Hobby Art Quotes

No matter what your age or your life path, whether making art is your career or your hobby or your dream, it is not too late or too egotistical or too selfish or too silly to work on your creativity.

आयुष्यात मला भावलेलं एक गुज सांगतो. उपजिविकेसाठीआवश्यक असणाऱ्या विषयाचं शिक्षण जरुर घ्या. पोटापाण्याचा उद्योग जिद्दीनं करा, पण एवढ्यावरच थांबू नका. साहित्य, चित्र, संगीत, नाट्य, शिल्प, खेळ ह्यांतल्या एखाद्या तरी कलेशी मैत्री जमवा. पोटापाण्याचा उद्योग तुम्हाला जगवील, पण कलेशी जमलेली मैत्री तुम्ही का जगायचं हे सांगून जाईल. - पु. ल.

Using your talent, hobby or profession in a way that makes you contribute with something good to this world is truly the way to go.

Art is neither a profession nor a hobby. Art is a Way of being.

You know, people start things for different reasons. But ultimately it turns into pure passion and one becomes insatiate. There is no end once you start drinking sea water. Curiosity is an addiction for which there is no cure.

Art matters. It is not simply a leisure activity for the privileged or a hobby for the eccentric. It is a practical good for the world. The work of the artist is an expression of hope - it is homage to the value of human life, and it is vital to society. Art is a sacred expression of human creativity that shares the same ontological ground as all human work. Art, along with all work is the ordering of creation toward the intention of the creator.

A calling isn’t something new and shiny. Often it’s something old and predictable, a familiar face that’s easily taken for granted, an old habit or hobby that comes back into our lives.

But will you not have a house to care for? Meals to cook? Children whining for this or that? Will you have time for the work?" "I'll make time," I promised. "The house will not always be so clean, the cooking may be a little hasty, and the whining children will sit on my lap and I'll sing to them while I work.

The only prescription for me is to have a thousand interests.

Investing is an art and a science, not a hobby.

Using your talent, hobby or profession in a way that makes you cintribute with something good to this world is truly the way to go.

I love crafting. Knitting, decoupage, scrapbooking, any "lady-ish" art form, I'm a fan. For about six months each. Then I shove all the supplies in a closet, alongside the skeletons of long dead New Year's resolutions, like saber fencing, playing the ukulele, and Japanese brush painting.

Not every artistic person should have to be a photographer, but every photographer should be artistic.

We, I would venture to guess, are the books we have read, the paintings we have seen, the music we have heard and forgotten, the streets we have walked. We are our childhood, our family, some friends, a few loves, more than a few disappointments. A sum reduced by infinite subtractions. We are shaped by different times, hobbies, and creeds.

It is such an agreeable feeling to be busy with something one is only half-competent to do that nobody should criticize the dilettante for taking up an art he will never learn, or blame the artist who leaves the territory of his own art for the pleasure of trying himself in a neighbouring one.

If a muscleman like Hukum can write a poem, anyone can.

On this subject it is striking to note how many individuals pursue, outside of their own professions and with a kind of rebellious delight, hobbies that are no more than personalized forms of work. This suggests that one of the hidden desires of humanity, provoked by the inward clamor of unused potentialities, is the dream of work in freedom.

The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING. Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.

The challenge, then, is to turn your hobbies, interests, and talents into a long-term, sustainable career. The overlap among all those things is your latent superpower. Tap into this well of strength, and you’ll soar in ways that you’ve only dreamt possible.

Photography is a Passion Not a Hobby!

Hard work done for a hobby don't feel so hard !

A man practices the art of adventure when he breaks the chain of routine and renews his life through reading new books, traveling to new places, making new friends, taking up new hobbies and adopting new viewpoints

By performing a simple Google search, a website review, a visit to their LinkedIn profile, or a media release search on the person you are about to meet, you can find out where they’ve been, what they care about, and where they’re going. Whether you learn an interesting fact about a hobby they enjoy, the breed of their dog, or something you both have in common, it will show that you took the time to research and that you care about them as a person.

No matter what your age or your life path, whether making art is your career or your hobby or your dream, it is not too late or too egotistical or too selfish or too silly to work on your creativity. One fifty-year-old student who “always wanted to write” used these tools and emerged as a prize-winning playwright. A judge used these tools to fulfill his lifelong dreams of sculpting. Not all students become full-time artists as a result of the course. In fact, many full-time artists report that they have become more creatively rounded into full-time people.

Make your life like a garden where you have all types of people and interests and hobbies so that you always have something or someone to love and receive love. Have friends you adore, enjoy the hobbies you are passionate about, water your plants, and love your pets. Create things and build that relationship around you that keeps you excited so that love is always around you in every form. Life will be more colorful that way

A venture that doesn’t create value for others is a hobby. A venture that doesn’t attract attention is a flop. A venture that doesn’t sell the value it creates is a nonprofit. A venture that doesn’t deliver what it promises is a scam. A venture that doesn’t bring in enough money to keep operating will inevitably close.

Flow” is the way people describe their state of mind when consciousness is harmoniously ordered, and they want to pursue whatever they are doing for its own sake. In reviewing some of the activities that consistently produce flow—such as sports, games, art, and hobbies—it becomes easier to understand what makes people happy.

Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.

[E]very community insists on what Professor G. J. Renier calls "the Story that must be told" about its own past, and where scholarship decays, myth will crowd in.

The only duty of the dreamer is to tell the truth about the dream.

Farming is a poor way to make a living, at least around here, because you have to go into factory farming to make it pay. It is the best hobby there is—only 'hobby' is too little a word. The best way of life. Not just because you learn forty different trades, and not just because you follow the seasons, but because you get to spend your whole life producing a single work of art. That is, the farm itself.

