Her Exquisite Quotes

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Do you know the song Violet Crowned Athens?” he asked. Yellow hair like hers was rare among the Greeks. Though some people say that Helen of Troy . . .
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
His mouth was crashing against hers. He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.
Stephanie Garber (Legendary (Caraval, #2))
As Aristocleia raised her cup to toast Xanthippus, her gown slipped from her shoulders, exquisite as Aphrodite’s, and flowed like the water that slid over her naked breasts when she allowed him to watch her bathe. It was wonderful to possess a gem of a woman. It made a man feel beautiful and godlike himself, briefly.
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
Enjoy that?" Tanith said with a little grin. Valkyrie grinned back, her eyes bright. "I keep telling Skulduggery he should get a bike." "What does he say?" "He says people who wear leathers, like you, should ride motorbikes. People who wear exquisite suits, like him, should drive Bentleys.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
She had known happiness, exquisite happiness, intense happiness, and it silvered the rough waves a little more brightly, as daylight faded, and the blue went out of the sea and it rolled in waves of pure lemon which curved and swelled and broke upon the beach and the ecstasy burst in her eyes and waves of pure delight raced over the floor of her mind and she felt, It is enough! It is enough!
Virginia Woolf (To the Lighthouse)
My dad once told me that one day I’d meet someone who drives me so crazy I want to strangle her and yet never would because I can’t bear for her to be gone. Well, that’s when I’ll know I’ve met a woman worth keeping.
Ella Frank (Exquisite (Exquisite, #1))
Rough year, he almost said. Because that beautiful face was indeed pale, thinner than it had been before the war, her lips bloodless, and those eyes… Cold and sharp, like a winter morning. No joy, no laughter, in any plane of her exquisite face.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
If I could have wished what I thought was my perfect mate on the wind and had her come back to me in a storm, I could never have come up with anything as exquisite as you.
Kristen Ashley (With Everything I Am (The Three, #2))
It's been the toughest week of my life, not touching you. Not talking to you. Waiting to see what you were going to do." He kissed her again, a warm, damp touch of lips, exquisitely controlled. "But it doesn't matter whether you stay or go. I'll still need you. So if you want to go off to Boston, Ill wait. Right here, whenever you need me.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
Today I will go to wait for her again, because I cannot help it, because my whole being seems now to be bound up in the being of one so different from myself and yet so exquisitely familiar that I can scarely understand what has happened.
Elizabeth Kostova (La historiadora)
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
Victor Hugo (Les Misérables)
The queen was settling on the edge of the bed, ungainly with hesitation and at the same time exquisite in her grace, like a heron landing in a treetop.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
I fucked up. More than I have ever fucked up before. I had the love of my life in my hands for one beautiful, exquisite moment before I ripped her apart and my heart bore the paper cuts.
Karina Halle (And With Madness Comes the Light (Experiment in Terror, #6.5))
Mrs Joe was a very clean housekeeper, but had an exquisite art of making her clenliness more umcomfortable and unacceptable than dirt itself. Cleanliness is next to godliness, and some people do the same by their religion.
Charles Dickens (Great Expectations)
He paused leaning over to lay his lips on hers, “It’s time to feel again. Let me save you from yourself. You were drowning when I found you, but I’m not letting you go, not without a fight.” He kissed her sweetly and moved back standing up and over her. Lena looked up at his out stretched hand. “Take my hand Lena.” He offered and she knew he meant it in a way that went far beyond offering to help her stand.
Ella Frank (Exquisite (Exquisite, #1))
But as they rode out of Rifthold, that city that had been her home and her hell and her salvation, as she memorized each street and building and face and shop, each smell and the coolness of the river breeze, she didn't see one slave. Didn't hear one whip. And as they passed by the domed Royal Theater, there was music - beautiful, exquisite music - playing within.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
She looked at the exquisite red carpet beneath her feet. Someone had done a splendid job of getting all the blood out.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
J. Ruth Gendler (The Book of Qualities)
It occurred to Dr. Lecter in the moment that with all his knowledge and intrusion, he could never entirely predict her, or own her at all. He could feed the caterpillar, he could whisper through the chrysalis; what hatched out followed its own nature and was beyond him. He wondered if she had the .45 on her leg beneath the gown. Clarice Starling smiled at him then, the cabochons caught the firelight and the monster was lost in self-congratulation at his own exquisite taste and cunning.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
Arobynn hit her-her ribs, her jaw, her gut. And her face. Again and again and again. Careful blows, meant to inflict as much pain as possible without doing permanent damage. And Sam kept roaring, shouting words that she couldn't quite hear over the agony. The last thing she remembered was a pang of guilt at the sight of her blood staining Arobynn's exquisite red carpet. And then darkness, blissful darkness, full of relief that she hadn't seen them hurt Sam.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
An ordinary life examined closely reveals itself to be exquisite and complicated and exceptional, somehow managing to be both heroic and plain.
