Hoar Frost Quotes

I ate breakfast in the kitchen by candle-light, and then drove the five miles to the station through the most glorious October colouring. The sun came up on the way, and the swamp maples and dogwood glowed crimson and orange and the stone walls and cornfields sparkled with hoar frost; the air was keen and clear and full of promise. I knew something was going to happen.

It was one January morning, very early—a pinching, frosty morning—the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward.

The next day, an American soldier who saw morning arrive in Princeton described the snowless but brittle battlefield as something beautiful: “bright, serene, and extremely cold, with a hoar frost which bespangled every object.

On Monday, when the sun is hot I wonder to myself a lot: “Now is it true, or is it not, “That what is which and which is what?” On Tuesday, when it hails and snows, The feeling on me grows and grows That hardly anybody knows If those are these or these are those. On Wednesday, when the sky is blue, And I have nothing else to do, I sometimes wonder if it’s true That who is what and what is who. On Thursday, when it starts to freeze And hoar-frost twinkles on the trees, How very readily one sees That these are whose—but whose are these? On

It’s a dark night, sang the kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and, below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare; of deep and angry crimson, where the sun and wind together; set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar–frost on the finger–post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—

Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

Lunar Paraphrase" The moon is the mother of pathos and pity. When, at the wearier end of November, Her old light moves along the branches, Feebly, slowly, depending upon them; When the body of Jesus hangs in a pallor, Humanly near, and the figure of Mary, Touched on by hoar-frost, shrinks in a shelter Made by the leaves, that have rotted and fallen; When over the houses, a golden illusion Brings back an earlier season of quiet And quieting dreams in the sleepers in darkness— The moon is the mother of pathos and pity.

so cold a man, that his head, instead of being grey, seemed to be sprinkled with hoar-frost. Immense

At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains.

But this is certain, that on the broken rocks of the foreground in the crystalline groups the mosses seem to set themselves consentfully and deliberately to the task of producing the most exquisite harmonies of color in their power. They will not conceal the form of the rock, but will gather over it in little brown bosses, like small cushions of velvet made of mixed threads of dark ruby silk and gold, rounded over more subdued films of white and grey, with lightly crisped and curled edges like hoar frost on fallen leaves, and minute clusters of upright orange stalks with pointed caps, and fibres of deep green, and gold, and faint purple passing into black, all woven together, and following with unimaginable fineness of gentle growth the undulation of the stone they cherish, until it is charged with color so that it can receive no more; and instead of looking rugged, or cold, or stern, as anything that a rock is held to be at heart, it seems to be clothed with a soft, dark leopard skin, embroidered with arabesque of purple and silver.

WHEN on the Magpies' Bridge I see The Hoar-frost King has cast His sparkling mantle, well I know The night is nearly past, Daylight approaches fast. The author of this verse was Governor of the Province of Koshu, and Viceroy of the more or less uncivilized northern and eastern parts of Japan; he died A.D. 785. There was a bridge or passageway in the Imperial Palace at Kyoto called the Magpies' Bridge, but there is also an allusion here to the old legend about the Weaver and Herdsman. It is said, that the Weaver (the star Vega) was a maiden, who dwelt on one side of the River of the Milky Way, and who was employed in making clothes for the Gods. But one day the Sun took pity upon her, and gave her in marriage to the Herdboy (the star Aquila), who lived on the other side of the river. But as the result of this was that the supply of clothes fell short, she was only permitted to visit her husband once a year, viz. on the seventh night of the seventh month; and on this night, it is said, the magpies in a dense flock form a bridge for her across the river. The hoar frost forms just before day breaks. The illustration shows the Herdboy crossing on the Bridge of Magpies to his bride. A Hundred Verses from Old Japan (The Hyakunin-isshu), tr. by William N. Porter, [1909],

Crystal All's calm. And many withered leaves here lie like brown gold dipped in sunshine. The sky is very blue white clouds are rocking by. Hoar-frost blows brightness on the pine. Firs are standing fresh and green lofty tops rising into the height. The red beeches, slender and keen, listen to the eagle calling in his flight and dare go ever higher as heaven were. Lonely benches standing here and there and here a patch of grass, now half-frozen, the sun as its own darling had is chosen. (December 8, 1940) p. 5

