Helpless Woman Quotes

There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.

It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if she adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.

Young girls are like helpless children in the hands of amorous men, whatever is said to them is true and whatever manipulation on their bodies seems like love to them, sooner or later, they come back to their senses, but the scars are not dead inasmuch as her spoiler lives.

Womanhood is a wonderful thing. In womankind we find the mothers of the race.There is no man so great, nor none sunk so low, but once he lay a helpless, innocent babe in a woman's arms and was dependent on her love and care for his existence. It is woman who rocks the cradle of the world and holds the first affections of mankind. She possesses a power beyond that of a king on his throne. ...Womanhood stands for all that is pure and clean and noble. She who does not make the world better for having lived in it has failed to be all that a woman should be.

Often a man can play the helpless child in front of a woman, but he can almost never bring it off when he feels most like a helpless child.

I never could understand why some writers treat women as helpless. Every woman I know is strong in her own unique way.

Not being assaulted is not a privilege to be earned through the judicious application of personal safety strategies. A woman should be able to walk down the street at 4 in the morning in nothing but her socks, blind drunk, without being assaulted, and I, for one, am not going to do anything to imply that she is in any way responsible for her own assault if she fails to Adequately Protect Herself. Men aren’t helpless dick-driven maniacs who can’t help raping a vulnerable woman. It disrespects EVERYONE.

It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.

He was a little boy, and she was grown up. She huddled by the fire not daring to move, helpless and guilty, a big woman.

SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.

There was a helplessness to his joy, the same kind of helplessness as in that woman’s despair.

Who cares for his causes of complaint? Are you to break your heart to set his mind at ease? No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace - they drag us away from our parents' love and our sisters' friendship - they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?

No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace – they drag us away from our parents’ love and our sisters’ friendship – they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?

[U]ntil feminists work to empower femininity and pry it away from the insipid, inferior meanings that plague it - weakness, helplessness, fragility, passivity, frivolity, and artificiality - those meanings will continue to haunt every person who is female and/or feminine.

You have the skill. What is more, you were born a woman, And women, though most helpless in doing good deeds, Are of every evil the cleverest of contrivers.

And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.

I had three long conversations with Marusya over a cup of coffee. She told me her whole rather silly story. To some degree we became friends. I like people like that--doomed, dying, helpless, and brazen. I always say, if you're in trouble, you're not sinning.

I have a theory that all human babies are born prematurely. Given the human life span – three score years and ten – to be comparable with other animals of similar longevity, human gestation should be about two years. But the human head is so big by the age of two that no woman could deliver it. So our babies are born prematurely, in a state of utter helplessness.

She looked like a somewhat frightened and helpless woman, and yet he knew she was a deadly assassin. The same as he was. She was like one of those startlingly beautiful creatures in the wild—colorful and attractive, but deadly when touched.

His shadow stretched out past mine. I remembered Mom telling me how frightening men were, all men really, how helpless it often felt to be a woman among men, and for the first time I understood what she meant.

In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.

I needed to see more from my movies than the extremely tragic black woman, or the magic helpless Negro, or the many black men in dresses.

one thing she’s learnt is that falling hopelessly, helplessly in love is actually a highly selective process

Because of their DNA, most men loved a damsel in distress. Every time a man sees a pretty lass in trouble, even the boorish slob-of-a-man transforms into a chivalrous knight-in-shining-armour. This was why most women (no matter how strong, competent or resourceful) were forced to act shy, demure and helpless so that their men could feel like strong grizzly bears or ferocious mountain lions.

Life, of course, never gets anyone's entire attention. Death always remains interesting, pulls us, draws us. As sleep is necessary to our physiology, so depression seems necessary to our psychic economy. In some secret way, Thanatos nourishes Eros as well as opposes it. The two principles work in covert concert; though in most of us Eros dominates, in none of us is Thanatos completely subdued. However-and this is the paradox of suicide-to take one's life is to behave in a more active, assertive, "erotic" way than to helplessly watch as one's life is taken away from one by inevitable mortality. Suicide thus engages with both the death-hating and the death-loving parts of us: on some level, perhaps, we may envy the suicide even as we pity him. It has frequently been asked whether the poetry of Plath would have so aroused the attention of the world if Plath had not killed herself. I would agree with those who say no. The death-ridden poems move us and electrify us because of our knowledge of what happened. Alvarez has observed that the late poems read as if they were written posthumously, but they do so only because a death actually took place. "When I am talking about the weather / I know what I am talking about," Kurt Schwitters writes in a Dada poem (which I have quoted in its entirety). When Plath is talking about the death wish, she knows what she is talking about. In 1966, Anne Sexton, who committed suicide eleven years after Plath, wrote a poem entitled "Wanting to Die," in which these startlingly informative lines appear: But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. When, in the opening of "Lady Lazarus," Plath triumphantly exclaims, "I have done it again," and, later in the poem, writes, Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call, we can only share her elation. We know we are in the presence of a master builder.

The greatest barrier preventing us from fully challenging sexism is the pervasive antifeminine sentiment that runs wild in both the straight and queer communities, targeting people of all genders and sexualities. The only realistic way to address this issue is to work toward empowering femininity itself. We must rightly recognize that feminine expression is strong, daring, and brave - that it is powerful - and not in an enchanting, enticing, or supernatural sort of way, but in a tangible, practical way that facilitates openness, creativity, and honest expression. We must move beyond seeing femininity as helpless and dependent, or merely as masculinity's sidekick, and instead acknowledge that feminine expression exists of its own accord and brings its own rewards to those who naturally gravitate toward it. By embracing femininity, feminism will finally be able to reach out to the vast majority of feminine women who have felt alienated by the movement in the past.

A strange night, he thought. Somewhere now there is shooting and men are being hunted and imprisoned and tortured and murdered, some corner of a peaceful world is being trampled upon, and one knows it, helplessly, and life buzzes on in the bright bistros of the city, no one cares, and people go calmly to sleep, and I am sitting here with a woman between pale chrysanthemums and a bottle of calvados, and the shadow of love rises, trembling, lonesome, strange and sad, it too an exile from the safe gardens of the past, shy and wild and quick as if it had no right

It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone you loved him and when you had nothing else to give you still gave him love. When the last of the chocolate was gone his mother had clasped the child in her arms. It was no use it changed nothing it did not produce more chocolate it did not avert the child's death of her own but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm which was no more use against the bullets than a sheet of paper...What mattered were individual relationships and a completely helpless gesture an embrace a tear a word spoken to a dying man could have value in itself.

Never in your life have you been helpless—under somebody’s heel. You never lived where your enemies held power over you, power to run your life or wipe it out. You can’t understand. That’s how come you stand there feeding me empty slogans!” Luciente bowed her head. “You crit me justly, Connie. Forgive me. I’ll try to see your situation more clearly and make less loud noises in your ears.

A man may fight the greatest enemy, take the longest journey, survive the most grievous wound -- and still be helpless in the hands of the woman he loves.

