Helping Hands Quotes

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For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ... We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them.
Sam Levenson (In One Era & Out the Other)
Drowning yourself won't help, she told herself sternly. Now, drowning Will, on the other hand...
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Remember, if you ever need a helping hand, it's at the end of your arm, as you get older, remember you have another hand: The first is to help yourself, the second is to help others.
Sam Levenson
Dare to Be When a new day begins, dare to smile gratefully. When there is darkness, dare to be the first to shine a light. When there is injustice, dare to be the first to condemn it. When something seems difficult, dare to do it anyway. When life seems to beat you down, dare to fight back. When there seems to be no hope, dare to find some. When you’re feeling tired, dare to keep going. When times are tough, dare to be tougher. When love hurts you, dare to love again. When someone is hurting, dare to help them heal. When another is lost, dare to help them find the way. When a friend falls, dare to be the first to extend a hand. When you cross paths with another, dare to make them smile. When you feel great, dare to help someone else feel great too. When the day has ended, dare to feel as you’ve done your best. Dare to be the best you can – At all times, Dare to be!
Steve Maraboli (Life, the Truth, and Being Free)
Always have a willing hand to help someone, you might be the only one that does.
Roy T. Bennett (The Light in the Heart)
I don't want to live in the kind of world where we don't look out for each other. Not just the people that are close to us, but anybody who needs a helping hand. I cant change the way anybody else thinks, or what they choose to do, but I can do my bit.
Charles de Lint
Mackenzie raises her hand proudly. “I have a bagina.” I smirk. “Yes, you do sweetheart. And someday, it’s gonna help you rule the world.
Emma Chase (Tangled (Tangled, #1))
He cleared his throat and held up one hand dramatically. “Green grass breaks through snow. Artemis pleads for my help. I am so cool.” He grinned at us, waiting for applause. "That last line was four syllables.” Artemis said. Apollo frowned. “Was it?” “Yes. What about I am so bigheaded?” “No, no, that’s six syllable, hhhm.” He started muttering to himself. Zoe Nightshade turned to us. “Lord Apollo has been going through this haiku phase ever since he visited Japan. Tis not as bad as the time he visited Limerick. If I’d had to hear one more poem that started with, There once was a godess from Sparta-" “I’ve got it!” Apollo announced. “I am so awesome. That’s five syllables!” He bowed, looking very pleased with himself.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
There is nothing more beautiful than someone who goes out of their way to make life beautiful for others.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Her cheek against the moss, the young princess she had been - Aelin Galathynius - reached a hand for her. 'Get up', she said softly.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Do not ask your children to strive for extraordinary lives. Such striving may seem admirable, but it is the way of foolishness. Help them instead to find the wonder and the marvel of an ordinary life. Show them the joy of tasting tomatoes, apples and pears. Show them how to cry when pets and people die. Show them the infinite pleasure in the touch of a hand. And make the ordinary come alive for them. The extraordinary will take care of itself.
William Martin (The Parent's Tao Te Ching: Ancient Advice for Modern Parents)
Love is not patronizing and charity isn't about pity, it is about love. Charity and love are the same -- with charity you give love, so don't just give money but reach out your hand instead.
Mother Teresa
If nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of that—warm things, kind things, sweet things—help and comfort and laughter—and sometimes gay, kind laughter is the best help of all.
Frances Hodgson Burnett (A Little Princess)
If you need a helping hand, you can find one at the end of your arm.
Katharine Hepburn
I know I’m just a human woman, but so help me, if anything happens to her while she’s with you—” “I assure you she’ll be in good hands.” “Mm-hm, that’s part of what I’m worried about.” She pointed at his hands. “Hands off, mister.
Wendy Higgins (Sweet Evil (Sweet, #1))
You never called me back," he said. "I called you so many times and you never called me back." Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have been broken, and the streets are full of demons. And you want to know why I haven't called you?" Alec set his jaw in a stubborn line. "I want to know why you haven't called me back." Magnus threw his hands up in the air in a gesture of utter exasperation. Alec noted with interest that when he did it, a few sparks escaped from his fingertips, like fireflies escaping from a jar. "You're an idiot." "Is that why you haven't called me? Because I'm an idiot?" "No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else - someone, incidentally, who will never love you back. Not the way I do." "You love me?" "You stupid Nephilim," Magnus said patiently. "Why else am I here? Why else would I have spent the past few weeks patching up all your moronic friends every time they got hurt? And getting you out of every ridiculous situation you found yourself in? Not to mention helping you win a battle against Valentine. And all completely free of charge!
