faked his exterior to avoid showing anything to the world. “Why do they call you Outlaw?” I asked. Vaughn sighed. “Because it’s better than calling me dead man walking.” “I don’t understand.” “You don’t need to, darlin. The drama queen returns.” When Judd appeared next to me, his expression was unreadable while kissing me softly. When he pulled away, his gaze flickered to Vaughn. “Thanks.” “You are so premenstrual sometimes.” Grinning, Judd sat down across from me then glanced at Vaughn. “Fuck off.” Vaughn leaned his hip against the side of the booth and sized me up. “What is it about the Smith sisters that makes otherwise strong men lose their balls?” “I have no idea and I’m out of sisters, so I guess you’re out of luck.” “Thank the Lord too. I like my balls attached.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
IF, O most illustrious Knight, I had driven a plough, pastured a herd, tended a garden, tailored a garment: none would regard me, few observe me, seldom a one reprove me; and I could easily satisfy all men. But since I would survey the field of Nature, care for the nourishment of the soul, foster the cultivation of talent, become expert as Daedalus concerning the ways of the intellect; lo, one doth threaten upon beholding me, another doth assail me at sight, another doth bite upon reaching me, yet another who hath caught me would devour me; not one, nor few, they are many, indeed almost all. If you would know why, it is because I hate the mob, I loathe the vulgar herd and in the multitude I find no joy. It is Unity that doth enchant me. By her power I am free though thrall, happy in sorrow, rich in poverty, and quick even in death. Through her virtue I envy not those who are bond though free, who grieve in the midst of pleasures, who endure poverty in their wealth, and a living death. They carry their chains within them; their spirit containeth her own hell that bringeth them low; within their soul is the disease that wasteth, and within their mind the lethargy that bringeth death. They are without the generosity that would enfranchise, the long suffering that exalteth, the splendour that doth illumine, knowledge that bestoweth life. Therefore I do not in weariness shun the arduous path, nor idly refrain my arm from the present task, nor retreat in despair from the enemy that confronteth me, nor do I turn my dazzled eyes from the divine end. Yet I am aware that I am mostly held to be a sophist, seeking rather to appear subtle than to reveal the truth; an ambitious fellow diligent rather to support a new and false sect than to establish the ancient and true; a snarer of birds who pursueth the splendour of fame, by spreading ahead the darkness of error; an unquiet spirit that would undermine the edifice of good discipline to establish the frame of perversity. Wherefore, my lord, may the heavenly powers scatter before me all those who unjustly hate me; may my God be ever gracious unto me; may all the rulers of our world be favourable to me; may the stars yield me seed for the field and soil for the seed, that the harvest of my labour may appear to the world useful and glorious, that souls may be awakened and the understanding of those in darkness be illumined. For assuredly I do not feign; and if I err, I do so unwittingly; nor do I in speech or writing contend merely for victory, for I hold worldly repute and hollow success without truth to be hateful to God, most vile and dishonourable. But I thus exhaust, vex and torment myself for love of true wisdom and zeal for true contemplation. This I shall make manifest by conclusive arguments, dependent on lively reasonings derived from regulated sensation, instructed by true phenomena; for these as trustworthy ambassadors emerge from objects of Nature, rendering themselves present to those who seek them, obvious to those who gaze attentively on them, clear to those who apprehend, certain and sure to those who understand. Thus I present to you my contemplation concerning the infinite universe and innumerable worlds.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
She heard nothing but experienced a sensation that prickled along her spine like a warm touch caressing her skin. Slowly, with the care of prey beneath a predator's survey, she turned her head- and met the gaze of the elegant gentleman lounging at the door. In her travels, she had seen many a striking and charming man, but none had been as handsome as this- and all had been more charming. This man was a statue in stark black and white, hewn from rugged granite and adolescent dreams. His face wasn't really handsome; his nose was thin and crooked, his eyes heavy lidded, his cheekbones broad, stark and hollowed. But he wielded a quality of power, of toughness, that made Eleanor want to huddle into a shivering, cowardly little ball. Then he smiled, and she caught her breath in awe. His mouth... his glorious, sensual mouth. His lips were wide, too wide, and broad, too broad. His teeth were white, clean, strong as a wolf's. He looked like a man seldom amused by life, but he was amused by her, and she realized in a rush of mortification that she remained standing on the stool, reading one of his books and lost to the grave realities of her situation. The reality that stated she was an imposter, sent to mollify this man until the real duchess could arrive. Mollify? Him? Not likely. Nothing would mollify him. Nothing except... well, whatever it was he wanted. And she wasn't fool enough to think she knew what that was. The immediate reality was that she would somehow have to step down onto the floor and of necessity expose her ankles to his gaze. It wasn't as if he wouldn't look. He was looking now, observing her figure with an appreciation all the more impressive for its subtlety. His gaze flicked along her spine, along her backside, and down her legs with such concentration that she formed the impression he knew very well what she looked like clad only in her chemise- and that was an unnerving sensation.