One of the most dangerous classes in the world," said he, "is the drifting and friendless woman. She is the most harmless and often the most useful of mortals, but she is the inevitable inciter of crime in others. She is helpless. She is migratory. She has sufficient means to take her from country to country and from hotel to hotel. She is lost, as often as not, in a maze of obscure pensions and boardinghouses. She is a stray chicken in a world of foxes. When she is gobbled up she is hardly missed.

There were many pioneers who came before you that also felt a sense of hopelessness. They were judged because they were women. At times they felt helpless but that didn’t stop them from making their mark as they made changes in the world which people thought were impossible. They made themselves into believers because of their accomplishments. These pioneers did not have the technology and resources that we have today. However, they used what they were given, which was their God-given talent. “We will be heard, seen, and are untouchable.” The pioneer’s voices were rising louder, stronger, and their voices were heard as they made the impossible, possible. Their mentality was, “We will not be ignored. We are human and we should be created equally, just like men.” As they rose to the challenges they endured, their great strength of determination spoke without the need for words.

How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…

Strane says I need to contextualize my reluctance to grow up, that everyone my age is drawn to self-victimization. “And that mentality is especially difficult for young women to resist,” he says. “The world has a vested interest in keeping you helpless.” He says as a culture we treat victimhood as an extension of childhood. So when a woman chooses victimhood, she is therefore freed from personal responsibility, which then compels others to take care of her, which is why once a woman chooses victimhood, she will continue to choose it again and again.

She drank like a drowning man helplessly swallowing sea water, in accordance with some law of nature. To ask for nothing means that one has lost one’s freedom to choose or reject. Once having decided that, one has no choice but to drink anything — even sea water…. Afterwards, however, Etsuko felt none of the nausea of a drowning person. Until the moment of her death, it seemed, no one would know she was drowning. She did not call out — she was a woman bound and gagged by her own hand.

Mary Magdalene With wandering eyes and aimless zeal, She hither, thither, goes; Her speech, her motions, all reveal A mind without repose. She climbs the hills, she haunts the sea, By madness tortured, driven; One hour's forgetfulness would be A gift from very heaven! She slumbers into new distress; The night is worse than day: Exulting in her helplessness; Hell's dogs yet louder bay. The demons blast her to and fro; She has not quiet place, Enough a woman still, to know A haunting dim disgrace. A human touch! a pang of death! And in a low delight Thou liest, waiting for new breath, For morning out of night. Thou risest up: the earth is fair, The wind is cool; thou art free! Is it a dream of hell's despair Dissolves in ecstasy? That man did touch thee! Eyes divine Make sunrise in thy soul; Thou seest love in order shine:- His health hath made thee whole! Thou, sharing in the awful doom, Didst help thy Lord to die; Then, weeping o'er his empty tomb, Didst hear him Mary cry. He stands in haste; he cannot stop; Home to his God he fares: 'Go tell my brothers I go up To my Father, mine and theirs.' Run, Mary! lift thy heavenly voice; Cry, cry, and heed not how; Make all the new-risen world rejoice- Its first apostle thou! What if old tales of thee have lied, Or truth have told, thou art All-safe with Him, whate'er betide Dwell'st with Him in God's heart!

She wondered what lay ahead for her baby brother. What woman would love him now? She hoped for someone who would be grateful for his good looks and reticent ways. Someone who would feel blessed by his quiet attention, who would take all his love and keep it safe. There would be girls who would want to mother him forever, who’d be reduced by the helpless dip of his eyes into some primitive need to cook and clean and care for him.

No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace—they drag us away from our parents' love and our sisters' friendship—they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?

I don't mean your resentment toward them," said Philip... "I mean your extending the enmity to a helpless girl, who has too much sense and goodness to share their narrow prejudices. She has never entered into the family quarrels." "What does that signify? We don't ask what a woman does; we ask whom she belongs to. It's altogether a degrading thing to you, to think of marrying old Tulliver's daughter.

A winded, defeated-looking fat woman in filthy coveralls trudged beside us, hearing what Miss Pefko said. She turned to examine Dr. Breed, looking at him with helpless reproach. She hated people who thought too much. At that moment, she struck me as an appropriate representative for almost all mankind.

Enraptured by an aberration of beauty, I cannot move. I find myself helpless against a woman whose pale lips sing to me. Every note, every hymn that escapes those lips, I want to hear like a story being told to a child. I want to listen to its crinkled page as it turns, but more so, I desired this creature before me.

To be a mother, to feel maternally, means to turn especially to the helpless, to incline lovingly and helpfully toward everything on earth that is small and weak. Therefore the principle of motherhood is a dual one. It hinges not only on the birth of the child, but also on fostering and protecting that which has been born.

In Somali culture hyper-masculinity is the most desired attribute in men. Femininity signifies softness, a lightness of touch: qualities that are aggressively pressed onto young girls and women. When a woman does not possess feminine traits, it is considered an act of mild social resistance. This applies equally to men who are not overtly masculine but the stakes are considerably amplified. If a Somali man is considered feminine he is deemed weak, helpless, pitiful: The underlying message being that femininity is inherently inferior to masculinity.

I'm talking about equalizing the pressure between outer actions and events which are shattering and devastating to us and then the place where we recompose and reconstruct ourselves, where we finally achieve what Jung called the second birth. The second birth is the one that you can make, and the discovery of that to me was always a great relief. As long as we expect the changes to come only from the outside or from action outside or from political systems, then we are bound to feel helpless, to feel sometimes that reality is bigger and stronger than we are. But if suddenly we begin to feel that there is one person we can change, simultaneously we change many people around us. And as a writer I suddenly discovered the enormous radius of influence that one person can have.

The door creaked as it began to open. Gray moved like lightning, slapping his left palm against the door and slamming it shut before it had opened more than a fraction of an inch. "Hey!" a woman squawked indignantly from the other side. "This one’s occupied," he said hoarsely, not missing a beat with his plunging hips. "Go somewhere else." Faith couldn’t say anything. Her eyes widened with alarm, but all she could do was look helplessly up at him. Gray’s lips drew back over his teeth and his head dropped forward as he began hammering faster. His face was flushed, satisfaction only a few moments away. Faith shuddered wildly as the coil of tension suddenly released and the fierce, pulsing flood of sensation swept through her. Shivering and pushing hard against him, she buried her face against his chest and bit his shirt to muffle her gasping cries. He kept his hand flat against the door, gripping her bottom with his right hand to anchor himself. He shoved hard into her, twice, three times, again, then bucked violently. His head fell back and a harsh, guttural cry rumbled up from his chest. There was an insistent banging on the door. "What are you doing in there?" the woman said in shrill, grating tones. "That’s the lady’s room! You aren’t supposed to be in there!" Slowly Gray’s head came up. The expression in his eyes was indescribable, as if he couldn’t believe what was happening. He took a deep breath, and exploded. "Goddamn it, woman!" he roared with furious indignation. "Can’t you tell I’m busy?

