Her Friendship Quotes

We've searched our database for all the quotes and captions related to Her Friendship. Here they are! All 100 of them:

Tis the privilege of friendship to talk nonsense, and to have her nonsense respected.
Charles Lamb (The life, letters and writings of Charles Lamb Volume 3)
When a woman becomes her own best friend life is easier.
Diane Von Furstenberg
the only way Bex would miss this would be if she were unconscious. And tied up. And in a concrete bunker. In Siberia.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
Once she was gone, I knelt next to Annabeth and felt her forehead. She was still burning up. "You're cute when you're worried," she muttered. "Your eyebrows get all scrunched together." "You are not going to die while I owe you a favor," I said. "Why did you take that knife?" "You would've done the same for me." It was true. I guess we both knew it. Still, I felt like somebody was poking my heart with a cold metal rod.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
Andrea raised her hand. “This is the hand that slapped Aunt B.” “Maybe you should have it gold-plated.” “Here, you can touch it, since you’re my best friend.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
The moon will guide you through the night with her brightness, but she will always dwell in the darkness, in order to be seen.
Shannon L. Alder
When you look at her what do you feel?... Joy, fear, frustration, longing, friendship, anger, need, despair, love, lust?" "Yes." "Yes, what?" "All of it.
Katja Millay (The Sea of Tranquility)
Luna had decorated her bedroom ceiling with five beautifully painted faces: Harry, Ron, Hermione, Ginny, and Neville. They were not moving as the portraits at Hogwarts moved, but there was a certain magic about them all the same: Harry thought they breathed. What appeared to be fine golden chains wove around the pictures, linking them together, but after examining them for a minute or so, Harry realized that the chains were actually one word, repeated a thousand times in golden ink: friends . . . friends . . . friends . . .
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Bryce's face crumpled as she lurched to her feet, sprinting to the Gate. She didn't care how it was possible as Danika said again, "Light it up" Then Bryce was laughing and sobbing as she screamed, "LIGHT IT UP, DANIKA! LIGHT IT UP, LIGHT IT UP, LIGHT IT UP!" Bryce slammed her palm onto the bronze disk of the Gate. And soul to soul with the friend whom she had not forgotten, the friend who had not forgotten her, even in death, Bryce made the Drop.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Everything about her has to do with me.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
If you have but one friend, make sure you choose her well.
Muriel Barbery (The Elegance of the Hedgehog)
She realized that Rowan saw each of those thoughts and more as he reached into his tunic and pulled out a dagger. Her dagger. He extended it to her, it's long blade gleaming as if he'd been secretly polishing and caring for it these months. And when she grasped the dagger, it's weight lighter than she remembered, Rowan looked into her eyes, into her very core of her, and said, 'Fireheart'.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
When twilight drops her curtain down And pins it with a star Remember that you have a friend Though she may wander far.
L.M. Montgomery
You can be just friends with people, you know," Orla said. "I think it's crazy how you're in love with all those raven boys." Orla wasn't wrong, of course. But what she didn't realize about Blue and her boys was that they were all in love with one another. She was no less obsessed with them than they were with her, or one another, analyzing every conversation and gesture, drawing out every joke into a longer and longer running gag, spending each moment either with one another or thinking about when next they would be with one another. Blue was perfectly aware that it was possible to have a friendship that wasn't all-encompassing, that wasn't blinding, deafening, maddening, quickening. It was just that now that she'd had this kind, she didn't want the other.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Victor's tortured eyes blazed down at her, and for a moment she was afraid.  Then he leaned down and dissolved into tears in the arms of Celena who was only six.
Barbara Sontheimer (Victor's Blessing)
It would be mortifying to the feelings of many ladies, could they be made to understand how little the heart of a man is affected by what is costly or new in their attire... Woman is fine for her own satisfaction alone. No man will admire her the more, no woman will like her the better for it. Neatness and fashion are enough for the former, and a something of shabbiness or impropriety will be most endearing to the latter.
