Hint Taken Quotes

We've searched our database for all the quotes and captions related to Hint Taken. Here they are! All 100 of them:

Her father had taught her about hands. About a dog's paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog's paw was a wonder: the smell of it never suggested dirt. It's a cathedral! her father had said, so-and-so's garden, that field of grasses, a walk through cyclamen--a concentration of hints of all the paths the animal had taken during the day.
Michael Ondaatje (The English Patient)
Caesar quoted in Greek two words from the Athenian comic playwright Menander: literally, in a phrase borrowed from gambling, ‘Let the dice be thrown.’ Despite the usual English translation – ‘The die is cast’, which again appears to hint at the irrevocable step being taken – Caesar’s Greek was much more an expression of uncertainty, a sense that everything now was in the lap of the gods. Let’s throw the dice in the air and see where they will fall! Who knows what will happen next?
Mary Beard (SPQR: A History of Ancient Rome)
I've read this same sentence about twenty times since you came in." Anybody else except Ackley would've taken the goddamn hint. Not him though... "What the hellya reading?" "Goddamn book." He shoved my book back with his hand so that he could see the name on it. "Any good?" he said. "This sentence I'm reading is terrific.
J.D. Salinger
M: How do you feel about me? R: I think it's pretty obvious. M: Let's just say I need detailed account. R: I can do that for you. M: Okay. R: I never once stopped thinking about you when you were taken away. Four years. All I could hope was that you were in a good place. Never expected you to walk into school. Didn't even allow myself of dream about that. And then you did, and seeing you blew me away. You were just like I remembered, but different. The hints of the girl I saw in you when we were younger were now right in front of me. The moment you said my name - the moment you hugged me I knew. I knew I'd fall in love with you and I did. I love you, Mallory.
Jennifer L. Armentrout (The Problem with Forever)
He had sat at my hearth showing no hint of anything but charm and smiles. What resolve that must have taken, what vigilant will. But no man is infinite.
Madeline Miller (Circe)
Wyatt had planned a romantic evening and he'd been teasing her with little notes for weeks that left hints about what they would be doing. I walked into Miranda's bedroom and she'd taken all those notes off her mirror and had them on her bed in a circle around her. The bear he'd given her last year was sitting in her lap and the necklaced she'd saved so long for was in her hand. She was rubbing the smooth diamond as she stared at the notes in front of her.
Abbi Glines (Predestined (Existence, #2))
Dragons are notable for their lust for gold, not a bad quality taken in moderation. Dragons are immune to fire, obviously. All dragons are terrifically vain, indeed as to who is more vain, a dragon or an elf, I would not want to be the one to decide. Hint: an elf. A dragon should never be engaged in conversation as they are inveterate liars and tricksters, though if you're actually talking to a dragon, you're pretty much toast anyway. Never, ever call a dragon a worm, no matter how much they're asking for it.
John Stephens (The Fire Chronicle (The Books of Beginning, #2))
Salvation, then, is not “going to heaven” but “being raised to life in God’s new heaven and new earth.” But as soon as we put it like this we realize that the New Testament is full of hints, indications, and downright assertions that this salvation isn’t just something we have to wait for in the long-distance future. We can enjoy it here and now (always partially, of course, since we all still have to die), genuinely anticipating in the present what is to come in the future. “We were saved,” says Paul in Romans 8:24, “in hope.” The verb “we were saved” indicates a past action, something that has already taken place, referring obviously to the complex of faith and baptism of which Paul has been speaking in the letter so far. But this remains “in hope” because we still look forward to the ultimate future salvation of which he speaks in (for instance) Romans 5:9, 10.
N.T. Wright (Surprised by Hope: Rethinking Heaven, the Resurrection, and the Mission of the Church)
How...how do you feel about me?” “I think it’s pretty obvious.” “Let’s just say I need a detailed account.” His lashes lifted and his eyes met mine. “I can do that for you.” “Okay.” I leaned toward him. “I never once stopped thinking about you when you were taken away. Four years. All I could hope was that you were in a good place. Never expected you to walk into school. Didn’t even allow myself to dream about that. And then you did, and seeing you blew me away. You were just like I remembered, but different. The hints of the girl I saw in you when we were younger were now right in front of me. The moment you said my name—the moment you hugged me I knew.” Rider reached between us, folding his hand around mine. “I knew I’d fall in love with you and I did. I love you, Mallory.” My lips parted on an inhale. “What?” “I love you, and not the kind of love we had for each other when we were younger, you know? Paige knows that. So does Hector. So did Jayden. I love you.
Jennifer L. Armentrout (The Problem with Forever)
Weak Forces I enjoy an accumulating faith in weak forces-- a weak faith, of course, easily shaken, but also easily regained--in what starts to drift: all the slow untrainings of the mind, the sift left of resolve sustained too long, the strange internal shift by which there's no knowing if this is the raod taken or untaken. There are soft affinities, possibly electrical; lint-like congeries; moonlit hints; asymmetrical pink glowy spots that are no the defeat of something, I don't think.
Kay Ryan (The Niagara River: Poems)
Pearl Harbor Address to the Nation Delivered on December 8, 1941 Mr. Vice President, Mr. Speaker, Members of the Senate, and of the House of Representatives: Yesterday, December 7th, 1941 -- a date which will live in infamy -- the United States of America was suddenly and deliberately attacked by naval and air forces of the Empire of Japan. The United States was at peace with that nation and, at the solicitation of Japan, was still in conversation with its government and its emperor looking toward the maintenance of peace in the Pacific. Indeed, one hour after Japanese air squadrons had commenced bombing in the American island of Oahu, the Japanese ambassador to the United States and his colleague delivered to our Secretary of State a formal reply to a recent American message. And while this reply stated that it seemed useless to continue the existing diplomatic negotiations, it contained no threat or hint of war or of armed attack. It will be recorded that the distance of Hawaii from Japan makes it obvious that the attack was deliberately planned many days or even weeks ago. During the intervening time, the Japanese government has deliberately sought to deceive the United States by false statements and expressions of hope for continued peace. The attack yesterday on the Hawaiian islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. In addition, American ships have been reported torpedoed on the high seas between San Francisco and Honolulu. Yesterday, the Japanese government also launched an attack against Malaya. Last night, Japanese forces attacked Hong Kong. Last night, Japanese forces attacked Guam. Last night, Japanese forces attacked the Philippine Islands. Last night, the Japanese attacked Wake Island. And this morning, the Japanese attacked Midway Island. Japan has, therefore, undertaken a surprise offensive extending throughout the Pacific area. The facts of yesterday and today speak for themselves. The people of the United States have already formed their opinions and well understand the implications to the very life and safety of our nation. As commander in chief of the Army and Navy, I have directed that all measures be taken for our defense. But always will our whole nation remember the character of the onslaught against us. No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory. I believe that I interpret the will of the Congress and of the people when I assert that we will not only defend ourselves to the uttermost, but will make it very certain that this form of treachery shall never again endanger us. Hostilities exist. There is no blinking at the fact that our people, our territory, and our interests are in grave danger. With confidence in our armed forces, with the unbounding determination of our people, we will gain the inevitable triumph -- so help us God. I ask that the Congress declare that since the unprovoked and dastardly attack by Japan on Sunday, December 7th, 1941, a state of war has existed between the United States and the Japanese empire.
Franklin D. Roosevelt
Until recently the locus of sexual fantasy was peopled with images actually glimpsed or were sensations actually felt, or private imaginings taken from suggestions in the real world, a dream well where weightless images from it floated, transformed by imagination. It prepared children, with these hints and traces of other people's bodies, to become adults and enter the landscape of adult sexuality and meet the lover face to face. Lucky men and women are able to keep a pathway clear to that dream well, peopling it with scenes and images that meet them as they get older, created with their own bodies mingling with other bodies; they choose a lover because of a smell from a coat, a way of walking, the shape of a lip, belong in their imagined interior and resonate back in time deep into the bones that recall childhood and early adolescent imagination.
Naomi Wolf (The Beauty Myth)
Moved on…” he said. “Rusted nuts! You can do that?” “Certainly.” “Huh. You think … I should … you know … Ranette…” “Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really.” “Oh, I took the hint,” he said, taking a swig of sherry. “Just can’t remember which jacket I left it in.” He looked down at the jug. “You sure?” “She has a girlfriend, Wayne.” “’S only a phase,” he mumbled. “One what lasted fifteen years.…
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
The life of reality is confused, disorderly, almost always without apparent purpose, where in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form - to make it true and real to the theme, not to life ... I myself remember with what a shock I heard people say that one of my own books, Winesburg, Ohio, was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not.
Sherwood Anderson
I‘ve forgotten who it was that said creation is memory. My own experiences and the various things I have read remain in my memory and become the basis upon which I create something new. I couldn’t do it out of nothing. For this reason, since the time I was a young man I have always kept a notebook handy when I read a book. I write down my reactions and what particularly moves me. I have stacks and stacks of these college notebooks, and when I go off to write a script, these are what I read. Somewhere they always provide me with a point of breakthrough. Even for single lines of dialogue I have taken hints from these notebooks. So what I want to say is, don’t read books while lying down in bed.
Akira Kurosawa (Something Like an Autobiography)
Just as the mindfulness meditator is amazed to discover how mindless he is in daily life, so the first insights of the meditator who begins to question the self are normally not egolessness but the discovery of total egomania. Constantly one thinks, feels, and acts as though one had a self to protect and preserve. The slightest encroachment on the self's territory (a splinter in the finger, a noisy neighbor) arouses fear and anger. The slightest hope of self-enhancement (gain, praise, fame, pleasure) arouses greed and grasping. Any hint that a situation is irrelevant to the self (waiting for a bus, meditating) arouses boredom. Such impulses are instinctual, automatic, pervasive, and powerful. They are completely taken for granted in daily life.
Francisco J. Varela (The Embodied Mind: Cognitive Science and Human Experience (The MIT Press))
Dare I hint at that worse time when, strung together somewhere in great black space, there was a flaming necklace, or ring, or starry circle of some kind, of which I was one of the beads! And when my only prayer was to be taken off from the rest, and when it was such inexplicable agony and misery to be a part of the dreadful thing?
Charles Dickens (Bleak House)
I did not flirt with him; I was being courteous, since you were making the entire situation completely awkward.” “Good, he should have taken the hint.
C.C. Brown (Red Flags (Red Flags, #1))
American and British forces reached none of the bloodlands and saw none of the major killing sites. It is not just that American and British forces saw none of the places where the Soviets killed, leaving the crimes of Stalinism to be documented after the end of the Cold War and the opening of the archives. It is that they never saw the places where the Germans killed, meaning that understanding of Hitler’s crimes has taken just as long. The photographs and films of German concentration camps were the closest that most westerners ever came to perceiving the mass killing. Horrible though these images were, they were only hints at the history of the bloodlands. They are not the whole story; sadly, they are not even an introduction.