Finally, if you're as exasperated as I am by the parts problem and have some money to invest, you can take up the really fascinating hobby of machining your own parts. [...] With the welding equipment you can build up worn surfaces with better than original metal and then machine it back to tolerance with carbide tools. [...] If you can't do the job directly you can always make something that will do it. The work of machining a part is very slow, and some parts, such as ball bearings, you're never going to machine, but you'd be amazed at how you can modify parts designs so that you can make them with your equipment, and the work isn't nearly a slow or frustrating as a wait for some smirking parts man to send away to the factory. And the work is gumption building, not gumption destroying. To run a cycle with parts in it you've made yourself gives you a special feeling you can't possibly get from strictly store-bought parts.

First of all, the practice of an art requires discipline. I shall never be good at anything if I do not do it in a disciplined way; anything I do only if "I am in the mood" may be a nice or amusing hobby, but I shall never become a master in that art.

Evidence says artistic talent is inborn, a genetic trait. Any kindergarten teacher can see that some five-year-olds draw and paint and sculpt better than the rest of the class-that they love it and apply themselves to it. It matters to them. Whether those five-year-olds grow up to be professional artists or even adopt art as a hobby depends largely on environment: whether adults encourage them, whether they have access to art supplies, whether they exist in a time and place that let them pursue art.

If Mr. Hauser finds that he is concerned with entities in history which constantly elude his grasp, if he finds that the bourgeoisie and the aristocracy, rationalism and subjectivism constantly seem to change places in his field of vision, he should ask himself whether he is looking through a telescope or a kaleidoscope.

Some writers, even some poets, become famous public figures, but writers as such have no social status, in the way that doctors and lawyers, whether famous or obscure, have. There are two reasons for this. Firstly, the so-called fine arts have lost the social utility they once had. Since the invention of printing and the spread of literacy, verse no longer has a utility value as a mnemonic, a devise by which knowledge and culture were handed on from one generation to the next, and, since the invention of the camera, the draughtsman and painter are no longer needed to provide visual documentation; they have, consequently, become “pure” arts, that is to say, gratuitous activities. Secondly, in a society governed by the values appropriate to Labor (capitalist America may well be more completely governed by these than communist Russia) the gratuitous is no longer regarded – most earlier cultures thought differently – as sacred, because, to Man the Laborer, leisure is not sacred but a respite from laboring, a time for relaxation and the pleasures of consumption. In so far such a society thinks about the gratuitous at all, it is suspicious of it – artists do not labor, therefore, they are probably parasitic idlers – or, at best, regards it as trivial – to write poetry or paint pictures is a harmless private hobby.

Only now that he had great swathes of time could he begin to have hobbies. This was why art was such an incalculable luxury: it sent out a message saying, "I have time to subcontract all the menial, dull chores out to others; I waste hours in idle contemplation of a piece of cloth covered in spots; I am an art lover; I am time-rich. I can mooch about in a sea of pickled sharks.

Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination. While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.' Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.

Tattooing is more than a job, more than a hobby. It is an intimate, emotional, and powerful thing to be marking someone for life. I am giving over a part of myself forever. In return, I am fully in control of my world and everything around me, if only for that small gap in time. When a piece is carefully thought out and has meaning to my customer, it has double the value to me. I am tied to the art in blood and ink, a part of my soul to be admired by countless others or hidden to be savored only by the wearer.

PHYSIOLOGY 1. Sex 2. Age 3. Height and weight 4. Color of hair, eyes, skin 5. Posture 6. Appearance: good-looking, over- or underweight, clean, neat, pleasant, untidy. Shape of head, face, limbs. 7. Defects: deformities, abnormalities, birthmarks. Diseases. 8. Heredity SOCIOLOGY 1. Class: lower, middle, upper. 2. Occupation: type of work, hours of work, income, condition of work, union or nonunion, attitude toward organization, suitability for work. 3. Education: amount, kind of schools, marks, favorite subjects, poorest subjects, aptitudes. 4. Home life: parents living, earning power, orphan, parents separated or divorced, parents’ habits, parents’ mental development, parents’ vices, neglect. Character’s marital status. 5. Religion 6. Race, nationality 7. Place in community: leader among friends, clubs, sports. 8. Political affiliations 9. Amusements, hobbies: books, newspapers, magazines he reads. PSYCHOLOGY 1. Sex life, moral standards 2. Personal premise, ambition 3. Frustrations, chief disappointments 4. Temperament: choleric, easygoing, pessimistic, optimistic. 5. Attitude toward life: resigned, militant, defeatist. 6. Complexes: obsessions, inhibitions, superstitions, phobias. 7. Extrovert, introvert, ambivert 8. Abilities: languages, talents. 9. Qualities: imagination, judgment, taste, poise. 10. I.Q.

Hobbies provide more examples. If you are a gardener, what you see when you visit Sissinghurst Castle is different from what a non-gardener sees. Your judgment of the quality of the garden has an element of the objective that goes beyond sentiments about how pretty the flowers are. If you are a stamp collector, the reasons you value a particular stamp involve aspects of it that someone who isn’t a stamp collector overlooks. If you are an oenophile, your judgment of the quality of a wine has an element of the objective that goes beyond sentiments of how good it tastes. Expertise changes the quality of the experience, and also introduces an element of the objective.

Robust social movements offer an opposing view. We argue that all the aspects of our lives—where and how we live and work, eat, entertain ourselves, get around, and get by are sites of injustice and potential resistance. At our best, social movements create vibrant social networks in which we not only do work in a group, but also have friendships, make art, have sex, mentor and parent kids, feed ourselves and each other, build radical land and housing experiments, and inspire each other about how we can cultivate liberation in all aspects of our lives. Activism and mutual aid shouldn’t feel like volunteering or like a hobby—it should feel like living in alignment with our hopes for the world and with our passions. It should enliven us.