Susan Orlean (The Bullfighter Checks Her Makeup: My Encounters With Extraordinary People)
He trailed his eyes down over her beautiful breasts then told her, “You’re going to keep your mouth shut and I’m going togive you that Orgasm you asked for.” He thought for a moment she was going to tell him to get lost, but instead she leaned her head back against the wall and pushed her hips out toward him.
Ella Frank (Exquisite (Exquisite, #1))
Her carriage bespoke an exquisite misery, a wretchedness so perfect and so absolute that it manifested as dignity, as calm. More than a dark horse, she was darkness itself, the cloak of it.
Eleanor Catton (The Luminaries)
Shame, child, is for those who fail to live up to the ideal of what they believe they should be." She waved her hand. "It was shame that drove me to my queen, to beseech her aid." Her long, delicate fingers idly moved to the streaks of white in her otherwise flawless red tresses. "But she showed me the way back to myself, through exquisite pain, and now I am here to watch over my dear godson--and the rest of you, as long as it is quite convenient." Spooky death Sidhe lady," Molly said. "Now upgraded to spooky, crazy death Sidhe lady.
Jim Butcher (Changes (The Dresden Files, #12))
Her lips found his and a stab of exquisite desire shot through him. This is what he's been waiting for all this time. Not a stolen embrace. A gift, freely given. One that he would keep forever in some small part of his soul.
Courtney Milan (Unveiled (Turner, #1))
Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The exquisite code of politeness of the Woosters prevented me clipping her one on the ear-hole, but I would have given a shilling to be able to do it. There seemed to me something deliberately fat-headed in the way she persisted in missing the gist.
P.G. Wodehouse (Right Ho, Jeeves (Jeeves, #6))
Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself.
Charles Dickens (Great Expectations)
She said, I'm going to miss you when you when I wake up. Don't wake up, he answered. But he did. Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to." It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake. "You were sleeping so sweetly," she said. "Dreaming" He touched her tender mouth. "About what?" "Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A hand in her hair, wrenching back her head. "What's my name?" She scratched trails down his back. He didn't even wince. "My name, kitty. Say my name." "Mr. Mud Stick, Muddie for short," she said, even as she rubbed herself against the hard thrust of his denim-covered erection, the roughness of the fabric an exquisite sensation. She would've liked naked skin even more, but he wasn't budging. "Say it, or no cock for you today." Her mouth fell open. "Fuck you." "You'll be doing that shortly.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.
Virginia Woolf (Mrs. Dalloway)
The Garden En robe de parade. - Samain Like a skein of loose silk blown against a wall She walks by the railing of a path in Kensington Gardens, And she is dying piece-meal of a sort of emotional anaemia. And round about there is a rabble Of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, And is almost afraid that I will commit that indiscretion.
Ezra Pound
Aelin willed the blood in her veins into black fire. Aedion - her focus was on Aedion, not on the tyrant seated at the front of the room, the man who had murdered her family, murdered Marion, murdered her people. If these were her last moments, then at least she would go down fighting, to the sound of exquisite music. It was time. One breath - another. She was the heir of fire. She was fire, and light, and ash, and embers. She was Aelin Fireheart, and she bowed to no one and nothing, save the crown that was hers by blood and survival and triumph.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Riley found her friend studying the contents of one of the store's display windows. It was full of sparkle. “How do you catch this thing?” he asked. She dug in her bag, pulled out a sippy cup, and handed it to him. “You're joking, right?” he said. “You trap demons with cups that have dancing bears on them?” She glowered at him. “See the glitter in the bottom? Klepto-Fiends can't resist it.” He held up the sippy cup and compared it to the exquisitely cut diamonds in the store window. “Wanna bet?” And I brought him along why?
Jana Oliver (Forbidden (The Demon Trappers, #2))
Lucas nodded the instant before Hawke caught the first hint of an exquisitely familiar scent on the breeze. Autumn leaves and spice and strength. His wolf stretched out at the intoxication of it. Maybe she wasn’t his mate, but the animal wasn’t bothered. It still wanted the man to take her, to claim her. To bite her. Jesus.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
I don't know how it happened, and I don't know why, but this-- what she and I have-- it's solid. You don't need to worry about her. I'd rather cut off my own arms than hurt a single purple hair on her head. I'll look after her.
Ella Frank (Edible (Exquisite, #3))
No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory – this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. ... Whence did it come? What did it mean? How could I seize and apprehend it? ... And suddenly the memory revealed itself. The taste was that of the little piece of madeleine which on Sunday mornings at Combray (because on those mornings I did not go out before mass), when I went to say good morning to her in her bedroom, my aunt Léonie used to give me, dipping it first in her own cup of tea or tisane. The sight of the little madeleine had recalled nothing to my mind before I tasted it. And all from my cup of tea.