The perturbations, anxieties, depravations, deaths, exceptions in the physical or moral order, spirit of negation, brutishness, hallucinations fostered by the will, torments, destruction, confusion, tears, insatiabilities, servitudes, delving imaginations, novels, the unexpected, the forbidden, the chemical singularities of the mysterious vulture which lies in wait for the carrion of some dead illusion, precocious & abortive experiences, the darkness of the mailed bug, the terrible monomania of pride, the inoculation of deep stupor, funeral orations, desires, betrayals, tyrannies, impieties, irritations, acrimonies, aggressive insults, madness, temper, reasoned terrors, strange inquietudes which the reader would prefer not to experience , cants, nervous disorders, bleeding ordeals that drive logic at bay, exaggerations, the absence of sincerity, bores, platitudes, the somber, the lugubrious, childbirths worse than murders, passions, romancers at the Courts of Assize, tragedies,-odes, melodramas, extremes forever presented, reason hissed at with impunity, odor of hens steeped in water, nausea, frogs, devilfish, sharks, simoon of the deserts, that which is somnambulistic, squint-eyed, nocturnal, somniferous, noctambulistic, viscous, equivocal, consumptive, spasmodic, aphrodisiac, anemic, one-eyed, hermaphroditic, bastard, albino, pederast, phenomena of the aquarium, & the bearded woman, hours surfeited with gloomy discouragement, fantasies, acrimonies, monsters, demoralizing syllogisms, ordure, that which does not think like a child, desolation, the intellectual manchineel trees, perfumed cankers, stalks of the camellias, the guilt of a writer rolling down the slope of nothingness & scorning himself with joyous cries, that grind one in their imperceptible gearing, the serious spittles on inviolate maxims, vermin & their insinuating titillations, stupid prefaces like those of Cromwell, Mademoiselle de Maupin & Dumas fils, decaying, helplessness, blasphemies, suffocation, stifling, mania,--before these unclean charnel houses, which I blush to name, it is at last time to react against whatever disgusts us & bows us down.

Children write essays in school about the unhappy, tragic, doomed life of Anna Karenina. But was Anna really unhappy? She chose passion and she paid for her passion—that's happiness! She was a free, proud human being. But what if during peacetime a lot of greatcoats and peaked caps burst into the house where you were born and live, and ordered the whole family to leave house and town in twenty-four hours, with only what your feeble hands can carry?... You open your doors, call in the passers-by from the streets and ask them to buy things from you, or to throw you a few pennies to buy bread with... With ribbon in her hair, your daughter sits down at the piano for the last time to play Mozart. But she bursts into tears and runs away. So why should I read Anna Karenina again? Maybe it's enough—what I've experienced. Where can people read about us? Us? Only in a hundred years? "They deported all members of the nobility from Leningrad. (There were a hundred thousand of them, I suppose. But did we pay much attention? What kind of wretched little ex-nobles were they, the ones who remained? Old people and children, the helpless ones.) We knew this, we looked on and did nothing. You see, we weren't the victims." "You bought their pianos?" "We may even have bought their pianos. Yes, of course we bought them." Oleg could now see that this woman was not yet even fifty. Yet anyone walking past her would have said she was an old woman. A lock of smooth old woman's hair, quite incurable, hung down from under her white head-scarf. "But when you were deported, what was it for? What was the charge?" "Why bother to think up a charge? 'Socially harmful' or 'socially dangerous element'—S.D.E.', they called it. Special decrees, just marked by letters of the alphabet. So it was quite easy. No trial necessary." "And what about your husband? Who was he?" "Nobody. He played the flute in the Leningrad Philharmonic. He liked to talk when he'd had a few drinks." “…We knew one family with grown-up children, a son and a daughter, both Komsomol (Communist youth members). Suddenly the whole family was put down for deportation to Siberia. The children rushed to the Komsomol district office. 'Protect us!' they said. 'Certainly we'll protect you,' they were told. 'Just write on this piece of paper: As from today's date I ask not to be considered the son, or the daughter, of such-and-such parents. I renounce them as socially harmful elements and I promise in the future to have nothing whatever to do with them and to maintain no communication with them.

And did all the women shrink?’ Kirabo steered Nsuuta away from Grandmother. ‘With that kind of perversion, who would not shrink? Who would want to be huge, or loud, or brave, or any of the other characteristics men claim to be male? We hunched, lowered our eyes, voices, acted feeble, helpless. Even being clever became unattractive. Soon, being shrunken became feminine. Then it became beautiful and women aspired to it. That was when we began to persecute our original state out of ourselves.

No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace—they drag us away from our parents' love and our sisters' friendship—they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return? Let me go, Laura—I'm mad when I think of it!

I cant take it like this much longer, Milt," Karen said muffledly into the big CKC shirt with its male smell, allowing herself the luxury of letting the bars all the way down for once, enjoying for just this moment the eternal degradation of being a woman. "I cant take it much longer," she whimpered, tasting it, the eternally caught and held hard in the grasp of some man, the forever humiliated heavy weight it was impossible to squirm out from under, the forever helpless except for the mercy of him who always takes what he wants without any, and that all women learn instinctively not to expect [...] That was all they wanted. That was all any of them wanted. You give them the greatest thing you possess, the most intimate secret, and they --- just take it. Well, let them have it. Let them all have some of it. Let them root and rut and rowel, as if it was no more important than that why were they all so anxious to keep it away from each other?

The flowers in the bride’s hand are sadly like the garland which decked the heifers of sacrifice in old times!” “Still, Sue, it is no worse for the woman than for the man. That’s what some women fail to see, and instead of protesting against the conditions they protest against the man, the other victim; just as a woman in a crowd will abuse the man who crushes against her, when he is only the helpless transmitter of the pressure put upon him.

Still canna resist the draw of the devil." A tremor sliced through Farah at the old woman's words. Dougan had called himself a demon the first time they'd met. If that sweet boy had been a demon, then Dorian Blackwell certainly was the devil. And Farah was, indeed, helpless to resist his dark allure.

For as men have fists and heads to defend themselves, so women have a gentleness of silence about them, a barrier built of things of the spirit, of pain, of quiet, of helplessness, of grace, of all that is beautiful and womanly an equal part, given to them because they are women in defense of their womaness. And this barrier a man will find against him to turn aside his male attack, keep his arms pinned, stop his mouth, cool his eyes, reduce his heat and restrain his idle imaginings. This barrier it is that women who are women keep always at a height, coming from behind it only when, with knowledge and in light, they trust. You shall see it in their eyes.

I’d just participated in a death. A death. Not a medical procedure. Not a surgical solution to a life problem. Not the valiant step of a woman exercising her right to make medical choices about her own body. The death of a helpless baby, a baby violently ripped away from the safety of the womb, sucked away to be discarded as biohazard waste.

In two of your poems you called that central Passage of womanhood a wound, Instead of a curtain guarding a silken Trail of sighs. How many men, Upon regarding such beauty, helplessly Touching it, recklessly needing To enter its warmth again and again, Have assumed it embodies their own ache Of absence, the personal Gash that has punished their lives. So endowed of anatomy, any woman Who has been loved Knows that her tenderest blush Of tissue is a luxe burden of have. Although it bleeds, this is only to cleanse, To prepare yet another nesting for love. It is not a wound, friend. It is a home for you. It is a way into the world.

The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.

He was beginning to see, though vaguely, the sharp conflict between woman and career, between a man’s work in the world and woman’s need of the man.  But he was not capable of generalization.  He saw only the antagonism between the concrete, flesh-and-blood Genevieve and the great, abstract, living Game.  Each resented the other, each claimed him; he was torn with the strife, and yet drifted helpless on the currents of their contention.

