Hinge Best Quotes

Dads. Do you honestly expect anybody to believe that you can’t find 20 minutes to step away from your computer or turn off the television to play with your child? It has to happen every single day. Do you not understand that children will hinge their entire facet of trust on whether or not their dad plays with them and how involved he is when he plays with them? Do you know the damage you do by not playing with your children every day?

It was a strange room, the door hanging off its hinges, and yet a telephone. But its last occupant was a harlot, long past her best, which had been scarlet.

The quality of your life hinges on your attitudes and offerings.

The best team does not always win, it's the team that plays the best.

Did you think that locking me up in the community was the best answer?” “We—” “Did you think you could stop me?” Power shot from me, smacking into the door behind Dawson, blowing it off the hinges and into the house. “I’ll burn the world down to save her.

In any arrangement that hinges upon the fulcrum of trust there exists the leverage potential for crime.

When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.

All this shows how much luck there is in human affairs, and how little we should worry about anything except doing our best.

so evenly was strained their war and battle, till the moment when Zeus gave the greater renown to Hector, son of Priam, who was the first to leap within the wall of the Achaians. In a piercing voice he cried aloud to the Trojans: "Rise, ye horse-taming Trojans, break the wall of the Argives, and cast among the ships fierce blazing fire." So spake he, spurring them on, and they all heard him with their ears, and in one mass rushed straight against the wall, and with sharp spears in their hands climbed upon the machicolations of the towers. And Hector seized and carried a stone that lay in front of the gates, thick in the hinder part, but sharp at point: a stone that not the two best men of the people, such as mortals now are, could lightly lift from the ground on to a wain, but easily he wielded it alone, for the son of crooked-counselling Kronos made it light for him. And as when a shepherd lightly beareth the fleece of a ram, taking it in one hand, and little doth it burden him, so Hector lifted the stone, and bare it straight against the doors that closely guarded the stubborn-set portals, double gates and tall, and two cross bars held them within, and one bolt fastened them. And he came, and stood hard by, and firmly planted himself, and smote them in the midst, setting his legs well apart, that his cast might lack no strength. And he brake both the hinges, and the stone fell within by reason of its weight, and the gates rang loud around, and the bars held not, and the doors burst this way and that beneath the rush of the stone. Then glorious Hector leaped in, with face like the sudden night, shining in wondrous mail that was clad about his body, and with two spears in his hands. No man that met him could have held him back when once he leaped within the gates: none but the gods, and his eyes shone with fire. Turning towards the throng he cried to the Trojans to overleap the wall, and they obeyed his summons, and speedily some overleaped the wall, and some poured into the fair-wrought gateways, and the Danaans fled in fear among the hollow ships, and a ceaseless clamour arose.

Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.

It is only for a week or two that a broken chair or a door off its hinges is recognised for such. Soon, imperceptibly, it changes its character, and becomes the chair which is always left in the corner, the door which does not shut. A pin, fastening a torn valance, rusts itself into the texture of the stuff, is irremovable; the cracked dessert place and the stewpan with a hole in it, set aside until the man who rivets and solders should chance to come that way, become part of the dresser, are taken down and dusted and put back, and when the man arrives no one remembers them as things in need of repair. Five large keys rest inside the best soup-tureen, scrupulously preserved though no one knows what it was they once opened, and the pastry-cutter is there too, little missed, for the teacup without a handle has taken its place.

My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime. That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister. And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you. When my sister walked out of her room and said she’d met Jesus, my mom knew all that. And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you. And she believed. When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?” Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian. All the money she gave up, so we’re poor now. But I don’t have an answer for them. How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.” Why else would she believe it? It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life. My mom wouldn’t have made the trade otherwise. If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side. That or Sima is insane. There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it. If it’s not true, she made a giant mistake. But she doesn’t think so. She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed. And she’s poor now. People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better. It’s true. We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma. We can wonder and question and disagree. You can be certain she’s dead wrong. But you can’t make Sima agree with you. It’s true. Christ has died. Christ is risen. Christ will come again. This whole story hinges on it. Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.

