“
One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Katniss," Gale says softly.
I recognize that voice. It's the same one he uses to approach wounded animals before he delivers a deathblow. I Instinctively raise my hand to block his words but he catches it and holds on tightly.
Don't," I whisper.
But Gale is not one to keep secrets from me.
Katniss, There is no District Twelve.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Aelin took a step forward.
One step, as if in a daze.
She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob.
And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels.
She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall.
But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm.
Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in.
"Who is that?" Nesryn asked.
Aedion smiled. "Rowan.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
He looked down and did something quite out of character for him: he took hold of Shmuel's tiny hand in his and squeezed it tightly.
"You're my best friend, Shmuel," he said. "My best friend for life.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
I do not remember very many things from the inside out. I do not remember what it felt like to touch things, or how bathwater traveled over my skin. I did not like to be touched, but it was a strange dislike. I did not like to be touched because I craved it too much. I wanted to be held very tight so I would not break. Even now, when people lean down to touch me, or hug me, or put a hand on my shoulder, I hold my breath. I turn my face. I want to cry.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
He tasted deeper, holding himself over me, and suddenly he was everywhere; his knee trapping my leg, his lips grazing warm, rough, sensuous. He splayed his hand at the small of my back, holding me tightly, driving me to sink my fingers deeper into him, clinging to him as if letting go would mean losing part of myself.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Now take my hand and hold it tight.
I will not fail you here tonight,
For failing you, I fail myself
And place my soul upon a shelf
In Hell's library without light.
I will not fail you here tonight.
”
”
Dean Koontz (The Book of Counted Sorrows)
“
Don't entrust your future on others' hands. Rather make decisions by yourself with the help of God's guidance. Hold your beliefs so tight and never let go of them!
”
”
Hark Herald Sarmiento
“
Isi, I’m trying to say that you’ve been… no, you’re so, you’re–” He stopped.
"You are,” he said. His hand found hers, and he held her finger tightly, as though he did not dare to do any more than hold her one hand, and look at her, and breathe deeply.
”
”
Shannon Hale (The Goose Girl (The Books of Bayern, #1))
“
I have never met a heavy heart that wasn’t a phone booth with a red cape inside
Some people will never understand the kind of superpower it takes for some people to just walk outside
Some days I know my smile looks like the gutter of a falling house
But my hands are always holding tight to the ripchord of believing
”
”
Andrea Gibson
“
I kicked off my shoes and pulled his hand away from the wheel so I could straddle his lap and hold him. His grip on me was excruciatingly tight, but I didn't complain. We were on an insanely busy street, with endless cars rumbling past on one side and a crush of pedestrians on the other, but neither of us cared. He was shaking violently, as if he were sobbing uncontrollably, but he made no sound and shed no tears.
The sky cried for him, the rain coming down hard and angry, steaming off the ground.
”
”
Sylvia Day (Reflected in You (Crossfire, #2))
“
won't you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
”
”
Lucille Clifton
“
Times like this, when she slips her hand into mine and holds on tight, and our husband becomes just a shadow in the doorway.
”
”
Lauren DeStefano (Wither (The Chemical Garden, #1))
“
Like is an emotion. Emotions”—he raised a hand, made a fist, clenched it tightly—“are like holding water. You open your hand, there’s nothing there. Better to be a weapon than a woman.
”
”
Karen Marie Moning
“
Katniss?" He drops my hand and I take a step, as if to catch my balance.
"It was all for the Games," Peeta says. "How you acted."
"Not all of it," I say, tightly holding onto my flowers.
"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.
"I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming.
"Well, let me know when you work it out," he says, and the pain in his voice is palpable.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You are strong enough to survive the fall. They were plummeting toward the sea. Zoya felt Genya’s arms around her, Liliyana holding her tight. She felt Nikolai’s presence beside her and Juris’ sword in her hands.
With a wild, gasping breath, she felt her wings unfurl.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Just friends? Alright friend we won’t kiss goodnight, and I won’t hold you tight and wish that you were mine just for one night. I will separate my dreams from my eyes, separate my heart from my spine, keep clean the lines between my hands and your innards.
”
”
Coco J. Ginger
“
I remain quiet. I am determined to close myself to the world, to tighten my heart and hold what has not yet been stolen from me. I cannot let myself slip away. I will hold what I am inside, and keep my hands tight around all the things I have seen and heard, and felt.
”
”
Hannah Kent (Burial Rites)
“
Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
”
”
Celeste Ng (Little Fires Everywhere)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
And I know I’ve lost.
Everything is lost.
Everything is over.
“As the newly appointed President of this fair planet of ours,” the Mayor says, holding out his hands as if to show me the world for the first time,” let me be the very first to welcome you to its new capital city.”
“Todd?” Viola whispers, her eyes closed.
I hold her tightly to me.
“I’m sorry,” I whisper to her. “I’m so sorry.”
We’ve run right into a trap.
We’ve run right off the end of the world.
“Welcome,” says the Mayor,” to the New Prentisstown.
”
”
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
“
for those memories are now
just like these little kittens
I hold in my hands
those can be kissed
and treasured
but not held too tightly.
”
”
Sanober Khan (Turquoise Silence)
“
Derek's change came faster now and maybe a bit easier--no vomiting this time. Finally it was over, and he fell onto his side, panting, shaking, and shivering. Then he reached for my hand, holding it tight, and I entwined my fingers with his, shifting closer and using my free hand to brush sweaty hair from his face.
"Whoa," a voice said, making both of us jump. Simon stood in the entrance to our corner, a pile of fabric in his hands. "You really need to get dressed before you start that."
"I'm not starting anything," Derek said.
"Still..." He held out the stack in his hands. "Dr. Fellows dug up some hospital greens for you. Get dressed and then... whatever
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
I'm Chip Martin," he announced in a deep voice, the voice of a radio deejay. Before I could respond, he added, "I'd shake your hand, but I think you should hold on damn tight to that towel till you can get some clothes on.
”
”
John Green (Looking for Alaska)
“
Why are you holding my hand so tight, Grandpa?” the boy whispers
again.
“Because all of this is disappearing, Noahnoah. And I want to keep hold
of you longest of all.
”
”
Fredrik Backman (And Every Morning the Way Home Gets Longer and Longer)
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
After all, you can only hold one person tight if you're holding on with both hands.
”
”
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
“
Relationships - of all kinds - are like sand held in your hand. Held loosely, with an open hand, the sand remains where it is.The minute you close your hand and squeeze tightly to hold on, the sand trickles through your fingers. You may hold onto it, but most will be spilled. A relationship is like that. Held loosely, with respect and freedom for the other person, it is likely to remain intact. But hold too tightly, too possessively, and the relationship slips away and is lost.
”
”
Kaleel Jamison (The Nibble Theory and the Kernel of Power: A Book about Leadership, Self-Empowerment, and Personal Growth)
“
We hold on so tightly, because we’re terrified of loss. We hold on till our hands bleed. And in that self-shattering persistence, we fail to see the answer: Just let go.
”
”
Yasmin Mogahed
“
You've gone and sewn me to this bed,
The taste of you and me,
Will never leave my lips again,
Under the blinding rain,
I wanna hold your hand so tight,
I'm gonna break my wrist,
And when the vultures sing tonight,
I'm gonna join right in.
”
”
Pierce the Veil
“
people used to tell me that i had beautiful hands
told me so often, in fact, that one day i started to believe them until i asked my photographer father, “hey daddy could i be a hand model”
to which he said no way,
i dont remember the reason he gave me and i wouldve been upset,
but there were far too many stuffed animals to hold
too many homework assignment to write,
too many boys to wave at
too many years to grow,
we used to have a game, my dad and i about holding hands cus we held hands everywhere, and every time either he or i would whisper a great
big number to the other, pretending that we were keeping track of how many times we had held hands that we were sure, this one had to be 8 million 2 thousand 7 hundred and fifty three.
hands learn more than minds do,
hands learn how to hold other hands,
how to grip pencils and mold poetry,
how to tickle pianos and dribble a basketball,
and grip the handles of a bicycle
how to hold old people, and touch babies ,
i love hands like i love people,
they're the maps and compasses in which we navigate our way through life, some people read palms to tell your future,
but i read hands to tell your past,
each scar marks the story worth telling,
each calloused palm,
each cracked knuckle is a missed punch
or years in a factory,
now ive seen middle eastern hands clenched in middle eastern fists pounding against each other like war drums, each country sees theyre fists as warriors and others as enemies.
even if fists alone are only hands. but this is not about politics, no hands arent about politics, this is a poem about love, and fingers. fingers interlock like a beautiful zipper of prayer.
one time i grabbed my dads hands so that our fingers interlocked perfectly but he changed positions, saying no that hand hold is for your mom.
kids high five, but grown ups, we learn how to shake hands, you need a firm hand shake,but dont hold on too tight, but dont let go too soon, but dont hold down for too long,
but hands are not about politics, when did it become so complicated. i always thought its simple.
the other day my dad looked at my hands, as if seeing them for the first time, and with laughter behind his eye lids, with all the seriousness a man of his humor could muster, he said you know you got nice hands, you could’ve been a hand model, and before the laughter can escape me, i shake my head at him, and squeeze his hand, 8 million 2 thousand 7hundred and fifty four.
”
”
Sarah Kay
“
Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. "Goodbye, Mr. Wind-Up Bird. See you again sometime.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
Now would you do me a favor?' From somewhere inside me came this devastating assault to make me cry. But I withstood. I would not cry. I would merely indicate to Jennifer - by the affirmative nodding of my head - that I would be happy to do her any favor whatsoever.
'Would you please hold me very tight?' she asked.
I put my hand on her forearm - Christ, so thin - and gave it a little squeeze.
'No, Oliver,' she said, 'really hold me. Next to me.'I was very, very careful - of the tubes and things - as I got onto the bed with her and put my arms around her.
'Thanks, Ollie.'
Those were her last words.
”
”
Erich Segal (Love Story (Love Story, #1))
“
To have spent my life holding my hands in tightly hidden fists. To try to understand what it would mean now to hold them open. I have always felt ashamed at being witnessed in the act of wanting something I could not have
”
”
Jennifer S. Cheng
“
My friend Adele describes fundamentalism as holding so tightly to your beliefs that your fingernails leave imprints on the palm of your hand... I think she's right. I was a fundamentalist not because of the beliefs I held but because of how I held them: with a death grip. It would take God himself to finally pry them out of my hands. (p.17-18)
”
”
Rachel Held Evans (Evolving in Monkey Town: How a Girl Who Knew All the Answers Learned to Ask the Questions)
“
With his long sharp nails he opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight and with the other ceased my neck and pressed my mouth to the wound so that I must either suffocate or swallow...
Some of the...Oh my god…my god
What have I done?
”
”
Bram Stoker
“
I don’t …” I sound like I am being strangled. “My family is all dead, or traitors; how can I …”
I am not making any sense. The sobs take over my body, my mind, everything. He gathers me to him, and bathwater soaks my legs. His
hold is tight. I listen to his heartbeat and, after a while, find a way to let the rhythm calm me.
“I’ll be your family now,” he says.
“I love you,” I say.
I said that once, before I went to Erudite headquarters, but he was asleep then. I don’t know why I didn’t say it when he could hear it.
Maybe I was afraid to trust him with something so personal as my devotion. Or afraid that I did not know what it was to love someone. But now I
think the scary thing was not saying it before it was almost too late. Not saying it before it was almost too late for me.
I am his, and he is mine, and it has been that way all along.
He stares at me. I wait with my hands clutching his arms for stability as he considers his response.
He frowns at me. “Say it again.”
“Tobias,” I say, “I love you.”
His skin is slippery with water and he smells like sweat and my shirt sticks to his arms when he slides them around me. He presses his
face to my neck and kisses me right above the collarbone, kisses my cheek, kisses my lips.
“I love you, too,” he says.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
More real, more there, like it's just the most incredible thing in the world that we're both still alive and I feel my chest get all funny and tight and I think, Here she is, right here, my Viola, she came for me, she's here-
And I find myself thinking how I want to take her hand again and never let it go, to feel the skin of it, the warmth of it, hold it tight against my own hand...
”
”
Patrick Ness (Monsters of Men (Chaos Walking, #3))
“
He took the hand that wasn’t holding the bouquet of wildflowers and stared at it, holding it so tightly that she thought he might crack her bones. Then his hold gentled. He slipped a gold ring onto her finger and lifted his gaze to hers.
“I’m not a brave man; I’ll never be a hero, but I love you more than life itself, and I will until the day I die. With you by my side, I’m a better man than I’ve ever been alone. I’m scared to death that I’ll let you down, but I won’t run this time. I’ll stand firm and face the challenge and work hard to see that you never have any regrets. You told me once that you wanted to share a corner of my dream. Without you, Amelia, I have no dream. With you, I have everything I could ever dream of wanting.”
Tears burned her eyes as he glanced back at the preacher. “I’m done.”
-Houston to Amelia as his wedding vow.
”
”
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
“
A KISS! A KISS!" the crowd chanted.
(...)
"I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--"
Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her.
Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response.
She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown.
And for a moment, just a moment, she found it didn't seem to matter.
The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
”
”
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
“
Tristan,” she sighed, her hands holding the dresser tightly.