We are all androgynous, not only because we are all born of a woman impregnated by the seed of a man but because each of us, helplessly and forever, contains the other – male in female, female in male, white in black and black in white. We are a part of each other. Many of my countrymen appear to find this fact exceedingly inconvenient and even unfair, and so very often do I. But none of us can do anything about it. James Baldwin, “Here Be Dragons

But in another moment she seemed to have descended from her womanly eminence to helpless and timorous girlhood; and he understood that her courage and initiative were all for others, and that she had none for herself. It was evident that the effort of speaking had been much greater than her studied composure betrayed, and that at his first word of reassurance she had dropped back into the usual, as a too adventurous child takes refuge in its mother's arms.

Naked Except for the Jewelry” “And,” she said, “you must talk no more about ecstasy. It is loneliness.” The woman wandered about picking up her shoes and silks. “You said you loved me,” the man said. “We tell lies,” she said, brushing her wonderful hair, naked except for the jewelry. “We try to believe.” “you were helpless with joy,” he said, “moaning and weeping.” “In the dream,” she said, “we pretend to ourselves that we are touching. The heart lies to itself because it must.

It is foolish to wish for beauty.  Sensible people never either desire it for themselves or care about it in others.  If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior.  So said the teachers of our childhood; and so say we to the children of the present day.  All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face—when we know no harm of the possessor at least?  A little girl loves her bird—Why?  Because it lives and feels; because it is helpless and harmless?  A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.  If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections.  Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versâ with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. 

All these aspects of the anima have the same tendency that we have observed in the shadow: That is, they can be projected so that they appear to the man to be the qualities of some particular woman. It is the presence of the anima that causes a man to fall suddenly in love when he sees a woman for the first time and knows at once that this is “she.” In this situation, the man feels as if he has known this woman intimately for all time; he falls for her so helplessly that it looks to outsiders like complete madness. Women who are of “fairy-like” character especially attract such anima projections, because men can attribute almost anything to a creature who is so fascinatingly vague, and can thus proceed to weave fantasies around her.

I am not, anymore, a Christian, but I am lifted and opened by any space with prayer inside it. I didn’t know why I was going, today, to stand in the long cool darkness of St. John of the Divine, but my body knew, as bodies do, what it wanted. I entered the oddly small door of the huge space, and walked without hesitating to the altar I hadn’t consciously remembered, a national memorial for those who died of AIDS, marked by banners and placards. My heart melted, all at once, and I understood why I was there. Because the black current the masseuse had touched wanted, needed, to keep flowing. I’d needed to know I could go on, but I’d also been needing to collapse. Which is what I did, some timeless tear span of minutes sitting on the naked gray stone. A woman gave me the kind of paper napkins you get with an ice cream cone. It seemed to me the most genuine of gifts, made to a stranger: the recognition of how grief moves in the body, leaving us unable to breathe, helpless, except for each other.

From the essay on Love, in which he describes as a wilderness experience his daily visits with his wife to a hospital 3,000 miles from home in a strange city, where someone he loves is in danger of dying. “When the worst finally happens, or almost happens, a kind of peace comes. I had passed beyond grief, beyond terror, all but beyond hope, and it was thee, in that wilderness, that for the first time in my life I caught sight of something of what it must be like to love God truly. It was only a glimpse, but it was like stumbling on fresh water in the desert, like remembering something so huge and extraordinary that my memory had been unable to contain it. Though God was nowhere to be clearly seen, nowhere to be clearly heard, I had to be near him—even in the elevator riding up to her floor, even walking down the corridor to the one door among all those doors that had her name taped on it. I loved him because there was nothing else left. I loved him because he seemed to have made himself as helpless in his might as I was in my helplessness. I loved him not so much in spite of there being nothing in it for me but almost because there was nothing in it for me. For the first time in my life, there in that wilderness, I caught a glimpse of what it must be like to love God truly, for his own sake, to love him no matter what. If I loved him with less than all my heart, soul, and will, I loved him with at least as much of them as I had left for loving anything… I did not love God, God knows, because I was some sort of saint or hero. I did not love him because I suddenly saw the light (there was almost no light at all) or because I hoped by loving him to persuade him to heal the young woman I loved. I loved him because I couldn’t help myself. I loved him because the one who commands us to love is the one who also empowers us to love, as there in the wilderness of that dark and terrible time I was, through no doing of my own, empowered to love him at least a little, at least enough to survive. And in the midst of it, these small things happened that were as big as heaven and earth because through them a hope beyond hopelessness happened. “O Israel, hope in the Lord from this time forth and for evermore.”… The final secret, I think, is this: that the words “You shall love the Lord your God” become in the end less a command than a promise.

Cameron found that when people use female as a noun, as opposed to woman, it’s often in explicitly negative contexts. For example: My poor Clemence was as helpless a female as you’d find in a long day’s march. “Stupid, crazy female” was all he said as he set about bandaging it. A call yesterday involved giving the chatty female at the other end one’s address. These examples all involve a speaker passing derogatory judgment on the subject. And though their statements would still be insulting if you swapped in the word woman, they would be, as Cameron says, “less unequivocally contemptuous.” The corpus data also showed that the noun form of female is almost never used in a positive context. You wouldn’t hear someone say, “My best friend is the kindest, most generous female I have ever met.

The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.

OBEDIENCE IS NOT ENOUGH. Unless he is suffering, how can you be sure that he is obeying your will and not his own? Power is in inflicting pain and humiliation. Power is in tearing human minds to pieces and putting them together again in new shapes of your own choosing. Do you begin to see, then, what kind of world we are creating? It is the exact opposite of the stupid hedonistic Utopias that the old reformers imagined. A world of fear and treachery and torment, a world of trampling and being trampled upon, a world which will grow not less but more merciless as it refines itself. Progress in our world will be progress toward more pain. The old civilizations claimed that they were founded on love or justice. Ours is founded upon hatred. In our world there will be no emotions except fear, rage, triumph, and self-abasement. Everything else we shall destroy--everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always--do not forget this, Winston--always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face--forever.

Every man's penis is the prettiest thing in the world to him. From the day he's born until the day he dies. It never loses its endless fascination. And, I kid you not, baby, the same is true of every woman and her pussy. It's the closest thing to a real, blind, helpless love and religious adoration that most people ever achieve. But they'd rather die than admit it. Homosexuality, the urge to kill, petty spites and treacheries, fantasies of sadism, masochism, transvestism, any weird thing you can name, they'll confess all that in a group therapy session. But that deep submerged constant narcissism, that perpetual mental masturbation, is the earliest and most powerful block. They'll never admit it.

