Hips And Curves Quotes

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I laughed as I twisted to face him and raised my arm to hit in one move. He caught my wrist and my laugh caught in my throat. A mischievous grin curved my mouth as I raised my other hand to hit him. He reached over me and caught that wrist too, gently pinning my arms above my head as he straddled my hips. The space between us boiled my blood.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can't stop.
Veronica Roth (Insurgent (Divergent, #2))
I don't have the body for this," I quipped, lifting my chin to a voluptous woman nearby who shook her hips zealously to the beat. "No curves." Jev's eyes held mine. "Are you asking my opinion?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.
John Green (Looking for Alaska)
Tell your daughters how you love your body. Tell them how they must love theirs. Tell them to be proud of every bit of themselves— from their tiger stripes to the soft flesh of their thighs, whether there is a little of them or a lot, whether freckles cover their face or not, whether their curves are plentiful or slim, whether their hair is thick, curly, straight, long or short. Tell them how they inherited their ancestors, souls in their smiles, that their eyes carry countries that breathed life into history, that the swing of their hips does not determine their destiny. Tell them never to listen when bodies are critiqued. Tell them every woman’s body is beautiful because every woman’s soul is unique.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
We’re still going to be seeing each other,” he murmured. “And don’t even lie. I know that makes you happy, You told me you wanted me.” Hold your horses. “When?” “At the lake.” He slanted his headm and I should’ve pulled back. His lips curved knowingly against mine, and he let go of my wrist. “You said you wanted me.” Both of my hand were on his chest. They had a mind of their own. I claimed no responsibility for them. “I had a fever. Lost my mind.” “Whatever, Kitten.” Daemon gripped my hips, lifting me onto the edge of he desk with an ease that was disturbing. “I know better.
Jennifer L. Armentrout (Onyx (Lux, #2))
You start out happy that you have no hips or boobs. All of a sudden you get them, and it feels sloppy. Then just when you start liking them, they start drooping.
Cindy Crawford
Aren‘t you going to get up?" He put a hand on the curve of her hip, a possessive gesture that had already become familiar. "No. Let‘s have more sex.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
The Rom believe you should take the road that calls to you, and never turn back. Because you never know what adventures await.” He reached for her slowly, giving her every opportunity to object. Through the cottony gauze of her nightgown, he touched the curve of her hips. He brought her close, into his hard weight. “So we’re going to take this road,” he murmured, “and see where it leads.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Cupping my cheeks, he exhaled a soft groan, and his lips scorched mine as he deepened the kiss until we both were breathless from its intensity. Daemon moved as close as he could with the chair between us. Gripping his arms, I held onto him, wanting him closer. The chair prevented all but our lips and hands from touching. Frustrating. Move, I ordered restlessly. It trembled under my foot, and then the heavy oak chair slid out from under me, dodging our leaning bodies. Unprepared for the sudden void, Daemon lurched forward, and I was unable to carry the unexpected weight. I collapsed backward, bringing Daemon along with me. The full contact of his body, flush against mine, sent my senses into chaotic overdrive. His tongue swept over mine as his fingers splayed across my cheeks. His hand slid down my side, gripping my hip as he urged me closer. The kisses slowed and his chest rose as he drank me in. With one last lingering exploration, he lifted his head and smiled down at me. My heart skipped a beat as he hovered over me with an expression that tugged deep in my chest. He moved his finger back up, along my cheek, trailing an invisible path to my chin. "I didn't move that chair, Kitten." "I know." "I'm assuming you didn't like where it was?" "It was in your way," I said. My hands were still curled around his arms. "I can see that." Daemon smoothed a fingertip over the curve of my bottom lip before taking my hand, pulling me up.
Jennifer L. Armentrout (Onyx (Lux, #2))
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Take off your shirt," I said, sitting up and pulling at the hem of the garment. "Why?" he asked, but sat up and obliged. I knelt in front of him, admiring his naked body. "Because I want to look at you," I said. He was beautifully made, with long, graceful bones and flat muscles that flowed smoothly from the curves of chest and shoulder to the slight concavities of belly and thigh. He raised his eyebrows. "Well then, fair's fair. Take off yours, then." He reached out and helped me squirm out of the wrinkled chemise, pushing it down over my hips. Once it was off, he held me by the waist, studying me with intense interest. I grew almost embarrassed as he looked me over. "Haven't you ever seen a naked woman before?" I asked. "Aye, but not one so close." His face broke into a broad grin. "And not one that's mine.
Diana Gabaldon (Outlander (Outlander, #1))
Tell me. In your mind, what are we doing in that bed? Are we fucking nice and slow or are you making me sweat for it?" "I'm...you're..." "Am I under you, watching your breasts bounce as you buck those hips? Or am I on top of you the first time? I could force those thighs wide and bury myself deep in between them." He leaned forward to lick the curve of her ear. "Maybe I'm behind you. Ah, fuck, I could get in so deep that way, gorgeous. Tell me what you want. I'll make it happen.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
At nearly three in the morning sleepiness weighted my body as we lay there together so still. I heard his breathing even out as we both hovered in that place between wake and sleep. And then his hand wandered lazily down my back and over my hip until he was cupping the full curve of my behind, part of me that he’d actively avoided touching all night. Scratch that sleepy thing. His firm hands clutched me closer and I breathed a heady gust of air at his throat. I’d been careful all night not to be too vocal about how good his touches felt. I knew each noise would act as fuel, making it even harder for him. He rolled to his back, pulling me on top of him with both hands fully on my backside now. “Kaidan,” I whispered. Looking half-asleep, he shushed me with a hot kiss, pulling my hips to crush us together. I whimpered into his mouth. “God, those little sounds,” he said against my lips. “I want to hear how you sound when I make you—” “Kai!” I practically leaped off him, and he sat up, eyes blazing, licking his lips. I was breathing hard. He had to be as tired as me after our long day, and it was starting to weaken us big-time. Oh, how I’d love to indulge that weakness. I scooted farther away. “Maybe we should try to get some sleep,” I suggested, though I was feeling wide-awake now. He stared at me with roaring passion. “I think a third shower might be necessary,” he said. A silly laugh wanted to escape me, but there was no humor in his eyes. Only want.
