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Nonstop sunny days would be boring. We need the gloom to highlight the highs.

Sometimes I fantasize about getting my hands on my library records. . . my recurring bookworm dream is to peruse my personal library history like it's a historical document. My bookshelves show me the books I've bought or been given. . . But my library books come into my house and go out again, leaving behind only memories and a jotted line in a journal (if I'm lucky). I long for a list that captures these ephemeral reads - all the books I've borrowed in a lifetime of reading, from last week's armful spanning back to when I was a seven-year-old kid with my first library card. I don't need many details - just the titles and dates would be fine - but oh, how I'd love to see them. Those records preserve what my memory has not. I remember the highlights of my grade-school checkouts, but much is lost to time. How I'd love to see the complete list of what I chose to read in second grade, or sixth, or tenth.

When someone looks at something they don’t understand and they say, “That could be a good thing, or that could be a bad thing,” they’re just highlighting the fact that they have no clue what they are talking about. Everything in the universe, besides God, could be a good or bad thing.

In the seven years I worked at the Tate Gallery in London about six and a half were spent discussing possible exhibition titles. “I Kid You Not,” “No Word of a Lie,” “It’s a Material World,” were all discussed at some time or another as potential names for a show. A typical “titles meeting” would involve about fifteen people, thirteen of whom remained mute, other than to say “no” or “absolutely not,” while a couple of optimistic individuals made suggestions. It was ridiculous, of course, but it does highlight a central tension in the art world: public engagement versus scholarship.

The world of the almanac was a queer one. In the real world, families branched like trees, blood mixed by marriage passed from one generation to the next, making an ever-wider net of connections. Titles, on the other hand, passed from one man to one man, and it was this narrow, linear progression that the almanac liked to highlight. On each side of the title line were a few younger brothers, nephews, cousins, who came close enough to fall within the span of the almanac’s illumination. The men who might have been lord or baronet. And, though it was not said, the men who still might, if the right string of tragedies were to occur. But after a certain number of branchings in the family tree, the names fell out of the margins and into the ether. No combination of shipwreck, plague and earthquake would be powerful enough to restore these third cousins to prominence. The almanac had its limits.

Hispanics are half as likely to enlist in the military as either whites or blacks. The recruit-to-population ratio for whites is 1.06. For blacks it is 1.08. For Hispanics, it’s only 0.65. The media not only neglect to highlight this particular underrepresentation, they lie about it. An article published by the Population Reference Bureau—subsidized by taxpayers—is titled: “Latinos Claim Larger Share of U.S. Military Personnel.” To the untrained eye, this would seem to be saying that Latinos claim a larger share of U.S. military personnel. In fact, however, by “larger share,” the headline means “larger” compared with the past—not compared with other groups. The actual article admits that Hispanics constitute less than 12 percent of all enlistees, compared with 16 percent of the civilian workforce. Moreover, despite their machismo culture, a majority of Hispanic troops are women.15

Her sword weighed heavily in her hand. She stared at the polished blade, wondering if its reflection would be the last sight she ever caught of herself. Would she die as Ping, the Fa son she'd made up so she could join the army in her father's place? If she died here, in the middle of this snow-covered mountain pass, she'd never see her father or her family again. Mulan swallowed hard. Who would believe that only a few months ago, her biggest concern had been impressing the Matchmaker? She could barely remember the girl she'd been back then. She'd worn layer upon layer of silk, not plates of armor, her waist cinched tightly with a satin sash instead of sore from carrying a belt of weapons. Her lips had been painted with rouge instead of chapped from cold and lack of water, her lashes highlighted with coal that she now could only dream of using to fuel a fire for warmth. How far she'd come from that girl to who she was now: a soldier in the Imperial army. Maybe serving her country as a warrior was truer to her heart than being a bride. Yet when she saw her reflection in her sword, she knew she was still pretending to be someone else.

Responsibilities or Achievements? A common belief among job seekers is, “I need to explain my responsibilities in prior roles.” No. Hiring managers determine that by looking at your job title One way to do both is to list achievements, highlighting your responsibilities. Amy Michalenko describes this excellently, when she says: A duty describes what you did and an accomplishment describes how well you did it. For example, “planned events” would be considered a job duty, whereas “raised $100,000 by selling out tickets to a 200-person charity event” is an accomplishment.

