Hidden Talent Quotes

Zeus needed someone to blame, so of course he’d picked the handsomest, most talented, most popular god in the pantheon: me.

Emotion is always multiplied in the art of a person who doesn't really show much emotion. It once expanded deep within his hidden soul, and following the downplay his audience is blown away.

Beauty always made a target of its possessor. Every other human quality was hidden easily enough – intelligence, talent, selfishness, even madness – but beauty would not be concealed.

Don’t follow your passion, follow your talent.

Give no one in all the world the power to deflect you from your goal, your aim in life, which is to express your hidden talents to the world, to serve humanity, and to reveal more and more of God’s wisdom, truth, and beauty to all people in the world. Remain true to your ideal. Know definitely and absolutely that whatever contributes to your peace, happiness, and fulfillment must of necessity bless all men who walk the earth. The harmony of the part is the harmony of the whole, for the whole is in the part, and the part is in the whole. All you owe the other, as Paul says, is love, and love is the fulfilling of the law of health, happiness, and peace of mind.

Henry is one talented bastard. A man of many hidden gifts, Alex muses half hysterically. A true prodigy. God save the queen.

Civilized people must, I believe, satisfy the following criteria: 1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...) 2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...) 3) They respect other people's property, and therefore pay their debts. 4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...) 5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...) 6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...) 7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...) 8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano. And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings. [From a letter to Nikolay Chekhov, March 1886]

We all have our talents,” Rip grinned, using the keycard and opening the door to my suite. “Some more hidden than others.

So the avenues we walk down, full of bodies wearing faces, are full of hidden talent: enough to make pianos moan, sidewalks split, streetlights deliriously flicker.

Can you play the piano like Beethoven? Or sing like Carly Simon? Can you take fie pages' worth of quotes and turn them into a usable story ten minutes before deadline? I don't think so, unless you have more hidden talents I don't know about. We all have our special sills. They don't make us better or worse than each other. Just different

The fire which seems extinguished often slumbers beneath the ashes.

Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder

A kid might help another kid who fell into a river, and a kid might help another kid search for a lost baseball, but there isn't a kid I've met who will help another kid out of a humiliating situation. We just aren't built that way.

What if no one is coming to discover your hidden talents, to acknowledge your untapped potential, to heal you, to save you from yourself? What if the saviour was always supposed to be you? What if that’s why it hasn’t worked out with anyone else?

Desire! That’s the one secret of every man’s career. Not education. Not being born with hidden talents. Desire.

I missed feeling that deep curiosity about people, that spark of excitement when you realized you had something in common or admiration when you uncovered a hidden talent or quality. Sometimes, I just missed liking people.

A Christian, who realizes he has been made in the image of the Creator God and is therefore meant to be creative on a finite level, should certainly have more understanding of his responsibility to treat God's creation with sensitivity, and should develop his talents to do something to beautify his little spot on the earth's surface.

It was, he felt, a persistent flaw in his wife's otherwise practical and sensible character that she believed, against all evidence, that he was a man of many talents. He knew he had hidden depths. There was nothing in them that he'd like to see float to the surface. They contained things that should be left to lie.

Some magic talents are destructive. Some are subtle. But no magic user should be taken lightly.

The ultimate gift, in our digital age, is a CEO who has the storytelling talent to capture the imagination of the markets while surrounding themselves with people who can show incremental progress against that vision each day.

As we reached the wooded hill that led to the pipe, Cheater said, "Uh-oh." "What's wrong?" I asked. "Is anyone here thinking about kicking the crap out of me?" he asked. "Not me," I said. "Me either," Lucky said. "Maybe tomorrow," Flinch told him. "But not at the moment." hidden talents

Have a heartattack!

Virginia, a state with one of the highest concentrations of scientific talent in the world, led the nation in denying education to its youth.

Find your hidden talents, your hidden potentials, your hidden purposes and convert them into a better business for the benefit of the entire world.

Their goal wasn't to stand out because of their differences; it was to fit in because of their talents. Like the men they worked for, and the men they sent hurtling off into the atmosphere, they were just doing their jobs.

But Aunt Habiba said not to worry, that everyone had wonderful things hidden inside. The only difference was that some managed to share those wonderful things, and others did not. Those who did not explore and share the precious gifts within went through life feeling miserable, sad, awkward with others, and angry too. You had to develop a talent, Aunt Habiba said, so that you could give something, share and shine. And you developed a talent by working very hard at becoming good at something. It could be anything - singing, dancing, cooking, embroidering, listening, looking, smiling, waiting, accepting, dreaming, rebelling, leaping. 'Anything you can do well can change your life', said Aunt Habiba.

It was my teacher's genius, her quick sympathy, her loving tact which made the first years of my education so beautiful. It was because she seized the right moment to impart knowledge that made it so pleasant and acceptable to me. She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs, until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. Any teacher can take a child to the classroom, but not every teacher can make him learn. He will not work joyously unless he feels that liberty is his, whether he is busy or at rest; he must feel the flush of victory and the heart-sinking of disappointment before he takes with a will the tasks distasteful to him and resolves to dance his way bravely through a dull routine of textbooks. My teacher is so near to me that I scarcely think of myself apart from her. How much of my delight in all beautiful things is innate, and how much is due to her influence, I can never tell. I feel that her being is inseparable from my own, and that the footsteps of my life are in hers. All the best of me belongs to her--there is not a talent, or an aspiration or a joy in me that has not been awakened by her loving touch.

Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan. As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.” “Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?” “What do you mean?” “I mean, how the holy hell does he afford this place? He looks like he’s twelve.” “He’s twenty-​two, and he happens to be quite successful.” “At twenty-​fucking-​two?” “He was born with talent?” Alyson said questioningly. “He’s a lucky wanker who blew the right people?” suggested Aaron. Alyson tried to scowl but grinned instead, “A child prodigy?” “A deal with the devil?” “Naturally gifted?” “An indulgent sugar daddy?” “How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio.

I’ve come to believe that genius is an exceedingly common human quality, probably natural to most of us. I didn’t want to accept that notion — far from it: my own training in two elite universities taught me that intelligence and talent distributed themselves economically over a bell curve and that human destiny, because of those mathematical, seemingly irrefutable scientific facts, was as rigorously determined as John Calvin contended.

But a funny thing happens to you in a depression. If you don't hurt yourself, you can gain tremendous insights and empathy, find inner strengths and hidden talents. It's a mysterious process, but if you can hold on, you become a wiser person.

each of us should be allowed to rise as far as our talent and hard work can take us. The

He gifted the people He made with an echo of His creative power.

I decided to put on my new suit and go out and find a woman, a beautiful one, of course, to support a man of my still-hidden talents.

A great mentor always uses his/her own way to dig deep and squeezes out all the hidden talents and gifts.

Every child is an individual with a different growth rate & a varied and vast potential. Respecting the talent that is hidden within each child, we respect their potential to become Kings of their Trade, or Saviors of the World to come.’ Conscious Parenting by Natasa Pantovic Nuit Quotes about kids development talents

In one of my travels, I would find a talented singer with real emotion in his raw voice, and would wonder how he had lived his simple life with this amazing hidden talent, while people far less talented than him sat in high castles and decided his fate.

The highest kind of writing—which must not be confused with the most ambitious kind…belongs to the realm of grace. Talent is part of it, certainly; a thorough understanding of the secret laws, absolutely. But finding the subject and theme which is in perfect harmony with your deepest nature, your forgotten selves, your hidden dreams, and the full unresonated essence of your life—now that cannot be reached through searching, nor can it be stumbled upon through ambition. That sort of serendipity comes upon you on a lucky day. It may emerge even out of misfortune or defeat. You may happen upon it without realising that this is the work through which your whole life will sing. We should always be ready. We should always be humble. Creativity should always be a form of prayer.

Remember that He who created you to be creative gave you the things with which to make beauty and gave you the sensitivity to appreciate and respond to His creation. Creativity is His gift to you and the 'raw materials' to be put together in various ways are His gift to you as well.

You have to take risks. We will only understand the miracle of life fully when we allow the unexpected to happen. Every day, God gives us the sun - and also one moment when we have the ability to change everything that makes us unhappy. Every day, we try to pretend that we haven't perceived that moment, that it doesn't exist - that today is the same as yesterday and will be the same as tomorrow. But if people really pay attention to their everyday lives, they will discover that magic moment. It may arrive in the instant when we are doing something mundane, like putting our front-door key in the lock; it may lie hidden in the quiet that follows the lunch hour or in the thousand and one things that all seem the same to us. But that moment exists - a moment when all the power of the stars becomes a part of us and enables us to perform miracles. Joy is sometimes a blessing, but it is often a conquest. Our magic moment helps us to change and sends us off in search of our dreams. Yes, we are going to suffer, we will have difficult times, and we will experience many disappointments - but all of these are transitory; it leaves no permanent mark. And one day we will look back with pride and faith at the journey we have taken. Pitiful is the person who is afraid of taking risks. Perhaps, this person would never be disappointed or disillusioned; perhaps she won't suffer the way people do when they have a dream to follow. But when the person looks back - she will never hear her heart saying 'What have you done with the miracles that God planted in your days? What have you done with the talents God has bestowed upon you? You buried yourself in a cave because you were fearful of losing those talents. So this is your heritage, the certainty that you wasted your life.' Pitiful are the people who must realize this. Because when they are finally able to believe in miracles, their life's magic moments will have already passed them by.

Do you honestly think God would make a creature as lovely and talented and good as your sister, and then make the way she looks something sinful? Something to be ashamed of? No. He wouldn’t. If anything, your sister—her face, her body, her mind, and her heart—give glory to Him. And she shouldn’t be hidden. You don’t hide something that remarkable away from the world, like your parents have done, like you want to do. That’s the true sin.

An idea is like a spark to creativity, which turns to a wild conflagration of thoughts, burning every ignorance. When the fire burns, the creative power is awake, and comes out to join the ideas in your head to bring out the hidden valuables the world never knew

There are various art forms we may or may not have talent for, may or may not have time for, and we may or may not be able to express ourselves in, but we ought to consider this fact-that whether we choose to be an environment or not, we are. We produce an environment other people have to live in. We should be conscious of the fact that this environment which we produce by our very 'being' can affect the people who live with us or work with us.

