Helm's Deep Quotes

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.

Where and what are Helm’s Deep and all the rest of it?” said Merry. “I don’t know anything about this country.” “Then you’d best learn something, if you wish to understand what is happening,” said Gandalf. “But not just now, and not from me: I have too many pressing things to think about.” “All right, I’ll tackle Strider at the camp-fire: he’s less testy. But why all this secrecy? I though we’d won the battle!

When I was younger, Maman assumed pink was my favorite color for no reason at all. I didn't hate the color. It just wasn't me. I preferred jewel tones, emeralds and sapphires as deep as oceans, colors captains wore when they helmed ships and heroines when they sneaked away to meet their secret lover in the dead of night.

There is nothing to fear but fear itself," the captain announces from the helm, "and the occasional man-eating monster.

Why are you being so cruel?' 'Because you won't leave!' Jacks shouted. 'And if you stay, you will die. Chaos hasn't fed in thousands of years. I know he thinks he can control his hunger, but he can't. That's why they put the helm on him.' 'You could have just said that. If you didn't want me to say goodbye or you want me to leave, you don't have to hurt me to get me to do it.' 'I'm not- I-' Jacks broke off abruptly. His eyes were no longer just red, they were blazing with fear. She'd never seen him look so terrified before. She'd been poisoned, shot, lashed across the back, and Jacks had always kept his calm until now. With a great deal of effort, he took a deep breath, and when he spoke again, his voice was soft but uneven. 'I'm sorry, Little Fox. I didn't want to hurt you, I just-' He looked suddenly at a loss for words, as if whatever he said next might be the wrong thing. He's never looked at her like this before. 'Jacks, please, don't use the stones tonight. Come with me instead.' He took a jagged breath. For a second, he looked torn. He raked a hand through his hair, his movements jagged. Evangeline took a step closer. He shuttered his expression and took a step back. 'This doesn't change anything. I still can't have you in my life. You and I aren't meant to be.' 'What if you're wrong?' Evangeline had once heard a tale about a pair of doomed stars, drawn across skies toward each other's brightness, even though they knew that if they drew too close, their desire would end in a fiery explosion. This was how Jacks looked at her now. As if neither of them would survive if they drew any closer. 'Evangeline, you need to go.' A thunderous roar poured out from the Valory, so loud it shook the arch and the angels and the ground at Evangeline's feet. 'Get out of here.' Jacks said. She held his gaze, one final time, wishing she knew how to change his mind. 'I wish our story could have had another ending.' 'I don't want another ending,' Jacks said flatly. 'I just want you to leave.

So Annabeth was kidnapped on a motor scooter,” she summed up, “by Gregory Peck and Audrey Hepburn.” “Not kidnapped, exactly,” Percy said. “But I’ve got this bad feeling.…” He took a deep breath, like he was trying hard not to freak out. “Anyway, she’s—she’s gone. Maybe I shouldn’t have let her, but—” “You had to,” Piper said. “You knew she had to go alone. Besides, Annabeth is tough and smart. She’ll be fine.” Piper put some charmspeak in her voice, which maybe wasn’t cool, but Percy needed to be able to focus. If they went into battle, Annabeth wouldn’t want him getting hurt because he was too distracted about her. His shoulders relaxed a little. “Maybe you’re right. Anyway, Gregory—I mean Tiberinus—said we had less time to rescue Nico than we thought. Hazel and the guys aren’t back yet?” Piper checked the time on the helm control. She hadn’t realized how late it was getting. “It’s two in the afternoon. We said three o’clock for a rendezvous.” “At the latest,” Jason said. Percy pointed at Piper’s dagger. “Tiberinus said you could find Nico’s location…you know, with that.” Piper bit her lip. The last thing she wanted to do was check Katoptris for more terrifying images. “I’ve tried,” she said. “The dagger doesn’t always show what I want to see. In fact, it hardly ever does.” “Please,” Percy said. “Try again.” He pleaded with those sea-green eyes, like a cute baby seal that needed help. Piper wondered how Annabeth ever won an argument with this guy.

... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.

When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ’gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!