The deeply irrational attitude of each sex toward women may be seen in novels, particularly in bad novels. In bad novels by men, there is the woman with whom the author is in love, who usually possesses every charm, but is somewhat helpless, and requires male protection; sometimes, however, like Shakespeare’s Cleopatra, she is an object of exasperated hatred, and is thought to be deeply and desperately wicked. In portraying the heroine, the male author does not write from observation, but merely objectifies his own emotions. In regard to his other female characters, he is more objective, and may even depend upon his notebook; but when he is in love, his passion makes a mist between him and the object of his devotion. Women novelists, also, have two kinds of women in their books. One is themselves, glamorous and kind, and object of lust to the wicked and of love to the good, sensitive, highsouled, and constantly misjudged. The other kind is represented by all other women, and is usually portrayed as petty, spiteful, cruel, and deceitful. It would seem that to judge women without bias is not easy either for men or for women.

MARLYS WAS A WOMAN of ordinary appearance, if seen in a supermarket or a library, dressed in homemade or Walmart dresses or slacks, a little too heavy, but fighting it, white-haired, ruddy-faced. In her heart, though, she housed a rage that knew no bounds. The rage fully possessed her at times, and she might be seen sitting in her truck at a stoplight, pounding the steering wheel with the palms of her hands, or walking through the noodle aisle at the supermarket with a teeth-baring snarl. She had frightened strangers, who might look at her and catch the flames of rage, quickly extinguished when Marlys realized she was being watched. The rage was social and political and occasionally personal, based on her hatred of obvious injustice, the crushing of the small and helpless by the steel wheels of American plutocracy.

Young Bindo Altovini, looking out from time, made a perfect coalition with the mountains, the sky, and the tall redheaded woman who had bent over just slightly to examine a raging battle that was long over. Alessandro imagined that Bindo Altovini was saying, half with longing, half with delight, "These are the things in which I was so helplessly caught up, the waves that took me, what I loved. When light filled my eyes and I was restless and could move, I knew not what all the color was about, but only that I had a passion to see. And now that I am still, I pass on to you my liveliness and my life, for you will be taken, as once I was, and although you must fight beyond your capacity to fight and feel beyond your capacity to feel, remember that it ends in perfect peace, and you will be as still and content as am I, for whom centuries are not even seconds." In the eyes of Bindo Altoviti, Alessandro saw wisdom and amusement, and he knew why the subjects of paintings and photographs seemed to look from the past as if with clairvoyance. Even brutal and impatient men, when frozen in time, assumed expressions of extraordinary compassion, as if they had reflected the essence of their redemption back into the photograph. In a sense they were still living.

editor in New York and my mom and dad on the phone. My body is weak and bloated. I’m slowly poisoning myself to death. And it’s not like I haven’t seen what this shit does to people. The most fucked-up detoxes I’ve ever seen are the people coming off alcohol. It’s worse than heroin, worse than benzos, worse than anything. Alcohol can pickle your brain—leaving you helpless, like a child—infantilized—shitting in your pants—ranting madness—disoriented—angry—terrified. But that’s not gonna be me, I mean, it can’t be. I may hate myself. I may fantasize about suicide. But I’m way too vain to let myself die an alcoholic death. There’s nothing glamorous about alcoholism. You don’t go out like Nic Cage in Leaving Las Vegas, with a gorgeous woman riding you till your heart stops. Alcoholism takes you down slow, robbing you of every last bit of dignity on your way

Fate is a woman, I said to them. In fact, she is three women. Young, like us, so that they will have the courage to be cruel, having no weight of memory to teach temperance. Young, but so old, older than any stone. Their hair is silver, but full and long. Their eyes are black. But when they are at their work they become dogs, wolves, for they are hounds of death, and also hounds of joy. They take the strands of life in their jaws, and sometimes they are careful with their jagged teeth, and sometimes they are not. They gallop around a great monolith, the stone that pierces our Sphere where the meridians meet, that turns the Earth and pins it in place in the world. It is called the Spindle of Necessity, and all round it the wolves of fate run, and run, and run, and the patterns of their winding are the patterns of the world. Nothing can occur without them, but they take no sides. I could also say that there is such a stone, such a place, but the dogs who are women died long ago, and left the strands to fall, and we have been helpless ever since. That in a wolfless world we must find our own way. That is more comforting to me. I want my own way, I want to falter; I want to fail, and I want to be redeemed. All these things I want to spool out from the spindle that is me, not the spindle of the world. But I have heard both tales.

[One way of going about liberation] is the political way, changing the laws and fighting for equalities. There are so many ways of doing it. But the other I stress simply because it is the one I know: the psychological way, which is the removal of obstacles so that you can create your own freedom and you don’t have to ask for it. You don’t have to wait for it to be given to you. And the women I chose as my heroines were women who created their own freedom. They didn’t demand it, they didn’t ask for it. They created it. Something in themselves made them independent women, and this kind of independence I stress. […] It is very easy to blame society or to blame the man, but it actually makes you feel even more helpless. Because that means that you are waiting for the man to liberate you or for the government to liberate you or for history. And that takes a long time. It takes centuries, and it’s too slow for me.

Consider these traditional theories of domestic abuse: - Learned helplessness suggest that abused women learn to become helpless under abusive conditions; they are powerless to extricate themselves from such relationships and/or unable to make adaptive choices - The cycle of violence describes a pattern that includes a contrition or honeymoon phase. The abusive husband becomes contrite and apologetic after a violent episode, making concerted efforts to get back in his wife’s good graces. - Traumatic bonding attempts to explain the inexplicable bond that is formed between a woman and her abusive partner - The theory of past reenactments posits that women in abusive relationships are reliving unconscious feelings from early childhood scenarios. My research results and experience with patients do not conform to these concepts. I have found that the upscale abused wife is not a victim of learned helplessness. Rather, she makes specific decisions along the path to be involved in the abusive marriage, including silent strategizing as she chooses to stay or leave the marriage. Nor does the upscale abused wife experience the classic cycle of violence, replete with the honeymoon stage, in which the husband courts his wife to seek her forgiveness. As in the case of Sally and Ray, the man of means actually does little to seek his wife’s forgiveness after a violent episode. Further, the upscale abused wife voices more attachment to her lifestyle than the traumatic bonding with her abusive mate. And very few of the abused women I have met over the years experienced abuse in their childhoods or witnessed it between their parents. In fact, it is this lack of experience with violence, rage, and abuse that makes this woman even more overwhelmed and unclear about how to cope with something so alien to her and the people in her universe.

Taking the ring from her, Sebastian slid it onto his own hand. His hands were so much larger that the circlet would only fit the tip of his smallest finger. Grasping her chin in an intractable hold, he glared into her eyes. “I’ll take your bet,” he said grimly. “I’m going to win it. And in three months, I’m going to put this back on your finger, and take you to bed, and do things to you that are outlawed in the civilized world.” Evie’s resolve did not shield her from the heart-thumping alarm that any rational woman would feel upon hearing such an ominous statement. Nor did it prevent her knees from turning to jelly as he jerked her against his body and fitted his mouth to hers. Her hands, suspended in mid-air, went to his head in a trembling butterfly descent. The texture of his hair, the locks so cool and thick on the surface, so warm and damp at the roots, was too alluring to resist. She slid her fingers into the gleaming golden layers and pulled him even closer, helplessly reveling in the urgent pressure of his mouth. Their tongues mated, slid, stroked, and with each slippery-sweet caress inside the joined cavern of their mouths, she felt a hot coiling deep in her belly… no, deeper than that… in the tightening, liquefying core where she had once taken his invading flesh. It shocked her to realize how much she wanted him there again. She whimpered as he pulled away from her, while frustration washed over them both. “You didn’t say that I couldn’t kiss you,” Sebastian said, his eyes bright with devil-fire. “I’m going to kiss you as long and as often as I like, and you’re not to utter a word of protest. That’s the concession you’ll give in return for my celibacy. Damn you.” Giving her no time either to agree or to object, he released her and strode to the door. “And now, if you’ll excuse me… I’m going to go kill Joss Bullard.