God is Change And hidden within Change Is surprise, delight, Confusion, pain, Discovery, loss, Opportunity, and growth. As always, God exists To shape And to be shaped.

Writers are not the sanest lunatics in the asylum...

talent is evenly distributed, opportunity is not.

Every person has hidden talent waiting to be uncovered.

Moreover, the sciences are monuments devoted to the public good; each citizen owes to them a tribute proportional to his talents. While the great men, carried to the summit of the edifice, draw and put up the higher floors, the ordinary artists scattered in the lower floors, or hidden in the obscurity of the foundations, must only seek to improve what cleverer hands have created.

Perfect You’re a beautiful kind of madness a misunderstood truth O, the things they could learn from the darkness that is hidden behind your eyes So gifted, yet your talents are wasted you gave up chasing dreams Reality hit and you got a taste of failure Cautious now about bearing your soul For if others saw you fully exposed they may not love you like they claim to Time and experience have taught you to trust no one Friends, lovers, and even family have forsaken you You keep the shattered pieces of your heart in a box Stitching, gluing, and staying up all night trying to put it back together Attempting to fill the void that was left Moving from one man to the next It seems no one can satisfy the appetite for affection that you seek Continually picking at old wounds they never heal properly You have no real home, too restless to stay in one place You are reckless, selfish, stubborn, sometimes rude You’ve bottled up the pain of so much that has been done When you’re hurt You close into yourself, shut down You love attention and yet love being by yourself more May God have mercy on your soul For you are truly lost Daily you fight your demons Yet no one knows of that which you endure You bear it alone, never speaking of it You can blame the broken home from which you came Or the environment that you grew up in The people who tore you down so young You can point the finger at those who have whispered behind your back They all have played a role in your development But looking so deep into the past will keep you from moving forward You must love yourself more than these people claim they do Look at where you stand now No one can know the things you have endured like you You’ve never claimed to be perfect Your flaws tell your story There is no need to hide them

Mastery is not a function of genius or talent. It is a function of time and intense focus applied to a particular field of knowledge. But there is another element, an X factor that Masters inevitably possess, that seems mystical but that is accessible to us all. Whatever field of activity we are involved in, there is generally an accepted path to the top. It is a path that others followed, and because we are conformist creatures, most of us opt for this conventional route. But Masters have a strong inner guiding system and a high level of self-awareness. What has suited others in the past does not suit them, and they know that trying to fit into a conventional mold would only lead to a dampening of spirit, the reality they seek eluding them. And so inevitably, these Masters, as they progress on their career paths, make a choice at a key moment in their lives: they decide to forge their own route, one that others will see as unconventional, but that suits their own spirit and rhythms and leads them closer to discovering the hidden truths of their objects of study. This key choice takes self-confidence and self-awarenes–the X factor that is necessary for attaining mastery...

Upward growth occurs in cycles that build upon each other in an ascending spiral of capacity and understanding. They are often not easy, but they are always beneficial. As you walk the path of righteousness, you will grow in strength, understanding, and self­esteem. You will discover hidden talents and unknown capacities. The whole course of your life may be altered for your happiness and the Lord’s purposes.

I want to hone my talent so that it shines brightly, terrorizing the unjust and lighting the way for those who would make the world better. I will protect the innocent and guard the timid. I do not know if I will always do what is right, but I am the Hidden Girl, and my loyalty is to the tranquillity yearned by all.

Why raise children on the promise of magic? Why create a want in them that can never be satisfied—for revelation, for transformation—and then set them adrift in a bleak, pragmatic world? In Darlington she’d seen what grief over that loss could do to someone, but maybe the same mourning lived inside her too. The terrible knowledge that there would be no secret destiny, no kindly mentor to see some hidden talent inside her, no deadly nemesis to best.

God plants the talent and it grows, sustained by a spirit-given strength to endure, even in the midst of darkness. It thrives in the valleys of life and ignores the peaks. It blooms like a flower when cradled by the warmth of the sun. It remains in a hidden stairwell in a concentration camp. It grows, fed in secret, in the heart of every artist.

The gym exposes deficiencies in our bodies’ strength and stamina—and appearance. You can wear all kinds of daytime clothes that hide or minimize aspects of your body that you would like to be less visible to the eye. But in the gym, you cannot hide them. There you and your coach (and unfortunately everyone around you) can see where you bulge where you shouldn’t. It’s an incentive to get to work. And so this metaphor tells us that when life is going along just fine, the flaws in our character can be masked and hidden from others and from ourselves. But when troubles and difficulties hit, we are suddenly in “God’s gymnasium”—we are exposed. Our inner anxieties, our hair-trigger temper, our unrealistic regard of our own talents, our tendency to lie or shade the truth, our lack of self-discipline—all of these things come out.

Studies have shown consistently that while IQ bears a fairly close relationship to accomplishment among men, it bears essentially no relationship at all to accomplishment among women. (...) The adult occupations of the women, whose childhood IQ's were in the same range as the men's, were for the most part undistinguished. n fact, two-thirds of the women with genius-level IQ's of 170 or above were occupied as housewives or office workers. The waste of women's talent is a brain drain that affects the entire country.