He rolled his hips, almost blacking her out with the sudden movement, touching her magic spot. “That’s the name you’re going to be screaming for a long time, Ms. Vitalio. Remember it.
”
”
RuNyx (The Reaper (Dark Verse, #2))
“
You let go of my hand
to hold on to my heart
Distance grasps us tight
now that we are apart
”
”
Munia Khan
“
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
”
”
Shannon L. Alder
“
I helped Jiko to her feet and we walked back to the bus stop together, holding hands again. I was still thinking about what she said about waves, and it made me sad because I knew that her little wave was not going to last and soon she would join the sea again, and even though I know you can't hold on to water , still I gripped her fingers a little more tightly to keep her from leaking away.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
Hold your dreams tight, my friend. Share them with no one. And when the naysayers and the scoffers of the world aren't paying attention, spring it on them fully formed and laugh and dance while they grasp desperately for a hand-hold with which to drag you down.
”
”
Kirt J. Boyd (The Last Stop (The Last Stop Retirement Community Series))
“
This could be their life together, each moment, shared, passed back and forth between each other to alleviate the pressure, the awful pressure of having to hold time for oneself. This is perhaps why people get together in the first place. The sharing of time. The sharing of the responsibility of anchoring oneself in the world. Life is less terrible when you can just rest for a moment, put everything down and wait without having to worry about being washed away. People take each others hands and they hold on as tight as they can, they hold on to each other and to themselves because they know that the other person will not.
”
”
Brandon Taylor (Real Life)
“
The north wind and the sun were disputing which was the stronger, and agreed to acknowledge as the victor whichever of them could strip a traveler of his clothing. The wind tried first. But its violent gusts only made the man hold his clothes tightly around him, and when it blew harder still the cold made him so uncomfortable that he put on an extra wrap. Eventually the wind got tired of it and handed him over to the sun. The sun shone first with moderate warmth, which made the man take off his topcoat. Then it blazed fiercely, till, unable to stand the heat, he stripped and went off to a bathe in a nearby river. Persuasion is more effective than force.
”
”
Aesop
“
Oh yeah. Baby, so good." He had to release her nipple, had to hold her face in his hands, stare into her eyes. "So damned tight. Sweet. Ride me, sweetheart. Ride me out of hell.”
Noah & Sabella
”
”
Lora Leigh (Wild Card (Elite Ops, #1))
“
Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.
”
”
Nicholson Baker (The Anthologist (The Paul Chowder Chronicles #1))
“
These hands," he squeezed them both on my face to make his point, "will never touch you without being gentle. Unless that's not what you want, of course." His eyebrow lifted waiting for me to balk, but I just waited. "These arms will never hold you back, but I'll hold you as tight as you'll let me. I can't wait for you to be all mine. You belong to me in every way, Maggie. Mine." I nodded in his hands. He leaned closer and whispered, "Say it."
I didn't wait a beat. "I belong to you." And he belonged to me.
He grinned. "You're daggum right you do.
”
”
Shelly Crane (Independence (Significance, #4))
“
Oh yeah. Baby, so good." He had to release her nipple, had to hold her face in his hands, stare into her eyes. "So damned tight. Sweet. Ride me, sweetheart. Ride me out of hell.
”
”
Lora Leigh
“
...I realized that life isn't something to be scared of. That you don't have to hold on so tightly that you can't breathe.
”
”
Carrie Ryan (The Dark and Hollow Places (The Forest of Hands and Teeth, #3))
“
You know the parlor trick.
wrap your arms around your own body
and from the back it looks like
someone is embracing you
her hands grasping your shirt
her fingernails teasing your neck
from the front it is another story
you never looked so alone
your crossed elbows and screwy grin
you could be waiting for a tailor
to fit you with a straight jacket
one that would hold you really tight.
”
”
Billy Collins
“
And that was just how it worked, wasn’t it? Happiness handed around and around, never stopping. It wasn’t something one could hoard tight like a miser. That would be like trying to hold one’s breath for later.
”
”
Lois McMaster Bujold (The Prisoner of Limnos (Penric and Desdemona, #6))
“
We can take it slow," he said. "You can learn to be with me. Find out what I'm all about. You never know, you might like what you find."
"Don't hold your breath," she said.
He stepped toward her casually, amusement flickering around his lips. She tensed, her eyes checking for a way to run.
"Or..." His hand lashed out, grabbed her, and whipped her into his arms, where he held her tight. "We can take it fast and rough.
”
”
Annette Curtis Klause (Blood and Chocolate)
“
I changed my mind. Maybe I do want a black hole for a vagina. How bad could it be? I wouldn't need to carry a purse anymore. I could just shove things up my twat. 'Oh, you need a pen? Hold on, let me check in my vagina. What's that you say? Do I have a flashlight? Let me stick my hand up my vag and find out.' Let's go home. We could do a home birth in the bathtub. It might be a tight squeeze but I bet we could both fit in there.
”
”
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
“
There is the image of the man who imagines himself to be a prisoner in a cell. He stands at one end of this small, dark, barren room, on his toes, with arms stretched upward, hands grasping for support onto a small, barred window, the room's only apparent source of light. If he holds on tight, straining toward the window, turning his head just so, he can see a bit of bright sunlight barely visible between the uppermost bars. This light is his only hope. He will not risk losing it. And so he continues to staring toward that bit of light, holding tightly to the bars. So committed is his effort not to lose sight of that glimmer of life-giving light, that it never occurs to him to let go and explore the darkness of the rest of the cell. So it is that he never discovers that the door at the other end of the cell is open, that he is free. He has always been free to walk out into the brightness of the day, if only he would let go. (192)
”
”
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him! The Pilgrimage of Psychotherapy Patients)
“
I made sure to pay attention to everything I was doing. To be fully in the moment. Because that's all life is, really, a string of moments that you knot together and carry with you. Hopefully most of those moments are wonderful, but of course they won't all be. The trick is to recognize an important one when it happens. Even if you share the moment with someone else, it is still yours. Your string is different from anyone else's. It is something no one can ever take away from you. It will protect you and guide you, because it IS you. What you hold here, in your hand, in this box, this is my string.
"Until recently, I thought it was death that gave meaning to life--that having an endpoint is what spurred us on to embrace life while we had it. But I was wrong. It isn't death that gives meaning to life. Life gives meaning to life. The answer to the meaning of life is hidden right there inside the question.
"What matters is holding tight to that string, and not letting anyone tell us our goals aren't big enough or our interests are silly. But the voices of others aren't the only ones we need to worry about. We tend to be our own worst critics. Ralph Waldo Emerson wrote: 'Most of the shadows in this life are caused by our standing in our own sunshine.' ... Wisdom is found in the least expected places. Always keep your eyes open. Don't block your own sunshine. Be filled with wonder.
”
”
Wendy Mass (Jeremy Fink and the Meaning of Life)
“
He cradled her head with both hands, fingers sliding through her hair and holding her tight as he lowered his forehead to hers. He was warm, and smelled like himself, like safe and home.
”
”
Ali Hazelwood (The Love Hypothesis)
“
Kit found himself holding Ty harder, until Ty relaxed under the tight grip of his hands; held him more tightly than he’d ever held anyone, held him as if they’d been lost in the sea of the sky, and only holding on to each other could keep them afloat above the wreckage of London.
”
”
Cassandra Clare
“
Queenie, herself again, took hold of Maddie’s hand and squeezed it tightly. She walked all the way back across the airfield without letting it go. Maddie closed her eyes and flew again in the ethereal pale green light. She knew she would never let it go.
”
”
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
“
She sits quietly in the passenger seat, holding Lola tightly in her arms, looking up at the starry sky and thinks about cute, big eyed, little green aliens all sitting quietly behind their desks, pencils in hand, diligently taking notes from their teacher on proper earthly etiquette.
The thought makes her smile.
”
”
Sean J. Quirk (Catch)
“
I bit my lip to keep it from trembling; he'd let me go a long time ago. After all, you can only hold one person tight if you're holding on with both hands.
”
”
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
“
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.”
The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.”
Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
”
”
Catherynne M. Valente (Deathless)
“
She had found true magic and would hold onto it tightly with both hands.
”
”
Lucy Jane Wood (Rewitched (Rewitched, #1))
“
Feyre," he said--softly enough that I faced him again. "Why?" He tilted his head to the side. "You dislike our kind on a good day. And after Andras . . ." Even in the darkened hallway, his usual bright eyes were shadowed. "So why?"
I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings.
"Because I wouldn't want to die alone," I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. "Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie." I swallowed hard, my throat painfully tight. "I regret what I did to Andras," I said, the words so strangled they were no more than a whisper. "I regret that there was . . . such hate in my heart. I wish I could undo it--and . . . I'm sorry. So very sorry.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The waves are high and the sunset's red.
So now it's time to go to bed.
The tide is up and the wind does rip.
But this old ship'll never tip.
We're far at sea, days from land.
But if you're scared just take my hand.
Just hold on tight Boy-o-mine.
In my arms you'll be just fine.
The moon is full and the sea is deep.
And we rock and rock and rock to sleep.
”
”
Jeff Lemire (The Underwater Welder)
“
That’s what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can’t walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it’s beautiful to love somebody as light as me but you don’t know how heavy I had to be to become this empty.
”
”
Lora Mathis
“
Without thinking, I grab Al's arm and squeeze it as tightly as I can. I just need something to hold on to. Blood runs down the side of Christina's face and splatters on the ground next to her cheek. This is the first time I have ever prayed for someone to fall unconscious....
Al frees his hand and pulls me tight to his side. I clench my teeth to keep from crying out.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
A good relationship has a pattern like a dance and is built on some of the same rules. The partners
do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay
and swift and free, like a country dance of Mozart’s. To touch heavily would be to arrest the pattern
and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place
here for the possessive clutch, the clinging arm, the heavy hand; only the barest touch in passing. Now
arm in arm, now face to face, now back to back—it does not matter which. Because they know they
are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by
it.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
We took the path that led others nowhere and only we saw the light at the end of the tunnel. They warned us about the monsters we would encounter, the odds that we would meet. And they laughed when we got the scars while fighting the dragons on our way. When we came back out of the tunnel, holding the sword that they always craved for tightly in our hand. Bleeding and the sun shining on our face. We became the tales they wanted to be. We became the reflections of what they always wanted to see themselves through. We became the warriors they had always imagined of.
”
”
Akshay Vasu
“
And she had learned that things could not be changed by willing them to be different. Dreams, hopes, wishes, were just like that. Strength lay in keeping tight hold of reality, even if it was like grasping a stinging nettle in her hand.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
I remember your parents' funeral, JJ. It was the hardest one I'd ever done in my career... I didn't think I was going to make it through the service, but I looked out and saw you, JJ, standing there in the pew. Your eyes were dry. Your chin was up. I saw such strength. I wondered what your parents did that made you so strong at such a young age. But then I noticed you were holding Phillip's hand tightly, just like you are now, and I knew where all that strength came from. It's from each other. You get strength from each other. Whatever you face in life, I hope you face it like you are now. Han in hand. United. If you do that, you'll make it. You'll have a wonderful marriage.
”
”
Jillian Dodd (That Wedding (That Boy, #2))
“
The next day, I am almost afraid. Love? It was more like dragonflies in the sun, 100 degrees at noon, the ends of their abdomens stuck together.
I close my eyes when I remember. I hardly knew myself, like something twisting and twisting out of a chrysalis, enormous, without language, all head, all shut eyes, and the humming like madness, the way they writhe away, and do not leave, back, back, away, back. Did I know you?
No kiss, no tenderness—more like killing, death-grip holding to life, genitals like violent hands clasped tight barely moving, more like being closed in a great jaw and eaten, and the screaming.
I groan to remember it, and when we started to die, then I refuse to remember, the way a drunkard forgets.
After, you held my hands extremely hard as my body moved in shudders like the ferry when its axle is loosed past engagement, you kept me sealed exactly against you, our hairlines wet as the arc of a gateway after a cloudburst, you secured me in your arms till I slept - clasped, fragrant, buoyant, that was the morning after love.
”
”
Sharon Olds
“
In her dreams the Hawk would be waiting for her by the sea's edge; her kilt-clad, magnificent Scottish laird. He would smile and his eyes would crinkle, then turn dark with
smoldering passion.
She would take his hand and lay it gently on her swelling abdomen, and his face would blaze with happiness and
pride. Then he would take her gently, there on the cliff's edge, in tempo with the pounding of the ocean. He would
make fierce and possessive love to her and she would hold on to him as tightly as she could. But before dawn, he would melt right through her fingers. And she would wake up, her cheeks wet with tears and her hands clutching nothing but a bit of quilt or pillow.
”
”
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
“
We’ll go on the river...or we’ll go that way. Or we’ll walk the highways now. And we’ll have time to put things into ourselves. And someday, after it sets into us a long time, it’ll come out her hands and our mouths. And a lot of it will be wrong, but just enough of it will be right. We’ll just start walking around today and see the world and the way the world really looks. I want to see everything now. And while none of it will be me when it goes in, after awhile it’ll gather together inside and it’ll be me. Look at the world out there. My God, look at it out there, outside me, out there beyond my face, and the only way to really touch it is to put it where it’s finally me, where it’s in the blood, where it pumps around a thousand times ten thousand a day. I get a hold of it so it will never run off. I’ll hold on to the world tight someday. I’ve got one finger on it now. That’s a beginning.