In an age of casual, cynical, indifferent routine, among people who held themselves as if they were not flesh, but meat-Dagny's bearing seemed almost indecent, because this was the way a woman would have faced a ballroom centuries ago, when the act of displaying one's half-naked body for the admiration of men was an act of daring, when it had meaning, and but one meaning, acknowledged by all as a high adventure. And this-thought Mrs. Taggart, smiling-was the girl she had believed to be devoid of sexual capacity. She felt an immense relief, and a touch of amusement at the thought that a discovery of this kind should make her feel relieved. The relief lasted only for a few hours. At the end of the evening, she saw Dagny in a corner of the ballroom, sitting on a balustrade as if it were a fence rail, her legs dangling under the chiffon skirt as if she were dressed in slacks. She was talking to a couple of helpless young men, her face contemptuously empty.

After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.

Lucy never bought the reason for trimming the pot roast,” he recounted. Her mother had offered other reasonable explanations. The smaller end tended to be too fatty, for example. The bit they trimmed away always served up too bitter or too tough. Whatever the case, her mother had reasoned, this was how she’d been taught by her mother, Lucinda’s grandmother, so this was how she meant to teach her own daughter. “And still”—Foster shrugged and offered up both hands helplessly—“Lucinda insisted they call her grandmother and keep asking.” So they’d called Lucinda’s grandmother. A woman dead of cancer for three years now. And they’d asked why it was so important to trim the smaller end off the pot roast. Here he wound up to deliver the story’s payoff. “It wasn’t because the meat cooked unevenly or dried out,” he said. “It was because the only roasting pan they’d had—so long ago—had only been so-big.” A lesson in perpetuating a mistake across generations. A dozen valid reasons, all wrong.

As a person, Janice is of course more than her house; but it is also true that her house is an indicator of what it feels like to be Janice. And what it feels like to be Janice is to be asphyxiating, slowly and helplessly, under the crushing and ever-multiplying weight of the past and the present. I picture her here on this couch, curled into herself like a fern at 4 a.m. And though it must feel like a catacomb in that dark hour, and though every hour behind these blinds has been dark, the house is spinning with movement: mould is travelling up and down the walls, food is rotting, cans are rusting, water is dripping, insects are being born and they are living and dying, Janice's hair is growing, her heart is beating, she is breathing. Which is to say that this, too, is life. Like the creatures that swim in the perfect blackness of the ocean floor, the ecosystem here would be unrecognisable to most people but this, too, is our world. The Order of Things includes those who are excluded.

Colby’s resourceful, I’ll give him that.” “You used to be good friends.” “We were, until he started hanging around Cecily,” came the short reply. “I’m not as angry at him as I was. But it seems that he has to have a woman to prop him up.” “Not necessarily,” Matt replied. “Sometimes a good woman can save a bad man. It’s an old saying, but fairly true from time to time. Colby was headed straight to hell until Cecily put him on the right track. It’s gratitude, but I don’t think he can see that just yet. He’s in between mourning his ex-wife and finding someone to replace her.” He leaned back again. “I feel sorry for him. He’s basically a one-woman man, but he lost the woman.” Tate packed back to the wing chair and sat down on the edge. “He’s not getting Cecily. She’s mine, even if she doesn’t want to admit it.” Matt stared at him. “Don’t you know anything about women in love?” “Not a lot,” the younger man confessed. “I’ve spent the better part of my life avoiding them.” “Especially Cecily,” Matt agreed. “She’s been like a shadow. You didn’t miss her until you couldn’t see her behind you anymore.” “She’s grown away from me,” Tate said. “I don’t know how to close the gap. I know she still feels something for me, but she wouldn’t stay and fight for me.” He lifted his gaze to Matt’s hard face. “She’s carrying my child. I want both of them, regardless of the adjustments I have to make. Cecily’s the only woman I’ve ever truly wanted.” Matt spread his hands helplessly. “This is one mess I can’t help you sort out,” he said at last. “If Cecily loves you, she’ll give in sooner or later. If it were me, I’d go find her and tell her how I really felt. I imagine she’ll listen.” Tate stared at his shoes. He couldn’t find the right words to express what he felt. “Tate,” his father said gently, “you’ve had a lot to get used to lately. Give it time. Don’t rush things. I’ve found that life sorts itself out, given the opportunity.” Tate’s dark eyes lifted. “Maybe it does.” He searched the other man’s quiet gaze. “It’s not as bad as I thought it was, having a foot in two worlds. I’m getting used to it.” “You still have a unique heritage,” Matt pointed out. “Not many men can claim Berber revolutionaries and Lakota warriors as relatives.

You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.

And then he lifted his eyes from the chair to his bed. If this was his imagination, his imagination was glorious. Margaret lay on his coverlet, stretched out full length. She still wore a corset and petticoats, but they’d been hiked up so that he could see where her garters tied at the knees. She crooked one finger at him and smiled. “Margaret. What are you doing here?” “I,” she said, “have been procuring my future.” His mind went blank. He didn’t know how to take it. She’d decided to have him, after all. She’d realized she didn’t need him, not one bit. His head pounded. His heart swelled in a mix of hope and despair. “I want you.” Hope. Hope. It was all hope. He took a careful step towards her. “Wait. There’s a condition.” “You know,” Ash said, his throat closing, “that if you are half-naked on my bed, all conditions will be met. Instantly.” “Ah, but this is one of the conditions I did not deliver to Lord Lacy-Follett earlier today.” If he’d been overwhelmed by her appearance before, he was stunned now. “You talked to Lacy-Follett? You cannot be serious.” “Oh, but I am. I had to renegotiate, after I’d heard what you had done. I had been so blinded by my loyalty to my brothers that I could not see that I owed loyalty to you, as well. I was wrong. I love you, Ash.” He swallowed. She smiled up at him. “I love that you make me feel as if I’m the only woman in the world. I love that you’ll always be there for me.” She sat up on the bed, and her petticoats fell, so that only her toes peeked out at him from underneath those layers of fabric. “I want to paint my own canvas, Ash. And I want you on it with me.” Delicately, she stretched out one leg. Her foot flexed, and then her toes found the floor. He was helpless. Just seeing her push to her feet got him hard. And seeing her in his room—on his bed—made every part of him reverberate with the rightness of it.

If, when you say whiskey, you mean the devil’s brew, the poison scourge, the bloody monster that defiles innocence, yea, literally takes the bread from the mouths of little children; if you mean the evil drink that topples the Christian man and woman from the pinnacles of righteous, gracious living into the bottomless pit of degredation and despair, shame and helplessness and hopelessness, then certainly I am against it with all my power. But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.

