β
I am content; that is a blessing greater than riches; and he to whom that is given need ask no more.
β
β
Henry Fielding
β
Take long walks in stormy weather or through deep snows in the fields and woods, if you would keep your spirits up. Deal with brute nature. Be cold and hungry and weary.
β
β
Henry David Thoreau (On the Duty of Civil Disobedience)
β
Come back to me, Tessa. Henry said that perhaps, since you had touched the soul of an angel, that you dream of Heaven now, of fields of angels and flowers of fire. Perhaps you are happy in those dreams. But I ask this out of pure selfishness. Come back to me. For I cannot bear to lose all my heart.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
No one hath seen beauty in its highest lustre who hath never seen it in distress.
β
β
Henry Fielding (Tom Jones (Wordsworth Classics))
β
Reading list (1972 edition)[edit]
1. Homer β Iliad, Odyssey
2. The Old Testament
3. Aeschylus β Tragedies
4. Sophocles β Tragedies
5. Herodotus β Histories
6. Euripides β Tragedies
7. Thucydides β History of the Peloponnesian War
8. Hippocrates β Medical Writings
9. Aristophanes β Comedies
10. Plato β Dialogues
11. Aristotle β Works
12. Epicurus β Letter to Herodotus; Letter to Menoecus
13. Euclid β Elements
14. Archimedes β Works
15. Apollonius of Perga β Conic Sections
16. Cicero β Works
17. Lucretius β On the Nature of Things
18. Virgil β Works
19. Horace β Works
20. Livy β History of Rome
21. Ovid β Works
22. Plutarch β Parallel Lives; Moralia
23. Tacitus β Histories; Annals; Agricola Germania
24. Nicomachus of Gerasa β Introduction to Arithmetic
25. Epictetus β Discourses; Encheiridion
26. Ptolemy β Almagest
27. Lucian β Works
28. Marcus Aurelius β Meditations
29. Galen β On the Natural Faculties
30. The New Testament
31. Plotinus β The Enneads
32. St. Augustine β On the Teacher; Confessions; City of God; On Christian Doctrine
33. The Song of Roland
34. The Nibelungenlied
35. The Saga of Burnt NjΓ‘l
36. St. Thomas Aquinas β Summa Theologica
37. Dante Alighieri β The Divine Comedy;The New Life; On Monarchy
38. Geoffrey Chaucer β Troilus and Criseyde; The Canterbury Tales
39. Leonardo da Vinci β Notebooks
40. NiccolΓ² Machiavelli β The Prince; Discourses on the First Ten Books of Livy
41. Desiderius Erasmus β The Praise of Folly
42. Nicolaus Copernicus β On the Revolutions of the Heavenly Spheres
43. Thomas More β Utopia
44. Martin Luther β Table Talk; Three Treatises
45. FranΓ§ois Rabelais β Gargantua and Pantagruel
46. John Calvin β Institutes of the Christian Religion
47. Michel de Montaigne β Essays
48. William Gilbert β On the Loadstone and Magnetic Bodies
49. Miguel de Cervantes β Don Quixote
50. Edmund Spenser β Prothalamion; The Faerie Queene
51. Francis Bacon β Essays; Advancement of Learning; Novum Organum, New Atlantis
52. William Shakespeare β Poetry and Plays
53. Galileo Galilei β Starry Messenger; Dialogues Concerning Two New Sciences
54. Johannes Kepler β Epitome of Copernican Astronomy; Concerning the Harmonies of the World
55. William Harvey β On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals
56. Thomas Hobbes β Leviathan
57. RenΓ© Descartes β Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy
58. John Milton β Works
59. MoliΓ¨re β Comedies
60. Blaise Pascal β The Provincial Letters; Pensees; Scientific Treatises
61. Christiaan Huygens β Treatise on Light
62. Benedict de Spinoza β Ethics
63. John Locke β Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education
64. Jean Baptiste Racine β Tragedies
65. Isaac Newton β Mathematical Principles of Natural Philosophy; Optics
66. Gottfried Wilhelm Leibniz β Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology
67. Daniel Defoe β Robinson Crusoe
68. Jonathan Swift β A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal
69. William Congreve β The Way of the World
70. George Berkeley β Principles of Human Knowledge
71. Alexander Pope β Essay on Criticism; Rape of the Lock; Essay on Man
72. Charles de Secondat, baron de Montesquieu β Persian Letters; Spirit of Laws
73. Voltaire β Letters on the English; Candide; Philosophical Dictionary
74. Henry Fielding β Joseph Andrews; Tom Jones
75. Samuel Johnson β The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
Love and scandal are the best sweeteners of tea.
β
β
Henry Fielding
β
Every blade in the field - Every leaf in the forest - lays down its life in its season as beautifully as it was taken up.
