“
For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands
”
”
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
“
To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
”
”
Yann Martel (Life of Pi)
“
remember that every fire will burn itself out, even without your help.
”
”
Jodi Picoult (My Sister’s Keeper)
“
We hang out, we help one another, we tell one another our worst fears and biggest secrets, and then just like real sisters, we listen and don't judge.
”
”
Adriana Trigiani (Viola in Reel Life (Viola #1))
“
If you help me find my sister, you can have these back. I saved them for you."
"Thanks," he croaks, surveying the wings. "They'll look great on my wall.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
The bittersweet about truth is that nothing could be more hurtful, yet nothing could be more helpful.
”
”
Mike Norton (Just Another War Story)
“
Thank you for helping my sister,” he says.
I lean forward, mimicking his position. “I’m happy to.”
Calliope leans out her window. “STOP FLIRTING AND GET BACK TO WORK.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
Face it, you stupid little cookie maker,” Jenks said, almost sounding fond, “in the last couple of days you’ve seen what it’s like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy’s the big sister. I’m the uncle from out of state, and you’re the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won’t kill you.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
Katie nosed at the carpet and then gave it a good chew. When it proved recalcitrant enough that she couldn't pull it up, she growled.
"Who's a fierce little girl?" I asked her. "Who's going to kick butt and take names and help her big sister get into all kinds of trouble someday?"
Devon snorted. "Sometimes, I think the term bad influence was invented specifically with you in mind.
”
”
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
“
Why did you?” Clary asked.
“Why did I what?”
“Help me back there.”
“You’re my sister.”
She swallowed. In the morning light, Sebastian’s face had some color in it. There were faint burns along his neck where demon ichor had splashed him.
“You never cared that I was your sister before.”
“Didn’t I?” His black eyes flicked up and down her. “Our father’s dead,” he said. “There are no other relatives. You and I, we are the last. The last of the Morgensterns. You are the only one left whose blood runs in my veins, too. You are my last chance.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
There is a specific kind of fight you can only have with your sister. It’s the kind where you say things you can’t take back. You say them because you can’t help but say them, because you’re so angry it’s coming up your throat and out your eyes; you’re so angry you can’t see straight. All you see is blood.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
I can't help but see myself in them. The Seelie are who I was before my sister died. Pink, pretty, frivolous Mac. The Unseelie are who I've become, carved by loss and despair. Black, grungy, driven Mac.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life.
And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
”
”
Sherman Alexie
“
This is your life – not your parents’, teachers’ or significant other’s. If you ever find yourself on a path that just doesn’t feel safe anymore, you have every right to stop the car, get out – change your shoes and start walking.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Let the world kiss you, sister. Let the moment kiss the most raw and tender spot in your heart until you cannot help but surrender, open.
”
”
Chameli Gad Ardagh
“
I never want you to deny anything about yourself because you have grown up thinking it’s unacceptable or inconvenient for the people around you.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
my heart aches for sisters more than anything
it aches for women helping women
like flowers ache for spring
”
”
Rupi Kaur (milk and honey)
“
And how I watched my little sister become a human torch. Closing my eyes doesn't help. Fire burns brighter in the darkness.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Oh, it was delicious to have someone to keep secrets with. If I'd had a sister or a brother closer in age, I guessed that's what it would be like. But it wasn't just smoking or skirting around Mother. It was having someone look at you after your mother has nearly fretted herself to death because you are freakishly tall and frizzy and odd. Someone whose eyes simply said, without words, You are fine with me.
”
”
Kathryn Stockett (The Help)
“
...My sister Doreena who never lifted a royal finger growing up because she had the heart defect that we later found out was a fly on the X-ray machine.
”
”
Kathryn Stockett (The Help)
“
We went our several ways," said Lady Dedlock, "and had little in common even before we agreed to differ. It is to be regretted, I suppose, but it could not be helped.
”
”
Charles Dickens (Bleak House)
“
How you spend your time when you are not working or studying says everything about who you are and what is motivating your life.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Emma this is not a joke. Look at your hands! They're... they're... wrinkled!"
"Yes that's because-"
"No way. I'm not going down for this. This isn't my fault."
"Toraf-"
"Galen will find some way to blame me though. He always does. 'You wouldn't have gotten caught if you didn't swim so close to that boat, tadpole.' No it couldn't be the humans fault for fishing in the first place-"
"Toraf."
"Or how about. 'Maybe if you'd stop trying to kiss my sister, she'd stop bashing your head with a rock.' How does my kissing her have anything to do with her bashing my head with a rock? If you ask me, it's just a result of poor parenting-"
"Toraf."
"Oh and my favorite: 'If you play with a lionfish, you're going to get pricked.' I wasn't playing with it! I was just helping it swim faster by grabbing its fins-"
"TOR-AF."
He stops pacing along the water, even seems to remember that I exist. "Yes, Emma? What were you saying?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Griffin? You ever heard of knocking?”
Griffin sniffed and tucked his chin-length hair behind his ears. “We’re family, dude, I don’t need to knock.”
I sighed, not sure if Kellan could argue that point or not—not since Griffin had impregnated my sister. He really was family now. Lord help me.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
Daylight...In my mind, the night faded. It was daytime and the neighborhood was busy. Miss Stephenie Crawford crossed the street to tell the latest to Miss Rachel. Miss Maudie bent over the azaleas.
It was summertime, and two children scampered down the sidewalk toward a man approaching in the distance. The man waved, and the children raced each other to him. It was still summertime, and the children came closer. A boy trudged down the sidewalk dragging a fishingpole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yeard with their friend, enacting a strange little drama of their own invention.
It was fall and his children fought ont he sidewalk in front of Mrs. Dubose's. The boy helped his sister to her feet and they made their way home. Fall, and his children trotted to and fro around the corner, the day's woe's and triymph's on their face. They stopped at an oak tree, delighted, puzzled apprehensive.
Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter and a man walked into the street, dropped his glasses, and show a dog.
Summer, and he watched his children's heart break.