That view came to be embodied in a highly influential 1950 report by a special committee of the American Political Science Association, titled “Toward a More Responsible Two-Party System.” The commission, chaired by political scientist E. E. Schattschneider of Wesleyan University, argued that the parties should sharpen their ideological appeals, better highlight their differences, nationalize their internal infrastructure, and work to make their core voters more energized and engaged. Some critics could see the risks of such an approach, and they focused precisely on the threat it posed to the capacity of our system to engender cohesion. Political scientist James Q. Wilson warned in 1962 that such reforms would “mean that political conflict will be intensified, social cleavages will be exaggerated, party leaders will tend to be men skilled in the rhetorical arts, and the parties’ ability to produce agreement by trading issue free resources will be reduced.” In retrospect, he was prophetic.

The fewer tribes there are, the worse tribalism gets. And in America the two political tribes battle each other—and only each other—every single day. This myopic rivalry amplifies bias, distorts the political debate, warps the marketplace of ideas, shunts policy platforms, fuels outrage, and stifles compromise and negotiation. A deeply backward approach now dominates American politics: hating the other side even more than you like your own. A study published in Science magazine, titled Political Sectarianism in America,71 highlighted this new paradigm: “Democrats and Republicans—the 85% of U.S. citizens who do not identify as pure independents—have grown more contemptuous of opposing partisans for decades, and at similar rates.” Recently, the study continues, “this aversion exceeded their affection for copartisans.

view instagram story highlights anonymously Instagram Story Highlights are a feature that enables users to compile and display their past stories in a lasting and well-organized manner. Unlike regular Instagram stories that vanish after 24 hours, story highlights remain on a user's profile indefinitely, making them accessible to their followers and profile visitors. The inclination to view Instagram story highlights discreetly arises from various motivations, such as curiosity or the desire to consume someone's content without revealing your identity or notifying them. However, it's crucial to grasp that Instagram, like most social media platforms, places a significant emphasis on safeguarding user privacy and has implemented policies to uphold it. Here is an extensive approach on how to view Instagram story highlights while adhering to privacy norms and Instagram's policies: 1. Access Instagram: Begin by launching the Instagram application on your mobile device. 1. Search for the User: Utilize the search functionality to locate the Instagram profile of the individual whose story highlights you wish to peruse. You can perform a search using their username or full name. To view Instagram highlights, you can view from the page of the dj downloader website. 2. Visit the Profile: After locating the user's profile, tap on their profile picture or username to access their profile page. 3. Access Highlights: Provided that the user has assembled story highlights, you will observe circular icons featuring their profile picture and titles or categories, positioned above their regular posts. Typically, these icons are located beneath their bio section. 4. Select a Highlight: Tap on the specific highlight that intrigues you. Each highlight encompasses a collection of related stories. 5. Review the Stories: The chosen story highlight will commence playing, enabling you to navigate through the individual stories within that highlight. While the above guidelines empower you to explore story highlights in a manner that respects both privacy and Instagram's policies, it is imperative to address additional facets: 1. Respect for Privacy: Always demonstrate respect for the user's privacy and content. Refrain from attempting to employ third-party tools or methods to view stories anonymously. Instagram expressly prohibits such activities, which could lead to the suspension or restriction of your Instagram account. 2. Ethical Conduct: Employ Instagram in an ethical manner. Uphold principles of honesty and transparency in your interactions with other users on the platform, contributing to a positive online community. 3. Evolving Policies: Be aware that Instagram's guidelines and features may evolve over time. Staying abreast of these modifications and adapting your usage accordingly is vital. 4. User Consent: Keep in mind that the content shared on Instagram is subject to the user's consent. If someone has chosen to make their story highlights public, they have voluntarily shared that content with a broader audience. In summary, while there may be a desire to discreetly view Instagram story highlights, it is pivotal to do so in a manner that upholds the platform's policies and respects the privacy of fellow users. By adhering to the steps delineated above, you can explore highlights in a compliant and considerate manner, contributing to a positive and ethical online environment for all users.