Marcel Proust (In Search of Lost Time)
Then came the most exquisite moment of her whole life passing a stone urn with flowers in it. Sally stopped; picked a flower; kissed her on the lips. The whole world might have turned upside down! The others disappeared; there she was alone with Sally. And she felt that she had been given a present, wrapped up, and told just to keep it, not to look at it — a diamond, something infinitely precious, wrapped up, which, as they walked (up and down, up and down), she uncovered, or the radiance burnt through, the revelation, the religious feeling!
Virginia Woolf (Mrs. Dalloway)
His body was urgent against her, and she didn't have the heart anymore to fight...She saw his eyes, tense and brilliant, fierce, not loving. But her will had left her. A strange weight was on her limbs. She was giving way. She was giving up...she had to lie down there under the boughs of the tree, like an animal, while he waited, standing there in his shirt and breeches, watching her with haunted eyes...He too had bared the front part of his body and she felt his naked flesh against her as he came into her. For a moment he was still inside her, turgid there and quivering. Then as he began to move, in the sudden helpless orgasm, there awoke in her new strange thrills rippling inside her. Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite and melting her all molten inside. It was like bells rippling up and up to a culmination. She lay unconscious of the wild little cries she uttered at the last. But it was over too soon, too soon, and she could no longer force her own conclusion with her own activity. This was different, different. She could do nothing. She could no longer harden and grip for her own satisfaction upon him. She could only wait, wait and moan in spirit and she felt him withdrawing, withdrawing and contracting, coming to the terrible moment when he would slip out of her and be gone. Whilst all her womb was open and soft, and softly clamouring, like a sea anenome under the tide, clamouring for him to come in again and make fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her with a strange rhythmic growing motion, swelling and swelling til it filled all her cleaving consciousness, and then began again the unspeakable motion that was not really motion, but pure deepening whirlpools of sensation swirling deeper and deeper through all her tissue and consciousness, til she was one perfect concentric fluid of feeling, and she lay there crying in unconscious inarticulate cries.
D.H. Lawrence (Lady Chatterley's Lover)
He made her laugh always made her taste a strange and exquisite bliss when he held her in his arms.
Emmuska Orczy
She had always thought that exquisitely happy time at the beginning of her relationship with Nick was the ultimate, the feeling they'd always be trying to replicate, to get back, but now she realized that was wrong. That was like comparing sparkling mineral water to French champagne. Early love is exciting and exhilarating. It's light and bubbly. Anyone can love like that. But love after three children, after a separation and a near-divorce, after you've hurt each other and forgiven each other, bored each other and surprised each other, after you've seen the worst and the best--well, that sort of a love is ineffable. It deserves its own word.
Liane Moriarty (What Alice Forgot)
Her nose was perfect; her lips exquisite. Like a master placing a go stone on the board after long deliberation, he placed the details of her beauty one by one in the misty dark and drew back to savour them.
Yukio Mishima (The Sailor Who Fell from Grace with the Sea)
In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story.
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
Some of her last words to me, Mason, were 'I believe in fate and I believe you were supposed to walk into my life, so Mason could walk into yours.” I know she can’t be wrong.
Ella Frank (Exquisite (Exquisite, #1))
As she drifted off to sleep, she found herself wondering if Cole Madison knew that he had somehow managed to infiltrate her body, mind, and soul.
Ella Frank (Edible (Exquisite, #3))
You have a body that’s made to pound a woman into her bed. So, I’m really hoping you can live up to that.
Ella Frank (Entice (Exquisite, #2))
She is a mortal danger without meaning to be one; she's exquisite without giving ita thought; shes a trap set by nature, a rose in which love lies in ambush! Anyone who has seen her smile has known perfection. She creates grace without movement and makes all divinity fit into her slightest gesture. And neither Venus in her shell, nor Diana striding in the great, blossoming forest, can compare to her when she goes through the streets of paris in her sedan chair.
Edmond Rostand
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword. She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light.
Elizabeth von Arnim (The Enchanted April)
Robin was disposed to feel desperately sorry for anyone with a less fortunate love life than her own – if desperate pity could describe the exquisite pleasure she actually felt at the thought of her own comparative paradise.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Francie looked at her legs. They were long, slender, and exquisitely molded. She wore the sheerest of flawless silk stockings, and expensively made high-heeled pumps shod her beautifully arched feet. "Beautiful legs, then, is the secret of being a mistriss," concluded Francie. She looked down at her own long thin legs. "I'll never make it, I guess." Sighing , she resigned herself to a sinless life.
Betty Smith (A Tree Grows in Brooklyn)
It was only on the way home that Anna realised that Ariadne had asked her to the library and not shown her a single book
Cassandra Clare (Every Exquisite Thing (Ghosts of the Shadow Market, #3))
She blushed and looked down, and Anna's heart skipped a beat. It wasn't possible, she told herself. There was simply no chance that the Inquisitor's beautiful daughter was … like her
Cassandra Clare (Every Exquisite Thing (Ghosts of the Shadow Market, #3))
Constantin Demiris had arranged with the authorities for her body to be buried on the grounds of the cemetery on Psara, his private island in the Aegean. Everyone had remarked on what a beautiful, sentimental gesture it was. In fact, Demiris had arranged for the burial plot to be there so that he could have the exquisite pleasure of walking over the bitch's grave.