Autumn again, and Boo's children needed him.
”
”
Harper Lee (To Kill a Mockingbird)
“
Aunt Prue was holding one of the squirrels in her hand, while it sucked ferociously on the end of the dropper. 'And once a day, we have ta clean their little private parts with a Q-tip, so they'll learn ta clean themselves.' That was a visual I didn't need. 'How could you possibly know that?' 'We looked it up on the E-nternet.' Aunt Mercy smiled proudly. I couldn't imagine how my aunts knew anything about the Internet. The Sisters didn't even own a toaster oven. 'How did you get on the Internet?' 'Thelma took us ta the library and Miss Marian helped us. They have computers over there. Did you know that?
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
So, thanks,” Vivian said.
“For what?” I looked up at her, confused.
“For being stupid enough to love your crazy, murdering lunatic of a sister and being such a pathetic dork that I couldn’t help but love you, too
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Women helped each other in ways small and large every day, without thinking, and that was what kept them going even when the world came up with new and exciting ways to crush them.
”
”
Alyssa Cole (Let Us Dream)
“
It's not reasonable to love people who are only going to die," she said.
Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
"I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?"
"Yes," she whispered.
He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do."
She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before.
"You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother."
"Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there."
"You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away."
He shrugged. "I don't mind you pushing me away if it means you love me, little sister.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
I wept like a child. It was not because I was overcome at having survived my ordeal, though I was. Nor was it the presence of my brothers and sisters, though that too was very moving. I was weeping because ....fill in the blank with whatever/whoever helped you survive... had left me so unceremoniously.
”
”
Yann Martel (Life of Pi)
“
I shall be much obliged to you, cousin, if you will refrain from telling my sisters that she has a face like a horse!’
‘But, Charles, no blame attaches to Miss Wraxton! She cannot help it, and that, I assure you, I have always pointed out to your sisters!’
‘I consider Miss Wraxton’s countenance particularly well-bred!’
‘Yes, indeed, but you have quite misunderstood the matter! I meant a particularly well-bred horse!’
'You mean, as I am perfectly aware, to belittle Miss Wraxton!'
'No, no! I am very fond of horses!' Sophy said earnestly.
Before he could stop himself he found that he was replying to this. 'Selina, who repeated the remark to me, is not fond of horses, however, and she—' He broke off, seeing how absurd it was to argue on such a head.
'I expect she will be, when she has lived in the same house with Miss Wraxton for a month or two,' said Sophy encouragingly.
”
”
Georgette Heyer (The Grand Sophy)
“
Not called!' did you say?
'Not heard the call,' I think you should say.
Put your ear down to the Bible, and hear Him bid you go and pull sinners out of the fire of sin. Put your ear down to the burdened, agonized heart of humanity, and listen to its pitiful wail for help. Go stand by the gates of hell, and hear the damned entreat you to go to their father's house and bid their brothers and sisters and servants and masters not to come there. Then look Christ in the face — whose mercy you have professed to obey — and tell Him whether you will join heart and soul and body and circumstances in the march to publish His mercy to the world.
”
”
William Booth
“
I understood something then. My sister might be twice the goddess I was, but I was twice the witch. Her crumbling trash could not help me.
”
”
Madeline Miller (Circe)
“
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his.
...
After a while I rest my head against his shoulder. Feel his hand caress my hair.
"Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again."
I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says.
My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it.
Everithing. That's what Peeta wants me to take from him.
...
"No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me.
"I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss.
I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down.
This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
There's always a way," his sister lectured. "We'll need help, though."
"What help?"
Amy grinned. "Sometimes it doesn't hurt to be a part of the most powerful family in human history.
”
”
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
“
If you’d ever asked, I would have crawled to help you. But you never wanted my help. You only wanted me to be your sweet and smiling sister. So I smiled and smiled, until I thought I would break.
”
”
Rosamund Hodge (Cruel Beauty (Cruel Beauty Universe, #1))
“
Start your work from where you live, with the small concrete needs right around you. Help ease tension in your workplace. Help feed the person right in front of you. Personalism holds that we each have a deep personal obligation to live simply, to look after the needs of our brothers and sisters, and to share in the happiness and misery they are suffering.
”
”
David Brooks (The Road to Character)
“
We instinctively tend to limit for whom we exert ourselves. We do it for people like us, and for people whom we like. Jesus will have none of that. By depicting a Samaritan helping a Jew, Jesus could not have found a more forceful way to say that anyone at all in need - regardless of race, politics, class, and religion - is your neighbour. Not everyone is your brother or sister in faith, but everyone is your neighbour, and you must love your neighbour.
”
”
Timothy J. Keller (Generous Justice: How God's Grace Makes Us Just)
“
She tried to explain the real state of the case to her sister.
"I do not attempt to deny," said she, "that I think very highly of him--that I greatly esteem, that I like him."
Marianne here burst with forth with indignation:
"Esteem him! Like him! Cold-hearted Elinor. Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment."
Elinor could not help laughing. "Excuse me," said she, "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings.
”
”
Jane Austen (Sense and Sensibility)
“
Hear, hear.' Sister Martha hoisted her water glass. 'Let the rigid stick of self-righteousness be dislodged from her very uptight ass.'
Father Ramon coughed.
'A-fucking-men,' Loup supplied helpfully.
”
”
Jacqueline Carey (Santa Olivia (Santa Olivia, #1))
“
Hey, bodyguard. You better get down to the gymnasium. This jumbo pixie guy is killing your sister." "Really?" said Butler, unconvinced. "Really. Juliet just does not seem to be herself. She can't put two moves together. It's pathetic, really. Everybody is betting against her." "I see," said Butler, straightening. Mulch held the door. "It's going to make things really interesting when you show up to help." Butler grinned. "I'm not coming to help. I just want to be there when she stops faking." "Ah," said Mulch, comprehension dawning on his face. "So I should switch my bet to Juliet?" "You certainly should" said Butler.