Hic Jacet Arthurus Rex Quondam Rexque Futurus Arthur is gone…Tristram in Careol Sleeps, with a broken sword - and Yseult sleeps Beside him, where the Westering waters roll Over drowned Lyonesse to the outer deeps. Lancelot is fallen . . . The ardent helms that shone So knightly and the splintered lances rust In the anonymous mould of Avalon: Gawain and Gareth and Galahad - all are dust. Where do the vanes and towers of Camelot And tall Tintagel crumble? Where do those tragic Lovers and their bright eyed ladies rot? We cannot tell, for lost is Merlin's magic. And Guinevere - Call her not back again Lest she betray the loveliness time lent A name that blends the rapture and the pain Linked in the lonely nightingale's lament. Nor pry too deeply, lest you should discover The bower of Astolat a smokey hut Of mud and wattle - find the knightliest lover A braggart, and his lilymaid a slut. And all that coloured tale a tapestry Woven by poets. As the spider's skeins Are spun of its own substance, so have they Embroidered empty legend - What remains? This: That when Rome fell, like a writhen oak That age had sapped and cankered at the root, Resistant, from her topmost bough there broke The miracle of one unwithering shoot. Which was the spirit of Britain - that certain men Uncouth, untutored, of our island brood Loved freedom better than their lives; and when The tempest crashed around them, rose and stood And charged into the storm's black heart, with sword Lifted, or lance in rest, and rode there, helmed With a strange majesty that the heathen horde Remembered when all were overwhelmed; And made of them a legend, to their chief, Arthur, Ambrosius - no man knows his name - Granting a gallantry beyond belief, And to his knights imperishable fame. They were so few . . . We know not in what manner Or where they fell - whether they went Riding into the dark under Christ's banner Or died beneath the blood-red dragon of Gwent. But this we know; that when the Saxon rout Swept over them, the sun no longer shone On Britain, and the last lights flickered out; And men in darkness muttered: Arthur is gone…

Sly and reckless, compulsive and bold. The goat-god, with hoof and smile and hairy ears, satyr at the helm of the Play Pen. Love him, understand him, forgive him, lead him shyly to Freud, or Jesus. Or else take the contemporarily untenable position that evil, undiluted by any hint of childhood trauma, does exist in the world, exists for its own precise sake, the pustular bequest from the beast, as inexplicable as Belsen.

Ultimately I was not responsible for the living of their lives. They were at the helm of their own lives, and I was suddenly willing to let that be—to let them pilot their courses, make their mistakes, learn their lessons, choose their roads, and take on for themselves the job of being human. Somehow I think this deep release needs to take place before a Many-Breasted Mother can take up her own life fully. Released of the need to oversee, overnurture, and overmanage, a woman’s life becomes newly her own.

Darkness my beloved home, I return! I return, not whole, but damaged. Fatigued by quixotic tendencies, The prodigal has come back famished. An outer world, so hostile and strange Filled immensely with ignorant natives The land where all good is forgotten Where hatred itself is life’s matrix. Though I’ve brought an odd mystery, An enigma that requires my genius A phenomenon, in foreign land; A veiled embodiment of Venus. Since, I’ve craved for my sanctuary, I have returned to you, oh darkness! Now I will restore my lost vigor to Unravel demeanors of this goddess. But..... Why am I estranged to this darkness? Maybe I’ve been away for too long, But shouldn’t home always feel home? Why am I in dire need to belong? As if this soul is deprived of life As if this body is in swift decay As if this mind screams for peace As if this heart calls to be lured ‘way Unwise, to have brought the goddess, When she is of a different realm Unfortunate, to have fallen in love, As she leaves to retain her helm Perhaps, this home lies deep within For everything is, but mere illusion Hence, I’ll reside her in my heart; To feel her, even in seclusion.

If Hoover had decided to step down at that moment in 1959, after thirty-five years at the FBI’s helm, we might remember him differently: as a popular and well-respected government official, often cruel and controversial but a hero to more Americans than not. Instead, he stayed on through the 1960s and emerged as one of history’s great villains, perhaps the most universally reviled American political figure of the twentieth century. His abuses and excesses, from the secret manipulations of COINTELPRO to his deep-seated racism, offer a troubling case study in unaccountable government power.

