Holiday Mode Quotes

Whereas John and Yoko might have comfortably lounged around in holiday mode on palatial country estates...the Lennons had this extraordinary urge and need to put something back. To stand up for reason in an unreasonable world, to take advantage of their extraordinary media profile to refocus public attitude and outlook on the murdering of other humans. (Ritchie Yorke)

MISERABLE SCHOOLIE MODE DISENGAGED EASTER HOLIDAYS MODE INITIALIZING... COMMENCING CHOCOLATE-ANTICIPATION SQUEE IN 5 4 3 2 1 SQUEEEEEEEEEEEEEEEEEEEEEEEEEEE! TWO WEEKS OF FREEEEEEEDOM! OK, so actually more like two weeks of EEEEEEEEEEEEEEKDOM.

In New Orleans, on the other hand, geography and time, food, music, holidays, modes of dress and ways of speaking, are part of an integrated fabric. People dress in certain ways for certain events, and certain foods are eaten on certain days,

The sentimentalist is always a cynic at heart. Indeed sentimentality is merely the bank holiday of cynicism. And delightful as cynicism is from its intellectual side...it never can be be more than the perfect philosophy for a man who has no soul. It has its social value; and to an artist all modes of expression are interesting, but in itself it is a poor affair, for to the true cynic nothing is ever revealed.

The absolute success of these two movements is such that at this stage, "indie" and "yuppie" are meaningless designators. The yuppie aesthetic of connoisseurship has infiltrated everywhere and now there is only--for many of us--either luxury gelato or food made of chemical waste. Ikea, Martha Stewart, and Whole Foods make yuppiedom no longer a chic and extravagant choice but an enforced mode. It's either that or eat at a toxic toilet such as McDonald's. The indie aesthetic is likewise de rigueur. H&M, Urban Outfitters, and American Apparel sell the floppy "Brit on a holiday" look to all Americans. Radiohead and Arcade Fire music is blasted from speakers at stadiums. For many poor souls, there is no alternative to the alternative.

I don't want to give up my prime position over here by the cookies," she shouted back. "Are they good? The cookies?" "They're great!" This was the loudest conversation Rosie had ever had about cookies. "Really good, tight crumb structure. You can tell the butter is high quality. And each cookie is so consistent. And the piping!" She picked up another one, aware that she'd already eaten way too many of them but was probably about to eat another. "The piping on the front is beautiful, but the frosting still tastes good." "Thank you." He grinned. "Did you make these?" Rosie asked, surprised. "Yeah! I love Halloween." "You love Halloween." Rosie couldn't believe he'd made all of these. Firstly, they were so identical, they looked like they'd been made by a machine. But what she really couldn't believe was that Bodie Tal was exhibiting the same level of Halloween enthusiasm that Owen had abandoned several years ago because he'd decided he was too old for it. "Halloween is the best holiday ever. Costumes? Sugar? The sick orange-and-black color scheme? What's not to like?" Rosie laughed as he reached over her to grab a cookie and took a bite. She could smell his aftershave, again. She took half a step back. "Do you think they're too salty?" he asked, chewing. "No, the salt cuts the butter. You need it to balance the richness. You did it perfectly, actually.

Years later I saw a film - poignantly sad, and for me unbearably so - about a scientist who had invented a kind of total sense recorder, not just video but audio and smellio and touchio and the rest, which he set to play every afternoon in a given place a given time, for as long as the mechanism lasted. The scene he projected was that of a dozen or so young couples dancing on a terrace in the same holiday house, on the same island, where the recorder itself was kept. Then this young man comes across it while it is playing and at first is convinced he is watching a real occurrence: he sees this beautiful girl, in her slinky 1930s outfit, dancing and laughing and chattering with her friends, and he falls in love with her on the spot. Second day, same time around, he comes to the island at a slightly different time so he sees a slightly different excerpt, and still doesn't twig and falls deeper in love. And so on and so forth for various days until he happens on a duplicate bit and realises something is wrong. But by then, of course, he is irretrievably hooked. So what does he do? He digs out the machine, fiddles with its insides until he has grasped its workings, and then sets it up in recording mode and records himself into the scene in a desperate last-ditch attempt to join the dancers. Which works, and there he stays: trapped there amongst them in a virtual dimension, forever young, forever re-enacting the same little loop of life, over and over.

Lissy McIntyre sat on the side of the old sailing ship as it rounded the point into Butterfly Bay, curly, sun-streaked strands of auburn hair pushed across her face by the breeze. She imagined the reaction of her history colleagues at the university if they could see Dr. McIntyre in backpacker mode. The days spent basking in the warmth around the pool at Hamilton Island over the last week had made her almost forget it was winter back home on the New England tablelands of Australia.

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For a few days, uncertain about what I should do next, I go for walks and watch television. The walking is good, but the television leaves me feeling hopeless and worthless. The vile psychopaths it wants me to enjoy cannot hold me in their spell. I can't bear to absorb those indelible images and pollute myself with hatred and violence. What doesn't depress me makes me feel like the cornered victim of a wealthy bore with their holiday movies, who sucks the vitality out of me. I pull the plug and take to my bed to read, cocooned again in poetry and wondering about a rebirth.

During the Muslim holiday of Ramadan, people eat only after sunset so they consume all their calories at night. Should they lose weight? Anecdotal evidence, gathered by doctors watching residents working all-night shifts, indicates that people who eat all their 2,000 daily calories in one meal gain more weight than those who space those calories over three meals. Why? Because the one-timers are kicking in their starvation mode, making their bodies want to store fat rather than burn it.

What is your preferred mode of transportation? How do you define a “crowd”? Think of a situation in your life where the crowd level felt good and right. What about an instance when a crowd felt stressful or scary? What’s your comfort level with sounds/noises? For example, are you comfortable in a space with loud music playing? Is there a type of noise or sound that you just can’t stand? What, if anything, is likely to make you feel physically unwell? What everyday activities do you prefer to do IRL? Which do you prefer to do virtually or through an app? How comfortable are you with technology? What technology do you rely on? What do you wish you relied on less? Feelings, Emotions, and Relating to Others Do you enjoy chatting with strangers and/or new people? Do you like physical touch? Are you a hugger? How comfortable are you talking about feelings (your own and other people’s)? What topics do you consider too private to discuss with casual friends? What about close friends? How modest would you say you are? Do you consider yourself a serious person? What kinds of jokes/humor/pranks do you like? What kinds piss you off? How sentimental are you? What holidays, anniversaries, or events do you care about the most? How comfortable are you with uncertainty?