High Humidity Quotes

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Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
Amy Gerstler (Ghost Girl)
The summer of 1950 was the hottest in living memory, with high humidity and temperatures above 100 F. My mother had been washing every day, and she was attacked for this, too. Peasants, especially in the North where Mrs. Mi came from, washed very rarely, because of the shortage of water. In the guerrillas, men and women used to compete to see who had the most 'revolutionary insects' (lice). Cleanliness was regarded as un proletarian When the steamy summer turned into cool autumn my father's bodyguard weighed in with a new accusation: my mother was 'behaving like a Kuomintang official's grand lady' because she had used my father's leftover hot water. At the time, in order to save fuel, there was a rule that only officials above a certain rank were entitled to wash with hot water. My father fell into this group, but my mother did not. She had been strongly advised by the women in my father's family not to touch cold water when she came near to delivery time. After the bodyguard's criticism, my father would not let my mother use his water. My mother felt like screaming at him for not taking her side against the endless intrusions into the most irrelevant recesses of her life.
Jung Chang (Wild Swans: Three Daughters of China)
our tragedy begins humid. in a humid classroom. with a humid text book. breaking into us. stealing us from ourselves. one poem. at a time. it begins with shakespeare. the hot wash. the cool acid. of dead white men and women. people. each one a storm. crashing. into our young houses. making us islands. easy isolations. until we are so beleaguered and swollen with a definition of poetry that is white skin and not us. that we tuck our scalding. our soreness. behind ourselves and learn poetry. as trauma. as violence. as erasure. another place we do not exist. another form of exile where we should praise. honor. our own starvation. the little bits of langston. phyllis wheatley. and angelou during black history month. are the crumbs. are the minor boats. that give us slight rest. to be waterdrugged into rejecting the nuances of my own bursting extraordinary self. and to have this be called education. to take my name out of my name. out of where my native poetry lives. in me. and replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot… (what is the necessity of a black child being this high off of whiteness.) and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies. (years later. the conclusion: shakespeare is relative. white literature is relative. that we are force fed the meat of an animal that our bodies will not recognize. as inherent nutrition. is not relative. is inert.)
Nayyirah Waheed (Nejma)
Jackson looked at the Heads-Up Display. It was a balmy twenty-five degrees…That would be seventy-seven on the Tar Heel, since the captain still thought of temperature in American. High humidity
Larry Correia (Gun Runner)
I’d like to see how long an Aroostook County man can stand Florida. The trouble is that with his savings moved and invested there, he can’t very well go back. His dice are rolled and can’t be picked up again. But I do wonder if a down-Easter, sitting on a nylon-and-aluminum chair out on a changelessly green lawn slapping mosquitoes in the evening of a Florida October—I do wonder if the stab of memory doesn’t strike him high in the stomach just below the ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck (Travels with Charley: In Search of America)
God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Sorrow (A Song) To me this world's a dreary blank, All hopes in life are gone and fled, My high strung energies are sank, And all my blissful hopes lie dead.-- The world once smiling to my view, Showed scenes of endless bliss and joy; The world I then but little knew, Ah! little knew how pleasures cloy; All then was jocund, all was gay, No thought beyond the present hour, I danced in pleasure’s fading ray, Fading alas! as drooping flower. Nor do the heedless in the throng, One thought beyond the morrow give, They court the feast, the dance, the song, Nor think how short their time to live. The heart that bears deep sorrow’s trace, What earthly comfort can console, It drags a dull and lengthened pace, 'Till friendly death its woes enroll.-- The sunken cheek, the humid eyes, E’en better than the tongue can tell; In whose sad breast deep sorrow lies, Where memory's rankling traces dwell.-- The rising tear, the stifled sigh, A mind but ill at ease display, Like blackening clouds in stormy sky, Where fiercely vivid lightnings play. Thus when souls' energy is dead, When sorrow dims each earthly view, When every fairy hope is fled, We bid ungrateful world adieu.