”
”
Eoin Colfer
“
You battled monsters. You sweat and cried your way to this one prolific moment where you finally realize that those dark days and sleepless nights were pre-requisites to your becoming.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
We do not want to comprehend that people may and do die of emotional pain, or to recognize the terror in ourselves when we cannot seem to help someone in despair -- when our words are empty.
”
”
Jill Bialosky (History of a Suicide: My Sister's Unfinished Life)
“
Being a Dream Girl is never going to be about what you look like or how much you weigh. After all, our physical appearances are just reflections of our inner worlds. What makes you a Dream Girl is your emotional sensitivity, your self-awareness, and your ability to communicate who you are effectively and compassionately in the world.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Her hands quieted. "Yeah. Because even if the law says that no one is responsible for anyone else, helping someone who needs it is the right thing to do."
I sat down beside her, close enough that the skin of her arm hummed right next to mine. "You really believe that?"
She looked down at her lap "Yeah."
Then how," I asked, "can you walk away from me?
”
”
Jodi Picoult (My Sister’s Keeper)
“
He had to clear his throat before he could say, “You know, I always thought it would be cool to have a kid sister.”
“Be careful what you wish for.” Adne looked up at him and grinned. “I'm kind of a brat.”
Ren laughed.
I couldn't help myself. “She's not kidding.”
“Thanks, Lily.” Adne glared at me, but she was laughing too. “What do you say we continue trading insults where we're less likely to be in mortal peril?”
“She calls you Lily?” Ren was gazing at her, astonished.
I groaned. “She does.”
“Great minds.” He flashed a wicked smile at me before winking at her.
”
”
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
“
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.”
Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.”
“Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.”
“That doesn’t mean that I don’t—”
“What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.”
“But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?”
“No.”
“I thought you might like Magnus. He’s nice, isn’t he?”
“Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely.
“I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.”
“I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace.
But Jace, his golden head down, lost in thought, didn’t notice.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
But it's Posy, Gale's five-year-old sister, who helps the most. She scoots along the bench to Octavia and touches her skin with a tentative finger. “You're green. Are you sick?”
“It's a fashion thing, Posy. Like wearing lipstick,” I say.
“It's meant to be pretty,” whispers Octavia, and I can see the tears threatening to spill over her lashes.
Posy considers this and says matter-of-factly, “I think you'd be pretty in any color.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Human courage was different from Amazon bravery. She saw that now. For all the suspicion and derision she'd heard from her mother and her sisters about the mortal world, Diana couldn't help but admire the people with whom she traveled. Their lives were violent, precarious, fragile, but they fought for them anyway, and held to the hope that their brief stay on this earth might count for something. That faith was worth preserving.
”
”
Leigh Bardugo (Wonder Woman: Warbringer)
“
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
Now I had babies confuse before. John Green Dudley, first word out a that boy's mouth was Mama and he was looking straight at me. But then pretty soon he calling everybody including hisself Mama and calling his daddy Mama too... Nobody worry bout it. Course when he start playing dress-up in his sister's Jewel Taylor twirl skirts and wearing Chanel No. 5, we all get a little concern.
”
”
Kathryn Stockett (The Help)
“
Then it happened that whenever he began to see Mari's [Mary Magdalene] passionate enthusiasm, her eyes emanating a light that amply showed how contended she was aiding so many people, Jesus could not help but be proud of his most-beloved disciple. Mari, likewise, felt indebted and grateful to Jesus as she saw her fellow sisters gradually being saved on all counts, some even going on to become some of Jesus's staunchest disciples...
”
”
Anton Sammut (The Secret Gospel of Jesus, AD 0-78)
“
She told me if I clean all the ashes out of the grate, then I’ll be able to help my sisters get ready for the bal.” “It’s Christmas, Dashiel. Can’t you give that atitude a rest?”
“Merry Christmas, Dad. And thanks for the presents.”
“What presents?”
“I’m sorry—those were all from Mom, weren’t they?
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
And she didn't once say anything about this being a sin. It used to be I got the word sin slapped in my face every time I did something wrong, but come on, when you live in a sin-free family with sin-free parents and a sin-free sister, well, you can't help but sin a little extra on their behalf.
”
”
Han Nolan (Pregnant Pause)
“
A good motivation is what is needed: compassion without dogmatism, without complicated philosophy; just understanding that others are human brothers and sisters and respecting their human rights and dignities. That we humans can help each other is one of our unique human capacities.
”
”
Dalai Lama XIV
“
He plugged the phone into the outlet.
It rang.
Roman stared at it as if it were a viper.
The phone rang again.
He unplugged it. “There.”
“It can’t be that bad,” I told him.
“Oh, it’s bad.” Roman nodded. “My dad refused to help my second sister buy a house, because he doesn’t like her boyfriend. My mother called him and it went badly. She cursed him. Every time he urinates, the stream arches up and over.
”
”
Ilona Andrews (Magic Binds (Kate Daniels, #9))
“
I believe that everything happens,” she said. “Period. Or full stop, as you would say. That’s it. Things happen and we have to learn to live with them, as long as suicide is off the table, that is. If we can find meaning in them, fine, but even if we can’t, we still have to live with them. The meaning is an afterthought, an anesthesia. Happens is the only word in that statement that’s empirical. The rest is whatever helps you sleep at night.
”
”
Coco Mellors (Blue Sisters)
“
What a thing to acknowledge in your heart! To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures to people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing-I’m sorry, I would rather not go on.
”
”
Yann Martel (Life of Pi)
“
What if I’d killed somebody?”
“I wouldn’t be surprised, and I would visit you in prison if necessary.”
She gasped, all feigned outrage. “You wouldn’t offer to help me hide the body?”
Jacob’s lips quirked without permission. “You’ve been here quite a while Sunshine, and there’s no police sniffing around, so I imagine you hid it just fine yourself.
”
”
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
“
I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense.
'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.'
The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I rested my hand on hers. Actually, when I wasn’t paying attention, it was in hers. I don’t know if it helped. I don’t know if it made any difference at all, if she had even the vaguest sense that I was there, that I was thinking about her and hurting for her and praying for her. All I could do was try. All I could do was be here. All I could give her was my love, even if she never knew.