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
What are you doing?” “What?” Emrys didn’t raise his voice as he said, “To that girl. What are you doing that makes her come in here with such emptiness in her eyes?” “That’s none of your concern.” Emrys pressed his lips into a tight line. “What do you see when you look at her, Prince?” He didn’t know. These days, he didn’t know a damn thing. “That’s none of your concern, either.” Emrys ran a hand over his weathered face. “I see her slipping away, bit by bit, because you shove her down when she so desperately needs someone to help her back up.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I can't sit still and see another man slaving and working. I want to get up and superintend, and walk round with my hands in my pockets, and tell him what to do. It is my energetic nature. I can't help it.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
She held up her calloused, grimy fingers. Leo couldn't help thinking there was nothing hotter than a girl who didn't mind getting her hands dirty. But of course, that was just a general comment. Didn't apply to Calypso. Obviously.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Nobody loves me, nobody cares, Nobody picks me peaches and pears. Nobody offers me candy and Cokes, Nobody listens and laughs at me jokes. Nobody helps when I get into a fight, Nobody does all my homework at night. Nobody misses me, Nobody cries, Nobody thinks I'm a wonderful guy. So, if you ask me who's my best friend, in a whiz, I'll stand up and tell you NOBODY is! But yesterday night I got quite a scare I woke up and Nobody just WASN'T there! I called out and reached for Nobody's hand, In the darkness where Nobody usually stands, Then I poked through the house, in each cranny and nook, But I found SOMEBODY each place that I looked. I seached till I'm tired, and now with the dawn, There's no doubt about it- NOBODY'S GONE!!
Shel Silverstein
Percy, let me go" she croaked. "You can't pull me up." His face was white with effort. She could see in his eyes that he knew it was hopeless. "Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico! We'll see you there. Understand?" Nico's eyes widened. "But-" "Lead them!" Percy shouted. "Promise me!" "I-I will." Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess. Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome. "We're staying together," he promised. "You're not getting away from me. Never again." Only then did she understand what would happen. A one-way trip. A very hard fall. "As long as we're together," she said. She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see. Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
My mother made a squeaking sound that might of been either "yes" or "help". Poseidon took it as a yes and came in. Paul was looking back and forth between us, trying to read our expressions. Finally he stepped forward. "Hi, I'm Paul Blofis." Poseidon raised an eyebrow and then shook his hand. "Blowfish, did you say?" "Ah, no. Blofis, actually." "Oh, I see," Poseidon said. "A shame. I quite like blowfish. I am Poseidon." "Poseidon? That's an interesting name." "Yes, I like it. I've gone by other names, but I do prefer Poseidon." "Like the god of the sea." "Very much like that, yes" "Well!" My mother interrupted. "Um, were so glad you could drop by. Paul, this is Percy's father." "Ah." Paul nodded, though he didn't look real pleased. "I see." Poseidon smiled at me. "There you are, my boy. And Tyson, hello, son!" "Daddy!" Tyson [shouted]... Paul's jaw dropped. He stared at my mother. "Tyson is..." "Not mine," she promised. "It's a long story.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands? He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.
Ray Bradbury (Fahrenheit 451)
All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
Many are the strange chances of the world,' said Mithrandir, 'and help oft shall come from the hands of the weak when the Wise falter.
J.R.R. Tolkien (The Silmarillion)
I know you don't want this, Katsa. But I can't help myself. The moment you came barreling into my life I was lost. I'm afraid to tell you what I wish for, for fear you'll... oh, I don't know, throw me into the fire. Or more likely, refuse me. Or worst of all, despise me," he said, his voice breaking and his eyes dropping from her face. His face dropping into his hands. "I love you," he said. "You're more dear to my heart than I ever knew anyone could be. And I've made you cry; and there I'll stop.
Kristin Cashore (Graceling (Graceling Realm, #1))
When you're too religious, you tend to point your finger to judge instead of extending your hand to help.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
Dear God, I am so afraid to open my clenched fists! Who will I be when I have nothing left to hold on to? Who will I be when I stand before you with empty hands? Please help me to gradually open my hands and to discover that I am not what I own, but what you want to give me.
Henri J.M. Nouwen (The Only Necessary Thing: Living a Prayerful Life)
What does love look like? It has the hands to help others. It has the feet to hasten to the poor and needy. It has eyes to see misery and want. It has the ears to hear the sighs and sorrows of men. That is what love looks like.
Augustine of Hippo (Confessions)
Fang’s hand gently smoothed my hair off my neck. My breath froze in my chest, and every sense seemed hyperalert. His hand stroked my hair again, so softly, and then trailed across my neck and shoulder and down my back, making me shiver. I looked up. 'What the heck are you doing?' 'Helping you change your mind,' he whispered, and then he leaned over, tilted my chin up, and kissed me.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Daemon!" Dee called from the kitchen. "I need your help!" "We should go see what she's doing before she destroys your kitchen." He rubbed his hands down his face. "It's possible.
