Highlighted In Yellow Quotes

Every book is a different hood, a different country, a different world. Reading is how I visit places and people and ideas. And when something rings true or if I still have a question, I outline it with a bright yellow highlighter so that it’s lit up in my mind, like a lightbulb or a torch leading the way to somewhere new.

If Mrs. Charles were a color, she'd be yellow - bright, cheerful, golden rays of sunshine. A ripe banana, a fresh highlighter, sweet like pineapples, tart like lemons, you could lose her in a field of dandelions. One drop of her coloring could turn plain buttercream frosting into the sweetest Easter cake. But one drop of another color could spoil her brightness. Leave her out in the heat too long and her banana peel would start to rot. The tip of her highlighter blackens with wear. The prickling of her pineapple skin sometimes leaves her impossible to open. And dandelions are nothing but pretty weeds." -Claudia

Magic of Southern expressions? Similes and metaphorical allusions. They are the yellow highlighter of conversation.

But that day's not now. And even if this horror becomes an accent color - a smudge of lead white to highlight a cheekbone, a bit of yellow ochre the glint on a sword - sometimes those are the pigments that change one's perecption of an entire work of art.

Mamá's headlights lit up the yellow fluorescent lines of the road. They were curvy and it seemed like they were being traced out of nothingness by the invisible hand of God - like God was bored, drawing hills and lines with a highlighter.

There will come a day, when this horror is not the only color on your palette. But that day's not now. And even if this horror becomes an accent color- a smudge of lead white to highlight a cheekbone, a bit of yellow ochre the glint on a sword- sometimes those are the pigments that change one's perception of an entire work of art.

After I got back to Texas, Anna sent me another letter. Her voice did not have the hop-skip this time. I read it with a thunderstorm rolling in my belly, the words of rejection leaping out as if a yellow highlighter had been dragged across them: "worried about you" "can no longer watch" "please understand" She did not demand that I quit drinking, but she told me she couldn't be the safe place for my confessions anymore. It was a love letter, the hardest kind to write, but I did not see it that way. It felt like a door slammed in my face.

The more I stare at it, the more the popcorn ceiling above me resembles an exquisite mosaic. Yellow rings from a leaky roof add pizazz to the imperfect white mounds; the reflection of a parked car outside the hotel room highlights the design in a brilliant, abstract pattern. I try to find a name for this provocative image and decide on “Cottage Cheese, Glorified.” And that’s when it becomes obvious that I’m distracting myself from thinking about the U-turn my life just took. I wonder if Galen is back yet. I wonder what he’s thinking. I wonder if Rayna is okay, if she has a killer headache like I do, if chloroform affects a full-blooded Syrena the way it affects humans. I bet that now she really will try to shoot my mom with her harpoon, which reminds me again of the past twenty-four hours of craziness.

Read to travel,” Papi always says. Every book is a different hood, a different country, a different world. Reading is how I visit places and people and ideas. And when something rings true or if I still have a question, I outline it with a bright yellow highlighter so that it’s lit up in my mind, like a lightbulb or a torch leading the way to somewhere new. It’s usually enough to make me forget I’ve barely left Bushwick.

In Japanese culture there is an art of fixing broken pottery with gold or silver lacquer. The lacquer highlights the pottery’s flaw as a celebrated part of its history. Because the piece has been salvaged and repaired, pulled back from the edge of destruction, it is considered even more beautiful for having been broken. We’d been broken. And then we’d been pieced back together. The turmoil had been meaningful because now there was gold where the cracks used to be.

The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.

So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.

The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,”he says. I nod and pat him on the shoulder. “I know you did, man.”We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,”I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge , a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

Does he still prefer yellow cars? Does he ever take out his battered copy of On The Road and read it, wondering why he’d highlighted passage after passage? Does he ever look at girls with brown hair and green eyes and wonder why his heart might skip a beat?

Look, man,” I say, “in the long run, you're going to be better off. She wasn't good for you, Trey.” My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater

Find an excellent quote about "Stories with a Dramatic Arc" by Deb Volberg Search for "the yellow dress" on Youtube tinyurl dot com / storywithdrama2014 tells the highlights When we tell stories about a change in our life, we develop a neural coupling with our audience. the key is developing empathy by showing a change in our beliefs

In the bottom of the desk drawer I found an old composition notebook from my Harriet the Spy days. It was colored in pink and green and yellow highlighter. I'd followed the boys around for days, taking notes in it until I drove Steven crazy and he told Mom on me.

We’re not done yet! For those notes that are especially long, interesting, or valuable, it is sometimes worth adding a third layer of highlighting. I advise using the “highlighting” feature offered by most notes apps, which paints passages in bright yellow just like

If Lady Beatrice left the ring for her descendant... she would need proof, a way of knowing for certain who that person is. I reach my arms out to my sides and brush my hands against the hedge walls, just as I did two weeks ago with Sebastian. The hedges once again change color, my hands painting them a vivid periwinkle. But this time the dirt path beneath my feet also begins to glow with an ethereal yellow light. I gasp as the light beneath my feet winds forward... leading me. I pick up speed, keeping my hands on either side of the hedge walls as I run, following the twists and turns of the glowing path before me. And at last I am in a place I've never been---a curving corner of the Maze highlighted by a bed of hydrangeas, the only flowers I've encountered within. Dad's words from years ago return to me. "...remember the hydrangeas. When you see them, that means you're close." My breath catches. This must be the Maze's center.