”
”
Ray Bradbury (Fahrenheit 451)
“
You will not remember much from school.
School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been.
(People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
”
”
pleasefindthis
“
She learned to catch a moment in her hand before it flew away and hold it tightly while she had the chance.
”
”
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
“
Puck rolled his eyes. Holding out his hand, he gave me an encouraging smile. "Come on, Princess. Don't want to get separated in here." I clasped his hand, and he curled his fingers tight around mine. "Let's go then. Rusty can bring up the rear. That way, if we get jumped from behind, we won't lose anything important.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
It feels like an unzipping of his skin, as if he's stepping outside this costume version of himself to become his actual self - that he's discovering something true buried so deep he thought he would never reach that person, but there he is, and Dev is with him, holding his hand, guiding him through.
In the middle of the night, he wakes up reaching out for Dev, but he's already there, arms wrapped up tight around Charlie. "I would choose you," Charlie whispers into the darkness.
”
”
Alison Cochrun (The Charm Offensive (The Charm Offensive, #1))
“
Flora reached out and grabbed hold of William Spiver's hand, and he held on to her. It was as if he were drowning and she were standing on solid ground. According to TERRIBLE THINGS! drowning people were desperate, out of their minds with fear. In their panic they could pull you, the rescuer, under, if you weren't careful. So Flora held on tightly to William Spiver. And he held on tightly back.
”
”
Kate DiCamillo (Flora & Ulysses: The Illuminated Adventures)
“
He falls asleep quickly. I lie awake and listen to lights being switched off all over the town. Whispered
goodnights. The drowsy creak of bedsprings.
I find Adam’s hand and hold it tight.
I’m glad that night porters and nurses and long-distance lorry drivers exist. It comforts me to know that
in other countries with different time zones, women are washing clothes in rivers and children are filing to
school. Somewhere in the world right now, a boy is listening to the merry chink of a goat’s bell as he
walks up a mountain. I’m very glad about that.
”
”
Jenny Downham (Before I Die)
“
I find this morning that what I most vividly and longingly recall is the sight of my grandson and his little sunburnt sister returning to their kitchen door from an excursion, with trophies of the meadow clutched in their hands—she with a couple of violets, and smiling, he serious and holding dandelions, strangling them in a responsible grip. Children hold spring so tightly in their brown fists—just as grownups, who are less sure of it, hold it in their hearts.
”
”
E.B. White (Essays of E. B. White (Perennial Classics))
“
Life's not what you think. It's like water – the young let it slip through their fingers without thinking. Shut your hands, Antigone, shut them tight and hold it back. You'll see – it'll turn into something small and hard that you can sit and munch in the sun.
”
”
Jean Anouilh (Antigone)
“
I love you. I love you for when you buy me chocolate and put it in my backpack as a surprise. For when we're having pizza, and you always get me an extra big glass of soda because you know the pepperoni makes me thirsty. I love you for how you hold my hand so tight when I'm scared. How you laugh at my jokes, and you make me laugh. I love the way you never get mad when I mess up and cut a plank the wrong size. The way you always leave the last cookie for me."
Smiling, David shook his head. "But that stuff's nothing."
"No." Isaac brushed their lips together tenderly. "That stuff's everything.
”
”
Keira Andrews (A Way Home (Gay Amish Romance #3))
“
Li Xian held Lin Wanyue’s hand tightly. Her gaze was as soft as water. She looked tenderly into Lin Wanyue’s eyes as she said softly: “Ah-Yue, you and I are both women. Do you wish, to go against the law of nature? Do you wish, to hold my hand? Do you wish, to grow old with me?
”
”
请君莫笑 (女将军和长公主 [Nǚ Jiāngjūn Hé Zhǎng Gōngzhǔ])
“
and on the other side for lack of sun there is death perhaps
waiting for you in the uproar of a dazzling whirlwind with a thousand explosive arms
stretched toward you man flower passing from the seller's hands to
those of the lover and the loved
passing from the hand of one event to the other passive and sad parakeet
the teeth of doors are chattering and everything is done with
impatience to make you leave quickly
man amiable merchandise eyes open but tightly sealed
cough of waterfall rhythm projected in meridians and slices
globe spotted with mud with leprosy and blood
winter mounted on its pedestal of night poor night weak and sterile
draws the drapery of cloud over the cold menagerie
and holds in its hands as if to throw a ball
luminous number your head full of poetry
”
”
Tristan Tzara (L'Homme approximatif)
“
Take the Cup, Sophia Collins,"she said, and the room was breathlessly silent. The Council chamber was not full, but the row Tessa sat at the end was:Gideon and Gabriel, Cecily and Henry, and her and Will, all leaning forward eagerly, waiting for Sophie to Ascend. At each end of the dais stood a Silent Brother, their heads bent, their parchment robes looking as if they had been carved out of marble. Charlotte lowered the Cup, and held it out to Sophie, who took it carefully. "Do you swear, Sophia Collins, to forsake the mundane world and follow the path of the Shadowhunter? Will you take into yourself the blood of the Angel Raziel and honor that blood? Do you swear to serve the Clave, to follow the Law as set forth by the Covernant, and to obey the word of the Council? Will you defend that which is human and mortal, knowing that for your service there will be no recompense and no thanks but honor?"I swear,"said Sophie, her voice very steady. "Can you be a shield for the weak, a light in the dark, a truth among falsehoods, a tower in the flood, an eye to see when all others are blind?" I can." "And when you are dead, will you give up your body to the Nephilim to be burned, that your ashes may be used to build the City of Bones?" "I will." "The drink,"said Charlotte. Tessa heard Gideon draw in his breath. This was the dangerous part of the ritual. This was the part that would kill the untrained and unworthy. Sophie bent her dark head and set the Cup to her lips. Tessa sat forward, her chest tight with aprehension. She felt Will's hand slide over hers, a warm, comforting weight. Sophie's throat moved as she swallowed. The circle that surrounded her and Charlotte flared up once with a cold, blue-white light, obscuring them both. When it faded, Tessa was left blinking stars from her eyes as the light dwindled. She blinked hastily, and saw Sophie hold up the Cup. there was a glow about the Cup she held as she handed it back to Charlotte, who smiled broadly. "You are Nehilim now,"she said. "I name you Sophia Shadowhunter, of the blood of Jonathan Shadowhunter, child of the Nehilim. Arise, Sophia.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I hurried to the southern corridor, relieved when I was safe in the blackness there. Relieved and horrified. It was really over now.
I'm so afraid, I whimpered.
Before Mel could respond, a heavy hand dropped on my shoulder from the darkness.
"Going somewhere?"
I was so tightly wound that I shrieked in terror; I was so terrified that my shriek was only a breathless little squeal.
"Sorry!" Jared's arm went round my shoulders, comforting. "I'm sorry. I didn't mean to scare you."
"What are you doing here?" I demanded, still breathless.
"Following you. I've been following you all night."
"Well, stop it now."
There was a hesitation in the dark, and his arm didn't move. I shrugged out from under it, but he caught my wrist. His grip was firm; I wouldn't be able to shake free easily.
"You're going to see Doc?" he asked, and there was no confusion in his question. It was obvious that he wasn't talking about a social visit.
"Of course I am." I hissed the words so that he wouldn't hear the panic in my voice. "What else can I do after today?It's not going to get any better. And this isn't Jeb's decision to make."
"I know. I'm on your side."
It made me angry that these words still had the power to hurt me, to bring tears stinging into my eyes. I tried to hold onto the thought of Ian - he was the anchor, as Kyle somehow had been for Sunny - but it was hard with Jared's hand touching me, with the smell of him in my nose. Like trying to make out the song of one violin when the entire percussion section was bashing away...
"Then let me go, Jared. Go away. I want to be alone." The words came out fierce and fast and hard. It was easy to hear that they weren't lies.
"I should come with you."
"You'll have Melanie back soon enough," I snapped. "I'm only asking for a few minutes, Jared. Give me that much."
Another pause; his hand didn't loosen.
"Wanda, I would come to be with you."
The tears spilled over. I was grateful for the darkness.
"It wouldn't feel that way," I whispered. "So there's no point.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
”
”
Lana Del Rey
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay and swift and free, like a country dance of Mozart's. To touch heavily would be to arrest the pattern and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place here for the possessive clutch, the clinging arm, the heavy hand, only the barest touch in passing. Now arm in arm, now face to face, now back to back -- it does not matter which because they know they are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by it.
The joy of such a pattern is...the joy of living in the moment. Lightness of touch and living in the moment are intertwined. One cannot dance well unless one is completely in time with the music, not leaning back to the last step or pressing forward to the next one, but poised directly on the present step as it comes... But how does one learn this technique of the dance? Why is it so difficult? What makes us hesitate and stumble? It is fear, I think, that makes one cling nostalgically to the last moment or clutch greedily toward the next. [And fear] can only be exorcised by its opposite: love.
”
”
Anne Morrow Lindbergh (Gift from the Sea)
“
I was with her when she died,” Ned reminded the king. “She wanted to come home, to rest beside Brandon and Father.” He could hear her still at times. Promise me, she had cried, in a room that smelled of blood and roses. Promise me, Ned. The fever had taken her strength and her voice had been faint as a whisper, but when he gave her his word, the fear had gone out of his sister’s eyes. Ned remembered the way she smiled then, how tightly her fingers had clutched his as she gave up her hold on life, the rose petals spilling from her palm, dead and black. After that he remembered nothing. They had found him still holding her body, silent with grief. The little crannogman, Howland Reed, had taken her hand from his.
”
”
George R.R. Martin
“
He kisses me, his lips finding mine, and I don’t need to breathe anymore. His mouth on mine is all I need. His hands holding me tight is all I need. Just him. He is everything.
”
”
Callie Hart (Collateral (Blood & Roses, #6))
“
She put her hand on my shoulder, and her eyes let me know, just crouch down, hold tight, there's a little bit of pain for you, but not too much.
”
”
Rebecca Lee (Bobcat and Other Stories)
“
Nobody who wants power will ever be happy. You still want more, and you have to snatch it from hands that tightly hold on it. The power hungry is in a perpetual combat to get more
”
”
Bangambiki Habyarimana (Pearls Of Eternity)
“
I will hold what I am inside, and keep my hands tight around all the things I have seen and heard, and felt. The poems composed as I washed and scythed and cooked until my hands were raw. The sagas I know by heart. I am sinking all I have left and going underwater. If I speak, it will be in bubbles of air. They will not be able to keep my words for themselves. They will see the whore, the madwoman, the murderess, the female dripping blood into the grass and laughing with her mouth choked with dirt. They will say ‘Agnes’ and see the spider, the witch caught in the webbing of her own fateful weaving. They might see the lamb circled by ravens, bleating for a lost mother. But they will not see me. I will not be there.
”
”
Hannah Kent (Burial Rites)
“
My heart. I wrap my heart around him as I cling on for dear life. He kisses me, his lips finding mine, and I don’t need to breathe anymore. His mouth on mine is all I need. His hands holding me tight is all I need. Just him. He is everything.
”
”
Callie Hart (Collateral (Blood & Roses, #6))
“
I don’t know anything about birthing,” Priya confessed, holding Bhumika’s hand tight.
“Oh, good,” said Bhumika. “Well. Neither do I. A shame that we’re going to need to learn like this.
”
”
Tasha Suri (The Jasmine Throne (The Burning Kingdoms, #1))
“
We'll go on the river. He looked at the old railroad tracks. Or we'll go that way. Or we'll walk on the highways now, and we'll have time to put things into ourselves. And some day, after it sets in us a long time, it'll come out our hands and our mouths. And a lot of it will be wrong, but just enough of it will be right. We'll just start walking today and see the world and the way the world walks around and talks, the way it really looks. I want to see everything now...I'll hold onto the world tight some day. I've got one finger on it now; that's a beginning.
”
”
Ray Bradbury (Fahrenheit 451)
“
With a roar he throws Antilochus from him, knocks down Menealus. He falls on the body. The knowledge rushes up in him, choking off breath. A scream comes, tearing its way out. And then another, and another. He seizes his hair in his hands and yanks it from his head. Golden strands dall onto the bloody corpse. Patroclus, he says, Patroclus. Patroclus. Over and over untill it is sound only. Somewhere Odysseus is kneeling, urging food and drink. A fierce red rage comes, and he almost kills him there. But he would have to let go of me. He cannot. He holds me so tightly i can feel the faint beat of his chest, like the wings of a moth. An echo, the last bit of spirit tethered to my body. A torment.
”
”
Madeline Miller (The Song of Achilles)
“
Her hand tightened around the handle of the serving spoon.
"Don't do it," he warned.
"Do what?"
"Throw the spoon."
"I wouldn't dream of it," she said tightly.
He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it."
Sophie's hand was gripping the spoon so hard it shook.
Benedict was chuckling so hard his bed shook.
Sophie stood,still holding the spoon.
Benedict smiled. "Are you planning to take that with you?"
Remember your place, Sophie was screaming at herself. Remember your place.
"Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise."
Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head.
Benedict raised his brows approvingly. "That was very mature of you."
Sophie turned around slowly. "Are you this charming with everyone or only me?"
"Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett."