β
β
Henry David Thoreau
β
For I hope my Friends will pardon me, when I declare, I know none of them without a Fault; and I should be sorry if I could imagine, I had any Friend who could not see mine. Forgiveness, of this Kind, we give and demand in Turn.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
It is much easier to make good men wise, than to make bad men good.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
A Psalm of Life
Tell me not in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.
Life is real! Life is earnest!
And the grave is not its goal;
Dust thou are, to dust thou returnest,
Was not spoken of the soul.
Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each tomorrow
Find us farther than today.
Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.
In the world's broad field of battle,
In the bivouac of Life,
Be not like dumb, driven cattle!
Be a hero in the strife!
Trust no Future, howe'er pleasant!
Let the dead Past bury its dead!
Act, - act in the living Present!
Heart within, and God o'erhead!
Lives of great men all remind us
We can make our lives sublime,
And, departing, leave behind us
Footprints
on the sand of time;
Footprints, that perhaps another,
Sailing o'er life's solenm main,
A forlorn and shipwrecked brother,
Seeing, shall take heart again.
Let us then be up and doing,
With a heart for any fate;
Still achieving, still pursuing,
Learn to labor and to wait.
β
β
Henry Wadsworth Longfellow (Voices of the Night)
β
We are as liable to be corrupted by books as we are by companions.
β
β
Henry Fielding
β
Henry looks from my face back to the field, and his eyes pop open wide. I turn to see why he's gaping: JJ and Carter are messing around, trying
to shove a scrawny wide receiver into Jerry Rice's stroller.
"JJ!" Henry yells, "You can't fit a freshman in that stroller.
β
β
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
β
It is never too late to give up our prejudices. No way of thinking or doing, however ancient, can be trusted without proof. What everybody echoes or in silence passes by as true today may turn out to be falsehood tomorrow, mere smoke of opinion, which some had trusted for a cloud that would sprinkle fertilizing rain on their fields.
β
β
Henry David Thoreau (Walden)
β
She may be lying in bed reading a book, she may be making love with a prize fighter, or she may be running like mad through a field of stubble, one shoe one, one shoe off, a man named Corn Cob pursuing her hotly. Wherever she is I am standing in complete darkness; her absence blots me out.
β
β
Henry Miller (Sexus (The Rosy Crucifixion, #1))
β
Fashion is the science of appearance, and it inspires one with the desire to seem rather than to be.
β
β
Henry Fielding
β
She was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts, and to care for knowledge that was tinged with the unfamiliar...It may be affirmed without delay that She was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; impulsively, she often admired herself...Every now and then she found out she was wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only on this condition that life was worth living; that one should be one of the best, should be conscious of a fine organization, should move in the realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic.
β
β
Henry James (The Portrait of a Lady)
β
A truly elegant taste is generally accompanied with excellency of heart.
β
β
Henry Fielding
β
A good countenance is a letter of recommendation.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
A good heart will, at all times, betray the best head in the world.
β
β
Henry Fielding
β
Henry narrowed his eyes at me. "You going somewhere?"
"Lacrosse field trip," I said. "I enjoy whacking the hell out of people with mallets.
β
β
Robin Benway (The Extraordinary Secrets of April, May, & June)
β
Some folks rail against other folks, because other folks have what some folks would be glad of.
β
β
Henry Fielding
β
All Nature wears one universal grin.
β
β
Henry Fielding
β
You must converse much with the field and the woods if you would imbibe such health into your mind and spirit as you covet for your body
β
β
Henry David Thoreau
β
One fool at least in every married couple.
β
β
Henry Fielding
β
Let no man be sorry he has done good, because others have done evil.
β
β
Henry Fielding
β
Hope and the future for me are not in lawns and cultivated fields, not in towns and cities, but in the impervious and quaking swamps.
β
β
Henry David Thoreau (Walking)
β
It is as possible for a man to know something without having been at school, as it is to have been at school and to know nothing."
Henry Fielding, Tom Jones
β
β
Henry Fielding (The History of Tom Jones a Founding)
β
Owen," Henry said excitedly, "I think Coach wants you to hit for Meccini."
Owen closed The Voyage of the Beagle, on which he had recently embarked. "Really?"
"Runners on first and second," Rick said. "I bet he wants you to bunt."
"What's the bunt sign?"
"Two tugs on the left earlobe," Henry told him. "But first he has to give the indicator, which is squeeze the belt. But if he goes to his cap with either hand or says your first name, that's the wipe-off, and then you have to wait and see whether--"
"Forget it," Owen said. "I'll just bunt.
β
β
Chad Harbach (The Art of Fielding)
β
Putting Henry at shortstop - it was like taking a painting that had been shoved in a closet and hanging it in the ideal spot. You instantly forgot what the room had looked like before.