Jane Austen (Northanger Abbey)
I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
And he knew that at that moment, they understood each other perfectly, and when he told her what he was going to do now, she would not say ‘be careful’ or ‘don’t do it’, but she would accept his decision because she would not have expected anything less of him.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Skye kissed her forehead. "You saved my life." Katsa smiled. "You Lienid are very outward in your affection." "I'm going to name my firstborn child after you." Katsa laughed at that. "For the child's sake, wait for a girl. Or even better, wait until all your children are older and give my name to whichever is the most troublesome and obstinate." Skye burst into laughter and hugged her, and Katsa returned his embrace. And realized that quite without her intending it, her guarded heart had made another friend.
Kristin Cashore (Graceling (Graceling Realm, #1))
She had to go on this quest. The fate of the world might depend on it. But part of him wanted to say: Forget the world. He didn’t want to be without her.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Everything about him screamed in warning, “Caution: dangerous terrain ahead.” A warning that both intrigued and provoked her proceed-at-your-own-risk nature.
Lotchie Burton (Gabriel's Fire (The Men of Thorne Enterprises #2))
It may...be judged indecent in me to come forward on this occasion; but when I see a fellow-creature about to perish through the cowardice of her pretended friends, I wish to be allowed to speak, that I may say what I know of her character.
Mary Wollstonecraft Shelley (Frankenstein)
Jem gave her a wistful look. “Must you go? I was rather hoping that you’d stay and be a ministering angel, but if you must go, you must.” “I’ll stay,” Will said a bit crossly, and threw himself down in the armchair Tessa had just vacated. “I can minister angelically.” “None too convincingly. And you’re not as pretty to look at as Tessa is,” Jem said, closing his eyes as he leaned back against the pillow. “How rude. Many who have gazed upon me have compared it to gazing at the radiance of the sun.” Jem still had his eyes closed. “If they mean that it gives you a headache, they aren’t wrong.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
For a moment Anne's heart fluttered queerly and for the first time her eyes faltered under Gilbert's gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
So, you do speak English. That makes sense now.” Catherine said, shaking her head. “Of course, I speak English. I’m from Australia, not Tanzania.
Diane Merrill Wigginton (A Compromising Position)
He turned and smiled resolvedly at her.  He knew no one else would ever understand that for Arvellen, sex only had to do with friendship and of pleasing one another, and nothing at all to do with what she considered to be the silly confines of love or marriage.
Barbara Sontheimer (Victor's Blessing)
I've decided that I'm not going to try to squeeze myself into a friendship that hurts me anymore. I'm going to let her go and just be friends with people who make me feel good about myself.
Zoe Sugg
Elizabeth is my happiness, he thought again. “I could hate her for what she did to me.” “Because of one unsuccessful beheading?” She tapped her claw to her chin. “Wow. I never thought you were such a pussy. I’m rethinking our friendship.
Kresley Cole (Lothaire (Immortals After Dark, #11))
He was the strangest of strangers in that he was also her oldest friend.
Ann Brashares
That’s what happens to friends, eventually. They leave you. It’s practically what they’re for.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
She studied me with concern. She touched the new streak of gray in my hair that matched hers exactly—our painful souvenir from holding Atlas's burden. There was a lot I'd wanted to say to Annabeth, but Athena had taken the confidence out of me. I felt like I'd been punched in the gut. I do not approve of your friendship with my daughter. "So," Annabeth said. "What did you want to tell me earlier?" The music was playing. People were dancing in the streets. I said, "I, uh, was thinking we got interrupted at Westover Hall. And… I think I owe you a dance." She smiled slowly. "All right, Seaweed Brain." So I took her hand, and I don't know what everybody else heard, but to me it sounded like a slow dance: a little sad, but maybe a little hopeful, too.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
She told me later that her parents had told her to steer clear of me at school. "My mum said that nobody really knew where you came from. And that you might be dangerous." "Why didn't you listen to her?" I asked. "Because nobody knew where you came from, Simon! And you might be dangerous!" "You have the worst survival instincts." "Also, I felt sorry for you," she said. "You were holding your wand backwards.
Rainbow Rowell (Carry On (Simon Snow, #1))
She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship.
E.M. Forster (A Room with a View)
Light flashed in her eyes. In fact, it clung to her—flaring around her skin, her hair, her whole body. It was a trick of the eyes, his mind, when adrenaline hit his system. But she glowed. Vivid. Alive. And for a moment, he’d have given anything to be like her.