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death. It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message. She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her. There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul. (opening lines)
Kate Chopin (The Story of an Hour)
Aemilius Paullus may have had this in mind when he remarked: ‘A man who knows how to conquer in battle also knows how to give a banquet and organise games.’ He is usually taken to have been referring to the connection between military victory and spectacle; but he may have also been hinting that the talents of a successful general did not go far beyond basic organisational expertise.
Mary Beard (SPQR: A History of Ancient Rome)
Neither of us was quite sure what the other meant, but, as in dreams, our words could be taken in so many ways, which was fine too, because we liked thinking they had more than one meaning, one obvious, one not so obvious, one hinted at but so muddled that neither of us knew which to grasp, because each was so laced into the others that all three ultimately meant one and the same thing.
André Aciman (Enigma Variations)
But tiny variances in their friendship hinted at new paths to be explored. Conversations had a fresh edge...The group dynamics had taken a subtle but definite shift, with none of them quite yet sure where they had landed.
Jane Harper (The Dry (Aaron Falk, #1))
Stop it!“ Newt yelled. Stop it now!“ Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury. “Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.” ….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho. “I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“ Minho held up his hands. “You’re going to shoot me? Old pal?” “Go,” Newt said. „I asked nicely. Now I’m telling. This is hard enough. Go.“ „Newt, let’s go outside..“ „Go!“ Newt stepped closer and aimed more fiercely. „Get out of here!“ Thomas hated what he was seeing – the complete wilderness that had taken over Newt. His whole body trembled and his eyes had lost any hint of sanity. He was losing it, completely. “Let’s go,” Thomas said, one of the saddest things he’d ever heard himself say. „Come on.” Minho’s gaze snapped to Thomas, and he looked like his heart had been shattered. “You can’t be serious.” Thomas could only nod. Minho’s shoulders slumped, and his eyes fell to the floor. “How did the world get so shucked?” The words barely came out, low and full of pain. “I’m sorry,” Newt said, and there were tears streaming down his face. “I’m .. I’m going to shoot if you don’t go. Now.
James Dashner (The Death Cure (The Maze Runner, #3))
Of course, I’ve only brought up two examples. Other universal laws of physics have been used as weapons as well, though we don’t know all of them. It’s very possible that every law of physics has been weaponized. It’s possible that in some parts of the universe, even … Forget it, I don’t even believe that.” “What were you going to say?” “The foundation of mathematics.” Cheng Xin tried to imagine it, but it was simply impossible. “That’s … madness.” Then she asked, “Will the universe turn into a war ruin? Or, maybe it’s more accurate to ask: Will the laws of physics turn into war ruins?” “Maybe they already are.… The physicists and cosmologists of the new world are focused on trying to recover the original appearance of the universe before the wars more than ten billion years ago. They’ve already constructed a fairly clear theoretical model describing the pre-war universe. That was a really lovely time, when the universe itself was a Garden of Eden. Of course, the beauty could only be described mathematically. We can’t picture it: Our brains don’t have enough dimensions.” Cheng Xin thought back to the conversation with the Ring again. Did you build this four-dimensional fragment? You told me that you came from the sea. Did you build the sea? “You are saying that the universe of the Edenic Age was four-dimensional, and that the speed of light was much higher?” “No, not at all. The universe of the Edenic Age was ten-dimensional. The speed of light back then wasn’t only much higher—rather, it was close to infinity. Light back then was capable of action at a distance, and could go from one end of the cosmos to the other within a Planck time.… If you had been to four-dimensional space, you would have some vague hint of how beautiful that ten-dimensional Garden must have been.” “You’re saying—” “I’m not saying anything.” Yifan seemed to have awakened from a dream. “We’ve only seen small hints; everything else is just guessing. You should treat it as a guess, just a dark myth we’ve made up.” But Cheng Xin continued to follow the course of the discussion taken so far. “—that during the wars after the Edenic Age, one dimension after another was imprisoned from the macroscopic into the microscopic, and the speed of light was reduced again and again.…” “As I said, I’m not saying anything, just guessing.” Yifan’s voice grew softer. “But no one knows if the truth is even darker than our guesses.… We are certain of only one thing: The universe is dying.” The
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
Your mother didn't give birth to you," I told hint, "but farted you out of her shrivelled arsehole." "Frightened or not," Asser said, "you've taken Peredur's silver, so you must fight them now." "Say one more word, monk," I said, "and I'll cut off your scrawny balls.
Bernard Cornwell (The Pale Horseman (The Saxon Stories, #2))
We protect the army, Summer,” I said. “Like family. That’s what we’re for.” Then I paused. “But did you notice they didn’t shut up after that? They should have taken the hint. Cover-up requested, cover-up promised. Asked and answered, mission accomplished.” “They wanted to know where his stuff was.” “Yes,” I said. “They did. And you know what that means? It means they’re looking for Kramer’s briefcase too. Because of the agenda. Kramer’s copy is the only one still outside of their direct control. They came down here to check if I had it.
Lee Child (The Enemy (Jack Reacher, #8))
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be. Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe. I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him. “So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake. “I didn’t want you to have to kill Derek.” “And if he had gone loup?” “I would have taken care of it.” “How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.” “I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.” He laughed. “And they believed you?” “Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.” “Like this?” he breathed in my ear. My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing. “Don’t make me break this bottle over your head,” I whispered. “You won’t.” He grinned. “You don’t want to see me hurt.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
My own manager, a young fellow whose chief qualification for his position must have been his smarminess, since it was the only quality he possessed in abundance—my manager had taken to dropping none-too-subtle hints that the company was offering exceedingly generous severance packages to those who were wise enough to take them.
John Langan (The Fisherman)
That was the way it worked. Hard to define, this stalking, this predation, because it was piecemeal. A bit here, a bit there, maybe, maybe not, perhaps, don’t know. It was constant hints, symbolisms, representations, metaphors. He could have meant what I thought he’d meant, but equally, he might not have meant anything. Taken on their own, or to describe each incident separately, particularly while in the middle of it, might not seem, once relayed, to be all that much at all. If I’d said, ‘He offered me a lift as I was walking along the interface road reading Ivanhoe,’ it would have been, ‘Why were you walking along that dangerous interface road and why were you reading Ivanhoe?
Anna Burns (Milkman)
He didn't kiss like other men. There was no smooth seduction. No playful interest. No hint of weighing this kiss against the memory of many others. There was something fierce and hungry in Law's kisses. It was like having the front seat on the Batman roller coaster. The overpowering sensation was that of being swept up by a primal force and taken for a ride.
D.D. Ayres (Primal Force (K-9 Rescue, #3))
To cover all the bases, I also signed up for a class on psycholinguistics, which had a prerequisite in neural networking. In addition to not having taken it, I also didn’t know what neural networking was. For some reason, this didn’t really bother me, or seem like a problem. The handsome Italian professor wore the most elegant suits I had ever seen, in the most subtle colors—gray with a hint of smoky blue so elusive that you had to keep looking to be sure you hadn’t imagined it. The class met on the tenth floor of the psychology building, most of which was devoted to an institute for bat study and smelled accordingly. It was total sensory discord to see the handsome professor in his elegant suits stepping out of the elevator into the hall of stinky bats.
Elif Batuman (The Idiot)
I knew when I first saw you, what you would mean to me,” Win murmured eventually. “Wild, angry boy that you were. I loved you at once. You felt it, too, didn’t you?” He nodded slightly, luxuriating in the feel of her. Her skin smelled sweet like plums, with an arousing hint of feminine musk. “I wanted to tame you,” she said. “Not all the way. Just enough that I could be close to you.” She threaded her fingers through his hair. “Outrageous man. What possessed you to kidnap me, when you knew I would have come willingly?” “I was making a point,” he said in a muffled voice. She chuckled and stroked his scalp, the scrape of her oval fingernails nearly causing him to purr. “Your point was well-taken. Must we go back now?” “Do you want to?” Win shook her head. “Although … I wouldn’t mind having something to eat.” “I brought food to the cottage before I went to get you.” She ran a flirtatious fingertip around the rim of his ear. “What an efficient villain you are. May we stay all day, then?” “Yes.” Win wriggled with delight. “Will anyone come for us?” “I doubt it.” Kev drew the bed linens lower and nuzzled into the lush valley between her breasts. “And I would kill the first person who approached the threshold.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Perhaps the sallow drunk should have taken the hint. But he needed to feel confident in his life. It was only when he drank that he felt he could be anything. He felt this precisely because his perceptions had grown so constricted that he could no longer be cognizant of his limitations, like those old people who when sight, hearing and memory slip away make unflattering remarks in loud voices about others who are still present but out of their dwindling sensory range. How amazed they’d be, if they understood that the nasty man who’d long since vanished from their apprehension like last Thursday’s television show had just now heard them denounce his nastiness! For they’d meant no harm! Backstab gossip doesn’t harm anybody, does it? It’s only steam-letting, social sport, wit, liveliness, self-comfort like complaining over an arthritic wrist.
William T. Vollmann (The Royal Family)
Then, if I am lucky enough to be taken with such poetic pseudo-seriousness, my nether mouth may be acknowledged as one capable of speech – were there not, of old, divinatory priestesses, female oracles and so forth? Was there not Cassandra, who always spoke the truth, although admittedly in such a way that nobody ever believed her? And that, in mythic terms, is the hell of it. Since that female, oracular mouth is located so near the beastly backside, my vagina might indeed be patronisingly regarded as a speaking mouth, but never one that issues the voice of reason. In this most insulting mythic redefinition of myself, that of occult priestess, I am indeed allowed to speak but only of things that male society does not take seriously. I can hint at dreams, I can even personify the imagination; but that is only because I am not rational enough to cope with reality.
Angela Carter (The Sadeian Woman: An Exercise in Cultural History (Virago Modern Classics Book 79))
One side of his mouth twitched with the hint of a smile. “Sounds like that person is a genius. Probably shockingly good-looking, too.” “Eh.” She laughed when he actually looked wounded. “Oh please, you know you’re a heartbreaker. You don’t need me to tell you that.” “Hey, I have never broken any hearts.” “Maybe not intentionally. But come on. When you or Fitz start dating, there will be crying in the Foxfire halls. I bet there are girls crying now, wishing you guys hadn’t left.” “Not if they’ve heard how awesome my mom is.” “There are still just as many Keefe fangirls, trust me. Everyone loves the bad boys.” She expected some epic Keefe teasing about her use of the word “everyone.” Instead, his shoulders dropped and he asked, “So . . . you think I’m bad?” She grabbed a note that said “The Great Gulon Incident” and handed it to him. His half smile returned. “Point taken.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Ned waved him off and studied the map in front of him. That sense of unease remained even after Harcroft had taken himself off. In the dim light, the pencil marks seemed child's sketches, failing to capture some basic truth of reality. The numbers still didn't cast up into a proper sum in his head. Two and two came together, but they only managed to whisper dark intimations amongst themselves, hinting at the possibility of a distant four.