Wendy Higgins (Sweet Peril (Sweet, #2))
He gazed at his muscles, again, thinking a bit about how God had created Michael, lovingly carved the details — the dips by his smile, every eyelash, each curve of his knuckles, a dark freckle at his hip. Creation as an act of love.
Rafael Nicolás (Angels Before Man)
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
And she’d apologize for being so sensitive and moody lately. His warm hand on her hip brought her into the curve of his body. With his breath on her neck, she fell into a deep sleep, convinced that she was safe.
Lisa Genova (Still Alice)
I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
Hannah leaned her face against his chest, and he felt the curve of her smile. “What is it?” he asked. “Our first night together. And our first morning will be Christmas.” Rafe patted her naked hip. “And I’ve already unwrapped my present.” “You’re rather easy to shop for,” she said, making him laugh. “Always. Because Hannah, my love, the only gift I’ll ever want”—he paused to kiss her smiling lips—“is you.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
New York! I say New York, let black blood flow into your blood. Let it wash the rust from your steel joints, like an oil of life Let it give your bridges the curve of hips and supple vines. Now the ancient age returns, unity is restored, The recociliation of the Lion and Bull and Tree Idea links to action, the ear to the heart, sign to meaning. See your rivers stirring with musk alligators And sea cows with mirage eyes. No need to invent the Sirens. Just open your eyes to the April rainbow And your eyes, especially your ears, to God Who in one burst of saxophone laughter Created heaven and earth in six days, And on the seventh slept a deep Negro sleep.
Léopold Sédar Senghor (The Collected Poetry (CARAF Books: Caribbean and African Literature Translated from French))
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Pink reminds me of my love for dance. My youth. The innocence of being young. Tutus. Strawberry frosting on a vanilla cake (my favorite). And lipstick. I love lipstick. It also reminds me that I should take pride in my feminine traits, in being a woman. There is nothing remotely wrong with enjoying femininity. Curves. Hips. Lips. Empathy. Vulnerability. Sensuality. Patience. Intuition.
R.B. O'Brien
Still, her plumpness was charming. Resting an ear on her hip was like lying in a meadow on an idyllic spring afternoon, her thighs as soft as freshly aired futon, the rolling flow of her curves leading gracefully to her pubis. When I complimented her on her qualities, though, all she said was, "Oh yeah?
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
The red lipstick? It's supposed to signal fertility and readiness to mate. Just like the swollen red butt of a baboon. That tight-fitting little dress that shows off your curves? From the standpoint of evolutionary biology, big breasts represent a healthy mate who can feed a lot of offspring. That's why men are programmed to like big tits. When you show off your curves, what you're really doing is advertising to the whole world: "Look at me! I'm a healthy female! I'd be a perfect mate! Come mount me!
Oliver Markus (Why Men And Women Can't Be Friends)
My love, suddenly your hip is the curve of the wineglass filled to the brim, your breast is the cluster, your hair the light of alcohol, your nipples, the grapes your navel pure seal stamped on your barrel of a belly, and your love the cascade of unquenchable wine, the brightness that falls on my senses, the earthen splendor of life.
Pablo Neruda (The Essential Neruda: Selected Poems)
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
A rich man’s body is like a premium cotton pillow, white and soft and blank. Ours are different. My father’s spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog’s collar; cuts and knicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man’s life is written on his body, in a sharp pen.
Aravind Adiga (The White Tiger)
If you think the value of a woman is only in the curve of her hips and the shape of her breasts, you do not understand how to read beneath her jagged lines, the sacred geometry that make up her glorious heart and her beautiful mind.
Nikita Gill
Amphora,” he murmured against the wide, sweet curve of her lips. His hands slid over the wide, sweet curve of her hips, cupping smoothness cool and solid, timeless and graceful as the swell of ancient pottery, promising abundance. “Like a Grecian vase. God, you’ve got the most beautiful arse!” “Jug-butt, huh?
Diana Gabaldon (Drums of Autumn (Outlander, #4))
We cannot know his legendary head with eyes like ripening fruit. And yet his torso is still suffused with brilliance from inside, like a lamp, in which his gaze, now turned to low, gleams in all its power. Otherwise the curved breast could not dazzle you so, nor could a smile run through the placid hips and thighs to that dark center where procreation flared. Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast's fur: would not, from all the borders of itself, burst like a star: for here there is no place that does not see you. You must change your life.
Rainer Maria Rilke (Ahead of All Parting: The Selected Poetry and Prose)
I see her again: her face wet with tears, her eyes searching mine. Slowly, very slowly, I reach my hands out and trace my fingertips along her skin, first down her neck, so warm and fragile, then across her breasts and down along the curves of her hips. Then with all my strength I wrap my arms around her and pull her toward me, but she is gone.
Jonathan Hull (Losing Julia)
There was nothing he could say that was equal to the curve of her hip.
Atticus Lish (Preparation for the Next Life)
That was the sound of a sneer." "Was it?" Amused, aroused, he distracted her with a nibble on her bottom lip. "I can never tell the difference. And what sound is this?" "What sound?" He drove himself into her, one powerful and deep thrust that ripped a shocked cry from her throat. "That one." He lowered his head, tasting the heat that rose to her flesh even as her hips arched to meet him. "And that one." She struggled to get her breath back. "Tolerance," she managed. "Oh, well, if that's the best we can do." He started to move back. She reared up, wrapped around him. "I need to practice my tolerance." She skimmed the hair away from his face with her fingers, then fisted her hands. Her lips curved, met his.
J.D. Robb (Betrayal in Death (In Death, #12))
Sensuality relates to how we can move, shake, and beguile our (desired) beloved into a deeper sense of communion. It’s a well-timed wink, the hug of cashmere on subtle curves, or the undulation of aromatherapy for sensual living sensuality and our senses hips on a dance floor. It’s salacious confidence seen in the way we hold ourselves in our bodies and in our lives.
Elana Millman (Aromatherapy for Sensual Living: Essential Oils for the Ecstatic Soul)
And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten.
Shashi Tharoor (Riot)
I'm fat," she blurted out. "You are not fat. You're the most beautiful, voluptuous woman I know." His eyes moved down her body, deliberately, slowly, then back up to her face. What she saw in them sent fire squirming through her stomach and lower. "I want every inch of you," he said, growling it. "I want to fall on my knees and worship at your hips." He reach out, shaped her curves from breast to hips with a burning sweep of his hand that a man was allowed to give only his wife.