J. Rose Black (Losing My Breath)
To see her is a picture— To hear her is a tune— To know her an Intemperance As innocent as June— To know her not—Affliction— To own her for a Friend A warmth as near as if the Sun Were shining in your Hand.
Emily Dickinson (The Complete Poems of Emily Dickinson)
How it's so easy for her to not feel anything at all, to be just completely gone, to not be around to see how fucked up she's made me. She got to disappear completely and I feel like I'm about to combust.
Nina LaCour (Hold Still)
She is an able negotiator and a strong ally." Pickering said, as his eyes caressed her lovely face.  He noticed both her arms were wrapped tightly around Victor's, and that she looked up at him with such commitment that it made his cynical view of love soften.  Reminding him bittersweetly of how he had felt once, a very long time ago.
Barbara Sontheimer (Victor's Blessing)
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
Victor Hugo (The Hunchback of Notre-Dame)
I was so blinded by her talent that I didn't recognize the tremendous pain behind her work. She gave me hundreds of images, so many chances to see that she was in trouble. I failed her.
Nina LaCour
Once upon a time they was two girls," I say. "one girl had black skin, one girl had white." Mae Mobley look up at me. She listening. "Little colored girl say to little white girl, 'How come your skin be so pale?' White girl say, 'I don't know. How come your skin be so black? What you think that mean?' "But neither one a them little girls knew. So little white girl say, 'Well, let's see. You got hair, I got hair.'"I gives Mae Mobley a little tousle on her head. "Little colored girl say 'I got a nose, you got a nose.'"I gives her little snout a tweak. She got to reach up and do the same to me. "Little white girl say, 'I got toes, you got toes.' And I do the little thing with her toes, but she can't get to mine cause I got my white work shoes on. "'So we's the same. Just a different color', say that little colored girl. The little white girl she agreed and they was friends. The End." Baby Girl just look at me. Law, that was a sorry story if I ever heard one. Wasn't even no plot to it. But Mae Mobley, she smile and say, "Tell it again.
Kathryn Stockett (The Help)
A moment passed, perhaps half a second when their faces said what they felt, and then Emma was smiling, laughing, her arms around his neck.
David Nicholls (One Day)
I wanted to kill her and make her eat her fringe. And her knickers.
Louise Rennison (Away Laughing on a Fast Camel (Confessions of Georgia Nicolson, #5))
She was my friend and I loved her and relied on her, even though there were days when her moodiness and fragility frightened me, because they reminded me of my own tenuous grasp on life.
Julie Metz (Perfection: A Memoir of Betrayal and Renewal)
From the first day I met her, she was the only woman to me. Every day of that voyage I loved her more, and many a time since have I kneeled down in the darkness of the night watch and kissed the deck of that ship because I knew her dear feet had trod it. She was never engaged to me. She treated me as fairly as ever a woman treated a man. I have no complaint to make. It was all love on my side, and all good comradeship and friendship on hers. When we parted she was a free woman, but I could never again be a free man.
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
He loved her. Jay Heaton, her best friend since childhood was in love with her. He didn't say it but she knew that it was true. And the part that really freaked her out, the part that caught her completely off guard, is that he wasn't alone. Because even though she'd been denying it for a long, long time, it had always been there... waiting beneath the surface of their friendship. And now that it was out there was no going back. And it was so weird to even be thinking it but...... she was in love with him too.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Here's the thing- I love you and I love her, but I swear to God I'll kick your ass if you hurt her.
Katie McGarry (Dare You To (Pushing the Limits, #2))
I was flipping channels, watching this cheerleading program on MTV. They took a field hockey girl and “transformed” her into a cheerleader by the end of the show. I was just wondering: what if she liked field hockey better?