”
”
Charles Sheehan-Miles (The Last Hour (Thompson Sisters, #4))
“
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and in its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silk and a necklace of sapphire . Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen ,a worker of illusions, a girl who brought darkness across the lands. Stilll others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumour,of course, and make little more than a story to tell round a fire. But it is told. And thus they live on.
—“The Midnight Star,” a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it."
I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back."
Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?"
"You're getting a big laugh out of this, aren't you?"
Kieran shrugged. "There's nothing on TV.
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
I interviewed my dad on video in his final weeks. When I asked about his work and finding meaning through helping others, he responded, "I don't think you can be focused on, 'Oh gee, I want to make a difference.' It has to be spontaneous. If it's not...there's some kind of egotistical thing going on. That's a red flag. You hope you impact people on the deepest level you are capable of at the time. Sometimes you hit it, sometimes you don't. You're trying.
”
”
Lisa J. Shannon (A Thousand Sisters: My Journey into the Worst Place on Earth to Be a Woman)
“
I stay back, because if i get close I'll have to roll him over and look in his eyes, and what if they're empty like Alina's were ? Then I'll know he's gone, like I knew she was gone, too far beyond my reach to ever hear my voice again, to hear me say, I'm sorry, Alina. I wish I'd called more often; I wish I'd heard the truth beneath our vapid sister talk; I wish I'd come to Dublin and fought beside you, or raged at you, because you were acting from fear, too, Alina, not hope at all, or you would have trusted me to help you. Or maybe just apologize, Barrons, for being too young to have my priorities reffined, like you, because I haven't suffered whatever the hell it is you suffered, and then shove you up against a wall and kiss you until you can't breathe, do what I wanted to do the first day I saw you there in your bloody damned bookstore. Disturb you like you disturbed me, make you see me, make you want me-pink me!-shatter your self-control, bring you crashing to your knees in front of me, even though I told myself I'd never want a man like you, that you were too old, too carnal, more animal than man, with one foot in the swamp and no desire to come all the way out, when the truth was that I was terrified by what you made me feel.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
In theory, sure, Gregor could still go home. Pack up his three-year-old sister, Boots, get his mom out of the hospital, where she was recovering from the plague, and have his bat, Ares, fly them back up to the laudry room of their appartment building in New York City. Ares, his bond, who saved his life numerous times and who had had nothing but suffering since he had met Gregor. He tried to imagine the parting. "Well, Ares, it's been great. I'm heading home now. I know by leaving I'm completely dooming to annihilation everbody who's helped me down here, but I'm really not up for this whole war thing anymore. So, fly you high, you know?" Like that would ever happen.
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.”
“Blanca told you that?” Lee asked, his smile (and arm) still firmly in place.
“Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.”
Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.”
Hector looked at Lee then looked at me then he muttered, “Oh fuck.”
“It was Ally’s idea,” Lee told Hector.
“What was Ally’s idea?” Hector asked Lee.
“It was not Ally’s idea!” I cried.
“It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.”
“Shut up, Ally!” Indy shouted out the open passenger side window.
“I will not shut up! I’m not taking the fall for this one!” Ally shouted back.
I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed.
“Righteous!” Ally screamed back.
“Rock on, sister!” Indy screamed too.
“It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked.
“You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested.
Mm, well maybe we were being an eensy bit loud.
“Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!”
They shouted back in unison, “Rock on!”
“Christ,” Hector muttered.
”
”
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
“
Why the hell did you think I was calling you?”
“I assumed you’d accidentally strangled one of your whores to death, or something equally kinky and awful, and you needed help disposing of the body.” She yawned and glanced around. “So, where is she?”
I stared at her, touched. “Would you really help me bury a body?” That was so fucking sweet. If Gamble ever gave me his blessing to bang his sister, I’d be all over her so fast.
”
”
Linda Kage (With Every Heartbeat (Forbidden Men, #4))
“
As she grew older, Maddy discovered that she had disappointed almost everyone. An awkward girl with a sullen mouth, a curtain of hair, and a tendency to slouch, she had neither Mae's sweet nature nor sweet face. Her eyes were rather beautiful, but few people ever noticed this, and it was widely believed Maddy was ugly, a troublemaker, too clever for her own good, too stubborn - or too slack - to change.
Of course, folk agreed that it was not her fault she was so brown or her sister so pretty, but a smile costs nothing, as the saying goes, and if only the girl had made an effort once in a while, or even showed a little gratitude for all the help and free advice, then maybe she would have settled down.
”
”
Joanne Harris (Runemarks (Runemarks, #1))
“
So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
”
”
Lisa See (Shanghai Girls (Shanghai Girls, #1))
“
Taken from the dedication in my debut novel Exactly 23 days. To honour all women on International Women's day.
For women everywhere: When you know you are finally mended, spread the word, hold out your hand, share some love from your heart and some laughter from your soul and be there for a new member of the sisterhood who needs your help. Let's all help our sisters worldwide to stand tall and know, they can and they will recover, survive and thrive, to live the life they deserve.
To all the sisters who reached out and held my hand in whatever way you could, who cried my tears with me, and laughter my laughter too, I thank every one of you. I survived.
”
”
Jayne Higgins (Exactly 23 Days)
“
I must have been in the car for a long time because eventually my sister found me there. I was chain-smoking cigarettes and crying still. My sister knocked on the window. I rolled it down. She looked at me with this curious expression. Then, her curiosity turned to anger.
"Charlie, are you smoking?!"
She was so mad. I can't tell you how mad she was.
"I can't believe you're smoking!"
That's when I stopped crying. And started laughing. Because of all the things she could have said right after she got out of there, she picked my smoking. And she got angry about it. And I knew if my sister was angry, then her face wouldn't be that different. And she would be okay.
"I'm going to tell Mom and Dad, you know?"
"No, you're not." God, I couldn't stop laughing.