Eloisa James (The Duke Is Mine (Fairy Tales, #3))
Rob came to me and I stood, his body fitting against mine so easy, my shoulder tucked under his, his hip against the curve of my waist. I looked up at him, and he ducked his head to give me a soft, gentle, easy kiss. It were a husband's kiss, I rather thought. It weren't the first kiss, a thing of hunger and new tastes. It weren't all our sad kisses of leaving and coming back, full of desperation and scared. It were just a kiss. A kiss that felt like he'd done it before, a kiss that knew he could do it again. Then again, it also sent lightning crackling down my back, and I remembered there were ways we weren't husband and wife just yet. I felt a blush running up my face and he stroked my cheek, kissing me again.
A.C. Gaughen (Lion Heart (Scarlet, #3))
I’d always liked many parts of my body but never the whole. I loved the way my waist curved in, and I loved the bulge of my hips. I loved my navel and my collarbone. I loved my thin wrists. It was strange how I loved parts of other people, too, but never the whole.
Samantha Kolesnik (Waif)
I didn't believe him. Without a word, I reached into the satchel on his lap, my fingers grazing the curve of his hip bone through the fabric. "Oi," he protested, his eyes gleaming with mischief. "If you're going to violate me, I'd appreciate if you wait until I'm naked.
Amanda Sun (Rain (Paper Gods, #2))
His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. “You belong to me,” he growls. “Say it.” “Yes. Yes, I belong to you.” His mouth finds mine again, demanding, taking, drawing me under his spell. “Say it again,” he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex. “I belong to you,” I pant. He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. “Again,” he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings. “Oh … ah … I … I belong to you.” His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need. I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I’m trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping. “I love you, Sara,” he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spirals downward, seizing my muscles, and I begin to spasm around his shaft, trembling with the force of my release. With a low growl, his muscles ripple beneath my touch and his cock pulses, his hot semen spilling inside me. We moan together, lost in the climax of a roller-coaster ride of pain and pleasure, spanning days apart, and finally collapse in a heap and just lie there. Slowly, I let my leg ease from his hip to the ground, and Chris rolls me to my side to face him. Still inside me, he holds me close, pulling the jacket up around my back, trailing fingers over my jaw. “And I belong to you.
Lisa Renee Jones (Being Me (Inside Out, #2))
And girl-women, women, curved like instruments or fruit, skin burnished brown-bright, suit tops held by delicate knots of fragile colored string against the pull of mysterious weights, suit bottoms riding low over the gentle juts of hips totally unlike your own, immoderate swells and swivels that melt in light into a surrounding space that cups and accommodates the soft curves as things precious. You almost understand.
David Foster Wallace (Brief Interviews with Hideous Men)
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I wish I could tell you this was all just because I’m desperate and horny, making up for lost time after being locked up.” He slid his palm under the hem of her T-shirt, groaning at the feel of warm, smooth skin. “It would be so much easier if that was all this was.” He cupped a breast and flicked a nipple through the silk of her bra, loving the way it jumped to immediate attention against the pad of his thumb. “There hasn’t been anyone,” he said between kisses. “I haven’t wanted anyone. I’ve been walking around like I’m dead inside and then you show up.” He couldn’t keep the edge out of his voice, angry at his own lack of control. Like she needed anything more on him, but he couldn’t keep himself from spilling his guts. “All of a sudden all I can think about is how you smell, how you might taste.” He sucked her tongue into his mouth for emphasis. “How soft your skin would feel.” He whipped her shirt over her head and slid his hands down the smooth line of her back, down the curve of her waist and hip.
Jami Alden (Hide from Evil (Dead Wrong, #2))
She whimpered, the sound lost in Mike’s mouth. She was entirely his, completely without willpower or volition. His mouth ate at hers, his shoulders curved in to her like some powerful wall of flesh. He moved his hips against her in short, stabbing movements, hands lifting her hips against his.
Lisa Marie Rice (Nightfire (Protectors, #3))
She tucked a strand of hair behind her ear, and bit her bottom lip. I found it to be such an erotic gesture that it aroused me. My eyes began making love to her in the dark. Unseen hands passed over her curves, quietly descending...trembling at her great beauty. I didn't even know her, but I wanted her. My gaze danced over her every curve, from her nose and lips, to her breasts and hips, surreptitiously. She had no idea of my thoughts. Shadow sex.
Rae Hachton (Frankie's Monster)
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
Neal Stephenson (Snow Crash)
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
I saw them all, suddenly, for just a moment, through non-Radchaai eyes, an eddying crowd of unnervingly ambiguously gendered people. I saw all the features that would mark gender for non-Radchaai—never, to my annoyance and inconvenience, the same way in each place. Short hair or long, worn unbound (trailing down a back, or in a thick, curled nimbus) or bound (braided, pinned, tied). Thick-bodied or thin-, faces delicate-featured or coarse-, with cosmetics or none. A profusion of colors that would have been gender-marked in other places. All of this matched randomly with bodies curving at breast and hip or not, bodies that one moment moved in ways various non-Radchaai would call feminine, the next moment masculine. Twenty years of habit overtook me, and for an instant I despaired of choosing the right pronouns, the right terms of address. But I didn't need to do that here. I could drop that worry, a small but annoying weight I had carried all this time. I was home.
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
You need a minute? Or can we get on with it?” She tilted her head with a flirty grin. I wanted desperately to tell her I was so ready to get on with it: in my bed, on the floor, against the wall, in the shower. Definitely in the shower—rivulets of water streaming down her body, the curve of her breasts, the dip of her hips.
Adriane Leigh (Light in Mourning (Mourning, #2))
I pulled my dress to my hips, bunching it there in a way I was sure must look awkward, but there was no other way to move my legs apart. I considered unzipping the back and slipping it off to seem less ungainly, but I intended to give him not an inch more than he paid for or deserved. I had no illusion of modesty, but I was well aware of my worth as a commodity. If he wanted to see the curve of my back—and certainly if he wanted another look at my tits—there would be a price tag attached.