Percy Bysshe Shelley (The Complete Poems)
Another one, popular with inhabitants of northern Europe, invokes the supposed stimulatory effects of their homeland’s cold climate and the inhibitory effects of hot, humid, tropical climates on human creativity and energy. Perhaps the seasonally variable climate at high latitudes poses more diverse challenges than does a seasonally constant tropical climate. Perhaps cold climates require one to be more technologically inventive to survive, because one must build a warm home and make warm clothing, whereas one can survive in the tropics with simpler housing and no clothing. Or the argument can be reversed to reach the same conclusion: the long winters at high latitudes leave people with much time in which to sit indoors and invent.
Jared Diamond (Guns, Germs, and Steel)
Waiting is one of the forms of boredom, as it can be one of the shapes of fear. The thing you wait for compels you time after time toward the same feelings, which become only further repetitive elements in the sameness of the days. Here, even the weather enforces monotony. The mornings curve over, one like another, for a week, two weeks, three weeks, unchanging in temperature, light, color, humidity, or if changing, changing by predictable small gradations that amount to no changes at all. Never a tempest, thunderstorm, high wind; never a cumulus cloud, not at this season. Hardly a symptom to tell you summer is passing into autumn, unless it is the dense green of the tarweed that late in summer…in recollection, those weeks of waiting telescope for me as all dull time does.
Wallace Stegner (All the Little Live Things)
I live in the United States, in Southern California, which is naturally a near desert where I would have died of drought (or not lived here) in previous generations. But thanks to irrigation, air-conditioning, sturdy homes, and other technological advances (especially high-energy transport, which enables me to trade with people far away for goods I could not create under the local circumstances), this is one of the most wonderful places on Earth to live: I can enjoy warm, temperate, low-humidity weather without the downsides of the desert.
Alex Epstein (The Moral Case for Fossil Fuels)
Out West all the smells are sucked up out of the baked land by the sun. And it’s as if all the colors in the ground are gobbled up by their sunsets, and so is the blue of the sky. The sky is high and pale and impersonal and you get the feeling it doesn’t belong to you at all, but that it is the property of the chamber of commerce. In the South the sky is humid and low and rich and it’s yours to smell and feel. In the West you’re only an observer. In the West someone sees a flower growing on a mountain and he writes a whole damned pamphlet about it.
Elliott Chaze (Black Wings Has My Angel)
To wonder sadly, did I say? No: a new influence began to act upon my life, and sadness, for a certain space, was held at bay. Conceive a dell, deep-hollowed in forest secresy; it lies in dimness and mist: its turf is dank, its herbage pale and humid. A storm or an axe makes a wide gap amongst the oak-trees; the breeze sweeps in; the sun looks down; the sad, cold dell becomes a deep cup of lustre; high summer pours her blue glory and her golden light out of that beauteous sky, which till now the starved hollow never saw. A new creed became mine - a belief in happiness.
Charlotte Brontë (Villette)
night-vision goggles with high-definition magnification. Despite the unbearable heat and humidity, Robert wore his long-sleeved elastane top and his favorite pair of dark polyester pants. He didn’t care that the outfit made him look unarmed and vulnerable to anyone interested in picking a fight. It’ll take them a minute to decide. He
Alberto Hazan (Dr. Vigilante (Dr. Vigilante, #1))
did you know pistachios are naturally flammable? It’s because of their high fat content. Normally pistachios are stored under fairly rigid conditions of humidity, temperature, and pressure, but should those conditions be altered, the pistachio’s fat-cleaving enzymes produce free fatty acids that are broken down when the seed takes in oxygen and sheds carbon dioxide. Result? Fire.
Bonnie Garmus (Lessons in Chemistry)
Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
I undressed to climb a tree; my naked thighs embraced the smooth and humid bark; my sandals climbed upon the branches. High up, but still beneath the leaves and shaded from the heat, I straddled a wide-spread fork and swung my feet into the void. It had rained. Drops of water fell and flowed upon my skin. My hands were soiled with the moss and my heels were reddened by the crushed blossoms. I felt the lovely tree living when the wind passed through it; so I locked my legs tighter, and crushed my open lips to the hairy nape of a bough.