Moments   We have an infinite amount of moments. Some that we count as our best memories, and others we suppress. Moments we wish we could live again and others we want to detach from the hinges of a door so tightly closed. We are made up of moments. The pictures hidden between pages of books. The concert tickets piling up in a bin, crinkled from the multiple folds as we shoved it in our pockets and washed the jeans it was in. Life is beautiful for giving us an infinite amount of moments. We may be made of cells, bones, and muscle, but moments are what make up our soul. Embrace

In another way, which Washington could not foresee, his image was much more grievously damaged. A painful physical disability was being grafted onto his legend so that in the minds of future Americans his attribute—like Saint Catherine’s wheel or Saint Sebastian’s arrows—became ill-fitting false teeth. Washington did wear clumsy dentures. Only one of his own teeth was in his mouth in 1789 when he presided over the capital in New York. That tooth soon vanished. Washington wore terrifying-looking contraptions, made of substances like hippopotamus ivory. The upper and lower jaws, that were hinged together at the back of the mouth, opened and closed with the assistance of springs. He himself complained that they distorted his lips. However, as he could command the best dentists, he was probably no more disfigured than was then common among the elderly

Everything has its "that," everything has its "this." From the point of view of "that" you cannot see it, but through understanding you can know it. So I say, "that" comes out of "this" and "this" depends on "that" - which is to say that "this" and "that" give birth to each other. But where there is birth there must be death; where there is death there must be birth. Where there is acceptability there must be unacceptability; where there is unacceptability there must be acceptability. Where there is recognition of right there must be recognition of wrong; where there is recognition of wrong there must be recognition of right. Therefore the sage does not proceed in such a way, but illuminates all in the light of Heaven. He too recognizes a "this," but a "this" which is also "that," a "that" which is also "this." His "that" has both a right and a wrong in it; his "this" too has both a right and a wrong in it. So, in fact, does he still have a "this" and "that"? Or does he in fact no longer have a "this" and "that"? A state in which "this" and "that" no longer find their opposites is called the hinge of the Way. When the hinge is fitted into the socket, it can respond endlessly. Its right then is a single endlessness and its wrong too is a single endlessness. So, I say, the best thing to use is clarity.

I also tend to blame myself first," said Camba. Her head was still shaved for mourning, though she'd rehung her golden earrings. "The world is seldom so simple that it hinges on us alone. Pende played his own part. He told you your mind was bound and that it was problem, but did he make even the slightest attempt to help you?" "He doesn't deserve this," I said, unsure where her argument was leading. "Of course not," said Camba. "And neither do you deserve all the blame. Sometimes everyone does their best and things still end up wrong.

When I think of finishing the work, when I think of the finished work, a great sadness overtakes me, a sadness paradoxically like joy. The circumstances of doing put away, the being of it takes possession, like a tenant in a rented house. Where are you now, homeless heart? Caught in a hinge, or secreted behind drywall, like your nameless predecessors now that they have been given names? Best not to dwell on our situation, but to dwell in it is deeply refreshing. Like a sideboard covered with decanters and fruit. As a box kite is to a kite. The inside of stumbling. The way to breath. The caricature on the blackboard.

The spoon bends the world. The whole ceiling nestles in the bowl of the spoon. The bowl of the spoon cups the light in the room and serves it up. I offer my hands to receive it, themselves a cup but winged, hinged like the wings of a bird. The light in the spoon, too, flies; it has entered my eyes, but soft with the sound of wind in leaves. The leaves, my shelter. The cup, my shelter. Your hands, my shelter. The light, shelter. Who doesn't have one asks, "Who needs a house?" A faithful spoon bends the world to offer it up as what the heart likes best to eat. A hungry heart is good at spotting spoons. The hungry spoon? Its hungriness allows it to feed the rest of us. Its emptiness my home.

Running a restaurant means setting a stage. The believability hinges on the details. We control how they experience the world: sight, sound, taste, smell, touch. That starts at the door, with the host and the flowers.” And then, the bar. Timeless: long, dark mahogany, with stools high enough to make you feel like you were afloat. The bar had soft music, dim lighting, tinkling layers of noise, the bumps of a neighbor’s knee, the reach of someone’s arm by your face to take a glittering martini, the tap of a hostess as she escorted guests behind your back, the blur of plates being passed, the rattle of drinks, the virtuoso performance of bartenders slapping bottles into the back bar while also delivering bread, while also taking an order with the requisite substitutions and complications. All the best regulars came in and greeted the hostess saying, Any space at the bar tonight?