Jess C. Scott (EyeLeash: A Blog Novel)
Perhaps the ache of homesickness was a fair price to pay for having so many good people in her life.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
When her pain is fresh and new, let her have it. Don't try to take it away. Forgive yourself for not having that power. Grief and pain are like joy and peace; they are not things we should try to snatch from each other. They're sacred. they are part of each person's journey. All we can do is offer relief from this fear: I am all alone. That's the one fear you can alleviate.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
And Isi always listened, never told Enna she had been foolish, never said hollow things like 'You'll be all right.' . . . Isi saw Enna's struggle and her sadness, and she understood.
Shannon Hale (Enna Burning (The Books of Bayern, #2))
She peels an orange, separates it in perfect halves, and gives one of them to me. If I could wear it like a friendship bracelet, I would. Instead I swallow it section by section and tell myself it means even more this way. To chew and to swallow in silence here with her. To taste the same thing in the same moment.
Nina LaCour (We Are Okay)
George looked at her for a long moment. Finally he replied, "And why do you find it so hard to think someone might like you and want to do things for you?
Tamora Pierce (Alanna: The First Adventure (Song of the Lioness, #1))
...there remained a strange formality between them, and her pleasure in his presence felt too much like missing him had felt during the last week.
Robin McKinley (Pegasus (Pegasus, #1))
This is how I think of us, when I remember our nights at Troy: Achilles and I beside each other, Phoinix smiling and Automedon stuttering through the punch lines of jokes, and Briseis with her secret eyes and quick, spilling laughter.
Madeline Miller (The Song of Achilles)
Then, in an unusual moment, she grew emotional, which left little doubt about the level of profound respect and admiration Merkel had for her American colleague: ‘So eight years are coming to a close.  This is the last visit of (President) Barack Obama to our country…I am very glad that he chose Germany as one of the stopovers on this trip…Thank you for the reliable friendship and partnership you demonstrated in very difficult hours of our relationship. So let me again pay tribute to what we’ve been able to achieve, to what we discussed, to what we were able to bring about in difficult hours.
Claudia Clark (Dear Barack: The Extraordinary Partnership of Barack Obama and Angela Merkel)
I knew a man who gave twenty years of his life to a scatterbrained woman, sacrificing everything to her, his friendships, his work, the very respectability of his life and who one evening recognized that he had never loved her. He had been bored, thats all, bored like most people. Hence he had made himself out of whole cloth a life full of complications and drama. Something must happen and that explains most human commitments. Something must happen even loveless slavery, even war or death.
Albert Camus
She understood him. He could not forgive her,-but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjest resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer, without the desire of giving her relief. It was a remainder of former sentiment; it was an impuse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed.
Jane Austen (Persuasion)
I'll never understand the friendships Charlie has. Friendships where it doesn't take cash or hookups, or saying the right things to stay in the circle. No, Charlie's friendships are different. She tries to protect her people, and they in turn protect her. They accept each other's imperfections and support one another. My friends weren't like her friends, which makes me wonder if I ever had any at all.
Victoria Scott (The Collector (Dante Walker, #1))
Terra read the words aloud: “If I’m one day gone, you’ll know it’s here that I go. Into the black darkness that has become my foe. No one will look and no one will ever find. My memory will only exist in the broken mind.” She paused after reading the entry and then traced her fingers along the edges of the page. “There are more words written under the blackness. You can just barely see that they were words but I can’t make them out well enough to read.
Misty Mount (The Shadow Girl)
Whenever I saw her, I felt like I had been living in another country, doing moderately well in another language, and then she showed up speaking English and suddenly I could speak with all the complexity and nuance that I hadn't realized was gone. With Lucy I was a native speaker.
Ann Patchett (Truth & Beauty)
I’ve got a new friend, all right. But what a gamble friendship is! Charlotte is fierce, brutal, scheming, bloodthirsty—everything I don’t like. How can I learn to like her, even though she is pretty and, of course, clever?
E.B. White (Charlotte’s Web)
She was too quiet, or she was too loud. She took things too seriously, or not seriously at all. She was too sensitive, or too cold-hearted. She hated with every fiber of her being, or loved with all her heart. There was no in-between for her. It was either all or nothing. She wanted everything, but in the end, she settled for nothing.
Stacey T. Hunt (Game of Nightmares)
I say, Gibson, we're old friends, and you're a fool if you take anything I say as an offence. Madam your wife and I did not hit it off the only time I ever saw her. I won't say she was silly, but I think one of us was silly, and it was not me.