Courtney Milan (Trial by Desire (Carhart, #2))
The reluctance of unschooled workers to follow orders has taken many forms. For example, workers won’t show up for work reliably on time, or they have problematic superstitions, or they prefer to get job instructions via indirect hints instead of direct orders, or they won’t accept tasks and roles that conflict with their culturally assigned relative status with coworkers, or they won’t accept being told to do tasks differently than they had done them before.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
read as to eat. I was greatly taken with this new way of talking and derived considerable pleasure from speaking it to the waiter. I asked him for a luster of water freshly drawn from the house tap and presented au nature in a cylinder of glass, and when he came around with the bread rolls I entreated him to present me a tonged rondelle of blanched wheat, oven baked and masked in a poppy-seed coating. I was just getting warmed up to this and about to ask for a fanned lap coverlet, freshly laundered and scented with a delicate hint of Lemon Daz, to replace the one that had slipped from my lap and now lay recumbent on the horizontal walking surface subjacent to my feet, when he handed me a card that said “Sweets Menu” and I realized that we were back in the no-nonsense world of English. It’s a funny thing about English diners. They’ll let you dazzle them with piddly duxelles of this and fussy little noisettes of that, but don’t mess with their puddings,
Bill Bryson (Notes from a Small Island)
It was mossed and lichened with antiquity; and there was a hint of beginning dilapidation in the time-worn stone of the walls. The formal garden had gone a little wild from neglect; the trimmed hedges and trees had taken on fantastic sprawling shapes; and evil, poisonous weeds had invaded the flower-beds. There were statues of cracked marble and verdigris-eaten bronze amid the shrubbery; there were fountains that had long ceased to flow; and dials on which the foliage-intercepted sun no longer fell.
Clark Ashton Smith (The End Of The Story)
I think I’d rather ask how a man who ditched his friend at a club in favor of leaving with a heavily stacked redhead with a mouth that could raise the dead could possibly sound so cranky on the morning after. What happened? Did she turn out to be a lesbian?” Dmitri sighed and pinched the bridge of his nose. “What is your news, Graham?” “I asked first.” “And I ignored you,” Dmitri growled, “which a man who did not lick his own testicles for recreation would have taken as a hint.” “You’re just jealous.
Christine Warren
when he finally approached the Rubicon after some hesitation, Caesar quoted in Greek two words from the Athenian comic playwright Menander: literally, in a phrase borrowed from gambling, ‘Let the dice be thrown.’ Despite the usual English translation – ‘The die is cast’, which again appears to hint at the irrevocable step being taken – Caesar’s Greek was much more an expression of uncertainty, a sense that everything now was in the lap of the gods. Let’s throw the dice in the air and see where they will fall! Who knows what will happen next?
Mary Beard (SPQR: A History of Ancient Rome)
Her father had taught her about hands. About a dog’s paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog’s paw was a wonder: the smell of it never suggested dirt. It’s a cathedral! her father had said, so-and-so’s garden, that field of grasses, a walk through cyclamen—a concentration of hints of all the paths the animal had taken during the day.
Michael Ondaatje (The English Patient)
Her father had taught her about hands. About a dog’s paws. Whenever her father was alone with a dog in a house he would lean over and smell the skin at the base of its paw. This, he would say, as if coming away from a brandy snifter, is the greatest smell in the world! A bouquet! Great rumours of travel! She would pretend disgust, but the dog’s paw was a wonder: the smell of it never suggested dirt. It’s a cathedral! her father had said, so-and-so’s garden, that field of grasses, a walk through cyclamen – a concentration of hints of all the paths the animal had taken during the day.
Michael Ondaatje (The English Patient)
This banal and crass process is how I met Lindsay Mills, my partner and the love of my life. Looking at the photos now, I’m amused to find that nineteen-year-old Lindsay was gawky, awkward, and endearingly shy. To me at the time, though, she was a smoldering blonde, absolutely volcanic. What’s more, the photos themselves were beautiful: they had a serious artistic quality, self-portraits more than selfies. They caught the eye and held it. They played coyly with light and shade. They even had a hint of meta fun: there was one taken inside the photo lab where she worked, and another where she wasn’t even facing the camera.
Edward Snowden (Permanent Record)
Joden sighed. “Durst does well. Xymund denies any knowledge of Arneath’s actions. He claims that there is a faction of the city that is unhappy about the peace. Warren hasn’t found any hint of a conspiracy. Keir questioned many people, but we could find no trace of…” he paused, an unhappy look on his face. “No trace of Xymund’s involvement.” I finished calmly. Joden nodded, sitting heavily on a stool. “Simus has taken him to the practice grounds to work out his frustrations.” Joden held up a hand to stave me off. “Simus said to tell you that he will only sit on the sidelines and yell insults.” He heaved a sigh. “It will do them both good
Elizabeth Vaughan (Warprize (Chronicles of the Warlands, #1))
A child said, What is the grass? fetching it to me with full hands; How could I answer the child?. . . .I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child. . . .the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them; It may be you are from old people and from women, and from offspring taken soon out of their mother’s laps, And here you are the mother’s laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues! And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? What do you think has become of the women and children? They are alive and well somewhere; The smallest sprouts show there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceased the moment life appeared. All goes onward and outward. . . .and nothing collapses, And to die is different from what any one supposed, and luckier.
Walt Whitman (Leaves of Grass)
since beauty in a human being is different from the beauty of a thing, since we feel it belongs to a unique person with an awareness of the world and a will, no sooner had the girl’s individuality, a vague hint of soul, a will unknown to me, taken shape in a microscopic image, minute but complete, caught from her passing glance, than I could feel quickening within myself, like a mysterious replica of pollens ready for the pistils, the equally vague and minute embryo of the desire not to let this girl go on her way without having her consciousness register my presence, without my intervening between her and her desire for somebody else, without my being able to intrude upon her idle mood and take possession of her heart. The carriage passed the beautiful girl, leaving her behind us; and since her eyes, which had barely glimpsed me, had gathered nothing of the person in me, she had forgotten me already. Had I thought her so lovely only because I had caught a mere glimpse of her? Perhaps. For one thing, the impossibility of stopping and accosting a woman, the likelihood of not being able to find her again some other day, gives her the same sudden charm as is acquired by a place when illness or poverty prevents one from visiting it, or by the succession of drab days of one’s unlived future when it is forfeit to death in battle.
Marcel Proust (In the Shadow of Young Girls in Flower)
A tall man in a plaid work shirt stopped me with a hand on my shoulder. “Can I buy you a drink, little lady?” I reached back and got Jason’s hand. I raised it where it was visible. “Taken. Sorry.” There was more than one reason I’d wanted to bring Jason with me to a bar on a Friday night. He stared down at Jason, way down, making a show of how very tall he was. “Don’t you want something a little bigger?” “I like them small,” I said, my face very serious. “It makes oral sex easier.” We left him speechless. Jason was laughing so hard, he could barely keep his feet. I pulled him through the crowd by the hand. Holding his hand seemed to be hint enough for the rest of the cruising males. The
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
Now that you've taken charge of me, milady, what's your next command?" The question was casual, with a hint of friendly teasing. But she was stunned by the reservoir of feeling he'd unlocked in her, so vast she was drowning in it. A feeling of pure longing. And until this moment, she'd never even known it was there. She tried to think of some clever reply. But the only thing her mind could summon was something impulsive and silly. Kiss me. She would never say something so brazen, of course. It would appear desperate or mad, and it would embarrass both of them. And for a business owner to behave in such an unprofessional manner with a customer- well, that didn't bear thinking of. But as Merritt saw his blank expression, a horrid realization made something inside her plunge. "Oh, God," she said faintly, her fingers flying to her mouth. "Did I say that out loud?
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The reader may ask me why I did not try to escape what was in store for me after Hitler had occupied Austria. Let me answer by recalling the following story. Shortly before the United States entered World War II, I received an invitation to come to the American Consulate in Vienna to pick up my immigration visa. My old parents were overjoyed because they expected that I would soon be allowed to leave Austria. I suddenly hesitated, however. The question beset me: could I really afford to leave my parents alone to face their fate, to be sent, sooner or later, to a concentration camp, or even to a so-called extermination camp? Where did my responsibility lie? Should I foster my brain child, logotherapy, by emigrating to fertile soil where I could write my books? Or should I concentrate on my duties as a real child, the child of my parents who had to do whatever he could to protect them? I pondered the problem this way and that but could not arrive at a solution; this was the type of dilemma that made one wish for “a hint from Heaven,” as the phrase goes. It was then that I noticed a piece of marble lying on a table at home. When I asked my father about it, he explained that he had found it on the site where the National Socialists had burned down the largest Viennese synagogue. He had taken the piece home because it was a part of the tablets on which the Ten Commandments were inscribed. One gilded Hebrew letter was engraved on the piece; my father explained that this letter stood for one of the Commandments. Eagerly I asked, “Which one is it?” He answered, “Honor thy father and thy mother that thy days may be long upon the land.” At that moment I decided to stay with my father and my mother upon the land, and to let the American visa lapse.
Viktor E. Frankl (Man's Search for Meaning)
He did not in the least wish the future Mrs. Newland Archer to be a simpleton. He meant her (thanks to his enlightening companionship) to develop a social tact and readiness of wit enabling her to hold her own with the most popular married women of the 'younger set,' in which it was the recognized custom to attract masculine homage while playfully discouraging it. If he had probed to the bottom of his vanity (as he sometimes nearly did) he would have found there the wish that his wife should be as worldly-wise and eager to please as the married lady whose charms had held his fancy through two mildly agitated years; without, of course, any hint of the frailty which had so nearly marred that unhappy being's life, and had disarranged his own plans for a whole winter. How this miracle of fire and ice was to be created, and to sustain itself in a harsh world, he had never taken the time to think out; but he was content to hold his view without analyzing it, since he knew it was that of all the carefully-brushed, white-waistcoated, buttonhole-flowered gentlemen who succeeded each other in the club box, exchanged friendly greetings with him, and turned their opera-glasses critically on the circle of ladies who were the product of the system. In matters intellectual and artistic Newland Archer felt himself distinctly the superior of these chosen specimens of old New York gentility; he had probably read more, thought more, and even seen a good deal more of the world, than any other man of the number. Singly they betrayed their inferiority; but grouped together they represented 'New York,' and the habit of masculine solidarity made him accept their doctrine in all the issues called moral. He instinctively felt that in this respect it would be troublesome - and also rather bad form - to strike out for himself.