Christina Dodd (One Kiss From You (Switching Places, #2))
O happy age, which our first parents called the age of gold! Not because of gold, so much adored in this iron age, was then easily purchased, but because those two fatal words mine and thine, were distinctions unknown to the people of those fortunate times; for all things were in common in that holy age: men, for their sustenance, needed only lift their hands and take it from the sturdy oak, whose spreading arms liberally invited them to gather the wholesome savoury fruit; while the clear springs, and silver rivulets, with luxuriant plenty, ordered them their pure refreshing water. In hollow trees, and in the clefts of rocks, the laboring and industrious bees erected their little commonwealths, that men might reap with pleasure and with ease the the sweet and fertile harvest of their toils. The tough and strenuous cork-trees did of themselves, and without other art than their native liberality, dismiss and impart their broad light bark, which served to cover these lowly huts, propped up with rough-hewn stakes, that were first built as a shelter against the inclemencies of air. All then was union, all peace, all love and friendship in the world; as yet no rude plough-share with violence to pry into the pious bowels of our mother earth, for she, without compulsion, kindly yielded from every part of her fruitful and spacious bosom, whatever might at once satisfy, sustain, and indulge her frugal children. Then was the when innocent, beautiful young sheperdesses went tripping over the hills and vales; their lovely hairs sometimes plaited, sometimes loose and flowing, clad in no other vestment but what was necessary to cover decently what modesty would always have concealed. The Tyrian dye and the rich glossy hue of silk, martyred and dissembled into every color, which are now esteemed so fine and magnificent, were unknown to the innocent plainness of that age; arrayed in the most magnificent garbs, and all the most sumptous adornings which idleness and luxury have taught succeeding pride: lovers then expressed the passion of their souls in the unaffected language of the heart, with the native plainness and sincerity in which they were conceived, and divested of all that artificial contexture, which enervates what it labours to enforce: imposture, deceit and malice had not yet crept in and imposed themselves unbribed upon mankind in the disguise of truth and simplicity: justice, unbiased either by favour or interest, which now so fatally pervert it, was equally and impartially dispensed; nor was the judge's fancy law, for then there were neither judges nor causes to be judged: the modest maid might walk wherever she pleased alone, free from the attacks of lewd, lascivious importuners. But, in this degenerate age, fraud and a legion of ills infecting the world, no virtue can be safe, no honour be secure; while wanton desires, diffused into the hearts of men, corrupt the strictest watches, and the closest retreats; which, though as intricate and unknown as the labyrinth of Crete, are no security for chastity. Thus that primitive innocence being vanished, the opression daily prevailing, there was a necessity to oppose the torrent of violence: for which reason the order of knight-hood-errant was instituted to defend the honour of virgins, protect widows, relieve orphans, and assist all the distressed in general. Now I myself am one of this order, honest friends; and though all people are obliged by the law of nature to be kind to persons of my order; yet, since you, without knowing anything of this obligation, have so generously entertained me, I ought to pay you my utmost acknowledgment; and, accordingly, return you my most hearty thanks for the same.
Miguel de Cervantes Saavedra (Don Quixote)
Sustained perhaps by the thought of an end to his ordeal, the General tackled this via crucis with scarcely a groan. Helped by Manoli and me when he stumbled and then by the guerrillas that shimmered like ghosts out of the vacancy, he moved across the landscape in a sort of trance. But, tormenting as our journey was, the dazzle of the moon and, when it set, of a blaze of stars that was nearly as bright, undermined this commotion of rock and then, by a planetary device in collusion with the optical tricks of which, at some moments, Crete seems to be composed — involving manipulated reflection and focus, levitation, geometrical shifts and a dissolving of solids balanced by a solidification of shadow — filled the hollow, then porous and finally transparent island under foot with lunar and stellar properties and, while hoisting it several leagues in the air, simultaneously, with moves as quiet as an opening gambit followed by those advances of knights and bishops, fast and stealthy as grandmother’s steps, which lead to penultimate castling and a sudden luminous checkmate, regrouped all the mountain tops of Crete within touching distance. The valleys and foothills had dropped away from this floe of triangles; they drifted in the windless cold starlight with the pallor, varying with their distance, of ice or ivory.