Papa, explique-moi donc à quoi sert l'histoire?' These are the opening words of Marc Bloch's moving Apologie pour l'histoire, which was cut short when its author was killed by the Nazis. [...]Apparently it has not yet struck anyone that where the myth originated it might also be rendered innocuous through more accurate work in the quarry of books. [...] It would be easy to show that one element of the nazi myth sprang up in the harmless field of comparative philology. The great Max Müller once ventured the guess that all peoples speaking the so-called Indo-Germanic languages might derive from the tribe of Aryans. He soon changed his mind, but the mischief was done, and the ghastly tragedy of those who were idiotically labelled non-Aryans should now suffice to answer the question of Marc Bloch's son.

I felt arrows of rage rising in me, fraught images spreading like bloodstains. There’s no point, I told myself. I reached for the ordinary decoys. It won’t get you anywhere. Think of the outcome you want and make sure you are moving towards it. Got to be practical. That’s what I always told the girls at school. There is so much in life that doesn’t matter, so many things that hold you back, hem you in and throw you off the scent of what’s important. Don’t get too bogged down in things that don’t count or things you cannot influence, and specifically don’t worry too much about making sure others know you’re in the right, because it so easily gets in the way of what you want and need. Become an expert at shrugging most of life off and free yourself for what really interests you. Hone your focus. Don’t bother with cleaning or tidiness beyond basic hygiene. Don’t make your appearance your primary concern. It will zap all your creativity. Be as self-sufficient as you dare. Sometimes you hold more strength when people don’t know what you think or feel, so be very careful whom you confide in. People can run with your difficulties when you least expect it, distort them, relish them even, and before you know it they’re not yours any more. Respect your privacy. And earn you own money or you’ll lack power. Take good care of your friendships, nurture them and they’ll strengthen you. Don’t turn frowning at the defects of other people into a hobby, delicious though it may be; it poisons you. Read every day—it is a practice that dignifies humans. Become a great reader of books and it will help you with reality, you’ll more easily grasp the truth of things and that will set you up for life. And don’t expose your brain to low-quality art forms because there will be a certain measure of pollution.

Now imagine what a change it would be for a young black American to grow up in a society where they didn’t have to settle for the worst schools, the worst health care, the worst jobs, or possibly be subjected to the worst carceral system on Earth. Imagine what it would mean for women if they were more easily able to leave abusive relationships or escape workplace harassment with the help of strong welfare guarantees. Imagine our future Einsteins and Leonardo da Vincis liberated from grinding poverty and misery and able to contribute to human greatness. Or forget Einstein and Leonardo—better yet, imagine ordinary people, with ordinary abilities, having time after their twenty-eight-hour workweek to explore whatever interests or hobbies strike their fancy (or simply enjoy their right to be bored). The deluge of bad poetry, strange philosophical blog posts, and terrible abstract art will be a sure sign of progress.

Clearly, material objects as well as human beings, societies, or periods may be subject to conflicting pulls, they may contain tensions and divisions, but they can no more "harbor contradictions" than they can harbor syllogisms. The reason why Marxist critics so often forget this simple fact is that they are mostly concerned with the analysis of political systems. It may be true or not that "Capitalism" — if there is such a thing — contains "inner contradictions," if we take capitalism to be asystem of propositions. But to equate the conflicts within capitalist society with its "contradictions" is to pun without knowing it. It is where the politicians turns historian that this confusion becomes disastrous. For it prevents him from ever testing or discarding any hypothesis. If he finds it confirmed by some evidence he is happy; if other evidence seems to conflict he is even happier, for he can then introduce the refinement of "contradictions".

Whatever the historian’s individual outlook may be, a subject such as the social history of art simply cannot be treated by relying on secondary authorities. Even Mr. Hauser’s belief in social determinism could have become fertile and valuable if it had inspired him, as it has inspired others, to prove its fruitfulness is research, to bring to the surface new facts about the past not previously caught in the nest of more conventional theories. Perhaps the trouble lies in the fact that Mr. Hauser is avowedly not interested in the past for its own sake but that he sees it as "the purpose of historical research" to understand the present (p. 714). His theoretical prejudices may have thwarted his sympathies. For to some extent they deny the very existence of what we call the "humanities". If all human beings, including ourselves, are completely conditioned by the economic and social circumstances of their existence then we really cannot understand the past by ordinary sympathy.

Want my opinion, just as an amateur? I think photography’s a much artier art than most people believe. It’s logical to think that, if you’ve got an eye for composition—plus a few technical skills you can learn in any photography class—one pretty place should photograph as well as any other, especially if you’re just into landscapes. Harlow, Maine or Sarasota, Florida, just make sure you’ve got the right filter, then point and shoot. Only it’s not like that. Place matters in photography just like it does in painting or writing stories or poetry. I don’t know why it does, but . . . [There is a long pause.] Actually I do. Because an artist, even an amateur one like me, puts his soul into the things he creates. For some people—ones with the vagabond spirit, I imagine—the soul is portable. But for me, it never seemed to travel even as far as Bar Harbor. The snaps I’ve taken along the Androscoggin, though . . . those speak to me. And they do to others, too. The guy I do business with at Windhover said I could probably get a book deal out of New York, end up getting paid for my calendars rather than paying for them myself, but that never interested me. It seemed a little too . . . I don’t know . . . public? Pretentious? I don’t know, something like that. The calendars are little things, just between friends. Besides, I’ve got a job. I’m happy crunching numbers. But my life sure would have been dimmer without my hobby.