Pierre Louÿs (The Songs of Bilitis)
Calvin,” she said, reverting to her standard scientific tone, “did you know pistachios are naturally flammable? It’s because of their high fat content. Normally pistachios are stored under fairly rigid conditions of humidity, temperature, and pressure, but should those conditions be altered, the pistachio’s fat-cleaving enzymes produce free fatty acids that are broken down when the seed takes in oxygen and sheds carbon dioxide. Result? Fire. I will credit my father for two things: he could conjure a spontaneous combustion whenever he needed a convenient sign from God.” She shook her head.
Bonnie Garmus (Lessons in Chemistry)
Anyway, I should probably get going.” That big, beautiful man leaned forward in his chair, his eyes sweeping over my face and the hair that had gotten pretty wavy because of the humidity. I had almost forgotten I’d put a silver glitter clip into it that morning to keep it out of my face. “You’re gonna leave me here alone?” “You really want me to keep you company?” His response was a long, long look. For some reason, it made me feel oddly vulnerable. He thought I was pathetic. I knew it. But pathetic or not, well, he was kind of hinting he wanted me to keep him company. “I can stay if you want.” He didn’t say he wanted me to, but… he just kept right on looking at me. So I took it as a yes. “Okay, I’ll stay.” It was the right answer. He took a sip of his drink. “Good.” Well, it looked like I was staying a little longer now. With our conversation still nipping at the back of my head, I asked him again, “So, you’ve really never had a girlfriend? Not in forty-one years?” “Nope.” “Not even in high school?” He shook his head. “Not once?” “Nope.” He gave me this face that almost seemed like a challenge. Like a dare. “I’ve got two numbers on my phone that don’t belong to somebody who’s got a dick. One’s the lady that cleans my place once a week…” “Who’s the other?” I asked, trying to ignore the edge of jealousy waiting around the corner of his answer. That got me another snicker. “You, who the hell else?” “Me?” I leaned forward then. “Since when? You’ve never called my cell.” “Since always. Just ’cause I don’t call you doesn’t mean I don’t have it.” I couldn’t help raising my hands up to my heart and settling them there, this huge smile coming over my face. “Does this mean… Boss, are we friends? Outside of work, of course.” His face went totally serious for a moment before he tossed his head back and laughed. “Get the fuck outta here, Luna. Christ.” We were. We were so totally friends. He was my boss too, but that didn’t mean we couldn’t be friends when we weren’t at the shop. Or during lunch. Or when my life tried to fall apart on me a little. Me and Rip. Friends. I’d take it. I’d take it every day of the year, forever.
Mariana Zapata (Luna and the Lie)
To avoid corrosion of the steel structure, the designers have implemented a clever air-conditioning system that circles 45,000m³ of warm air per-hour within the vicinity of the shelter’s cladding. “There are steel structures that have lasted 100 years, such as the Eiffel Tower, but they last because they’re continually repainted,” said Dr Eric Schmieman, a senior technical advisor from Pacific Northwest National Laboratory in the US, to Wired magazine in 2013. “We’re not able to do that once we slide this into place - the radiation levels are so high we can’t send people in. So what are we going to do? We are going to condition the air that goes into that space. We’re going to keep the relative humidity in there at less than 40 percent.”278
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone- the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom. In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon.
Peter Matthiessen (The Snow Leopard)
A barometric low hung over the Atlantic. It moved eastward toward a high-pressure area over Russia without as yet showing any inclination to bypass this high in a northerly direction. The isotherms and isotheres were functioning as they should. The air temperature was appropriate relative to the annual mean temperature and to the aperiodic monthly fluctuations of the temperature. The rising and setting of the sun, the moon, the phases of the moon, of Venus, of the rings of Saturn, and many other significant phenomena were all in accordance with the forecasts in the astronomical yearbooks. The water vapor in the air was at its maximal state of tension, while the humidity was minimal. In a word that characterizes the facts fairly accurately, even if it is a bit old-fashioned: It was a fine day in August 1913.