β
β
Chad Harbach (The Art of Fielding)
β
It is in vain, sir, to extenuate the matter. Gentlemen may cry, βPeace! Peace!β β but there is no peace. The war is actually begun! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why stand we here idle? What is it that gentlemen wish? What would they have? Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty, or give me death!
β
β
Patrick Henry
β
It is a trite but true observation, that examples work more forcibly on the mind than precepts.
β
β
Henry Fielding (Joseph Andrews (Dover Thrift Editions))
β
The worst of men generally have the words rogue and villain most in their mouths, as the lowest of all wretches are the aptest to cry out low in the pit.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Out in the field, any connection with home just makes you weaker. It reminds you that you were once civilized, soft; and that can get you killed faster than a bullet through the head.
β
β
Henry Mosquera (Sleeper's Run)
β
Men who are ill-natured and quarrelsome when drunk are very worthy persons when sober. For drink in reality doth not reverse nature or create passions in men which did not exist in them before. It takes away the guard of reason and consequently forces us to produce those symptoms which many when sober have art enough to conceal.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
To see a Woman you love in Distress; to be unable to relieve her, and at the same Time to reflect that you have brought her into this Situation, is, perhaps, a Curse of which no Imagination can represent the Horrors to those who have not felt it.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
An author ought to consider himself, not as a gentleman who gives a private or eleemosynary treat, but rather as one who keeps a public ordinary, at which all persons are welcome for their money.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
It is not enough that your designs, nay that your actions, are intrinsically good, you must take care they shall appear so.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
... a good conscience is never lawless in the worst regulated state, and will provide those laws for itself, which the neglect of legislators hath forgotten to supply.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
...a French lieutenant, who had been long enough out of France to forget his own language, but not long enough in England to learn ours, so that he really spoke no language at all.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Your religion...serves you only for an excuse for your faults, but is no incentive to your virtue.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
I had standards and a life, and I wasnβt about to let some man destroy it like it was merely the paper banner he was meant to crash through as he entered the field.
β
β
Emily Henry (Book Lovers)
β
...her patience was, perhaps, tired out; for this is a virtue which is very apt to be fatigued by exercise.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Write on your doors the saying wise and old,
"Be bold! be bold!" and everywhere-- "Be bold;
Be not too bold!" Yet better the excess
Than the defect; better the more than less;
Better like Hector in the field to die,
Than like a perfumed Paris turn and fly,
β
β
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
β
And here, I believe, the wit is generally misunderstood. In reality, it lies in desiring another to kiss your a-- for having just before threatened to kick his; for I have observed very accurately, that no one ever desires you to kick that which belongs to himself, nor offers to kiss this part in another.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
I think that I cannot preserve my health and spirits, unless I spend four hours a day at leastβand it is commonly more than thatβsauntering through the woods and over the hills and fields, absolutely free from all worldly engagements. You may safely say, A penny for your thoughts, or a thousand pounds. When sometimes I am reminded that the mechanics and shopkeepers stay in their shops not only all the forenoon, but all the afternoon too, sitting with crossed legs, so many of themβas if the legs were made to sit upon, and not to stand or walk uponβI think that they deserve some credit for not having all committed suicide long ago.
β
β
Henry David Thoreau (Walking)
β
This world is a place of business. What an infinite bustle! I am awaked almost every night by the panting of the locomotive. It interrupts my dreams. There is no sabbath. It would be glorious to see mankind at leisure for once. It is nothing but work, work, work. I cannot easily buy a blank-book to write thoughts in; they are commonly ruled for dollars and cents. An Irishman, seeing me making a minute in the fields, took it for granted that I was calculating my wages. If a man was tossed out of a window when an infant, and so made a cripple for life, or scared out of his wits by the Indians, it is regretted chiefly because he was thus incapacitated forβbusiness! I think that there is nothing, not even crime, more opposed to poetry, to philosophy, ay, to life itself, than this incessant business.
β
β
Henry David Thoreau (Life Without Principle)
β
How often, when I have told you that all men are false and perjury alike, and grow tired of us as soon as ever they have had their wicked wills of us, how often have you sworn you would never forsake me?
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
I never reasoned on what I should do, but what I had done; as if my Reason had her eyes behind, and could only see backwards.
β
β
Henry Fielding
β
I have traveled a good deal in Concord; and everywhere, in shops, and offices, and fields, the inhabitants have appeared to me to be doing penance in a thousand remarkable ways.
β
β
Henry David Thoreau (Walden)
β
To whom nothing is given, of him can nothing be required.