My aunt's life was now practically confined to two adjoining rooms, in one of which she would rest in the afternoon while they, aired the other. They were rooms of that country order which (just as in certain climes whole tracts of air or ocean are illuminated or scented by myriads of protozoa which we cannot see) fascinate our sense of smell with the countless odours springing from their own special virtues, wisdom, habits, a whole secret system of life, invisible, superabundant and profoundly moral, which their atmosphere holds in solution; smells natural enough indeed, and coloured by circumstances as are those of the neighbouring countryside, but already humanised, domesticated, confined, an exquisite, skilful, limpid jelly, blending all the fruits of the season which have left the orchard for the store-room, smells changing with the year, but plenishing, domestic smells, which compensate for the sharpness of hoar frost with the sweet savour of warm bread, smells lazy and punctual as a village clock, roving smells, pious smells; rejoicing in a peace which brings only an increase of anxiety, and in a prosiness which serves as a deep source of poetry to the stranger who passes through their midst without having lived amongst them. The air of those rooms was saturated with the fine bouquet of a silence so nourishing, so succulent that I could not enter them without a sort of greedy enjoyment, particularly on those first mornings, chilly still, of the Easter holidays, when I could taste it more fully, because I had just arrived then at Combray: before I went in to wish my aunt good day I would be kept waiting a little time in the outer room, where the sun, a wintry sun still, had crept in to warm itself before the fire, lighted already between its two brick sides and plastering all the room and everything in it with a smell of soot, making the room like one of those great open hearths which one finds in the country, or one of the canopied mantelpieces in old castles under which one sits hoping that in the world outside it is raining or snowing, hoping almost for a catastrophic deluge to add the romance of shelter and security to the comfort of a snug retreat; I would turn to and fro between the prayer-desk and the stamped velvet armchairs, each one always draped in its crocheted antimacassar, while the fire, baking like a pie the appetising smells with which the air of the room, was thickly clotted, which the dewy and sunny freshness of the morning had already 'raised' and started to 'set,' puffed them and glazed them and fluted them and swelled them into an invisible though not impalpable country cake, an immense puff-pastry, in which, barely waiting to savour the crustier, more delicate, more respectable, but also drier smells of the cupboard, the chest-of-drawers, and the patterned wall-paper I always returned with an unconfessed gluttony to bury myself in the nondescript, resinous, dull, indigestible, and fruity smell of the flowered quilt.

When the superior man has free course with his principles, that is what we call his success; when such course is denied, that is what we call his failure. Now I hold in my embrace the principles of righteousness and benevolence, and with them meet the evils of a disordered age; where is the proof of my being in extreme distress? Therefore, looking inwards and examining myself, I have no difficulties about my principles; though I encounter such difficulties (as the present), I do not lose my virtue. It is when winter's cold is come, and the hoar-frost and snow are falling, that we know the vegetative power of the pine and cypress.

Ice and frost are described, wonderfully, as hare hildstapan, ‘hoary battle-marchers’. The word har is a colour, white or grey, so a good word for ice and frost; it’s from this that we get the term ‘hoar-frost’.

An insane woman from Leningrad lay beside me. One moment she would sit up and rip her black coat into thin strips, picking out the wadding, and the next she would unexpectedly send a cry ringing down the corridor: "We killed Sergei Mironovich. We killed him, we all killed him, that's why we're all in jail!" Then she leapt up and ran with eccentric motions to the window, which was completely covered with hoar frost. Like Pushkin's Tatyana, though not with a delicate finger but rather with a fat and dirty one swollen from the cold, she scratched out her own "cherished monogram": SMK. The initials stood for Sergei Mironovich Kirov. During these few minutes of calm, she managed to inscribe all of the windows with Kirov's initials, then began screaming hysterically again: "Monsters, monsters, monsters... We're the ones who killed Comrade Kirov, our dear Mironych! Every one of us! Save him, save him!" By nightfall, she had quieted down, but then she found something else to do — pick lice out of her hair. This required no great skill, since they swarmed over her in vast numbers. Lay your hand on her head, and you would be sure to make a catch. Eventually, she sprinkled some lice on my head with the words "Share and share alike; we're marching toward communism".

An insane woman from Leningrad lay beside me. One moment she would sit up and rip her black coat into thin strips, picking out the wadding, and the next she would unexpectedly send a cry ringing down the corridor: "We killed Sergei Mironovich. We killed him, we all killed him, that's why we're all in jail!" Then she leapt up and ran with eccentric motions to the window, which was completely covered with hoar frost. Like Pushkin's Tatyana, though not with a delicate finger but rather with a fat and dirty one swollen from the cold, she scratched out her own "cherished monogram": SMK. The initials stood for Sergei Mironovich Kirov. During these few minutes of calm, she managed to inscribe all of the windows with Kirov's initials, then began screaming hysterically again: "Monsters, monsters, monsters... We're the ones who killed Comrade Kirov, our dear Mironych! Every one of us! Save him, save him!" By nightfall, she had quieted down, but then she found something else to do — pick lice out of her hair. This required no great skill, since they swarmed over her in vast numbers. Lay your hand on her head, and you would be sure to make a catch. Eventually, she sprinkled some lice on my head with the words "Share and share alike; we're marching toward communism".