Sidney Sheldon (Memories of Midnight)
Everything if only you could see it clearly enough, is beautiful and complete – the ragged nest, Marion’s torn muslin skirts fluted like a nautilus shell, Irma’s ringlets framing her face in exquisite wiry spirals – even Edith, flushed and childishly vulnerable in sleep.
Joan Lindsay (Picnic at Hanging Rock)
When you look at me that way, I feel so beautiful." "You are beautiful." He signed deep in his chest. His hands slid up and down her arms, caressing her roughly. "So damned beautiful." "So are you." She put a hand to his bare chest, tracing the defined ridges of his musculature. "Like a diamond. Hard and gleaming, and cut with all these exquisite facets. Inside...pure, brilliant fire.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
Prince Andrei was one of the best dancers of his day. Natasha danced exquisitely. Her little feet in their satin dancing shoes performed their role swiftly, lightly, as if they had wings, while her face was radiant and ecstatic with happiness.
Leo Tolstoy (War and Peace)
Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than dirt itself. Cleanliness is next to Godliness, and some people do the same by their religion.
Charles Dickens (Great Expectations)
Never,” I assure her. “I’ll never leave you.” Never will I concede to death when she’s in my grasp. This beautiful creature is my match. She’s burrowed her way into my heart, and into my soul. Finding out she was mine, and was the one I’d been searching for in the Human world, was intoxicating. Watching her at my feet as she was given to me was the most exquisite feeling in the world.
Amelia Hutchins (Escaping Destiny (The Fae Chronicles, #3))
THE FOX AND THE CROW A Crow was sitting on a branch of a tree with a piece of cheese in her beak when a Fox observed her and set his wits to work to discover some way of getting the cheese. Coming and standing under the tree he looked up and said, "What a noble bird I see above me! Her beauty is without equal, the hue of her plumage exquisite. If only her voice is as sweet as her looks are fair, she ought without doubt to be Queen of the Birds." The Crow was hugely flattered by this, and just to show the Fox that she could sing she gave a loud caw. Down came the cheese, of course, and the Fox, snatching it up, said, "You have a voice, madam, I see: what you want is wits.
Aesop (Aesop's Fables)
When you've lived as long as I have," he said, eyes heavy-lidded but definitely on her, "you learn to appreciate new sensations. They are rare in an immortal's life." She found she'd moved toward him. He hooked her arm around her waist, pulling her closer until she straddled him as he sat on a ledge below the waterline, her legs wrapped around his waist. He settled her firmly against him. Sucking in a breath, she said, "Sex isn't new to you," and rocked her heat over the exquisite hardness of him. Good didn't begin to describe how it felt. How he felt. "No. But you are." "Never had a hunter before?" She grinned, nibbling on his lower lip. But he didn't smile. "I've never had Elena before." The words were husky, his eyes so intent she felt owned.
Nalini Singh (Angels' Blood (Guild Hunter, #1))
Pressing his thumb down on her jaw to part her lips, he kissed her again, angel dust glittering in the air. "Mmm." She rubbed against him. "Did you make a change to your special blend?" Angel dust, he'd told her, was normally rich and exquisite, but not sexual. Elena had only ever tasted Raphael's blend, and it was always oh-so-sexual-today, it also held a dangerous bite. Kisses down her throat. "I wouldn't wish my consort to suffer ennui.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
She will be busy writing novels. As soon as she had has gotten far enough away from this frighteningly puritanical country, her mind will be set free, and she will be able to turn all of her observations in richly drawn characters and intricately themed stories.” “But what will she eat, dear Grass?” Barnard leaned against the wall, his arms crossing his chest skeptically. “Baguette and red wine, pure art, filthy air. Look at her, she is made of rose petals, and the world will take good care of her. And if it does not, we will have our hearts moved by such an exquisitely gorgeous tragedy.