Jennifer L. Armentrout (Obsidian (Lux, #1))
I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. Now the skillful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.
Audrey Hepburn
Ronan's smile was sharp and hooked as one of the creature's claws. "'A sword is never a killer; it is a tool in the killer's hand'." "I can't believe Noah didn't stick around to help." "Sure you can. Never trust the dead.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
One of the greatest barriers to connection is the cultural importance we place on "going it alone." Somehow we've come to equate success with not needing anyone. Many of us are willing to extend a helping hand, but we're very reluctant to reach out for help when we need it ourselves. It's as if we've divided the world into "those who offer help" and "those who need help." The truth is that we are both.
Brené Brown (The Gifts of Imperfection)
What's with the beard and the horse mane? You look like Rent-a-Villain." The volhv's eyes widened. He raised his hand at me. "Well you don't look... female... in your pants." "That's a hell of an insult. Did you think of it all by yourself or did you ask your god for help?
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Love people who hate you. Pray for people who have wronged you. It won’t just change their life…it’ll change yours.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
The hands that help are better far than lips that pray.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. IV)
There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that as as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands. It had a playful side too, as it enjoyed the crowd, tossed the children about, knocked lilos over, tipped over windsurfers, occasionally gave sailors helping hands; all done with a secret little chuckle
Cecelia Ahern (The Gift)
How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us. So you must not be frightened if a sadness rises up before you larger than any you have ever seen; if a restiveness, like light and cloudshadows, passes over your hands and over all you do. You must think that something is happening with you, that life has not forgotten you, that it holds you in its hand; it will not let you fall. Why do you want to shut out of your life any uneasiness, any miseries, or any depressions? For after all, you do not know what work these conditions are doing inside you.
Rainer Maria Rilke (Letters to a Young Poet)
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
Laurie Halse Anderson (Speak)
Wolf, are you asking me to be ... your alpha female?" He hesitated. Scarlet couldn't help it - she burst into laughter. "Oh - I'm sorry. That was mean. I know I shouldn't tease you about this." Still grinning, she made to retract her hand, but he was suddenly gripping it, refusing to relinquish the touch. "You just look so scared, like I'm going to disappear any minute. We're stuck on a spaceship, Wolf. I'm not going anywhere." His lips twitched, his nervousness beginning to ease away, though his hand stayed tense over hers. "Alpha female," he murmured. "I sort of like that." Beaming, Scarlet gave a mild shrug. "It could grow on me.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
...the sea's only gifts are harsh blows and, occasionally, the chance to feel strong. Now, I don't know much about the sea, but I do know that that's the way it is here. And I also know how important it is in life not necessarily to be strong but to feel strong, to measure yourself at least once, to find yourself at least once in the most ancient of human conditions, facing blind, deaf stone alone, with nothing to help you but your own hands and your own head...
Primo Levi
I'm not ill like that,” she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help. “Then it what way?” “I,uh...” Her face was so hot she thought it would melt onto the floor. Oh you idiot. “My monthly cycles finally came back!” His face suddenly matched hers and he stepped away, dragging his hand through his short hair. “I-if...Then I'll take my leave,” he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
There are four things that lead to wisdom. You ready for them?' She nodded, wondering when the police work would begin. "They are four sentences we learn to say, and mean." Gamache held up his hand as a fist and raised a finger with each point. "I don't know. I need help. I'm sorry. I was wrong'.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The sea's only gifts are harsh blows, and occasionally the chance to feel strong. Now I don't know much about the sea, but I do know that that's the way it is here. And I also know how important it is in life not necessarily to be strong but to feel strong. To measure yourself at least once. To find yourself at least once in the most ancient of human conditions. Facing the blind death stone alone, with nothing to help you but your hands and your own head.
Jon Krakauer (Into the Wild)
In life man commits himself and draws his own portrait, outside of which there is nothing. No doubt this thought may seem harsh to someone who has not made a success of his life. But on the other hand, it helps people to understand that reality alone counts, and that dreams, expectations and hopes only serve to define a man as a broken dream, aborted hopes, and futile expectations.
Jean-Paul Sartre (Existentialism is a Humanism)
I had to stop hoping so much that a ship would rescue me. I should not count on outside help. Survival had to start with me. In my experience, a castaway’s worst mistake is to hope too much and to do too little. Survival starts by paying attention to what is close at hand and immediate. To look out with idle hope is tantamount to dreaming one’s life away.