The blonde was staring at herself in the mirror, taking on a thoughtful, reflective tone. “Well, it isn’t easy. And his mood changes in an instant. But he collects different girls for different flavors – so one girl doesn’t have to be everybody and everything.” “Oh.” I splashed water on my face and stared for a moment at the mask in the mirror. “You’re just his type, totally. With all the tattoos, you are utterly monstrous, if you don’t mind my saying so. Punk-Goth gone mad.” She swung around to take a close, direct look. “I never saw the point of tattoos, mind you, just fad and fashion. But,” she focused on me, stared, grinned, and rolled her eyes. “My God, darling, you really are perfect! How could you do that to yourself?” She licked her lips. “I think you will be a success. As I said, Sergei loves tattoos. He’s totally into the weird and the monstrous. He adores freaks – and kid, you are about as freakish as they come.” “You think so.” I turned my mask towards her and gave her an extra big smile – I was even more grotesque, Martine told me, when I smiled. “Oh, Gwen, how totally utterly horrible!” she declared and then kissed me to console me for having become a monster. As I grinned at Sergei’s girl, the metal rings in my ears clanked against each other. I could feel the large ring nose, warm, smooth steel, against my curled upper lip. “Yes, you look like a masterpiece of self-loathing.” “It’s called body art,” I said, “It’s a statement.” “A statement?” “Absolutely,” I hiccupped. Everything was fuzzy; I forced myself to focus. “Whatever it is, you’ll be a big success. Sergei collects waifs who suffer from extreme self-hatred. Self-destructive and self-hating girls are one of his hobbies. You can do so much with them.

This is painfully obvious at a poker table. Even weak players know, in principle, that seeing through the eyes of opponents is critical. She raised the bet $20? What does that tell me about her thinking—and the cards she has? Each bet is another clue to what your opponent is holding, or wants you to think she is holding, and the only way to piece it together is to imagine yourself in her seat. Good perspective-takers can make a lot of money. So you might suppose that anyone who takes poker seriously would get good at it, quickly, or take up another hobby. And yet they so often don’t. “Here’s a very simple example,” says Annie Duke, an elite professional poker player, winner of the World Series of Poker, and a former PhD-level student of psychology. “Everyone who plays poker knows you can either fold, call, or raise [a bet]. So what will happen is that when a player who isn’t an expert sees another player raise, they automatically assume that that player is strong, as if the size of the bet is somehow correlated at one with the strength of the other person’s hand.” This is a mistake. Duke teaches poker and to get her students to see like dragonflies she walks them through a game situation. A hand is dealt. You like your cards. In the first of several rounds of betting, you wager a certain amount. The other player immediately raises your bet substantially. Now, what do you think the other player has? Duke has taught thousands of students “and universally, they say ‘I think they have a really strong hand.’” So then she asks them to imagine the same situation, except they’re playing against her. The cards are dealt. Their hand is more than strong—it’s unbeatable. Duke makes her bet. Now, what will you do? Will you raise her bet? “And they say to me, ‘Well, no.’” If they raise, Duke may conclude their hand is strong and fold. They don’t want to scare her off. They want Duke to stay in for each of the rounds of betting so they can expand the pot as much as possible before they scoop it up. So they won’t raise. They’ll only call. Duke then walks them through the same hypothetical with a hand that is beatable but still very strong. Will you raise? No. How about a little weaker hand that is still a likely winner? No raise. “They would never raise with any of these really great hands because they don’t want to chase me away.” Then Duke asks them: Why did you assume that an opponent who raises the bet has a strong hand if you would not raise with the same strong hand? “And it’s not until I walk them through the exercise,” Duke says, that people realize they failed to truly look at the table from the perspective of their opponent. If Duke’s students were all vacationing retirees trying poker for the first time, this would only tell us that dilettantes tend to be naive. But “these are people who have played enough poker, and are passionate about the game, and consider themselves good enough, that they’re paying a thousand dollars for a seminar with me,” Duke says. “And they don’t understand this basic concept.”22

THE VISION EXERCISE Create your future from your future, not your past. WERNER ERHARD Erhard Founder of EST training and the Landmark Forum The following exercise is designed to help you clarify your vision. Start by putting on some relaxing music and sitting quietly in a comfortable environment where you won’t be disturbed. Then, close your eyes and ask your subconscious mind to give you images of what your ideal life would look like if you could have it exactly the way you want it, in each of the following categories: 1. First, focus on the financial area of your life. What is your ideal annual income and monthly cash flow? How much money do you have in savings and investments? What is your total net worth? Next . . . what does your home look like? Where is it located? Does it have a view? What kind of yard and landscaping does it have? Is there a pool or a stable for horses? What does the furniture look like? Are there paintings hanging in the rooms? Walk through your perfect house, filling in all of the details. At this point, don’t worry about how you’ll get that house. Don’t sabotage yourself by saying, “I can’t live in Malibu because I don’t make enough money.” Once you give your mind’s eye the picture, your mind will solve the “not enough money” challenge. Next, visualize what kind of car you are driving and any other important possessions your finances have provided. 2. Next, visualize your ideal job or career. Where are you working? What are you doing? With whom are you working? What kind of clients or customers do you have? What is your compensation like? Is it your own business? 3. Then, focus on your free time, your recreation time. What are you doing with your family and friends in the free time you’ve created for yourself? What hobbies are you pursuing? What kinds of vacations do you take? What do you do for fun? 4. Next, what is your ideal vision of your body and your physical health? Are you free of all disease? Are you pain free? How long do you live? Are you open, relaxed, in an ecstatic state of bliss all day long? Are you full of vitality? Are you flexible as well as strong? Do you exercise, eat good food, and drink lots of water? How much do you weigh? 5. Then, move on to your ideal vision of your relationships with your family and friends. What is your relationship with your spouse and family like? Who are your friends? What do those friendships feel like? Are those relationships loving, supportive, empowering? What kinds of things do you do together? 6. What about the personal arena of your life? Do you see yourself going back to school, getting training, attending personal growth workshops, seeking therapy for a past hurt, or growing spiritually? Do you meditate or go on spiritual retreats with your church? Do you want to learn to play an instrument or write your autobiography? Do you want to run a marathon or take an art class? Do you want to travel to other countries? 7. Finally, focus on the community you’ve chosen to live in. What does it look like when it is operating perfectly? What kinds of community activities take place there? What charitable, philanthropic, or volunteer work? What do you do to help others and make a difference? How often do you participate in these activities? Who are you helping? You can write down your answers as you go, or you can do the whole exercise first and then open your eyes and write them down. In either case, make sure you capture everything in writing as soon as you complete the exercise. Every day, review the vision you have written down. This will keep your conscious and subconscious minds focused on your vision, and as you apply the other principles in this book, you will begin to manifest all the different aspects of your vision.