Been a pleasure, Don Gato. Have a sexy evening.” The cat looked dryly at him before hopping down to the floor and sauntering out of the house. Ken’s face showed genuine surprise as the cat left. He looked curiously at Jin. Guessing that Ken was wondering if he’d just used his telepathy on the cat, Jin beamed. “Oh, yeah,” he lied. “Not just human minds I’m the master of. I get cows to dance in musicals.

Don’t follow your passion, follow your talent. Determine what you are good at (early), and commit to becoming great at it. You don't have to love it, just don't hate it. If practice takes you from good to great, the recognition and compensation you will command will make you start to love it. And, ultimately, you will be able to shape your career and your specialty to focus on the aspects you enjoy the most. And if not—make good money and then go follow your passion. No kid dreams of being a tax accountant. However, the best tax accountants on the planet fly first class and marry people better looking than themselves—both things they are likely to be passionate about.

Maybe, I am thinking, there is something hidden like this, in all of us. A small gift from the universe waiting to be discovered.

Their goal wasn’t to stand out because of their differences; it was to fit in because of their talent.

If you got talent, showcase it. It's no good hidden in your closet.

Steve Jobs was quoted in Business Week as saying “A lot of times, people don’t know what they want until you show it to them.

We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned. When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes? I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.

Whether in music, or other things, one never knows what surprisingly satisfying things God has in His plan for the developed talent with is literally 'given' to Him to use or to lay aside.

Child prodigies amaze us because we compare them not with other performers who have practiced for the same length of time, but with children of the same age who have not dedicated their lives in the same way. We delude ourselves into thinking they possess miraculous talents because we assess their skills in a context that misses the essential point. We see their little bodies and cute faces and forget that, hidden within their skulls, their brains have been sculpted—and their knowledge deepened—by practice that few people accumulate until well into adulthood, if then. Had the six-year-old Mozart been compared with musicians who had clocked up 3,500 hours of practice, rather than with other children of the same age, he would not have seemed exceptional at all.

Every talent, every feeling, every acquirement; nay, even every tendency towards virtue was used up as materials for fireworks; the hidden, sacred fire, exhausted itself in sparkle and crackle.

The German philosopher Arthur Schopenhauer cleverly made this point in 1819: “A person of talent hits a target that no one else can hit; a person of genius hits a target that no one else can see.

Once I realize that my greatest resources are cleverly hidden in the disguise of my many handicaps, I have finally discovered the resources that I thought could only be found in my greatest strengths.

Like any hidden talent that you've either consciously or unconsciously known was there but didn't feel comfortable bringing out, once you accept the fact that wanting is part of you, and that doing it is really okay, it becomes fun. Joy starts to flow. You begin to vibrate differently, for when you are in joy with Life you cannot vibrate negatively and you cannot attract negatively, only positively.

talent: the innate power to discover the hidden connection between two things — images, ideas, words — that no one else has ever seen before, link them, and create for the world a third, utterly unique work.

On the other hand, in a famous “genius test” conducted at Stanford by Lewis Terman and colleagues from the 1920s into the 1990s, a cohort of 1,500 youngsters with IQs over 135 ultimately failed to produce a single genius.48

It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.

Why raise children on the promise of magic? Why create a want in them that can never be satisfied - for revelation, for transformation - and then set them adrift in a bleak, pragmatic world? In Darlington she'd seen what grief over that loss could do to someone, but maybe that same mourning lived inside her too. The terrible knowledge that there would be no secret destiny, no kindly mentor to see some hidden talent inside her, no deadly nemesis to best.

Hugo felt the world was hostile to his writing, he felt not only all its human inhabitants but its noises and diversions and ordinary clutter were linked against him, maliciously, purposefully, diabolically thwarting and maiming him and keeping him from his work. And I, whose business it was to throw myself between him and the world, was failing to do so, by choice perhaps as much as ineptitude for the job. I did not believe in him. I had not understood how it would be necessary to believe in him. I believed that he was clever and talented, whatever that might mean, but I was not sure he would turn out to be a writer. He did not have the authority I thought a writer should have. He was too nervous, too touchy with everybody, too much of a showoff. I believed that writers were calm, sad people, knowing too much. I believed that there was a difference about them, some hard and shining, rare intimidating quality they had from the beginning, and Hugo didn’t have it. I thought that someday he would recognize this. Meanwhile, he lived in a world whose rewards and punishments were as strange, as hidden from me, as if he had been a lunatic.

Everyone who has any talent at all in sketching, painting, sculpturing or carving, should have the opportunity to use that talent. The expression is important for the person, and can tremendously enrich the lives of other people. What can you do?

It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.

It even seems as if the ego has not been produced by nature to follow its own arbitrary impulses to an unlimited extent, but to help to make real the totality-the whole psyche. It is the ego that serves to light up the entire system, allowing it to become conscious and thus to be realized. If, for example, I have an artistic talent of which my ego is not conscious, nothing will happen to it. The gift may as well be non-existent. Only if my ego notices it can I bring it into reality. The inborn but hidden totality of the psyche is not the same thing as a wholeness that is fully realized and lived. One could picture this in the following way: The seed of a mountain pine contains the whole future tree in a latent form; but each seed falls at a certain time onto a particular place, in which there are a number of special factors, such as the quality of the soil and the stones, the slope of the land, and its exposure to the sun and wind. The latent totality of the pine in the seed reacts to these cicumstances by avoiding the stones and inclining toward the sun, with the result that the tree's growth is shaped. Thus an individual pine slowly comes into existence, constituting the fulfillment of its totality, its emergence into the realm of reality. Without the living tree, the image of the pine is only a possibility or an abstract idea. Again, the realization of this uniqueness in the individual man is the goal of the process of individuation.

