Heritage Monuments Quotes

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Possessed by the grasp of quality and connoisseurship, he knew and measured the worth of man’s visible heritage and determined, in the midst of constant change, to preserve and enhance that heritage so that it might be visible to anyone with eyes to see.”30
Robert M. Edsel (The Monuments Men: Allied Heroes, Nazi Thieves, And The Greatest Treasure Hunt In History)
Britain has 450,000 listed buildings, 20,000 scheduled ancient monuments, twenty-six World Heritage Sites, 1,624 registered parks and gardens (that is, gardens and parks of historic significance), 600,000 known archaeological sites (and more being found every day; more being lost, too), 3,500 historic cemeteries, 70,000 war memorials, 4,000 sites of special scientific interest, 18,500 medieval churches, and 2,500 museums containing 170 million objects.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
Why didn't Lina know their names? Why hadn't she studied their histories? Where was the monument? Where was the museum? What had they wished for and worked for and loved?
Tara Conklin (The House Girl)
What happens when the past - or more specifically heritage - is fabricated? Authenticity and truth are lost. The thread of history is broken and the lessons it can teach us become meaningless, or worse, twisted to tell a different story - a lie. It is crucial to be able to discern the difference, especially now, when the increase in our ability to communicate is counterbalanced by the equally exponential growth in the likelihood of being deceived.
John Darlington (Fake Heritage: Why We Rebuild Monuments)
Overtaken by demographic transformation and two generations of socio-geographic mobility, France’s once-seamless history seemed set to disappear from national memory altogether. The anxiety of loss had two effects. One was an increase in the range of the official patrimoine, the publicly espoused body of monuments and artifacts stamped ‘heritage’ by the authority of the state. In 1988, at the behest of Mitterrand’s Culture Minister Jack Lang, the list of officially protected items in the patrimoine culturel of “France—previously restricted to UNESCO-style heirlooms such as the Pont du Gard near Nîmes, or Philip the Bold’s ramparts at Aigues-Mortes—was dramatically enlarged. It is revealing of the approach taken by Lang and his successors that among France’s new ‘heritage sites’ was the crumbling façade of the Hôtel du Nord on Paris’s Quai de Jemappes: an avowedly nostalgic homage to Marcel Carné’s 1938 film classic of that name. But Carné shot that movie entirely in a studio. So the preservation of a building (or the façade of a building) which never even appeared in the film could be seen—according to taste—either as a subtle French exercise in post-modern irony, or else as symptomatic of the unavoidably bogus nature of any memory when subjected thus to official taxidermy.
Tony Judt (Postwar: A History of Europe Since 1945)
The most powerful speaker, I thought, was a Lakeview resident, Richard Westmoreland, a retired Marine Corps lieutenant colonel, who said that Robert E. Lee was a great general, but compared him to Erwin Rommel, the World War II German tank commander. There are no statues of Rommel in Germany, he continued. "They are ashamed. The question is, why aren't we?" Westmoreland said. "Make no mistake, slavery was the great sin of this nation." In a letter to the New Orleans Advocate, Westmoreland wrote: "The "heritage" argument doesn't stand the test of time. These men were traitors. We are the United States before we are the South. How can anyone begin to think that these remembrances aren't offensive and disrespectful to African Americans? They are offensive to me as a retired military officer. They are offensive to me as a citizen; our tax money maintains these sites. Their existence is offensive to me as a human being; the monuments to the Confederacy on our public lands are disrespectful at best. They are subtle, government-sanctioned racism. There is nothing about our "heritage" with the Confederacy worthy of embracing. We are not who we once were. We should be proud of that. We are our brother's keeper. I am white, by the way, a fact that shouldn't be relevant in this argument, but we know it still is.