If this book were just about nostalgia, or highlights from my career, it would just reinforce a version of the story I never found particularly interesting. The trophies, the scoring titles, the Stanley Cups—that’s all in the history books now. But like that famous photo, or the statue outside the TD Garden, they don’t tell you much. They don’t speak to values or to motivation. They don’t explain inspiration, or add asterisks for the people who helped me (or pushed me). They record, in the simplest way, what happened on the ice, not how I got there, or who I met along the way and what I learned from them.

Abrams voice cut in over the comm. “My God, this place is breath-taking!” “It is a palace for the gods,” added Brock. The group stood gawking at the magnificence of the hall surrounding them. Delanda went to the table, placed her helmet and pack on it, and began pulling tablets, scanners, and other accessories out. She wrestled off her gloves, but had trouble with the suit torso so Wilson had to intervene and help. Without a thought to the revealing fit of the white stretch suit liner, she escaped the spacesuit bottom and placed it on the table. Then, with still no self-consciousness at all, she stripped the suit liner off down to athletic bra and slim panties and pulled her pink, rolled up vacuum-packed flight coveralls and cloth boots from the suit pack. After excitedly dressing, she hurriedly grabbed a scanner from her pack and began investigating the hall. Show over, one by one we all removed our suits and became visitors in white suit liners. Wilson gave his fatherly warning. “Everyone be very careful removing and folding those liners. If you tear or damage the thermal control system in any way you could have an unpleasant trip back to the ship. Also, be careful to tuck in your suit communicator since we’ll all be using wrist coms from now on. That is if they actually work here.” Delanda ignored his comments and headed for the far end of the hall. Wilson pulled on black coveralls, R.J.’s were farmhouse blue, Brock and Wen light green, Abrams in hospital scrubs green, and Sharma’s and Ansara’s in tan. Mine were captain’s blue. As we studied our celestial surroundings, Delanda returned and spoke in a commanding voice. “Gentlemen, if you would grab your tablets and gather around me here at this magnificent table we should get started.” For the first time there was a unanimous look of annoyance, although everyone quickly complied. R.J. and I stood opposite her feeling like two school kids being ushered around on a field trip. Delanda checked to be sure everyone was paying attention. “Okay, I’m assuming our intranet will work in here even though we’re out of contact with the ship. Let’s try it. All of you use your tablets to access mine and copy the file titled: Translations. Let me know if anyone has trouble.” Delanda’s tablet appeared on our screens. As she had guessed, there were no problems getting in. Once copied, I opened the file and found dozens of Altair symbols, some highlighted, most grayed-out. “Okay, everyone got in? Right? Okay, the symbols you see highlighted are the ones I believe I have a rudimentary translation for. Those that are in gray, your guess is as good as mine.” “How do you propose we proceed?” asked Brock. “Speaking as an experienced field researcher, I would suggest one of us photographs and documents this first chamber thoroughly while the rest of us split up and do the same with other chambers, periodically reporting back here after each excursion. We should have one central person remain here to monitor the progress of everyone in the event they get into trouble. I would think that would be you, Commander Mirtos, since you are the best at rescue. Does anyone have any objections?” R.J. leaned over. “I believe this is a non-hostile takeover. Are you going to step in?” “Not until she says something I disagree with.” Delanda continued. “So, if no one has any objections the first order of business will be to photograph every wall symbol we find along with any artifacts possibly associated

