Hog Farming Quotes

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You, as a food buyer, have the distinct privilege of proactively participating in shaping the world your children will inherit.
Joel Salatin (Holy Cows & Hog Heaven: The Food Buyer's Guide to Farm Friendly Food)
Unbeknown to her, that Louisiana background secretly intimidated my urgency to drop to a knee and produce a ring. Or maybe, I wanted to see her raise a chicken from the dead. Rumors had assured me, her tribe was capable of voodoo, spells, and such. Well, those were my on-going issues toward matrimony. But on the other hand, Deya couldn’t wait to meet the kin folks. Yes, I knew what visions of family meant to her, butsadly, I wasn’t it. Still, I had to risk her involvement as a potential rope out of hell. Meantime, we pressed onward to my dreaded hometown. I must have counted all the hog farms, catfish ponds, livestock yards, and chicken barns along our route. Being a country boy, I knew the smells, stinks, and how to identify them all. Yet dealing with my relatives and the death of Aunt Kathy were different kinds of shit to take in.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
Upton Sinclair (The Jungle)
Jimi, a red scarf around his head and wearing a white fringed and beaded leather shirt, looked almost like a mystical holy man in meditation. His eyes closed, his head back, he'd merged with his music, his Strat--played upside down since he's a lefty--his magic wand. Though he was surrounded by his band, he projected the feeling he was all alone. ... Tom Law of the Hog Farm (on Jimi's rendition of the national anthem): I felt like he was the defining poet of the festival with that piece of music. It was like taking you right into the heart of the beast and nailing it.
Uwe Michael Lang (The Road to Woodstock)
I’d been there not six weeks, Dust Bowl dirt still coating my young rowdy’s lungs—and despite my God-fearing ma, that’s what I was, a dirt-farm rowdy, pure as a cow pie, cunning as a wild hog, and already well acquainted with the county sheriff, the dust layering my every breath leaving little room for the Holy Spirit to breathe on me.
Lynda Rutledge (West With Giraffes)
The beer got him, and, for a moment, a rush of idiot compassion urged him to hug a pinch-faced man in brown overalls who sat on a stool surrounded by primitive paintings of Jesus engaged in various farm chores (milking a cow, driving a tractor, killing a hog), but the desire to comfort the untalented, the misguided, left Wally before he could act.
Ellen Datlow (Lovecraft Unbound)
Since the late 1840s settlers used close-planted Osage orange trees along the borders of their farms, creating, as the thorny wood filled in over some years of trimming, a living fence “horse-high, bull-strong and hog-tight.” It was barbed wire in the days before barbed wire was invented.
Marta McDowell (The World of Laura Ingalls Wilder: The Frontier Landscapes that Inspired the Little House Books)
Grandpa’s farm had belonged to our people ever since there had been a farm in that place, or people to own a farm. Grandpa’s father had left it to Grandpa and his other sons and daughters. But Grandpa had borrowed money and bought their shares. He had to have it whole hog or none, root hog or die, or he wouldn’t have it at all.
Wendell Berry (Nathan Coulter (Port William, #1))
Folks take after they folks. That’s the law of nature. The thing about not watching my mother get old is that I wasn’t never sure what I was gonna get, cause if you don’t got your folks to look at, if all you got is a little picture of a woman standing beside a cactus, a picture took by a man who weren’t even your daddy, then you don’t got a good idea really of where yr headed. When I seen her bones I knew what we all knew, that we’s all gonna end up in a grave someday, but there’s stops in between there and now. Right now I got my first child running around in the yard and another one on the way. Five years from now Laz gives me Mother’s diamond ring back. He’d never sold it in Dallas. The money he brought back was from his savings. Dill’s hog farm is going pretty good. Uncle Teddy’s got another church. There’s lots of things between now and them bones.
Suzan-Lori Parks
When I first began to criticize small farming, a number of critics (most of them small-scale farmers) roundly condemned me for supporting agribusiness. In my favorite example to date, Joel Salatin, who figures prominently in the grass-fed-beef chapter, condemned my “love affair with confinement hog factories”! This reaction, while wildly inaccurate, is nonetheless important to take seriously. Most notably, it’s almost comically indicative of how narrowly we have framed our options. Joel was serious. His accusation shows that by constricting our choices to animal products sourced from either industrial or nonindustrial operations, by holding up the animal-based alternatives to industrial agriculture as our only alternative, we have silenced discussion of the most fertile, most politically consequential, and most reform-minded choice: eating plants. This alternative to the alternatives changes the entire game of revolutionizing our broken food system. It places the food movement on a new foundation, infuses it with fresh energy, and promotes the only choice that keeps agribusiness executives awake at night.