Anna Godbersen (Splendor (Luxe, #4))
She had a flicker of memory from a time when, just for a moment, she'd been free; when the world had been wide open and she'd been about to enter it with Sam at her side. It was a freedom that she was still working for, because even though she'd tasted it only for a heartbeat, it had been the most exquisite heartbeat she'd ever experienced.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Gwen was kind of amazed. A mother with several degrees and a prestigious position at an Ivy League college did not ensure that she’d be any less embarrassing to her child than a mother who became a nurse through night school. Gwen knew this when Alla launched into her “unfortunate changes in my vagina after the birth of Lachlan” discussion. “No. It was his shoulders. He’s always had very large shoulders. I mean look at him. Even as a baby they were freakishly long.” “Freakishly?” Lock snapped. “They stretched me right out.” “Mom!” Brody shrugged and reached for more moo goo gai pork. “I didn’t mind.” “Dad!” “Well, darling, you were always quite large, so it made things a little easier for both of us when it came to sex.” “Mom!” Alla shook her head. “I don’t know what happened to you, Lachlan MacRyrie.” She turned to Gwen. “I’ve always insisted on being quite open about human bodies when talking to my children. There’s no shame in a woman’s body. And like everything else in the world, it ages. So while you still have the exquisite body you’ve been blessed with, Gwen dear, and that prebirth vagina— enjoy it.” “Is there any way to get you to stop?” Lock begged.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
As one long prepared, and graced with courage, as is right for you who were given this kind of city, go firmly to the window and listen with deep emotion, but not with the whining, the pleas of a coward; listen—your final delectation—to the voices, to the exquisite music of that strange procession, and say goodbye to her, to the Alexandria you are losing.
Constantinos P. Cavafy
Where's the fun in suffering by yourself?" Xu Da said in his good-natured way. Surprised, Zhu realized he was probably her friend. She'd never had a friend before. But she wasn't sure suffering could be shared, even with one's friends. Watching her father and brother die, digging their graves, kneeling for four days in front of the monastery: all of them had been acts of exquisite aloneness. She knew that when she came down to it, you survived and died alone.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
The articles were extremely eye-opening. Not just in Teen Vogue but in Seventeen and CosmoGirl as well. They were all about being yourself, staying natural, loving your body as is, and going green! The messages were the exact opposite of Vik and Viv's. Hmmmmm. Frankie turned to face the full-length mirror that was up against the yellow wardrobe. She opened her robe and examined her body. Fit, muscular, and exquisitely proportioned, she agreed with the magazines. So what if her skin was mint? Or her limbs were attached with seams? According to the magazines, which were - no offense! - way more in touch with the times than her parents were, she was suppose to love her body just the way it was. And she did! Therefor if the normies read magazines (which obviously they did, because they were in them), then they would love her, too. Natural was in. Besides she was Daddy's perfect little girl. And who didn't love perfect?
Lisi Harrison (Monster High (Monster High, #1))
The front of the cafe was all open glass, and the seating was arranged so that wherever you sat you faced the beach, as if you were there to watch the sea perform a show. As Jane looked around her, she felt that dissatisfied feeling she often experienced when she was somewhere new and lovely. She couldn't quite articulate it except with the words "If only I were here". This little beachside cafe was so exquisite, she longed to really be there -- except, of course, she was there, so it didn't make any sense.
Liane Moriarty (Big Little Lies)
Foxbrush sneezed again. He couldn't help himself. It's not something a fellow likes to do when a stunningly beautiful woman is leaning toward him with an expression on her face like Nidawi's wore. But sneezes are not prey to the wants or wishes of those inflicted with them. He sneezed so violently that he nearly knocked his forehead against Nidawi's exquisite little chin. She leapt back lightly, frowning at first, then shaking the frown into a rain of laughter.
Anne Elisabeth Stengl (Shadow Hand (Tales of Goldstone Wood, #6))
Somehow I cannot help being reminded of a frail, consumptive girl, at whom one sometimes looks with compassion, sometimes with sympathetic love, whom sometimes one simply does not notice; though suddenly in one instant she becomes, as though by chance, inexplicably lovely and exquisite, and, impressed and intoxicated, one cannot help asking oneself what power made those sad, pensive eyes flash with such fire? What summoned the blood to those pale, wan cheeks? What bathed with passion those soft features? What set that bosom heaving? What so suddenly called strength, life and beauty into the poor girl's face, making it gleam with such a smile, kindle with such bright, sparkling laughter? You look round, you seek for some one, you conjecture.... But the moment passes, and next day you meet, maybe, the same pensive and preoccupied look as before, the same pale face, the same meek and timid movements, and even signs of remorse, traces of a mortal anguish and regret for the fleeting distraction.... And you grieve that the momentary beauty has faded so soon never to return, that it flashed upon you so treacherously, so vainly, grieve because you had not even time to love her....
Fyodor Dostoevsky (White Nights)
Every man has his weakness." "I know they do." She lifted an eyebrow. "I'm still looking for yours." Cheeky girl. She had to know she took his breath away. God, she was lovely in the moonlight. She was lovely in sunlight, for that matter, and in the pouring rain. Gabe suspected that even in total darkness, she would be radiant. Because though her features were exquisite, and her lips the pinkish hue of rose petals, her most beautiful feature by far was her heart.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Do you know why wildflowers are the most beautiful blossoms of all, my son?” Dain shook his little head. Soft waxen curls blew forward in the breeze as she lifted her storm-gray eyes to gaze out over the sea of petals. “Wildflowers are the loveliest of all because they grow in uncultivated soil, in those hard, rugged places where no one expects them to flourish. They are resilient in ways a garden bloom could never be. People are the same, son—the most exquisite souls are those who survive where others cannot. They root themselves, along with their companions, wherever they are, and they thrive.