Valentine Glass (The Temptation of Eden)
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
Zoe York (Between Then and Now (Wardham, #0.5))
He lifted his head, lifted her thighs, and plunged into her, deeper, harder than before. He lowered his mouth to the curve of her throat, lips pulling, teeth scraping as he closed his hands over her hips and opened her wider, thrusting deeper. He sat back on his heels and pulled her over him, guiding her, his mouth slamming down on hers, the kiss verging on violent, his fingers tight on her ass and she came again, locking her legs about his hips, holding him deep inside as pleasure rippled through her.
M.J. Fredrick (Guarded Hearts)
Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak. His hips came up, and he gasped and said, "My heart. My love. I'm coming." She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought.
Carolyn Jewel (The Spare)
Did Automae . . . feel things like that? Could an Automa girl feel that tug in her lower belly, that fishhook pull, making her want more, want harder, want deeper, want sweeter? Want hands in her hair, on her waist, on her hips, want—? Don’t go there, Ayla told herself, but she couldn’t help it. Yesterday afternoon in the river, she had seen the whole of Crier’s body, and the yearning that drummed through her wasn’t anything she’d felt before, and her own reaction wasn’t anything she’d felt before, the oceanic pulse between her hips, the things she wanted. Skin on skin, fingers intertwined. She’d tracked the drops of water trailing down Crier’s throat, her collarbone, the curve of her back, down her bare legs when she climbed back up onto the riverbank, and looking hadn’t felt like enough. Did Crier feel the same? Could Crier feel the same? Maybe Ayla already knew the answer. The way Crier had touched her in Elderell, hands flying from Ayla’s arms to her face, fingers raking through her hair, lips parting . . .
Nina Varela (Iron Heart (Crier's War, #2))
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around—sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.
John Steinbeck (The Grapes of Wrath)
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
She stood almost a foot shorter than him, but that had never been a problem, given most of their conversations had been horizontal. The years had filled out her curves, and she wore those few extra pounds of plush well, especially below the flare of her hips. The ass that dethroned JLo, or some shit. Her shapely figure had its own press corps. A woman like this was built to be bedded, and often.
Kate Meader (Sparking the Fire (Hot in Chicago, #3))
I stared down at the white bikini in horror. My cleavage was out in full form, while the bikini bottoms hugged my hips, tinier than anything I’d ever dare buy for myself. What the hell was Gavin Fletcher thinking putting me in something like this? And he wanted me to go outside in it, much less get my picture taken? Yeah, right! That was absolutely not happening. “We haven’t got all day, Lani,” Martin barked from on deck. I put my head in my hands, sighing deeply before brushing my hair back from my eyes. What the hell had I gotten myself into? There was a gentle rapping on the bedroom door, and I opened it, wishing I had a towel to cover up with. Gavin’s gold-flecked eyes met mine, and I stepped back to let him in. He sucked in a breath, looking me over in that brash way of his, his lips curling into a grin. “Now that’s what I’ve been hoping for,” he said. I laughed nervously and crossed my arms in front of my body. “I don’t know if I can do this. You heard Martin out there.” Gavin reached forward and put a hand on my arm, smoothing his large palm over my skin. I shivered beneath his touch, feeling the heat from a connection I wondered if he felt, too. Judging by the heat in his gaze, he did, but how was that even possible? I couldn’t be reading him right. “You look stunning, Aolani,” he said, that dangerous, bad-boy smile of his making my toes curl. “You’re exactly what I’ve been waiting for. Exactly what this campaign needs. Please say you’ll try? For me?
Delilah Fawkes (Lush Curves (Lush Curves , #1))
The Empress surrounds you at all times. She feeds the soul with her brilliance and beauty of the night sky. Mountain landscapes, rolling hills, and ocean waves rise like the curve of her hips. Her breath is the warm air of summer, her cool palms are the willow tree's shade. She is the peace of mind of a walking meditation. The Empress fills you with the entirety of the world's beauty if you let her in. She shows you in no uncertain terms, that you are never, ever alone. You are part and parcel of the glistening, pulsating world of energetic and beautific connection. You are her and she is you. She is everything and everything is you.
Sasha Graham (Llewellyn's Complete Book of the Rider-Waite-Smith Tarot: A Journey Through the History, Meaning, and Use of the World's Most Famous Deck (Llewellyn's Complete Book Series, 12))
Which would be more important to Grom-upholding the law by not mating with a Half-Breed, or mating with one to ensure the survival of the Gifts? Galen doesn't know. But even if Grom chooses not to reproduce with Emma, will he allow Galen to take her as his mate? Because if Romul and Atta are right, Emma will never sprout a fin. Which means Galen will have to live with her on land. Is it worth it? To give up years of my life to be with her? Galen thinks of the curve of her hips, the fullness of her lips, the way she blushes when he catches her looking at him. And he remembers how sick he felt when Dr. Milligan indicated Emma would die before him. Oh, yes. It's absolutely worth it.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
As Roran watched, the man's arms, neck, and chest shriveled, and his bones appeared in sharp relief-from the bowlike curve of his collarbones to the hollow saddle of his hips, where his stomach hung like an empty waterskin. His lips puckered and drew back farther than they were intended to over his yellow teeth, baring them in a grisly snarl, while his eyeballs deflated as if they were engorged ticks being squished empty of blood, and the surrounding flesh sank inward.
Christopher Paolini
What happened then was that, for an instant, almost nothing happened. He wasn't even there. Failure didn't even cross his mind. It felt like a sort of floating. He could have been in the meadow. His body loosened and took on the shape of the wind. The play of the shoulder could instruct the ankle. His throat could soothe his heel and moisten the ligaments at his ankle. A touch of the tongue against the teeth could relax the thigh. His elbow could brother his knee. If he tightened his neck he could feel it correcting in his hip. At his center he never moved. He thought of his stomach as a bowl of water. If he got it wrong, the bowl would right itself. He felt for the curve of the cable with the arch and then sole of his foot. A second step and a third. He went out beyond the first guy lines, all of him in synch. Within seconds he was pureness moving, and he could do anything he liked. He was inside and outside his body at the same time, indulging in what it meant to belong to the air, no future, no past, and this gave him the offhand vaunt to his walk. He was carrying his life from one side to the other. On the lookout for the moment when he wasn't even aware of his breath. The core reason for it all was beauty. Walking was a divine delight. Everything was rewritten when he was up in the air. New things were possible with the human form. It went beyond equilibrium. He felt for a moment uncreated. Another kind of awake.
