Hindu Temple Visit Quotes

In 1902 before the site of the steel plant was even located, Jamsetji when abroad, described his dream city of steel to his son Dorab in a letter: ‘Be sure to lay wide streets planted with shady trees, every other of a quick-growing variety. Be sure that there is plenty of space for lawns and gardens. Reserve large areas for football, hockey and parks. Earmark areas for Hindu temples, Mohammedan mosques and Christian churches.’ Two decades after Jamsetji penned these lines, J.R.D. first visited Jamshedpur. The dream had come true. In the intervening years men of steel had raised a city out of a jungle.

When he arrived in Calicut on India’s Malabar coast, he re-established contact with Europe via the familiar Middle Eastern route used by travellers and merchants. It was a feat of seamanship, but in other respects his visit was not entirely auspicious. When he was taken to a temple by the local Brahmins, Vasco assumed that they were long-lost Christians. He fell on his knees in front of the statue of the Virgin Mary. It turned out to be the Hindu goddess Parvati. Meanwhile the Muslim merchants in the port were distinctly unfriendly, and, after a scuffle, Vasco decided to beat an early retreat and sail off home.

Yogyakarta, Indonesia (Java Island) Known as Jogja to locals and a small but steady flow of backpackers that fill up the budget accommodation in alleyways close to the town's main train station. The town itself has always had a reputation for attracting arts dealers from across Asia and is home to many impressive galleries and several significant palaces and monuments that show off different aspects of Islamic and Javanese culture and history. It is also very close to two of Indonesia's most important and impressive religious sites. Firstly the magnificent Borobodur, the worlds largest Buddhist monument outshines even Angkor Wat in terms of its size and grandeur. At sunrise especially it is a truly awe-inspiring sight. The other one is the Hindu temples at Prambanan which are equally important and it is easy to visit both Borobodur and Pramabanan on the same day although prepare for some fairly hefty entry fees of around US$20 at each site.

I consider myself as a Muslim, Christian, Jewish, Buddhist, Hindu, Zarathust etc. but foremost as a ''Human. One that visits mosques, synagoges, churches and temples of all kinds with the most sacred being my own temple. Now to exclude one piece of puzzle of the whole is to exclude the whole entirely. For the whole is always more than the sum of its parts.

WHY IS TODAY SPECIAL IN HINDUISM? Today is the day (as per Hindu calendar) that Abhirami Bhattar prayed to Parashakti and manifest Amavasya (new moon day) as full moon day (Poornima) Subramaniya Iyer, who was then known as Abhirami Bhattar, was an ardent devotee of Devi Parashakti from the village that was famous for its Shiva temple, called Amritaghateswarar-Abirami Temple, Thirukkadaiyur. Once when the Maratha rule, king Serfoji I visited the Thirukkadavur temple on the day of the new moon (Amavasya). On noticing the peculiar behaviour of Subramaniya Iyer who was a temple priest, he inquired the other priests about the individual. One of them remarked that he was a madman while another rejected this categorization explaining to the king that Subramaniya Iyer was only an ardent devotee of Goddess Abhirami. Seeking to know the truth himself, Serfoji approached the priest and asked him what day of the month it was. Whether it was a full-moon day(Poornima) or a new-moon day(Amavasy). At that moment, Subramaniya Iyer was doing the Tithi Nithya Aaradhana in the SriChakra Navaavarana krama and was worshipping the Devi as Poornima Tithi. Subramaniya Iyer who could see nothing else but the shining luminant form of the Goddess before him answered that it was a full-moon day (Poornima) while it was in fact a new-moon day(Amavasya). The king rode off informing the former that he would have his head cut off if the moon did not appear on the sky in the night. A huge fire was lit and Subramaniya Iyer was erected on a platform supported by a hundred ropes. He sat upon the platform and prayed to the Goddess Abhirami to save him. The ropes were cut off, one after another in succession on completion of each verse of his prayer. These hymns form the Abhirami Anthadhi. On completion of the 79th hymn, the Goddess Abhirami manifested herself before him and threw her earring over the sky such that it shone with bright light upon the horizon. The area around the temple sparkled with bright light. Overcome with ecstasy, Subramaniya Iyer composed 21 more verses in praise of the Goddess. The king repented his mistake and immediately cancelled the punishment he had given to Subramaniya Iyer. He also bestowed upon the latter the title of Abirami Pattar or "priest of Goddess Abhirami". There are a hundred stanzas plus a காப்பு (Kāppu, protection) verse for lord Ganesha and a final பயன் (Payaṉ, outcome), thus a total of 102 stanzas that are included in Abhirami Anthadhi. The author praises Abhirami as his own mother, regrets his mistakes, speaks of the divine play of mother and father Paramashiva, and her simplicity & mercy. It is believed that recitation of each stanza will result in the specific achievement of the devotees. Here is one of the famous stanzas of Abhirami Anthadhi: " மணியே, மணியின் ஒளியே, ஒளிரும் அணி புனைந்த அணியே, அணியும் அணிக்கு அழகே, அணுகாதவர்க்குப் பிணியே, பிணிக்கு மருந்தே, அமரர் பெரு விருந்தே. பணியேன், ஒருவரை நின் பத்ம பாதம் பணிந்தபின்னே." - செய்யுள் 24 " Maṇiyē, maṇiyiṉ oḷiyē, oḷirum aṇi puṉainta aṇiyē, aṇiyum aṇikku aḻakē, aṇukātavarkkup piṇiyē, piṇikku maruntē, amarar peru viruntē.- Paṇiyēṉ, oruvarai niṉ patma pātam paṇintapiṉṉē." - stanza 24 Pearl like you are, You who are the reddish aura of the pearl! You are like the pearl studded chain who adds beauty to the chain, You are pain to those who do not fall at your feet while the panacea for pains of those who fall at your feet, the nectar of Gods, After worshipping at thine lotus feet, Will I bow before any other, Now and now after. The beauty of Abhirami Anthathi: காப்பு starts as ″தார் அமர் கொன்றையும்...″ and பயன் ends as ″... தீங்கு இல்லையே″ (தாயே)