High Noon Quotes

In the land of the ostriches, the blind are king. When politicians bury their head in the sand, ignorance rules the country. ( "High noon." )

The ‘unknown’ leaves the door open. Ignorance has the door shut. ("High noon.")

Ignorance and stupidity are the most dangerous viruses that jeopardize our living together. Calamity cannot be prevented nor cured, simply as a result of unawareness. (“High noon")

When the underlying structure of our freedom is in jeopardy, we do well to be concerned about our whistle-blowers, since blinking beacons are essential to secure a living together in a dependable social framework. (" High noon.")

Come, Friend, you too must die. Why moan about it so? Even Patroclus died, a far, far better man than you. And look, you see how handsome and powerful I am? The son of a great man, the mother who gave me life-- A deathless goddess. But even for me, I tell you, Death and the strong force of fate are waiting. There will come a dawn or sunset or high noon When a man will take my life in battle too-- flinging a spear perhaps Or whipping a deadly arrow off his bow.

If the reality of our life has become an unsettling arabesque puzzle and we still want to add more filigree embroidery to it, we might, some day, expect to stray from the point of recognition, lose the final thread, be expelled to the edge of delusion and forced to dance on the brim of chaos. ("Alert. High noon." )

If people in power are artfully pulling a red herring to cover up the cataclysm of their commitments, keeping people on a short leash and driving them playfully into an alley of false promises, we would do well to rely on attentive and considerate observers who send out alarm signals in time to prevent social corrosion. (" High noon. ")

If those, who call the shots, are tightrope-walking between unconcern and ignorance, giving way to unrestrained vagaries, and bypassing all the priorities of our environment, we mustn’t fail to value those who take courage to stand up against random practices, institutional malfunction and flagrant injustice, and speak out against social decay and moral obliviousness. (" High noon)

Excuse me? Tonight you represent every dateless woman in this city, every woman who's about to sit down to a lonely meal of Weight Watchers past primavera she's just nuked in the microwave. Every woman who will get into bed tonight with a book or reruns of Sex and the City as her only companion. You are our shining hope....But no pressure.

People who say not to speak ill of the dead are hypocrites, because you can take it ot the bank they're thinking ill.

...."the sound of a barrel organ rising from the deepest golden vein of the day; two or three bars of a chorus, played on a distant piano over and over again, melting in the sun on the white pavement, lost in the fire of high noon.

Then, when people saw you strolling around at high noon holding your rosary beads, they’d think, ‘Well, that can’t be a vampire.

Ours is a love that reimagines—that peels back the sky at high noon searching for the stars, collecting them like shells in a bucket. We bathe in stardust, drink from the Milky Way, and dance on the moon. We pierce the firmament, peer into infinity, and tread on time and space. There is no before. There is no after. Now gives birth to forever. This moment may die, but this love never will. Time is not a line. It’s a circle, and we, August and Iris, we stand at the center.

The man was useless as tits on a bull, but he didn't deserve to die like that.

Secrets hidden at the heart of midnight are simply waiting to be dragged to the light, as, on some unlucky high noon, they always are. But secrets shrouded in the glare of candor are bound to defeat even the most determined and agile inspector for the light is always changing and proves that the eye cannot be trusted.

Just once I’d like to save the world at high noon like a cowboy.

We commit our crimes at night and reveal ourselves in the high noon of studio lights.

For in Mexico, ladies and gentlemen, it's always high noon and what glows is fuchsia and what's dead is dead and no feather-dusters.

He looked upwards at the brilliant blue sky. It was high noon because the sun was right overhead. The clouds danced around slowly, while drifting across the sky. He closed his eyes and felt the warmth of the sun glowing orange on his eyelids. It was a wonderful feeling.

Each of us must find our work and do it. Militancy no longer means guns at high noon, if it ever did. It means actively working for change, sometimes in the absence of any surety that change is coming. It means doing the unromantic and tedious work necessary to forge meaningful coalitions, and it means recognizing which coalitions are possible and which coalitions are not. It means knowing that coalition, like unity, means the coming together of whole, self-actualized human beings, focused and believing, not fragmented automatons marching to a prescribed step. It means fighting despair.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

don’t sit on your patio in the high noon of your tranquility and make light of the huts that people build in the midnight of their desperation.

The fact that the scientist has succeeded where the magician failed has put such a wide contrast between them in popular thought that the real story of the birth of Science is misunderstood. You will even find people who write about the sixteenth century as if Magic were a medieval survival and Science the new thing that came in to sweep it away. Those who have studied the period know better. There was very little magic in the Middle Ages: the sixteenth and seventeenth centuries are the high noon of magic. The serious magical endeavour and the serious scientific endeavour are twins: one was sickly and died, the other strong and throve. But they were twins. They were born of the same impulse.

Sounds awful." "No, it's wonderful. And it's just for one year. Let's take a break. Blair's not here. she'll be back next year and we can jump back into the Christmas chaos, if that's what you want. Come on, Nora, please. We skip Christmas, save the money, and go splash in the Caribbean for ten days." "How much will it cost?" "Three thousand bucks." "So we save money?" "Absolutely." "When do we leave?" "High noon, Christmas Day." They stared at each other for a long time.

Filled with a new sense of purpose, I downed half my coffee at one draught. It was good, strong stuff, the kind that Louis L’Amour used to say could float a horseshoe. Nobody ever drank weak coffee in his books. It was probably why they were so anxious to shoot people at high noon.

Those who turn the day into night, the young, the drug addict, the profligate, the drunken and that most miserable, the lover who watches all night long in fear and anguish. These can never again live the life of the day. When one meets them at high noon they give off, as if it were a protective emanation, something dark and muted. The light does not become them any longer. They begin to have an unrecorded look. It is as if they were being tried by the continual blows of an unseen adversary.

All the strength I had gathered as a woman, mother, and lover wilted, instantly and completely. It was like being flung onto jagged rocks at low tide, belly up at high noon on the longest, hottest day of the longest year of your life. There seemed no bottom to my grief, no way out, just through. Through darkness, isolation, and the deprivation of his touch.