Patrick Leigh Fermor (Abducting a General: The Kreipe Operation in Crete)
Olivia was a quiet child, but her lack of response was uncharacteristic. She stared at her mother with wide, frightened eyes, her mouth open, a hollow cave devoid of words. Something was wrong. Very wrong.
Caroline Mitchell (The Silent Twin (Detective Jennifer Knight, #3))
I will accompany you,' Cardan says, rising. I open my mouth to explain all the reasons that he can't go. The problem is that as I look up in to his gold-rimmed eyes and he blinks mock-innocently down at me, I can't think of a single one that will actually stop him. 'Good,' he says, sweeping past me. 'We're decided. ... In the hall, I am forced to walk faster to catch up with Cardan. 'You don't even know where we're going.' He pushes black curls away from his face. 'Fand, where are we going?' The knight looks miserable but answers. 'To Hollow Hall.' 'Ah,' he says. 'Then I am already proven useful. You will need me to charm the door.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Why seven?’ said Fuchsia. ‘Seven is for something. What’s seven for? One for a glorious golden grave – two for a terrible torch of tin; three for a hundred hollow horses; four for a knight with a spur of speargrass; five for a fish with fortunate fins, six – I’ve forgotten six, and seven – what’s seven for? Eight for a frog with eyes like marbles, nine, what’s nine? Nine for a nine, nine – ten for a tower of turbulent toast – but what is seven. What is seven?
Mervyn Peake (Titus Groan (Gormenghast, #1))
As Bevis and Randal, touched by its stillness as though it were a great wing that brushed over them, walked slower, and stopped, out of the darkness of the river woods below them rose one clear, perfect note of birdsong, long drawn and insistent, repeated again and again, then breaking into a shining spray of notes, a cascade of runs and phrases that seemed to shimmer on the ear. It was a song that the two young men standing up there among the bramble domes had heard often enough before; but surely it had never sounded quite like this, so that it was one with the white flood of moonlight and the smell of the elder flowers. ‘Oh, listen!’ Randal whispered, stupidly, for the whole night was already holding its breath to listen. ‘Listen, Bevis, it’s the nightingale.’ Bevis stood as though he were rooted, like the brambles and the elder scrub, into the hill beneath his feet. His head was up, his gaze not turned down to the dark woods below from which came the song but going out up the curving length of the dearly familiar valley to the long, low huddle of the Hall that he had been born in, under the steep stride of Long Down, and the Manor Mill by the ford. His thin face was remote and far off, as Randal glanced aside at him, as though he were hearing something else, something that was beyond the singing. In a little, he shook his head. ‘It’s a song spun from the moonlight. But if it were me up here in the hollow hill, and I were to wake tonight, it would not be the nightingale but the speckle-breasted thrush or our Wealden blackbird I’d be listening for, to tell me I was home again.