β
β
Henry Fielding (Joseph Andrews (Dover Thrift Editions))
β
Reader, I think proper, before we proceed any further together, to acquaint thee that I intend to digress, through this whole history, as often as I see occasion, of which I am myself a better judge than any pitiful critic whatever; and here I must desire all those critics to mind their own business, and not to intermeddle with affairs or works which no ways concern them; for till they produce the authority by which they are constituted judges, I shall not plead to their jurisdiction.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Henry knew better than to want freedom. The only life worth living was the unfree life, the life Schwartz had taught him, the life in which you were chained to your one true wish, the wish to be simple and perfect. Then the days were sky-blue spaces you moved through with ease. You made sacrifices and the sacrifices made sense. You ate till you were full and then you drank SuperBoost, because every ounce of muscle meant something. You stoked the furnace, fed the machine. No matter how hard you worked, you could never feel harried or hurried, because you were doing what you wanted and so one moment simply produced the next.
β
β
Chad Harbach (The Art of Fielding)
β
Henry," he said. "You are skilled. I exhort you.
β
β
Chad Harbach (The Art of Fielding)
β
O for a Muse of fire, that would ascend
The brightest heaven of invention,
A kingdom for a stage, princes to act
And monarchs to behold the swelling scene!
Then should the warlike Harry, like himself,
Assume the port of Mars; and at his heels,
Leash'd in like hounds, should famine, sword and fire
Crouch for employment. But pardon, and gentles all,
The flat unraised spirits that have dared
On this unworthy scaffold to bring forth
So great an object: can this cockpit hold
The vasty fields of France? or may we cram
Within this wooden O the very casques
That did affright the air at Agincourt?
O, pardon! since a crooked figure may
Attest in little place a million;
And let us, ciphers to this great accompt,
On your imaginary forces work.
Suppose within the girdle of these walls
Are now confined two mighty monarchies,
Whose high upreared and abutting fronts
The perilous narrow ocean parts asunder:
Piece out our imperfections with your thoughts;
Into a thousand parts divide on man,
And make imaginary puissance;
Think when we talk of horses, that you see them
Printing their proud hoofs i' the receiving earth;
For 'tis your thoughts that now must deck our kings,
Carry them here and there; jumping o'er times,
Turning the accomplishment of many years
Into an hour-glass: for the which supply,
Admit me Chorus to this history;
Who prologue-like your humble patience pray,
Gently to hear, kindly to judge, our play.
β
β
William Shakespeare (Henry V)
β
Iβd stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a childβs hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasnβt forced.
β
β
Laura Anderson Kurk (Perfect Glass)
β
The doctor said a ball hit me. But I donβt remember batting.β βYou were in the dugout. Henry made a bad throw.β βHenry did? Really? Are you sure?β βYes.β βWell, itβs always the ones you least suspect.β Owen let his eyes fall shut. βI donβt remember anything at all. Was I reading?β Affenlight nodded. βI warned you. Itβs a dangerous pastime.
β
β
Chad Harbach (The Art of Fielding)
β
Thereβs so much standing around,β Owen said when Henry asked him what he liked about the game. βAnd pockets in the uniforms.
β
β
Chad Harbach (The Art of Fielding)
β
Florida Highway, 1986. Lonely slum. I passed through on low wheels. It was hot outside. Shacks, gas stations that didn't work, dead corn in fields, children on the road, retarded and dulled by the heat. Two girls waved as I passed.
β
β
Henry Rollins (Art to Choke Hearts)
β
the arrows of fortune β¦.. derive their force from the velocity with which they are discharged; for, when they approach you by slow and perceptible degrees, they have but very little power to do you mischief.
β
β
Henry Fielding
β
The dilemma is this. In the modern world knowledge has been growing so fast and so enormously, in almost every field, that the probabilities are immensely against anybody, no matter how innately clever, being able to make a contribution in any one field unless he devotes all his time to it for years. If he tries to be the Rounded Universal Man, like Leonardo da Vinci, or to take all knowledge for his province, like Francis Bacon, he is most likely to become a mere dilettante and dabbler. But if he becomes too specialized, he is apt to become narrow and lopsided, ignorant on every subject but his own, and perhaps dull and sterile even on that because he lacks perspective and vision and has missed the cross-fertilization of ideas that can come from knowing something of other subjects.
β
β
Henry Hazlitt
β
Gentlemen may cry peace, peace- but there is no peace! The next gale that sweeps from the north will bring to our ears the clash of resounding arms! Our brethren are already in the field! Why should we idle here?...I know not what course others may take, but as for me, give me liberty or give me death!
β
β
Patrick Henry
β
To say the Truth, I have often concluded, that the honest Part of Mankind would be much too hard for the knavish, if they could bring themselves to incur the Guilt, or thought it worth their while to take the Trouble.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
The citadel of Jones was now taken by surprise. All those considerations of honour and prudence which our heroe had lately with so much military wisdom placed as guards over the avenues of his heart, ran away from their posts, and the god of love marched in, in triumph.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
nothing can be more reasonable, than that slaves and flatterers should exact the same taxes on all below them, which they themselves pay to all above them
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Comfort me by a solemn Assurance, that when the little Parlour in which I sit at this Instant, shall be reduced to a worse furnished Box, I shall be read, with Honour, by those who never knew nor saw me, and whom I shall neither know nor see.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Writing about the spiritual life is like making prints from negatives...Often it is the dark forest that makes us speak about the open field. Frequently prison makes us think about freedom, hunger helps us to appreciate food, and war gives us words for peace. Not seldom are our vision of the future born out of the sufferings of the present and our hope for others out of our own despair. Only few "happy endings" make us happy but often someone's careful ad honest articulation of the ambiguities, uncertainties, and painful conditions of life gives us new hope. The paradox is indeed that new life is born out of the pains of the old.