He cared nothing for art, music and books. He had no hobbies or diversions, not even a passing interest in gambling and the games that made him so much money. Even sports failed to interest him, except for boxing, which he loved.

Few men ever stop and actually think critically about why they like certain things, why certain forms of pop culture are popular and others are not. Few have the curiosity to look into new art forms or hobbies and figure out how they feel about them. Here are some concepts to keep in mind as you go through your life experiencing art and media: 1. Assume everything has a form of value; it's your job to find it. Nothing is stupider than to be prejudiced against a genre of music or type of movie for no other reason than because of some stereotype or preconceived notion about it. Drop all of this prejudice and adopt this mentality immediately: "there has to be something to this form of art, otherwise it wouldn't have a following, so I should find out what that something is." Once you find it, then decide if you like it or not. Whether you like something or not, you should always be able to appreciate it.

When you’re pursuing a wide breadth of experience, there are diminishing returns to each new adventure, each new person or thing. When you’ve never left your home country, the first country you visit inspires a massive perspective shift, because you have such a narrow experience base to draw on. But when you’ve been to twenty countries, the twenty-first adds little. And when you’ve been to fifty, the fifty-first adds even less. The same goes for material possessions, money, hobbies, jobs, friends, and romantic/sexual partners—all the lame superficial values people choose for themselves. The older you get, the more experienced you get, the less significantly each new experience affects you. The first time I drank at a party was exciting. The hundredth time was fun. The five hundredth time felt like a normal weekend. And the thousandth time felt boring and unimportant.

The basic order for sorting komono is as follows: 1. CDs, DVDs 2. Skin care products 3. Makeup 4. Accessories 5. Valuables (passports, credit cards, etc.) 6. Electrical equipment and appliances (digital cameras, electric cords, anything that seems vaguely “electric”) 7. Household equipment (stationery and writing materials, sewing kits, etc.) 8. Household supplies (expendables like medicine, detergents, tissues, etc.) 9. Kitchen goods/food supplies (spatulas, pots, blenders, etc.) 10. Other (spare change, figurines, etc.) (If you have many items related to a particular interest or hobby, such as ski equipment or tea ceremony articles, treat these as a single subcategory.)

The Arts, Hobbies, Interests and Pastimes, have served as a measurement of a civilized society over the ages, and a mark of humanity by those who pursue them.

How I adored to draw as a child, a teen; all my life before I began to try and shape a career out of it.

·      I am alone. ·      I was abandoned. ·      I do not have/cannot make any friends. ·      I do not have any family. ·      I do not have any hobbies or passions. ·      I am different to other “normal” people, for example, not as social, not as happy, not as brave, etc.

People are always relying on another, i always feel more comfortable alone. Art knows my pain, its not just a desire to paint, a hobby to distract me from living my truth, it is my truth.

A sighting in Texas On my fourth day in the city I looked through the window and saw a dreamlike figure sauntering by. He had a sack over his arm, and a stick over his shoulder, and he wore a high-crowned hat and a cloak, I think, and he strolled past easy, insolent and amused. My heart leapt to see him. ‘Who was that?’ I cried, rushing to the window, ‘that man with the stick, and the high-crowned hat, and the sack on his arm?’ My hostess returned me reprovingly to our conversation. ‘I saw nobody,’ she sweetly and carefully said. ‘But tell me, have you had time to see our new Picasso in the Fine Arts Museum? And will you have an opportunity to meet with Mrs Oveta Culp Hobby?

Like so many fictional detectives, Sergeant Cuff is given a hobby to cover up this essential blankness at his centre. Just as Inspector Morse is really little more than a hyper-intelligent and grumpy collection of hobbies (beer-drinking, opera and crossword puzzles), Sergeant Cuff’s central preoccupation is gardening.

I’ve learned that healthy, clever risk-taking doesn’t have to be complicated—it can be as simple as taking a new route to work, trying the new sushi place that opened up downtown, taking up a new hobby, traveling (even in your own backyard), or meeting new people. What risk-taking is really about is challenging yourself a bit so you can accrue wisdom and help your brain become a better, more efficient prediction machine. It’s about gathering enough knowledge and experience so you understand the potential ins and outs of any situation you encounter. It’s about keeping your brain sharp—and being prepared to deal with whatever life throws at you.

If you look around the room you are in right now, you will observe a great diversity of items, shapes, sizes, textures, colors, and functions, with all their associated nuances and subtleties. Every career, hobby, occupation, sport, industry, philosophy, plant, animal, object, event, and sensory experience–visual and otherwise–corresponds to a specific language. Language, in a word, is all-encompassing, and there are numerous registers, dialects, idioms, metaphors, and synonyms that express the same idea in multiple ways. “Mastering” one’s native language is a lifelong pursuit. Mastering a foreign language is an even taller order.

The phenomenon of burnout has given rise to a multimillion-dollar industry of self-help to counter its negative effects. Vinkers takes a more skeptical view and believes that simple life lessons like “Spend more time doing nothing” are not very effective. He and the philosopher Jeroen de Ridder wrote that “[self-help] tips, however well-intentioned, are useless: You wouldn’t tell a soldier suffering from PTSD to eat more healthily or a single mother in a poor neighborhood to find a hobby.” We are all different, living different lives, and we have different responses to stressful problems. There is no ready-made solution. That’s why we’re drowning in self-help books.