Jimmy likely wrote all three editorials, and one, titled “Who Is for Law and Order?” carried his byline. He argued that the spectacle, seen in other recent conflicts and then repeated most dramatically in the Little Rock crisis, of white people defying police as well as state and federal troops raised the question, “If white people defy the Constitution, who then are the law-abiding citizens of the U.S. and who is for democracy?” Inherent in his answer was a reshaping of the relations between blacks and whites. On one hand this meant the loss of white people’s claim to civic and moral authority. “The Little Rock crisis has put an end to the era of the white man’s burden to preserve democracy,” he asserted. “The white man’s burden now is to prove that he believes in democracy and that he can follow the example of the colored people in upholding law and order.” As for black Americans, their newfound racial assertion struck a blow to the edifice upon which their subordination had long rested. “For years untold colored people have been forced to maneuver in all directions trying to avoid a head-on collision,” Jimmy wrote. “They have allowed white people to name them ‘Negroes’ by which the whites mean a thing and not a person. They have stayed out of the public parks, restaurants, hotels and golf courses, walked on the cinder path when meeting whites on the sidewalk, gone to separate schools, worked on the worst jobs under the worst conditions, smiled and acted unhurt when abused in public places.” But the recent tide of black protest revealed that African Americans were making “an about face.” Black people, he wrote, were not only pressing for their rights but were also beginning to “denounce” the people and practices that had denied them those rights. 80 Jimmy’s analysis of Little Rock differed from other commentaries, which tended to emphasize it as an advance in the struggle for integration, highlight the moral questions it raised, or discuss it as a crisis of authority played out through conflict among the local, state, and national governments. Instead, Jimmy said Little Rock represented a rather sudden transformation now taking place among black people. The importance of Little Rock for him was in revealing how black people were seeing themselves differently and thus making this “about face,” no longer accepting the southern way of life and even rejecting the standards by which white people had organized society and elevated themselves. This analysis, and all of the editorials on Little Rock more generally, continued the focus and tone of Jimmy’s previous writings in the paper, but they also reflected the greater attention that Correspondence was soon to give to the escalating civil rights movement.

Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 642-646 | Added on Tuesday, November 11, 2014 4:24:48 PM F&SF COMPETITION #89 By Carol Pinchefsky | 532 words F&SF COMPETITION #88 "Anagram/Raga Man" IN THIS competition, you were tasked with taking a popular science fiction/fantasy title, rearranging its letters, and creating a synopsis based on both the original and the new title. The results were fabulous—or as we call it now, "usual fob." Thanks to all who rearranged letters for the betterment of humor. ========== Fantasy & Science Fiction, Free Exclusive Digest (Spilogale Inc.) - Your Highlight on Location 649-651 | Added on Tuesday, November 11, 2014 4:25:12 PM Ender's Game = Same Gender Ender Wiggin, turned down for Battle School, becomes a writer. In adolescence, he has feelings that he can't deal with. He becomes a prominent homophobic author. His repressed homosexuality reveals itself when the title of his first novel is an anagram for "Greased Men." —Eric Cline Bowie,

Included with the basic package is five hour reception coverage, a photo montage at the beginning of the video, and a highlight recap at the end. The photo montage includes up to 25 customer supplied pictures and an invitation, set to music along with titling and serves as the opening to the video. The photo montage is prepared ahead of time, days before the reception but it is not intended to be shown at the reception. Rather it is intended to be a professional quality introduction to the your fully edited video and it will distinguish your work from that of non-professionals. The highlight recap is similar to the photo montage as they are both set to music, but the recap is composed of short snippets of video that you shot from the event, rather than photos that were supplied by the customer. The finished edited video is comprised of three main parts; the photo montage, the main body, and the highlight recap. The entire video is typically two hours in duration.

Copying text in this way is rather cumbersome. There is a way to speed it up. If you right-click on Command Prompt’s title bar and click on Properties, this will take you to the Properties dialog box. Most of the Properties dialog box’s tabs let you control the shape, color, and font size of the Command Prompt. But under the options tab, there is a check box labeled “Insert Mode.” If you check that, it will be as if the Mark option is turned on in Command Prompt all the time – you can highlight text simply by left-clicking and dragging the mouse cursor over it, rather than going to the menu, selecting Edit, and then clicking on Mark every time you want to copy some text. 

Completing Your Cash Acceleration Strategies (CASh) Tool 1.   Read the Harvard Business Review article by Neil C. Churchill and John W. Mullins titled “How Fast Can Your Company Afford to Grow?” 2. Calculate your existing CCC in days. 3.   Calculate the amount of cash required to fund each additional day of CCC. 4.   Brainstorm ways to improve your CCC and the 7 financial levers highlighted in the last chapter of this “Cash” section using the one-page CASh tool. Be sure to explore ways in all three general categories — shortening cycle times, eliminating mistakes, and changing the business model — for each segment of the CCC. 5.   Choose one cash-improvement initiative every 90 days as one of your quarterly priorities (Rocks).