James McWilliams (The Modern Savage: Our Unthinking Decision to Eat Animals)
He’d watched the old man live his life “by the signs.” Whether a moon waxed or waned decided when the crops were planted and harvested, the hogs slaughtered and the timber cut, even when a hole was best dug. A red sunrise meant coming rain, as did the call of a raincrow. Other signs that were harbingers of a new life, or a life about to end. Boyd was fourteen when he heard the corpse bird in the woods behind the barn. His grandfather had been sick for months but recently rallied, gaining enough strength to leave his bed and take short walks around the farm. The old man had heard the owl as well, and it was a sound of reckoning to him as final as the thump of dirt clods on his coffin. It’s come to fetch me, the old man had said, and Boyd hadn’t the slightest doubt it was true. Three nights the bird called from the woods behind the barn. Boyd had been in his grandfather’s room those nights, had been there when his grandfather let go of his life and followed the corpse bird into the darkness.
Ron Rash (Something Rich and Strange: Selected Stories)
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
A couple of years later, I found out an angry hog is even worse than an angry beaver. My buddy Mike Williams invited me to go hog-hunting with him on a cantaloupe farm. Wild boars were destroying the cantaloupe crop, and the Louisiana Department of Wildlife and Fisheries gave the landowner permission to have hunters kill the hogs. They even let us chase the boars and shoot them from the back of a truck while the game wardens watched the proceedings from a distance! Now, I’d never hunted hogs, but a few of the guys I was hunting with claimed they were experts. We shot one or two hogs apiece and then chased a 360-pound boar into an adjoining cotton field. My buddies convinced me to go into the overgrown cotton field and attempt to flush the hog out into the open. About a hundred yards into the thick brush, I heard the hog grunt. The hog was so close to me that when I put my scope on it to shoot, I couldn’t tell if it was its front end or rear end! I fired my gun. Unfortunately, I shot the hog in the rear, which only made it madder! The hog turned around and charged toward me. I turned and ran out of the cotton field. I felt its tusks clipping at my ankles as I ran. Fortunately, I stayed ahead of the hog until we reached the cantaloupe field, and then to my surprise the hog fell into a heap. It was dead. I looked at my buddies and they were laughing and rolling on the ground. I thought it was a very strange response to my almost getting devoured by a vicious wild hog. I didn’t know I’d lost control of my bladder during the chase!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
My greetings and constant love to Emory and my grandchildren. I am well and continue to make my rounds with the news of the day and as always am well-received in the towns of which we have more than a few now as the Century grows older and the population increases so that large crowds come to hear reportage of distant places as well as those nearby. I enjoy good health as always and hope that Emory is doing well using his left hand now and look forward to an example of his handwriting. It is true what Elizabeth has said about employment for a one-armed man but that concerns manual labor only and at any rate there should be some consideration for a man who has lost a limb in the war. As soon as he is adept with his left I am sure he will consider Typesetting, Accounting, Etc. & Etc. Olympia is I am sure a steady rock to you all. Olympia’s husband, Mason, had been killed at Adairsville, during Johnston’s retreat toward Atlanta. The man was too big to be a human being and too small to be a locomotive. He had been shot out of the tower of the Bardsley mansion and when he fell three stories and struck the ground he probably made a hole big enough to bury a hog in. The Captain’s younger daughter, Olympia, was in reality a woman who affected helplessness and refinement and had never been able to pull a turnip from the garden without weeping over the poor, dear thing. She fluttered and gasped and incessantly tried to demonstrate how sensitive she was. Mason was a perfect foil and then the Yankees went and killed him. Olympia was now living with Elizabeth and Emory in the remains of their farm in New Hope Church, Georgia, and was quite likely a heavy weight. He put one hand to his forehead. My youngest daughter is in reality a bore. There was a pounding on the wall: Kep-dun! Kep-dun!
Paulette Jiles (News of the World)
An ecological farmer once told me that he quit industrial farming when he realized that his first waking thought every morning was: 'I wonder what's dead up there in the hog house today?' He couldn't hear the birds chirping. He couldn't enjoy the sunrise, or the rainbow after a thunderstorm. And his kids wanted nothing to do with the farm. But after this epiphany, he closed down the pig concentration camp and devoted himself to pasture-based farming. Suddenly his children wanted to be involved. His thoughts turned lofty. He developed a can-do spirit. And his emotional zest returned.
Joel Salatin (The Marvelous Pigness of Pigs: Respecting and Caring for All God's Creation)
The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that left the other girls afraid of his temper.
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
century ago, the typical Iowa farm raised more than a dozen different plant and animal species: cattle, chickens, corn, hogs, apples, hay, oats, potatoes, cherries, wheat, plums, grapes, and pears. Now it raises only two: corn and soybeans.
Michael Pollan (In Defense of Food: An Eater's Manifesto)
Consider your stock. Are your sheep or goats fast and nimble, flocking or nonflocking, spooky or accustomed to daily handling? Do you have dairy cattle or ranch cattle? Some herding breeds are suited to working cattle or hogs, while others can adapt to the variety of animals found on a small farm. Turkeys, geese, or ducks pose particular challenges.