Colum McCann (Let the Great World Spin)
At his leisure, the lieutenant allowed the unforgettable spectacle to engrave itself upon his mind. With one hand he fondled the hair, with the other he softly stroked the magnificent face, implanting kisses here and there where his eyes lingered. The quiet coldness of the high, tapering forehead, the closed eyes with their long lashes beneath faintly etched brows, the set of the finely shaped nose, the gleam of teeth glimpsed between full, regular lips, the soft cheeks and the small, wise chin… Wherever the lieutenant's eyes moved his lips faithfully followed. The high, swelling breasts, surmounted by nipples like the buds of a wild cherry, hardened as the lieutenant's lips closed about them. The arms flowed smoothly downward from each side of the breast, tapering toward the wrists, yet losing nothing of their roundness or symmetry…The natural hollow curving between the bosom and the stomach carried in its lines a suggestion not only of softness but of resilient strength, and while it gave forewarning to the rich curves spreading outward from here to the hips it had, in itself, an appearance only of restraint and proper discipline. The whiteness and richness of the stomach and hips was like milk brimming in a great bowl, and the sharply shadowed dip of the navel could have been the fresh impress of a raindrop, fallen there that very moment. Where the shadows gathered more thickly, hair clustered, gentle and sensitive, and as the agitation mounted in the now no longer passive body there hung over this region a scent like the smoldering of fragrant blossoms, growing steadily more pervasive… Passionately they held their faces close, rubbing cheek against cheek…Their breasts, moist with sweat, were tightly joined, and every inch of the young and beautiful bodies had become so much one with the other that it seemed impossible there should ever again be a separation…From the heights they plunged into the abyss, and from the abyss they took wing and soared once more to dizzying heights…As one cycle ended, almost immediately a new wave of passion would be generated, and together -with no trace of fatigue- they would climb again in a single breathless movement to the very summit.
Yukio Mishima (Patriotism)
I’m sorry,” he interrupted, his arm sliding around her waist. He pulled her into the shelter of his body, her back fitting against his hairy chest. “I didn’t mean to nettle you. Here, rest against me.” He nuzzled into the pale streamers of her hair. “What a fiery little wench you are.” “I’m not fiery,” Lottie protested, for that quality was hardly something that befitted a ladylike graduate of Maidstone’s. “Yes, you are.” His hand curved possessively over her hip. “I’ve known it from the moment we met. It’s one of the reasons I wanted you.” “You said you wanted me merely for convenience.” “Well, there is that,” he said with a grin, and reacted swiftly as she tried to elbow him. “But in truth, convenience had nothing to do with it. I wanted you more than any woman I’ve ever met.” “Why did you insist on marriage, when I offered to be your mistress?” “Because being a mistress wasn’t good enough for you.” He paused before adding quietly, “You deserve everything I can give you, including my name.” -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars. You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing? I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance. And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
Lang Leav (Memories)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Cam paused, staring down at her with dilated eyes, the irises bright gold rims around circles of fathomless midnight. “Amelia, love…” His kiss tasted of salt and intimacy. “Can you take a little more of me?” She fought to think above the confusion of pleasure, and shook her head jerkily. The corners of his lips deepened with a smile. He whispered, “I think you can.” His hands played over her, solicitous fingertips sliding to the place they were joined. He pressed inside her, a low rhythmic movement, and his fingers were astonishingly gentle, almost delicate, as they stroked in time to the patient thrusts. Gasping, she arched to take him deeper, and deeper still. Every time he pushed, his body rubbed hers in exactly the right way. She began to lift eagerly, anticipating each invasion, panting for it, sensation building on sensation until it culminated in a blinding swell of delight … and another … another … she felt him begin to withdraw and she moaned and twined her legs around his hips. “Amelia,” he gasped, “no, let me … I’ve got to…” Shuddering, he spent helplessly inside her, while her body gripped and stroked the hard length of him. Still locked together, Cam rolled Amelia to her side. He muttered something in Romany. Although she didn’t understand a word, it sounded highly complimentary. Limp with pleasure and exhaustion, Amelia rested her head on the solid curve of his biceps, her breath catching as she felt the occasional twitch and pulse of him in the depths of her body.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?" As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights. She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order." "Suspension?" He took a step closer and heard her breath catch in her throat. "A little bit stiff." She licked her lips. "I think we're in for a rough ride." "Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears. "A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling." Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation." She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft. "Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
Sara Desai (The Singles Table (Marriage Game, #3))
I am going to hate New Orleans," he whispered against her silken hair before she began lowering her head. Her breath warmed the velvet tip of him, sending fire racing through his blood. "Maybe we can think of something interesting to make it more enjoyable for you," she ventured. Her mouth was satin soft, moist and hot. Gregori pressed his hips forward, forcing her back on the bed, his knees on the thick blanket above her. She was so beautiful, her flawless skin like cream, her thick hair spilling around her slender shoulders. Sitting up, she slowly peeled off the cotton shirt, baring her full breasts to his silver gaze. She looked lush and sexy in the dark of the night, a mysterious,erotic gift to him. "You think you might make New Orleans more bearable for me then?" His eyes were saying more than his mouth, touching her here and there, dwelling on every curve of her body. Her hand spanned his flat stomach and lingered there. "I'm sure I can be inventive enough to make you forget your dread of crowds. Take off my jeans." "Your jeans?" he echoed. "You put them on me, and they're definitely in the way. Take them off." Her hand was wandering lower, her fingeres walking lightly over his clenching muscles, a deliberate persuasion. His hands made quick work of unfastening her jeans and tugging them down her legs. She kicked them aside and leaned forward to press a kiss onto his stomach. Her hair slid over his heavy fullness, a silken tangle that nearly drove him out of his mind. "Sometimes your orders are very easy to follow,ma cherie," he murmured, his eyes closing as her mouth wandered lower.