β
β
Robert Durback (Seeds of Hope: A Henri Nouwen Reader)
β
Heroes, notwithstanding the high ideas which, by the means of flatterers, they may entertain of themselves, or the world may conceive of them, have certainly more of mortal than divine about them.
β
β
Henry Fielding
β
It was a βsevereβ disappointment to Henry Wilson who laid it all at the door of Kitchener and the Cabinet for having sent only four divisions instead of six. Had all six been present, he said with that marvelous incapacity to admit error that was to make him ultimately a Field Marshal, βthis retreat would have been an advance and defeat would have been a victory.
β
β
Barbara W. Tuchman (The Guns of August)
β
One of the maxims which the devil, in a late visit upon earth, left to his disciples, is, when once you are got up, to kick the stool from under you. In plain English, when you have made your fortune by the good offices of a friend, you are advised to discard him as soon as you can.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
β
β
Paul Auster (Invisible (Rough Cut))
β
I see young men, my townsmen, whose misfortune it is to have inherited farms, houses, barns, cattle, and farming tools; for these are more easily acquired than got rid of. Better if they had been born in the open pasture and suckled by a wolf, that they might have seen with clearer eyes what field they were called to labor in. Who made them serfs of the soil? Why should they eat their sixty acres, when man is condemned to eat only his peck of dirt? Why should they begin digging their graves as soon as they are born?
β
β
Henry David Thoreau (Walden)
β
You know the rest. In the books you have read
How the British Regulars fired and fled,---
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,---
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
β
β
Henry Wadsworth Longfellow (The Midnight Ride of Paul Revere)
β
Every year, Kansas watches the world die. Civilizations of wheat grow tall and green; they grow old and golden, and then men shaped from the same earth as the crop cut those lives down. And when the grain is threshed, and the dances and festivals have come and gone, then the fields are given over to fire, and the wheat stubble ascends into the Kansas sky, and the moon swells to bursting above a blackened earth.
The fields around Henry, Kansas, had given up their gold and were charred. Some had already been tilled under, waiting for the promised life of new seed. Waiting for winter, and for spring, and another black death.
The harvest had been good. Men, women, boys and girls had found work, and Henry Days had been all hot dogs and laughter, even without Frank Willis's old brown truck in the parade.
The truck was over on the edge of town, by a lonely barn decorated with new No Trespassing signs and a hole in the ground where the Willis house had been in the spring and the early summer. Late summer had now faded into fall, and the pale blue farm house was gone. Kansas would never forget it.
β
β
N.D. Wilson (The Chestnut King (100 Cupboards, #3))
β
Men come tamely home at night only from the next field or streeet, where their household echoes haunt, and their life pines because it breathes its own breath over again; their shadows, morning and evening, reach farther than their daily steps. We should come home from far, from adventures, and perils, and discoveries every day, with new experience and character
β
β
Henry David Thoreau (Walden)
β
We would bestow some pains here in minutely describing all the mad pranks which Jones played on this occasion could we be well assured that the reader would take the same pains in perusing them, but as we are apprehensive that after all the labour which we should employ in painting this scene the said reader would be very apt to skip it entirely over, we have saved ourself that trouble. To say the truth, we have from this reason alone often done great violence to the luxuriance of our genius, and have left many excellent descriptions out of our work which would otherwise have been in it.
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β
Henry Fielding (Tom Jones (UBSPD's World Classics))
β
Well, do as you think best. That's every man's right and duty. But for me, I pledge you now I will not surrender one grain of my rights. What I took, I took and by God, I'll keep it, too. Take her home tomorrow, Archie, and never look back to watch what I do, for you know it before. I would not give him one knigh who had confided himself to me and none other, much less you. Only over my dead body," said Hotspur hardily, eye to eye with the friend he had made under Homildon Hill, "will King Henry ever claim you as his prisoner.
β
β
Edith Pargeter (A Bloody Field by Shrewsbury)
β
One day when I went out to my wood-pile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants, that it was not a duellum, but a bellum, a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black. The legions of these Myrmidons covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battle-field I ever trod while the battle was raging; internecine war; the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely.