It was, he felt, a persistent flaw in his wife’s otherwise practical and sensible character that she believed, against all evidence, that he was a man of many talents. He knew he had hidden depths. There was nothing in them that he’d like to see float to the surface. They contained things that should be left to lie.

I think that there is genius hidden in everyone, a little hole through which God is visible,” Pelagia began to explain. “But it is rare for anyone to discover this opening in themselves. Everybody gropes for it like blind kittens, but they keep missing. If a miracle occurs, then someone realizes straightaway that this is what he came into the world for, and after that he lives with a calm confidence and cannot be distracted by anybody else, and that is genius. But talents are encountered far more frequently. They are people who have not found that little magic window, but are close to it and are nourished by the reflected glow of its miraculous light.

Sophie tied it around her neck along with her Exillium bead. She was getting quite the necklace collection. “How come Foster’s form says ‘et cetera’ on the line for special abilities?” Keefe asked, making Sophie wonder when he’d grabbed her pages. “On mine it says ‘Empath.’ But on hers it lists the four and then has an ‘et cetera.’ That means she has more hidden abilities, doesn’t it?” “You cannot read too much into a simple ‘etcetera.’ ” Mr. Forkle told him. “Psh, with you guys we can,” Keefe insisted as Sophie snatched her forms back. “And please tell me she’s not a Beguiler—that would get way too complicated.” Keefe kept listing talents he hoped Sophie did or didn’t have

Lillian Ross, who often wrote about Robin Williams in The New Yorker, said this about the comedian in 2018: “Robin was a genius, and genius doesn’t produce normal men next door who are good family men and look after their wives and children. Genius requires its own way of looking at and living in the world, and it isn’t always compatible with conventional ways of living.

There is no way that any of God’s children can be assured of blessings from the Most High without worthy actions in their lives…. We are saved only in direct proportion to the knowledge we gain, but the simple accumulation of facts will in no way save us if we do not possess wisdom…. Change and the development of talents and hidden qualities in each of us are produced by putting into practice the knowledge we have obtained.

As he spoke, it struck Thomas [Mann] that writing, for [his son] Klaus was a dreary process compared to the excitement of doing other things. Klaus relished outings, parties, new people, chances to travel. He was not naturally drawn to the hard and hidden place where a subject was lured towards the light in a process that was like alchemy. Writing was something he did quickly. Despite his talent, Klaus was not, Thomas judged, an artist.....

But perhaps most important, Katherine Johnson’s story can be a doorway to the stories of all the other women, black and white, whose contributions have been overlooked. By recognizing the full complement of extraordinary ordinary women who have contributed to the success of NASA, we can change our understanding of their abilities from the exception to the rule. Their goal wasn’t to stand out because of their differences; it was to fit in because of their talent.

God’s intent for men and women has not changed, nor has He taken from us the strength and beauty He gave us at birth. These gifts are buried within us, covered over by the attitudes and assumptions that prevent us from living the abundant life God planned for us. In effect, many have placed a “No Trespassing” sign over their power, strength, abilities, talents, and capabilities. Because we have obeyed that sign, many of the possibilities with which we were born still exist within us—hidden and dormant, unused and untried.

When assigning responsibilities to employees in a startup, you could start by treating it as a simple optimization problem to efficiently match talents with tasks. But even if you could somehow get this perfectly right, any given solution would quickly break down. Partly that’s because startups have to move fast, so individual roles can’t remain static for long. But it’s also because job assignments aren’t just about the relationships between workers and tasks; they’re also about relationships between employees. The best thing I did as a manager at PayPal was to make every person in the company responsible for doing just one thing. Every employee’s one thing was unique, and everyone knew I would evaluate him only on that one thing. I had started doing this just to simplify the task of managing people. But then I noticed a deeper result: defining roles reduced conflict. Most fights inside a company happen when colleagues compete for the same responsibilities. Startups face an especially high risk of this since job roles are fluid at the early stages. Eliminating competition makes it easier for everyone to build the kinds of long-term relationships that transcend mere professionalism. More than that, internal peace is what enables a startup to survive at all. When a startup fails, we often imagine it succumbing to predatory rivals in a competitive ecosystem. But every company is also its own ecosystem, and factional strife makes it vulnerable to outside threats. Internal conflict is like an autoimmune disease: the technical cause of death may be pneumonia, but the real cause remains hidden from plain view.

Every talent, every feeling, every acquirement; nay, even every tendency towards virtue, was used up as materials for fireworks; the hidden, sacred fire, exhausted itself in sparkle and crackle. They talked about art in a merely sensuous way, dwelling on outside effects, instead of allowing themselves to learn what it has to teach. They lashed themselves up into an enthusiasm about high subjects in company, and never thought about them when they were alone; they squandered their capabilities of appreciation into a mere flow of appropriate words.