Janet Vorwald Dohner (Farm Dogs: A Comprehensive Breed Guide to 93 Guardians, Herders, Terriers, and Other Canine Working Partners)
Factory farming is the practice whereby hogs and chickens live out their lives in such close confinement that sows cannot even turn around to see their piglets, which must suckle under a steel barrier, and a hen can’t even stand up and flap her wings after her egg rolls away down a conveyor belt.
Joann S. Grohman (Keeping a Family Cow: The Complete Guide for Home-Scale, Holistic Dairy Producers)
I started laughing like an idiot and then snorted too, like a full-blown hog for freak’s sake. We both laughed so hard at each other for our mirrored noises that he snorted again even louder and I followed as well. The porn con had officially become a farm.
Mariana Zapata (Lingus)
Campground supervisor Stanley Goldstein announced that sandwiches were coming into the Hog Farm compound by National Guard helicopter.
Brad Littleproud (Woodstock - Peace, Music & Memories)
I LIVE IN A part of the country that at one time a good farmer could take some pleasure in looking at. When I first became aware of it, in the 1940s, the better land, at least, was generally well farmed. The farms were mostly small and were highly diversified, producing cattle, sheep, and hogs, tobacco, corn, and the small grains; nearly all the farmers milked a few cows for home use and to market milk or cream. Nearly every farm household maintained a garden, kept a flock of poultry, and fattened its own meat hogs. There was also an extensive “support system” for agriculture: Every community had its blacksmith shop, shops that repaired harness and machinery, and stores that dealt in farm equipment and supplies. Now the country is not well farmed, and driving through it has become a depressing experience. Some good small farmers remain, and their farms stand out in the landscape like jewels. But they are few and far between, and they are getting fewer every year. The buildings and other improvements of the old farming are everywhere in decay or have vanished altogether. The produce of the country is increasingly specialized. The small dairies are gone. Most of the sheep flocks are gone, and so are most of the enterprises of the old household economy. There is less livestock and more cash-grain farming. When cash-grain farming comes in, the fences go, the livestock goes, erosion increases, and the fields become weedy. Like
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
You know I won’t be staying there, either. I have things I want to see before I can’t. Like the Grand Canyon. And the Pacific Ocean. A buddy of mine from the war is going with me.” “But can’t—” His fingers squeezed mine. “I want you to remember me like this, Rebekah. And I want to remember you in this place. Don’t worry. You’ll get what you want one of these days. Just be patient.” I drew in a sharp breath. How did he know what I wanted? And how did he know I’d get it? Did God give the dying special messages? “How do you know?” The words blurted out on the breath I’d been holding. “Because I’ve watched you. I can see in your every action that you were made for this.” “This?” I huffed. “It suits you. A house. A farm. Children. The husband who will give it all to you.” I rocked back on my heels and stood. “That’s not what I want, Will.” I backed away from his startled look, my hands fidgeting with each other. “I’m going to the city. I don’t know how or when, but I won’t be tied to the seasons and the sun. Don’t get me wrong: I want a husband and a child or two of my own. But this . . . ?” I nodded toward the yard beyond the house, to the hog now in its pen, the chickens, the cow and the mules, even the fields farther beyond. “This is not what I want. I want adventure. I want . . .” His eyes glazed over a bit. I looked away. The children’s joyful shrieks carried on the cool breeze. I wondered if memories of childhood days invaded Will’s head as they did mine. Such simple days. Days I’d once wished away, wanting to be grown up, wanting my life to begin. Now that I’d crossed that line, I wished I could go back. Will cleared his throat, pushed to his feet, and faced me. “I’m sorry, Rebekah,” he said. “I hope you get what you want. I really do. But be careful. If France taught me anything, it’s that new experiences aren’t always what we imagine them to be.
Anne Mateer (Wings of a Dream)
The golden age of the “hog man,” the producer specializing solely in pork production from his or her family-farm base, had come to an end. And it was just as well; the single-commodity production agriculture that had evolved was neither good risk management nor consistent with the nature of family farms.
Kelly Klober (Storey's Guide to Raising Pigs)
In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family.