β
β
Henry David Thoreau (Walden)
β
Wisdom, in short, whose lessons have been represented as so hard to learn by those who never were at her school, only teaches us to extend a simple maxim universally known and followed even in the lowest life, a little farther than that life carries it. And this is, not to buy at too dear a price. Now, whoever takes this maxim abroad with him into the grand market of the world, and constantly applies it to honours, to riches, to pleasures, and to every other commodity which that market affords, is, I will venture to affirm, a wise man.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
I look upon the vulgar observation, 'That the devil often deserts his friends, and leaves them in the lurch,' to be a great abuse on that gentleman's character. Perhaps he may sometimes desert those who are only his cup acquaintance; or who, at most, are but half his; but he generally stands by those who are thoroughly his servants, and helps them off in all extremities, till their bargain expires.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summerβs wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in β75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and plowing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment.
β
β
Henry David Thoreau (A Week on the Concord and Merrimack Rivers / Walden / The Maine Woods / Cape Cod)
β
As this is one of those deep observations which very few readers can be supposed capable of making themselves, I have thought proper to lend them my assistance; but this is a favour rarely to be expected in the course of my work. Indeed, I shall seldom or never so indulge him, unless in such instances as this, where nothing but the inspiration with which we writers are gifted can possibly enable anyone to make the discovery.
β
β
Henry Fielding (The History of Tom Jones, a Foundling)
β
I find it wholesome to be alone in the greater part of the time. To be in company, even with the best, is soon wearisome and dissipating. I love to be alone. i never found the companion that was so companionable as solitude. We are for the most part more lonely when we go abroad among men then when we stay in our chambers. A man thinking or working is always alone, let him be where he will. Solitude is not measured by the miles of space that intervene between a man and his fellows. The really diligent student in one of the crowded hives of Cambridge College is as solitary as a dervis in the desert. The farmer can work alone in the field or the woods all day, hoeing or chopping and not feel lonesome, because he is employed; but when he comes home at night he cannot sit down in a room alone, at the mercy of his thoughts, but must be where he can "see the folks," and recreate, and as he thinks remunerate, himself for his day's solitude; and hence he wonders how the student can sit alone in the house all night and most of the day without ennui and "the blues;" but he does not realize that the student, though in the house, is still at work in his field, and chopping in his woods, as the farmer in his, and in turn seeks the same recreation and society that the latter does, though it may be a more condensed form of it.
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β
Henry David Thoreau
β
All praise to winter, then, was Henry's feeling. Let others have their sultry luxuries. How full of creative genius was the air in which these snow-crystals were generated. He could hardly have marveled more if real stars had fallen and lodged on his coat. What a world to live in, where myriads of these little discs, so beautiful to the most prying eye, were whirled down on every traveler's coat, on the restless squirrel's fur and on the far-stretching fields and forests, the wooded dells and mountain-tops,--these glorious spangles, the sweepings of heaven's floor.
β
β
Van Wyck Brooks (The Flowering of New England, 1815-1865)
β
Non basta che le tue azioni, o meglio le tue intenzioni siano intrinsecamente buone; devi fare in modo che appaiano tali. S'Γ¨ bello l'interno, devi provvedere a far bello anche l'esterno. Altrimenti la malignitΓ e l'invidia offuscheranno le tue virtΓΉ in modo tale che neanche un uomo intelligente e buono [...] riuscirΓ a scorgerne l'interna bellezza. Sia questa, miei giovani lettori, la vostra massima costante: nessuno Γ¨ mai tanto buono da poter trascurare le regole della prudenza; e la virtΓΉ stessa non puΓ² apparire bella quando non s'adorni esteriormente di correttezza e di decoro.
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Henry Fielding (The History of Tom Jones, a Foundling)
β
There was no clear-cut moment of victory for the British. They really won when Sea Lion was called off, but this Hitler backdown was a secret. The Luftwaffe kept up heavy night raids on the cities, and this with the U-boat sinkings made the outlook for England darker and darker until Hitler attacked the Soviet Union. But the Luftwaffe never recovered from the Battle of Britain. This was one reason why the Germans failed to take Moscow in 1941. The blitzkrieg ran out of blitz in Russia because it had dropped too much of it on the fields of Kent and Surrey, and in the streets of London.βV.H.
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β
Herman Wouk (The Winds of War (The Henry Family, #1))
β
Though Jones had formerly believed himself in the very prime of youth and vigor, his first encounter with Lady Bellaston both vexed and puzzled him. For though his own youthful appetites were quickly sated, hers were ravenous and almost beyond his power to satisfy. Her kisses and caresses were a source of inexpressible delight; yet when all was over it was he who collapsed into the most profound slumber. Early the next morning she took him shopping, her manner fresh and cheerful. Jones could not fathom her spritely behavior. And in spite of all his best endeavors, he could scarcely keep his eyes open.