CRICKET A poor little cricket Hidden in the flowery grass, Observes a butterfly Fluttering in the meadow. The winged insect shines with the liveliest colors: Azure, purple, and gold glitter on his wings; Young, handsome, foppish, he hastens from flower to flower, Taking from the best ones. Ah! says the cricket, how his lot and mine Are dissimilar! Lady Nature For him did everything, and for me nothing. I have no talent, even less beauty; No one takes notice of me, they know me not here below; Might as well not exist. As he was speaking, in the meadow Arrives a troop of children. Immediately they are running After this butterfly, for which they all have a longing. Hats, handkerchiefs, caps serve to catch him. The insect in vain tries to escape. He becomes soon their conquest. One seizes him by the wing, another by the body; A third arrives, and takes him by the head. It should not be so much effort To tear to pieces the poor creature. Oh! Oh! says the cricket, I am no more sorry; It costs too dear to shine in this world. How much I am going to love my deep retreat! To live happily, live hidden.

At the beginning of this chapter we identified several practical threats to liberalism. The first is that humans might become militarily and economically useless. This is just a possibility, of course, not a prophecy. Technical difficulties or political objections might slow down the algorithmic invasion of the job market. Alternatively, since much of the human mind is still uncharted territory, we don’t really know what hidden talents humans might discover in themselves, and what novel jobs they might create to offset the loss of others. That, however, may not be enough to save liberalism. For liberalism believes not just in the value of human beings – it also believes in individualism. The second threat facing liberalism is that, while the system might still need humans in the future, it will not need individuals. Humans will continue to compose music, teach physics and invest money, but the system will understand these humans better than they understand themselves and will make most of the important decisions for them. The system will thereby deprive individuals of their authority and freedom

Nothing, again, could be more prosaic and impenetrable than the domestic energies of Miss Diana Duke. But Innocent had somehow blundered on the discovery that her thrifty dressmaking went with a considerable feminine care for dress--the one feminine thing that had never failed her solitary self-respect. In consequence Smith pestered her with a theory (which he really seemed to take seriously) that ladies might combine economy with magnificence if they would draw light chalk patterns on a plain dress and then dust them off again. He set up "Smith's Lightning Dressmaking Company," with two screens, a cardboard placard, and box of bright soft crayons; and Miss Diana actually threw him an abandoned black overall or working dress on which to exercise the talents of a modiste. He promptly produced for her a garment aflame with red and gold sunflowers; she held it up an instant to her shoulders, and looked like an empress. And Arthur Inglewood, some hours afterwards cleaning his bicycle (with his usual air of being inextricably hidden in it), glanced up; and his hot face grew hotter, for Diana stood laughing for one flash in the doorway, and her dark robe was rich with the green and purple of great decorative peacocks, like a secret garden in the "Arabian Nights." A pang too swift to be named pain or pleasure went through his heart like an old-world rapier. He remembered how pretty he thought her years ago, when he was ready to fall in love with anybody; but it was like remembering a worship of some Babylonian princess in some previous existence. At his next glimpse of her (and he caught himself awaiting it) the purple and green chalk was dusted off, and she went by quickly in her working clothes.

Idea in Brief Are you an ethical manager? Most would probably say, “Of course!” The truth is, most of us are not. Most of us believe that we’re ethical and unbiased. We assume that we objectively size up job candidates or venture deals and reach fair and rational conclusions that are in our organization’s best interests. But the truth is, we harbor many unconscious—and unethical—biases that derail our decisions and undermine our work as managers. Hidden biases prevent us from recognizing high-potential workers and retaining talented managers. They stop us from collaborating effectively with partners. They erode our teams’ performance. They can also lead to costly lawsuits.

she enjoyed her continued glimpses into the inner workings of world affairs. She often would sit back in the middle of some long meeting and wonder how it was that these men and women had risen to the top of the global elite. They weren't marked by exceptional genius. The did not have extraordinarily deep knowledge or creative opinions. If there was one trait the best of them possessed, it was a talent for simplification. They had the ability to take a complex situation and capture the heart of the matter in simple terms. A second after they located the core fact of any problem, their observation seemed blindingly obvious, but somehow nobody had simplified the issue in quite those terms beforehand. They took reality and made it manageable for busy people. p338

The bond between the narcissistic father and their child exists, but it is unhealthy and not based on mutual respect and love, but on shame and guilt. Such a father projects his deepest fears of inadequacies, shame and rejection on their children, but they also do the same for their ambitions, unrealistic qualities, imagined authority and false sense of personal power, grandiosity and success. Based on these two they give their children the roles of the scapegoat and the golden child where the first one becomes the embodiment of the narcissistic fathers’ fears and the second one becomes the embodiment of their ideals. Neither of these are based in reality and are never a reflection of a child's real potential, skill, character or talent. The scapegoated child is the one who is ultimately the greatest threat to a narcissist's false sense of self-importance, and so that child will be the one to be discarded and rejected.