When my sister thought about it for a second, I think she figured out why she wouldn't tell Mom or Dad. It's like she suddenly remembered where we were and what had just happened and how crazy our whole conversation was considering at all. Then, she started laughing.
But the laughing made her feel sick, so I had to get out of the car and help her into the backseat. I had already set up the pillow and the blanket for her because we figured it was probably best for her to sleep it off a little in the car before we went home.
Just before she feel asleep, she said, "Well, it you're going to smoke, crack the window at least."
Which made me start laughing again.
"Charlie, smoking. I can't believe it."
Which made me laugh harder, and I said, "I love you."
And my sister said, "I love you too. Just stop it with the laughing already.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.
I can’t help myself. I continue the cycle and I say, “I don’t want to hurt you.”
Lily is quiet for a moment before she says, “I’m tougher than you think. You just need to believe in me. You know, like a fairy.”
I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.
I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won’t crumble beneath the pain?
She nods to me like go on. I can handle it.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
Yes,' he said, 'a list. That way, I figure, we'll have a written record of what we've agreed upon as our goals for our relationship. So if problems arise, we'll be able to consult the lists, see which issue it corresponds to, and work out a solution from there.'
I could still hear my sister talking, but her voice was fading as she led her group around the house. I said, 'But what if that doesn't work?'
Jason blinked at me. Then he said, 'Why wouldn't it?'
'Because,' I said.
He just looked at me. 'Because...'
'Because,' I repeated, as a breeze blew over us,' sometimes things just happen. That aren't expected. Or on the list.'
'Such as?' he asked.
'I don't know,' I said, frustrated. 'That's the point. It would be out of the blue, taking us by surprise. Something we might not be prepared for.'
'But we will be prepared,' he said, confused. 'We'll have the list.'
I rolled my eyes. 'Jason,' I said.
'Macy, I'm sorry.' He stepped back, looking at me. 'I just don't understand what you're trying to say.'
And then it hit me: he didn't. He had no idea. And this thought was so ludicrous, so completely unreal, that I knew it just had to be true. For Jason, there was no unexpected, no surprises. His whole life was outlined carefully, in lists and sublists, just like the ones I'd helped him go through all those weeks ago.
'It's just...' I said and stopped, shaking my head.
'It's just what?' He was waiting, genuinely wanting to know. 'Explain it to me.'
But I couldn't. I'd had to learn it my own way, and so had my mother. Jason would eventually, as well. No one could tell you: you just had to go through it on your own. If you were lucky, you came out on the other side and understood. If you didn't, you kept getting thrust back, retracing those steps, until you finally got it right.
”
”
Sarah Dessen (The Truth About Forever)
“
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
”
”
Hermann Hesse (Steppenwolf)
“
I tell them: don’t depend on a woodsman in the third act. I tell them: look for sets of three, or seven. I tell them: there’s always a way to survive. I tell them: you can’t force fidelity. I tell them: don’t make bargains that involve major surgery. I tell them: you don’t have to lie still and wait for someone to tell you how to live. I tell them: it’s all right to push her into the oven. She was going to hurt you. I tell them: she couldn’t help it. She just loved her own children more. I tell them: everyone starts out young and brave. It’s what you do with it that matters. I tell them: you can share that bear with your sister. I tell them: no-one can stay silent forever. I tell them: it’s not your fault. I tell them: mirrors lie. I tell them: you can wear those boots, if you want them. You can lift that sword. It was always your sword. I tell them: the apple has two sides. I tell them: just because he woke you up doesn’t mean you owe him anything. I tell them: his name is Rumplestiltskin.
”
”
Catherynne M. Valente (The Bread We Eat in Dreams)
“
It would be good," thought Prince Andrei, glancing at the little image that his sister had hung around his neck with such reverence and emotion, "It would be good if everything were as clear and simple as it seems to Princess Marya . How good it would be to know where to seek help in this life, and what to expect after it, beyond the grave! How happy and at peace I should be if I could now say:" Lord have mercy on me!... But to whom should I say this? To some power--- indefinable and incomprehensible, to which I not only cannot appeal, but which I cannot express in words---The Great All or Nothing," he said to himself, "or to that God who has been sewn into this amulet by Marya? There is nothing certain, nothing except the nothingness of everything that is comprehensible to me, and the greatness of something incomprehensible but all important!
”
”
Leo Tolstoy
“
Wow,” the bobcat muttered from his desk. “Your sister’s right. Your legs really are skinny.”
Toni briefly thought about swiping all the cat’s crap off his desk, but that wasn’t something she’d do to anyone who wasn’t one of her siblings. But that was the beauty of being one of the Jean-Louis Parker clan . . . sometimes you didn’t have to do anything at all, because there was a sibling there to take care of it for you.
“It must be hard,” Kyle mused to the bobcat. “One of the superior cats. Revered and adored throughout history as far back as the ancient Egyptians. And yet here you sit. At a desk. A common drone. Taking orders from lowly canines and bears. Do your ancestors call to you from the great beyond, hissing their disappointment to you? Do they cry out in despair at where you’ve ended up despite such a lofty bloodline? Or does your hatred spring from the feline misery of always being alone? Skulking along, wishing you had a mate or a pack or pride to call your own? But all you have is you . . . and your pathetic job as a drone? Does it break your feline heart to be so . . . average? So common? So . . . human?”
Toni cringed, which helped her not laugh.
”
”
Shelly Laurenston (Wolf with Benefits (Pride, #8))
“
Did it fall out?" Leo asked. "Is she bald?"
"No, not at all. It's just that her hair is...green."
To look at Leo's face, one would think it was Christmas morning. "What shade of green?"
"Leo, hush," Win said urgently. "You are not to torment her. It's been a very trying experience. We mixed a peroxide paste to take the green out, and I don't know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing."
"You're telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I'm not supposed to remark on it?" He snorted. "I'm not that strong."
"Please, Leo," Poppy murmured, touching his arm. "If it were one of your sisters, you wouldn't mock."
"Do you think that little shrew would have any mercy on me, were the situations reversed?" He rolled his eyes as he saw their expressions. "Very well, I'll try no to jeer. But I make no promises."