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β
Henry Fielding (The History of Tom Jones, a Foundling)
β
Suppose you were in a war-torn country, and you had to cross a field full of land mines. If a local soldier knew exactly where every one of them was buried and offered to take you through the field, would you protest and say, βI don't want you to tell me what to do. I want to be free to make my own choicesβ? I don't know about you, but I would stay as close to that person as I could. I certainly would not go wandering off. His directions to me would not restrict me; they would preserve my life. As we walked together, he would say, βDon't go that way, because that path will kill you. Go this way and live.
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β
Henry T. Blackaby (Experiencing God)
β
Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; β so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed β him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow β there was nothing to redeem it, forsooth, in his eyes β and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.
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β
Henry David Thoreau (Walden & Civil Disobedience)
β
I have often wondered, Sir, [. . .] to observe so few Instances of Charity among Mankind; for tho' the Goodness of a Man's Heart did not incline him to relieve the Distresses of his Fellow-Creatures, methinks the Desire of Honour should move him to it. What inspires a Man to build fine Houses, to purchase fine Furniture, Pictures, Clothes, and other things at a great Expence, but an Ambition to be respected more than other People? Now would not one great Act of Charity, one Instance of redeeming a poor Family from all the Miseries of Poverty, restoring an unfortunate Tradesman by a Sum of Money to the means of procuring a Livelihood by his Industry, discharging an undone Debtor from his Debts or a Goal, or any such Example of Goodness, create a Man more Honour and Respect than he could acquire by the finest House, Furniture, Pictures or Clothes that were ever beheld? For not only the Object himself who was thus relieved, but all who heard the Name of such a Person must, I imagine, reverence him infinitely more than the Possessor of all those other things: which when we so admire, we rather praise the Builder, the Workman, the Painter, the Laceman, the Taylor, and the rest, by whose Ingenuity they are produced, than the Person who by his Money makes them his own.
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β
Henry Fielding (Joseph Andrews / Shamela)
β
Frank sniffed. 'You know me well, wife. I thought those were in the
basement.'
'They were. You should have been an English teacher, Frank.'
'What are we going to do?' Henry asked.
'We're going to build a wooden horse, stick you inside it, and offer
it up as a gift,' Frank answered.
'Burn your bridges when you come to them,' Dotty said. She smiled at
Frank, picked up the empty plates, and walked back into the kitchen.
'Can we watch?' Henrietta asked.
'You,' Frank said, 'can go play in the barn, the yard, the fields, or
the ditches, so long as you are nowhere near the action. C'mon, Henry.'
The girls moaned and complained while Henry followed his uncle up the
stairs. At the top, they walked all the way around the landing until
they faced the very old, very wooden door to Grandfather's bedroom.
Uncle Frank set down his tools.
'Today is the day, Henry. I can feel it. I never told your aunt this,
but my favorite book's in there. I was reading it to your Grandfather
near the end. It's been due back at the library for awhile now, and
it'd be nice to be able to check something else out.
β
β
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
β
The ceaseless rain is falling fast,
And yonder gilded vane,
Immovable for three days past,
Points to the misty main,
It drives me in upon myself
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams,
I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.
In fancy I can hear again
The Alpine torrent's roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.
I see the convent's gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.
I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.
I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another's feet
O'er many a lengthening league.
Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand
Reading these poets' rhymes.
From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own.
β
β
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
β
The great are deceived if they imagine they have appropriated ambition and vanity to themselves. These notable qualities flourish as notably in a country church and churchyard as in the drawing room or in the closet. Schemes have indeed been laid in the vestry, which would hardly disgrace the conclave. Here is a ministry, and here is an opposition. Here are plots and circumventions, parties and factions equal to those which are to be found in courts. Nor are the women here less practiced in the highest feminine arts than their fair superiors in quality and fortune. Here are prudes and coquettes; here are dressing and ogling, falsehood, envy, malice, scandal -- in short everything which is common to the most splendid assembly or politest circle.
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β
Henry Fielding (The History of Tom Jones, a Foundling)
β
It is certain that the labors of these early workers in the field of natural knowledge were brought to a standstill by the decay and disruption of the Roman Empire, the consequent disorganisation of society, and the diversion of men's thoughts from sublunary matters to the problems of the supernatural world suggested by Christian dogma in the Middle Ages. And, notwithstanding sporadic attempts to recall men to the investigation of nature, here and there, it was not until the fifteenth and sixteenth centuries that physical science made a new start, founding itself, at first, altogether upon that which had been done by the Greeks. Indeed, it must be admitted that the men of the Renaissance, though standing on the shoulders of the old philosophers, were a long time before they saw as much as their forerunners had done.