Edith Wharton (The Age of Innocence)
A child said What is the grass? fetching it to me with full hands, How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colourless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.
Walt Whitman (Song of Myself)
Paul and his mother, ripple and great wave, had flowed into her life and ebbed out of it for ever. The ripple had left no traces behind; the wave had strewn at her feet fragments torn from the unknown. A curious seeker, she stood for a while at the verge of the sea that tells so little, but tells a little, and watched the outgoing of this last tremendous tide. Her friend had vanished in agony, but not, she believed, in degradation. Her withdrawal had hinted at other things besides disease and pain. Some leave our life with tears, others with an insane frigidity; Mrs. Wilcox had taken the middle course, which only rarer natures can pursue. She had kept proportion. She had told a little of her grim secret to her friends, but not too much; she had shut up her heart--almost, but not entirely. It is thus, if there is any rule, that we ought to die--neither as victim nor as fanatic, but as the seafarer who can greet with an equal eye the deep that he is entering, and the shore that he must leave.
E.M. Forster (Howards End, The Longest Journey, A Room with a View, Where Angels Fear to Tread and The Machine Stops)
The Yogis possess great knowledge regarding the use and abuse of the reproductive principle in both sexes. Some hints of this esoteric knowledge have filtered out and have been used by Western writers on the subject, and much good has been accomplished in this way. In this little book we cannot do more than touch upon the subject, and omitting all except a bare mention of theory, we will give a practical breathing exercise whereby the student will be enabled to transmute the reproductive energy into vitality for the entire system, instead of dissipating and wasting it in lustful indulgences in or out of the marriage relations. The reproductive energy is creative energy, and may be taken up by the system and transmuted into strength and vitality, thus serving the purpose of regeneration instead of generation. If the young men of the Western world understood these underlying principles they would be saved much misery and unhappiness in after years, and would be stronger mentally, morally and physically.
William Walker Atkinson (The Hindu-Yogi Science Of Breath)
We’ve had no luck in finding a cure or even a hint of one. Marry. Forge an alliance. Make an heir. Secure the throne and Ravka’s future.” “I will,” he said wearily. “I’ll do all of it. But not tonight. Tonight let’s pretend we’re an old married couple.” If any other man had said such a thing, she would have punched him in the jaw. Or possibly taken him to bed for a few hours. “And what does that entail?” “We’ll tell each other lies as married couples do. It will be a good game. Go on, wife. Tell me I’m a handsome fellow who will never age and who will die with all of his own teeth in his head. Make me believe it.” “I will not.” “I understand. You’ve never had a talent for deception.” Zoya knew he was goading her, but her pride pricked anyway. “How can you be so sure? Perhaps the list of my talents is so long you just haven’t gotten to the end.” “Go on, then, Nazyalensky.” “Dearest husband,” she said, making her voice honey sweet, “did you know the women of my family can see the future in the stars?” He huffed a laugh. “I did not.” “Oh yes. And I’ve seen your fate in the constellations. You will grow old, fat, and happy, father many badly behaved children, and future generations will tell your story in legend and song.” “Very convincing,” Nikolai said. “You’re good at this game.
Leigh Bardugo (King of Scars (King of Scars, #1))
Then, just when he thought he’d made it through without delay, he heard an aged, female, and very imperious voice call out his name. “Bridgerton! I say, Bridgerton! Stop at once. I’m speaking to you!” He groaned as he turned about. Lady Danbury, the dragon of the ton. There was simply no way he could ignore her. He had no idea how old she was. Sixty? Seventy? Whatever her age, she was a force of nature, and no one ignored her. “Lady Danbury,” he said, trying not to sound resigned as he reined in his mount. “How nice to see you.” “Good gad, boy,” she barked, “you sound as if you’ve just taken an antidote. Perk up!” Anthony smiled weakly. “Where’s your wife?” “I’m looking for her right now,” he replied, “or at least I was.” Lady Danbury was far too sharp to miss his pointed hint, so he could only deduce that she ignored him apurpose when she said, “I like your wife.” “I like her, too.” “Never could understand why you were so set on courting her sister. Nice gel, but clearly not for you.” She rolled her eyes and let out an indignant huff. “The world would be a much happier place if people would just listen to me before they up and got married,” she added. “I could have the entire Marriage Mart matched up in a week.” “I’m sure you could.” Her eyes narrowed. “Are you patronizing me?” “I wouldn’t dream of it,” Anthony said with complete honesty. “Good. You always seemed like the sensible sort.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
In truth the memoir was a game of postponement – a trick he played on himself almost daily, and fell for every time. There would be a poor and evasive morning, with letters to write as well, and a number of phone calls that had to be made; then lunch, at a place not necessarily close, and several things to do after lunch, with mounting anxiety in the two hours before six o’clock: and then a drink, a glow of resolve and sensible postponement till the following morning, when, too hung-over to do much work before ten, he would seek infuriated refuge, about eleven forty-five, in the trying necessity of going out once more to lunch. Over lunch, at Caspar’s or at the Garrick, he would be asked how work was going, when it could be expected, and the confidence of the questioner severely inhibited his answers – they had a bottle of wine, no more, but still the atmosphere was appreciably softened, his little hints at difficulties were taken as mere modesty – ‘I’m sure it will be marvellous’ – ‘It will take as long as it takes’ – and he left fractionally consoled himself, as if some great humane reprieve were somehow possible, and time (as deadline after deadline loomed and fell away behind) were not an overriding question. In the evenings especially, and towards bedtime, half-drunk, he started seeing connexions, approaches, lovely ideas for the work, and sat suffused with a sense of the masterly thing it was in his power to do the next morning.
Alan Hollinghurst (The Sparsholt Affair)
But first Hitler, taken in by Mussolini’s mythmaking, attempted a “march” of his own. On November 8, 1923, during a nationalist rally in a Munich beer hall, the Bürgerbräukeller, Hitler attempted to kidnap the leaders of the Bavarian government and force them to support a coup d’état against the federal government in Berlin. He believed that if he took control of Munich and declared a new national government, the Bavarian civil and military leaders would be forced by public opinion to support him. He was equally convinced that the local army authorities would not oppose the Nazi coup because the World War I hero General Ludendorff was marching beside him. Hitler underestimated military fidelity to the chain of command. The conservative Bavarian minister-president Gustav von Kahr gave orders to stop Hitler’s coup, by force if necessary. The police fired on the Nazi marchers on November 9 as they approached a major square (possibly returning a first shot from Hitler’s side). Fourteen putschists and four policemen were killed. Hitler was arrested and imprisoned,8 along with other Nazis and their sympathizers. The august General Ludendorff was released on his own recognizance. Hitler’s “Beer Hall Putsch” was thus put down so ignominiously by the conservative rulers of Bavaria that he resolved never again to try to gain power through force. That meant remaining at least superficially within constitutional legality, though the Nazis never gave up the selective violence that was central to the party’s appeal, or hints about wider aims after power.
Robert O. Paxton (The Anatomy of Fascism)
Was it a convent you escaped from, Miss Turner?” He turned the boat with a deft pull on one oar. “Escaped?” Her heart knocked against her hidden purse. “I’m a governess, I told you. I’m not running away, from a convent or anywhere else. Why would you ask that?” He chuckled. “Because you’re staring at me as though you’ve never seen a man before.” Sophia’s cheeks burned. She was staring. Worse, now she found herself powerless to turn away. What with the murky shadows of the tavern and the confusion of the quay, not to mention her own discomposure, she hadn’t taken a good, clear look at his eyes until this moment. They defied her mental palette utterly. The pupils were ringed with a thin line of blue. Darker than Prussian, yet lighter than indigo. Perhaps matching that dearest of pigments-the one even her father’s generous allowance did not permit-ultramarine. Yet within that blue circumference shifted a changing sea of color-green one moment, gray the next…in the shadow of a half-blink, hinting at blue. He laughed again, and flinty sparks of amusement lit them. Yes, she was still staring. Forcing her gaze to the side, she saw their rowboat nearing the scraped hull of a ship. She cleared her throat and tasted brine. “Forgive me, Mr. Grayson. I’m only trying to make you out. I understood you to be the ship’s captain.” “Well,” he said, grasping a rope thrown down to him and securing it to the boat, “now you know I’m not.” “Might I have the pleasure, then, of knowing the captain’s name?” “Certainly,” he said, securing a second rope. “It’s Captain Grayson.” She heard the smirk in his voice, even before she swiveled her head to confirm it. Was he teasing her?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Nicki laughs. “This matters to me, Carrie. Putting my whole soul into this game matters to me. These tournaments matter. I’ve dedicated my life to this.” “Well, so have I,” I say. “And you had your chance to shine––you were given that opportunity.” “I took it,” I say. “It wasn’t given to me. Nobody wanted me to be the face of women’s tennis. They still don’t. I had to demand it. Just like I am doing now. So if you want it, you’re going to have to take it from me.” “No,” Nicki says. “That’s what you don’t seem to get. I have taken it from you. I have the record. And if you want it, you’re going to have to take it from me.” I stare at her, and she continues. “I am the best player women’s tennis has seen,” she says. “And I deserve to be recognized for it.” “You are recognized for it,” I say. “Constantly.” Nicki shakes her head. “No, by you. By the person I’ve respected my entire life. The woman I’ve looked up to.” There is no smile on her face anymore. Not even the hint of one. I look over at the TV. It’s playing sports commentary with the sound off. The closed captioning says they are talking about Nicki and me right now. “I see it,” I say, finally looking at her. “Me hating it is me seeing it.” Nicki sighs. “Okay, Soto. I guess I can’t squeeze blood from a stone.” “Look, what do you want from me?” Nicki looks me in the eye. “Don’t worry about what I say,” I tell her. “Pay attention to what I do. I’m back, aren’t I? I’m playing here today. That’s how good you are.” The trainer is done. I stand up. I walk past Nicki and put my hand on her shoulder. “Good luck,” I say. “I’m rooting for you up until the last second when I play you.” Nicki smiles. “You should be so lucky.” I put my hand out for her to shake. And she takes it.