Christine Feehan (Dark Magic (Dark, #4))
It was Jaenelle's voice, but... She was medium height, slender, and fair-skinned. Her gold mane--not quite hair and not quite fur--was brushed up and back from her exotic face and didn't hide the delicately pointed ears. In the center of her forehead was a tiny, spiral horn. A narrow strip of gold fur traced her spine, ending in a small gold and white fawn tail that flicked over her bare buttocks. The legs were human and shapely, but changed below the calf. Instead of feet, she had dainty horse's hooves. Her human hands had sheathed claws like a cat's. As she shifted position to slip another shard into place, he saw the small, round breasts, the feminine curve of waist and hips, the dark-gold triangle of hair between her legs. Who...? But he knew. Even before she walked over and looked at him, even before he saw the feral intelligence in those ancient, haunted sapphire eyes, he knew. Terrifying and beautiful. Human and Other. Gentle and violent. Innocent and wise. *I am Witch,* she said, a small, defiant quiver in her voice. *I know.* His voice had a seductive throb in it, a hunger he couldn't control or mask.
Anne Bishop
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
But she drew in a breath and asked with saccharine sweetness, “Trace, are you ready?” No, he wasn’t ready. Somehow he had to regain control of this situation. Right now she had the upper hand, and that was untenable. With the perfect plan in mind, Trace shook his head, but said with what he hoped sounded like indifference, “Quit stalling.” And then he pulled out his cell phone. This time, she was all but naked. What little material covered her proved mere decoration, like icing on a very sweet cake—a cake he wouldn’t mine eating, slowly, top to toes and everywhere in between. Priss stood with her hands on her generous hips, her feet apart, shoulders back. How such a small woman packed so many perfect curves, he didn’t know. But she managed it with flair. Boy, did she ever. “Good enough.” When she smiled at him, he lifted the cell phone and used it to take a picture. Squawking, Priss leaped behind the curtain and her face went up in flames. “What do you think you’re doing?” “Suddenly shy?” Content with her appalled tone and burning-red face, Trace looked down at the phone. Oh, yeah, that’d do. He pushed a few buttons, then put the cell phone away. “Don’t worry, honey. I emailed it to myself.” His smile felt like a leer. “No one else will see it.” Unappeased by that promise, she glared at him. “You—!” “Now, Priss. Modesty at this late date is more than suspicious. You wanted my approval.” He shrugged—and struggled to keep his attention on her face and off the curves that showed even beneath the curtain she clutched to her chin. “You’ve got it, with my admiration, too.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Now there's a place I didn't cover. Maybe I should." "Maybe you should---oh!" She gasped and bucked as I leaned down and lapped at her breast, flicking her nipple. God, she tasted good, sweet woman and creamy lemon. I sucked her deep into my mouth, loving the way she groaned and writhed. Not letting go, I pulled back, tugging at her breast until her nipple freed with a decadent pop. Then moved on to her other breast, taking my time, nuzzling and licking until my lips were covered in cream, and she begged and whimpered for more. A dollop of lemony confection slid down the plump curve of her pretty tit, and I chased it with my tongue, slurping it up, licking her nipple once more because I could. And then I did it again. Her arm wound around my neck, urging me farther down. "Get messy with me, Lucian." She was beautiful, flushed and fevered with her need. "Yes, ma'am." I eased over her, my dick finding her waiting sex, and pushed into that perfect spot. We both groaned, our bodies sliding on slick buttercream. My mouth found hers, and she devoured me, her thighs clasping my hips, body working with mine. I thrust deep and steady, reveling in the feel of her. It felt so good my body flared hot and cold and hot again. "I fucking love fucking you.
Kristen Callihan (Make It Sweet)
Tomas led a young woman by the hand and walked up into the foothills. Millian, the miner from Rosario, had introduced her to the patron, already buying points for himself. He was no fool. And the girl, no fool either, lifted her skirts for Tomas as he knelt before her, licking his way up her thighs -brown and sweet as candy, at the same time, tart and salty, musky, silken and cold in the warm air, refreshing as the sorbet he licked in Culiacan back when he was a student. She was amazed that this bit of her body could the great master to his knees before her. She was perhaps the most beautiful girl on that whole plain, but he did not her name and felt no need to ask. He pressed his face to her underwear, redolent with the burning scent of her, and he pulled the cotton down, over the bright points of her hips , the shadowy curve of her belly, until the fog of dark hair came into his sight, soft in the moonlight, tickling his face as he bent down to her again. He pressed his lips on the mound of her, breathing her in, tasting her like a dog, as her skirts fell over his head and her fingers pulled his head tighter to her, her legs moving apart in the dark, her beauty falling around him, his greatest gift to him, this flavor, this smell, her scent.
Luis Alberto Urrea (The Hummingbird's Daughter)
I heard a few men in a restaurant talking about a bayou legend," Savannah said suddenly.She leaned ont he side of the boat,presenting him with an intriguing view of her tight jeans. They clung lovingly to every curve. Gregori moved, a flowing of his body, gliding silently, and his large frame was blanketing Savannah's, blocking out the captain's enticing view.Gregori leaned into her,his arms coming down on either side of the railing to imprison her against him. You are doing it again. His words brushed softly in her mind even as his warm breath teased the tendrils of hair at her neck. Savannah leaned back into him, fitting her bottom into the cradle of his hips. She was happy, free of the oppressive weight of the hunt,of death and violence. THere were only the two of them. Three, he reminded her,his teeth scraping her sensitive pulse.He could feel the answering surge of her blood, the molten lava spreading in his. My mother thinks my father is a cave man.I'm beginning to think you could give him a run for his money. Disrespectful little thing. "Which legend?There are so many," Beau said. "About an old alligator that lies in wait to eat hunting dogs and little children," Savannah said. Gregori tugged at her long braid so that she tilted her head back.His mouth brushed the line of her throat. I could be a hungry alligator, he offered softly.
Christine Feehan (Dark Magic (Dark, #4))
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations. Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper. Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
Cyn Balog (Fairy Tale)
His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch. My fingers dug into the tight skin of his arms, and my insides were in tight coils. Every place our bodies touched, sparks flew. Aiden pulled his lips away from mine, and I made a sound of protest, but then his mouth trailed across my throat and to the base of my neck. My skin burned and my thoughts were on fire. His name was barely a whisper, but I felt his lips curve against my skin.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Her protector and savior was shirtless and barefoot, dressed only in a pair of drawers. He stood beside the bed with his back to her, turning down the covers. She studied the rippling muscles of his shoulders and arms as he performed the mundane task. His back was a beautiful, pale canvas on which she could imagine painting letters and designs. She admired the bands of muscle and the shadows beneath his shoulder blades. His drawers sagged low, revealing narrow hips and the intriguing curve of his rear. Her sex tightened at the glimpse of his buttocks. His face was in profile and his nose no longer seemed too big or his features too coarse as she’d once thought, so long ago it seemed. Instead, they appeared assertively masculine except for the thick sweep of eyelashes and the generous fullness of his lips. Alan noticed her and turned. The blanket fell from his fingers as he gazed at her with the eyes of a hungry dragon. His lips parted and the exhalation of his breath floated to her across the quiet room. Then he walked toward her.