The earliest memory treatises described two types of recollection: memoria rerum and memoria verborum, memory for things and memory for words. When approaching a text or a speech, one could try to remember the gist, or one could try to remember verbatim. The Roman rhetoric teacher Quintilian looked down on memoria verborum on the grounds that creating such a vast number of images was not only inefficient, since it would require a gargantuan memory palace, but also unstable. If your memory for a speech hinged on knowing every word, then not only did you have a lot more to remember, but if you forgot a single word, you could end up trapped in a room of your memory palace staring at a blank wall, lost and unable to move on. Cicero agreed that the best way to memorize a speech is point by point, not word by word, by employing memoria rerum. In his De Oratore, he suggests that an orator delivering a speech should make one image for each major topic he wants to cover, and place each of those images at a locus. Indeed, the word “topic” comes from the Greek word topos, or place. (The phrase “in the first place” is a vestige from the art of memory.)

What are people saying about me and Rosie?” Ryder asks, his brows drawn. I throw one hand up in the air. “Never mind. It’s not like I care, anyway.” “No, ’course you don’t,” he snaps back. “What’s that supposed to mean?” He shakes his head. “Nothing, Jemma. Just…go to bed, why don’t you?” “What, are you my dad now? How about this? I’ll go to bed when I’m ready to go to bed.” “Wow, that’s real mature.” “You’re such a jerk, Ryder.” “A jerk? That’s the best you’ve got? You’re really off your game tonight.” “You are really getting on my nerves,” I say, my skin flushing hotly. He just shrugs, looking entirely unmoved. “What else is new? I’ve always gotten on your nerves.” “Not always,” I say, and my heart catches a little. I squeeze my eyes shut, forcing back the memories. When I open them again, he’s still standing there, glowering at me. “Great, here we go again.” He starts to walk away and then turns back to face me. “You know what? I have no idea what I did to piss you off, but--” “Seriously?” I sputter. “I’ll give you a hint--eighth grade.” “You’re mad at me about something I did in eighth grade, Jem? That was four fucking years ago. Whatever it was, why don’t you grow up and get over it?” “Why don’t you go to hell,” I shoot back. “I’m leaving now,” he says, turning to stalk away. “Good!” I shout, tears burning behind my eyelids. “Go. I hate you, Ryder Marsden!” “Yeah, well…the feeling’s mutual,” he throws back over one shoulder. Even though I know it’s childish of me, I storm back inside and slam the French doors with as much force as I can muster, nearly rattling them off their hinges. Charming, right?

Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.

Aristotle was privileged to study at Plato’s Academy, but some kid on the other side of the world was probably just as promising as young Aristotle and never got the mentorship. How can building deep relationships with master mentors be a smartcut if it hinges on our being lucky enough to know the master? Hip-hop icon Jay-Z gives us a clue in one of his lyrics, “We were kids without fathers . . . so we found our fathers on wax and on the streets and in history. We got to pick and choose the ancestors who would inspire the world we were going to make for ourselves.” In ancient Greece, few people had access to the best mentors. Jay-Z didn’t either, but he had books from which he could get an inkling about what those kinds of mentors were like. With every increase in communication, with every autobiography published, and every YouTube video of a superstar created, we increase our access to the great models in every category. This allows us to at least study the moves that make masters great—which is a start.

Successful marriage hinges on the application of knowledge - knowing and understanding God's principles not the exchange of love.. Brother you can be in love all you want but that doesn't make the woman the right person. Same with ladues, you can be head over heels with him but that doesn't make him the right husband. In all your getting, get knowledge and understanding.

There is a wonderful story of a group of American car executives who went to Japan to see a Japanese assembly line. At the end of the line, the doors were put on the hinges, the same as in America. But something was missing. In the United States, a line worker would take a rubber mallet and tap the edges of the door to ensure that it fit perfectly. In Japan, that job didn’t seem to exist. Confused, the American auto executives asked at what point they made sure the door fit perfectly. Their Japanese guide looked at them and smiled sheepishly. “We make sure it fits when we design it.” In the Japanese auto plant, they didn’t examine the problem and accumulate data to figure out the best solution—they engineered the outcome they wanted from the beginning. If they didn’t achieve their desired outcome, they understood it was because of a decision they made at the start of the process.