Yann Martel (Life of Pi)
there’s nothing to discuss there’s nothing to remember there’s nothing to forget it’s sad and it’s not sad seems the most sensible thing a person can do is sit with drink in hand as the walls wave their goodbye smiles one comes through it all with a certain amount of efficiency and bravery then leaves some accept the possibility of God to help them get through others take it staight on and to these I drink tonight.
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.
Andrea Gibson (The Madness Vase)
Why do you wear gloves, Mister Brekker?" Kaz raised a brow. "I'm sure you've heard the stories." "Each more grotesque than the last." Kaz had heard them, too. Brekker's hands were stained with blood. Brekker's hands were covered in scars. Brekker had claws and not fingers because he was part demon. Brekker's touch burned like brimstone - a single brush of his bare skin caused your flesh to wither and die. "Pick one," Kaz said as he vanished into the night, thoughts already turning to thirty million kruge and the crew he'd need to help him get it. "They're all true enough.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The pretty ones are usually unhappy. They expect everyone to be enamored of their beauty. How can a person be content when their happiness lies in someone else's hands, ready to be crushed at any moment? Ordinary-looking people are far superior, because they are forced to actually work hard to achieve their goals, instead of expecting people to fall all over themselves to help them.
J. Cornell Michel (Jordan's Brains: A Zombie Evolution)
Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. “How—," he said. “Does it come off?" Tessa couldn't help herself; despite everything, she giggled. “It laces," she whispered. “In the back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The Christian says, 'Creatures are not born with desires unless satisfaction for those desires exists. A baby feels hunger: well, there is such a thing as food. A duckling wants to swim: well, there is such a thing as water. Men feel sexual desire: well, there is such a thing as sex. If I find in myself a desire which no experience in this world can satisfy, the most probable explanation is that I was made for another world. If none of my earthly pleasures satisfy it, that does not prove that the universe is a fraud. Probably earthly pleasures were never meant to satisfy it, but only to arouse it, to suggest the real thing. If that is so, I must take care, on the one hand, never to despise, or to be unthankful for, these earthly blessings, and on the other, never to mistake them for the something else of which they are only a kind of copy, or echo, or mirage. I must keep alive in myself the desire for my true country, which I shall not find till after death; I must never let it get snowed under or turned aside; I must make it the main object of life to press on to that country and to help others to do the same.
C.S. Lewis (Mere Christianity)
Love Sorrow Love sorrow. She is yours now, and you must take care of what has been given. Brush her hair, help her into her little coat, hold her hand, especially when crossing a street. For, think, what if you should lose her? Then you would be sorrow yourself; her drawn face, her sleeplessness would be yours. Take care, touch her forehead that she feel herself not so utterly alone. And smile, that she does not altogether forget the world before the lesson. Have patience in abundance. And do not ever lie or ever leave her even for a moment by herself, which is to say, possibly, again, abandoned. She is strange, mute, difficult, sometimes unmanageable but, remember, she is a child. And amazing things can happen. And you may see, as the two of you go walking together in the morning light, how little by little she relaxes; she looks about her; she begins to grow.
Mary Oliver (Red Bird)
Then out spake brave Horatius, The Captain of the gate: ‘To every man upon this earth Death cometh soon or late. And how can man die better Than facing fearful odds, For the ashes of his fathers, And the temples of his Gods, ‘And for the tender mother Who dandled him to rest, And for the wife who nurses His baby at her breast, And for the holy maidens Who feed the eternal flame, To save them from false Sextus That wrought the deed of shame? ‘Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me? Then out spake Spurius Lartius; A Ramnian proud was he: ‘Lo, I will stand at thy right hand, And keep the bridge with thee.’ And out spake strong Herminius; Of Titian blood was he: ‘I will abide on thy left side, And keep the bridge with thee.’ ‘Horatius,’ quoth the Consul, ‘As thou sayest, so let it be.’ And straight against that great array Forth went the dauntless Three. For Romans in Rome’s quarrel Spared neither land nor gold, Nor son nor wife, nor limb nor life, In the brave days of old. Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old. Now Roman is to Roman More hateful than a foe, And the Tribunes beard the high, And the Fathers grind the low. As we wax hot in faction, In battle we wax cold: Wherefore men fight not as they fought In the brave days of old.