Robert Musil (The Man Without Qualities)
Rice paddies climb the hillsides in wet, verdant staircases, dense woodlands trade space with geometric farmscapes, tiny Shinto shrines sprout like mushrooms in Noto forests. Villages seem to materialize from nowhere- wedged into valleys, perched atop hills, finessed into coastal corners. Pull over, climb out of your car, breathe deep for a taste of the finest air that will ever enter your lungs: green as a high mountain, salty and sweet, with just a whisper of decay in the finish. Noto gained its reputation as the Kingdom of Fermentation because of this air. For most of its history, Noto was cut off from the rest of Japan, forced into a subsistence model that in many ways endures today. That was possible not only because of the bounty of Noto's fertile environment of trees, grasslands, fresh water, and sea, but because the air is rich with humidity that encourages the growth of healthy bacteria, the building blocks of fermentation.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
I'd like to see how long an Aroostook County man can stand Florida. The trouble is that with his savings moved and invested there, he can't very well go back. His dice are rolled and can't be picked up again. But I do wonder if a down-Easter, sitting on a nylon-and-aluminum chair out on a changelessly green lawn slapping mosquitoes in the evening of a Florida October--I do wonder if the stab of memory doesn't strike him high in the stomach just below his ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck
In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
The day was stifling, humidity in the high nineties, a threat of rain on the horizon. Though it was full light, the sun was not shining. A thick miasma of haze blanketed the sky, turning the blue to gray. Nashville in the summer. The
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
Humidity could be at 100% or near to zero, depending on the weather atop the very high altitude summit of Mauna Kea.
Steven Magee
We pushed past branches and through humidity thick enough to bind. The gummy smell of pine clawed the air. We trudged through high grass. Mosquitoes and the like buzzed upward in our wake. Trees cast long shadows that you could interpret any way you wanted, like trying to figure out what a cloud looked like or one of Rorschach’s inkblots. We
Harlan Coben (Tell No One)
It was the Easter Hat Parade, and the St. Angela’s mothers were out in force, dressed up in honor of Easter and the first truly autumnal day of the new season. Soft, pretty scarves looped necks, skinny jeans encased skinny and not-so-skinny thighs, spike-heeled boots tapped across the playground. It had been a humid summer, and the crispness of the breeze and the anticipation of a four-day, chocolate-filled weekend had put everyone in good moods. The mothers, sitting in a big double-rowed circle of blue fold-up chairs around the quadrangle, were frisky and high-spirited. The older children who weren’t taking part in the Easter
Liane Moriarty (The Husband's Secret)
There was no way out of this; the Col was upset for the moment.  I’d seen this before and even if I confessed that it was my fault that I’d created the thunderstorm this morning just to halt flight operations it wouldn’t have mattered so I decided to take a chance and break this up while hopefully maintaining a straight face.      “Well Sir it’s a highly technical problem that has to do with electricity and humidity.”      “WHAT technical problem with electricity and humidity?!”      “Well Sir, it’s the Geeblefarbs.”      “GEEBLEFARBS?!!  What the fuck are Geeblefarbs?”      “Well Sir, they are little microscopic things that ‘Geeble’ down the electrical wires transporting the Ohms that make the electrical stuff work.  When they get wet or it’s really humid outside the Ohms pick up moisture and  swell up, which causes the Geeblefarbs to get too fat and they can’t ‘Geeble’ down the wires and when that happens the things like the UHF radio, TACAN and other electrical equipment just won’t work.”      Now I’ve known other officers who weren’t very mechanically inclined and never curious enough to really know if this was a true technical explanation or not.  I also knew that with those types of people if you said something like this in an authoritative manner that they would simply say, “Oh” and go on to another subject, but I knew Col Psaros (Big George) better than that.      “Geeblefarbs and fat Ohms, you’ve got to be shitting me!”      “I am Sir.”      “You gonna fix this problem we are having, quickly, I hope.”      “Yes Sir, it’s in work now, weather aside, we will be ready to go in about 1 hour.