Micheline Ryckman (The Maiden Ship (The Maiden Ship, #1))
The god abandons Antony When at the hour of midnight an invisible choir is suddenly heard passing with exquisite music, with voices ― Do not lament your fortune that at last subsides, your life’s work that has failed, your schemes that have proved illusions. But like a man prepared, like a brave man, bid farewell to her, to Alexandria who is departing. Above all, do not delude yourself, do not say that it is a dream, that your ear was mistaken. Do not condescend to such empty hopes. Like a man for long prepared, like a brave man, like the man who was worthy of such a city, go to the window firmly, and listen with emotion but not with the prayers and complaints of the coward (Ah! supreme rapture!) listen to the notes, to the exquisite instruments of the mystic choir, and bid farewell to her, to Alexandria whom you are losing.
Constantinos P. Cavafy (Selected Poems)
That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.
Antoine Laurain (The Red Notebook)
This isn't my story, but hers. In a world full of actors trying to cunningly maneuver themselves into the lead role, she was the star of that night without even trying. She didn't realize it then, and she probably still hasn't. This is a chronicle of her majestic journey through an alcohol-steeped night and my distress at failing to secure the lead role and making do with my existence as a pebble by the wayside. Wise readers, relish both her cuteness and my stupidity; savor the exquisite and subtle flavor of life, not unlike that of almond tofu. I hope you will cheer her on.
Tomihiko Morimi (夜は短し步けよ乙女 [Yoru wa mijikashi aruke yo otome])
Of one thing, though, she was sure: "I want to travel," she confessed. Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful.
Kiran Desai (The Inheritance of Loss)
Apart from the pleasure of looking at her and listening to her--of enjoying in her what others less discriminatingly but as liberally appreciated--he had the sense, between himself and her, of a kind of free-masonry of precocious tolerance and irony. They had both, in early youth, taken the measure of the world they happened to live in: they knew just what it was worth to them and for what reasons, and the community of these reasons lent to their intimacy its last exquisite touch.
Edith Wharton (The Glimpses of the Moon)
Oh, I remember, I remember all those moments! And I want to add, too, that when such young creatures, such sweet young creatures want to say something so clever and profound, they show at once so truthfully and naively in their faces, "Here I am saying something clever and profound now" — and that is not from vanity, as it is with any one like me, but one sees that she appreciates it awfully herself, and believes in it, and thinks a lot of it, and imagines that you think a lot of all that, just as she does. Oh, truthfulness! It's by that they conquer us. How exquisite it was in her!
Fyodor Dostoevsky (The Gentle Spirit)
My eyes went straight to a soft woman who sat facing the wrong way at the bar top. Soft, because I knew if I were to touch her skin, it would feel like a peach, the kind of woman you could almost smell from inside the building. Instead of facing Andy, she had her back to him, keeping an eye on the door. That must be her. Her hair was exquisite. She was really the most beautiful woman I had ever seen. A golden crown of braids and curls complimented her sun-kissed skin. Her dress draped perfectly over her body, and in that moment, I needed her more than I needed air.
Chelsie Shakespeare (The Pull)
Goddess,” he rasped, running his hands over her hips, up her legs. “Lover,” she whispered back, threading the fingers of her right hand through the fingers of his left and moving his hand to her breast. It was heavy and swollen and ripe with desire. He scraped his thumb over her nipple, loving the way she closed her eyes and hummed in appreciation. He loved that she was in charge. He loved how she took pleasure from his body with such confident leisure. He loved how she squeezed her innermost muscles in pulse after deliberate, exquisite pulse as she rode his length. He loved how he was just that to her, her lover, not Nick Blackthorne rock star, but just the man she gave her body, her heart, her soul to. He loved her. Everything about her.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
It might have felt easier if she'd been able to say that she moved across the room to him in a trance, as if he were a vampire exerting some kind of mind control. That would have been a cop-out, though. Not to mention a lie. She was exquisitely aware of every movement she made as she uncurled her legs, rose from her chair and walked slowly and carefully around the end of the coffee table towards him. She felt the wide hem of her yoga pants sway around her ankles, felt the nap of the blue-and-green area rug and then the cool smoothness of the wooden floorboards beneath her feet. She felt the way the thick sofa cushions gave beneath her as she sat beside him and the pull of gravity when his heavier weight made a deeper depression that her body rolled naturally into...And then she felt everything.