Bonnie Dee (Captive Bride)
I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
He placed a finger over her lips. She held her breath when he clasped one of her hands, slid it down his chest and over his taut stomach before curving her fingers over the bulge in his trews. They both moaned when she rubbed her palm gently over his hard shaft and stroked his bollocks with her fingers. He was hot in her hands, a tempting combination of hard and soft. “I know what I see,” he breathed into her ear and thrust against her palm. “Know what I hold. This is what you do to me.” She would have fallen had he not held her up with an arm wrapped around her back. She sought his mouth, touched her lips to his. He opened to her seeking tongue, allowing her to delve inside and stroke his mouth. His tongue twined with hers, giving back as much as he took. He tasted better than summer wine, better than the first harvest fruits of spring. The kiss deepened, a mating of tongues that mimicked the slow thrust of his hips. His hands wandered over her body, sliding down her back, cupping her buttocks. They left trails of fire in their wake, and Martise moaned in his mouth.
Grace Draven (Master of Crows (Master of Crows, #1))
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Neal Stephenson (Snow Crash)
EFFERVESCE AND OBSESSION   Under the influence of this sensational climax I am reminded of the inundated calm before the storm as I find my mind to see through those same eyes that I have before. The curving slippage of her dynamic vehemence hums over me in a refreshing fixation that imbues this inseparable bond of the eternities. Her single touch sends shock waves down my entire vessel sending our bodies into a confluence of luscious allure. Her hips begin weaving in and out gently oscillating against me in a balmy nubile urge of effervesce and obsession. Again I occlude her recumbent orifice with the soft clasp of my wet lips, satiating my guest with an all-stimulating and interplanetary escape. In a largo samba-like motion I simultaneously absorb and alleviate the tension lingering beneath her plum fuselage as an overflowing ovulation of seismic and fulminating convulsage travels through the apex of her feminous core, following the crevice between her legs like the gentle waters that flow through the shaded gorge. As she levitates into a liberating reflex of celestial zest her panting grip begins to measure the odometer of our obsession.
Luccini Shurod
But then Lalita did something odd. Well, not odd, but beautiful. She shifted the clay pot of water from her right hip to her left. She pushed it up against the curve of her waist, wrapped her arm around the neck of the pot, and disappeared around the bend. Mohan knelt to the ground; he could taste the earthen dampness clinging to her waist. He knew then that he'd been wrong: she wasn't simply happy; happiness could not possibly explain the strange loveliness, the utter seductiveness, of that gesture. No, what Lalita had was something even more audacious than happiness. What was it? Mohan trembled.... Sitting on his bed that afternoon, after lunch, Mohan decided that the clay of the pot and the bronze of Lalita's skin were the only true substances. They were why the rains fell, why the sun rose. His fingers traced them all his life. Then he knew. He knew what Lalita had that the others didn't, that he didn't; she had sex. In fact, he realized, what she had was the opposite of what he had. But what was it that he had? What was the opposite of sex? It seemed like a question without an answer. Like where does reality stop and unreality begin? Or, what goes deeper, the human soul or the human imagination? But this one had an answer. That much Mohan knew. He knew that the opposite of sex was fear. And fear was something he had an abundance of.
Shobha Rao (An Unrestored Woman)
As she passed the door to Gray’s study, a familiar, muscled arm shot out into the corridor, catching her by the waist. Laughing, she stumbled into the room, quickly finding herself caught between cool walnut paneling at her back and the hot, solid wall of man before her. Ever since their wedding-or since the Kestrel storeroom, more likely-Gray seemed to find it an irresistible challenge, to catch her unawares in an unlikely location and pull her into a feverish embrace. Sophia had no wish to discourage the habit, but this wasn’t the ideal time for a tryst. “Gray,” she chided between kisses, “what are you about? The housekeeper said there was an urgent matter requiring my attention.” “And so there is. I require your attention. Most urgently.” His hand slid to her bottom, and he lifted her easily, pinning her to the wall with his hips. The beaded ridges of the wainscoting dug into her spine. “Don’t think we’ve used this room yet,” he murmured, nibbling at the curve of her neck. “I’m entertaining,” she protested. “Yes, you are,” he said, grinding against her. “Highly entertaining.” Sophia sighed with pleasurable frustration. “I mean, I have a guest. Lady Kendall’s in the salon, with Bel.” She levered her arm against his chest, carving out some space between them. “And I thought you were at your shipping office.” “Yes, well…” Mischief gleamed sharp in his eyes. “I decided to go riding instead.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
A hand clapped on her shoulder. Milk sloshed over the side of the pail, dousing her hand and splattering her skirts. A startled cry whooshed out of her as an arm whipped around her waist. Her back collided with a wall of heat and muscle. “Is this what you wanted?” The rough whisper warmed her ear. “Gray.” She nearly fainted with relief. He held her tight against him with one arm, his other hand skimming over the curve of her hip. “Gray, what on earth are you doing? You made me spill the milk, drat you.” “It won’t go to waste.” Resting his chin on her shoulder, he untangled her fingers from the pail’s handle. Bending her arm at the elbow, he lifted her fingers to his mouth, sucking them clean one by one. His tongue traced each finger and the delicate webs between them, sending gooseflesh rippling down the backs of her legs. “Isn’t this what you wanted?” His fingers interlaced with hers, squeezing them until they hurt. “Your dream lover, lurking in the shadows of the stables, the larder…the storeroom? Lying in wait for his wanton dairymaid?” Sophia froze. Dear God, he’d seen The Book. He nipped at the curve of her neck, and she gasped. “You-“ She swallowed hard. “You had no right to look through that.” “You had no right to put me in it.” She could hear the raw edge of anger in his voice. His fingers still gripping hers, he pressed her own hand to her breast. “But let’s not dwell on rights, sweet. Not when wrongs are so much more interesting.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Oscar hung his jacket on the back of a chair and undid the first few buttons of his checked shirt. Camille’s fingers trembled as she reached for the lamp on the dresser and twisted the knob, lowering the wick until the light it gave off was that of a small candle’s flame. She sat on the bed, and the other side of the hand-rolled mattress dipped with Oscar’s weight. She didn’t know how to look at him, if she should lie down or just come to her senses and ask him to leave. God, she wasn’t doing any of this right. “You sleep sitting up?” he asked. Camille smiled, thankful he’d lightened the moment enough for her to lean back onto one of the pillows. Turning on her side, she saw he’d already taken the same position. They lay without touching, without talking, only looking. His eyes grazed her body, slowly absorbing the pink skin of her neck, the slight curves of her breasts, and the arc of her hip. He didn’t need to lay a finger on her for the breath to stall in her lungs. He breeched the few inches between them by sliding his hand atop hers, his skin warm and dry while beads of nervous sweat formed hot on her back. Camille reached out and let her fingertip travel along the fullness of his lower lip and down the curve of his chin. With one sweeping movement, Oscar pulled her tight against his chest and kissed her. A sensation kindled between her hips, spreading to every nerve ending in her body. This was it, the fire and heat she’d always yearned for. All these years, and Oscar had been right in front of her the whole time.