W.R. Spicer (Sea Stories of a U.S. Marine Book 4 Harrier)
The room reeked of dust and failure, which was better than humidity and dead bugs, but only a little.
Scott Meyer (Spell or High Water (Magic 2.0, #2))
heat outside, combined with sky-high humidity, was downright brutal.
J.A. Jance (Damage Control (Joanna Brady, #13))
We are doing 55 on Indiana 65. Jasper County. Flooded fields. Iroquois River spread way out, wide and brown as a Hershey bar. Distances in this glacier-flattened planed-down ground-level ground aren't blue, but whitish, and the sky is whitish-blue. It's in the eighties at 9:30 in the morning, the air is soft and humid, and the wind darkens the flooded fields between rows of oaks. Watch Your Speed - We Are. Severely clean white farmhouses inside square white fences painted by Tom Sawyer yesterday produce a smell of dung. A rich and heavy smell of dung on the southwest wind. Can shit be heady? La merde majestueuse. This is the "Old Northwest." Not very old, not very north, not very west. And in Indiana there are no Indians. Wabash River right up to the road and the oaks are standing ten feet out in the brown shadowmottled flood, but the man at the diesel station just says: You should of seen her yesterday. The essence is motion being in motion moving on not resting at a point: and so by catching at points and letting them go again without recurrence or rhyme or rhythm I attempt to suggest or imitate that essence the essence of which is that you cannot catch it. Of course there are other continuities: the other aspect of the essence of moving on. The county courthouses. Kids on bikes. White frame houses with high sashed windows. Dipping telephone wires, telephone poles. The names of the dispossessed. The redwing blackbird singing to you from fencepost to fencepost. Dave and Shelley singing "You're the Reason God Made Oklahoma" on the radio. The yellow weedy clover by the road. The flowering grasses. And the crow, not the Indian, the bird, you seen one crow you seen 'em all, kronk kronk. CHEW MAIL POUCH TOBACCO TREAT YOURSELF TO THE BEST on an old plank barn, the letters half worn off, and that's a continuity, not only in space but time: my California in the thirties, & I at six years old would read the sign and imagine a Pony Express rider at full gallop eating a candy cigarette. Lafayette Greencastle And the roadsign points: Left to Indianapolis Right to Brazil. Now there's some choice.
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
For de Pauw, the defeat of the native inhabitants at the hands of European settlers was proof of the former’s degeneracy, which he attributed in turn to the hostility of the American landscape and climate. Frequent and heavy rainfall, high humidity, and swamplike soil conditions not only weakened the natives but also had the effect of retarding the development of the new settlers and their animals, as they lost all their will and capacity to procreate. Feebleness, degeneration, and corruption were accordingly the inevitable consequences not merely of physical contact with, but equally of mental, spiritual, cultural, and ethical proximity to, America and everything American.8 The view of America as “backward,” derived from these early biological theories of retarded development, remains to this day a central component of European elite opinion.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
It was July, and we'd ordered patbingsu to share to stave off the humidity. This rendition was far more elaborate than the homespun efforts of my childhood, its base a perfect soft powder of snow slathered in sweet red beans and garnished with pristinely cut strawberries, perfect squares of ripe mango, and little cushions of multicolored rice cakes. A fine web of condensed milk drizzled over the sides, and vanilla soft serve towered high on top.
Michelle Zauner (Crying in H Mart)
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Astronomical observatories are at high altitude due to the radiation levels from Space being elevated because they are in a partial vacuum, the humidity is low and they are often above the clouds.