Christine Warren (Born to Be Wild (The Others, #15))
Fear no more," said Clarissa. Fear no more the heat o' the sun; for the shock of Lady Bruton asking Richard to lunch without her made the moment in which she had stood shiver, as a plant on the river-bed feels the shock of a passing oar and shivers: so she rocked: so she shivered. Millicent Bruton, whose lunch parties were said to be extraordinarily amusing, had not asked her. No vulgar jealousy could separate her from Richard. But she feared time itself, and read on Lady Bruton's face, as if it had been a dial cut in impassive stone, the dwindling of life; how year by year her share was sliced; how little the margin that remained was capable any longer of stretching, of absorbing, as in the youthful years, the colours, salts, tones of existence, so that she filled the room she entered, and felt often as she stood hesitating one moment on the threshold of her drawing-room, an exquisite suspense, such as might stay a diver before plunging while the sea darkens and brightens beneath him, and the waves which threaten to break, but only gently split their surface, roll and conceal and encrust as they just turn over the weeds with pearl.
Virginia Woolf (Mrs. Dalloway)
Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
That's what it is, this arrogance, in this flamenco music this same arrogance of suffering, listen. The strength of it's what's so overpowering, the self-sufficiency that's so delicate and tender without an instant of sentimentality. With infinite pity, but refusing pity. It's a precision of suffering, he went on, abruptly working his hand in the air as though to shape it there, --the tremendous tension of violence all enclosed in a framework...in a pattern that doesn't pretend to any other level but its own, do you know what I mean? He barely glanced at her to see if she did.--It's the privacy, the exquisite sense of privacy about it, he said speaking more rapidly, --it's the sense of privacy that most popular expressions of suffering don't have, don't dare have, that's what makes it arrogant.
William Gaddis (The Recognitions)
There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.
Terri Windling
But after all the years, her husband and children have come to accept that, once every few weeks, their usually warmhearted and approachable Camisha will get into her Honda Accord at the beginning of a seemingly random day, and disppear until well after supper, when she will return home and go directly to bed. Her family has learned never top ask her where she had been on such a day, because the most she will ever say is, "Out. I just went out for a bit." Also, they learned long ago never to express irritation or anger of any kind against Camisha, because when they do, her reaction is to become mute and exit to the garden, where for several hours she will sit cross-legged on a favourite flat stone, her back to the house. Slender, straight-backed, and unmoving, at these times she resembles nothing so much as an elegant ebony carving, exquisite but not quite alive. Watching her is almost unberable, and so is the guilt. Or if the weather is not suitable for the garden, she will simpily go to her bedroom and lock the door. Then as a matter of course, without comment during or after, her husband sleeps on the sofa in the den. In the morning, Camisha is usually her old self again, just as if nothing had happened.
Martha Stout (The Myth of Sanity: Divided Consciousness and the Promise of Awareness)
Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Such was the complexity of things. For what happened to her, especially staying with the Ramsays, was to be made to feel violently two opposite things at the same time; that’s what you feel, was one; that’s what I feel, was the other, and then they fought together in her mind, as now. It is so beautiful, so exciting, this love, that I tremble on the verge of it, and offer, quite out of my own habit, to look for a brooch on a beach; also it is the stupidest, the most barbaric of human passions, and turns a nice young man with a profile like a gem’s (Paul’s was exquisite) into a bully with a crowbar (he was swaggering, he was insolent) in the Mile End Road. Yet, she said to herself, from the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this–love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary.
Virginia Woolf (To the Lighthouse)
Jamie leaned over. “And your perfect world?” “Mmm,” Helen smiled. “Perfect is complicated. Hard to explain.” “Give it a shot,” I prodded her. “It’s… beautiful is the best word to describe it,” she said. Jamie and I nodded. “Everything that isn’t necessary to getting what we want is gone,” she said, eyes closing, as if she was vividly imagining. “There’s an abundance of it all, thanks to science. Food is everywhere and it overflows and there’s nothing to worry about because we have and we want and we take. We’re, and by we I mean people, we’re everywhere and we spill over into one another and we’re all knit together, physically and mentally. It’s an exquisite landscape of things that don’t ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-” “Okay,” I said, interrupting. I paused, then when I couldn’t think of what to say. “Okay.” Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off. “Okay,” I said, still at a bit of a loss for words. “That’s a mental image that’s going to be with me forever,” Jamie said, dropping his head down until his face was in his hands. “I don’t see where ethics come into that world,” I said, more to see Jamie’s reaction than out of curiosity. “No,” Jamie said. “Don’t-” “The closer you get to perfection, the further you get from ethics,” Helen said, as if it was common sense.
Wildbow (Twig)
You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.
Friedrich de la Motte Fouqué (Undine)
Oh, how awful is truth on earth! That exquisite creature, that gentle spirit, that heaven - she was a tyrant, she was the insufferable tyrant and torture of my soul! I should be unfair to myself if I didn't say so! You imagine I didn't love her? Who can say that I did not love her! Do you see, it was a case of irony, the malignant irony of fate and nature! We were under a curse, the life of men in general is under a curse! (mine in particular). Of course, I understand now that I made some mistake! Something went wrong. Everything was clear, my plan was clear as daylight: "Austere and proud, asking for no moral comfort, but suffering in silence." And that was how it was. I was not lying, I was not lying! "She will see for herself, later on, that it was heroic, only that she had not known how to see it, and when, some day, she divines, it she will prize me ten times more and will abase herself in the dust and fold her hands in homage" - that was my plan. But I forgot something or lost sight of it. There was something I failed to manage. But, enough, enough! And whose forgiveness am I to ask now? What is done is done. By bolder, man, and have some pride! It is not your fault!... Well, I will tell the truth, I am not afraid to face the truth; it was her fault, her fault!