Sweet, sweet books. Each book, a treasure chest of knowledge. And the advent of the modern library did not disturb him: The introduction of computers and other “screens” into libraries only increased that access to information. That was key, he long felt, to an informed society, one that cleaved to both empathy and critical thinking: access to information. Simply being able to know things—true things!—meant the world to him. And better still, reference librarians served well in the role that the internet never did: They were the perfect bouncers at the door of bad information. Or, put differently, they were the best vectors to transmit truth. Just as diseases required strong vectors to survive, thrive, and spread, Benji always felt that the power of a healthy society hinged on powerful vectors that allowed good information to do the same: survive, thrive, spread. Unhealthy societies quashed truth-tellers, hid facts, and curtailed debate (often at the end of a sword or rifle). Information, as the saying went, wanted to be free. And a healthy society understood that and helped it to be so. And libraries were the perfect, shining example of that assistance.

The difficulty of applying these examples in practice suggests that in the actual bureaucratic assessment of who was a Jew, those on the front line were simply expected to know whether someone was Jewish. This amounted to the administrative adaptation of the intuition-based “Silbergian” test of Jewishness introduced in chapter 3, which hinged on the idea that Jews know best who is a Jew. Somewhat ironically, though, the examples were not wisely chosen: according to the relevant standard of matrilineal descent, the father’s name should be all but irrelevant. Moreover, these rather stereotypical examples do not indicate how a civil servant would be able to tell a Jew from a non-Jew in more complicated cases or—perhaps even worse—how to identify someone who claimed to be not Jewish but descended from a Jewish ancestor.

Pushkala’s team knew that top-down approaches like those used by Lou Gerstner and Steve Jobs would backfire in this company as, unlike IBM and Apple, AstraZeneca wasn’t in crisis—although revenue and profits fell between 2011 and 2016. AstraZeneca is also a decentralized company, in which local leaders have substantial authority to accept, modify, or ignore orders from on high. So, rather than telling people what to do, Pushkala’s team took “a player-coach” approach. They implemented some key companywide efforts, but believed their success hinged on the cumulative impact of small systemwide and local changes. Most employees would join the effort because they wanted to, not because they had to. And the team believed that many of the best solutions would be tailored for tackling distinct local problems. As Pushkala put it, “Let us not solve world hunger; let us start eating the elephant in small chunks.

The basic movement patterns that train your lower half—squatting, hinging, lunging—produce the greatest metabolic response. Most importantly, having a strong lower half is the best way to protect your body from the most common pain points: low back pain and knee pain.

It’s wonderful to see you falling in love at last, Caleb. I was beginning to think I’d never dance at your wedding.” Caleb went to the porch swing and sat down beside her, taking her hand in his and giving her knuckles a brief kiss. He didn’t know if he was in love, but he wasn’t about to spoil Gertrude’s delight. “If I can’t have you,” he teased, “I’ll have to settle.” “She’ll still be giving you trouble when you’re ninety, you know. Lily’s exactly what you need, Caleb. She’ll try your patience many a time, but she’ll also bring out the best that’s in you. And she’ll give you fine, handsome children.” Caleb allowed himself to imagine Lily bearing him a child and felt his groin tighten. “Are you suggesting that I court her?” he asked in a light voice, to cover the sweet despair he felt. “I know what John told you,” Gertrude answered, “and to a great degree I think he’s right. Lily’s the kind of person that’s got to be challenged; she doesn’t believe that anything worthwhile comes easily.” Caleb got up and walked to the porch railing again, bracing his hands on the whitewashed wood, searching the distance for Lily, but there was no sign of her. “I think she may drive me crazy before too long,” he said. Gertrude laughed, and the swing hinges creaked. She came and patted him gently on the back. “That’s a sure sign she’s the right one,” she said.

Rissa Kerguelen by F. M. Busby. I read this now largely forgotten science fiction book at about the time I was starting my company, and it influenced me deeply. One key idea is the role of entrepreneurship as a “subversive force.” In a world dominated by large companies, it is the smaller companies that keep freedom alive, with economics at least one of the battlegrounds. This book gave me the courage to submerge myself in the details of a fundamentally trivial business (technical writing and publishing) and to let go of my earlier hopes of writing deep books that would change the world. Those hopes came back around later. The other wonderful idea in this book is “the long view.” Well before the Long Now Foundation popularized the idea, Busby hinged his plot on the science fiction trope that in a world of near-light-speed travel, time passes more slowly for those at near-relativistic speed than for those left behind. The characters must set events in motion and travel to meet up with them decades hence. That was also a useful framing as I set out to build a business that would allow me to affect the world of the future in ways that I couldn’t yet as a young entrepreneur.