Steven Magee (Toxic Altitude)
, and were known as the “Lungs of Africa.” Harvath had operated in plenty of jungles, and he had never liked any of them. He hated humidity. He preferred the high desert. High altitude and cold were his favorites. Jungles were just plain dangerous. You not only had to worry about bad guys but everything else lurking out there that wanted to eat you too. Then there was the orchestra of noise. One sound layered upon the next. There was so much of it, it was hard to think, much less listen for any indication of danger. You had no way of knowing if what you had heard was
Brad Thor (Code of Conduct (Scot Harvath, #14))
Storm Catechism" The gods are rinsing their just-boiled pasta in a colander, which is why it is humid and fitfully raining down here in the steel sink of mortal life. Sometimes you can smell the truffle oil and hear the ambrosia being knocked back, sometimes you catch a drift of laughter in that thunder crack: Zeus knocking over his glass, spilling lightning into a tree. The tree shears away from itself and falls on a car, killing a high school girl. Or maybe it just crashes down on a few trash cans, and the next day gets cut up and hauled away by the city. Either way, hilarity. The gods are infinitely perfect as is their divine mac and cheese. Where does macaroni come from? Where does matter? Why does the cat act autistic when you call her, then bat a moth around for an hour, watching intently as it drags its wings over the area rug? The gods were here first, and they're bigger. They always were, and always will be living it up in their father's mansion. You only crawled from the drain a few millennia ago, after inventing legs for yourself so you could stand, inventing fists in order to raise them and curse the heavens. Do the gods see us? Will the waters be rising soon? The waters will be rising soon. Find someone or something to cling to.
Kim Addonizio
I do wonder if the stab of memory doesn’t strike him high in the stomach just below the ribs where it hurts. And in the humid ever-summer I dare his picturing mind not to go back to the shout of color, to the clean rasp of frosty air, to the smell of pine wood burning and the caressing warmth of kitchens. For how can one know color in perpetual green, and what good is warmth without cold to give it sweetness?
John Steinbeck (Travels With Charley: In Search of America)
Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)
Pablo Neruda (Odes to Common Things)
The sun’s high, humidity’s low, the air clean and crisp; the few clouds are pure white and fluffy in the azure September sky; the temperature’s in the low-mid seventies with a cool breeze coming off the water, and it’s impossible to get mad about anything.
A.D. Aliwat (In Limbo)
1. Stow them away properly To make sure that your golf clubs can last for years, keep them inside your cabinet, or anywhere that does not get too warm and humid. Humidity will cause the growth of mold on the handles. This might also cause the club heads and shafts to rust. Even if you are planning to play golf every weekend, do not leave your clubs in the trunk of your car. You might think that it is a safe place but it actually gets pretty hot inside your car’s compartment. Sometimes, the temperature gets so high that it melts the glue that holds the various components together. Is it okay to store them in the basement or in the garage? No, even though those places are kept cool most of the time, there is a good amount of moisture hanging in the air. You need to keep your golf clubs somewhere where the relative humidity is quite low to prevent them from rusting.
Mark Taylor (Golf: Golf Clubs Explained, The Ultimate Guide)
After another forty-five minutes, the train reached the station at Heron's Point, a seaside town located in the sunniest region in England. Even now in autumn, the weather was mild and clear, the air humid with healthful sea breezes. Heron's Point was sheltered by a high cliff that jutted far out into the sea and helped to create the town's own small climate. It was an ideal refuge for convalescents and the elderly, with a local medical community and an assortment of clinics and therapeutic baths. It was also a fashionable resort, featuring shops, drives and promenades, a theatre, and recreations such as golf and boating. The Marsdens had often come here to stay with the duke's family, the Challons, especially in summer. The children had splashed and swum in the private sandy cove, and sailed near the shore in little skiffs. On hot days they had gone to shop in town for ices and sweets. In the evenings, they had relaxed and played on the Challons' back veranda, while music from the town band floated up from the concert pavilion. Merritt was glad to bring Keir to a familiar place where so many happy memories had been created. The seaside house, airy and calm and gracious, would be a perfect place for him to convalesce.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))