Elizabeth Gaskell (Wives and Daughters)
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
Her definition of romance was absentminded intimacy, the way someone else's hand stray to your plate of food. I replied: no, that's just friendship; romance is always knowing exactly where that someone else's hands are. She smiled and said, there was a time I thought that way, too. But at the heart of the romance is the knowledge that those hands may wander off elsewhere, but somehow through luck or destiny or plain blind groping they'll find a way back to you, and maybe you'll be smart enough then to be grateful for everything that's still possible, in spit of your own weaknesses- and his.
Kamila Shamsie (Kartography)
Why do you keep coming?" she asked. "Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
She longed for porch friendship, for the sticky, hot sensation of familiar female legs thrown over hers in companionship. She pined for the girliness of it all, the unplanned, improvisational laziness. She wanted to soak the words 'time management' out of her lexicon. She wanted to hand over, to yield, to let herself float down the unchartered beautiful fertile musky swamp of life, where creativity and eroticism and deep intelligence dwell.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
I’ve always loved you,” he said, his eyes a blue that was almost violet. “You know this.” She swallowed a lump in her throat. “I only wonder whether I deserve such devotion.” “Sometimes people fall in love with those who do not return the same strength of feelings. It is as it is,” he said with a quiet intensity. “What I give, I give freely. You owe me nothing, not love, not friendship, not even obligation.
Sherry Thomas (Tempting the Bride (Fitzhugh Trilogy, #3))
Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at lest one genuine feeling. Tuning in to others is a circular flow: you send yourself out toward people; you receive them as they respond to you.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
She's it. She's my everything. She's the standard by which I'll judge beauty for the rest of my life. I'll measure every touch to her breath on my skin. Every voice to her voice. Every mind to her mind. My measure of perfection. The name carved into me. If I could, I would lie with her under these stars until my heart burst.
Jeff Zentner (The Serpent King)
And for about the millionth time in her life she felt an overwhelming gratitude for her best friend. Because she knew he wouldn't mention this afterward; she knew he wouldn't take it as a sign that she was losing her nerve or was in too deep. There weren't many people in this world who would let you be vulnerable and still believe you were strong.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
Murphy watched me thoughtfully for several empty seconds. Then she said, very gently, "You're a good man, Harry." I swallowed and bowed my head, made humble by the tone of her voice and the expression on her face, more than the words themselves. Not always rational," she said, smiling. "But you're the best kind of crazy.
Jim Butcher (Changes (The Dresden Files, #12))
Sam," she said. "I'm trying!" "Sam," she repeated. "No," he spat, hearing her tone. "No!" He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough. "Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't." She knew he wasn't speaking to her. The water hit her neck. "Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words. "Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
You have fallen into the homoerotic queer girl friendship. It’s all cute at first, and then you catch feelings, and it’s impossible to tell if the joke flirting is actual flirting and if the platonic cuddling is romantic cuddling, and next thing you know, three years have gone by, and you’re obsessed with her, and you haven’t done anything about it because you’re too terrified to fuck up the friendship by guessing it wrong, so instead you send each other horny plausible deniability love letters until you’re both dead.
Casey McQuiston (One Last Stop)
I feel like Amy wanted people to believe she really was perfect. And as we got to be friends, I got to know her. And she wasn't perfect. You know? She was brilliant and charming and all that, but she was also controlling and OCD and a drama queen and a bit of a liar. Which was fine by me. It just wasn't fine by her. She got rid of me because I knew she wasn't perfect.
Gillian Flynn (Gone Girl)
He grimaced and went after her. “I’m not a trainer. Just spent a lot of time working out.”  “Misspent youth, clearly.” She held the door open, standing just outside.  “My application to princess school was rejected.” Callan exited the building and fell into step alongside her. “Working out was how I coped.” Sunlight peeked out from behind striped clouds and lit the early-morning sky. Autumn weather chilled the perspiration on his skin.  “Such a shame.” Meridian glanced up at him out of the corner of her eye.  “What is?”  “That you didn’t go to princess school. Could have learned some manners.” Her blue-green eyes sparked in the sunlight. And her mouth . . . Her lips set in some smart-looking, lopsided grin, with a small dimple.  I should definitely kiss that look off her face. “Overrated. Inefficient. And I look terrible in a tiara.