Taylor Jenkins Reid (Carrie Soto Is Back)
What is that?” “Oh, it's… well, something personal to Lady Holly, and… sir, she wouldn't like it if ye—” Maude spluttered with dismayed protests as Zachary reached over and plucked the frame case from the pile. “A miniature?” he asked, deftly shaking the object from its leather casing. “Yes, sir, but… you shouldn't, really… oh, dear.” Maude's pudgy cheeks reddened, and she sighed in patent discomfort as he stared at the little portrait. “George,” Zachary said quietly. He had never seen a likeness of the man, had never wanted to before. It was only to be expected that Holly should carry a portrait of her late husband, for Rose's benefit as well as her own. However, Zachary had never asked to view a likeness of George Taylor, and Holly had certainly never volunteered to show him. Perhaps Zachary had expected that he would feel a pang of animosity at the sight of Taylor's face, but as he stared at the miniature, he was conscious only of a surprising feeling of pity. He had always thought of George as a contemporary, but this face was impossibly young, adorned with sideburns that amounted to a bit of peach fuzz on either side of his cheeks. Zachary was startled by the realization that Taylor couldn't have been more than twenty-four when he died, almost a full ten years younger than Zachary was now. Holly had been wooed and loved by this handsome boy, with his golden blond hair and untroubled blue eyes, and a smile that hinted of mischief. George had died before he'd barely tasted of life, widowing a girl who had been even more innocent than he. Try as he might, Zachary couldn't blame George Taylor for trying to protect Holly, arrange things for her, ensure that his infant daughter was taken care of. No doubt George would have been anguished at the thought of his wife being seduced and made miserable by the Zachary Bronsons of the world.
Lisa Kleypas (Where Dreams Begin)
Why aren't you training, Nesta?' 'I don't want to.' 'Why not?' Cassian muttered, 'Don't waste your breath, Az.' She glared at him. 'I'm not training in that miserable village.' Cassian glared right back. 'You've been given an order. You know the consequences. If you don't get off that fucking rock by the end of the week, what happens next is out of my hands.' 'So you'll tattle to your precious High Lord?' she crooned. 'Big, tough warrior needs oh-so-powerful Rhysand to fight his battles?' 'Don't you talk about Rhys with that tone,' Cassian snarled. 'Rhys is an asshole,' Nesta snapped. 'He is an arrogant, preening asshole.' Azriel sat back in his seat, eyes simmering with anger, but said nothing. 'That's bullshit,' Cassian spat, the Siphons on the backs of his hands burning like ruby flames. 'You know that's bullshit, Nesta.' 'I hate him,' she seethed. 'Good. He hates you, too,' Cassian shot back. 'Everyone fucking hates you. Is that what you want? Because congratulations, it's happened.' Azriel let out a long, long breath. Cassian's words pelted her, one after another. Hit her somewhere low and soft, and hit hard. Her fingers curled into claws, scraping along the table as she flung back at him, 'And I suppose now you'll tell me that you are the only person who doesn't hate me, and I'm supposed to feel something like gratitude, and agree with you?' 'Now I tell you I'm done.' The words rumbled between them. Nesta blinked, the only sign of her surprise. Azriel tensed, surprised as well. But she sliced into Cassian before he could go on. 'Does that mean you're done panting after me as well? Because what a relief that will be, to know you've finally taken the hint.' Cassian's muscled chest heaved, his throat working. 'You want to rip yourself apart, go right ahead. Implode all you like.' He stood, meal half-finished. 'The training was supposed to help you. Not punish you. I don't know why you don't fucking get that.' 'I told you: I'm not training in that miserable village.' 'Fine.' Cassian stalked out, his pounding steps fading down the hall. Alone with Azriel, Nesta bared her teeth at him. Azriel watched her with that cool quiet, keeping utterly still. Like he saw everything in her head. Her bruised heart. She couldn't bear it. So she stood, only two bites taken from her food, and left the room as well.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Looks like everybody's asleep. Don't they keep a light on for you?" "They probably figured I wouldn't be needing it." "Sorry to disappoint your cousins." "Not to mention me.I'm gravely disappointed at the way this evening has ended.You're going to ruin my reputation as a lady-killer." He flashed her one of his famous smiles. He opened the door and climbed down.When he rounded the front of the truck, he paused beside her open window. "Good night,Marilee. I appreciate the ride home. I just wish you didn't have to make that long drive back to town all alone." "I'll be fine.I've got my radio to keep me company." "You could always coe inside and bunk in my room." "What a generous offer.But once again, I'm afraid I'll have to decline,though I have to admit that I've had more fun in a few hours with you than I've had in years." The minute the words were out of her mouth,she wanted to call them back. What was it about Wyatt that had her trusting him enough to reveal such a thing? Though she barely knew him,he'd uncovered an inherent goodness in him that was rare and wonderful. This had been one of the best nights of her life. Still,he'd gone very quiet.As though digesting her words and searching for hidden meanings. As he turned away she called boldly, "What? No kiss good night? Just because I refused to spend the night with you?" He turned back with a smile, but it wasn't his usual silly grin.Instead, she noted,there was a hint of danger in that smile. He studied her intently before reaching out as though to touch her face. Then he seemed to think better of it and withdrew his hand as if he'd been burned. His eyes locked on hers. "I've already decided that I'll never be able to just kiss you and walk away.So a word of warning,pretty little Marilee. When I kiss you,and I fully intend to kiss you breathless,be prepared to go the distance. There's a powerful storm building up inside me,and when it's unleashed,it's going to be one hell of an earth-shattering explosion.For both of us." He walked away then and didn't look back until he'd reached the back door. Startled by the unexpected intensity of his words,Marilee put the truck in gear and started along the gravel lane. As her vehicle ate up the miles back to town,she couldn't put aside the look she'd seen in his eyes.The carefully banked passion she'd taken such pains to hide had left her more shaken than she cared to admit. In truth,she was still trembling. And he hadn't even touched her.
R.C. Ryan (Montana Destiny)
At the end of this Sabbath encounter with the religious leaders Mark records a remarkable sentence that sums up one of the main themes of the New Testament, “Then the Pharisees went out and began to plot with the Herodians how they might kill Jesus.” The Herodians were the supporters of Herod, the nastiest of the corrupt kings who ruled Israel, representing the Roman occupying power and its political system. In any country that the Romans conquered, they set up rulers. And wherever the Romans went, they brought along the culture of Greece—Greek philosophy, the Greek approach to sex and the body, the Greek approach to truth. Conquered societies like Israel felt assaulted by these immoral, cosmopolitan, pagan values. In these countries there were cultural resistance movements; and in Israel that was the Pharisees. They put all their emphasis on living by the teachings of the Hebrew Scriptures and putting up big hedges around themselves to prevent contamination by the pagans. See what was going on? The Herodians were moving with the times, while the Pharisees upheld traditional virtues. The Pharisees believed their society was being overwhelmed with pluralism and paganism, and they were calling for a return to traditional moral values. These two groups had been longtime enemies of each other—but now they agree: They have to get rid of Jesus. These two groups were not used to cooperating, but now they do. In fact, the Pharisees, the religious people, take the lead in doing so. That’s why I say this sentence hints at one of the main themes of the New Testament. The gospel of Jesus Christ is an offense to both religion and irreligion. It can’t be co-opted by either moralism or relativism. The “traditional values” approach to life is moral conformity—the approach taken by the Pharisees. It is that you must lead a very, very good life. The progressive approach, embodied in the Herodians, is self-discovery—you have to decide what is right or wrong for you. And according to the Bible, both of these are ways of being your own savior and lord. Both are hostile to the message of Jesus. And not only that, both lead to self-righteousness. The moralist says, “The good people are in and the bad people are out—and of course we’re the good ones.” The self-discovery person says, “Oh, no, the progressive, open-minded people are in and the judgmental bigots are out—and of course we’re the open-minded ones.” In Western cosmopolitan culture there’s an enormous amount of self-righteousness about self-righteousness. We progressive urbanites are so much better than people who think they’re better than other people. We disdain those religious, moralistic types who look down on others. Do you see the irony, how the way of self-discovery leads to as much superiority and self-righteousness as religion does? The gospel does not say, “the good are in and the bad are out,” nor “the open-minded are in and the judgmental are out.” The gospel says the humble are in and the proud are out. The gospel says the people who know they’re not better, not more open-minded, not more moral than anyone else, are in, and the people who think they’re on the right side of the divide are most in danger.
Timothy J. Keller (Jesus the King: Understanding the Life and Death of the Son of God)
Claire… It is not what you think. Won’t you please allow me to explain? Please. Allow me to speak with you.” It was more tempting than she liked. “There is nothing to say. We both know what I saw.” She paused. “Now go away.” Her tone was as aloof as she could manage between tears that would not stop. She saw the handle turn. “Don’t you dare!” She took a pre-emptive step back. But he did dare. The door opened slowly. “Are you…dressed?” “Of course, I am dressed!” she said furiously. “I am packing. Kindly have a carriage ordered.” It was a lie but he would not know that. Her case was still open on the window seat. He pushed the door open wider. He did not look like a man who had come from the arms of another woman. His face was not flushed with desire. It looked rather drawn in fact. But what did she know of such things? Perhaps that woman had merely exhausted him. “I did not invite her here, Claire. I did not even know she was coming.” He pushed locks of dark hair from his eyes. Claire bit her lip, thinking of how she had looked forward to touching those waves, brushing it possessively off his face herself. “Serafina does what she pleases. As you can see, she has no sense of propriety or discretion. She believes she owns Isabel and I even still. Even though, after her unforgiveable actions, she quite thoroughly relinquished rights to us both some time ago. I do not believe Isabel has pardoned her yet. I certainly will not.” He looked at her, eyes wide and beseeching. Not a hint of pride or arrogance. “She does not want me to be happy without her, Claire,” he said softly. “She must have found out I was to be married and she came with all haste. This is exactly what she was hoping for—or nearly so. When you walked in…” “Oh? Nearly so?” Fury twisted inside her. “I apologize for intruding so unexpectedly, for interrupting your passionate liaison. I suppose if Isabel and I had not walked in, you would still be there even now. On the floor together perhaps.” Thomas looked taken aback, then angry. “Of course not! Do you really think me so…? Is that what you believe, Claire? You did exactly what Serafina hoped you would do. Reacted with anger and jealousy, blamed me, and stormed out.” “Jealousy!” Claire exclaimed, drawing herself up. “I assure you—I am not jealous in the least. If she wants you, she is welcome to have you. I did not want you in the first place, as you will recall.” He flinched. If she did not know better, she might almost have believed him to be hurt. She swallowed hard. “What have I to be jealous of? The fact that you prefer your mistress to…” Oh, no. Her voice was catching in her throat. “…to… me…” She hiccupped embarrassingly, tears flowing over. All of a sudden Thomas’s arms were around her, holding her firmly to his chest. “Claire… No, no…” he whispered. Her cheek was pressed up rather roughly against his tailcoat. He smelled so good. She closed her eyes, her body relaxing against him. There was another smell there. An overpoweringly sweet scent of lilacs. She pushed herself away, hands against his chest. “You smell of her.” He looked horrified. Horrified that he did? Or horrified that she had noticed? Did he smell of her from head to toe? Claire felt nauseous.