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
We create these animals for our profit and pleasure, playing with their genes, violating their dignity as living creatures, forcing them to lie and live in their own urine and excrement, turning pens into penitentiaries and frustrating their every desire except what i needed to keep them breathing and breeding. And then we complain about the smell. But no one who has seen the inside of a modern hog farm will find comfort in these assurances of their happiness. And no one who has seen how they are treated will ever again dare to use "pig" as a synonym for filth and greed and ugliness.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
The planter himself was of a type then common in the South. He was a large, coarse looking man, with an immense paunch, wore a broad-brimmed, home-made straw hat and butter nut jeans clothes. His trousers were of the old-fashioned, "broad-fall" pattern. His hair was long, he had a scraggy, sandy beard, and chewed "long green" tobacco continually and viciously. But he was shrewd enough to know that ugly talk on his part wouldn't mend matters, but only make them worse, so he stood around in silence while we took his corn, but he looked as malignant as a rattlesnake. His wife was directly his opposite in appearance and demeanor. She was tall, thin, and bony, with reddish hair and a sharp nose and chin. And goodness, but she had a temper! She stood in the door of the dwelling house, and just tongue-lashed us "Yankees," as she called us, to the full extent of her ability. The boys took it all good naturedly, and didn't jaw back. We couldn't afford to quarrel with a woman. A year later, the result of her abuse would have been the stripping of the farm of every hog and head of poultry on it,
John Edwin Stillwell (The Story of a Common Soldier of Army Life in the Civil War, 1861-1865)
Tiden går inte. Den kommer.
Pugh Rogefeldt (73 - Från Stora Gatan 51 Till Hog Farm)
Lookee here, ma'am, at these sad lines of hog manure," he said, jabbing at the rows of formulas. "Up here you created an elegant formula-tion that stands on its own. Then you seem to doubt your work, even though it's obviously correct, because you proceed to pour all kinds of doo-doo on it until it dies of asphyxia at the bottom of the page." "But it's not hog manure ..." "Ma'am, I grew up on a hog farm. Never, ever doubt a North Carolina hog farmer's ability to recognize and categorize excrement.
John Rhodes (Breaking Point: A Novel of The Battle of Britain)
Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation's Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are crooked and I answer: Yes, it is true I have seen the gunman kill and go free to kill again. And they tell me you are brutal and my reply is: On the faces of women and children I have seen the marks of wanton hunger. And having answered so I turn once more to those who sneer at this my city, and I give them back the sneer and say to them: Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning. Flinging magnetic curses amid the toil of piling job on job, here is a tall bold slugger set vivid against the little soft cities; Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness, Bareheaded, Shoveling, Wrecking, Planning, Building, breaking, rebuilding, Under the smoke, dust all over his mouth, laughing with white teeth, Under the terrible burden of destiny laughing as a young man laughs, Laughing even as an ignorant fighter laughs who has never lost a battle, Bragging and laughing that under his wrist is the pulse, and under his ribs the heart of the people, Laughing! Laughing the stormy, husky, brawling laughter of Youth, half-naked, sweating, proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
Carl Sandburg (101 Great American Poems (Dover Thrift Editions))
The Great War reduced western Europe to a shambles but proved to be a boon to American farmers. Desperate for basic agricultural products, war-ravaged countries turned to the US market, sending prices of cotton, corn, wheat, beef, and other commodities soaring. Between 1914 and 1918, the price of a bushel of corn rose from fifty-nine cents to $1.30, a bushel of wheat from $1.05 to $2.34, and hogs from $7.40 to $16.70 per hundred pounds.1 To meet the demand, farmers acquired more land, expanded their herds of livestock, and invested in new equipment, taking out loans on easy credit to bankroll their purchases. In the years following the armistice of 1918, however—as European nations recovered from the catastrophe—US farm exports plunged so dramatically that one scholar describes the market collapse as a “price toboggan.”2 By 1921, the price of “wheat, corn, beef and pork [had] all plummeted by nearly one-half.”3 Farmers, who had enjoyed unprecedented prosperity just a few years earlier, now faced financial ruin, defaulting on equipment loans, tax payments, and mortgages.
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
Life ain't funny if you don't have a sense of humor
Wavy Gravy (Hugh Romney) (The Hog Farm & Friends)
One thought followed another, out of relaxation and into exasperation: the idiocy of animal activists, the bad influence of Disney cartoons, and the gullibility of the Bambi-loving American public. "Walt Disney did us in," he grumbled. "Before all those movies, people looked at animals differently." He snorted with disgust, mulling over that trend of animated movies populated by big-eyed deer and big-bad hunters that terrify defenseless animals. Bambi, Thumper, Flower the Skunk, Gerone sees them all as trouble, part of the reason that we live in a country filled with people who seem only to see animals as cuddly. He put down his wine glass, watching the clear liquid slosh against the edges. Before this century, he points out, most Americans lived on farms. They butchered hogs themselves, took chicken eggs, milked cows, ate the animals that surrounded them. They shot wild animals to protect their herds, to add to their food supplies. Now, the country's population has concentrated in cities. Hunting is largely a recreational sport; farmers are in decline. People are sur- rounded instead by pets, sleepy cats, playful dogs, pet rats and guinea pigs. "There are kids out there who think meat is born cellophane wrapped," complained Gerone. How can they identify with the idea that animals—the ones they play and feed and sleep with-—should be available as tools, for research?
Deborah Blum (The Monkey Wars)