...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her. As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty? What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last. But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has children, who enable her to continue feigning helplessness. As for the second - there are simply not enough young women to go around. It is a safe bet that, given the choice, man would trade in his grown-up child-wife for a younger model, but, as the ratio between the sexes is roughly equal, not every man can have a younger woman. And as he has to have a wife of some sort. he prefers to keep the one he already possesses. This is easy to prove. Given the choice, a man will always choose a younger woman.

It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience? We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face--when we know no harm of the possessor at least? A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versa with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised.

and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox

Everything else we shall destroy—everything. Already we are breaking down the habits of thought which have survived from before the Revolution. We have cut the links between child and parent, and between man and man, and between man and woman. No one dares trust a wife or a child or a friend any longer. But in the future there will be no wives and no friends. Children will be taken from their mothers at birth, as one takes eggs from a hen. The sex instinct will be eradicated. Procreation will be an annual formality like the renewal of a ration card. We shall abolish the orgasm. Our neurologists are at work upon it now. There will be no loyalty, except loyalty toward the Party. There will be no love, except the love of Big Brother. There will be no laughter, except the laugh of triumph over a defeated enemy. There will be no art, no literature, no science. When we are omnipotent we shall have no more need of science. There will be no distinction between beauty and ugliness. There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always—do not forget this, Winston—always there will be the intoxication of power, constantly increasing and constantly growing subtler. Always, at every moment, there will be the thrill of victory, the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face—forever.

emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a

Are you a relative of her late husband?” the woman asked. His eyes widened. “I beg your pardon?” “It must be so hard for her, pregnant and just widowed,” the middle-aged woman continued. “We’ve all done what we could to make her happy here. Mr. Johnson, the curator, is a widower himself. He’s already sweet on her. But you’re probably anxious to see Mrs. Peterson. Shall I ring her and let her know you’re coming?” Tate’s eyes were blazing. “No,” he said with forced politeness. “I want to surprise her!” He stalked out, leaving the rented vehicle where it was as he trudged through the small layer of snow and glared contemptuously at the cars sliding around in the street as they passed. This little bit of snow was nothing compared to the six-foot snowdrifts on the reservation. Southerners, he considered, must not get much winter precipitation if this little bit of white dust paralyzed traffic! As for Cecily’s mythical dead husband, he considered, going up the walkway to the small brick structure where she lived, he was about to make a startling, resurrected appearance! He knocked on the door and waited. There was an irritated murmur beyond the closed door and the sound of a lock being unfastened. The door opened and a wan Cecily looked straight into his eyes. He managed to get inside the screen door and catch her before she passed out. She came to on the sofa with Tate sitting beside her, smoothing back her disheveled hair. The nausea climbed into her throat and, fortunately, stayed there. She looked at him with helpless delight, wishing she could hide what the sight of him was doing to her after so many empty, lonely weeks. He didn’t speak. He touched her hair, her forehead, her eyes, her nose, her mouth, with fingers that seemed bent on memorizing her. Then his hands went to the robe carelessly fastened over her cotton nightdress and pushed it aside. He touched her belly, his face radiant as he registered the very visible and tangible signs of her condition. “When did we make him?” he asked without preamble. She felt her world dissolve. He knew about the baby. Of course. That was why he was here. He met her eyes, found hostility and bitter disillusionment in them. His hand pressed down over her belly. “I would have come even if I hadn’t known about the baby,” he said at once. “The baby is mine.” “And mine.” “Audrey is not getting her avaricious little hands on my child…!

You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.

A Remarkable Woman She is so exquisite Even without make-up on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her own worth being undermined She is attentive Nonetheless; no one pays attention to her needs She is patient No matter how long it takes, she waits She is giving While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken a countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires to rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of storms she faces sometimes She keeps moving forward Granting the hindrances along the way She does not look down on others Regardless of some doing so to her She recognizes those who shielded her on rainy days Whenever the sun shines upon her She keeps on running her race Because she knows for her, grace is abundant She puts a smile on, always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation True leader of economic revolution How the world aspires for such A remarkable woman!

His expression was perturbed, as if he’d been reminded of something he had wanted to forget. But as his gaze slid over her bewildered face, his mouth curved a little, and he settled into the cradle of her body with an insolent familiarity that temporarily robbed her of breath. “Mr. Rohan … how … why … what are you doing here?” He replied without moving, as if he were planning to lie there and converse all day. His infinitely polite tone was an unsettling contrast to the intimacy of their position. “Miss Hathaway. What a pleasant surprise. As it happens, I’m visiting friends. And you?” “I live here.” “I don’t think so. This is Lord Westcliff’s estate.” Her heart thundered in her breast as her body absorbed the details of him. “I didn’t mean precisely here, I meant over there, on the other side of the woods. The Ramsay estate. We’ve just taken up residence.” She couldn’t seem to stop herself from chattering in the aftermath of nerves and fright. “What was that noise? What were you doing? Why do you have that tattoo on your arm? It’s a pooka—an Irish creature—isn’t it?” That last question earned her an arrested stare. Before Rohan could reply, the other two men approached. From her prone position, Amelia had an upside-down view of them. Like Rohan, they were in their shirtsleeves, with waistcoats left unbuttoned. One of them was a portly old gentleman with a shock of silver hair. He held a small wood-and-metal sextant, which had been strung around his neck on a lanyard. The other, black-haired man looked to be in his late thirties. He wasn’t as tall as Rohan, but he had an air of authority tempered with aristocratic arrogance. Amelia made a helpless movement, and Rohan lifted away from her with fluid ease. He helped her stand, his arm steadying her. “How far did it go?” he asked the men. “Devil take the rocket,” came a gravelly reply. “What is the woman’s condition?” “Unharmed.” The silver-haired gentleman remarked, “Impressive, Rohan. You covered a distance of fifty yards in no more than five or six seconds.” “I would hardly miss a chance to leap on a beautiful woman,” Rohan said, causing the older man to chuckle.

Lucinda and Mr. Wiley were returning at last, and she ran to Lucinda, hastily stepping around the black horse, who laid his ears back evilly in warning. “Lucy!” she burst out while Lucinda waited calmly for Mr. Wiley to help her down. “Lucy! Disaster has struck.” “A moment, if you please, Elizabeth,” said the unflappable woman. “Whatever it is, it will surely wait until we’re inside and can be comfortable. I declare, I feel as if I were born atop this horse. You cannot imagine the time we had finding suitable servants…” Elizabeth scarcely heard the rest of what she was saying. In a torment of frantic helplessness she had to wait while Lucinda dismounted, limped into the house, and sat down upon the sofa. “Now then,” said Lucinda, flicking a speck of dust off her skirts, “what has happened?” Oblivious to the vicar, who was standing by the fireplace looking mystified and alarmed on her behalf, Elizabeth handed Lucinda the note. “Read this. It-it sounds as if he’s already accepted him.” As she read the brief missive Lucinda’s face turned an awful gray with two bright splotches of angry color standing out on her hollow cheeks. “He’d accept an offer from the devil,” Lucinda gritted wrathfully, “so long as he had a noble title and money. This shouldn’t come as a surprise.” “I was so certain I’d persuaded Belhaven that we couldn’t possibly suit!” Elizabeth almost wailed, twisting her blue skirt in her hands in her agitation. “I did everything, Lucy, everything I told you about, and more.” Agitation drove Elizabeth to her feet. “If we make haste, we can be home by the allotted time, and perhaps I can find a way to dissuade Uncle Julius.” Lucinda did not leap to her feet as Elizabeth did; she did not race for the stairs, dash into her room, and vent her helpless rage by slamming a door, as Elizabeth did. Her body rigid, Lucinda stood up very slowly and turned to the vicar. “Where is he?” she snapped. “Ian?” the vicar said distractedly, alarmed by her pallid color. “He’s gone hunting.” Deprived of her real prey, Lucinda unleashed her fury upon the hapless vicar instead. When she finished her tirade she hurled the crumpled note into the cold fireplace and said in a voice that shook with wrath, “When that spawn of Lucifer returns, you tell him that if he ever crosses my path, he’d better be wearing a suit of armor!” So saying, she marched upstairs.