His smile was just a suggestion around his full lips, an implication and a secret all at once. It was intimate and small, not his usual full-bodied grin that he shared with everyone else. It was just for me. “Some people have hobbies, art, music, playing sport. Mine is learning you.

Roughly defined, a business is a repeatable process that: 1. Creates and delivers something of value . . . 2. That other people want or need . . . 3. At a price they’re willing to pay . . . 4. In a way that satisfies the customer’s needs and expectations . . . 5. So that the business brings in enough profit to make it worthwhile for the owners to continue operation. It doesn’t matter if you’re running a solo venture or a billion-dollar brand. Take any one of these five factors away, and you don’t have a business—you have something else. A venture that doesn’t create value for others is a hobby.

A sport to keep you focused. A fine art hobby to express your emotions and feelings and bring your imagination to reality, and friends to criticize and support your thoughts or dreams. A few souls who occupy your space with their love are everything you need.

Being an ARC reader is more than just a hobby; it's a passion that intertwines my love for literature with the thrill of discovery. There's something truly magical about delving into the pages of a book before it reaches the hands of the masses, experiencing its narrative unfold like an exclusive journey just for me. But what truly warms my heart is the connection forged with authors. To receive their work before the world does and to have the opportunity to offer my thoughts is an honor in itself. Yet, it's the gesture of appreciation that follows which truly makes my day. When authors take the time to send me a complimentary signed copy of their book after my review, it's a testament to the bond between reader and writer, a token of gratitude that resonates deeply. Each signed book I receive holds not just a story within its pages, but also the author's acknowledgment of my contribution to their journey. It's a tangible reminder of the impact words can have, both in the creation and reception of art. To hold such a book in my hands is to feel the weight of appreciation, the validation of my perspective, and the joy of being a part of something bigger than myself. In those moments, I'm reminded of the power of literature to connect us, to bridge the gap between creator and consumer, and to remind us all of the beauty in sharing stories. It's a feeling that leaves me humbled, grateful, and eager to continue my journey as an ARC reader, cherishing each signed book as a cherished token of the bond between author and reader.

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As the 1970s drew to a close, and Commodore, Tandy, Altair, and Apple began to emerge from the sidelines, PARC director Bert Sutherland asked Larry Tesler to assess what some analysts were already predicting to be the coming era of “hobby and personal computers.” “I think that the era of the personal computer is here,” Tesler countered; “PARC has kept involved in the world of academic computing, but we have largely neglected the world of personal computing which we helped to found.”41 His warning went largely unheeded. Xerox Corporation’s parochial belief that computers need only talk to printers and filing cabinets and not to each other meant that the “office of the future” remained an unfulfilled promise, and in the years between 1978 and 1982 PARC experienced a dispersal of core talent that rivals the flight of Greek scholars during the declining years of Byzantium: Charles Simonyi brought the Alto’s Bravo text editing program to Redmond, Washington, where it was rebooted as Microsoft Word; Robert Metcalf used the Ethernet protocol he had invented at PARC to found the networking giant, 3Com; John Warnock and Charles Geschke, tiring of an unresponsive bureaucracy, took their InterPress page description language and founded Adobe Systems; Tesler himself brought the icon-based, object-oriented Smalltalk programming language with him when he joined the Lisa engineering team at Apple, and Tim Mott, his codeveloper of the Gypsy desktop interface, became one of the founders of Electronic Arts—five startups that would ultimately pay off the mortgages and student loans of many hundreds of industrial, graphic, and interaction designers, and provide the tools of the trade for untold thousands of others.

In Musashi’s time, however, the way of the warrior was not a hobby but a total lifestyle. Such a life involved rigors and perils that were soon to disappear, even from the world of the Japanese samurai.

Nearly half of all associational memberships are church-religious context. Religious worshipers and people who say religion is very important to them are much more likely than other persons to visit friends, to entertain at home, to attend club meetings, and to belong to sports groups; professional and academic societies; school service groups; youth groups; service clubs; hobby or garden clubs; literary, art, discussion, and study groups; school fraternities and sororities; farm organization; political clubs; nationality groups; and other miscellaneous groups.

And while she works on herself, moving ahead in her career, expanding her mind through books and art, and keeping her life fulfilled with hobbies, family, and good friends, she’s waiting, waiting for that man who will remain poised, sharp, and attentive in the face of her past hurts, present insecurities, and future dreams. And that’s what the Shit Test is meant to find—the man who is smart and sharp enough to make her insecurities feel like they’re inconsequential or baseless; the man who will protect her—not necessarily from the outside world—she’s a tough chick and can do that on her own—but from herself.

A heart favours love, a head favours work, a heart and head both favours hobby.

A shopping bag from a local hobby store contained kits for making buzzers and doorbells. Jugs of liquid resin and rolls of plastic food wrap sat beside the bag, and a mini-loaf baking pan was wedged between the jugs. Plastic sewing kits were stacked next to X-Acto knives, and so many arts and crafts supplies Amy could open a hobby shop. The

You’re probably wondering what the heck I mean by “The Pillars of Your Life”, right? Well this is simple. It’s the things that make your life what it is. The things or people that make you, you. There’s work, family, your hobby, your art, and your traditions. Except, some of us have wonky pillars. Some of us give one pillar too much to hold, and the others not enough. One’s too tall, whilst the others are too small. Therefore we become unstable, and sometimes, everything comes crashing down.

Think of the times in your life when you have been deeply passionate about something. Whether it is for your family, a cause, a person, an adventure, a hobby, a career, a love for music, or even going to the beach—your passion for it helps you tap into your unique personal power to live and love your life out loud.

Take a searching inventory of your speech, habits, behaviors, appearance, hobbies, preferences, talents, and products. The key is what makes you distinct and unlike others.