Often children's book illustrators were assumed to have kind and whimsical natures--a foolish expectation, for all the best children's literature, if anyone has been paying attention, hinges on betrayal, the heartlessness of nature, death.

I get to attend a lot of meetings, dinners, and working groups in which people are trying to bridge the divide between Washington and Silicon Valley, the defense and technology worlds, and I have come to believe that we are radically overthinking this problem. Much of the answer hinges on basic supply and demand. Again, it is a question of incentives. On any given day, billions of dollars of private capital sit on the sidelines in America, looking for promising new ventures that could yield big returns. More of that money does not flow into the defense sector because most venture capitalists have come to believe that defense is a lousy investment, and plenty of empirical evidence supports that assumption. For decades, too many defense technologies have failed to transition from promising research and development efforts to successful military programs fielded at scale. Too many small companies doing defense work have become casualties in the “valley of death” rather than billion-dollar “unicorns.” The reason there are not more success stories is not a mystery: the US government did not create the necessary incentives. It did not buy what worked best in large quantities.

Each book, a treasure chest of knowledge. And the advent of the modern library did not disturb him: The introduction of computers and other “screens” into libraries only increased that access to information. That was key, he long felt, to an informed society, one that cleaved to both empathy and critical thinking: access to information. Simply being able to know things—true things!—meant the world to him. And better still, reference librarians served well in the role that the internet never did: They were the perfect bouncers at the door of bad information. Or, put differently, they were the best vectors to transmit truth. Just as diseases required strong vectors to survive, thrive, and spread, Benji always felt that the power of a healthy society hinged on powerful vectors that allowed good information to do the same: survive, thrive, spread. Unhealthy societies quashed truth-tellers, hid facts, and curtailed debate (often at the end of a sword or rifle). Information, as the saying went, wanted to be free. And a healthy society understood that and helped it to be so. And libraries were the perfect, shining example of that assistance.

I hate you for leaving.” I slam the door shut in his handsome face, and the lock clicks loudly against the silence in the air. He pounds his fist into the hard wood, shaking it on its hinges. “I hate you for staying,” he shouts.

There is a wonderful story of a group of American car executives who went to Japan to see a Japanese assembly line. At the end of the line, the doors were put on the hinges, the same as in America. But something was missing. In the United States, a line worker would take a rubber mallet and tap the edges of the door to ensure that it fit perfectly. In Japan, that job didn’t seem to exist. Confused, the American auto executives asked at what point they made sure the door fit perfectly. Their Japanese guide looked at them and smiled sheepishly. “We make sure it fits when we design it.” In the Japanese auto plant, they didn’t examine the problem and accumulate data to figure out the best solution—they engineered the outcome they wanted from the beginning. If they didn’t achieve their desired outcome, they understood it was because of a decision they made at the start of the process. At the end of the day, the doors on the American-made and Japanese-made cars appeared to fit when each rolled off the assembly line. Except the Japanese didn’t need to employ someone to hammer doors, nor did they need to buy any mallets. More importantly, the Japanese doors are likely to last longer and maybe even be more structurally sound in an accident. All this for no other reason than they ensured the pieces fit from the start. What the American automakers did with their rubber mallets is a metaphor for how so many people and organizations lead. When faced with a result that doesn’t go according to plan, a series of perfectly effective short-term tactics are used until the desired outcome is achieved. But how structurally sound are those solutions? So many organizations function in a world of tangible goals and the mallets to achieve them. The ones that achieve more, the ones that get more out of fewer people and fewer resources, the ones with an outsized amount of influence, however, build products and companies and even recruit people that all fit based on the original intention. Even though the outcome may look the same, great leaders understand the value in the things we cannot see. Every instruction we give, every course of action we set, every result we desire, starts with the same thing: a decision. There are those who decide to manipulate the door to fit to achieve the desired result and there are those who start from somewhere very different. Though both courses of action may yield similar short-term results, it is what we can’t see that makes long-term success more predictable for only one. The one that understood why the doors need to fit by design and not by default.