There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-

The arches of the woods, even at high noon, cast their sombre shadows on the spot, which the brilliant rays of the sun that struggled through the leaves contributed to mellow, and if such an expression can be used, to illuminate. It was probably from a similar scene that the mind of man first got its idea of the effects of gothic tracery and churchly hues, this temple of nature producing some such effect, so far as light and shadow were concerned, as the well-known offspring of human invention.

Flow gently, sweet Afton, amang thy green braes, Flow gently, I'll sing thee a song in thy praise; My Mary's asleep by thy murmuring stream, Flow gently, sweet Afton, disturb not her dream. Thou stock dove whose echo resounds thro' the glen, Ye wild whistly blackbirds in yon thorny den, Thou green crested lapwing thy screaming forbear, I charge you, disturb not my slumbering fair. How lofty, sweet Afton, thy neighboring hills, Far mark'd with the courses of clear winding rills; There daily I wander as noon rises high, My flocks and my Mary's sweet cot in my eye. How pleasant thy banks and green valleys below, Where, wild in the woodlands, the primroses blow; There oft, as mild evening weeps over the lea, The sweet-scented birk shades my Mary and me. Thy crystal stream, Afton, how lovely it glides, And winds by the cot where my Mary resides; How wanton thy waters her snowy feet lave, As, gathering sweet flowerets, she stems thy clear wave. Flow gently, sweet Afton, amang thy green braes, Flow gently, sweet river, the theme of my lays; My Mary's asleep by thy murmuring stream, Flow gently, sweet Afton, disturb not her dreams.

And aye, beside her stalks her amarous knight! Still on his thighs their wonted brogues are worn, And thro' those brogues, still tatter'd and betorn, His hindward charms glean an unearthly white, Ah! thus thro' broken clouds at night's high Noon Peeps in fair fragments forth the full-orb'd harvest-moon!

A Halt Lie still, my soul, the Sun of Grace Is warm within this garden space Beneath tall kindly trees. The quiet light is green and fair; A fragrance fills the swooning air; Lie still, and take thine ease. This silent noon of Jesu's love Is warm about thee and above- A tender Lord is He. Lie still an hour- this place is His He has a thousand pleasaunces, And each all fair and fragrant is, And each is all for thee. Then, Jesu, for a little space I rest me in this garden place, All sweet to scent and sight. Here, from this high-road scarce withdrawn, I thrust my hot hands in the lawn Cool yet with dew of far-off dawn And saturate with light. But ah, dear Saviour, human-wise, I yearn to pierce all mysteries, To catch Thine Hands and see Thine Eyes When evening sounds begin. There, in Thy white Robe, Thou wilt wait At dusk beside some orchard gate, And smile to see me come so late, And, smiling, call me in.

I was in the ecstasy of babies then. I was on a long, oxytocin high. Noone told me about this. Noone told me I would feel like a wild animal ready to kill or be killed at a moment’s notice with no hesitation at all right now for my baby. I would sit on the bed at night nursing Lally and I would imagine a lion jumping through the window. I would plan how to kill him. I knew the lion would be immediately dead. I knew that no matter what, my baby would survive.

It is high time Americans grew accustomed to our traditions.

Revolutionary theory had frozen to a dogmatic cult, with a simplified, easily graspable catechism, and with No. 1 as the high priest celebrating the Mass.

But a voice said within her, Now it is too late. They found her at high noon, just as the sun came out after the storm, floating among the reeds of the Lake. Her long hair was spread out on the surface like water reeds, and Morgaine, stunned with grief, could not find it in her heart to regret that Kevin had not gone alone into the shadowed land beyond death.

I blaze with a deep sullen magic, smell lust like a heron on fire; all words I form into castles then storm them with soldiers of air. What I seek is not there for asking. My armies are fit and well trained. This poet will trust her battalions to fashion her words into blades. At dawn I shall ask them for beauty, for proof that their training went well. At night I shall beg their forgiveness as I cut their throats by the hill. My navies advance through the language, destroyers ablaze in high seas. I soften the island for landings. With words, I enlist a dark army. My poems are my war with the world. I blaze with a deep southern magic. The bombardiers taxi at noon. There is screaming and grief in the mansions and the moon is a heron on fire.

To every hour, its mystery. At dawn, the riddles of life and light. At noon, the conundrums of solidity. At three, in the hum and heat of the day, a phantom moon, already high. At dusk, memory. And at midnight? Oh, then the enigma of time itself; of a day that will never come again passing into history while we sleep.

Science now held a position of unique honour among the First Men. This was not so much because it was in this field that the race long ago during its high noon had thought most rigorously, nor because it was through science that men had gained some insight into the nature of the physical world, but rather because the application of scientific principles had revolutionized their material circumstances.

I really did not expect any Grace to answer, for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstances of ghostliness accompanied the curious cachination; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise.

Thither he bent his way, determined there to rest at noon; and entered soon the shade high roofed, and walks beneath, and alleys brown, That opened in the midst a woody scene; Nature's own work it seemed, Nature-taught Art

I stretched my arms towards the sky like blades of tall grass The sun beat between my shoulders like carnival drums I sat still in hopes that it would help my wings grow So then I could really be fly And then she arrived Like day break inside a railway tunnel Like the new moon, like a diamond in the mines Like high noon to a drunkard, sudden She made my heart beat in a now-now time signature Her skinny canvas for ultraviolet brushstrokes She was the sun's painting She was a deep cognac color Her eyes sparkled like lights along the new city She lips pursed as if her breath was too sweet And full for her mouth to hold I said, "You are the beautiful, the stress of mathematics." I said, "For you, I would peel open the clouds like new fruit And give you lightning and thunder as a dowry I would make the sky shed all of it's stars, light and rain And I would clasp the constellations across your waist And I would make the heavens your cape And they would be pleased to cover you They would be pleased to cover you May I please, cover you, please

We who are Black are at an extraordinary point of choice within our lives. To refuse to participate in the shaping our future is to give it up. Do not be misled into passivity either by false security (they don't mean me) or by despair (there's nothing we can do). Each of us must find our work and do it. Militancy no longer means guns at high noon, if it ever did. It means actively working for change, sometimes in the absence of any surety that change is coming. It means doing the unromantic and tedious work necessary to forge meaningful coalitions, and it means recognizing which coalitions are possible and which coalitions are not. It means knowing that coalition, like unity, means the coming together of whole, self-actualized human beings, focused and believing, not fragmented automatons marching to a prescribed step. It means fighting despair.