"This is the best?" she asked with obvious disbelief.
"I'm afraid so.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
He finds his way up the side of my neck, biting me just a little, moving lightly back and forth, like he's searching for a special spot. When he finds it, I make small sound I've never heard myself make before, like a gasp. He traces his tongue in slow circles around that spot. I realise my hands are just lying in my lap, doing nothing. I concentrate on lifting my arm and reaching for his face, but he catches my hand and holds it tightly at the wrist. His lips leave the spot and find their way back to my mouth, which is waiting, hoping for his return. He plants a gentle kiss on my lower lip and then whispers in my ear, "I just got lucky, Rose.
”
”
Louise Rozett (Confessions of an Angry Girl (Confessions, #1))
“
Fear is a greater evil than evil itself. O you of little faith: what is it you fear? Do not be afraid. You are walking on water, amid wind and wave, but you are with Jesus. What is there to fear? If fear takes hold of you, cry out strongly, “O Lord, save me!” He will hold out a hand to you. Hold on tight, and go forward with joy.
”
”
Francis de Sales (Roses Among Thorns: Simple Advice for Renewing Your Spiritual Journey)
“
His imagination must have taken pity on him in his last moments, because a vison of Athlen suddenly appeared before him, staring at Tal with his wide sunlight eyes, his pretty red mouth open. But the feeling of Athlen's webbed hands holding Tal's face was shockingly real, soft, and gentle.
Tal's first kiss was rough and frantic, Athlen's mouth bruising against his own, a tight seal of Tal's lips.
”
”
F.T. Lukens (In Deeper Waters)
“
There is a wholeness about a woman, of shape, and sound, and colour, and taste, and smell, a quietness that is her, that you will want to hold tightly to you, all, every little bit, without words, in peace, for jealousy for the things that escape the clumsiness of your arms. So you feel when you love.
...For her womaness is a blessing about her, and you are tender to put your hands upon her and kiss, not with lust, but with the joy of one returning to a lost one.
”
”
Richard Llewellyn (How Green Was My Valley)
“
Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do. Perhaps-perhaps I can tell him I’ve changed my mind … No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me. Torturous memories flash through my mind-the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory. I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him…I love him. Simple.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
I looked at my hands. I was holding onto the steering wheel so tightly, all my knuckles where shiny points of white, and my blinker was on, CLICK-click CLICK-click CLICK-click, so certain, so plain, so clear, and yet for all its mechanical conviction, blinking me in the wrong direction.
”
”
Mark Z. Danielewski (House of Leaves)
“
My arms were taken away from me, she sang. I was punished for clinging. I clung. I clutched all those I loved; I clutched at the lovely moments of life; my hands closed upon every full hour. My arms were always tight and craving to embrace and hold the light, the wind, the sun, the night, the whole world. I wanted to caress, to heal, to rock, to lull, to surround, to encompass. And I strained and I held so much that they broke; they broke away from me. Everything eluded me then.
I was condemned not to hold.
”
”
Anaïs Nin
“
Every Day You Play....
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water,
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl round me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
The Order steals something from all of us. Arthur multiplies the effect, concentrates it. Together, he and the Order have taken more from me than the others. But you…” He shakes his head, eyes hardening. “They’ve taken more from you than anyone else. More than anyone should bear.”
My throat closes so tight it’s hard to breathe. I’d forgotten the easy way Nick can just… find my heart and hold it between his hands. How effortlessly he sees me in the dark.
”
”
Tracy Deonn (Bloodmarked (The Legendborn Cycle, #2))
“
We teach our children to study hard, to strive to succeed but do we teach them that it's okay to fail? That life is about accepting yourself? That there is no stigma in seeking help? Our Indian culture is based on worshipping our parents. We grow up listening to words like respect, obedience and tradition. Can we not add the words communication, unconditional love and support to this list?
I look at the WHO research. The highest rate of suicide in India is among the age group of 15 to 29. Do we even talk to our teens about this?
That evening, I am standing in the balcony, sipping some coffee and looking at the sunset. The children have taken the dogs and gone down to play on the beach. I spot my son. He is standing on the sand, right at the edge of the ocean and is flying a blue kite.
The kite goes high and then swings low till it almost seems to fall into the water and all I want to say to him is that soon he will see that life is just like flying a kite. Sometimes you have to leave it loose, sometimes you have to hold on tight, sometimes your kite will fly effortlessly, sometimes you will not be able to control it and even when you are struggling to keep it afloat and the string is cutting into your hand, don't let go.
The wind will change in your favour once again, my son. Just don't let go..
”
”
Twinkle Khanna (Mrs Funnybones)
“
Tis the grand stupidity of our kind, dear Cutter, to see all the errors of our ways, yet find in ourselves the inability to do anything about them. We sit, dumbfounded by despair, and for all our ingenuity, our perceptivity, for all our extraordinary capacity to see the truth of things, we hunker down like snails in a flood, sucked tight to our precious pebble, fearing the moment is is dislodged beneath us. Until that terrible calamity, we do nothing but cling.
"Can you even imagine a world where all crimes are punished? Where justice is truly blind and holds out no hands happy to yield to the weight of coin and influence? Where one takes responsibility for his or her mistakes, acts of negligence, the deadly consequences of indifference or laziness? Nay, instead we slip and duck, dance and dodge, dance the dodge slip duck dance, feet ablur. Ourselves transformed into shadows that flit in chaotic discord. We are indeed masters of evasion--no doubt originally a survival trait, at least in the physical sense, but to have such instincts applied to the soul is perhaps our most egregious crime against morality. What we will do so that we may continue living with ourselves. In this we might assert that a survival trait can ultimately prove its own antithesis, and in the cancelling out thereof, why, we are left with the blank, dull, vacuous expression that Kruppe sees before him."
~Kruppe,
”
”
Steven Erikson
“
Adam ignored him, and everyone else. He headed straight for Olive, and -
He cradled her head with both hands, fingers sliding through her hair and holding her tight as he lowered his forehead to hers. He was warm, and smelled like himself, like safe and home. His thumbs swept through the mess of tears on her cheeks. "I'm sorry. I'm so sorry. I didn't know, and I'm sorry, I'm sorry, I'm sorry -
”
”
Ali Hazelwood (The Love Hypothesis)
“
His thumb caressed her cheek. His eyes held her, warm and strong. “I, Christian James, take you, Violet Mary, to be my wife. To have, to hold. To love, honor, and cherish. To amuse, to pleasure, to make smile and laugh. To dance with, at every opportunity. To respect always, and tease on occasion. To confide in, whenever need be. To treasure, protect, admire—” She couldn’t help but give a nervous laugh. “I don’t think these words are in the vows.” “They’re in my vows,” he said gravely. “But in the interests of time, I shall to return to form. All that richer-poorer, sickness-health business goes without saying. And I will gladly forsake all others, so long as we both shall live.” His hand slid back into her hair, grasping tight. Raw emotion roughened his voice. “I need a lifetime with you.
”
”
Tessa Dare (Once Upon a Winter's Eve (Spindle Cove, #1.5))
“
Loving someone isn’t about wanting them to evolve into someone better. My mom taught me that.
Real love is saying: here, take my still-beating heart and hold it in your hands and please, please, please, promise not to squeeze too tight or drop it on the pavement. Love is being naked and afraid, but refusing to flinch.
”
”
Julie Johnson (Cross the Line (Boston Love, #2))
“
His forehead almost touches mine, our lips nearly skimming as he whispers, “You’re holding me.” His husky voice quakes, his hand clutching my jaw. “And my arms are tight around you, and your chest is against my chest.”
Tears scald our eyes, and we breathe and breathe, and I whisper, “You know, my heart is in your hands.
”
”
Krista Ritchie (Alphas Like Us (Like Us, #3))
“
She's my life, do you understand? Have you ever loved a woman? Have you ever held her at night so tight because you couldn't sleep thinking something might happen to her? Have you ever built a future around a woman? Ever thought of every tomorrow, every year, every decade with her? Dreamed of your old age holding her hand?
”
”
C.D. Reiss (Marriage Games (The Games Duet, #1))
“
Your love has only ever come with
thorns, and I have only ever spent
so much time with my nose buried in its petals
that I didn't notice my hand
dripping blood from holding on so tightly.
Your love has only ever
been on borrowed time.
You blamed me
for not putting it in water.
I blamed you
for giving me something already
dying.
”
”
Kristina Mahr
“
The muscles in his arms and back trembled as he pushed in as deep as he could go, until all of him was buried inside her. His head sagged and a deep, primitive snarl ripped free. Sparks of light exploded behind her tightly closed lids. His hands burrowed into her hair, holding her head still while he kissed her hard and deep and wild. Then he began to move. Hard, steady strokes that ignited every nerve ending in her body.
”
”
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
“
She closed her eyes, thought of the best moments of her life—with her dad calling her Peanut and lifting her into the air, her mother holding her tightly while she cried, and Finley teaching her to surf, sharing his secrets, holding her hand. Jamie, teaching her to believe in herself, to try. No fear, McGrath. And Barb and Ethel, always there for her.
”
”
Kristin Hannah (The Women)
“
Once you’ve held a book and really loved it, you forever remember the feel of it, its specific weight, the way it sits in your hand. My thumb knows the grain of this book’s leather, the dry dust of red rot that’s crept up its spine, each waving leaf of every page that holds a little secret or one of Peabody’s flourishes. A librarian remembers the particular scent of glue and dust, and if we’re so lucky—and I was—the smell of parchment, a quiet tanginess, softer than wood pulp or cotton rag. We would bury ourselves in books until flesh and paper became one and ink and blood at last ran together. So maybe my hand does clench too tightly to the spine. I may never again hold another book this old, or one with such a whisper of me in it.
”
”
Erika Swyler (The Book of Speculation)
“
You have the lovers,
they are nameless, their histories only for each other,
and you have the room, the bed, and the windows.
Pretend it is a ritual.
Unfurl the bed, bury the lovers, blacken the windows,
let them live in that house for a generation or two.
No one dares disturb them.
Visitors in the corridor tip-toe past the long closed door,
they listen for sounds, for a moan, for a song:
nothing is heard, not even breathing.
You know they are not dead,
you can feel the presence of their intense love.
Your children grow up, they leave you,
they have become soldiers and riders.
Your mate dies after a life of service.
Who knows you? Who remembers you?
But in your house a ritual is in progress:
It is not finished: it needs more people.
One day the door is opened to the lover's chamber.
The room has become a dense garden,
full of colours, smells, sounds you have never known.
The bed is smooth as a wafer of sunlight,
in the midst of the garden it stands alone.
In the bed the lovers, slowly and deliberately and silently,
perform the act of love.
Their eyes are closed,
as tightly as if heavy coins of flesh lay on them.
Their lips are bruised with new and old bruises.
Her hair and his beard are hopelessly tangled.
When he puts his mouth against her shoulder
she is uncertain whether her shoulder
has given or received the kiss.
All her flesh is like a mouth.
He carries his fingers along her waist
and feels his own waist caressed.
She holds him closer and his own arms tighten around her.
She kisses the hand besider her mouth.
It is his hand or her hand, it hardly matters,
there are so many more kisses.
You stand beside the bed, weeping with happiness,
you carefully peel away the sheets
from the slow-moving bodies.
Your eyes filled with tears, you barely make out the lovers,
As you undress you sing out, and your voice is magnificent
because now you believe it is the first human voice
heard in that room.
The garments you let fall grow into vines.
You climb into bed and recover the flesh.
You close your eyes and allow them to be sewn shut.
You create an embrace and fall into it.
There is only one moment of pain or doubt
as you wonder how many multitudes are lying beside your body,
but a mouth kisses and a hand soothes the moment away.
”
”
Leonard Cohen
“
He would stretch his arm out in from of his and show his open palm…and he would point to his hand and say “this is perception”. then he would SLIGHTLY close his fingers…just a little bit…so now he looks like Zeno with arthritis…and he points to his hand NOW and says “This is assent” you know.. agreement or belief in something. then he closes his fist tight and points to it and says “This is Comprehension”. Then he takes his other hand and grabs his fist…holding it closed and says “This is Knowledge.
”
”
Zeno of Citium
“
With a vicious curse, John wrenched the steering wheel and brought the SUV to a sudden halt by the side of the road. He stared ahead, breathing hard, and then lowered his head to the steering wheel.
"Fuck." His voice was the merest whisper. He turned his head, eyes bleak. "I can't do this, Suzanne. I can't give you up to them."
"You have to." Her heart was cracking open. There was no question of holding back the tears now. "You have no choice."
They moved at the same time. She launched herself into his arms at the same moment he opened them to haul her onto his lap. They kissed, violently, hungrily, a meeting of lips and tongue and tears. Her tears. He wasn't crying, but she could feel his muscles tense as rocks beneath her hands.
He was holding the back of her head tightly, while eating at her mouth, as if he could fuse them at the lips. His tongue was deep in her mouth. She'd take the taste of him to her grave.
"Don't go, goddammit. Stay with me." His voice was thick and gravelly. The words came out between biting kisses. "I. Can't. Stand. To. Let. You. Go.
”
”
Lisa Marie Rice
“
Cain and Verin laughed, but she and Nehemia walked away, the princess holding her hand tightly. Not from fear or anger, but just to tell her that she understood … that she was there. Celaena squeezed her hand back. It had been a while since someone had looked out for her, and Celaena had the feeling she could get used to it.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
The whole time we were together, why didn't you tell me any of this?