J. Rose Black (Losing My Breath)
So I ring Justine Kalinsky and I say, "It's Francesca Spinelli," and she says, "Francesca, you've got to stop using last names. How are you doing?" and I say "I feel like shit", and I don't know how it happens, but by eight o'clock that night I'm lying next to her on the couch with Siobhan and Tara and we're eating junk food and watching a Keanu movie. And I want to stay on that couch for the rest of my life.
Melina Marchetta (Saving Francesca)
You're walking funny," Lucy said, a shit-eating grin on her face. Five days of out of this world sex with a starving man could do that to a girl. "You're just jealous." Brenna pushed through the door into DarkRiver's business HQ. Lucy made a mournful face. "Yes, I am. Goddamn but your man is hot. And he smiles at you! I've seen him do it, even if no one believes me.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Listen to me, Amin," I said slowly. "Listen to me very carefully. Nothing is the same. Nothing will ever be the same again. There lives on this earth a woman who can be my friend and my lover. Do you understand that? Do you understand what a marvelous thing that is?" "A friend is a friend," Uthman interrupted, "and a woman is a woman. You can't have them in one person. The whole world knows that." "If that's what the whole world knows, ...then the whole world is wrong. I believed the whole world, and I lost her.
Barbara Cohen (Seven Daughters and Seven Sons)
Da. This is going very well already." Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas." "Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn." "Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's." "Aragorn wishes he looked that good," countered Thomas. "What about Karrin?" Sanya asked. "What--for Gimli?" Thomas mused. "She is fairly--" "Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice. "Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest-- "Sanya," I said. "Who did I get cast as?" "Sam," Sanya said. I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.
Jim Butcher (Changes (The Dresden Files, #12))
For thousands of years what men has done to women is simply monstrous. She cannot think of herself as equal as man. & she has been conditioned so deeply that even if u say she is equal, she is not going to believe it. It has become almost her mind, the conditioning has become her mind, that she is less in everithing. & the man who has reduced the women to such a state also cannot love her. LOVE CAN EXIST ONLY IN EQUALITY, IN FRIENDSHIP
Osho
Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten. Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. “That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him. Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Karrin." She looked up at me. She looked very young somehow. "Remember what I said yesterday," I said. "You're hurt. But you'll get through it. You'll be okay." She closed her eyes tightly. "I'm scared. So scared I'm sick." "You'll get through it." "What if I don't?" I squeezed her fingers. "Then I will personally make fun of you every day for the rest of your life," I said. "I will call you a sissy girl in front of everyone you know, tie frilly aprons on your car, and lurk in the parking lot at CPD and whistle and tell you to shake it, baby. Every. Single. Day." Murphy's breath escaped in something like a hiccup. She opened her eyes, a mix of anger and wary amusement easing into them in place of fear. "You do realize I'm holding a gun, right?
Jim Butcher (Summer Knight (The Dresden Files, #4))
It’s not mind-reading,’ she said. ‘Not even an empathy link. Just … a temporary wave of exhaustion. Primal emotions. Your pain washes over me. I take on some of your burden.’ Nico’s expression became guarded. He twisted the silver skull ring on his finger, the same way Reyna did with her silver ring when she was thinking. Sharing a habit with the son of Hades made her uneasy.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Are you ashamed of what I've done?" she dared to ask. His brow creased. "Why would you ever think that?" She couldn't quite look him in the eye as she ran a finger down the blanket. "Are you?" Aedion was silent long enough that she lifted her head - but found him gazing toward the door, as though he could see through it, across the city, to the captain. When he turned to her, his handsome face was open - soft in a way she doubted many ever saw. "Never," he said. "I could never be ashamed of you.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
Christopher Hitchens (Hitch 22: A Memoir)
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them. In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy. To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
Simone de Beauvoir (The Second Sex)
I did my best to fight and claw my way back to the life I once knew, but panic had taken over and colors were swirling and fading all around me. It was all turning into a great cloud of blackness, just like the one I had seen in my dream. The looming cloud of nothingness I had feared for so long was finally grabbing me, wiping my world dark and blank. The darkness was thick and intense, an inky void that stretched to eternity in every direction. Eventually my panic burnt itself out and I simply stayed there in the dark, feeling as if someone had drained my adrenal glands. I was no longer responding to the dark with fear, but acceptance. In fact, curiosity was beginning to take over. The longer I let myself stare into it, the less dark it appeared. After some time, I realized that it was all different shades of murky black and foggy gray overlapping and undulating, just out of focus. I blinked mentally and suddenly she was there, standing above me with concern etched in sooty-colored lines on her monochromatic face.