New York is where it is going to begin, I think. You can see it coming. The insect experts have learned how it works with locusts. Until locust population reaches a certain density, they all act like any grasshoppers. When the critical point is reached, they turn savage and swarm, and try to eat the world. We’re nearing a critical point. One day soon two strangers will bump into each other at high noon in the middle of New York. But this time they won’t snarl and go on. They will stop and stare and then leap at each others

It wasn't Los Angeles or the film business that had turned me into a troublemaking twenty-year-old. No. It was my mom, who had often told me to "stand up straight and tall." Her conservative values, and even the lessons from her Mormon Church, had taught me that you don't hang an innocent man at high noon, and that good folks stick up for themselves.

Mummy dying with it; Christ dying with it, nailed hand and foot; hanging over the bed in the night-nursery; hanging year after year in the dark little study at Farm Street with the shining oilcloth; hanging in the dark church where only the old charwoman raises the dust and one candle burns; hanging at noon, high among the crowds and the soldiers; no comfort except a sponge of vinegar and the kind words of a thief; hanging for ever; never the cool sepulchre and the grave clothes spread on the stone slab, never the oil and spices in the dark cave; always the midday sun and the dice clicking for the seamless coat.

The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.

David Halberstam quoted Lyndon Johnson saying of a staffer: “I want him to kiss my ass in Macy’s window at high noon and tell me it smells like roses.

want real loyalty. I want him to kiss my ass in Macy’s window at high noon and tell me it smells like roses.

Chorus: 'man after man after man o mortal generations here once almost not here what are we dust ghosts images a rustling of air nothing nothing we breathe on the abyss we are the abyss our happiness no more than traces of a dream the high noon sun sinking into the sea the red spume of its wake raining behind it we are you we are you Oedipus dragging your maimed foot in agony and now that I see your life finally revealed your life fused with the god blazing out of the black nothingness of all we know I say no happiness lasts nothing human lasts

I felt like the sheriff in an old Western, gearing up for a showdown at high noon, only to find out the black-hat outlaw accidentally fell off his horse and died from a concussion on his way to the gunfight. No satisfaction, no closure.

Thus despite the bland assertions of sociologists, “high visibility” actually rendered one un -visible—whether at high noon in Macy’s window or illuminated by flaming torches and flashbulbs while undergoing the ritual sacrifice that was dedicated to the ideal of white supremacy. After such knowledge, and given the persistence of racial violence and the unavailability of legal protection, I asked myself, what else was there to sustain our will to persevere but laughter?

I met Jose Angelico the way I meet many of my customers. I have a workshop on the cemetery road, just past the coffin makers. I specialize in the small, simple stone. I am very aware that my clients have next to nothing, and renting the grave has often taken most of their money. So I modify and modify and get down to the very lowest cost. The dead, however, must have that stone: the reminder, the eternal reminder, that this man, this woman, this child---existed. On some of the graves the name is marked in paint, or even pen, and everyone knows how sad that is. Make something out of stone, I say, and noone touches the grave.The poor are not buried, you see. There is not enough ground here any more, so in the Naravo they build upwards. The graves of the poor are concrete boxes, each just big enough for the coffin. They go up and up---in some parts twenty boxes high. A funeral here is to slide the coffin in and watch the sealing of the compartment. Part of my service is that I cement the stone that I've made into place, and thus seal the chamber.

In times like these I always cheered myself up with a certain story. I forgot just when I first heard it, or who I heard it from... but, back when I was young it would cheer me up when I was feeling depressed. Basically, you think of life in terms of a single 24 hour day. So if you take the average human lifespan, to be around 72 years, then dividing that by 24... that comes to 3 years per hour. Meaning, that if you were 18 it'd only be 6 AM! 6 in the morning is nothing! Schools aren't even open by then! It's only been a couple of hours before sunrise, the day's just begun! So if you're 18, you can still fix you life by then! In fact even if you were 30 year old, that's still only 10 AM! The sun's still high, and there's still 2 hours until noon! You still have the whole afternoon to fix your life! You could still make something of yourself. I've always been thinking that, but... I'm now 45 years old! 45 divided by 3 is 15 meaning, that the time 3PM! Ring Ring Ring! I can hear the clock, ringing in my mind! There's only 2 hours before work is over at 5PM! I can't redo anything, it's almost time to go home already.

I don't like the tone of your voice. Speak respectfully when you speak to me." "La-dee-da, and ho-ho-ho! The day I speak respectfully to you, Christopher, will be the day you earn my respect - and that will be the day you stand twelve feet high, and the moon is at noon, and a blizzard blows in a unicorn ridden by a gallant knight wearing pure white shining armor, with a green dragon's head perched on the point of his lance!

The rose: though its petals are easily bruised, it blooms with exuberance. What power the rose possesses; the merest hint of a blossom conjures the deepest memory. At dawn, roses must be picked quickly, for they lose half their essence—the perfumer’s treasure—by the high sun of noon. —DB

I dreamed of the day when computer games would be a viable medium of artistic expression — an art form. I dreamed of computer games expressing the full breadth of human experience and emotion. I dreamed of computer games that were tragedies, games about duty and honour, self-sacrifice and patriotism. I dreamed of satirical games and political games; games about the passionate love between a boy and girl, and the serene and mature love of a husband and wife of decades; games about a boy becoming a man, and a man realizing that he is no longer young. I dreamed of games about a man facing truth on a dusty main street at high noon, and a boy and his dog, and a prostitute with a heart of gold.

The drug education currently provided broadly amounts to ‘take drugs and you will die’. This lie is so obvious that no-one takes it seriously.

The sun tried to shine through the clouds but its light was dimmed even in us; high noon approached. I looked outside through the tinted windows at the people promenading down Madison. Couples held hands, bankers squeezed through crowds of window shoppers late for their daily thieving but all of them, even the poor, seemed content with existence, some even seemed happy. Nearly everyone’s outer shell was delicate and gracious that at the end of it all, on the border of nonexistence, each and everyone was happy to be alive. Everyone carried their heads with a radiance past the space they occupied and glided through time like flamenco dancers in a studio as big as the planet. Everyone wore masks that hid their sorrow (either that or they were sincerely happy) or wore armor that lightened the burden on their shoulders. Worst of all, I could not detect ever a flicker of thought; brains mired behind viral images and videos of people making even greater fools of themselves than they already were. And as the greatest fool of them all, I walked among them, never having learned to don the mask of happiness.