Leo sauntered toward the house in no apparent hurry. He didn't deceive either of his sisters.
"How long do you think it will take him to find her?" Poppy asked Win.
"Two, perhaps three minutes," Win replied, and they both sighed.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
There was some kind of commotion going on in the suite, which shouldn't have been a surprise considering it was his family's suite. The air was filled with cursing, exclamations, and grunts of physical combat.
"Leo?" Beatrix appeared from the main receiving room and hurried over to them.
"Beatrix, darling!" Leo was amazed by the difference the past two and a half years had made in his youngest sister. "How you've grown--"
"Yes, never mind that," she said impatiently, snatching the ferret from him. "Go in there and help Mr. Rohan!"
"Help him with what?"
"He's trying to stop Merripen from killing Dr. Harrow."
"Already?" Leo asked blankly, and rushed into the receiving room.
”
”
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
“
They say an infant can't see when it is as young as your sister was, but she opened her eyes, and she looked at me. She was such a little bit of a thing. But while I was holding her, she opened her eyes. I know she didn't really study my face. Memory can make a thing seem to have been much more than it was. But I know she did look right into my eyes. That is something. And I'm glad I knew it at the time, because now, in my present situation, not that I am about to leave this world, I realize there is nothing more astonishing than a human face...You feel your obligation to a child when you have seen it and held it. Any human face is a claim on you, because you can't help but understand the singularity of it, the courage and loneliness of it. But this is truest of the face of an infant. I consider that to be one kind of vision, as mystical as any.
”
”
Marilynne Robinson (Gilead)
“
when she was 7, a boy pushed her on the playground
she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs
when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you
he probably just thinks you’re cute’
but the thing is,
when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same
you teach her that boys show their affection through aggression
and she grows into a young woman who constantly mistakes the two
because no one ever taught her the difference
‘boys will be boys’
turns into
‘that’s how he shows his love’
and bruises start to feel like the imprint of lips
she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist
the one adult she tells scolds her
‘you know he loses his temper easily
why the hell did you have to provoke him?’
so she shrinks
folds into herself, flinches every time a man raises his voice
by the time she’s 16 she’s learned her job well
be quiet, be soft, be easy
don’t give him a reason
but for all her efforts, he still finds one
‘boys will be boys’ rings in her head
‘boys will be boys
he doesn’t mean it
he can’t help it’
she’s 7 years old on the playground again
with a mouth full of rocks and blood that tastes like copper love
because boys will be boys baby don’t you know
that’s just how he shows he cares
she’s 18 now and they’re drunk
in the split second it takes for her words to enter his ears they’re ruined
like a glass heirloom being dropped between the hands of generations
she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment
she touches the bruise the next day
boys will be boys
aggression, affection, violence, love
how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war
she draws tally marks on her walls ratios of kisses to bruises
one entire side of her bedroom turns purple, one entire side of her body
boys will be boys will be boys will be boys
when she’s 20, a boy touches her hips and she jumps
he asks her who the hell taught her to be scared like that and she wants to laugh
doesn’t he know that boys will be boys?
it took her 13 years to unlearn that lesson from the playground
so I guess what I’m trying to say is
i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things
baby they exist in different universes
my niece can’t even speak yet but I think I’ll start with her now
don’t ever accept the excuse that boys will be boys
don’t ever let him put his hands on you like that
if you see hate blazing in his eyes don’t you ever confuse it with love
baby love won’t hurt when it comes
you won’t have to hide it under long sleeves during the summer
and
the only reason he should ever reach out his hand
is to hold yours
”
”
Fortesa Latifi
“
When I was a little girl and my teachers sent notes home complaining
that I was as loud as the boys, that it wasn't lady like for a girl
to be this outspoken, this raucous, instead of forcing me to tone it down
to the timber of a stage whisper, just a few notes above a whimper
you took me by the hand to the hilltop by our house,
told me to use my voice by shouting to my heart's content,
told me never to forget that I was a girl not a mouse
and if I believed I had to change myself to suit anyone else I shouldn't
that no matter what they said my voice was so important.
You then visited my school, called a meeting with my teachers
sat them all down and said that you were raising a rebel girl
to be a warrior woman, and if she could not speak,
the same way boys are allowed to, if she had to turn her voice into sighs
then how will she utter the battle cries that were needed when her warrior sisters
called upon her to help them defend the daughters of this world.
”
”
Nikita Gill
“
Let me tell you a story, Alix. This ship…the Talia? It’s named after my father’s older sister. She killed herself when she was fourteen because she couldn’t stand living the horror of her life for another day. With her death she both condemned and freed my father from his monster of a father. I never knew the pain of her life or his. But I named this ship after her to remind me of all the children out there like her and Omari…the children out there like your sister who are silent in their pain. They have no voice and no hope. But I hear them. Every time I think of my parents. Every time I see Omari, I hear the sobs that are kept inside for fear of it making their lives worse, and I will not stand by and see your sister torn apart by an animal. You help me nail him and I swear to you, I will lay Merjack down at your feet and hold him there while you take your revenge. (Devyn)
”
”
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
“
This is nothing. And you are nothing.
She took another step, and stumbled. The ground was plummeting downward now.
You are nothing. There was a starving girl. You gave her things and then left her like a beggar on the street, and for what?
There was a couple in the cottage. You could have given them something, but you left. And for what?
There was a dancing girl in the marketplace. You could have helped her, but you left. And for what?
There was a boy and his bird sister. He helped you, and you gave him nothing.
There was a swanskin, and you thought it might make you beautiful.
There were red shoes, and you thought they might make you graceful.
There was a threshold and a magical woods, and you thought they might make you a hero.
There was a boy, and he was your best friend.
Your father left you. You left your mother.
Come, the wind said, and I will blow you away.
Come, the snow said, and I will bury you.
Come, the cold said, and I will embrace you.
Come. Come.
And so she did.