Thomas Babington Macaulay (Horatius)
As he vomited, he felt, though did not see, V come over. Forcing his head up, Butch groaned, "Help me..." I'm going to, trahyner. Give me your hand." As Butch held his palm up in despair, Vishous whipped off his glove and grabbed on good and hard. V's energy, that beautiful, white light, poured down Butch's arm and ripped through him in a blast, cleansing, renewing. United by their clasped hands, they became again the two halves, the light and the dark. The Destroyer and the Savior. A whole.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
I close my eyes and I let my body shut itself down and I let my mind wander. It wanders to a familiar place. A place I don’t talk about or acknowledge exists. A place where there is only me. A place that I hate. I am alone. Alone here and alone in the world. Alone in my heart and alone in my mind. Alone everywhere, all the time, for as long as I can remember. Alone with my Family, alone with my friends, alone in a Room full of People. Alone when I wake, alone through each awful day, alone when I finally meet the blackness. I am alone in my horror. Alone in my horror. I don’t want to be alone. I have never wanted to be alone. I fucking hate it. I hate that I have no one to talk to, I hate that I have no one to call, I hate that I have no one to hold my hand, hug me, tell me everything is going to be all right. I hate that I have no one to share my hopes and dreams with, I hate that I no longer have any hopes or dreams, I hate that I have no one to tell me to hold on, that I can find them again. I hate that when I scream, and I scream bloody murder, that I am screaming into emptiness. I hate that there is no one to hear my scream and that there is no one to help me learn how to stop screaming. . . More than anything, all I have ever wanted is to be close to someone. More than anything, all I have ever wanted is to feel as if I wasn’t alone.
James Frey (A Million Little Pieces)
It's your call," he said softly, "but whatever you decide, I'll help you." He placed a soft, warm hand at the back of her neck and Laurel's breath caught in her chest. "Whatever you need, I'll be. If you need the science geek to give you answers from a textbook, I'm your guy; if you just want a friend to sit by you in bio and help you feel better when you're sad, I'm still your guy." His thumb slowly stroked across her earlobe and down her cheek. "And if you need someone to hold you and protect you from anyone in the world who might want to hurt you, then I am definitely your guy." His pale-blue eyes bore into hers, and for a second she couldn't breath. "But it's all up to you," he whispered.
Aprilynne Pike (Wings (Wings, #1))
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
Half way down, he encountered Saphira, who had jammed her head and neck as far up the stair as she could, gouging the wood in her frenzy. Little one. She flicked out her tongue and caught him on the hand with its rough tip. He smiled. Then she arched her neck and tried to pull back, but to no avail. What's wrong? I'm stuck. You're... He could not help it;he laughed even though it hurt. The situation was too absurd.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
The funny thing about mundies," Jace said, to nobody in particular, "is how obsessed with magic they are for a bunch of people who don't even know what the word means." I know what it means," Clary snapped. No, you don't, you just think you do. Magic is a dark elemental force, not just a lot of sparkly wands and crystal balls and talking goldfish." I never said it was a lot of talking goldfish, you-" Jace waved a hand, cutting her off. "Just because you call an electric eel a rubber duck doesn't make it a rubber duck, does it? And God help the poor bastard who decides they want to take a bath with the duckie.
Cassandra Clare
I'd heard of Evergreen Care Center before. Cass and I had always made fun of the stupid ads they ran on TV, featuring some dragged-out woman with a limp perm and big, painted-on circles under her eyes, downing vodka and sobbing uncontrollably. "We can't heal you at Evergreen", the very somber voiceover said. "But we can help you to heal yourself." It had become our own running joke, applicable to almost anything. "Hey Cass, "I'd say, "hand me that toothpaste." "Caitlin," she'd say, her voice dark and serious. "I can't hand you the toothpaste. But I CAN help you hand the toothpaste to yourself.
Sarah Dessen (Dreamland)
I have realized that part of being Dauntless is being willing to make things more difficult for yourself in order to be self-sufficient. There's nothing especially brave about wandering dark streets with no flashlight, but we are not supposed to need help, even from light. We are supposed to be capable of anything. I like that. Because there might come a day when there is no flashlight, there is no gun, there is no guiding hand. And I want to be ready.
Veronica Roth (Divergent (Divergent, #1))
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time." An hour later, he had his answer. "Not practicing, huh?" "Ow,” I groaned, momentarily incapable of normal speech. He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times. "I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow. "You’d hate me more if I held back." "Yeah, that’s true," I agreed, staggering along as the class put the equipment back. "You actually did okay." "What? I just had my ass handed to me." "Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly. "Did I mention I hate you?” He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—" "They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue. "Extra sessions with who?" "That tall guy. Dimitri." Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?" "Yeah, so what?" "So the man is a god." "Exaggerate much?" I asked. "No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you." Great. Something else to improve my day.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
If someone told me that I could live my life again free of depression provided I was willing to give up the gifts depression has given me--the depth of awareness, the expanded consciousness, the increased sensitivity, the awareness of limitation, the tenderness of love, the meaning of friendship, the apreciation of life, the joy of a passionate heart--I would say, 'This is a Faustian bargain! Give me my depressions. Let the darkness descend. But do not take away the gifts that depression, with the help of some unseen hand, has dredged up from the deep ocean of my soul and strewn along the shores of my life. I can endure darkness if I must; but I cannot lie without these gifts. I cannot live without my soul.' (p. 188)
David Elkins (Beyond Religion: A Personal Program for Building a Spiritual Life Outside the Walls of Traditional Religion)
If you want to know what's in motherhood for you, as a woman, then - in truth - it's nothing you couldn't get from, say, reading the 100 greatest books in human history; learning a foreign language well enough to argue in it; climbing hills; loving recklessly; sitting quietly, alone, in the dawn; drinking whisky with revolutionaries; learning to do close-hand magic; swimming in a river in winter; growing foxgloves, peas and roses; calling your mum; singing while you walk; being polite; and always, always helping strangers. No one has ever claimed for a moment that childless men have missed out on a vital aspect of their existence, and were the poorer, and crippled by it.