14 Awesome Conversation Starters 1. What do you do for fun? Hobbies, recreation . . . 2. What are your super powers? Gifts, talents, strengths. 3. Good morning! It’s great to see you! 4. What is your story? Tell me about yourself. 5. What brought you to __________? 6. Do you have anything special happening in your life (or your business)? 7. What’s the best thing that’s happened this week? 8. Are you living your life purpose or still searching for it? 9. What gives you passion and makes you happy to be alive? 10. Do you have any pets? 11. How do you know the host? 12. When you were a child, what did you want to be when you grew up? 13. If you could go anywhere in the world, where would it be? 14. What's next on your bucket list?

If you want to impress someone with how much you know, the best thing you can do is talk to them about . . . them. People typically love to share their stories and are delighted when others show genuine interest in hearing about: their families, what they do for fun, their opinions, where they are going on vacation, their happiest memories, their hobbies, or even where they grew up.

Make an Inventory of Your Creative Imaginings What are the things you really might want to do someday if you have the time, money, and inclination? Write them on your Someday/Maybe list. Typical categories include: Things to get or build for your home Hobbies to take up Skills to learn Creative expressions to explore Clothes and accessories to buy Toys (hi-tech and otherwise!) to acquire Trips to take Organizations to join Service projects to contribute

Some artists are criticised, some artists are admired, but some artists are loved and they are the one who are remembered.

Dive into a world where creativity meets wellness at Thunder on the Gulf. From the soothing rhythm of fishing to the vibrant world of arts and crafts, from the serene practice of gardening to the enriching pursuit of various hobbies, and the essential insights on health, our blog brings you a treasure trove of ideas and tips to enrich your life. Whether you're looking to unwind, learn, or simply find joy in new activities, join us in exploring passions that make every day brighter and healthier.

and as far as I could tell, his chief hobbies included brooding and not telling me things.

Titus Crow is an occult investigator, a psychic sleuth, an agent for Good in the detection and destruction of Evil. During WWII, as a young man, he worked for the War Department; his work in London was concerned with cracking Nazi codes and advising on Hitler’s predilection for the occult: those dark forces which Der Führer attempted to enlist in his campaign for world domination. Following the end of the war, and from then on right through a very active life which encompassed many “hobbies,” he fought Satan wherever he found him and with whichever tools of his trade were available to him at the time. Crow became, in fact, a world-acknowledged master in such subjects as magic, specifically the so-called “Black Books” of various necromancers and wizards, and their doubtful arts; in archaeology, paleontology, cryptography, antiques and antiquities in general; in obscure or avant-garde works of art—with particular reference to such as Aubrey Beardsley, Chandler Davies, Hieronymous Bosch, Richard Upton Pickman, etc.—in the dimly forgotten or neglected mythologies of Earth’s prime, and in anthropology in general, to mention but a handful.

Why this hobby, Mr. Scovil?” I inquired. “You’ve the means to explore any field you desire, and then add more—form Arctic expeditions, excavate tombs. Why dark magic?” He shrugged in the fashion very rich people do, when the slight flex of a muscle is pleasing to their own bodies. “It’s in the family, as it were. Anyway, why art?” he replied, smiling. “Why hospitals? Why battle and conquest? Why patronage or charity? A man has to have something to work for, doesn’t he, besides money?

The Very Difference Between Game Design & 3D Game Development You Always Want to Know Getting into the gaming industry is a dream for many people. In addition to the fact that this area is always relevant, dynamic, alive and impenetrable for problems inherent in other areas, it will become a real paradise for those who love games. Turning your hobby into work is probably the best thing that can happen in your career. What is Game Designing? A 3D Game Designer is a creative person who dreams up the overall design of a video game. Game design is a large field, drawing from the fields of computer science/programming, creative writing, and graphic design. Game designers take the creative lead in imagining and bringing to life video game worlds. Game designers discuss the following issues: • the target audience; • genre; • main plot; • alternative scenarios; • maps; • levels; • characters; • game process; • user interface; • rules and restrictions; • the primary and secondary goals, etc Without this information, further work on the game is impossible. Once the concept has been chosen, the game designers work closely with the artists and developers to ensure that the overall picture of the game is harmonized and that the implementation is in line with the original ideas. As such, the skills of a game designer are drawn from the fields of computer science and programming, creative writing and graphic design. Game designers take the creative lead in imagining and bringing to life video game stories, characters, gameplay, rules, interfaces, dialogue and environments. A game designer's role on a game development outsourcing team differs from the specialized roles of graphic designers and programmers. Graphic designers and game programmers have specific tasks to accomplish in the division of labor that goes into creating a video game, international students can major in those specific disciplines if desired. The game designer generates ideas and concepts for games. They define the layout and overall functionality of the Game Animation Studio. In short, they are responsible for creating the vision for the game. These geniuses produce innovative ideas for games. Game designers should have a knack for extraordinary and creative vision so that their game may survive in the competitive market. The field of game design is always in need of artists of all types who may be drawn to multiple art forms, original game design and computer animation. The game designer is the artist who uses his/her talents to bring the characters and plot to life. Who is a Game Development? Games developers use their creative talent and skills to create the games that keep us glued to the screen for hours and even days or make us play them by erasing every other thought from our minds. They are responsible for turning the vision into a reality, i.e., they convert the ideas or design into the actual game. Thus, they convert all the layouts and sketches into the actual product. It may involve concept generation, design, build, test and release. While you create a game, it is important to think about the game mechanics, rewards, player engagement and level design. 3D Game development involves bringing these ideas to life. Developers take games from the conceptual phase, through *development*, and into reality. The Game Development Services side of games typically involves the programming, coding, rendering, engineering, and testing of the game (and all of its elements: sound, levels, characters, and other assets, etc.). Here are the following stages of 3D Game Development Service, and the best ways of learning game development (step by step). • High Concept • Pitch • Concept • Game Design Document • Prototype • Production • Design • Level Creation • Programming

hunting is considered not just a hobby or sport but an art, a ritual, one that some even consider holy: a way to participate in the cycle of life that God created, a way to stay connected to the earth and those who came before, to live in communion with the land.