To tell everything is a very effective means of keeping secrets. Secrets hidden at the heart of midnight are simply waiting to be dragged to the light, as, on some unlucky high noon, they always are. But secrets shrouded in the glare of candor are bound to defeat even the most determined and agile inspector for the light is always changing and proves that the eye cannot be trusted.

The fact that the scientist has succeeded where the magician failed has put such a wide contrast between them in popular thought that the real story of the birth of Science is misunderstood. You will even find people who write about the sixteenth century as if Magic were a medieval survival and Science the new thing that came in to sweep it away. Those who have studied the period know better. There was very little magic in the Middle Ages: the sixteenth and seventeenth centuries are the high noon of magic. The serious magical endeavour and the serious scientific endeavour are twins: one was sickly and died, the other strong and throve. But they were twins. They were born of the same impulse. I allow that some (certainly not all) of the early scientists were actuated by a pure love of knowledge. But if we consider the temper of that age as a whole we can discern the impulse of which I speak. There is something which unites magic and applied science while separating both from the ‘wisdom’ of earlier ages. For the wise men of old the cardinal problem had been how to conform the soul to reality, and the solution had been knowledge, self-discipline, and virtue. For magic and applied science alike the problem is how to subdue reality to the wishes of men: the solution is a technique; and both, in the practice of this technique, are ready to do things hitherto regarded as disgusting and impious—such as digging up and mutilating the dead. If we compare the chief trumpeter of the new era (Bacon) with Marlowe's Faustus, the similarity is striking.

In the early 1800s there arose in England a fashion for inhaling nitrous oxide, or laughing gas, after it was discovered that its use ‘was attended by a highly pleasurable thrilling11’. For the next half-century it would be the drug of choice for young people. One learned body, the Askesian Society, was for a time devoted to little else. Theatres put on ‘laughing gas evenings’12 where volunteers could refresh themselves with a robust inhalation and then entertain the audience with their comical staggerings. It wasn’t until 1846 that anyone got around to finding a practical use for nitrous oxide, as an anaesthetic. Goodness knows how many tens of thousands of people suffered unnecessary agonies under the surgeon’s knife because no-one had thought of the gas’s most obvious practical application.

Sneaking out unnoticed they left the party way too early that summer night. Him swinging her high heels while she, barefoot, playfully zigzagging. They walked along the quiet family road before stopping by the food stand. They intentionally ordered a double of what they would call 'unhealthy' on a usual Tuesday noon. Sitting there on the grass accompanied merely by millions of starts above them, they shared more than a meal. That, right there, was their type of a party.

What would have happened? Lol does not probe very deeply into the unknown into which this moment opens. She has no memory, not even an imaginary one, she has not the faintest notion of this unknown. But what she does believe is that she must enter it, that that was what she has to do, that it would always have meant, for her mind as well as her body, both their greatest pain and their greatest joy, so commingled as to be undefinable, a single entity but unnamable for lack of a word. I like to believe--since I love her--that if Lol is silent in daily life, it is because, for a split second, she believed that this word might exist. Since it does not, she remains silent. It would have been an absence-word, a hole-word, whose center would have been hollowed out into a hole, the kind of hole in which all other words would have been buried. It would have been impossible to utter, it would have been made to reverberate. Enormous, endless, an empty gong, it would have held back anyone who wanted to leave, it would have convinced them of the impossible, it would have made them deaf to any other word save that one, in one fell swoop it would have defined the moment and the future themselves. By its absence this word ruins all the others, it contaminates them, it is also the dead dog on the beach at high noon, this hole of flesh. How were other words found? Hand-me-downs from God knows how many love affairs like Lol Stein's, affairs nipped in the bud, trampled upon, and from massacres, oh! you've no idea how many their are, how many blood-stained failures are strewn along the horizon, piled up there, and, among them, this word, which does not exist, is nonetheless there: it awaits you just around the corner of language, it defies you--never having been used--to raise it, to make it arise from its kingdom, which is pierced on every side and through which flows the sea, the sand, the eternity of the ball in the cinema of Lol Stein.

I knew that most of what is frightening and much of what is evil happens by the light of day. No need for darkness. Caesar, after all, had been murdered in the presence of a hundred people and more - some time between high noon and five o'clock. Right in these waters off the coast of Maine the most terrifying sharks are the ones we see in the radiance of fear. The real ones - darkened below us - do no harm until they rise towards the light. If only, I began to wish, it would get dark.

Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.

The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed. We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by. The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass. My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight. The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs. At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!

Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.

SWIFTLY walk o'er the western wave, Spirit of Night! Out of the misty eastern cave,-- Where, all the long and lone daylight, Thou wovest dreams of joy and fear Which make thee terrible and dear,-- Swift be thy flight! Wrap thy form in a mantle grey, Star-inwrought! Blind with thine hair the eyes of Day; Kiss her until she be wearied out. Then wander o'er city and sea and land, Touching all with thine opiate wand-- Come, long-sought! When I arose and saw the dawn, I sigh'd for thee; When light rode high, and the dew was gone, And noon lay heavy on flower and tree, And the weary Day turn'd to his rest, Lingering like an unloved guest, I sigh'd for thee. Thy brother Death came, and cried, 'Wouldst thou me?' Thy sweet child Sleep, the filmy-eyed, Murmur'd like a noontide bee, 'Shall I nestle near thy side? Wouldst thou me?'--And I replied, 'No, not thee!' Death will come when thou art dead, Soon, too soon-- Sleep will come when thou art fled. Of neither would I ask the boon I ask of thee, beloved Night-- Swift be thine approaching flight, Come soon, soon!