I don't know. I suppose I didn't want you to think I was damaged or something. I was probably afraid you didn't want me anymore.
Finally he puts his face in his hands. His fingers feel cold and clammy on his eyelids and there are tears in his eyes. The harder he presses with his fingers, the faster the tears seep out, wet, onto his skin. Jesus, he says. His voice sounds thick and he clears his throat. Come here, he says. And she comes to him. He feels terribly ashamed and confused. They lie face-to-face and he puts his arms around her body. In her ear he says: I'm sorry, okay? She holds onto him tightly, her arms winding around him, and he kisses her forehead.
But he always thought she was damaged, he thought it anyway.
”
”
Sally Rooney (Normal People)
“
I can tell you what The Eye wanted with Sophie,” Archer spoke up. He was grinning, but his voice was tight with pain. “We heard she was particularly skilled at Chutes and Ladders, and since The Eye holds a Chutes and Ladders tournament every summer-“ His voice broke on a cry of pain as Lara twisted her fingers, and the glowing threads of magic around him burned white hot for a moment. I had to bite the inside of my cheek to keep from screaming.
“Archer Cross is not only a member of L’Occhio di Dio, but he’s also a traitor to his people,” Lara said, moving to stand closer to him. “He represents the greatest threat any of us can ever face. Which is why he’ll be so very useful to us.”
Jenna slipped her hand in mine and squeezed my fingers as Lara said, “Today, we’ll be using Mr. Cross for practice.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
The little group before her finally moved on and Sarah took its place, standing before Tom like he was a painting in a museum.
And then his vacant eyes dropped from that point somewhere above her head and he looked at her—looked into her eyes and registered her presence. His eyes widened and his mouth opened wordlessly.
For the space of six heartbeats they stared at one another and then Sarah simply said, “Come home.” She held her hand out to him.
He gazed at it for a moment.
“Come with me,” she said softly.
Slowly he rose from his chair and walked toward her. He slipped his hand into hers and his palm was warm and callused.
She stepped back and pulled him along with her. Suddenly his arms went around her, hugging her tight, his head dropped to her shoulder and his mouth pressed into her hair as he whispered, “I can’t believe you’re here.”
Her hands slipped up the smooth, supple skin of his back to hook over his shoulders. She buried her face against his chest, breathing him in, forgetting time and place and circumstance and just holding him.
”
”
Bonnie Dee (Bone Deep)
“
What comes next will be trickier, of course. Snowfall and a drop in temperature, a world tilting, the suddenness of something new. Best to keep on, wherever this is possible. Best, in time, to swim back from a drowning place and continue, struggle back into dailiness, and to live with the icing-over of windows, the frozen pipes and bad wiring and increasing impossibility. Better, in whatever small way, to go on until it becomes too cold to do so. Better to hold one’s hands to whatever warmth there is, to kiss and talk and grieve and fuck and hold tight against the whitening of the sky.
”
”
Julia Armfield (Private Rites)
“
Holding her gaze, he sheathed his short sword and pulled the gauntlet off his left hand with his teeth. He held out his bare hand to her.
She glanced at the proffered hand before laying her palm in his. Hot strength gripped her tightly as he pulled her upright before him, so close she would’ve had to move only inches to brush her lips across his throat. She watched the pulse of his blood beat there, strong and sure, before she lifted her gaze. His head was cocked almost as if he were examining her—searching for something in her face.
She drew in a breath, parting her lips to ask a question.
”
”
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
“
None of them are real to me.” He paused again, placing a hand flat against the door. “You are the only real thing in my life.”
Radu gasped with the sheer physical pain the words sent through him. But the sound of his agony was covered by that of the door opening. Mehmed reached in and pulled Lada out to him, and then his mouth was on hers and his hands were in her hair and he was holding her so tightly, so tightly, and they stumbled back into Lada’s room and closed the door.
Radu tripped forward, feet dragging, until he stood outside the room. He wanted to be inside it. He wanted to be the only real thing to Mehmed, just as Mehmed was the only real thing to him.
He wanted—
No, please, no.
Yes.
He wanted Mehmed to look at him the way he had looked at Lada.
He wanted Mehmed to kiss him the way he had kissed Lada.
He wanted to be Lada.
No, he did not. He wanted to be himself, and he wanted Mehmed to love him for being himself. His question, the question of Mehmed, was finally answered, piercing him and leaving him shaking, silent, on the floor.
He did not want this answer.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
For a man so strong, he was gentle. When his hands, his arms, his mouth were on her, he moved as if afraid she might shatter if held too tightly. Their nights together had been and remained a blaze of passion, for he was a wickedly patient lover who took delight in her responses to him. But more than that, in the quiet hours after he would hold her, both of them weary, content, sleepy. She would lie in his arms and feel no worry, or sadness, or anxiety. She only felt beautiful. And desired. And safe.
”
”
Jim Butcher (Academ's Fury (Codex Alera, #2))
“
I guess I ought to be aware of what to look for, is all. The signs of true love, I mean. Is it like Shakespeare?" I sat up and took Tootsie's hands. "You know, is it all heaving bosoms and fluttering hearts and mistaken identities and madness?"
The sound of the phone ringing downstairs made my heart leap.
"Yes," Tootsie said with wide eyes, holding tightly to my hand as I jumped up. "Yes, it is exactly like that.
”
”
Therese Anne Fowler (Z: A Novel of Zelda Fitzgerald)
“
I thought you were dead," he said, his voice a bare rasp while Samual moved from his hands to his feet. It didn't seem to hurt as much—at a guess there weren't a lot of nerves left. He jumped into a burning building barefoot to save me.
"Stupid," I said, blinking hard. "As if I'd die without taking you with me."
He smiled faintly. "Was it Mary Jo who betrayed us at the bowling alley?
" he asked, proven he hadn't been entirely unaware of what had been going on while he was changing.
Both of us ignore the pained sound Mary Jo made.
"I'll ask her later."
He nodded. "Better—" He quit talking, and his pupils contracted despite the morphine he'd been giving.
He arched up and twisted so he could press his face into my belly, making a noise somewhere between a screem and a growel. I held him there well Samual snared at Ben and Mary Jo to hold him still.
Another shot of morphine, and Samuel moved us all around. Ben across Adams legs— "And don't think I haven't noticed your hands, Ben. You're next up." Mary Jo on one arm, just above the elbow. Me on the other.
"Can you hold him?" asked Samuel.
"Not if he doesn't want me to," I told him.
"It'll be alright," Adam said. "I won't hurt her."
Samuel smiled tightly. "No, I didn't think you would."
When Samuel started on Adams face with the brush, I had to close my eyes.
"Shh," Adam comforted me. "It'll be over soon.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
School went exactly as Violet thought it would: weird. It wasn’t her best, and it wasn’t her worst, day ever. It was just weird.
Jay was true to his word, deciding not to hold anything back. And it started the second they got out of the car, when he claimed her hand and refused to let go, even when Violet tugged and pulled to try to get it away from him. He ignored her mute protests and held on tight, smiling more to himself than to her, and paraded her right into the school like that.
Not that they’d never held hands before, because they had. But this was entirely different, and Jay was hell-bent on making sure that everyone knew it. And just in case anyone wondered what the hand-holding actually meant, he made sure to clear things up for them by planting a big, albeit very satisfying, kiss on her lips, right in the middle of the hallway. Violet didn’t try to pull away from that; in fact, she was dismayed to find herself leaning into him, craving more, and not caring—at least at that moment—who might see them together.
Unfortunately that person turned out to be Chelsea. Chelsea, of all people, along with Claire, who happened to walk up at very inopportune instant.
“Well, well, well,” Chelsea said in an oh-so-innocent voice. “Look what we have here, Claire-bear. It’s old Jay and Violet.” The unconcealed smile was embedded deep in her voice. “Only, and correct me if I’m wrong, this looks a little more than friendly, don’t you think?”
“I never kiss my friends like that,” Claire replied, blank-faced and serious, oblivious to sarcasm.
Jay’s answer was to pull Violet closer, wrapping his arm around her waist. Violet cringed.
Chelsea cocked her head at Claire. “I was just trying to make a point.”
Claire looked confused. “What point?”
“Seriously, Claire? That Violet and Jay are dating now.” She glanced away from poor confused Claire and flashed a gloating look to the couple in front of her. “It’s about time, by the way. I think everyone will thank you for putting us all out of our misery. I, for one, was completely fed up with watching you two lovesick puppies pining over each other. Seriously, it was disgusting.”
She grabbed Claire by the sleeve of her snug, body-hugging hoodie and led her down the hallway, toward their first-period class. Violet watched in stunned silence, processing everything that Chelsea had said to them, as Claire bounded along in Chelsea’s commanding wake.
Jay decided that it was his turn to gloat. “You pined for me?” he asked, stupid grin and all.
Violet hit him in the arm. “Shut up!” She shook her head. “I’m pretty sure she was talking about you anyway.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
The King’s hand shot out so fast the eye could barely track it, and somehow, even without sight, he got the trajectory right, clamping a hold on the throat of his fighter. He didn’t even look in Vishous’s direction, his focus remaining on Xcor.
In response, Vishous didn’t defend himself, even as he was forced to gasp for breath, his goateed jaw dropping open.
“Don’t you love it when people know their places,” Wrath said to Xcor tightly. “When they understand those moments when they need to keep their fucking mouths shut.”
Xcor had to smile. Wrath and he were kin in some ways, weren’t they.
“Aye, my Lord,” he murmured.
”
”
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
“
He entered her slowly, determined to keep a tight hold on the lust pounding in his veins. She wrapped her legs higher, took him deeper and deeper. Her hands dug into the muscles of his rear, urging, telling him what she wanted and what he needed were the same. He obeyed and thrust harder, driving into her not with anger but with a desperate raw need. He felt her climax, her body arching, tightening and contracting around him as she cried out against his neck. He shuddered with the intensity of the explosion that wracked his body and spirit and wrung a deep cry from him.
“Katherine.” I was afraid. I missed you. I love you.
”
”
Ellen O'Connell (Dancing on Coals)
“
As soon as the period of mourning for Dona Ester was over and the big house on the corner was finished, Esteban Trueba and Clara del Valle were married in a modest ceremony. Esteban gave his wife a set of diamond jewelry, which she thought beautiful. She packed it away in a shoe box and quickly forgot where she had put it. They spent their honeymoon in Italy and two days after they were on the boat. Esteban was as madly in love as an adolescent, despite the fact that the movement of the ship made Clara uncontrollably ill and the tight quarters gave her asthma. Seated by her side in the narrow cabin, pressing cold compress to her forehead and holding her while she vomited, he felt profoundly happy and desired her with unjust intensity considering the wretched state to which she was reduced. On the fourth day at sea, she woke up feeling better and they went out on deck to look at the sea. Seeing her with her wind-reddened nose, and laughing at the slightest provocation, Esteban swore that sooner or later she would come to love him as he needed to be loved, even if it meant he had to resort to extreme measures. He realized that Clara did not belong to him and that if she continued living in her world of apparitions, three-legged chairs that moved of their own volition, and cards that spelled out the future, she probably never would. Clara's impudent and nonchalant sensuality was also not enough for him. He wanted far more than her body; he wanted control over that undefined and luminous material that lay within her and that escaped him even in those moments when she appeared to be dying of pleasure. His hands felt very heavy, his feet very big, his voice very hard, his beard very scratchy, and his habits of rape and whoring very deeply ingrained, but even if he had to turn himself inside out like a glove, he was prepared to do everything in his power to seduce her.
”
”
Isabel Allende (The House of the Spirits)
“
When the full-grown poet came,
Out spake pleased Nature (the round impassive globe, with all
its shows of day and night,) saying, He is mine;
But out spake too the Soul of man, proud, jealous and unreconciled,
Nay, he is mine alone;
— Then the full-grown poet stood between the two, and took each by the hand;
And to-day and ever so stands, as blender, uniter, tightly holding hands,
Which he will never release until he reconciles the two,
And wholly and joyously blends them.
”
”
Walt Whitman (Selected Poems)
“
This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor.
Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't"
Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly.
"No." He's shaking his head. "Not here. Not now. Not with me around."
"I have to." Willow is gasping. "Just let me do it!"
"All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me."
Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else.
"Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close.
Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath.
"You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.