Fenna Edgewood (Mistakes Not to Make When Avoiding a Rake (The Gardner Girls, #1))
Morning, Vex. Forget something?” She almost asked him what until she saw the way his gaze smoldered and caressed her almost naked body. Oops. Had she jumped out of bed in only her panties? Nudity wasn’t something that Meena usually noted or cared about. Mother, on the other hand, was always yelling at her to put clothes on. She and Leo had a lot in common. “You should get dressed.” “Why? I’m perfectly comfortable.” So comfortable she brought her shoulders back and made sure to give her boobs a little jiggle. He noticed. He stared. Oh my. Was it getting hot in here? Funny how the heat in her body, though, didn’t stop her nipples from hardening as if struck by a cold breeze. Except, in this case, it was more of an ardent perusal. Did Leo imagine his mouth latched onto a sensitive peak just like she was? “While I am sure you are comfortable, if we’re to go out, then in order to avoid a possible arrest for indecent exposure, you might want to cover your assets.” “We’re going out? Together?” He nodded. “Where?” “It’s a surprise.” She clapped her hands and squealed, “Yay,” only to frown a second later. Leo was acting awfully strange. “Wait a second, this isn’t one of those things where you blindfold me and tell me you’ve got a great surprise, only to dump me on a twelve-hour train to Kansas, is it? Or a plane to Newfoundland, Canada?” His lips twitched. “No. I promise we have a destination, and I am going with you.” “And will I be back here tonight?” “Perhaps. Unless you choose to sleep elsewhere.” Those enigmatic words weren’t his last. “Be downstairs and ready in twenty minutes, Vex. I really want you to come.” Did he purr that last word? Was that even possible? Could he tease her any harder? Please. “How should I dress? Fancy, casual, slutty, or prim and proper?” She eyed him in his khaki shorts and collared short-sleeved shirt. Casual with a hint of elegance. He looked ready for a day at a gentleman’s golf club. And she wanted to be his corrupting caddy, who ruined his shot and dragged him in the woods to show him her version of a tee off. “Your clothes won’t matter. You won’t wear them for long.” Good thing she was close to a wall. Her knees weakened to the point that she almost buckled to the floor. Leaning against it, she wondered if he purposely teased her. Did her serious Pookie even realize how his words could be taken? He approached her until he stood right in front of her. Close enough she could have reached out and hugged him. She didn’t, but only because he drew her close. His essence surrounded her. His hands splayed over the flesh of her lower back, branding her. She leaned into him, totally relying on him to hold her up on wobbly legs. “What about breakfast?” she asked. “I’ve got pastries and coffee in my truck. Lots of yummy treats with lickable icing.” Staring at his mouth, she knew of only one treat she wanted to lick. Alas, she didn’t get a chance. With a slap on her ass, he walked off toward the condo door. Leo. Slapped. My. Ass. She gaped at his retreating broad back. “Don’t make me wait. I’d hate to start without you.” With a wink— yes, a real freaking wink— Leo shut the door behind him. He was waiting for her. Why the hell was she standing there? She sprinted for the shower.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Indeed, today there is an enormous danger that the Left has lost the ability to offer a genuinely useful critique of America’s emerging role and has degenerated into what is dangerously close to a full-fledged fantasy ideology. The danger here is the danger that arises with any criticism that has become too obviously tendentious or even merely spiteful: it stops being listened to. Under the present circumstances, this is a risk that the Left has been running more and more, both in America and in the world community, with the result that the culture war threatens to position the American academic Left not as a constructive critic, or even as a usefully carping one, but rather as an outright enemy. This was apparent both before, during, and after the Iraq war, so strikingly that it even led one liberal Left critic to write an astonishing article, in which he confessed to the Schadenfreude he felt at each apparent hint of a prospective disaster for the forces of his own country, made up of his fellow citizens. The problem with this reaction is that it represents a radical imbalance in our civic ecology: if criticism is to push in the right direction, it must not seem to be coming from those who have absolutely nothing in common with us. When the Left-wing intellectual seems to have contempt for everything that the average American holds dear, how seriously do you think his advice will be taken? That is why the intellectual, conservative, liberal, or radical, must submit his own “natural” point of view to the same kind of critique that Marxists have traditionally applied to all other forms of ideological distortion and disguise. For it is not only our economic class that colors how we see the world, but our particular vocation within that class.
Lee Harris (Civilization and Its Enemies: The Next Stage of History)
Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
Shirley A. Martin (Bloodline Gypsy: Jook and Gypsies vol. 1)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
As former deputy head of the presidential administration, later deputy prime minister and then assistant to the President on foreign affairs, Surkov has directed Russian society like one great reality show. He claps once and a new political party appears. He claps again and creates Nashi, the Russian equivalent of the Hitler Youth, who are trained for street battles with potential prodemocracy supporters and burn books by unpatriotic writers on Red Square. As deputy head of the administration he would meet once a week with the heads of the television channels in his Kremlin office, instructing them on whom to attack and whom to defend, who is allowed on TV and who is banned, how the President is to be presented, and the very language and categories the country thinks and feels in. The Ostankino TV presenters, instructed by Surkov, pluck a theme (oligarchs, America, the Middle East) and speak for twenty minutes, hinting, nudging, winking, insinuating though rarely ever saying anything directly, repeating words like “them” and “the enemy” endlessly until they are imprinted on the mind. They repeat the great mantras of the era: the President is the President of “stability,” the antithesis to the era of “confusion and twilight” in the 1990s. “Stability”—the word is repeated again and again in a myriad seemingly irrelevant contexts until it echoes and tolls like a great bell and seems to mean everything good; anyone who opposes the President is an enemy of the great God of “stability.” “Effective manager,” a term quarried from Western corporate speak, is transmuted into a term to venerate the President as the most “effective manager” of all. “Effective” becomes the raison d’être for everything: Stalin was an “effective manager” who had to make sacrifices for the sake of being “effective.” The words trickle into the streets: “Our relationship is not effective” lovers tell each other when they break up. “Effective,” “stability”: no one can quite define what they actually mean, and as the city transforms and surges, everyone senses things are the very opposite of stable, and certainly nothing is “effective,” but the way Surkov and his puppets use them the words have taken on a life of their own and act like falling axes over anyone who is in any way disloyal.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
The pace of innovation continues to increase, and the Information Revolution holds a hint of what may lie ahead. Taken together, the parallels between APM-based production and digital information systems suggest that change in an APM era could be swift indeed—not stretched out over millennia, like the spread of agriculture, nor over centuries, like the rise of industry, nor even over decades, like the spread of the Internet’s physical infrastructure. The prospect this time is a revolution without a manufacturing bottleneck, with production methods akin to sharing a video file. In other words, APM holds the potential for a physical revolution that, if unconstrained, could unfold at the speed of new digital media.
K. Eric Drexler (Radical Abundance: How a Revolution in Nanotechnology Will Change Civilization)
...he raised his head and looked at her; she had not caught him noticing her approach; he looked up as if he expected her to be there, as if he knew she would be back. She saw the hint of a smile, more insulting than words. He sustained the insolence of looking straight at her, he would not move, he would not grant the concession of turning away—of acknowledging that he had no right to look at her in such manner. He had not merely taken that right, he was saying silently that she had given it to him.
Ayn Rand (The Fountainhead)
Tell me, why did it matter to you who won? I mean, even if you’d won, you still could have released me from the bargain. You could have said I didn’t have to spend those two days with you.” “I could have,” he acknowledged. “But after…after you told me about your father, I wanted you to have his horse back. Rava should have had more respect for his memory. She shouldn’t have taken him--them--away.” Tears stung my eyes, and I swallowed several times to loosen my throat. What a stupid reaction. “Thank you,” I murmured, and I felt his hand close around mine, giving it a squeeze. I sighed contentedly, letting myself enjoy the moment. “What was your father like?” “I don’t know,” he said offhandedly. “What do you mean, you don’t know?” As usual, my typical phrasing was somewhat coarse, driven by my curiosity, and I caught myself, adopting a more considerate tone. “Did he die when you were young?” “No, he’s still alive.” I turned my head to gape at him, greatly confused. “He left you?” “No.” “Then what?” I sat up again, close to exasperation; he just looked at me, bemused, my hand still in his. “Father’s don’t raise their children in Cokyri. They aren’t trusted with such an important responsibility. I never knew mine.” This was not an answer I could have foreseen, and I shifted uneasily, trying to figure out how to proceed. “I’m sorry,” I said lamely. He was quiet at first, his eyes fixed on the darkened sky as he pondered our different experiences. “I never felt sorry about it. My mother was a good woman--she and her maidens took care of me. But like I told you before, I had to work harder than you can imagine to achieve my military rank, and only because I’m a man. I can do everything Rava can do. I always could, but no one would see it, not even her. A struggle like that makes you question things.” “So now you wish you’d known your father?” Again, he reflected. “No. I wish I’d known yours.” I looked away, once more fighting tears. I didn’t understand how he could affect me so deeply. “I’m not sure my father would have been to your liking,” I finally said, meeting his eyes. “I found him brave for his willingness to fight, even when there was no more hope. You would probably have found him weak.” He sat up and gazed earnestly at me. “There is a way to accomplish things, but it’s rarely to declare a war, private or otherwise.” “Sometimes the war is not of your making,” I retorted. “You must fight, otherwise you’re a lamb. And lambs are slaughtered, Saadi.” His brows drew together, and we stared at each other for much longer than we should have, and I knew I had rattled him. Then he shook his head. “See those lights up there? They’re called stars.” I laughed. “I can take a hint. We should go back.” We caught and saddled our mounts, then took our time returning to the city, neither of us really wanting the day to end.
Cayla Kluver (Sacrifice (Legacy, #3))
was early evening—the fields receding into a pink invisibility as they rose back into the horizon. Colin felt his heart slamming in his chest. He wondered if she even wanted to see him. He’d taken “sleeping over at Janet’s” as a hint, but maybe it wasn’t. Maybe she really was sleeping at Janet’s, whoever that was—which would mean a lot of hiking for naught. After five minutes of driving, he reached the fenced-in field that had once been home to Hobbit the horse. He climbed over the tri-logged fence and jogged across the field. Colin, of course, did not
John Green (The John Green Collection)
The German army appeared today to have taken its greatest gamble of the war, staking everything on a single desperate offensive to halt the allied march on Berlin now. Decisive failure in this big push, observers believed, might lead to a German military collapse and the final defeat of the Wehrmacht west of the Rhine. The full scope and purpose of the enemy’s winter offensive is still obscured by military censorship on both sides of the front, but field dispatches hinted strongly that the battle now swirling along the Belgian border may prove to be the last great action of the western war … All accounts indicated the Nazis have finally committed the cream of their armored reserves to this offensive, and the German home radio service boasted that the long-silent Adolf Hitler personally planned and ordered the attack.