The true world—unattainable? At any rate, unattained. And being unattained, also unknown. Consequently, not consoling, redeeming, or obligating: how could something unknown obligate us? (Gray morning. The first yawn of reason. The cockcrow of positivism.) The true world—an idea which is no longer good for anything, not even obligating—an idea which has become useless and superfluous—consequently, a refuted idea: let us abolish it! (Bright day; breakfast; return of bon sens and cheerfulness; Plato’s embarrassed blush; pandemonium of all free spirits.) The true world—we have abolished. What world has remained? The apparent one perhaps? But no! With the true world we have also abolished the apparent one. (Noon; moment of the briefest shadow; end of the longest error; high point of humanity; INCIPIT ZARATHUSTRA)

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods. For your lexicographer, having written his dictionary, comes to be considered "as one having authority," whereas his function is only to make a record, not to give a law. The natural servility of the human understanding having invested him with judicial power, surrenders its right of reason and submits itself to a chronicle as if it were a statue. Let the dictionary (for example) mark a good word as "obsolete" or "obsolescent" and few men thereafter venture to use it, whatever their need of it and however desirable its restoration to favor — whereby the process of improverishment is accelerated and speech decays. On the contrary, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense, has no following and is tartly reminded that "it isn't in the dictionary" — although down to the time of the first lexicographer (Heaven forgive him!) no author ever had used a word that was in the dictionary. In the golden prime and high noon of English speech; when from the lips of the great Elizabethans fell words that made their own meaning and carried it in their very sound; when a Shakespeare and a Bacon were possible, and the language now rapidly perishing at one end and slowly renewed at the other was in vigorous growth and hardy preservation — sweeter than honey and stronger than a lion — the lexicographer was a person unknown, the dictionary a creation which his Creator had not created him to create.

My several years in the word game have learnt me several rules: (1) Avoid alliteration. Always (2) Prepositions are not words to end sentences with. (3) Avoid clichés like the plague. (They're old hat.) (4) Employ the vernacular. (5) Eschew ampersands & abbreviations, etc. (6) Parenthetical remarks (however relevant) are unnecessary. (7) It is wrong to ever split an infinitive. (8) Contractions aren't necessary. (9) Foreign words and phrases are not apropos. (10) One should never generalize. (11) Eliminate quotations. Ralph Waldo Emerson said, "I hate quotations. Tell me what you know." (12) Comparisons are as bad as clichés. (13) Don't be redundant; don't use more words than necessary; it's highly superfluous. (14) Profanity sucks. (15) Be more or less specific. (16) Understatement is always best. (17) Exaggeration is a billion times worse than understatement. (18) One-word sentences? Eliminate. (19) Analogies in writing are like feathers on a snake. (20) The passive voice is to be avoided. (21) Go around the barn at high noon to avoid colloquialisms. (22) Even if a mixed metaphor sings, it should be derailed. (23) Who needs rhetorical questions?

All the values of the temperate landscape were reversed: the noon high-lights were whiter but the shadows had unimagined colour. On the blackness of cork and ilex and cypress lay the green and purple lustres, the coppery iridescences, of old bronze; and night after night the skies were wine-blue and bubbling with stars.

To every hour, its mystery. At dawn, the riddles of life and light. At noon, the conundrums of solidity. At three, in the hum and heat of the day, a phantom moon, already high. At dusk, memory. And at midnight? Oh, then the enigma of time itself; of a day that will never come again passing into history while we sleep. It

This is what’s so terrible about grief: You relive the final moments of your beloved’s life for years and years and years. It’s like flying with one wing. You never become used to it. The shock might wear off, the images grow a little dimmer. But the panic creeps back while you sleep in the brightest part of the day. My dreams are drenched now with the pink foam of the cresting waves, waves pink with the blood of my Lil. The same pink as the ice flowers she had worn on our wingfast night, the pink of the garland she had draped over her head. I have a deep and abiding hatred of morning light now, of high noon, of anything that reminds me of the day my mate died.

Meridian First daylight on the bittersweet-hung sleeping porch at high summer; dew all over the lawn, sowing diamond- point-highlighted shadows; the hired man's shadow revolving along the walk, a flash of milkpails passing; no threat in sight, no hint anywhere in the universe, of that apathy at the meridian, the noon of absolute boredom; flies crooning black lullabies in the kitchen, milk-soured crocks, cream separator still unwashed; what is there to life but chores and more chores, dishwater, fatigue, unwanted children; nothing to stir the longueur of afternoon except possibly thunderheads; climbing, livid, turreted alabaster lit up from within by splendor and terror -- forded lightening's split-second disaster.

I. IN WINTER Myself Pale mornings, and I rise. Still Morning Snow air--my fingers curl. Awakening New snow, O pine of dawn! Winter Echo Thin air! My mind is gone. The Hunter Run! In the magpie's shadow. No Being I, bent. Thin nights receding. II. IN SPRING Spring I walk out the world's door. May Oh, evening in my hair! Spring Rain My doorframe smells of leaves. Song Why should I stop for spring? III. IN SUMMER AND AUTUMN Sunrise Pale bees! O whither now? Fields I did not pick a flower. At Evening Like leaves my feet passed by. Cool Nights At night bare feet on flowers! Sleep Like winds my eyelids close. The Aspen's Song The summer holds me here. The Walker In dream my feet are still. Blue Mountains A deer walks that mountain. God of Roads I, peregrine of noon. September Faint gold! O think not here. A Lady She's sun on autumn leaves. Alone I saw day's shadow strike. A Deer The trees rose in the dawn. Man in Desert His feet run as eyes blink. Desert The tented autumn, gone! The End Dawn rose, and desert shrunk. High Valleys In sleep I filled these lands. Awaiting Snow The well of autumn--dry.

It is an illusion that we were ever alive, Lived in the houses of mothers, arranged ourselves By our own motions in a freedom of air. Regard the freedom of seventy years ago. It is no longer air. The houses still stand, Though they are rigid in rigid emptiness. Even our shadows, their shadows, no longer remain. The lives these lived in the mind are at an end. They never were . . . The sounds of the guitar Were not and are not. Absurd. The words spoken Were not and are not. It is not to be believed. The meeting at noon at the edge of the field seems like An invention, an embrace between one desperate clod And another in a fantastic consciousness, In a queer assertion of humanity: A theorem proposed between the two— Two figures in a nature of the sun, In the sun’s design of its own happiness, As if nothingness contained a métier, A vital assumption, an impermanence In its permanent cold, an illusion so desired That the green leaves came and covered the high rock, That the lilacs came and bloomed, like a blindness cleaned, Exclaiming bright sight, as it was satisfied, In a birth of sight. The blooming and the musk Were being alive, an incessant being alive, A particular being, that gross universe.