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β
Thomas Henry Huxley (Advance of Science in the Last Half-Century, The)
β
I was once, I remember, called to a patient who had received a violent contusion in his tibia, by which the exterior cutis was lacerated, so that there was a profuse sanguinary discharge; and the interior membranes were so divellicated, that the os or bone very plainly appeared through the aperture of the vulnus or wound. Some febrile symptoms intervening at the same time (for the pulse was exuberant and indicated much phlebotomy), I apprehended an immediate mortification. To prevent which, I presently made a large orifice in the vein of the left arm, whence I drew twenty ounces of blood; which I expected to have found extremely sizy and glutinous, or indeed coagulated, as it is in pleuretic complaints; but, to my surprize, it appeared rosy and florid, and its consistency differed little from the blood of those in perfect health. I then applied a fomentation to the part, which highly answered the intention;
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Henry Fielding (History of Tom Jones, a Foundling)
β
The brown autumn came. Out of doors, it brought to the fields the prodigality of the golden harvest, βto the forest, revelations of light,β βand to the sky, the sharp air, the morning mist, the red clouds at evening. Within doors, the sense of seclusion, the stillness of closed and curtained windows, musings by the fireside, books, friends, conversation, and the long, meditative evenings. To the farmer, it brought surcease of toil,β βto the scholar, that sweet delirium of the brain which changes toil to pleasure. It brought the wild duck back to the reedy marshes of the south; it brought the wild song back to the fervid brain of the poet. Without, the village street was paved with gold; the river ran red with the reflection of the leaves. Within, the faces of friends brightened the gloomy walls; the returning footsteps of the long-absent gladdened the threshold; and all the sweet amenities of social life again resumed their interrupted reign.
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β
Henry Wadsworth Longfellow (Kavanagh)
β
He then bespattered the youth with abundance of that language which passes between country gentleman who embrace opposite sides of the question; with frequent applications to him to salute that part which is generally introduced into all controversies that arise among the lower orders of the English gentry at horse-races, cock-matches, and other public places. Allusions to this part are likewise often made for the sake of jest. And here, I believe, the wit is generally misunderstood. In reality, it lies in desiring another to kiss you a-- for having just before threatened ti kick his; for I have observed very accurately, that no one ever desires you to kick that which belongs to himself, nor offers to kiss this part in another.
It may likewise seem surprizing that in the many thousand kind invitations of this sort, which every one who hath conversed with country gentlemen must have heard, no one, I believe, hath ever seen a single instance where the desire hath been complied with; - a great instance of their want of politeness; for in town nothing can be more common than for the finest gentlemen to perform this ceremony every day to their superiors, without having that favour once requested of them.
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Henry Fielding (The History of Tom Jones, a Foundling)
β
My initiation into the true philosophical method began the moment I threw overboard verbal solutions, having found in the inner life an important field of experiment. After that, all progress was an enlarging of this field. It is an inclination natural to the human mind to extend a conclusion logically, to apply it to other objects without actually having enlarged the circle of its investigations, but it is one to which we must never yield. But that is what philosophy does quite ingenuously when it is pure dialectic, that is, when it attempts to construct a metaphysics with the rudimentary knowledge one finds stored up in language. It continues to do so when it sets up certain facts as βgeneral principlesβ applicable to all things outside those facts. All my philosophical activity was a protestation against this way of philosophizing. I thus had to put aside important questions, which I could easily have made a show of answering by extending to them the results of my preceding works. I shall answer certain of these questions only if I am granted time and strength to solve them in themselves, for themselves. If not, grateful to my method for having given me what I believe to be the precise solution of a certain number of problems, finding that as far as I am concerned, I cannot get more out of it, I shall be content to stop where I am.
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β
Henri Bergson (The Creative Mind: An Introduction to Metaphysics)
β
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.β
βAs ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed, long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
β
β
Henry Wadsworth Longfellow
β
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o'erhead
Mysterious voices moaned and fled.
These are the tales those merry guests
Told to each other, well or ill;
Like summer birds that lift their crests
Above the borders of their nests
And twitter, and again are still.
These are the tales, or new or old,
In idle moments idly told;
Flowers of the field with petals thin,
Lilies that neither toil nor spin,
And tufts of wayside weeds and gorse
Hung in the parlor of the inn
Beneath the sign of the Red Horse.
Uprose the sun; and every guest,
Uprisen, was soon equipped and dressed
For journeying home and city-ward;
The old stage-coach was at the door,
With horses harnessed,long before
The sunshine reached the withered sward
Beneath the oaks, whose branches hoar
Murmured: "Farewell forevermore.
Where are they now? What lands and skies
Paint pictures in their friendly eyes?
What hope deludes, what promise cheers,
What pleasant voices fill their ears?
Two are beyond the salt sea waves,
And three already in their graves.
Perchance the living still may look
Into the pages of this book,
And see the days of long ago
Floating and fleeting to and fro,
As in the well-remembered brook
They saw the inverted landscape gleam,
And their own faces like a dream
Look up upon them from below.
β
β
Henry Wadsworth Longfellow