Peter Caddick-Adams (Snow and Steel: The Battle of the Bulge, 1944-45)
They found evidence of people living inland from the coast as early as 9210 B.C. But the oldest date securely associated with a city is about 3500 B.C., at Huaricanga. (There are hints of earlier dates.) Other urban sites followed apace: Caballete in 3100 B.C., Porvenir and Upaca in 2700 B.C. Taken individually, none of the twenty-five Norte Chico cities rivaled Sumer’s cities in size, but the totality was bigger than Sumer. Egypt’s pyramids were larger, but they were built centuries later.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
North Koreans pride themselves on their directness of speech, an attitude that had been encouraged by Kim Jong-il himself. Foreigners are often taken aback by the bluntness of North Korean diplomats. Ok-hee’s experience was the first hint I got that the two Koreas had diverged into quite separate cultures. Worse was to come. After more than sixty years of division, and near-zero exchange, I would find that the language and values I thought North and South shared had evolved in very different directions. We were no longer the same people.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Our mother tongue, so far ahead of me, Displays her goods, hints at each bond and link, Provides the means, leaves it to us to think, Proffers the possibles, balanced mutually, To be used or not, as our designs elect, To be tried out, taken up or in or on, Scrapped or transformed past recognition, Though she sustains, she’s too wise to direct. Ineffably regenerative, how does she know So much more than we can? How hold such store For our recovery, for what must come before Our instauration, that future we will owe To what? To whom? To countless of our kind, Who, tending meanings, grew Man’s unknown Mind.
Ivor A. Richards
Delicious shivers slid down her spine as she assessed his cool, sensual face. His eyes were the deepest shade of brown, dark like the forest floor she'd hidden on before she'd taken a chance to claim victory for her team. A hint of a cleft in his chin and full lips in a beautifully shaped mouth softened what might have otherwise been a severe expression. As his gaze raked up and down her body, her nipples tightened and she crossed her arms over her chest, silently thanking the '80s for her massive puffball sleeves.
Sara Desai (The Singles Table (Marriage Game, #3))
Viet Cong, young men carelessly eating their breakfast, never suspecting the Americans would be out so early. They paid with their lives. Most of us were pretty excited whenever we actually, but rarely, saw the enemy, much less killed them. But Barnes was cool, so cool, no big displays ever. Having reported the incident, and stripping the dead men, he soon had us under way, no credit taken, looking for further action ahead; considering there had already been contact, the likelihood of more that day was in the air. Whereas some of us were not looking forward to such an encounter, the thought excited Barnes. He was a great soldier, probably on his second or third tour — but why? Why would he come back after a facial wound like he had? I never asked, and he never told. You hear things in the army, as in all society, and some kind of narrative emerges; in this case, the story was that he’d been literally shot or sustained shrapnel in the face, skull, head, requiring a major reconstruction job as the scar branched deeply around his eye, nose, and cheek; even his lips were affected. And as he had clearly once been a handsome man, the scars perversely heightened his visage into a Phantom of the Opera echo — a man distorted, perhaps, by anger or revenge, or really a question mark. What was he about? He never hinted in all the time I was around him. I watched him with both curiosity and trepidation; he’d get back to the rear after we’d been out in the field a week or more and relax with booze, poker, cigarettes, sometimes a cigar. It was said he’d been in Japan in the hospital about eight months, rehabbing from the wound. And there he’d “married a Japanese gal.” And now he was back. Sort of an Ahab looking for his White Whale. And here I was, like Ishmael, walking five or ten steps behind him, always expecting that something was going to break because, like a fly, he smelled the blood of war. As good a soldier as he was, I was relieved when he got rid of me as his radio operator.
Oliver Stone (Chasing The Light: How I Fought My Way into Hollywood - From the 1960s to Platoon)
Yes," Naveen said. "Yes?" Hope surged through her. "You'll do it?" "Of course I will, Tiana." There was something about the way he said her name---the way it rolled off his tongue in that lyrical way he spoke. If she didn't know any better, Tiana would have thought the Shadow Man had taken away her ability to speak. She was transfixed by the subtle hint of longing in Naveen's hazel-colored eyes. The butterflies returned. But Tiana didn't try to suppress them; she didn't want to. Because this flutter was filled with excitement and yearning and all those feelings she'd tried so hard to ignore this past year when it came to Naveen. For one brief moment, Tiana allowed herself to just feel. "Thank you," she finally answered, her voice once again catching in her throat. "Anything for you," he said.
Farrah Rochon (Almost There)
But what needs to be emphasized here is that the differences can never be interpreted as meaning that the operative power of the seed - or the operative power of the Word - is in any way dependent on circumstantial cooperation. Perversely, though, we seem to prefer that interpretation. The history of Christian thought is riddled with virtualism. "Sure," we have said, "the Lamb of God has taken away all the sins of the world." But then we have proceeded to give the impression that unless people did something special to activate it, his forgiveness would remain only virtually, not actually, theirs. Think of some of the things we have said to people. We have told them that unless they confessed to a priest, or had the sacrifice of the mass applied specifically to their case, or accepted Jesus in the correct denominational terms - or hit the sawdust trail, did penance, cried their eyes out, or straightened up and flew right - the seed, who is the Word present everywhere in all his forgiving power, might just as well not really have been sown. Once again, this note of power actually present - this flat precluding of even a hint of virtualism in the proclamation of the Gospel - comes through even more clearly in the rest of the parables of the kingdom, especially when they involve, as they do here, the imagery of seeds.
Robert Farrar Capon (Kingdom, Grace, Judgment: Paradox, Outrage, and Vindication in the Parables of Jesus)
After being together with someone for a few years, their attractions stand to become grievously familiar. We will ignore them and become experts on their most trying dimensions. But we are never without a chance to reverse the process. It might be that we watch them when they are with friends. We pick up again on their shy smile, their sympathetic look, or the purposeful way they push back the sleeves of their pullover. Or perhaps we hear that a casual acquaintance thinks that they are fascinating and elegant and – mixed in with a dose of jealous irritation – via this potential rival’s eye, we see again all that we could conceivably lose. We are adaptable creatures. Disenchantment is not a one-way street. We are capable of a second, more accurate look. We can turn to art for hints on how to perform the manoeuvre of re-enchantment. Many works of art look with particular focus at what has been ignored and taken for granted. In the 18th century, the French painter Chardin didn’t paint the grand things that other painters of the period went in for: heroic battles, majestic landscapes or dramatic scenes from history. Instead he looked around him and portrayed the quiet, ordinary objects of everyday life: kitchen utensils, a basket of fruit, a teacup. He brought to these objects a deeply loving regard. Normally you might not have given them a moment’s thought. But, encouraged by Chardin, we start to see their allure. He’s not pretending; he’s showing us their real but easily missed virtues. He isolates them, he concentrates attention, he carefully notes what is worthy of respect. He re-enchants our perception. In the 19th century, the English painter John Constable did something similar for clouds. Nothing, perhaps, sounds duller. Maybe as children we liked to watch the grey banks of cloud drift and scud across the arc of the sky. We had favourites among them; we saw how they merged and separated; how they were layered; how a blue patch could be revealed and then swiftly covered. Clouds are lovely things, we once knew. Then we forgot. Constable’s many cloud paintings remind us of the ethereal poetry unfolding above our heads at all moments, ready to delight us when we have the imagination to look up. Imagine meeting your partner through the lens of art. You would find again the allure of things about them that – through familiarity and haste – had been neglected. We could study once more the magic of a palm that we once longed to caress; we could attend again to a way of tilting the head that once seemed so suggestive. In the early days, we knew how to see. Now as artists of our lives – in our own fashion – we can rediscover, we can select, refocus, appreciate. We can become the explorers of lost continents filled with one another’s overlooked qualities.
The School of Life (How to Get Married)
So, basically, you’re asking me for sex lessons.” At that, I giggle, my cheeks flushing and slight nervousness running through me at the thought. “Well, kind of. I guess.” He shakes his head, but there’s a hint of a smile there, too. “Bellamy Mitchell, what are you getting me involved in? First a fake boyfriend, and now sex lessons?” It’s a relief that the serious tone he had just a moment ago is gone, something lighter and more teasing having taken its place. “I guess I’m a lot more interesting than either of us ever gave me credit for, huh?
Jillian Liota (The Problem with Perfect (Cedar Point, #3))
As she stacked the yarn on the counter she seemed a little incredulous. This should have been my first warning: When a person who sells yarn for a living thinks that maybe you’re buying a lot of yarn—well, it’s a sign. A different sort of knitter would have taken that as a hint. Me? I thought she was a knitter without aspirations.
Stephanie Pearl-McPhee (Yarn Harlot: The Secret Life of a Knitter)
She scans the room, running predatory, hungry eyes over all of us before settling on Matvey. He’s in jeans and a dark hoodie. He’s taken to wearing them since the fire. He likes his scars covered, and when he sees her looking at him, he turns away, making it clear he’s not interested. She doesn’t take the hint. They never do. It’s something about his unattainability that makes every woman zero in on him. They can see he’s wounded, and they want to be the woman to make him feel better. It never works.
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
She scans the room, running predatory, hungry eyes over all of us before settling on Matvey. He’s in jeans and a dark hoodie. He’s taken to wearing them since the fire. He likes his scars covered, and when he sees her looking at him, he turns away, making it clear he’s not interested. She doesn’t take the hint. They never do. It’s something about his unattainability that makes every woman zero in on him. They can see he’s wounded, and they want to be the woman to make him feel better. It never works. He can’t stand to be touched,
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
Gwyn shook her head. She still wore her robes, though she’d taken to tying back her hair in a tight braid. “I even asked Merrill last night. She broke through that glamour, but beyond a few mentions in old texts, she couldn’t find anything more than what you already know. Not a hint about when or where they were lost, or who lost them. We can’t even uncover who last possessed them, since it’s information that goes back at least ten thousand years.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
the analysis of the story in the rest of this book does not address it as a tale of men and gods in which characters are interpreted as embodiments of ideas such as truth, virtue, or cupidity. The story is not interpreted as a veiled account of a historical event or process—such as the ascent of a particular ancient tribe, say, the Adamites, to power. Nor does it regard the story as a typological tale in which Adam and Hawwa foreshadow particular types of later people, such as royal elites and Israelite peasants. It does not consider the Garden story as one that provides hints or insights into secret lore or mystical doctrines. All of these interpretive strategies have already been used to explain the story, or to explain it away, or to make it make sense so that the Bible could be taken seriously, or to clarify it for theological reasons. None of these reasons for reading, or objectives for analyzing, the story interests me.
Ziony Zevit (What Really Happened in the Garden of Eden? (The Lewis Walpole Series in Eighteenth-Century Culture and History))
At that point he should have just taken the hint and gone slinking off into the night.