While the others tended the flowers outside, the kitchen was her garden, where feasts and banquets bloomed. At twenty-six, she couldn't imagine ever loving anything as much as cooking. Nothing fancy though; no big white plates and tiny morsels. Candy cooked to feed the soul. Flavor and quantity were of equal importance. She had become Thornfield's resident cook when she dropped out of high school and convinced June she was safe with knives. It's in your blood, Twig said after a bite of her first cassava cake, fresh from the oven. These are your gifts, June said when Candy served her first platter of spring rolls with mango chutney, made from homegrown vegetables and herbs. It was true; when she was cooking or baking, it was almost as if a deeper, hidden knowledge took over her hands, her instincts, her tastebuds. She thrived in the kitchen, spurred by the idea that maybe her mother was a chef, or her father a baker. Cooking soothed the incision-like cut she felt inside whenever she thought that she might never know.

He tried sometimes to see in her some extraordinary hidden gift, some thing of great beauty, the pearl that would make her attractive to a man. But if there was a pearl, it lay deeply and irretrievably buried. Where she was not unsightly, she was merely ordinary. Her voice didn’t dazzle, she had no great brains, she cooked but with no particular interest or talent for it, she couldn’t dance and didn’t want to (a wise choice—when Arnie imagined Iris throwing her concentrated weight around a dance floor, his stomach went acidy). Her hair didn’t shine, her feet were not small, the clothes she wore didn’t enhance her qualities, because she had few qualities to enhance. She could be funny at times, and kind at times, but not overwhelmingly, not to a degree that might cause a guy to give her a second look. The best Arnie could come up with for Iris’s main selling point was that she did what she was supposed to do. Which wasn’t so bad really, in a world where you couldn’t depend on anybody. Iris showed up for work on time, she bathed regularly with sensible soap, and she paid her bills. Arnie doubted there was anyone out there staying up nights fantasizing about a woman like that.

I have a friend whose elderly mother lives with her and is driving her crazy. Her mother was once a talented artist, an intellectual with myriad interests. Now, my friend says, “she gets up in the morning and makes a cup of coffee and she’s so slow, doing it. I mean, I just watch her sometimes to see how she can possibly be so slow. Then she sits at the kitchen table and talks about what might be for lunch. I just can’t stand it! All she talks about is her cup of coffee in the morning and the weather and what her next meal will be. I really wonder…..is there any meaning to the end of life?” I suppose one way to answer that question is to think about how a baby’s meaning in life is a ray of sunshine, the color red, the nearness of his mother’s flesh. For a teenager, it is music, fitting in, hormone management. In midlife, meaning comes from focusing on our families, our jobs, our involvement with the world outside our kitchens. Which is to say that the meaning of life is ever-changing, even as we are. Who’s to say that the richest time of life might not be when a cup of morning coffee fills the world? If you found a holy man hidden away on a mountain who found fulfillment in such seemingly simple things, would you not admire him?

With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.

Managerial abilities, bureaucratic skills, technical expertise, and political talent are all necessary, but they can be applied only to goals that have already been defined by military policies, broad and narrow. And those policies can be only as good as strategy, operational art of war, tactical thought, and plain military craft that have gone into their making. At present, the defects of structure submerge or distort strategy and operational art, they out rightly suppress tactical ingenuity, and they displace the traditional insights and rules of military craft in favor of bureaucratic preferences, administrative convenience, and abstract notions of efficiency derived from the world of business management. First there is the defective structure for making of military decisions under the futile supervision of the civilian Defense Department; then come the deeply flawed defense policies and military choices, replete with unnecessary costs and hidden risks; finally there come the undoubted managerial abilities, bureaucratic skills, technical expertise, and political talents, all applied to achieve those flawed policies and to implement those flawed choices. By this same sequence was the fatally incomplete Maginot Line built, as were all the Maginot Lines of history, each made no better by good government, technical talent, careful accounting, or sheer hard work. Hence the futility of all the managerial innovations tried in the Pentagon over the years. In the purchasing of weapons, for example, “total package” procurement, cost plus incentive contracting, “firm fixed price” purchasing have all been introduced with much fanfare, only to be abandoned, retried, and repudiated once again. And each time a new Secretary of Defense arrives, with him come the latest batch of managerial innovations, many of them aimed at reducing fraud, waste, and mismanagement-the classic trio endlessly denounced in Congress, even though they account for mere percentage points in the total budget, and have no relevance at all to the failures of combat. The persistence of the Administrator’s Delusion has long kept the Pentagon on a treadmill of futile procedural “reforms” that have no impact at all on the military substance of our defense. It is through strategy, operational art, tactical ingenuity, and military craft that the large savings can be made, and the nation’s military strength greatly increased, but achieving long-overdue structural innovations, from the central headquarters to the combat forces, from the overhead of bases and installations to the current purchase of new weapons. Then, and only then, will it be useful to pursue fraud, waste, and mismanagement, if only to save a few dollars more after the billions have already been saved. At present, by contrast, the Defense Department administers ineffectively, while the public, Congress, and the media apply their energies to such petty matters as overpriced spare parts for a given device in a given weapon of a given ship, overlooking at the same time the multibillion dollar question of money spent for the Navy as a whole instead of the Army – whose weakness diminishes our diplomatic weight in peacetime, and which could one day cause us to resort to nuclear weapons in the face of imminent debacle. If we had a central military authority and a Defense Department capable of strategy, we should cheerfully tolerate much fraud, waste, and mismanagement; but so long as there are competing military bureaucracies organically incapable of strategic combat, neither safety nor economy will be ensured, even if we could totally eliminate every last cent of fraud, waste, and mismanagement.