Fyodor Dostoevsky (The Gentle Spirit)
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp. But what of your question? asks Greta. Should we consider asking the men to leave? None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body. Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave? The women break out laughing again. They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again. It's not an option, says Agata, at last. No, the others (finally in complete accord!) agree. Asking the men to leave is not an option. Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing. Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs. Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour. This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
Miriam Toews (Women Talking)
Let us remark by the way, that to be blind and to be loved, is, in fact, one of the most strangely exquisite forms of happiness upon this earth, where nothing is complete. To have continually at one's side a woman, a daughter, a sister, a charming being, who is there because you need her and because she cannot do without you; to know that we are indispensable to a person who is necessary to us; to be able to incessantly measure one's affection by the amount of her presence which she bestows on us, and to say to ourselves, "Since she consecrates the whole of her time to me, it is because I possess the whole of her heart"; to behold her thought in lieu of her face; to be able to verify the fidelity of one being amid the eclipse of the world; to regard the rustle of a gown as the sound of wings; to hear her come and go, retire, speak, return, sing, and to think that one is the centre of these steps, of this speech; to manifest at each instant one's personal attraction; to feel one's self all the more powerful because of one's infirmity; to become in one's obscurity, and through one's obscurity, the star around which this angel gravitates,—few felicities equal this. The supreme happiness of life consists in the conviction that one is loved; loved for one's own sake—let us say rather, loved in spite of one's self; this conviction the blind man possesses. To be served in distress is to be caressed. Does he lack anything? No. One does not lose the sight when one has love. And what love! A love wholly constituted of virtue! There is no blindness where there is certainty. Soul seeks soul, gropingly, and finds it. And this soul, found and tested, is a woman. A hand sustains you; it is hers: a mouth lightly touches your brow; it is her mouth: you hear a breath very near you; it is hers. To have everything of her, from her worship to her pity, never to be left, to have that sweet weakness aiding you, to lean upon that immovable reed, to touch Providence with one's hands, and to be able to take it in one's arms,—God made tangible,—what bliss! The heart, that obscure, celestial flower, undergoes a mysterious blossoming. One would not exchange that shadow for all brightness! The angel soul is there, uninterruptedly there; if she departs, it is but to return again; she vanishes like a dream, and reappears like reality. One feels warmth approaching, and behold! she is there. One overflows with serenity, with gayety, with ecstasy; one is a radiance amid the night. And there are a thousand little cares. Nothings, which are enormous in that void. The most ineffable accents of the feminine voice employed to lull you, and supplying the vanished universe to you. One is caressed with the soul. One sees nothing, but one feels that one is adored. It is a paradise of shadows.
Victor Hugo (Les Misérables)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Daphne turned to Simon with an amused expression. “I can’t quite decide if she is being terribly polite or exquisitely rude.” “Exquisitely polite, perhaps?” Simon asked mildly. She shook her head. “Oh, definitely not that.” “The alternative, of course, is—” “Terribly rude?” Daphne grinned and watched as her mother looped her arm through Lord Railmont’s, pointed him toward Daphne so that he could nod his good-bye, and led him from the room. And then, as if by magic, the remaining beaux murmured their hasty farewells and followed suit. “Remarkably efficient, isn’t she?” Daphne murmured. “Your mother? She’s a marvel.” “She’ll be back, of course.” “Pity. And here I thought I had you well and truly in my clutches.” Daphne laughed. “I don’t know how anyone considered you a rake. Your sense of humor is far too superb.” “And here we rakes thought we were so wickedly droll.” “A rake’s humor,” Daphne stated, “is essentially cruel.” Her comment surprised him. He stared at her intently, searching her brown eyes, and yet not really knowing what it was he was looking for. There was a narrow ring of green just outside her pupils, the color as deep and rich as moss. He’d never seen her in the daylight before, he realized. “Your grace?” Daphne’s quiet voice snapped him out of his daze. Simon blinked. “I beg your pardon.” “You looked a thousand miles away,” she said, her brow wrinkling. “I’ve been a thousand miles away.” He fought the urge to return his gaze to her eyes. “This is entirely different.” Daphne let out a little laugh, the sound positively musical. “You have, haven’t you? And here I’ve never even been past Lancashire. What a provincial I must seem.” He brushed aside her remark. “You must forgive my woolgathering. We were discussing my lack of humor, I believe?” “We were not, and you well know it.
Julia Quinn (The Duke and I (Bridgertons, #1))
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))