Fours are people who are attracted to the offbeat and avant-garde in life. They care deeply about beauty and art. They decorate their homes in a way that reflects their originality and create things that give expression to their feelings and slant vision of the world. They take up unusual hobbies and often have a wildly interesting and diverse group of friends.

Expect this stage [our storage, hobby, and play areas] of minimizing to stir up emotions and recall memories both sweet and bittersweet. You may encounter old photo albums whose pages you haven't turned in decades, mementos of celebrations long gone by, trophies you formerly sweated to win, personal objects you remember being in the possession of loved ones you've lost, the wedding dress you wore..., the stuffed bunny your daughter fell asleep clutching throughout infancy, and art supplies you once envisioned yourself creating beauty with. The experience at times may warm your heart and at times may fill you with sensations of regret, loss, or failure. Don't back away from these emotions. Work your way through them. This might be just the opportunity you need to process the past and position yourself better for the future.

But in the middle of brunch my aunt turns to me to say, ‘So, do you have any hobbies?’ Well, I don’t make art anymore, I just have disappointing relationships. All of my emails sound like I wrote them with a knife held at my throat.

Perhaps we remember them, too, because their lives show us how malleable our own futures are. In their work we perceive how many loopholes fate has left us—how much of destiny is still in our own hands. In them, we see that nothing is predetermined. Chance can be on our side, if we but stir it up with our energies, stay receptive to its every random opportunity, and continually provoke it by individuality in our hobbies, attitudes, and our approach to life.

Let us now remind ourselves that the artist is also a man, and as a man responsible for all that his will consents to; "in order that a man may make right use of his art, he needs to have a virtue which will rectify his appetite." The man is responsible directly, as a murderer for example by intent if he intends to manufacture adulterated food, or drugs in excess of medical requirement; responsible as a promoter of loose living if he exhibits a pornographic picture, (by which we mean of course something essentially salacious, preserving the distinction of “obscene” from “erotic”); responsible spiritually if he is a sentimentalist or pseudo-mystic. It is a mistake to suppose that in former ages the artist’s “freedom” could have been arbitrarily denied by an external agency; it is much rather a plain and unalterable fact that the artist as such is not a free man. As artist he is morally irresponsible, indeed; but who can assert that he is an artist and not also a man? The artist can be separated from the man in logic and for purposes of understanding; but actually, the artist can only be divorced from his humanity by what is called a disintegration of personality. The doctrine of art for art's sake implies precisely such a sacrifice of humanity to art, of the whole to the part. It is significant that at the same time that individualistic tendencies are recognizable in the sphere of culture, in the other sphere of business and in the interest of profit most men are denied the opportunity of artistic operation altogether, or can function as responsible artists only in hours of leisure when they can pursue a “hobby” or play games. What shall it profit a man to be politically free if he must be either the slave of “art,” or slave of “business”?

It would stand to reason that a hobby grows out of the truth of who you are. Or perhaps your hobby was learned—you chose something unfamiliar; but you practiced whatever it is so well, it became second nature.

Chance I is completely impersonal; you can’t influence it. Chance II favors those who have a persistent curiosity about many things coupled with an energetic willingness to experiment and explore. Chance III favors those who have a sufficient background of sound knowledge plus special abilities in observing, remembering, recalling, and quickly forming significant new associations. Chance IV favors those with distinctive, if not eccentric hobbies, personal lifestyles, and motor behaviors.

At our best, social movements create vibrant social networks in which we not only do work in a group, but also have friendships, make art, have sex, mentor and parent kids, feed ourselves and each other, build radical land and housing experiments, and inspire each other about how we can cultivate liberation in all aspects of our lives. Activism and mutual aid shouldn’t feel like volunteering or like a hobby—it should feel like living in alignment with our hopes for the world and with our passions. It should enliven us.

Like our homes, a garden is an extension of taste and preference. It can be a hobby room, a zone for entertaining, a junkyard and a display of creativity. Somewhere to take a gulp of air or wine - whichever is the most necessary. The garden also works hard. It is a place to hang washing, to store equipment, bikes and ladders, to hose down a muddy dog. Those of us with gardens big enough to execute our visions prove that projects can be born combining many of these elements, sometimes even all.

Scott Andrew Alpaugh isn’t your quintessential tech guy. A Google search might reveal his accomplishments but also a long list of everywhere he has traveled. For Scott, traveling to Thailand with his wife, spending time with his family, exploring different art forms, and playing with his dogs is equally important. You can learn a lot about someone through their hobbies. Scott’s interests reveal his down-to-earth nature and simultaneously assure the world of his dedication to the world of tech.

ORDINARY PEOPLE Guess what? Most of us are ordinary people just trying to live our lives. We worry about paying bills, educating kids, our favorite team winning a championship, getting a promotion, caring for elderly parents, taking an occasional vacation, having time for a hobby, and relaxing now and then. We are more alike than we are different, and our commonality as human beings opens the door for connection and conversation. Even ordinary people have extraordinary things happen to them that make for excellent conversation. Every person I know has had an extraordinary experience of one kind or another. Lurking somewhere in your conversation is a hilarious event, a once-in-a-lifetime vacation, a ridiculous moment, an ex-citing accomplishment, a hair-raising happy-ending tale an uncanny coincidence, or an incredible adventure. Find it and bring it out! Almost anything is a conversation in the making.

First Date Small Talk •It’s great to see you again. I’m so glad you were able to ______with me tonight. •So tell me a little bit about yourself: who was your best friend growing up, how do you celebrate your favorite holiday, what do you eat for lunch? •Did you go away to college? •Where does your family live? •I have fi ve brothers and six sisters. How about you, do you have any siblings? •What brought you to this city? •Do you have any pets? Hobbies? Favorite activities during this season of the year?