”
”
Anne Ursu (Breadcrumbs)
“
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
”
”
Beverly Cleary (Beezus and Ramona (Ramona, #1))
“
Anna held up a small black-bound memorandum book. Cordelia hadn’t even seen her retrieve it. They strode out of the bedroom, Anna waving the book over her head in triumph. “This,” she announced, “will hold the answers to all our questions.”
Matthew looked up, his eyes fever-bright. “Is this your list of conquests?”
“Of course not,” Anna declared. “It’s a memorandum book… about my conquests. That is an important but meaningful distinction.”
Anna flipped through the book. There were many pages, and many names written in a bold, sprawling hand.
“Hmm, let me see. Katherine, Alicia, Virginia—a very promising writer, you should look out for her work, James—Mariane, Virna, Eugenia—”
“Not my sister Eugenia?” Thomas nearly upended his cake.
“Oh, probably not,” Anna said. “Laura, Lily… ah, Hypatia. Well, it was a brief encounter, and I suppose you might say she seduced me.…”
“Well, that hardly seems fair,” said James. “Like someone solving a case before Sherlock Holmes. If I were you I would feel challenged, as if to a duel.”
Matthew chuckled. Anna gave James a dark look. “I know what you’re trying to do,” she said.
“Is it working?” said James.
“Possibly,” said Anna, regarding the book. Cordelia couldn’t help but wonder: Was Ariadne’s name in there? Was she considered a conquest now, or something—someone—else?
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Most peasants did not miss the school.
"What's the point?" they would say.
"You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money?
Might as well start earning your work points right away."
The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school.
"They get married and belong to other people. It's like pouring water on the ground."
The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education.
The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
Where's my sister?"
"She's setting up the island we found tonight."
Galen shakes his head. "You slithering eel. You might have told me what you were up to."
Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well."
"You think your surprise attack went over better?"
Toraf shrugs. "I'm satisfied."
"I could have killed you today."
"Yeah."
"Don't ever do that again."
"Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers.
"Shut up."
"I'm just saying."
Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna."
"I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna."
"Fifty-nine times."
"Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?"
Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble."
"Shocker. What'd you do?"
"The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark.
Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects."
"She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change."
"In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't."
"You don't think she's one of us?"
Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman."
Galen laughs. "How do you know about Batman?"
"I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him."
"Batman isn't real. He's just a human acting like that so other humans will watch him."
"Looked real to me."
"They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is."
"Humans are creepier than I thought. Why pretend to be something you're not?"
Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you."
Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now."
"Seriously. I don't want to know."
Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-"
"Emma wouldn't be waiting for me. I wouldn't have left."
"Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to."
"What?"
"Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate."
"And she listened to you?"
Toraf nods. "Turns out, you're the only one she disobeys.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I once two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would follow on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning.
How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink.
In view of these things, why are ye silent, ye free men and women of the north? Why do your tongues falter in maintenance of the right? Would that I had more ability! But my heart is so full, and my pen is so weak! There are noble men and women who plead for us, striving to help those who cannot help themselves. God bless them! God give them strength and courage to go on! God bless those, every where, who are laboring to advance the cause of humanity!
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Other personalities are created to handle new traumas, their existence usually occurring one at a time. Each has a singular purpose and is totally focused on that task. The important aspect of the mind's extreme dissociation is that each ego state is totally without knowledge of the other. Because of this, the researchers for the CIA and the Department of Defense believed they could take a personality, train him or her to be a killer and no other ego stares would be aware of the violence that was taking place. The personality running the body would be genuinely unaware of the deaths another personality was causing. Even torture could not expose the with, because the personality experiencing the torture would have no awareness of the information being sought.
Earlier, such knowledge was gained from therapists working with adults who had multiple personalities. The earliest pioneers in the field, such as Dr. Ralph Alison, a psychiatrist then living in Santa Cruz, California, were helping victims of severe early childhood trauma. Because there were no protocols for treatment, the pioneers made careful notes, publishing their discoveries so other therapists would understand how to help these rare cases. By 1965, the information was fairly extensive, including the knowledge that only unusually intelligent children become multiple personalities and that sexual trauma endured by a restrained child under the age of seven is the most common way to induce hysteric dissociation.
”
”
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
“
Brothers and sisters, I am here to tell you that I charge the white man. I charge the white man with being the greatest murderer on earth. I charge the white man with being the greatest kidnapper on earth. There is no place in this world that this man can go and say he created peace and harmony. Everywhere he's gone, he's created havoc. Everywhere he's gone, he's created destruction.
So I charge him. I charge him with being the greates kidnapper on this earth! I charge him with being the greatest murderer on this earth! I charge him with being the greatest robber and enslaver on this earth! I charge the white man with being the greatest swine-eater on this earth. The greatest drunkard on this earth! He can't deny the charges! You can't deny the charges! We're the living proof *of* those charges! You and I are the proof.
You're not an American, you are the victim of America. You didn't have a choice coming over here. He didn't say, "Black man, black woman, come on over and help me build America". He said, "N(i)gger, get down in the bottom of that boat and I'm taking you over there to help me build America". Being born here does not make you an American. I am not an American, you are not an American. You are one of the 22 million black people who are the *victims* of America. You and I, we've never see any democracy.
We didn't see any... democracy on the-the cotton fields of Georgia, wasn't no democracy down there. We didn't see any democracy. We didn't see any democracy on the streets of Harlem or on the streets of Brooklyn or on the streets of Detroit or Chicago. Ain't no democracy down there. No, we've never seem democracy! All we've seen is hypocrisy! We don't see any American Dream. We've experienced only the American Nightmare!