Mitch Landrieu (In the Shadow of Statues: A White Southerner Confronts History)
If we impose on a map of the earth a 'world grid' with Giza (not Greenwich) as its prime meridian, then hidden relationships become immediately apparent between sites that previously seemed to be on a random, unrelated longitudes. On such a grid, as we've just seen, Tiruvannamalai stands on longitude 48 degrees east, Angkor stands on longitude 72 degrees east and Sao Pa stands out like a sore thumb on longitude 90 degrees east -- all numbers that are significant in ancient myths, significant in astronomy (through the study of precession), and closely interrelated through the base-3 system. So the 'outrageous hypothesis' which is being proposed here is that the world was mapped repeatedly over a long period at the end of the Ice Age -- to the standards of accuracy that would not again be achieved until the end of the eighteenth century. It is proposed that the same people who made the maps also established their grid materially, on the ground, by consecrating a physical network of sites around the world on longitudes that were significant to them. And it is proposed that this happened a very long time ago, before history began, but that later cultures put new monuments on top of the ancient sites which they continued to venerate as sacred, perhaps also inheriting some of the knowledge and religious ideas of the original navigators and builders.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
That the petitioner No. 2 is the founder President of an Institution, namely, “ Institute for Re-writing Indian (and World) History “. The aim and objective of that institution, which is a registered society having register no. F-1128 (T) as the public trust under the provision of Bombay Public Trust Act. Inter alia, is to re-discover the Indian history. The monumental places of historical importance in their real and true perspective having of the heritage of India. The true copy of memorandum of association of the aforesaid society / public trust having fundamental objectives along with Income tax exemption certificate under section 80-G (5) of I.T. Act, 1961 for period 1/4/2003 to 31/3/2006 are filed herewith as marked as Annexure No.1 and 2 to the writ petition. 5. That the founder-President of Petitioner’s Institution namely Shri P. N. Oak is a National born Citizen of India. He resides permanently at the address given in case title. The petitioner is a renowned author of 13 renowned books including the books, titled as, “ The Taj Mahal is a Temple Place”. This petition is related to Taj Mahal, Fatehpur- Sikiri, Red-fort at Agra, Etamaudaula, Jama- Masjid at Agra and other so called other monuments. All his books are the result of his long-standing research and unique rediscovery in the respective fields. The titles of his books speak well about the contents of the subject. His Critical analysis, dispassionate, scientific approach and reappraisal of facts and figures by using recognised tools used in the field gave him distinction through out the world. The true copy of the title page of book namely “The Taj Mahal is a Temple Palace” . written by Sri P. N. Oak, the author/ petitioner No. 2 is filed as Annexure –3 to this writ petition.
Yogesh Saxena
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Legacy of Love In the future, when your children ask you, “What do these stones mean?” tell them that the flow of the Jordan was cut off before the ark of the covenant of the LORD. When it crossed the Jordan, the waters of the Jordan were cut off. These stones are to be a memorial to the people of Israel forever. —JOSHUA 4:6-7     In your family’s history there are probably many examples of sacrifice—some you may know about, but many other sacrifices probably took place and were not recorded, mentioned, or elaborated on in family stories and journals. Consider how you have learned life lessons from those who did make sacrifices. What pleasures or luxuries or privileges do you enjoy today because of the toils and trials of past generations? How you honor such sacrifices becomes a part of your legacy to the next generation. If you are raising a family with God’s love and truth, that is honoring your life and the lives of those before you. If you are mentoring other women or girls, that is honoring the labor of many women of the past. When you have compassion on a stranger, that is honoring the acts of service that took place before you were born. We never want to let future generations forget what great sacrifices were made in order for us to be the persons, the families, and the nation we are. That’s why traditions are so important in life. They are attempts to pass on to future generations what of value has been passed on to us today. Joshua built a monument of stones so that the children of the future would ask about them and about their own heritage. What will your legacy be? What do you hope your children or your friends or your loved ones will carry with them after you are gone? Commit your ways to the ways of God, and your legacy will endure. It will become a heritage of faith and faithfulness that will help to encourage and inspire others. Your legacy won’t be in material possessions or in the details of a will. Your legacy will be discovered in the stones…the stepping stones…that created your path—each stone carved and polished by the Creator Himself. Prayer: Father God, remind me of the sacrifices made by those believers who persevered before
Emilie Barnes (Walk with Me Today, Lord: Inspiring Devotions for Women)
Spain’s churches, monuments, language, and literature are richly redolent of a unique, multifaith heritage. Muslims, Christians, and Jews had worked, worshipped, and interacted in Spain on a scale unparalleled and even unimaginable elsewhere in the medieval West.
Christopher Lowney (A Vanished World: Medieval Spain's Golden Age of Enlightenment)
Today, Poverty Point is a National Park and Monument and UNESCO World Heritage Site. Despite these designations of international importance, its implications for world history have hardly begun to be explored. A hunter-gatherer metropolis the size of a Mesopotamian city-state, Poverty Point makes the Anatolian complex of Göbekli Tepe look like little more than a ‘potbelly hill’ (which is, in fact, what ‘Göbekli Tepe’ means in Turkish). Yet outside a small community of academic specialists, and of course local residents and visitors, very few people have heard of it.