But I’ve learned that the whole trajectory of our lives can turn on the hinges of such minuscule events as they accumulate over time. Each choice against our sense of truth, no matter how trivial, makes us more likely to self-sabotage. It’s as if, by splitting ourselves, we launch the alter ego that destroys our best intentions.

He had mastered the art of conducting a love affair through all its stages, from infatuation to consummation, wholly within its mind. How could he do that? The indispensable first step was to capture what he called “a living image” of the beloved and make it his own. Upon this image he would then dwell, giving breath to it, until he had reached a point where, still in the realm of the imagination, he could begin to make love to this succubus of his and eventually conduct her into the utmost transports; and this whole passionate history would remain unbeknown to the earthly original. [ On the erotic life ] It all hinged, he replied, on being able to capture, through the closest, most dedicated attention, that unique unconscious gesture, too slight or too fleeting to be noticed by the average eye, by which a woman gave herself away - gave away her erotic essence, that is to say, her soul. The way she turned her wrist to look at her wristwatch, for example, or the way she reached down to pull tight the strap of a sandal. Once that unique movement was caught, the erotic imagination could explore it at leisure until the woman’s every last secret was laid open, not excluding how she moved in the arms of a lover, how she came to her climax. From the giveaway gesture all followed “as if by fate”. [ On the erotic life ] That’s the beauty of thoughts, isn’t it, that distance doesn’t matter, and separation. [ On compassion ] The woman from Lausanne complains above all of loneliness. She has created a protective ritual for herself in which she retires to bed at night with music playing in the background and lies cosily reading a book, immersed in what she tells herself is bliss. Then, as she begins to reflect on her situation, bliss turns to disquiet. Is this truly the best that life affords, she asks herself - lying in bed alone with a book? Is it such a good thing to be a comfortable, prosperous citizen of a model democracy, secure in her home in the heart of Europe? Despite herself, she grows more and more agitated. She rises, dons dressing gown and slippers and takes up her pen. [ On fan mail ]

Each book, a treasure chest of knowledge. And the advent of the modern library did not disturb him: The introduction of computers and other “screens” into libraries only increased that access to information. That was key, he long felt, to an informed society, one that cleaved to both empathy and critical thinking: access to information. Simply being able to know things—true things!—meant the world to him. And better still, reference librarians served well in the role that the internet never did: They were the perfect bouncers at the door of bad information. Or, put differently, they were the best vectors to transmit truth. Just as diseases required strong vectors to survive, thrive, and spread, Benji always felt that the power of a healthy society hinged on powerful vectors that allowed good information to do the same: survive, thrive, spread. Unhealthy societies quashed truth-tellers, hid facts, and curtailed debate (often at the end of a sword or rifle). Information, as the saying went, wanted to be free.

For the purposes of this book, your “buttons” are your nervous system and a “trigger” is anything that revs up your nervous system and makes your buttons bigger, brighter, more sensitive, and way easier for your kids to push. And your children will push your buttons. They are genetically, evolutionarily, physiologically, developmentally, relationally, psychologically, and emotionally wired to jam their sticky little fingers into your buttons every chance they get. Some kids push harder and faster than other kids, but they all push. It doesn’t mean they secretly despise you. It just means they’re your kids. Many parenting books focus on how to get kids to stop with all the pushing already. While it is technically your job as a parent to teach your children to keep their hands to themselves, both literally and figuratively, this is not the best tactic for managing your shit. Do you really want to hinge your sanity on the behavior of someone who licks walls and melts down over the shape of a piece of toast? Yeah, I didn’t think so.

KNOWING WHAT WE desire in a mate provides no guarantee that we will succeed in getting what we want. Success hinges on providing signals that we will deliver what the partner we desire is seeking. Because ancestral women valued high status in men, for example, men have evolved motivation for acquiring and displaying status. Because ancestral men desired youth and health in potential mates, women have evolved motivations to appear young and healthful. Competition to attract a mate therefore involves besting one’s rivals in developing and displaying the characteristics most keenly sought by one’s desired partners.

This southern white way of life, however, is not based solely on white superiority. Rather, it is best viewed as a triptych with religious fundamentalism and patriarchy standing as separate hinged panels that can be folded inward–bent to cover bent to cover or reinforce white supremacy throughout much of the region's history.