”
”
Malcolm X
“
What do you have to forget or overlook in order to desire that this dysfunctional clan once more occupies the White House and is again in a position to rent the Lincoln Bedroom to campaign donors and to employ the Oval Office as a massage parlor? You have to be able to forget, first, what happened to those who complained, or who told the truth, last time. It's often said, by people trying to show how grown-up and unshocked they are, that all Clinton did to get himself impeached was lie about sex. That's not really true. What he actually lied about, in the perjury that also got him disbarred, was the women. And what this involved was a steady campaign of defamation, backed up by private dicks (you should excuse the expression) and salaried government employees, against women who I believe were telling the truth. In my opinion, Gennifer Flowers was telling the truth; so was Monica Lewinsky, and so was Kathleen Willey, and so, lest we forget, was Juanita Broaddrick, the woman who says she was raped by Bill Clinton. (For the full background on this, see the chapter 'Is There a Rapist in the Oval Office?' in the paperback version of my book No One Left To Lie To. This essay, I may modestly say, has never been challenged by anybody in the fabled Clinton 'rapid response' team.) Yet one constantly reads that both Clintons, including the female who helped intensify the slanders against her mistreated sisters, are excellent on women's 'issues.
”
”
Christopher Hitchens
“
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story,
A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence.
If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl.
Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true.
She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen.
These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on.
--"The Midnight Star", a folktale
”
”
Marie Lu (The Midnight Star (The Young Elites, #3))
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Perhaps the deepest indication of our slavery is the monetization of time. It is a phenomenon with roots deeper than our money system, for it depends on the prior quantification of time. An animal or a child has “all the time in the world.” The same was apparently true for Stone Age peoples, who usually had very loose concepts of time and rarely were in a hurry. Primitive languages often lacked tenses, and sometimes lacked even words for “yesterday” or “tomorrow.” The comparative nonchalance primitive people had toward time is still apparent today in rural, more traditional parts of the world. Life moves faster in the big city, where we are always in a hurry because time is scarce. But in the past, we experienced time as abundant. The more monetized society is, the more anxious and hurried its citizens. In parts of the world that are still somewhat outside the money economy, where subsistence farming still exists and where neighbors help each other, the pace of life is slower, less hurried. In rural Mexico, everything is done mañana. A Ladakhi peasant woman interviewed in Helena Norberg-Hodge’s film Ancient Futures sums it all up in describing her city-dwelling sister: “She has a rice cooker, a car, a telephone—all kinds of time-saving devices. Yet when I visit her, she is always so busy we barely have time to talk.” For the animal, child, or hunter-gatherer, time is essentially infinite. Today its monetization has subjected it, like the rest, to scarcity. Time is life. When we experience time as scarce, we experience life as short and poor. If you were born before adult schedules invaded childhood and children were rushed around from activity to activity, then perhaps you still remember the subjective eternity of childhood, the afternoons that stretched on forever, the timeless freedom of life before the tyranny of calendar and clocks. “Clocks,” writes John Zerzan, “make time scarce and life short.” Once quantified, time too could be bought and sold, and the scarcity of all money-linked commodities afflicted time as well. “Time is money,” the saying goes, an identity confirmed by the metaphor “I can’t afford the time.” If the material world
”
”
Charles Eisenstein (Sacred Economics: Money, Gift, and Society in the Age of Transition)
“
My mom was a sayyed from the bloodline of the Prophet (which you know about now). In Iran, if you convert from Islam to Christianity or Judaism, it’s a capital crime.
That means if they find you guilty in religious court, they kill you. But if you convert to something else, like Buddhism or something, then it’s not so bad. Probably because Judaism, Christianity, and Islam are sister religions, and you always have the worst fights with your sister.
And probably nothing happens if you’re just a six-year-old. Except if you say, “I’m a Christian now,” in your school, chances are the Committee will hear about it and raid your house, because if you’re a Christian now, then so are your parents probably. And the Committee does stuff way worse than killing you.
When my sister walked out of her room and said she’d met Jesus, my mom knew all that.
And here is the part that gets hard to believe: Sima, my mom, read about him and became a Christian too. Not just a regular one, who keeps it in their pocket. She fell in love. She wanted everybody to have what she had, to be free, to realize that in other religions you have rules and codes and obligations to follow to earn good things, but all you had to do with Jesus was believe he was the one who died for you.
And she believed.
When I tell the story in Oklahoma, this is the part where the grown-ups always interrupt me. They say, “Okay, but why did she convert?”
Cause up to that point, I’ve told them about the house with the birds in the walls, all the villages my grandfather owned, all the gold, my mom’s own medical practice—all the amazing things she had that we don’t have anymore because she became a Christian.
All the money she gave up, so we’re poor now.
But I don’t have an answer for them.
How can you explain why you believe anything? So I just say what my mom says when people ask her. She looks them in the eye with the begging hope that they’ll hear her and she says, “Because it’s true.”
Why else would she believe it?
It’s true and it’s more valuable than seven million dollars in gold coins, and thousands of acres of Persian countryside, and ten years of education to get a medical degree, and all your family, and a home, and the best cream puffs of Jolfa, and even maybe your life.
My mom wouldn’t have made the trade otherwise.
If you believe it’s true, that there is a God and He wants you to believe in Him and He sent His Son to die for you—then it has to take over your life. It has to be worth more than everything else, because heaven’s waiting on the other side.
That or Sima is insane.
There’s no middle. You can’t say it’s a quirky thing she thinks sometimes, cause she went all the way with it.
If it’s not true, she made a giant mistake.
But she doesn’t think so.
She had all that wealth, the love of all those people she helped in her clinic. They treated her like a queen. She was a sayyed.
And she’s poor now.
People spit on her on buses. She’s a refugee in places people hate refugees, with a husband who hits harder than a second-degree black belt because he’s a third-degree black belt. And she’ll tell you—it’s worth it. Jesus is better.
It’s true.
We can keep talking about it, keep grinding our teeth on why Sima converted, since it turned the fate of everybody in the story. It’s why we’re here hiding in Oklahoma.
We can wonder and question and disagree. You can be certain she’s dead wrong.
But you can’t make Sima agree with you.
It’s true.
Christ has died. Christ is risen. Christ will come again.
This whole story hinges on it.
Sima—who was such a fierce Muslim that she marched for the Revolution, who studied the Quran the way very few people do read the Bible and knew in her heart that it was true.
”
”
Daniel Nayeri (Everything Sad Is Untrue)