David Graeber (The Dawn of Everything: A New History of Humanity)
A 2018 report by Smithsonian magazine and the Nation Institute’s Investigative Fund (now Type Investigations) found that over the previous ten years, US taxpayers had directed at least forty million dollars to Confederate monuments, including statues, homes, museums, and cemeteries, as well as Confederate heritage groups.
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
very much like us in every important way and
Kenneth L. Feder (Native American Archaeology in the Parks: A Guide to Heritage Sites in Our National Parks and Monuments)
Shortly after the advent of Louis Philippe, the movement to save France’s architectural heritage began in earnest. One of the more important acts in this preservation campaign occurred shortly after the July Revolution, when the official post of inspector of historical monuments was created; then, seven years later, the Commission on Historical Monuments was established, with Prosper Merimee, the renowned novelist and passionate archaeologist, at its head. Under the auspices of this agency surveys were made of monuments all over France, and requests for funds for restorations were directed to Parliament. At odds with our present notion that a good restoration is a minimal one, the nineteenth-century concept included additions that were in some way in keeping with the spirit of the building. This entailed adding intense polychromy and mural paintings to the walls of many of these newly appreciated edifices.
Michael Paul Driskel (The Art of the July Monarchy: France, 1830 to 1848)
In a dangerous atmosphere of cynicism and gullibility, personal belief, spin and gut feeling are pitted against complex evidence and academics in their ivory towers. In modern life, politicians can ignore data, research is a luxury and conspiracy theories are easy to set loose, but far more difficult to catch and dispatch. The general public, living in a world full of experts, have largely fallen out of love with the real thing.
John Darlington (Fake Heritage: Why We Rebuild Monuments)
Heritage is the conventional, if lightweight, motive for the preservation of megalithic monuments – but spirituality is the harder motive to admit to, even though it is the deeper of the two, provided it remains true to the prehistoric builders’ awe of the natural world.
Mark Crutchfield (Earthwork)
Even the most diligent parents have little effective input into what their children are taught in these classrooms. Indeed, they have no adequate or routine influence in the selection of teachers and professors, curriculum, or textbooks, which principally advance, either openly or through insinuation, a statist agenda and ideological groupthink hostile to the civil society and the American heritage. The immunization of formal education from parental and community input is a monumentally disastrous event.
Mark R. Levin (Plunder and Deceit: Big Government's Exploitation of Young People and the Future)
So what was going on in Malta that led to all this? Why did the first megalithic temple-builders in the world choose to make things so difficult for themselves? Why didn't they start with small megaliths (if that is not too serious a contradiction in terms)? Why didn't they start simple? Why did they plunge straight into the very complicated stuff, like Gigantija and the Hypogeum? And, having plunged, how did they manage to produce such magnificent results? Was it beginner's luck? Or were their achievements as humanity's pioneering architects the product of some sort of heritage? Beginner's luck is possible, but having studied the earliest temples, and their level of perfection, archaeologists agree that heritage is the right answer. The only problem is what heritage? And where is it to be looked for? Since it is the received wisdom that no human beings lived on Malta before 5200 BC, and since this is a 'fact' that is at present unquestioned anywhere within conventional scholarship, archaeologists from roughly the mid-twentieth century onwards have simply seen no reason to explore the possibility that the heritage of the Maltese temples might be older than 5200 BC. To do so would be the research equivalent of an oxymoron -- like breeding dodos, trying to conduct an interview with William Shakespeare or seeking evidence that the earth is flat -- and would invite the ridicule of one's peers.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
World Poachers (Sonnet 1502) The western alliance didn't fight Hitler because he tortured the Jewish people, they fought him because he was't gonna show anyone any special consideration. Jews were never the focus of World War 2, It was about the invaders being invaded. Lo and behold, Nazis are the villain, though England, Belgium, France, Spain and Portugal caused far worse damage! If you feel one way about Hitler, and another way about Churchill, your opinion is of no consequence, living on a whitewashed dunghill. Rushmore is a monument of massacre, Buckingham is a palace of plunderers. Till you denounce all atrocious heritage, You're just animal heir to world poachers.
Abhijit Naskar (World War Human: 100 New Earthling Sonnets)