Misty Mount (The Shadow Girl)
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
Alice Oseman (Loveless)
For the special thrilling quality of their friendship was in their complete surrender. Like two open cities in the midst of some vast plain their two minds lay open to each other. And it wasn't as if he rode into hers like a conqueror, armed to the eyebrows and seeing nothing but a gay silken flutter--nor did she enter his like a queen walking on soft petals. No, they were eager, serious travellers, absorbed in understanding what was to be seen and discovering what was hidden--making the most of this extraordinary absolute chance which made it possible for him to be utterly truthful to her and for her to be utterly sincere with him.
Katherine Mansfield (The Collected Stories)
In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other's hearts, minds, pasts, and dreams. Eventually, a friendship is built - a solid, sheltering structure that exists in the space between us - a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship - this bridge we've built together.
Glennon Doyle Melton (Love Warrior)
London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
The story of the young woman whose death I witnessed in a concentration camp. It is a simple story. There is little to tell and it may sound as if I had invented it; but to me it seems like a poem. This young woman knew that she would die in the next few days. But when I talked to her she was cheerful in spite of this knowledge. "I am grateful that fate has hit me so hard," she told me. "In my former life I was spoiled and did not take spiritual accomplishments seriously." Pointing through the window of the hut, she said, "This tree here is the only friend I have in my loneliness." Through that window she could see just one branch of a chestnut tree, and on the branch were two blossoms. "I often talk to this tree," she said to me. I was startled and didn't quite know how to take her words. Was she delirious? Did she have occasional hallucinations? Anxiously I asked her if the tree replied. "Yes." What did it say to her? She answered, "It said to me, 'I am here-I am here-I am life, eternal life.
Viktor E. Frankl (Man's Search for Meaning)
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her. Gggrrrr rawf arrrgggrrrrarrrr," I said. Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me. I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better. Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them." Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?" Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off." The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon." I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?" Lea narrowed her eyes. Then she said, "You're bluffing." One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me." The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?" He didn't," Mouse said. "I won him.
Jim Butcher (Changes (The Dresden Files, #12))
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)
Harry Burns: You realize of course that we could never be friends. Sally Albright: Why not? Harry Burns: What I'm saying is - and this is not a come-on in any way, shape or form - is that men and women can't be friends because the sex part always gets in the way. Sally Albright: That's not true. I have a number of men friends and there is no sex involved. Harry Burns: No you don't. Sally Albright: Yes I do. Harry Burns: No you don't. Sally Albright: Yes I do. Harry Burns: You only think you do. Sally Albright: You say I'm having sex with these men without my knowledge? Harry Burns: No, what I'm saying is they all WANT to have sex with you. Sally Albright: They do not. Harry Burns: Do too. Sally Albright: They do not. Harry Burns: Do too. Sally Albright: How do you know? Harry Burns: Because no man can be friends with a woman that he finds attractive. He always wants to have sex with her. Sally Albright: So, you're saying that a man can be friends with a woman he finds unattractive? Harry Burns: No. You pretty much want to nail 'em too. Sally Albright: What if THEY don't want to have sex with YOU? Harry Burns: Doesn't matter because the sex thing is already out there so the friendship is ultimately doomed and that is the end of the story. Sally Albright: Well, I guess we're not going to be friends then. Harry Burns: I guess not. Sally Albright: That's too bad. You were the only person I knew in New York.
Nora Ephron (When Harry Met Sally)
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
Comte de Lautréamont (Maldoror and the Complete Works)