Caitlin Moran (How to Be a Woman)
I want to help you,' I say to Juliet, though I know that I can't make her understand, not like this. 'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?' I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right. I am not afraid. Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful. 'It's too late,' she says. And I say, 'It's never too late.
Lauren Oliver (Before I Fall)
Look. I don’t want to push you into anything, but do you maybe want to —” “Call Magnus? Look, that’s a dead end, I know you’re trying to be helpful, but —” “—kiss me?” Jace finished. Alec looked as if he were about to fall off his chair. “WHAT? What? What?” “Once what would do.” Jace did his best to look as if this were the sort of suggestion one made all the time. “I think it might help.” Alec looked at him with something like horror. “You don’t mean that.” “Why wouldn’t I mean it?” “Because you’re the straightest person I know. Possibly the straightest person in the universe.” “Exactly,” Jace said, and leaned forward, and kissed Alec on the mouth. The kiss lasted approximately four seconds before Alec pulled forcefully away, throwing his hands up as if to ward Jace off from coming at him again. He looked as if he were about to throw up. “By the Angel,” he said. “Don’t ever do that again.” “Oh yeah?” Jace grinned, and almost meant it. “That bad?” “Like kissing my brother,” said Alec, with a look of horror in his eyes. “I thought you might feel that way.” Jace crossed his arms over his chest. “Also, I’m hoping we can just gloss over all the irony in what you just said.” “We can gloss over whatever you want to,” Alec said fervently. “Just don’t kiss me again.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
But you are not,” Magnus said. “He is not dead, Will. He lives because you let him go. He would have stayed with you and died, if you had asked it, but you loved him enough to prefer that he live, even if that life is separate from yours. And that above all things proves that you are not Sydney Carton, Will, that yours is not the kind of love that can be redeemed only through destruction. It is what I saw in you, what I have always seen in you, what made me want to help you. That you are not despairing. That you have in you an infinite capacity for joy.” He put one gloved hand under Will’s chin and lifted Will’s face. There were not many people Will had to raise his head to look in the eye, but Magnus was one. “Bright star,” Magnus said, and his eyes were thoughtful, as if he were remembering something, or someone. “Those of you who are mortal, you burn so fiercely. And you fiercer than most, Will. I will not ever forget you.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
My main goal is to stay alive. To keep fooling myself into hanging around. To keep getting up every day. Right now I live without inspiration. I go day to day and do the work because it's all I know. I know that if I keep moving I stand a chance. I must keep myself going until I find a reason to live. I need one so bad. On the other hand maybe I don't. Maybe it's all bullshit. Nothing I knew from my old life can help me here. Most of the things that I believed turned out to be useless. Appendages from someone else's life. Everything I have I would give to not know what I know. To not feel emptiness as my constant companion. To not look into this room and be reminded why I'm in it. I'm not getting enough air. The room feels so small all of a sudden. It's pathetic to be this lonely and know it. To keep breathing. To be silent and alone. And to know.