But I don’t think Mr. Lewis wants us to do that, to assign the things of his life to the things of his story. I think, if I’m guessing right, he wants us to see that stories are all tangled together. Highlight (yellow) - Location 1042

Secondhand Books Are Just My Type Choose a woman of a certain age as you would a good secondhand book. She should stand out on the shelf, illuminated among the chaos; be slightly worn showing she has history and has been appreciated, but with a quick feather dusting appear as good as new; she must be browseable at your pleasure, before making a commitment; and, of course, be a limited edition whose value will increase over time. Beware of inscriptions written on her by past owners, as well as dog ears, yellow highlights and unsightly wear and tear. Finally, avoid those antiquarian mass market types harboringmummified silverfish and, heaven forbid, faded pressed flowers and love letters tucked within her moldy pages.

I think that people who stand up for what they believe in, no matter how unpopular, should be celebrated, not cast aside. I believe that my ideas about green highlighters and yellow highlighters could have served the Muscular Dystrophy Association well, if only they were given a proper and considerate airing.

he took out a yellow highlighter and highlighted the eighth course of Abijah. “Zane, in Luke 1 in your New Testament, it tells the story of Zacharias’s priestly service at the temple. As the story is told, Zacharias and Elisabeth could not conceive a child, and for some time this had caused them great sorrow. It so happened that an angel appeared to Zacharias as he performed his duties. The angel said Zacharias would have a son and to call his name John. Zacharias doubted the angel Gabriel’s message, so Gabriel said he would not be able to speak until these things came to pass. Well, Luke states that shortly thereafter Elisabeth conceived.

This effect is called “suicide contagion.” It’s also known as the Werther effect, a term coined by sociologist David Phillips in the 1970s. The name itself highlights how long we’ve known about the phenomenon: in the eighteenth century, a host of young men imitated the protagonist of Goethe’s novel The Sorrows of Young Werther, dying by suicide dressed as he did, in yellow pants and a blue jacket.

So, I did some illustrations." Turning the laptop around again, I explain each drawing as I click through them. I've drawn a couple of the most recent dishes and also ones from the most popular episodes of Lily's, Katherine's, and Nia's series---baba ghanoush and samosas from World on a Plate, Easy Peasy Split Pea Soup and Julia Child's Play Boeuf Bourguignon from Fuss-Free Foodie, and a baked Alaska and cannoli cheesecake from Piece of Cake. I've also done some minimalist illustrations of each of the Friends, highlighting their respective settings and personal style with mostly solid colors and basic shapes. Since Rajesh's show takes him to a lot of different restaurants around the country, I've drawn him with wavy black hair and brown skin, standing under a generic restaurant sign and wearing a graphic T-shirt and the green backpack he always carries on his travels. Seb and Aiden are side by side in the FoF studio, in their white and red aprons, respectively, and looking like the little culinary angel and devil on your shoulder. And I've depicted Katherine standing in one of the prep kitchens with her hands on her hips and her wild auburn hair piled in a bun atop her head. She's surrounded by plates of miscellaneous food and the yellow notepad she jots her recipes down on, using the most basic steps and terms, and then displays on camera at the end of each episode.

The foolish man seeks happiness in the distance, the wise man grows it under his feet.

I initially capture into my notes. They are like the ground on which my understanding will be built. Layer two is “oil,” as in “I’ve struck oil!,” conveniently represented by black, bolded text. Layer three is “gold,” which is even more valuable, and shines in highlighter yellow in many apps. Layer four is the “gems,” the most rare and illuminating finds that I’ve distilled in my own words as an executive summary.

Tommy showed me one with the actual headline “Blight On the Nation.” Another one said “smudge on the map,” that he’d highlighted with yellow marker.

Two kingfishers frolicking amidst branches of a small fig tree. Fleshy petals with streaks of pale yellow hiding a spread of fine black dots, embroidered in gradient with dark shades of saffron gradually giving way to yellow. Two birds alighting from the flower bush: one with its spindly beak , looking upwards- wings spread out, over sized head with a gay blue breast. The creature looked skywards, poised for a higher flight. The one below hovered over stalks of lilies. Its prussian blue head highlighted with lighter shades of blue and its orange body tapering in a stubby tail. One more fig blossom seemingly at a distance from the main frame looked more of a spectral double of its full bodied cousin, while a whole array of vegetation with stalky leaves seen two notches away as shadows embroidered in grey.

In my zeal for self-actualization, I tore through The 7 Habits of Highly Effective People and then read it again, slowly, with a fat yellow highlighter in hand. When Dr. Covey implored the reader to “begin with the end in mind” and “put first things first,” I nodded and took note. In the workbook pages in the back of the book, I completed a ten-point mission statement which I summarized in capital letters: BE USEFUL.

Grief is like a bright yellow marker. It highlights the empty space in our hearts. It honors the importance of what we have lost, how much it mattered in our lives.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot – which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend

I was about four in the picture, so Kyle was seven. We both had more sunburn than freckles, and more gums than teeth in our goofy smiles. I wore a highlighter yellow pool noodle like a boa around my shoulders; I must have been gay even earlier than I thought.

His idea had been . . . swoonworthy. He’d taken me into the bookstore and told me to pick one of my favorite books that I’d guess he hadn’t read yet, and he’d done the same, buying both and a two-pack of yellow highlighters.

Who the hell highlights in blue? No one. That's who. Not a single yellow one anywhere. No wonder they're in clearance.

Gould’s sunbird landed on the crown of a nearby hemlock. In the brilliant mountain light, its burgundy mantle and back set off its bright yellow rump and belly, highlighted by a long blue tail. The Buddhists say that attachment to beauty is one of the false perceptions humans hold. We, however, suspended Mincha’s Buddhist instruction at such moments and wallowed in our attachment. Over