Hidden under wild ferns on Howth. Below us bay sleeping sky. No sound. The sky. The bay purple by the Lion's head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you'll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweet and sour with spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft, warm, sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her; eyes, her lips, her stretched neck, beating, woman's breasts full in her blouse of nun's veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.

The second call The first call is frequently to follow Jesus or to prepare ourselves to do wonderful and noble things for the Kingdom. We are appreciated and admired by family, by friends or by the community. The second call comes later, when we accept that we cannot do big or heroic things for Jesus; it is a time of renunciation, humiliation and humility. We feel useless; we are no longer appreciated. If the first passage is made at high noon, under a shining sun, the second call is often made at night. We feel alone and are afraid because we are in a world of confusion. We begin to doubt the commitment we made in the light of day. We seem deeply broken in some way. But this suffering is not useless. Through the renunciation we can reach a new wisdom of love. It is only through the pain of the cross that we discover what the resurrection means.

The mayor informed General Petronio San Roman of the episode, down to the last literal phrase, in an alarming telegram. General San Roman must have followed his son's wishes to the letter, because he didn't come for him, but sent his wife with their daughters and two other older women who seemed to be her sisters. They came on a cargo boat, locked in mourning up to their necks because of Bayardo San Roman's misfortunes, and with their hair hanging loose in grief. Before stepping onto land, they took off their shoes and went barefoot through the streets up to the hilltop in the burning dust of noon, pulling out strands of hair by the roots and wailing loudly with such high-pitched shrieks that they seemed to be shouts of joy. I watched them pass from Magdalena Oliver's balcony, and I remember thinking that distress like theirs could only be put on in order to hide other, greater shames.

But the private life of a black woman, to say nothing of the private life of a black man, cannot really be considered at all. To consider this forbidden privacy is to violate white privacy -- by destroying the white dream of the blacks; to make black privacy a black and private matter makes white privacy real, for the first time: which is, indeed, and with a vengeance, to endanger the stewardship of Rhodesia. The situation of the white heroine must never violate the white self-image. Her situation must always transcend the inexorability of the social setting, so that her innocence may be preserved: Grace Kelly, when she shoots to kill at the end of 'High Noon,' for example, does not become a murderess. But the situation of the black heroine, to say nothing of the black hero, must always be left at society's mercy: in order to justify white history and in order to indicate the essential validity of the black condition.

Count all these sufferings from here to the end of the endless sky which is no sky and see how many you can add together to make a figure to impress the Boss of Dead Souls in the Meat Manufactory in city City CITY everyone of them in pain and born to die, milling in the streets at 2 A M underneath those imponderable skies”—their enormous endlessness, the sweep of the Mexican plateau away from the Moon—living but to die, the sad song of it I hear sometimes on my roof in the Tejado district, rooftop cell, with candles, waiting for my Nirvana or my Tristessa—neither come, at noon I hear “La Paloma” being played on mental radios in the fallways between the tenement windows—the crazy kid next door sings, the dream is taking place right now, the music is so sad, the French horns ache, the high whiney violins and the deberratarra-rabaratarara of the Indian Spanish announcer. Living but to die, here we wait on this shelf, and up in heaven is all that gold open caramel, ope my door—Diamond Sutra is the sky.

Our king Apollo, O child of mighty Zeus, when you were born your father gave you a gold headband and a lyre of tortoise shell, and more: a chariot drawn by swans. You were to go to Delphi and the Kastalian springs whose waters are the gift of broad Kephissos, and there deliver justice to the Hellenes through the oracles. But when you seized the reins, you made the swans sail north to the distant land of the Hyperboreans, and though the Delphians begged you to return—with paeans of flutes and circles of women dancing about the tripod— Apollo, you remained to rule that people through the long year. Came the season when the tripod rings loud and clear in Delphi, you turned the swans to Parnassos. It was high noon of summer when you glided back from the far northlands; swallows and nightingales were singing; cicadas also sang about you; silver brooks poured down from Kastalia, and the great river Kephissos threw blue-foaming waves into the bright wind, yes, even the waters knew a god was coming home.

Noon. In the middle of Knoll Road. In it up to your waist, wearing your father’s old reindeer sweater, your mother’s fur-lined gloves. Squinting across an infinite ocean of white. Shivering. Breathing. Listening. To nothing. There are no cars, no mailboxes, no traffic islands, no sound. The triple-deckers are now double-deckers and everything’s muffled and buried and gone. You yell and you are the only one yelling. The only one breathing. The only one there. The faint chime of a city plow in the distance. The wail of one of Schoerner’s penned-up hounds. But no one is with you. No one to contradict you. And you dare to close your eyes and fill up your lungs with winter, your destiny before you like a map of the world. And the wind seems to whisper promises, and you, with arms outstretched and chin to the heavens, swear oaths back to the wind - little things, like fulfilling prophecies and charting new courses and going forth from this time and this place to do great and wondrous things. But first, of course, it will be necessary to get high.