Angie Frazier (Everlasting (Everlasting, #1))
The curve of her bare breast filled my palm, and we both made a noise of pleasure. I tweaked the hard bead of her nipple, loving the way her lids fluttered as her lips parted. She arched into the touch, her head tilting to the side. I kissed my way along her neck, pinching that sweet nipple, tugging it. Oh, but she liked that, whimpering and wiggling, lifting those sweet tits up higher in encouragement. I dipped down and dragged my tongue along one beaded tip. The sound she made was so dirty, hot, and greedy my dick pulsed. Holding that succulent breast plumped in the palm of my hand, I licked, sucked, and kissed it the way I'd been dying to. "Lucian..." She needed more, her hips grinding on my thigh with uncoordinated motions. My free hand moved to her ass---that spectacular ass----and gripped it. I hauled her up close, my mouth finding hers. "Ride me, honey." I worked her on my thigh, holding her ass as she rocked the slick heat of her sex up and down its length. Emma's breasts tickled my chest with every upward thrust, her lips feathering over mine. Our breath mingled, and I stole a kiss, messy and frantic. My cock throbbed for release, fucking ached for it. But watching her lids flutter, the way her gorgeous face strained with pleasure, made it worth the torture. "I'm going to come if you..."----she gasped, nibbled my lower lip----"keep doing that." "Good," I grunted, flexing my thigh, bouncing her. Oh, she loved that. "Come all over me, honey. Let me see you move." Her head fell to my shoulder, her lips nuzzling my neck. She rocked and ground on my thigh, getting it hot and wet. But her clever hand slid down and found my needy dick once more. I made a noise that sounded a lot like pain, but it was unadulterated pleasure that had me pushing up into the clasp of her hand. "Not without you," she said, jacking my length. Our mouths met, and the kiss became a wild thing. I kissed her until I couldn't breathe, then kissed her again. And she moved on me, her hand stroking and pulling. Heat swarmed my skin, licked up my cock. My abs clenched as I groaned, curling myself around her with a shudder of pure lust. "I'm close." "Are you?" "Yeah." Panting now, we worked with each other, harder, faster. The air steamed, and she trembled. "Now, Lucian. Now." "Fuck." "Oh!" Her deep moan, the way she clenched all around me as her orgasm shuddered through her slim frame, set me off. I released with a shout, pulsing so hard my head went light.
Kristen Callihan (Make It Sweet)
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
Robyn Carr (Whispering Rock (Virgin River, #3))
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone. She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted. He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck. He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers. He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch. "That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip. She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck. He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire. "Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant. Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast. With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts. She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts. Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her. But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound. He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
My kin would sooner have a badger in their house than a Campbell." Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it. "Most MacGregors were comfortable enough with badgers in the parlor." "Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them." Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers." Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers." "We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?" "Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them." "Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land." Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to." "Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example. For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint. Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!" Shelby found herself swept off her feet in a crushing hug that held welcome.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
When West returned, he was completely naked. Phoebe began to turn over, but he straddled her hips and pressed her back lightly to keep her facedown. She lay quietly, aware of the textures of him, the muscles and coarse hair of his thighs, and the silky weight of an erection that felt as long and hard as a raffling pole. There was the sound of a glass stopper in a flask. His warm, strong hands descended to her back, rubbing and massaging, while the scent of almond oil drifted to her nostrils. He squeezed the muscles of her shoulders and worked his way down on either side of her spine, releasing tension and sending ripples of pleasure through her. Phoebe moaned softly. No one had ever done this to her before; she would never have guessed it would feel so lovely. As his palms glided up to her shoulders, the length of his aroused flesh slid along the cleft of her bottom and partly up her back. Clearly he also took pleasure in the massage, making no effort to hide it. He kneaded her lower back and the full curves of her buttocks with increasing pressure until the clenched muscles relaxed. One hand reached down between her thighs to cup the soft pleats of flesh, his fingertips riding tenderly on either side of her swollen, half-hidden nub. A few exquisitely light and indirect strokes, back and forth, caused her breath to catch. He touched the opening of her body, circling into the wetness before one of his fingers- no, two- entered in a gradual but insistent thrust. Her body tried to close against the intrusion, but he was so gentle, his fingers undulating like the sway of water reeds in a slow current. Her legs spread a little, and soon she felt the need to push upward, to take more of him in. As she raised her hips, something inside her loosened and stretched to enclose him. He breathed her name raggedly, seeming to luxuriate in the feel of her, his fingers twisting and curling protean grace. Keeping her crimson face pressed against the cool linen sheets, she squirmed and gasped and arched tightly. As his fingers slid from her body, the opening felt oddly liquid, muscles clenching on emptiness. His weight lowered over her back, the hair of his chest tickling pleasantly as he bent to kiss and lick her shoulders and the nape of her neck.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))