Jerry Spinelli
The display of power in the midst of a storm helped convince the disciples that Jesus was unlike any other man. Yet it also hints at the depths of Incarnation. “God is vulnerable,” said the philosopher Jacques Maritain13. Jesus had, after all, fallen asleep from sheer fatigue. Moreover, the Son of God was, but for this one instance of miracle, one of its victims: the creator of rain clouds was rained on, the maker of stars got hot and sweaty under the Palestine sun. Jesus subjected himself to natural laws even when, at some level, they went against his desires (“If it is possible14, may this cup be taken from me”). He would live, and die, by the rules of earth.
Philip Yancey (The Jesus I Never Knew)
And I couldn’t help but thinking about how all of this seemed like one giant inside joke. It was always a sort of kink of mine that I would one day potentially be taken in by a hunky bear of a man and be used in the ways I figured he was hinting at.
Joe Satoria (Bad Boy: An MM Mafia Romance)
She spotted Captain Winston in the barn, hitching the mares to the wagon, and walked out to join him. When he turned around, she was taken aback. “Good morning, Mrs. Prescott.” She stared at the freshly shaven man smiling down at her, a hint of stubble shadowing the jawline that only yesterday had sported a full and unruly beard. “Captain Winston?” His smile deepened, along with the gray of his eyes, which, without the distraction of the beard, proved to be a rather disarming combination. He rubbed a hand over his jaw as though privy to her thoughts. “Yes, ma’am. At your service. Mrs. McGavock says you need to go into town.” “Y-yes, I do. Thank you, Captain, for taking me.” “My pleasure. Just give me a couple more minutes and we’ll be set.” He circled the wagon and checked the harness straps on the other side. She tried not to stare, but had to acknowledge . . . He was a handsome man with strong, angular features. And younger than she would’ve guessed upon their first meeting. He possessed a quiet confidence about him as though he had nothing left to prove. Either that, or he simply didn’t put much stock in others’ opinions. Seeing him clean shaven brought back memories of Warren’s last trip home in April. He’d been sporting a similar soldier’s beard, as she’d called it. All wild and woolly. She’d shaved it off for him that first night, cherishing the chance to look fully into the face of the man she’d married. And loved. Loved still.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Why do the wicked attract us so? What hint of glamour, hope for material gain, or assumption of fleeting happiness do they radiate, that we can find ourselves so easily, fatally taken in?
Mark Frost (Twin Peaks: The Final Dossier)
Whatever Patricio was looking for, he didn’t seem to find it. His frown deepened. “Help with what?” he asked finally. “A young woman is dying in my castle. I need your help to save her life.” “What business is it of mine if you’ve taken too much from one of your blood whores?” Patricio asked, his voice thick with disgust. “If—” His voice cut off as Kirill pressed the blade of his dagger against the angel’s stomach. He would have preferred to press the steel against the judging angel’s throat, but he wasn’t willing to sacrifice his leverage to reach up as high as that would require given the disparity in their height. Instead, he pressed the blade into the angel’s tunic, easily sliding through the material until he was rewarded with the scent of fresh blood. He did a few quick calculations, angling the knife so he could easily find the angel’s heart if the situation degraded. “Never speak of her in that manner again,” he said softly, his voice as cold as his own grave. “I need your blood to save her life. There’s no reason you have to die for me to get it.” Tension roared to life in the air around him, coming from within as well as from the princes standing behind him. Kirill cursed. He hated having people behind him, especially when weapons had been drawn. Irina, even now you distract me. Patricio stepped forward, pressing his body against the blade and driving it farther into his skin. His eyes flashed with a hint of that same brilliant lightning Kirill had seen when the angel was feeding. “You would offer me harm in my own kingdom?” “Your kingdom, my kingdom, or the land of oblivion. If you judge Irina so wrongly again, I will kill you and leave your rotting carcass for the vultures.” -Patricio and Kirill
Jennifer Blackstream (One Bite (Blood Prince, #2))
I believe his exact words were, ‘Go sort this out, and don’t come back until you’re certain you can keep your mind on what matters.’” He smiled at Kerry, then. That big, broad grin that crinkled the deeply tanned skin at the corners of his eyes, the one that made all that bright blue twinkle and added a shadow to that hint of a cleft in his chin. “That sounds more like Big Jack,” she said. He’d just been making it clear he wanted Cooper’s head back in the game. She wondered if Big Jack was shocked when his oldest son had taken him up on the offer. Probably, she thought, a smile hovering again as she imagined the look on his broad, still handsome, craggy face. “He also said, ‘And, if what matters happens to be about yay high”--Cooper lifted the palm of his hand level with the top of Kerry’s head--“‘with firecracker hair and a temperament to match, well, you’d best be bringing her back along with you.’” “He did not say that,” Kerry declared, even as she knew damn well he probably had. She could hear him, see his own crinkled-at-the-corners, twinkle-eyed gaze. Now it was Cooper’s turn to shrug. “He’ll be deeply disappointed when I come back empty-handed.” He lifted his palms. “But what’s a bloke to do?” She swatted his shoulder, only it might have been a little more like a punch. “Don’t you dare try to emotionally blackmail me or make me feel bad about this. I didn’t ask you to fly halfway around the globe and could have saved you the trouble if you’d given me so much as a hint what you were thinking. Besides, you don’t want me--or anyone else--on the station who doesn’t want to be there. Who doesn’t feel the same as you.” His smile stayed, but the look in his eyes was nothing short of the fierce gaze of a man who pushed himself to the limits of his ability every single day and wasn’t the least bit afraid of a challenge. “My mistake, then.” Kerry tried to hold his gaze but ended up ducking her chin. “You never so much as hinted--” “Starfish--” Her head shot up, but the automatic rejection of the nickname died on her lips at the look on his face, in his eyes. “Nothing ever happened.” Only because you didn’t let it happen, her little voice supplied. She tried desperately to ignore that part. “As you said, you weren’t staying. We all knew that.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I was just thinking I can’t imagine them being thrilled with you taking off like this, halfway around the world no less, leaving them shorthanded and--then I thought, oh no, something must have happened, because why else would you--” She broke off, shook her head, and seemed to look sightlessly at her hands, still gripping the steering wheel. “Because why else would I what?” She finally looked at him, and along with that goodly dose of agitation and not a little honest confusion, he saw that sliver of vulnerability again. “Because what else would cause a man I knew to be perfectly sane and fully committed to running one of the biggest cattle stations in the Northern Territory alongside his big, loud, boisterous, and very close-knit and beloved family--to up and run halfway around the world chasing after a…after--” “You?” She blinked, closed her mouth, opened it again, then simply shook her head and looked away. A beat passed, then another. “So, they’re all okay?” she asked him anyway, back to staring at her hands. “Big Jack? Ian? Sadie?” She glanced at him. “Little Mac?” He lifted his hand, palm out. “All safe and sound, I swear. Last I checked anyway.” His grin settled back to a quiet smile. “The only one who’s lost anything is me.” She ducked her chin; then he saw her pull herself together. And when she raised her eyes to his once more, she was all Kerry McCrae. Bold, confident, smart, and more than a little smart-assed. Potent combination, that. Or so he’d learned. When she’d first come to their station, hired on by his father, Big Jack, as a jackaroo--or jillaroo, as the female ranch trainees were called--Cooper had told his dad and his two siblings that the American wouldn’t last a fortnight. A wanderer who’d gone a bit troppo more than likely, traipsing around the world for kicks, thinking station life was some romantic outback romp, was about to find out she’d bitten off more than she could chew. He bit back a grin at the memory of how she’d taken on Cameroo and every single member of the Jax family, wrapping them around her like they were a comfortable, well-worn coat. And the only chewing that had been done was by him, eating his words. “You know, a more prudent man might have wanted to use that newfangled thing called a phone, or to shoot off an e-mail on that fancy laptop Sadie was so excited about finally getting for her schoolwork,” Kerry said, more quietly now. “Find out if the other party even remembered his name, much less if she was interested in doing anything more with him than trying to herd ten thousand head of cattle all over the godforsaken outback.” “Twenty thousand. And you just told your entire town you loved Australia and its godforsaken outback.” She nodded but said nothing; there was not even a hint of that earthy, easygoing smile that was usually never more than a breath away.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
From the same Badiou piece: Strange is the rage reserved by so many feminist ladies for the few girls wearing the hijab. They have begged poor president Chirac… to crack down on them in the name of the Law. Meanwhile the prostituted female body is everywhere. The most humiliating pornography is universally sold. Advice on sexually exposing bodies lavishes teen magazines day in and day out. A single explanation: a girl must show what she’s got to sell. She’s got to show her goods. She’s got to indicate that, henceforth, the circulation of women abides by the generalized model, and not by restricted exchange. Too bad for bearded fathers and elder brothers! Long live the planetary market! The generalized model is the top fashion model. It used to be taken for granted that an intangible female right is to only have to get undressed in front of the person of her choosing. But no. It is vital to hint at undressing at every instant. Whoever covers up what she puts on the market is not a loyal merchant. Let’s argue the following, then, a pretty strange point: the law on the hijab is a pure capitalist law. It orders femininity to be exposed. In other words, having the female body circulate according to the market paradigm is obligatory. For teenagers, i.e. the teeming center of the entire subjective universe, the law bans any holding back.16
Nina Power (One Dimensional Woman)
Once, ten years ago, at a Sunday-afternoon party in some apartment that she remembered now as being labyrinthine, although it probably had only four bedrooms, as opposed to the place she shared with her brother and her father that had two, Mike Shea had seized her by the wrist and pulled her into a dim room and plastered his mouth against hers before she could catch her breath. She had known him since high school, he was part of the crowd she went with then, and he had kissed her once or twice before—she remembered specifically the train station at Fishkill, on a snowy night when they were all coming back from a sledding party—but this was passionate and desperate, he was very drunk, and rough enough to make her push him off if he had not, in the first moment she had come up for air, gently taken off his glasses and placed them on a doilied dresser beside them, and then, in what seemed the same movement, reached behind her to lock the door. It was the odd, drunken gentleness of it, not to mention the snapping hint of danger from the lock, that changed her mind. And after two or three rebukes when he tried to get at the buttons that ran up the back of her dress, she thought, Why not, and although her acquiescence seemed to slow him down a bit, as if he was uncertain of the next step, she was enjoying herself enough by then to undo the last button without prompting and then to pull her bare shoulder and arm up out of the dress—first one then the other—and to pull dress and slip (she didn’t wear a bra, no need) down to her waist in a single gesture. And then—was it just the pleasure of the material against her bare flesh, his shirt front, her wool?—she slowly pushed dress and slip and garter belt and stockings down over her narrow hips until they fell to her feet. And then she stepped out of her shoes. (“Even the shoes?” the priest had whispered in the confessional the following Saturday, as if it was more than he could bear, or imagine—as if, she thought later, he was ready to send her to perdition or ask her for a date.)
Alice McDermott (After This)