Christmas In India Dim dawn behind the tamerisks -- the sky is saffron-yellow -- As the women in the village grind the corn, And the parrots seek the riverside, each calling to his fellow That the Day, the staring Easter Day is born. Oh the white dust on the highway! Oh the stenches in the byway! Oh the clammy fog that hovers And at Home they're making merry 'neath the white and scarlet berry -- What part have India's exiles in their mirth? Full day begind the tamarisks -- the sky is blue and staring -- As the cattle crawl afield beneath the yoke, And they bear One o'er the field-path, who is past all hope or caring, To the ghat below the curling wreaths of smoke. Call on Rama, going slowly, as ye bear a brother lowly -- Call on Rama -- he may hear, perhaps, your voice! With our hymn-books and our psalters we appeal to other altars, And to-day we bid "good Christian men rejoice!" High noon behind the tamarisks -- the sun is hot above us -- As at Home the Christmas Day is breaking wan. They will drink our healths at dinner -- those who tell us how they love us, And forget us till another year be gone! Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching! Oh the black dividing Sea and alien Plain! Youth was cheap -- wherefore we sold it. Gold was good -- we hoped to hold it, And to-day we know the fulness of our gain. Grey dusk behind the tamarisks -- the parrots fly together -- As the sun is sinking slowly over Home; And his last ray seems to mock us shackled in a lifelong tether. That drags us back how'er so far we roam. Hard her service, poor her payment -- she is ancient, tattered raiment -- India, she the grim Stepmother of our kind. If a year of life be lent her, if her temple's shrine we enter, The door is hut -- we may not look behind. Black night behind the tamarisks -- the owls begin their chorus -- As the conches from the temple scream and bray. With the fruitless years behind us, and the hopeless years before us, Let us honor, O my brother, Christmas Day! Call a truce, then, to our labors -- let us feast with friends and neighbors, And be merry as the custom of our caste; For if "faint and forced the laughter," and if sadness follow after, We are richer by one mocking Christmas past.

I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass.Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun—slow dived from noon,—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I, the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain- battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night, good night!

Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.

O my dark Rosaleen,     Do not sigh, do not weep! The priests are on the ocean green,     They march along the deep. There’s wine from the royal Pope,     Upon the ocean green;    And Spanish ale shall give you hope,        My Dark Rosaleen!     My own Rosaleen! Shall glad your heart, shall give you hope, Shall give you health, and help, and hope,     My Dark Rosaleen! Over hills, and thro’ dales,     Have I roam’d for your sake; All yesterday I sail’d with sails     On river and on lake. The Erne, at its highest flood,     I dash’d across unseen, For there was lightning in my blood,     My Dark Rosaleen!     My own Rosaleen! O, there was lightning in my blood, Red lighten’d thro’ my blood.     My Dark Rosaleen! All day long, in unrest,     To and fro, do I move. The very soul within my breast     Is wasted for you, love! The heart in my bosom faints     To think of you, my Queen, My life of life, my saint of saints,     My Dark Rosaleen!     My own Rosaleen! To hear your sweet and sad complaints, My life, my love, my saint of saints,     My Dark Rosaleen! Woe and pain, pain and woe,     Are my lot, night and noon, To see your bright face clouded so,     Like to the mournful moon. But yet will I rear your throne     Again in golden sheen; ‘Tis you shall reign, shall reign alone,     My Dark Rosaleen!     My own Rosaleen! ‘Tis you shall have the golden throne, ‘Tis you shall reign, and reign alone,     My Dark Rosaleen! Over dews, over sands,     Will I fly, for your weal: Your holy delicate white hands     Shall girdle me with steel. At home, in your emerald bowers,     From morning’s dawn till e’en, You’ll pray for me, my flower of flowers,     My Dark Rosaleen!     My fond Rosaleen! You’ll think of me through daylight hours My virgin flower, my flower of flowers,     My Dark Rosaleen! I could scale the blue air,     I could plough the high hills, Oh, I could kneel all night in prayer,     To heal your many ills! And one beamy smile from you     Would float like light between My toils and me, my own, my true,     My Dark Rosaleen!     My fond Rosaleen! Would give me life and soul anew,     My Dark Rosaleen! O, the Erne shall run red,     With redundance of blood, The earth shall rock beneath our tread,        And flames wrap hill and wood, And gun-peal and slogan-cry     Wake many a glen serene, Ere you shall fade, ere you shall die,     My Dark Rosaleen!     My own Rosaleen! The Judgement Hour must first be nigh, Ere you can fade, ere you can die,     My Dark Rosaleen!

The highly civilized apes swung gracefully from bough to bough; the Neanderthaler was uncouth and bound to the earth. The apes, saturated and playful, lived in sophisticated playfulness, or caught fleas in philosophic contemplation; the Neanderthaler trampled gloomily through the world, banging around with clubs. The apes looked down on him amusedly from their tree tops and threw nuts at him. Sometimes horror seized them: they ate fruits and tender plants with delicate refinement; the Neanderthaler devoured raw meat, he slaughtered animals and his fellows. He cut down trees that had always stood, moved rocks from their time-hallowed place, transgressed every law and tradition of the jungle. He was uncouth, cruel, without animal dignity – from the point of view of the highly civilized apes, a barbaric relapse of history. Arthur Koestler, Darkness at Noon

The Eternal Return has certainly not been thought by philosophers or by those who are concerned about Nietzsche in the contemporary history of ideas, and this because the Eternal Return can not be thought of. It is a revelation that presents next to the Silvaplana rock, or on the threshold of the Gateway of the Moment, where the Two Ways meet. You will have to travel step by step along the path of Western yoga that Nietzsche rediscovered and practiced, putting his feet in the tracks that he left in the paths of the high peaks, relive their great pains and divine glories, reaching to reach similar tonalities of the soul, to be possessed by Dionysus and his ancient drunkenness, Luciferian, that makes dance in the solitude of forests and lost from a solar age, laughing and crying at the same time. And this is not achieved by the philosophers of the intellect or the beings 'of the flock'. For to achieve this, the Circle will have to be traversed for several eternities, again at the Gateway of the Moment, already predestined at noon. In addition, the doctrine of the Eternal Return is selective. As the initiatory practice Tantric Panshatattva is not for the paśu [animal], but only for some heroes or viryas, thus the Noon is reached by the 'Lords of the Earth' and by the poets of the Will to Power, predestined in a mysterious way to perform the Superman, that individualistic and aristocratic mutation. The 'herd', the vulgar, has nothing to do with all this, including here the scientists, technologists and most philosophers, politicians and government of the Kaliyuga. Nietzsche's description of the Eternal Return is found in some aphorisms that precede 'The Gay Science', Joyful Science, using Nietzsche the Provencal term, Occitan, from 'Gay'. Joyful Science will be that of the one who has accepted the Eternal Return of all things and has transmuted the values. The one of Superman. There is also a description in the schemes of 'The Will to Power'. In they all take hold, with genius that transcends their time, of the scientific knowledge and the mechanics of the time, which does not lose validity to the doctrine, let us say better to the revealed Idea, to the Revelation that, of somehow, it was also in the Pythagoreans, in their Aryan-Hyperborean form, differentiating itself from other elaborations made in the millennia of the East. Also would have been veiled in the Persian reformer Zarathustra. We are going to reproduce what Nietzsche has written about the Eternal Return. In the schemes of 'The Will to Power', he says: 'Everything returns and returns eternally; We can not escape this.

