Henry Viii Real Quotes

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He raised an eyebrow. "Where did you get this? Is our Anne Boleyn suddenly from Mars?" He chuckled. "I always thought she hailed from Wiltshire." Luce's mind raced to catch up. She was playing Anne Boleyn? She'd never read this play, but Daniel's costume suggested he was playing the king, Henry VIII. "Mr. Shakespeare-ah,Will-thought it would look good-" "Oh,Will did?" Daniel smirked, bot believing her at all but seeming not to care. It was strange to feel that she could do or say almost anything and Daniel would still find it charming. "You're a little bit mad, aren't you, Lucinda?" "I-well-" He brushed her cheek with the back of his finger. "I adore you." "I adore you,too." The words tumbled from her mouth,feeling so real and so true after the last few stammering lies. It was like letting out a long-held breath. "I've been thinking, thinking a lot,and I wanted to tell you that-that-" "Yes?" "The truth is that what I feel for you is...deeper than adoration." She pressed her hands over his heart. "I trust you. I trust your love. I know how strong it is,and how beautiful." Luce knew that she couldn't come right out and say what she really meant-she was supposed to be a different version of herself,and the other times,when Daniel had figured out who she was, where she'd come from,he'd clammed up immediately and told her to leave. But maybe if she chose her words carefully, Daniel would understand. "It may seem like sometimes I-I forgot what you mean to me and what I mean to you,but deep down...I know.I know because we are meant to be together.I love you, Daniel." Daniel looked shocked. "You-you love me?" "Of course." Luce almost laughed at how obvious it was-but then she remembered: She had no idea which moment from her past she'd walked into.Maybe in this lifetime they'd only exchanged coy glances. Daniel's chest rose and fell violently and his lower lip began to quiver. "I want you to come away with me," he said quickly.There was a desperate edge to his voice. Luce wanted to cry out Yes!, but something held her back.It was so easy to get lost in Daniel when his body was pressed so close to hers and she could feel the heat coming off his skin and the beating of his heart through his shirt.She felt she could tell him anything now-from how glorious it had felt to die in his arms in Versailles to how devastated she was now that she knew the scope of his suffering. But she held back: The girl he thought she was in this lifetime wouldn't talk about those things, wouldn't know them. Neither would Daniel. So when she finally opened her mouth,her voice faltered. Daniel put a finger over her lips. "Wait. Don't protest yet. Let me ask you properly.By and by, my love." He peeked out the cracked wardrobe door, toward the curtain.A cheer came from the stage.The audience roared with laughter and applause. Luce hadn't even realized the play had begun. "That's my entrance.I'll see you soon." He kissed her forehead,then dashed out and onto the stage.
Lauren Kate (Passion (Fallen, #3))
The dissolution of monasteries under Henry VIII and the subsequent reorganization of agriculture was another step that altered the balance of power in rural England. The slow growth in the real incomes of the English peasantry before the beginning of the industrial era was a consequence of this type of drift.
Daron Acemoğlu (Power and Progress: Our Thousand-Year Struggle Over Technology and Prosperity)
In cutting her life so short and then ruthlessly disposing of the body of evidence of her "real" existence, Henry made it possible for her to live a hundred different lives, forever.
Susan Bordo (The Creation of Anne Boleyn: A New Look at England's Most Notorious Queen)
The March of Time) CBS chief William S. Paley and Time publisher Henry R. Luce were conspicuously present. Few in the assembled party liked the show, but plans continued for its premiere, which took place on a partial CBS hookup a month later. Luce remained uneasy over the show’s bellicose nature: it sounded like a midway event, with barkers and hustlers hawking the news. It seemed to fly in the face of journalistic integrity, causing many Time editors to remain skeptical even when it quickly caught on with critics and the public. The March of Time was a success whether Luce liked it or not. It was nothing if not an attention-grabber. Its sound was like an authentic Movietone newsreel, with shouting mobs, riveting sound effects, and music that conveyed the merciless, relentless pace of time. Through this vivid audio potpourri, listeners would “see” the rise of Hitler, the trial of Bruno Richard Hauptmann, the abdication of Edward VIII, the controversy over the New Deal, the Italian conquest of Ethiopia, and the tragedy of the Spanish Civil War. Many listeners were convinced that they were hearing the voices of real newsmakers on the scene, and some wondered aloud how it was done.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)