”
”
Julia Hoban
“
Look how you’ve grown. I remember the day you were born. I could hold you with one hand. You were the world’s best thing. The most precious.” Aren’t I now, to you? she wanted to say. Instead, she whispered, “Tell me how I was.” “You had a warrior’s heart, even then.” “I was just a baby.” “No, you did. Your cry was so fierce. You held my finger so tightly.” “All babies cry. All babies hold on tight.” He let go of her hand to lift his, and brush his knuckles across her cheek. “Not like you.” *
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
Young girl, don't cry
I'll be right here when your world starts to fall
Young girl, it's alright
Your tears will dry, you'll soon be free to fly
When you're safe inside your room, you tend to dream
Of a place where nothing's harder than it seems
No one ever wants or bothers to explain
Of the heartache life can bring and what it means
When there's no one else, look inside yourself
Like your oldest friend, just trust the voice within
Then you'll find the strength that will guide your way
You'll learn to begin to trust the voice within
Young girl, don't hide
You'll never change if you just run away
Young girl, just hold tight
Soon you're gonna see your brighter day
Now in a world where innocence is quickly claimed
It's so hard to stand your ground when you're so afraid
No one reaches out a hand for you to hold
When you look outside, look inside to your soul
When there's no one else, look inside yourself
Like your oldest friend, just trust the voice within
Then you'll find the strength that will guide your way
If you will learn to begin to trust the voice within
Life is a journey
It can take you anywhere you choose to go
As long as you're learning
You'll find all you'll ever need to know
Be strong
You'll break it
Hold on
You'll make it
Be strong
Just don't forsake it because
Hold on
No one can tell you what you can't do
No one can stop you, you know that I'm talking to you
When there's no one else, look inside yourself
Like your oldest friend, just trust the voice within
Then you'll find the strength that will guide your way
You'll learn to begin to trust the voice within
Young girl, don't cry, I'll be right here
When your world starts to fall
”
”
Christina Aguilera
“
But what the long walk had not done was reveal the cause of the inherent distaste that had sprung out of nowhere overtaking her there under the tree. On the cold, damp grass, or up against the rough tree trunk. He had done it many times without a second thought, and in more challenging situations. It would have been nothing at all to wrap her long legs around his waist, brace one hand against the tree trunk, hold her tight with his other arm, and give the lady exactly what she wanted.
But for some reason he had not been able to do it. For the first time in his life, his body had been willing but his mind had not. Labeling the experience unpleasant would be a severe understatement.
”
”
Evangeline Collins (Her Ladyship's Companion)
“
One day, Reed,” I begin dabbing at his cheek again, “you and I will get in the car and just drive. We’ll wander from silver cities to golden coasts.” I use an alcohol swab to clean the blood from his cheek. “We’ll sleep when we’re tired. When we wake, I’ll find a way to make you laugh and I’ll live in the sound of it.” My throat gets tight because I long for that day to be now. “We’ll find somewhere you’ve never been and we’ll make it ours—fill it with memories of us. That’s what I want.” I finish with the alcohol swab. Leaning close, I gently blow on his healing wound to ease the sting. Reed takes my hand and brings it to his lips, kissing it tenderly. “And when we get that sleep, there will never be a your side or a my side of the bed—we’ll always meet in the middle. And when I hold you there, in our bed, you’ll let me rest my lips here.” Reed lets go of my hand to move his
”
”
Amy A. Bartol (Iniquity (The Premonition #5))
“
Waiting for a hot pocket to cook we’d fuck and be satisfied, barefoot on new york city apartment linoleum. A satisfying hot pocket and a big ass smile and a tight ass grip and a wall beside a random pipe beside the stove where we left palm and dick prints. We fucked like this. Three condoms in an hour and a half and where are you now? Holding the hand of some local dude you wish was a little more international, wishing you had known I was enough and asked me to stay. You are standing in the kitchen waiting for popcorn to pop while he washes dishes, not knowing I’m wishing back for you.
”
”
Darnell Lamont Walker
“
When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream.
A little girl of about six who looks -like me, but isn’t me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred’s Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy.
I did want to tell Dr Purvis these dreams but I didn’t want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that’s why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.
”
”
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
“
I am bent over the desk, my breasts rubbing against the wood with every impact, and now my nipples are as tight and hard and sensitive as my clit. I’m awash in sensation, my entire body sparking like a live wire, and with the right touch, I know that I will shatter. I expect another smack, but this time his hands grab my hips instead. With his knee, he roughly shoves my legs apart. One hand comes down on my back, holding me in place over the desk. The other strokes my sex, opening me, readying me, though that is hardly necessary—as I am so ready for him to be inside me, I can hardly stand it.
”
”
J. Kenner (Take Me (Stark Trilogy, #3.1))
“
The knowledge rushes up in him, choking off breath. A scream comes, tearing its way out. And then another, and another. He seizes his hair in his hands and yanks it from his head. Golden strands fall on to the bloody corpse. Patroclus, he says, Patroclus, Patroclus. Over and over until it is sound only. Somewhere Odysseus is kneeling, urging food and drink. A fierce red rage comes, and he almost kills him there. But he would have to let go of me. He cannot. He holds me so tightly I can feel the faint beat of his chest, like the wings of a moth. An echo, the last bit of spirit still tethered to my body. A torment.
”
”
Madeline Miller (The Song of Achilles)
“
This time I shall not lead you into a new corner of the house of the world. We know it so well by now, after all. We know where the Fairies live and where the shadows fall, where the cobwebs really ought to be cleaned up if anyone ever gets around to it, where a window is loose, where a door creaks. We are annoyed by the stove that will not light, by the weeds in the garden, by that ungodly mess in the closet. A thing too familiar becomes invisible.
It is time for us to Go Out.
But do not fear, even if it is colder outside than you might prefer, if Spring has once again been rudely tardy, if the trees only have a breath of green at their tips like a fine lady's jade rings, if the sun is pale and high and makes you squint, if the wind, for there is always wind, bites and pierces deep. Tug up your best coat round your neck and tie your longest scarf tight. You may hold my hand if you like. I promise, it is good for your health to step outside the house of the world. After all, we are not going far.
Only so far as the mailbox.
”
”
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
“
If the sky has turned a darkened grey and the sea threatens to spill the occupants in the boat, know that the Lord God made the storm still, and though you shall face storms in your life the Lord God will still them with his hand. When you are alone, Jesus will have his arms wrapped around you, holding you tightly, the angels shall call out your name when you feel that you have been deaf, and you shall see the light of Heaven when you think you are blind. When you feel your dreams are broken it does not do well to cast yourself into misery but look at the brighter side of life, and see all the Lord has blessed you with!
”
”
Ariana Pedigo (Little Man)
“
You're all fucking dead.' His voice is eerily calm and all the scarier for it.
Every head in the room turns.
'Riorson!' Orsen's dagger clatters to the floor.
'You think surrendering will save you?' Xaden's lethally soft tone sends goose bumps up my arms. 'It is against our code to attack another rider in their sleep.'
'But you know he never should have bonded her!' Orsen puts his hands up, his palms facing us. 'You of all people have reason enough to want the weakling dead. We're just correcting a mistake.'
'Dragons don't make mistakes.' Xaden's shadows grab every assailant but Orsen by the throat, then constrict. They struggle, but it doesn't matter. Their faces turn people, the shadows holding tight as they sag to their knees, falling in an arc in front of me like lifeless puppets.
I can't find it in my head to pity them.
Xaden prowls forward as though he has all the time in the world and holds out his palm as yet another tendril of darkness lifts my discarded dagger from the floor.
'Let me explain.' Orsen eyes the dagger, and his hands tremble.
'I've heard everything I need to hear.' Xaden's fingers curl around the hilt. 'She should have killed you in the field, but she's merciful. That's not a flaw I possess.' He slashes forward so quickly that I barely catch the move, and Oren's throat opens in a horizontal line, blood streaming down his neck and chest in a torrent.
He grabs for his throat, but it's useless. He bleeds out in seconds, crumpling to the floor. A crimson puddle grows around him.
'Damn, Xaden,' Garrick walks in, sheathing his sword as his gazes rakes over the room. 'No time for questioning?' His glance sweeps to me as if cataloguing injuries, catching on my throat.
'No need for it,' Xaden counters...
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
He called me Jess because that is the name of the hood which restrains the falcon.
I was his falcon. I hung on his arm and fed at his hand.
He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me.
At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain.
He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride.
His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight.
I was none of these things, but I became them.
At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open.
He looked surprised, I don’t know why. As your lover describes you, so you are.
”
”
Jeanette Winterson (Sexing the Cherry)
“
No!” Lada shook her head, eyes still wild. “I cannot go in there! If a woman enters the harem complex, she belongs to the sultan!”
Mehmed peered out the window they had climbed through, to make sure their path was clear. “I would not hold you to that, Lada, and—”
“It would not matter! Everyone would know, I would be labeled your concubine, and—”
Radu took her hand, which still hung in the air pointing accusingly at Mehmed, and squeezed it in his own. “And you would be unmarriageable? What a tragedy. I know how dearly you treasured the hope of marrying some minor Ottoman noble, dear sister.”
She finally met his eyes, hers still feverish and frenzied. “But I would be his.”
“I think our Mehmed is smart enough to know he could never claim you. Right?”
Radu’s tone was light, and he turned to Mehmed with a playful smile. Perhaps it was the dimness of the room, or the stress of the night, but Mehmed’s face was clouded with…disappointment? Hurt? Then a tight, false smile took its place, and he nodded. Radu’s own chest felt equally tight with anxiety and fear and a twisting, bitter sense of jealousy.
”
”
Kiersten White (And I Darken (The Conqueror's Saga, #1))
“
Will you look after my family?" I attempted a smile. "Tommy's going to need a...big brother. Someone to fish with." It seemed stupid to be talking about this stuff,but there weren't any words for the bigger stuff anymore. "He makes his own flies." Jack already knew this.
"Becks-"
"And make sure he doesn't play football." Jack tilted his head at this. "I mean,football's fine, bit it's dangerous.I don't want him concussed-"
"Becks,stop."
"Just tell me you'll do it." I closed my eyes. "Tell me."
There was a long pause,and I wasn't sure there'd be time for him to answer anymore.But after a few moments,he did. "No."
My eyes shot open. "What?"
His eyes were tight,his expression on fire with blazing determination. "You watch over Will."
"What are you...?" My voice trailed off as it dawned on me what was going on. "No!" I tried to wiggle my hands free from his grip. "Don't you dare, Jack Caputo!"
But I couldn't break from his strong grasp. I twisted and thrashed but that only made Jack hold on tighter. He closed his eyes and said, "Stay with me,Becks.Dream of me. I am ever yours."
"No! I will forgive you!" I tried to pull back.Tried to get close enough for the Tunnels to suck me away instantaneously.But Jack had to be about twice my weight and pure muscle. "Let me go!"
He ignored me.In the quickest, strongest move I would ever know,Jack yanked me toward him and threw me to the ground behind him.Away from the Tunnels.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
They sat for a time listening to the music and then Bond turned to Vesper: ‘It’s wonderful sitting here with you and knowing the job’s finished. It’s a lovely end to the day – the prize-giving.’ He expected her to smile. She said: ‘Yes, isn’t it,’ in a rather brittle voice. She seemed to be listening carefully to the music. One elbow rested on the table and her hand supported her chin, but on the back of her hand and not on the palm, and Bond noticed that her knuckles showed white as if her fist was tightly clenched. Between the thumb and first two fingers of her right hand she held one of Bond’s cigarettes, as an artist holds a crayon, and though she smoked with composure, she tapped the cigarette occasionally into an ashtray when the cigarette had no ash. Bond noticed these small things because he felt intensely aware of her and because he wanted to draw her into his own feeling of warmth and relaxed sensuality. But he accepted her reserve. He thought it came from a desire to protect herself from him, or else it was her reaction to his coolness to her earlier in the evening, his deliberate coolness, which he knew had been taken as a rebuff.
”
”
Ian Fleming (Casino Royale (James Bond, #1))
“
I say is someone in there?’ The voice is the young post-New formalist from
Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that
hesitant knocking of when you know perfectly well someone’s in there, the
bathroom door composed of thirty-six that’s three times a lengthwise twelve
recessed two-bevelled squares in a warped rectangle of steam-softened wood, not
quite white, the bottom outside corner right here raw wood and mangled from
hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and
offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic
spirals of pale blue smoke from the elephant-colored rubble of ash and little
blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent
her sliding down along the wall past knotted washcloth, towel rack, blood-flower
wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated
sky’s blue that’s left her uprightly fetal with chin on knees in yet another North
American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All
Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the
claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer,
she’s holding the bottle, recalling vividly its slogan for the past generation was The
Choice of a Nude Generation, when she was of back-pocket height and prettier by
far than any of the peach-colored titans they’d gazed up at, his hand in her lap her
hand in the box and rooting down past candy for the Prize, more fun way too much
fun inside her veil on the counter above her, the stuff in the funnel exhausted though
it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s
best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold
edge to pull herself up as the white- party-noise reaches, for her, the sort of
stereophonic precipice of volume to teeter on just before the speaker’s blow, people
barely twitching and conversations strettoing against a ghastly old pre-Carter thing
saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance
where their acknowledgement of her commands seems like magic, both clogs simply
gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean
medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair
of the flame she’s eaten now trailing like the legs of wasps through the air of the
glass she uses to locate the de-faced veil and what’s inside it, loading up the cone
again, the ashes from the last load make the world's best filter: this is a fact. Breathes
in and out like a savvy diver…
–and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s
lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting
muddy juice and blue smoke and dots of mercuric red into the claw-footed trough,
and can hear again and seems to see, against the fire of her closed lids’ blood, bladed
vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue
light from one sky, searching.
”
”
David Foster Wallace (Infinite Jest)
“
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?"
As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights.
She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order."
"Suspension?" He took a step closer and heard her breath catch in her throat.
"A little bit stiff." She licked her lips. "I think we're in for a rough ride."
"Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears.
"A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling."
Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation."
She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft.
"Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
While gently pushing her towards the dressing room, Lazarus ventured, "Can I ask you something kind of personal?"
Pulling her shirt over her head behind the curtain, and holding her hand out for the corset, she replied, "Anything for you, Laz."
"How are you still friends with him?"
"Can you hook this thing?" Holding the corset on her stomach, Lazarus peeked through the curtain, fingers deftly snapping the twenty hook-and-eye latches. "He saved my life. There are a million reasons to hate him, but there are a million and one reasons to forgive him for his faults."
Twisting to look in the mirror, adjusting her breasts in the tight silk, she continued, "He'll say the worst thing at the worst possible time, except every once in awhile, he says the one most perfect thing that just makes you want to cry from happiness. He knows the exact way you need to be touched at any moment, in any mood, like he's fucking telepathic. He'll make you want to scream when he ignores you, but then you find out he knows your favorite color, your favorite meal, what movie makes you cry and he can list every little thing in the entire world that you hate. And mostly? Well," Turning to face Lazarus and strike a pose, "I just can't fucking stop.
”
”
Shannon Noelle Long (Second Coming)
“
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center.
She cried out his name and he knew she was shocked at his behavior, but he didn't care.
He devoured her, holding her tightly against his mouth as he drank her.
Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements.
He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds.
She screamed. And he continued his sweet torture until her knees buckled.
He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment.
In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs.
Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss.
His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
They waited. And waited. And waited some more. Still nothing happened. She turned to Evan and looped her arms round his neck. "I think we might have to kiss. Aurora started them [The Harps] playing with her human boyfriend. I bet hey didn't just hold hands."
Suddenly he looked just like the boys at school, impish and foxy. He out his arms tight around her neck. "Or maybe we have to do something more?"
She laughed. "You wish."
Their faces were inches apart. Little sparks of static were flashing and clicking between them.
"I want to kiss you, just in case," he said.
So he did, right there beneath the hard in the weird purple light, with their hair standing out like dandelion's. Her first true kiss. Strange. Soft. Sweet. And pretty painful because of the sparks that flew between their lips and zapped of their teeth.
And the next moment they were hugging and kissing and almost falling over, until they bumped up against the harp. And this time it didn't ripple beneath them, it gave way."
Page 272
”
”
Kathryn James (Frost (Mist, #2))
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
The countless tight squeezes you have been in during the course of your life, the desperate moments when you have felt an urgent, overpowering need to empty your bladder and no toilet is at hand, the times when you have found yourself stuck in traffic, for example, or sitting on a subway stalled between stations, and the pure agony of forcing yourself to hold it in. This is the universal dilemma that no one ever talks about, but everyone has been there at one time or another, everyone has lived through it, and while there is no example of human suffering more comical that that of the bursting bladder, you tend not to laugh about these incidents until after you have managed to relieve yourself—for what person over the age of three would want to wet his pants in public? That is why you will never forget these words, which were the last words spoken to one of your friends by his dying father: “Just remember, Charlie,” he said, “never pass up an opportunity to piss.” And so the wisdom of the ages is handed down from one generation to the next.
”
”
Paul Auster (Winter Journal)
“
Watch," he whispered hoarsely. "Watch me make love to you."
No power in the heavens could have made her look away as he withdrew- all the way so that she saw the passionate sheen of her body's juices glazing his rod.
Her eyes widened. Coarse dark hair mingled with soft, chestnut curls, a sight that was incredibly erotic. Even more erotic was when he plunged again, gliding deeper this time, harder. She couldn't tear her gaze away. She was both amazed and stunned at the way male joined female, feeling the walls of her passage yield- soft tender flesh clinging tight and wanton to hard male steel.Everything inside her went wild. Every part of her was melting, every fiber of her being.
With a helpless little moan she caught the sides of his head. She wanted to tell him how wonderful he made her feel. But the power of words had once again deserted her. The pleasure was climbing, spiraling high and fast, taking her by storm. Unable to hold back, her hands slipped to his shoulders. She clutched at him; sensation gathered there, in the very center of her body, the place he possessed so fully. Had she surrendered? Or had he? she wondered vaguely.
Eyes closed, she flung her head back. Release was close. She could feel it coming, shivering throughout her body. His head dropped low. He kissed the arch of her throat. "Fionna," he said, his tone almost raw. "Fionna!"
Her nails bit into his shoulders. The walls of her channel contracted around him, again and again and again, sending spasms of release hurtling through them both.
”
”
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
“
The thigh pressing his legs apart rubbed side to side, massaging the growing bulge in his jeans. James groaned and bit down on one corner of his lower lip to hold back a startled yelp when the pressure increased to the point of near pain.
"Does that feel good to you, baby? Like that? Like it slow and gentle?" He lessened the pressure and slipped a hand between them, thumbing open the buttons of James’ jeans as he talked. Finding nothing under them except heated flesh, he shoved his hand inside and grabbed James’ cock, dragging calluses and fingernails lightly over the sensitive organ. James squirmed and made a strangled, animal sound in the back of his throat.
"No, you wouldn’t be on this side of town, in this bar, if gentle was what you were looking for. Maybe you want it a little rougher." He shoved his fingers down farther and captured the tight sac beneath. "A little harder." He massaged James, grinning at the increased squirming and guttural whimpers his heavy caress produced. "A little deeper."
Kicking James’ legs farther apart, he slid two fingers behind the sac, tracing the thin ridge of sensitive flesh that led up to his opening. Without hesitation, he shoved both fingers into James’ body, twisting and stroking the hot, slippery walls of muscle within. A guttural gasp rewarded his efforts.
He chuckled low and throaty, nudging James’ cheek with his nose, silently commanding him to look up until their eyes met. "You got yourself all ready for me, baby. All nice," the long agile fingers twisted roughly, "and slick," plunged deeper, "and tight.
”
”
Laura Baumbach
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
When she realized what was really happening, she almost couldn’t believe her own eyes.
Jay was there, and he was standing over Grady, who was now lying in a crumpled heap at his feet. The look on Jay’s face was as murderous as Violet had ever seen on anyone before, and he was clenching and unclenching his fist as he glared violently at Grady.
She looked down and saw that Grady was holding one hand over his mouth, and there was blood seeping from between his fingers. He held his other hand up in surrender. “Stop! Stop!”
Jay seemed to have a difficult time deciding. And then he leaned over, his fist balling up again, ready to strike, as he reached in and jerked Grady forward by the collar of his shirt. “Isn’t that what Violet said to you, you jerk? Didn’t she tell you to stop?”
Grady recoiled, curling up as tightly as he could and pulling his arm around his face. “Please! Don’t—” But he didn’t finish his sentence as his voice cracked vulnerably.
Violet was stunned. Silent and dazed, she could only stand there and watch, a million unanswered questions spinning in her head.
Where had Jay come from? How long had he been there?
And the one question she was afraid to ask: where was Lissie tonight?
She hated the conflicting feelings that plagued her at that moment. She was grateful that someone had saved her from Grady’s unwanted advances, and even more grateful that that someone turned out to be Jay. At the same time she was appalled that he’d punched Grady, and she felt sort of sorry for Grady despite his overzealous hands and mouth. She was also shocked by the undisguised fury she saw on Jay’s face, but she had to admit that she kind of liked that she could stir such a reaction in him. It meant that he cared.
Even if it wasn’t in the way she’d hoped for, he still cared.
She watched as Jay let Grady fall back to the ground. Well, not fall exactly, it was more of a shove, releasing him and making him smack his head against the car as she collapsed backward.
But he wasn’t quite finished with his warning to Grady, and he snarled at him from between gritted teeth, “If you ever . . . ever . . . touch her again, I swear to God, Grady, I’ll fucking kill you. Do you hear me?
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Mum bought me �kite for my sixth birthday. It was beautiful. Snowy white with � long tail of ribbons. She
held the string, and I� ran and ran as fast as I �could, but it kept dropping to� clumsy heap on the ground. When� I got
tired Mum took over, holding it high above her head and
running and running until, all at once, �sudden wonderful gust of wind took the kite soaring high, high into the sky, so� I had to squint to see it.
“Hold on, Rosie!” Mum had called. “Hold tight!”
And �I did, gripping the string with all my might as the kite danced high up above, gleaming bright white
against the blue sky, its ribbons sparkling in the sunlight as it flew, soaring and dipping like �bird, forever pulling at the string in my hand —higher, higher — tugging to get
free.
Then� I let go.The string snapped from my grip and was gone.
Mum raced after it,but it was too fast,soaring up,up and away, higher than the trees. She scooped me up in �hug and told me it was all right, she'd buy me another one. But� I didn't want another one. That was my kite,and
it was free. I’d let it go.It’d wanted so much to be free that I just couldn't hold on, couldn’t hold it down.� I smiled as I� watched it whirl away — above the trees, above the birds, above the clouds, sparkling into the heavens, dancing free.
It was the most beautiful thing I �have ever seen.
”
”
Katie Dale (Someone Else's Life)
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
A throbbing ache started to grow in her womb. She wanted more, wanted something...
"Rothbury, please," she begged. "Please."
And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her.
"Open my trousers," he breathed.
She complied.
Soon he was freed, his hardness jutting upward, seeking her heat.
"Look at me," he bit out through his teeth.
As if through a haze, she met his heated, intense gaze.
"This is the only time in my life I will ever hurt you."
Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center.
"Hold on," he said, his voice strained.
Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment.
"Do you want it?"
She nodded and made some sort of noise, half whimper and half the word "yes."
He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them.
When she started to wriggle, he impaled her in one smooth, swift motion.
She cried out, nearly surging off of him.
"Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts."
He kept very still, waiting for some sort of response from her, she imagined.
Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more...
And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful.
Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him.
"There you are, Charlotte," he murmured against her throat. "Better?"
She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe.
His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
”
”
Cyn Balog (Fairy Tale)
“
With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.”
Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.”
She kissed him back, holding him fiercely to her while shattered sobs racked her slender body and tears poured from her eyes. Tormented by her anguish, Ian dragged his mouth from hers, kissing her wet cheeks, running his hands over her shaking back and shoulders, trying to comfort her. “Please darling, don’t cry anymore,” he pleaded hoarsely. “Please don’t.” She held him tighter, weeping, her cheek pressed to his chest, her tears soaking his heavy woolen shirt and tearing at his heart.
“Don’t,” Ian whispered, his voice raw with his own unshed tears. “You’re tearing me apart.” An instant after he said those words, he realized that she’d stop crying to keep from hurting him, and he felt her shudder, trying valiantly to get control. He cupped the back of her head, crumpling the silk of her hair, holding her face pressed to his chest, imagining the nights he’d made her weep like this, despising himself with a virulence that was almost past bearing.
He’d driven her here, to hide from the vengeance of his divorce petition, and still she had been waiting for him. In all the endless weeks since she’d confronted him in his study and warned him she wouldn’t let him put her out of his life, Ian had never imagined that she would be hurting like this. She was twenty years old and she had loved him. In return, he had tried to divorce her, publicly scorned her, privately humiliated her, and then he had driven her here to weep in solitude and wait for him. Self-loathing and shame poured through him like hot acid, almost doubling him over. Humbly, he whispered, “Will you come upstairs with me?”
She nodded, her cheek rubbing his chest, and he swung her into his arms, cradling her tenderly against him, brushing his lips against her forehead. He carried her upstairs, intending to take her to bed and give her so much pleasure that-at least for tonight-she’d be able to forget the misery he’d caused her.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.”
Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.”
Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her.
“Do that again.”
He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him.
“You’re sensitive here,” he murmured.
“Yes.”
His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening.
“Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.”
Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?”
Sensation shot through her. “Hmmm?”
“Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer.
Her eyes flew open. “Wait, what?” She leaned back.
“I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.”
She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did?
His lips twitched as his eyes danced with mirth. Relief filled her.
“Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.”
He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
Then he spoke to me mockingly, 'And so you, like the others, would play your brains against mine. You would help these men to hunt me and frustrate me in my design! You know now, and they know in part already, and will know in full before long, what it is to cross my path. They should have kept their energies for use closer to home. Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them. And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin, my bountiful wine-press for a while, and shall be later on my companion and my helper. You shall be avenged in turn, for not one of them but shall minister to your needs. But as yet you are to be punished for what you have done. You have aided in thwarting me. Now you shall come to my call. When my brain says "Come!" to you, you shall cross land or sea to do my bidding. And to that end this!' "With that he pulled open his shirt, and with his long sharp nails opened a vein in his breast. When the blood began to spurt out, he took my hands in one of his, holding them tight, and with the other seized my neck and pressed my mouth to the wound, so that I must either suffocate or swallow some to the… Oh, my God! My God! What have I done? What have I done to deserve such a fate, I who have tried to walk in meekness and righteousness all my days. God pity me! Look down on a poor soul in worse than mortal peril. And in mercy pity those to whom she is dear!" Then she began to rub her lips as though to cleanse them from pollution.
”
”
Bram Stoker (Dracula)
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm.
With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years.
“I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
”
”
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
“
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled.
“Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.”
God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes.
No, no, no! He’s saying good-bye.
God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations.
“Godfrey, get yourself under control,” his captain said while grabbing for him.
God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment.
“Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked.
God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached.
“Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.”
God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest.
God growled again and he saw a shade of fear ghost over Hansen’s sweaty face.