It all hinges on tone. Our whole democracy, he said, hinges on tone.

From the founding of the Republic to the founding of an after-school program in a public school, from the House of Representatives to a settlement house—it all hinged on how we reacted and interacted in small groups. Follett knew from both observation and participation that human energy could be created and kindled or smothered and killed based entirely on what mindset we each brought to the encounter. How you could create spaces where each person could at once stand out and fit in. How could we create unity among radically different people with divergent priorities without mandating uniformity? Follett wanted to revive the Constellation for a new time.

Should You Eat Dal Rice / Khichdi? Here's Why Research Now Backs This Protein Mix That Aids Weight Loss And Gut Health. Did you know dal rice is a dish with complete amino acid profile? Read here to know more benefits of this humble dish. 1. While dal and rice individually lack a few essential amino acids, the combination of the two make for a complete amino acid profile. Rice contains cysteine and methionine, both of which are lacking in lentils. Similarly, lentils contain lysine, the amino acid which grains lack. 2. The joy of eating dal rice is best with a lip-smacking tadka of ghee on it. Not only will ghee make the dish more delicious, it will also help you absorb all nutrients from dal rice and from spices like turmeric and cumin. However, you need to watch for the amount of ghee you use. Celebrity nutritionist Rujuta Diwekar says that you should add as much ghee to your food that enhances (and not kills) the original taste of it. 3. The beauty of dal rice and khichdi is that this simple dish can be prepared in unique ways. To make it more wholesome and nutritious, you can add a variety of lentils and grains (in your khichdi). And for the tadka, numerous spices can be added. Hing and jeera, for instance, are commonly added to dal and even khichdi. The two ingredients impart an earthy flavour to the dish and are excellent for digestion at the same time. 4. Turmeric is another essential ingredient in both dal rice and khichdi. This golden spice has numerous health benefits. Read here to know all about them. 5. Dal rice is high in fibre and antioxidants. You are likely to get Vitamin A, D, E and K all at once by eating this very easy-to-prepare staple Indian dish. It is one dish which can aid digestion, improve your metabolism, reduce inflammation in the body, promote weight loss and build immunity. * Subject to calorie controlled use for Weight Management.* Contact Sunrise Nutrition Hub 9820055036 Email: indar.rajani@gmail.com Address: Shop No 1&2, Bayview, Near Fortis Hospital, Opp Swamnarayan Kendra, Sector 10'A, Vashi, - 400703

That’s how God parents us, and that’s why a grace-based home is one where our kids know that their identity as a loved member of our family doesn’t hinge on their behavior.

Sam Anderson. “The Greatest Novel.” New York Magazine (outline). Jan. 9, 2011. New York is, famously, the everything bagel of megalopolises—one of the world’s most diverse cities, defined by its churning mix of religions, ethnicities, social classes, attitudes, lifestyles, etc., ad infinitum. This makes it a perfect match for the novel, a genre that tends to share the same insatiable urge. In choosing the best New York novel, then, my first instinct was to pick something from the city’s proud tradition of megabooks—one of those encyclopedic ambition bombs that attempt to capture, New Yorkily, the full New Yorkiness of New York. Something like, to name just a quick armful or two, Manhattan Transfer, The Bonfire of the Vanities, Underworld, Invisible Man, Winter’s Tale, or The Amazing Adventures of Kavalier & Clay—or possibly even one of the tradition’s more modest recent offspring, like Lush Life and Let the Great World Spin. In the end, however, I decided that the single greatest New York novel is the exact opposite of all of those: a relatively small book containing absolutely zero diversity. There are no black or Hispanic or Asian characters, no poor people, no rabble-rousers, no noodle throwers or lapsed Baha’i priests or transgender dominatrixes walking hobos on leashes through flocks of unfazed schoolchildren. Instead there are proper ladies behaving properly at the opera, and more proper ladies behaving properly at private balls, and a phlegmatic old Dutch patriarch dismayed by the decline of capital-S Society. The book’s plot hinges on a subtly tragic love triangle among effortlessly affluent lovers. It is 100 percent devoted to the narrow world of white upper-class Protestant heterosexuals. So how can Edith Wharton’s The Age of Innocence possibly be the greatest New York novel of all time?