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.

See? I long to be your spiritual guide. I really do, and I will. Love is my motive, rather than any elevated belief in my own knowledge, contemplative work, experience, or maturity. And may God correct what I get wrong. For he knows everything, and I only know in part.1 Now to satisfy your proud intellect, I will praise the work of contemplation. You should know that if those engaged in this work had the linguistic talent to express exactly what they’re experiencing, then every scholar of Christianity would be amazed by their wisdom. It’s true! In comparison, all theological erudition would look like total nonsense. No wonder, then, that my clumsy human speech can’t describe the immense value of this work to you, and God forbid that the limitations of our finite language should desecrate and distort it. No, this must not and will not happen. God forbid that I would ever want that! For our analysis of contemplation and the exercise itself are two entirely different things. What we say of it is not it, but merely a description. So, since we can’t define it, let’s describe it. This will baffle all intellectual conceit, especially yours, which is the sole reason I’m writing this letter. I want to start off by asking you a question. What is the essence of human spiritual perfection, and what are its qualities? I’ll answer this for you. On earth, spiritual perfection is only possible through the union between God and the human soul in consummate love. This perfection is pure and so sublime that it surpasses our human understanding, and that’s why it can’t be directly grasped or observed. But wherever we see its consequences, we know that the essence of contemplation abounds there. So, if I tell you that this spiritual discipline is better than all others, then I must first prove it by describing what mature love looks like. This spiritual exercise grows virtues. Look within yourself as you contemplate and also examine the nature of every virtue. You’ll find that all virtues are found in and nurtured by contemplation with no distortion or degeneration of their purposes. I’m not going to single out any particular virtue here for discussion. I don’t need to because you can find them described in other things I’ve written.2 I’ll only comment here that contemplative prayer, when done right, is the respectful love and ripe fruit that I discuss in your little Letter on Prayer. It’s the cloud of unknowing, the hidden love-longing offered by a pure spirit. It’s the Ark of the Covenant.3 It’s the mystical theology of Dionysius, the wisdom and treasure of his “bright darkness” and “unknown knowing.” It takes you into silence, far from thoughts and words. It makes your prayer very short. In it, you learn how to reject and forget the world.

Day 4 Jehovah-Nissi __________, I call your spirit to attention in the name of Jehovah-Nissi, God who promised to be at war against the Amalekites from generation to generation. The context of the story is of Moses having to lead his people into battle when they weren’t ready to go to war. They were attacked by the Amalekites. As he lifted his hands to the Lord, the Lord warred on behalf of Israel. __________, I bless your spirit with knowing when to war and when to lift your hands to the Lord. There will be seasons when God calls you to use the greatest of your strength. There will be seasons when God presses you to the wall and yet expects you to work hard, like Israel had to make bricks; then they had to make bricks in a harder way without straw. Then they had to march during the middle of the night to escape from Egypt. There will be times when God will celebrate the gifts that He has placed in you, when He will celebrate your strength. At times God will place you in a context where every talent and ability that you possess can be brought to the front and be used to make changes in the kingdom. That is good. That is fine. That is excellent. That is the will of God. But there will be times, __________, when God will very specifically put you in a place where everything that you have is not good enough, where you have to do something you have never done before. Enemies that you have never irritated will seek to attack you just because they are opportunistic. I bless you, __________, with having the courage not to depend on a skillset that is inadequate but to have the courage to lift your hands up to God on the mountaintop and ask Jehovah-Nissi to war for you. Because where you are inexperienced against any enemy, Jehovah-Nissi has the experience of the ages. Where you don’t know how to do it, Jehovah-Nissi has done it endless times. Where you have not walked that way before, Jehovah-Nissi has worn a path with the mighty tread of His feet. __________, Jehovah-Nissi has promised and recorded in Scripture that He cannot lie, that He will be at war against the opportunistic coyote, the spirit of Amalek that prowls around. It never attacks directly but takes advantage of your vulnerabilities, takes advantage of the opportune times of transition when you are not ready for war. Jehovah-Nissi has promised to war on your behalf. __________, I bless you with finding profound security in Jehovah-Nissi, celebrating your giftedness while always knowing that Jehovah-Nissi is there for those battles that He permits which you don’t anticipate. He anticipates the battles that blindside you on a path that you’ve never walked before. Israel did not know the desert area. The Amalekites lived there. Israel didn’t know the safe places, the high places, the hidden places. They didn’t know how to craft an effective war strategy. They just went out and bumbled around while Moses stood on the mountain with his hands lifted high. __________, celebrate your areas of strength, but when you are in a new area and the enemy attacks you and you don’t know what to do or how to do or where to do it, go to the mountaintop. Lift your hands and let Jehovah-Nissi war on your behalf. I bless you with knowing Jehovah-Nissi experientially in your generation. I bless you in the name of the Father and of the Son and of the Holy Spirit, Amen.