Holden Lying Quotes

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I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.
J.D. Salinger (The Catcher in the Rye)
Being a good person is partially subjective, beauty lies in the eyes of the beholder. It’s whatever we deem acceptable, whatever we find ourselves worthy of.
Kim Holden (So Much More)
Some people skim life and some people read so closely they see the things others don't. That's where the beauty lies, in between the lines, in the details. The story within the story. She sees it. She gets it.
Kim Holden (Franco (Bright Side, #3))
She's my other half. Like for the first time in my life, I know what being unquestionably whole feels like. And I realize that the notion that my heart beats for me alone is a lie. It beats for us.
Kim Holden (Franco (Bright Side, #3))
Mouths can lie, but eyes can’t.
Kim Holden (The Other Side)
Requiem Under the wide and starry sky, Dig the grave and let me lie. Glad did I live and gladly die, And I laid me down with a will. This be the verse you ’grave for me: Here he lies where he longed to be; Home is the sailor, home from sea, And the hunter home from the hill. (1880-1884)
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
Lopez reached into his pocket, took out a small packet of white lozenges, and popped one into his mouth. He didn’t offer one to Holden. Lopez’s pupils contracted to tiny points as he sucked the lozenge. Focus drugs. He’d be watching every tic of Holden’s face during questioning. Tough to lie to.
James S.A. Corey (Leviathan Wakes (Expanse, #1))
Steel tempered by fire,” she said aloud, without thinking. “Am I?” he asked. She smiled sadly. “Aren’t you?” He let out a long, slow breath and some of the tension drained out of him. He looked at her quizzically. “You give me peace,” he said unexpectedly. “The only time I ever feel it is when I’m with you. God knows why, when you set me off like a bomb.” She searched his eyes. “Tate, Senator Holden has a reason for what he did,” she told him seriously. “I don’t pretend to know what it is, but I know him. He’s not like some politicians who lie when the truth would suit better. He has integrity. He doesn’t hold grudges and he doesn’t backstab. You know that,” she added with conviction. He scowled. “Yes, I do.” His narrow eyes searched hers. “What do you know, Cecily?” “I know archaeology,” she replied. He reached out and touched her firm little chin with hard fingers. “You’re keeping something from me,” he said in a low, deep tone. “I’m not sure why I sense that, but I do.” “You think you know all about me,” she replied, trying to draw back. “Don’t…do that,” she muttered, reaching up to catch his hair-roughened wrist in her warm fingers. His breath caught. “Fatal error, Cecily,” he said huskily, moving in, giving in to the hunger that had really brought him to her apartment at this hour of the night. “You shouldn’t have touched me…
Diana Palmer (Paper Rose (Hutton & Co. #2))
At the root of the tree at the heart of the world, With a chain round his neck, the Wolf lies curled. His gleaming teeth and jaws are furled, And the sun shall rise in the morning. His chain, it is forged of the nerve of a bear, Of the voice of a fish, and a girl's chin-hair. His chain, it is light and strong and fair, And the sun shall rise in the morning. With a mountain's root, and a cat's foot-fall, And the spit of a bird, he is held in thrall, Though iron could bind him never at all, And the sun shall rise in the morning. The sun shall rise, the stars shall fade, For the binding which the good gods made Still loops the Wolf in its lovely braid, And the sun shall rise in the morning.
Maculategiraffe (Jesse's Story (The Slave Breakers, #2))
I wish you’d told me this before.” “It wouldn’t have changed anything.” “Maybe not. But talking about wounds can help heal them.” “You don’t talk about yours,” she pointed out. He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.” “I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.” “No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.” She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.” “You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.” “And you’ll make sure I never get pregnant.” His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.” She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness. He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.” “Colby might come back…” He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.” She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!” His mouth covered the painful words, stilling them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Stop overthinking, Tessie, just enjoy the moment.” He winks and dips his head so that our foreheads are pressed together intimately along with our bodies. “What . . .” I start but he places a finger over my lips. “Enjoy the moment,” he repeats. I do listen to him this time. Cole doesn’t move his face even an inch because if he did, then our lips would definitely brush up and the idea terrifies me, almost as much as it strangely seems to exhilarate me. I look into his eyes trying to work out what secrets lie in their sapphire-like depths. The distance between us is becoming almost imaginary and there’s a thin line we need to cross before everything changes.
Blair Holden (The Bad Boy's Girl (The Bad Boy's Girl #1))
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Many of their names may never be known. None of these loved ones lie in consecrated ground or have tombstones. There is no final resting place to mark the brutal manner of their passing. There is nowhere to go to remember their once-hopeful faces. There is only here . . .
Wendy Holden (Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope)
But in my arms till break of day Let the living creature lie, Mortal, guilty, but to me The entirely beautiful.
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
I’m good,” I lie. I’ve learned that lying when my well-being is concerned is easier than trying to navigate the truth. Nobody wants to hear, I’m not good. That just makes everything uncomfortable and then the fact that I’m not good would need to be addressed or ignored. Either option makes people squirm, so I lie. I’m good.
Kim Holden (So Much More)
I’ve learned that lying when my well-being is concerned is easier than trying to navigate the truth. Nobody wants to hear, I’m not good. That just makes everything uncomfortable and then the fact that I’m not good would need to be addressed or ignored. Either option makes people squirm, so I lie. I’m good. I’m always good. Deep down I’m so scared I want to cry,
Kim Holden (So Much More)
Ula thought that unicorns might sleep in grassy glades with ferns for covering. In summer they might lie on a lawn. We walked round quietly on hands and feet, shaking imaginary horns. Ula pawed the air looking solemn; she made little humming sounds. Being fond of moonlight it was probable that they sang at night. They would eat rose petals with jam, and a little fruit in the summer months.
Ursula Holden (Unicorn Sisters)
Some people skim life and some people read so closely they see the things others don't. That's where the beauty lies, in between the lines, in the details. The story within the story.
Kim Holden (Franco (Bright Side, #3))
Perception can make whatever picture the mind desires to see. Remember this. In this lies either Heaven or hell, as you elect. Manual
Robert Holden (Holy Shift!: 365 Daily Meditations from A Course in Miracles)
I look over at the other guys, and Gage and Ryder are still lying the same way. Holden is tucked under Ryder’s arm, and Leo is snuggled against Gage’s back. Dex is laid out at their feet. A feeling settles over me of how right all this feels. I don’t feel any of the usual hatred toward them. They’ll do anything in this world for each other, for Les, and now for me.
Ames Mills (Riches to Riches: Part Two (Abbs Valley Book 2))
At some point, your soul will have to stop believing the lies that the world shouts in your ears and molds you to accept.
Alfa Holden (I Find You in the Darkness)
Here lies a very successful man, who spontaneously gave up his profession to devote himself to endangered species. He did not take much care of himself so he killed himself. However, what he neglected to consider was that he himself was an endangered species as well: The Handsome American. (Wilder)
Edward Z. Epstein (Audrey and Bill: A Romantic Biography of Audrey Hepburn and William Holden)
Dulce et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! GAS! Quick, boys!—An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, – My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori. (1917–1918)
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)