The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER

Already, in fact, rebellion, without claiming to solve everything, can at least confront its problems. From this moment high noon is borne away on the fast-moving stream of history. Around the devouring flames, shadows writhe in mortal combat for an instant of time and then as suddenly disappear, and the blind, fingering their eyelids, cry out that this is history. The men of Europe, abandoned to the shadows, have turned their backs upon the fixed and radiant point of the present. They forget the present for the future, the fate of humanity for the delusion of power, the misery of the slums for the mirage of the eternal city, ordinary justice for an empty promised land. They despair of personal freedom and dream of a strange freedom of the species; reject solitary death and give the name of immortality to a vast collective agony. They no longer believe in the things that exist in the world and in living man; the secret of Europe is that it no longer loves life. Its blind men entertain the puerile belief that to love one single day of life amounts to justifying whole centuries of oppression. That is why they wanted to efface joy from the world and to postpone it until a much later date. Impatience with limits, the rejection of their double life, despair at being a man, have finally driven them to inhuman excesses. Denying the real grandeur of life, they have had to stake all on their own excellence. For want of something better to do, they deified themselves and their misfortunes began; these gods have had their eyes put out. Kaliayev, and his brothers throughout the entire world, refuse, on the contrary, to be deified in that they refuse the unlimited power to inflict death. They choose, and give us as an example the only original rule of life today: to learn to live and to die, and, in order to be a man, to refuse to be a god.

Miss Rudy, the former Harmony librarian, had single-handedly held off a siege of the town council bent on cutting her funds. She had locked the library doors and hid the only key in her bra, living on water from the toilet tank after the town had shut off water to the building to drive her out. She ate paste to keep up her strength. Oh, they had underestimated her. On the fourth day, the men of the council had capitulated, apologizing for cutting the funds, begging her to open the doors and come out. But she had stayed in the library an extra day, just to show them one could live on books, then marched out at noon on the fifth day, her head held high, and three pounds heavier. She had gained weight! When word got out, her picture made the cover of American Libraries magazine. Admiring letters poured in from librarians around the world – beaten down, beleaguered librarians who had drawn strength from her bravery. She answered each one in flowing, Palmer-method, handwritten script.

Dawn and a high film; the sun burned it; But noon had a thick sheet, and the clouds coming, The low rain-bringers, trooping in from the north, From the far cold fog-breeding seas, the womb of storms. Dusk brought a wind and the sky opened: All down the west the broken strips lay snared in the light, Bellied and humped and heaped on the hills. The set sun threw the blaze up; The sky lived redly, banner on banner of far-burning flame, From south to north the furnace door wide and the smoke rolling. We in the fields, the watchers from the burnt slope, Facing the west, facing the bright sky, hopelessly longing to know the red beauty-- But the unable eyes, the too-small intelligence, The insufficient organs of reception Not a thousandth part enough to take and retain. We stared, and no speaking. and felt the deep loneness of incomprehension. The flesh must turn cloud, the spirit, air, Transformation to sky and the burning, Absolute oneness with the west and the down sun. But we, being earth-stuck, watched from the fields, Till the rising rim shut out the light; Till the sky changed, the long wounds healed; Till the rain fell.

per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number

You might think lunchtime at Willing would be different from other high schools. That everyone would be welcome at any table, united by the knowledge that we, at Willing, are the Elite, the Chosen, stellar across the board. Um.No.Of course not.High school is high school, regardless of how much it costs or how many kids springboard into the Ivies. And nowhere is social status more evident than in the dining room (freshman and sophomores at noon; upperclassmen at one). Because, of course, Willing doesn't have a cafeteria, or even a lunch hall. It has a dining room, complete with oak tables and paneled walls that are covered with plaques going all the way back to 1869, the year Edith Willing Castoe (Edward's aunt) founded the school to "prepare Philadelphia's finest young ladies for Marriage,for Leadership, and for Service to the World." Really. Until the sixties, the school's boastful slogan was "She's a Willing Girl." Almost 150 years, three first ladies, and one attorney general-not to mention the arrival of boys-later, female members of the student body are still called Willing Girls. You'd think someone in the seventies would have objected to that and changed it. But Willing has survived the seventies of two different centuries. They'll probably still be calling us Willing Girls in 2075. It's a school that believes in Tradition, sometimes regardless of how stupid that Tradition is.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals

Stuck on the pane two flies buzzed, stuck. Glowing wine on his palate lingered swallowed. Crushing in the winepress grapes of Burgundy. Sun’s heat it is. Seems to a secret touch telling me memory. Touched his sense moistened remembered. Hidden under wild ferns on Howth below us bay sleeping: sky. No sound. The sky. The bay purple by the Lion’s head. Green by Drumleck. Yellowgreen towards Sutton. Fields of undersea, the lines faint brown in grass, buried cities. Pillowed on my coat she had her hair, earwigs in the heather scrub my hand under her nape, you’ll toss me all. O wonder! Coolsoft with ointments her hand touched me, caressed: her eyes upon me did not turn away. Ravished over her I lay, full lips full open, kissed her mouth. Yum. Softly she gave me in my mouth the seedcake warm and chewed. Mawkish pulp her mouth had mumbled sweetsour of her spittle. Joy: I ate it: joy. Young life, her lips that gave me pouting. Soft warm sticky gumjelly lips. Flowers her eyes were, take me, willing eyes. Pebbles fell. She lay still. A goat. No-one. High on Ben Howth rhododendrons a nannygoat walking surefooted, dropping currants. Screened under ferns she laughed warmfolded. Wildly I lay on her, kissed her: eyes, her lips, her stretched neck beating, woman’s breasts full in her blouse of nun’s veiling, fat nipples upright. Hot I tongued her. She kissed me. I was kissed. All yielding she tossed my hair. Kissed, she kissed me. Me. And me now. Stuck, the flies buzzed.