“If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.”
Hansen shook his head and inched closer to the door behind him.
“Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before.
“You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone.
God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear.
God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red.
“I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger.
“If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
”
”
A.E. Via
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
He is tangled in Isabelle's arms, he is curtained by Isabelle's hair, he is touching Isabelle's body, he is lost in Isabelle, in her smell and her taste and the silk of her skin.
He is onstage, the music pounding, the floor shaking, the audience cheering, his heart beating beating beating in time with the drumbeat.
He is laughing with Clary, dancing with Clary, eating with Clary, running through the streets of Brooklyn with Clary, they are children together, they are one half of a whole, they hold hands and squeeze tight and pledge never to let go.
He is going cold, stiff, the life draining out of him, he is below, in the dark, clawing his way to the light, fingernails scraping dirt, mouth filled with dirt, eyes clogged with dirt, he is straining, reaching, dragging himself up toward the sky, and when he reaches it, he opens his mouth wide but does not breathe, for he no longer needs to breathe, only to feed. And he is so very hungry.
He is sinking his teeth into the neck of an angel's child, he is drinking the light.
He is bearing a Mark, and it burns.
He is raising his face to meet the gaze of an angel, he is flayed by the fury of angel fire, and yet still, impudent and bloodless, he lives.
He is in a cage.
He is in hell.
He is bent over the broken body of a beautiful girl, he is praying to whatever god that will listen, please let her live, anything to let her live.
He is giving away that which is most precious to him, and he is doing so willingly, so that his friends will survive.
He is, again, with Isabelle, always with Isabelle, the holy flame of their love encompassing them both, and there is pain, and there is exquisite joy, and his veins burn with angel fire and he is the Simon he once was and the Simon he now will be, he endures and he is reborn, he is blood and flesh and a spark of the divine.
He is Nephilim.
”
”
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
“
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
”
”
Toni Morrison (The Bluest Eye)
“
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s—
My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom.
Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth.
I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door.
Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out.
“Sanctuary,” I plead.
Her brow crinkles and the door opens just a bit wider. “I beg your pardon?”
“I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.”
And she blushes. Great.
“You want to sleep in here? With me?”
I scoff. “No, not with you—just in your room, love.”
I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick?
Thankfully, Sarah doesn’t look offended.
“Why here?” she asks.
“Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.”
I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it.
Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint.
I think Scooby-Doo put it best when he said, Ruh-roh.
“Let me make sure I’ve got this right—you need my help?”
“Correct.”
“You need shelter, protection, sanctuary that only I can give?”
“Yes.”
“And you think teasing me about my clothes is a wise strategy?”
I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.”
I pout . . . but in a manly kind of way.
“Pity me.”
A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.”
Huh. She’s right—it is my castle. I really need to start remembering that
”
”
Emma Chase (Royally Matched (Royally, #2))
“
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay?
She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside.
Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes.
“Hey,” he said quietly. “How are you feeling?”
“Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?”
He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.”
“How is she?” Kelly asked, a knot of fear in her throat.
“For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.”
Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple.
“Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.”
She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay.
“I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.”
Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Chase grunts at that, shoving himself up and away. For a moment he looks down at me, flushed and open mouthed. “Suck me.” It’s a demand. “I want to feel your tongue on my cock.” He isn’t gentle. Once I take him in my mouth he twists his fingers in my hair, the hold burning as I tilt my face to see the drop of his head, his eyes closed, his mouth parted to an O. “Fuck.” He shudders, the word hardly a shaping of his heavy breath. “Like that.” He feels so good in my mouth. Hot and hard, too much for me to take into my throat without gagging a little over his length. That makes him grunt, the hard planes of his belly tensing. I can feel his twitching indecision in the movements of his fingers through my hair, torn between the need to hold me close and the need to be inside another part of me. He doesn’t stay indecisive for long. “You want me to fuck you?” His voice is ragged. Yes, yes. I try to tell him with the sweep of my tongue and the hollow of my cheeks, the enthusiastic bob of my head. When Chase grabs me he’s rough. His hands hold tight at my shoulders as he shoves me over, face down on the bed. One fist tugs my hip up as the other braces low over my spine. “Wait,” is a rasped order. I can feel the mattress move as he leans to the bedside drawer, and then there’s the ripping sound of a foil packet torn on his teeth. There’s no warning after that. Only his cock, buried inside of me in one savage thrust. I cry out his name, and everything splinters with too much and yes and the good-ache pain of being opened by him. “Brooke.” It’s grunted at my ear as Chase begins a slow, solid pound into me, each thrust shoving to full sink. It hurts a little. He’s too big. It’s too quick. But god, it’s amazing. “Your pussy feels so good wrapped around my cock. So fucking good.” His fingers find my clit, and it’s all I can do not to cry out with how good it feels. His hips slam against my raised ass as he pounds into me, all that muscle riding me as expertly as he rode the mountains today. “Come.” He bites it at my ear, grinding his cock into me, holding the deepest penetration all the way into my aching core. “Come for me.” He’s starting to pound me again, and where my face is smashed against the pillow I whimper out the too-much-good of it, each slam of his body into mine forcing the breath from my lungs and spiking pleasure along my spine. “Please—please—please—” “Beg me,” Chase growls. “Say you want me. Say you need me inside of you.” “Please. Make me come. Chase. Please. Fuck me.” It’s so much I’m almost sobbing with it. Chase pounds on, relentless, until as I begin to spasm with my orgasm he grunts out his own. My hips pinned in his fingers. His body slammed into mine. Both of us, breaking apart together.
”
”
Harper Dallas (Ride (The Wild Sequence, #1))
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them.
So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?
“Hey,” I say, crushing Caleb’s directions into my back pocket.
He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts.
“Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…”
He opens his mouth to interject, but I hold up a hand to stop him.
“If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.”
All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died.
Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving.
“And?” he says, his voice and his eyes and his hands a little unsteady.
“And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.”
“I am,” he says roughly.
And I kiss him.
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind.
I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now.
I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished.
“I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy.
Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie.
They all waited for Lillian to make the introductions.
Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.”
Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby.
Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it.
“That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.”
That should get rid of him quickly, Daisy thought. Men were terrified of crying babies.
“Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief.
“Mr. Swift, what are you doing?” Evie asked with a quizzical smile.
“Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness.
Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry.
Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted.
When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch.
“Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.”
“What were you saying to her?” Lillian demanded.
He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.”
Daisy spoke to him for the first time. “What was that?”
Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body.
“The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.”
“I see,” Daisy said. “You bored the poor baby to sleep.”
“You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her.
With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin.
With those very thoughts, Oscar’s grip loosened. His lips retreated.
“This isn’t right,” he whispered, catching his breath.
Camille stared at him, her hurt and disappointment plain on her face.
“You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.”
All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own.
“I want you here,” she said, the words unable to express the desires stampeding her mind.
Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“
Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them.
“He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief.
“Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?”
Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room.
He tilted his head and looked sideways at her. “Just until you fall asleep?”
She nodded, her throat too tight with nerves to speak.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
You’re as beautiful as you were the night we made our son,” she whispered, bending to kiss him tenderly.
His fingers traced her dark eyebrows, her cheeks, her mouth. “I wish we could have another baby,” he said heavily.
“So do I. But I’m too old,” she said sadly. She lay her cheek against his broad, damp chest and stroked the silver-tipped hair that covered it. “We’ll have to hope for grandchildren, if he ever forgives us.”
He held her tightly, as if by holding her he could keep her safe. What he felt for her was ferociously protective.
She misunderstood the tightening of his arms. She smiled and sighed. “We can’t, again. Cecily will think we’ve deserted her.”
His hand smoothed her long hair. “She probably knows exactly what we’re doing,” he said on a chuckle. “She loves you.”
“She likes you. Maybe we could adopt her.”
“Better if our son marries her.”
She grinned. “We can hope.” She sat up and stretched, liking the way he watched her still-firm breasts. “The last time I felt like this was thirty-six years ago,” she confided.
“The same is true for me,” he replied.
She searched his eyes, already facing her departure. She would have to go back to the reservation, home.
He could still read her better than she knew. He drew her hand to his mouth. “It’s too late, but I want to marry you. This week. As soon as possible.”
She was surprised. She didn’t know what to say.
“I love you,” he said. “I never stopped. Forgive me and say yes.”
She considered the enormity of what she would be agreeing to do. Be his hostess. Meet his friends. Go to fund-raising events. Wear fancy clothes. Act sophisticated.
“Your life is so different from mine,” she began.
“Don’t you start,” he murmured. “I’ve seen what it did to Cecily when Tate used that same argument with her about all the differences. It won’t work with me. We love each other too much to worry about trivial things. Say yes. We’ll work out all the details later.”
“There will be parties, benefits…”
He pulled her down into his arms and kissed her tenderly.
“I don’t know much about etiquette,” she tried again.
He rolled her over, pinning her gently. One long leg inserted itself between both of hers as he kissed her.
“Oh, what the hell,” she murmured, and wrapped her legs around his, groaning as the joints protested.
“Arthritis?” he asked.
“Osteoarthritis.”
“Me, too.” He shifted, groaning a little himself as he eased down. “We’ll work on new positions one day. But it’s…too late…now. Leta…!” he gasped.
She didn’t have enough breath to answer him. He didn’t seem to notice that she hadn’t. Bad joints notwithstanding, they managed to do quite a few things that weren’t recommended for people their ages. And some that weren’t in the book at all.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
You can’t be in here.” Ian stated it as a fact.
Sam sank back onto the bed. He was definitely growing stronger, but standing could be troublesome on shaky legs. The pain of his wound had definitely receded. “Why not?” he asked a little belligerently.
“She can’t; it’s impossible. I was standing guard at her door.” Ian’s gaze met Azami’s. “To protect you of course.”
“Of course, because there are so many enemies creeping around your halls,” Azami said, her voice soft and pleasant, a musical quality lending innocence and sweetness.
Ian’s frown deepened as if he was puzzled. She certainly couldn’t have meant that the way it came out, anyone listening would be certain of it. “Just what are you two doing in here anyway?” he asked, suspicion lending his tone a dark melodrama. He even wiggled his eyebrows like a villain.
Sam kept a straight face with difficulty. Ian was a large man with red hair and freckles. He didn’t look in the least bit mean or threatening, even when he tried.
“Azami was just telling me how when she left her room to inquire after my health, there was a giant man with carroty hair snoring in the hallway beside her door.”
“There was no way to get past me,” Ian insisted.
Sam grinned at him. “Are you saying you did fall asleep on the job, then?”
“Hell no.” Ian scowled at him. “I was wide awake and she didn’t slap past me.”
“You say,” Sam pointed out, his tone mocking as he folded his arms across his chest and leaned back casually, pleased he could tease his friend. “Still, she’s here and that proves you were looking the other way or sleeping, just like that time in Indonesia when we parachuted in and you fell asleep on the way down. I believe that time you got tangled in a very large tree right in the center of the enemies’ camp.”
Azami’s lashes fluttered, drawing Sam’s attention. He almost reached out to her, wanting to hold her hand, but she’d mentioned a couple of times she didn’t show affection in public.
“You fell asleep while parachuting?” she asked, clearly uncertain whether or not they were joking.
Ian shook his head. “I did not. A gust of heavy wind came along and pushed me right into that tree. Gator told everyone I was snoring when he shoved me out of the plane. The entire episode is all vicious fabrication. On the other hand, Sam here, actually did fall asleep while he was driving as we were escaping a very angry drug lord in Brazil.”
Azami raised her eyebrow as she turned to Sam for an explanation. Her eyes laughed at him and again he had a wild urge to pull her to him and hold her tight. Primitive urges had never been a part of his makeup until she’d come along; now he figured he was becoming a caveman. Her gaze slid to his face as if she knew what he was thinking—which was probably the case. He flashed a grin at her.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
”
”
P.C. Cast (Revealed (House of Night #11))
“
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare.
“No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.”
His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“
“You can do this-calculate all those figures in your mind? In moments?”
He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.”
Elizabeth’s mouth dropped open at his tone and his words. “I’m not.”
“Yes,” he said implacably. “You are. Which is why I haven’t told you before this.”
Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.”
“The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?”
His response was short and chilly. “Not quite.”
“I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?”
“No.”
She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?”
With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity.
“A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.”
Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself.
“Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her.
The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Hermione!”
She stirred, then sat up quickly, pushing her hair out of her face.
“What’s wrong? Harry? Are you all right?”
“It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.”
“What do you mean? Who--?”
She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas.
Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms.
Hermione launched herself forward and started punching every inch of him that she could reach.
“Ouch--ow--gerroff! What the--? Hermione--OW!”
“You--complete--arse--Ronald--Weasley!”
She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced.
“You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?”
She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively.
“Protego!”
The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again.
“Hermione!” said Harry. “Calm--”
“I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!”
“Hermione, will you please--”
“Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!”
She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
“I came running after you! I called you! I begged you to come back!”
“I know,” Ron said, “Hermione, I’m sorry, I’m really--”
“Oh, you’re sorry!”
She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness.
“You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?”
“Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back.
“Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--”
“Hermione,” interjected Harry, who considered this a low blow, “he just saved my--”
“I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--”
“I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--”
“What it’s been like for you?”
Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity.
“I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!”
“A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))