Crimson silk sheets. I’m in her and she’s looking at me like I’m her world. The woman undoes me. I flinch. I’m having sex with me, seeing myself from his eyes. I look incredible naked—is that how he sees me? He doesn’t see any of my flaws. I’ve never looked half as good to myself. I want to pull out. It feels perverse. I’m fascinated. But this was not what I was hunting for at all . . . Where are the handcuffs? Ah, grab her fucking head, she’s going down on me again. She’ll make me come. Tie her up. Is she back? How much longer do I have? He senses me there. Get out of my HEAD! I deepen the kiss, bite his tongue, and he is violent with lust. I take advantage, diving deep. There’s a thought he’s shielding. I want it. Nobody home but She for Whom I am the World. Can’t go on like this, can’t keep doing it. Why couldn’t he go on? What couldn’t he keep doing? I’m having sex with him, any way he wants me, while I stare up at him with utter worship. Where was the problem there? Weariness suddenly crashes over me. I’m in his body, and I’m coming beneath him, and I’m checking my eyes warily. What the fuck am I doing here? He knew what he was, what I was. He knew we came from different worlds, didn’t belong together. Yet for a few months there’d been no lines of demarcation between us. We’d existed in a place beyond definitions, where no rules had mattered, and I wasn’t the only one who’d reveled in it. But the entire time I’d been lost in sexual bliss, he’d been aware of time passing, of everything that was happening—that I was mindless, I wasn’t willing, and when I snapped out of it I’d blame him. Keep hoping to see the light in her eyes. Even knowing it’ll mean she’s saying good-bye. I had. Irrational or not, I’d held it against him. He’d seen me naked, body and soul, and I hadn’t seen him at all. I’d been blinded by helpless lust that hadn’t been for him. I had been lust, and he’d been there. Just one time, he’s thinking as we watch my glazed eyes go even emptier. One time, what? Instead of pushing, I try a stealth attack. I pretend to retreat, let him think he’s won, and at the last minute turn around. Instead of lunging for his thoughts, I stay very, very still and listen. He pushes my hair out of my face. I look like an animal. There’s no sentience in my gaze. I’m a cavewoman, with a miniscule, pre-historic brain. When you know who I am. Let me be your man.

All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.

He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes. Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked. “I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.” Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.” “There is,” she said unsteadily, “such a thing as birth control.” His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?” It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so. “No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.” “I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously. His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.” “Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting. His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket. “You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.” She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man. She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions. “You could kiss me,” she whispered unsteadily, “just to see how it feels.” He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will. “Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise. His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached. “Cecily, you little fool,” he ground out. Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…

He was known by three names. The official records have the first one: Marcos Maria Ribeira. And his official data. Born 1929. Died 1970. Worked in the steel foundry. Perfect safety record. Never arrested. A wife, six children. A model citizen, because he never did anything bad enough to go on the public record. The second name he had was Marcao. Big Marcos. Because he was a giant of a man. Reached his adult size early in his life. How old was he when he reached two meters? Eleven? Definitely by the time he was twelve. His size and strength made him valuable in the foundry,where the lots of steel are so small that much of the work is controlled by hand and strength matters. People's lives depended on Marcao's strength. His third name was Cao. Dog. That was the name you used for him when you heard his wife, Novinha, had another black eye, walked with a limp, had stitches in her lip. He was an animal to do that to her. Not that any of you liked Novinha. Not that cold woman who never gave any of you good morning. But she was smaller than he was, and she was the mother of his children, and when he beat her, he deserved the name of Cao. Tell me, is this the man you knew? Spent more hours in the bars than anyone but never made any friends there, never the camaraderie of alcohol for him. You couldn't even tell how much he had been drinking. He was surly and short-tempered before he had a drink and he was surly and short-tempered right before he passed out-nobody could tell the difference. You never heard of him having a friend, and none of you was ever glad to see him come into a room. That's the man you knew, most of you. Cao. Hardly a man at all. A few men, the men from the foundry in Bairro das Fabricados, knew him as a strong arm as they could trust. They knew he never said he could do more than he could do and he always did what he said he would do. You could count on him. So, within the walls of the foundry, he had their respect. But when you walked out of the door, you treated him like everybody else-ignored him, thought little of him. Some of you also know something else that you never talk about much. You know you gave him the name Cao long before he earned it. You were ten, eleven, twelve years old. Little boys. He grew so tall. It made you ashamed to be near him. And afraid, because he made you feel helpless. So you handled him the way human beings always handle things that are bigger than they are. You banded together. Like hunters trying to bring down a mastodon. Like bullfighters trying to weaken a giant bull to prepare it for the kill. Pokes, taunts, teases. Keep him turning around. He can't guess where the next blow was coming from. Prick him with barbs that stay under his skin. Weaken him with pain. Madden him. Because big as he is, you can make him do things. You can make him yell. You can make him run. You can make him cry. See? He's weaker than you after all. There's no blame in this. You were children then, and children are cruel without knowing better. You wouldn't do that now. But now that I've reminded you, you can clearly see an answer. You called him a dog, so he became one. For the rest of his life, hurting helpless people. Beating his wife. Speaking so cruelly and abusively to his son, Miro, that it drove the boy out of his house. He was acting the way you treated him, becoming what you told him he was. But the easy answer isn't true. Your torments didn't make him violent - they made him sullen. And when you grew out of tormenting him, he grew out of hating you. He wasn't one to bear a grudge. His anger cooled and turned into suspicion. He knew you despised him; he learned to live without you. In peace. So how did he become the cruel man you knew him to be? Think a moment. Who was it that tasted his cruelty? His wife. His children. Some people beat their wife and children because they lust for power, but are too weak or stupid to win power in the world.

Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.

When he reached the doorman, he stopped. “Did you see Miss Christian come in a few minutes ago?” The doorman nodded. “Yes, sir. She got here just before you arrived.” Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment. “Kelly? Kelly, honey, where are you?” Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes. She’d been crying. “I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.” “Kelly…” Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself. “I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.” She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears. “And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.” She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks. “Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.” He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?” “I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.” He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.” It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.” The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe. “You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.” He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room. “I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.