Rosemary Sutcliff (Knight's Fee)
I thought I’d know what to do,” said Halim, as Toadling sat down on the step beside him. “I thought once I got in here and saw what there was to see…I thought I’d know what to do next.” Toadling glanced over at him, surprised. “I thought you could be lying,” he admitted, and then flushed. “No, I don’t mean—that came out wrong. I’m sorry. I didn’t think you were lying to lie. I said I believed you and I meant it. I still do. But maybe you couldn’t speak all the truth, or there was a curse on you, or…” “Or I truly was the wicked fairy,” said Toadling gently, “and Fayette was the beautiful maiden trapped in the tower.” His flush deepened. He dropped his head and put his hands over the back of his neck. “But I still don’t know,” he mumbled to his feet. Toadling patted his shoulder. It was still strange to her, touching another living being. She felt the weight of his chain hauberk under the softer surcoat. It made him feel more solid than he really was. He did not sound solid. He sounded as lost and alone as Toadling. “If I were a proper knight,” he said mournfully, “I should probably strike off your head with my sword and take the girl back to my mother.” “Don’t do that!” said Toadling, alarmed. “Your mother sounds kind, and Fayette would— Please, don’t do that!” He raised his head, a smile tugging at the corner of his mouth. “And striking your head off with a sword?” Toadling shrugged. “I suppose I’d prefer you didn’t.” He snorted. After a moment, he leaned slightly toward her, so that their shoulders touched, and Toadling leaned back, and they sat together on the steps for a little time, with the magic washing over them like the sea. Finally, Halim sighed and stood up. He walked back into the room and stood looking down at Fayette. Toadling followed him as far as the doorway, with her heart in her throat. She was restless in her sleep now that there were people here. Her brows furrowed, and she opened her mouth and closed it again. Perhaps a parent might have found that endearing, but Toadling saw only the snapping of teeth. “All right,” said Halim, and turned away. “I do believe you.” Toadling waited for the but. It didn’t come. “I am probably mad or a fool or enchanted,” he said. “But if so, it is like no enchantment I have ever heard of, and I already knew I was a fool.” He gazed at Toadling with his clear brown eyes. “What do we do now?” “You…you’re not going to try and wake her?” He shook his head. “I believe you,” he said again, and the words filled up the hollow space under her breastbone the way few other words ever had.
T. Kingfisher (Thornhedge)
It is not pain that he feels but the absence of it, which is somehow worse. At least pain is undeniable. Hollowness is so endless, so nebulous.
Laure Eve (Blackheart Knights)
Like the long gone captains of the Confederacy, he stood watch at the edge of Dauphin Island, his old life just out of sight across the water. What he felt in those moments, pelicans skimming the chop, tankers lugging cargo to ports unknown, was not loneliness or loss, as you might expect, nor the weight of tragedy but its opposite, pure lightness, the hole left inside him by Suzette’s death as big and hollow as a zeppelin and just as buoyant, as if the shape of her absence might lift him up and carrying him away.
Michael Knight (Eveningland: Stories)
When the time came for the session, I headed downstairs to the foyer only to find the security guards blocking the way out—two medieval knights I’d nicknamed Frank and Igor. They weren’t actual people but rather animated suits of armor as hollow on the inside as a chocolate Easter bunny. They turned their masked faces toward me, swords pointed. “Whoa, hey guys,” I said, coming to a stop. “I’ve got a dream-feeding session. Um … may I pass?” This wasn’t something I normally had to ask. They kept staring for a moment. It was a little creepy to sense they were staring even though they didn’t have eyes, just black slits in their helmets. Finally, they moved aside, and I hurried past them with a friendly wave. I always tried to be as nice to the knights as possible. As a Nightmare, I thought it a good idea to make sure they liked me so as to avoid any accidental maiming when I came and went for dream-feeding sessions. Of course, I was working under the assumption that empty suits of armor were capable of such feelings as liking.
Mindee Arnett (The Nightmare Affair (The Arkwell Academy, #1))
From what I was able to piece together, Lysa was days from branching when it happened. It was early evening. She was sleeping peacefully in her nest. Ma was out hunting. Pa was on the front lines, as he had been for many nights. And Lyze had just begun branching. He did this on his own, Pa was not there to help him. Too often fathers, and sometimes mothers, were not around to raise their chicks; the war took them away from their homes. Lyze had hopped through the branches of the tall, slender pine that had been our home. He was almost fully fledged, and so close to flying. From branch to branch he went, getting farther and farther from our hollow. He heard a soft chirp, and looked down to see little Lysa, having woken from her nap, at the edge of our hollow. She looked up at her big brother, longing to join him in his fun. Before Lyze could react, Lysa tumbled down to the ground. Lyze called out in the staccato bark of alarm that we Whiskered Screech Owls use in times of danger. But it was useless. He watched as a coyote snatched his downy little sister in his jaws, and disappeared into the eventide.
Kathryn Huang Knight (Guardians of Ga'Hoole: A Guide Book to the Great Tree)
Death was constantly on her mind. She thought about it every time she looked at Knight's pale and haggard face--his sunken cheeks, his thin lips, his hollow eyes.
Jennifer Niven (Ada Blackjack: A True Story of Survival in the Arctic)