Henry Rollins (Roomanitarian)
I therefore hate the corrupt, slaveholding, women-whipping, cradle-plundering, partial and hypocritical Christianity of the land... I look upon it as the climax of all misnomers, the boldest of all frauds, and the grossest of all libels. Never was there a clearer case of 'stealing the livery of the court of heaven to serve the devil in.' I am filled with unutterable loathing when I contemplate the religious pomp and show, together with the horrible inconsistencies, which every where surround me. We have men-stealers for ministers, women-whippers for missionaries, and cradle-plunderers for church members. The man who wields the blood-clotted cowskin during the week fills the pulpit on Sunday, and claims to be a minister of the meek and lowly Jesus. . . . The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave-trade go hand in hand together. The slave prison and the church stand near each other. The clanking of fetters and the rattling of chains in the prison, and the pious psalm and solemn prayer in the church, may be heard at the same time. The dealers in the bodies of men erect their stand in the presence of the pulpit, and they mutually help each other. The dealer gives his blood-stained gold to support the pulpit, and the pulpit, in return, covers his infernal business with the garb of Christianity. Here we have religion and robbery the allies of each other—devils dressed in angels’ robes, and hell presenting the semblance of paradise.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
The Word we study has to be the Word we pray. My personal experience of the relentless tenderness of God came not from exegetes, theologians, and spiritual writers, but from sitting still in the presence of the living Word and beseeching Him to help me understand with my head and heart His written Word. Sheer scholarship alone cannot reveal to us the gospel of grace. We must never allow the authority of books, institutions, or leaders to replace the authority of *knowing* Jesus Christ personally and directly. When the religious views of others interpose between us and the primary experience of Jesus as the Christ, we become unconvicted and unpersuasive travel agents handing out brochures to places we have never visited.
Brennan Manning (The Ragamuffin Gospel)
I’ll make one more promise,” she said, folding her bloodied hand into a fist as she lowered it before them. Darrow tensed. Her blood dripped onto the sacred soil of Terrasen, and her smile turned lethal. Even Aedion held his breath beside her. Aelin said, “I promise you that no matter how far I go, no matter the cost, when you call for my aid, I will come. I promise you on my blood, on my family’s name, that I will not turn my back on Terrasen as you have turned your back on me. I promise you, Darrow, that when the day comes and you crawl for my help, I will put my kingdom before my pride and not kill you for this. I think the true punishment will be seeing me on the throne for the rest of your miserable life.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
-We need more love, to supersede hatred, -We need more strength, to resist our weaknesses, -We need more inspiration, to lighten up our innermind. -We need more learning, to erase our ignorance, -We need more wisdom, to live longer and happier, -We need more truths, to suppress deceptions, -We need more health, to enjoy our wealth, -We need more peace, to stay in harmony with our brethren -We need more smiles, to brighten up our day, -We need more hero's, and not zero's, -We need more change of ourselves, to change the lives of others, -We need more understanding, to tackle our misunderstanding, -We need more sympathy, not apathy, -We need more forgiveness, not vengeance, -We need more humility to be lifted up, -We need more patience and not undue eagerness, -We need more focus, to avoid distraction, -We need more optimism, not pessimism -We need more justice, not injustice, -We need more facts, not fiction, -We need more education, to curb illiteracy, -We need more skills, not incompetence, -We need more challenges, to make attempts, -We need more talents, to create the extraordinary, -We need more helping hands, not stingy folks, -We need more efforts, not laziness, -We need more jokes, to forget our worries, -We need more spirituality, not mean religion, -We need more freedom, not enslavement, -We need more peacemakers, not revolutionaries...with these, we create an heaven on earth.
Michael Bassey Johnson
Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned. "Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please." Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine. The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing. I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
But one thing I beg of you, look on me as your friend; and if you want some help, advice, or simply want to open your heart to someone- not now, but when things are clearer in your heart- think of me.' He took her hand and kissed it. 'I shall be happy, if I am able...' Pierre was confused. 'Don't speak to me like that; I'm not worth it!' cried Natasha... 'Hush, hush your whole life lies before you,' he said to her. 'Before me! No! All is over for me,' she said, with shame and humiliation. 'All over?' he repeated. 'If I were not myself, but the handsomest, cleverest, best man in the world, and if I were free I would be on my knees this minute to beg for your hand and your love.
Leo Tolstoy (War and Peace)
Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised." Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—" "The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ." Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ." Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled." I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
A disturbing thought hits me,"but then our only neighbor would be Haymich!" "Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales." "I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal. "Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta. He's never sober!" I protest. That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you." " I thought that you said I was his favorite," I say. "He hates me more," says Peeta, "I don't think people in general are his sort of thing.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Halt?" said Gilan, realization dawning. "You're not seasick are you?" No," Halt said shortly, not trusting himself beyond one syllable. Probably need a bite if breakfast to settle your stomach," Svengal said helpfully. "Gte something solid inside you." Had...breakfast." This time Halt managed three syllables-but with some difficulty, Svengal affected no notice. Cabbage is god. Especially pickled cabbage. Sits on the gut nicely," he said. "Goes well with a nice piece of greasy bacon. You should try that if you..." But before he could finish, Halt lurched toward the ship's rail and hung over it. Dreaful noises were torn from him. Svengal, still affecting a look of innocence, turned to Gilan, hands spread and eyes wide. What it the world is he looking for? Has he lost something, do you think?
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Anyway. I’m not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I haven’t actually finished it, because the math is incredibly hard and Mom isn’t good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, “What you have told us is rubbish. The world is really a flat plate supported on the back of a giant tortoise.” So the scientist asked her what the tortoise was standing on. And she said, “But it’s turtles all the way down!” I love that story, because it shows how ignorant people can be. And also because I love tortoises.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field. 'Why you crying, girl?' Constantine asked me in the kitchen. I told her what the boy had called me, tears streaming down my face. 'Well? Is you?' I blinked, paused my crying. 'Is I what?' 'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?' 'I don't know. I don't think so,' I sobbed. Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me. 'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?' She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
Emma this is not a joke. Look at your hands! They're... they're... wrinkled!" "Yes that's because-" "No way. I'm not going down for this. This isn't my fault." "Toraf-" "Galen will find some way to blame me though. He always does. 'You wouldn't have gotten caught if you didn't swim so close to that boat, tadpole.' No it couldn't be the humans fault for fishing in the first place-" "Toraf." "Or how about. 'Maybe if you'd stop trying to kiss my sister, she'd stop bashing your head with a rock.' How does my kissing her have anything to do with her bashing my head with a rock? If you ask me, it's just a result of poor parenting-" "Toraf." "Oh and my favorite: 'If you play with a lionfish, you're going to get pricked.' I wasn't playing with it! I was just helping it swim faster by grabbing its fins-" "TOR-AF." He stops pacing along the water, even seems to remember that I exist. "Yes, Emma? What were you saying?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas. It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention. It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him.
Harper Lee (To Kill a Mockingbird)
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.
Toni Morrison (The Nobel Lecture In Literature, 1993)
So, explain this," Avery said, "You just, what, hang around the Academy all day? Are you trying to redo your high school experience?" "Nothing to redo," said Adrian loftily. "I totally ruled my high school. I was worshiped and adored—not that that should come as a shock." Beside him, Christian nearly choked on his food. "So. . .You're trying to relive your glory days. It's all gone downhill since then, huh?" "No way," said Adrian. "I'm like a fine wine. I get better with age. The best is yet to come." "Seems like it'd get old after a while," said Avery, "I'm certainly bored, and I even spend part of the day helping my dad." "Adrian sleeps most of the day," noted Lissa, "So he doesn't actually have to worry about finding things to do." "Hey, I spend a good portion of my time helping you unravel the mysteries of spirit," Adrian reminded her. "And," he added, "I can visit people in their dreams." Christian held up a hand. "Stop. I can feel there's a comment coming on about how women already dream about you. I just ate, you know." "I wasn't going to go there," said Adrian. But he kind of looked like he wished he'd thought of the joke first.
Richelle Mead (Blood Promise (Vampire Academy, #4))
When Ava turned away, Jules leaned in and whispered, “He’s totally whipped. Watch.” She raised her voice to a panicked level. “Oh my God! Ava, are you bleeding?” Alex’s head snapped up. Less than five seconds later, he ended his call and crossed the room to a confused-looking Ava, whose hand froze halfway to the scones on the table. “I’m fine,” Ava said as Alex searched her for injuries. She glared at Jules. “What did I just say?” “I can’t help it.” Jules’s eyes sparkled with mischief. “It’s so much fun. It’s like playing with a windup toy.” “Until the toy comes alive and kills you,” Stella murmured loud enough for everyone to hear. Alex stared at Jules with displeasure scrawled all over his face. His features were so perfect it was a little unnerving, like seeing a carefully sculpted statue come to life. Some people were into that, but I preferred men with a little more grit. Give me scars and a nose that was slightly crooked from being broken too many times over perfection. “Pray you and Ava stay friends forever,” Alex said, icy enough to elicit a rash of goosebumps on my arms.
Ana Huang (Twisted Games (Twisted, #2))
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
The first thing I noticed when I woke up was that I was covered in blood. The second thing I noticed was that this didn’t bother me the way it should have. I didn’t feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away. My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand. The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it weren’t for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern. No. Not a pattern. Words. PLAY ME. My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingers—still warm—and pressed play. A male voice started to speak. "Do I have your attention?" the voice said. I knew that voice. But I couldn’t believe I was hearing it.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
Marie Lu (Legend (Legend, #1))
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
I reach out and take his hand. “Well, he probably used up a lot of resources helping me knock you out,” I say mischievously. “Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.” “Or what?” I ask. “Or . . . or . . .” He can’t think of anything good. “Just give me a minute.” “What’s the problem?” I say with a grin. “The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta. “I did do the right thing,” I say. “No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?” I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .” I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home. And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread. “If what, Katniss?” he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine. “That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. “Then I’ll just have to fill in the blanks myself,” he says, and moves in to me. This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted. “I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)