The pass opened straight on to the ice helm, which looked a mile wide, filling a deep valley between two sides of the Oxhorns. Snow covered its gaps, like butter smoothed with the flat of a knife. That made it far more dangerous than if it had been naked. Wild swung his longaxe into his hand, watching the ground for shadows and tucks that boded a hidden crack in the helm. At least the layer of snow was thin. About halfway across the ice, an isle of rock hunched free. Hróthi buildings huddled on it, flying the same banners. Wolf tested the ice underfoot before he took the first step, Thrit at his side. “I used to have nightmares about falling into a break,” Thrit said. Their cleats rasped through the snow. “Vell always said they were bottomless.” “Don’t talk about it.” “Fine. I’ll think about it.

Frodo peering forward saw in the distance two great rocks approaching: like great pinnacles or pillars of stone they seemed. Tall and sheer and ominous they stood upon either side of the stream. A narrow gap appeared between them, and the River swept the boats towards it. ‘Behold the Argonath, the Pillars of the Kings!’ cried Aragorn. ‘We shall pass them soon. Keep the boats in line, and as far apart as you can! Hold the middle of the stream!’ As Frodo was borne towards them the great pillars rose like towers to meet him. Giants they seemed to him, vast grey figures silent but threatening. Then he saw that they were indeed shaped and fashioned: the craft and power of old had wrought upon them, and still they preserved through the suns and rains of forgotten years the mighty likenesses in which they had been hewn. Upon great pedestals founded in the deep waters stood two great kings of stone: still with blurred eyes and crannied brows they frowned upon the North. The left hand of each was raised palm outwards in gesture of warning; in each right hand there was an axe; upon each head there was a crumbling helm and crown. Great power and majesty they still wore, the silent wardens of a long-vanished kingdom. Awe and fear fell upon Frodo, and he cowered down, shutting his eyes and not daring to look up as the boat drew near. Even Boromir bowed his head as the boats whirled by, frail and fleeting as little leaves, under the enduring shadow of the sentinels of Númenor. So they passed into the dark chasm of the Gates.

Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn. When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ‘gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!

The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears. Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood. “He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm. “Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide. His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in. “No.” She hadn’t expected him to give her an answer, and certainly not that one. “No? I don’t believe it. What have you done that’s gone against his wishes?” Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher. Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it. “He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers. “But clearly,” Oscar continued, leaning toward her, “I didn’t listen.” His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her. “Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.” He moved away from the rail. “If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.” She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.

Chicago, Illinois 1896 Opening Night Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago. She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down. Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint. Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.” “No time.” A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry. She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call. But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame. Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching. The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face. Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands. A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company.

Denedor’s helmed head turned to her. “My lady,” he said in his patient, deep voice. “You do not know what transpires in the hearts of men.  Understand that there are some things worth fighting and dying for by any means necessary.  This is one of those times.

No dinner parties. Unless you count me fighting off Fafhrd and Gray if I make a tuna sandwich, and then it´s less dinner party and more Battle of Helm´s Deep.

and suddenly it was all ‘Lord of the Flies’ meets the Battle for Helm’s Deep.

Now as the train moved towards Calcutta, Malay felt as if his life was coming full circle. It had been a strange decision to visit the city at a time when post-Partition vomit and excreta was splattered on Calcutta streets. Marked by communal violence, anger and unemployment, the streets smelled of hunger and disillusionment. Riots were still going on. The wound of a land divided lingered, refugees from East Pakistan (now Bangladesh) continued to arrive in droves. And since they did not know where to go, they occupied the pavements, laced the streets with their questions, frustrations and a deep need to be recognised as more than an inconvenient presence on tree-lined avenues. The feeling of being uprooted was everywhere. Political leaders decided that the second phase of the five-year planning needed to see the growth of heavy industries. The land required for such industries necessitated the evacuation of farmers. Devoid of their ancestral land and in the absence of a proper rehabilitation plan, those evicted wandered aimlessly around the cities—refugees by another name. Calcutta had assumed different dimensions in Malay’s mind. The smell of the Hooghly wafted across Victoria Memorial and settled like an unwanted cow on its lawns. Unsung symphonies spilled out of St Paul’s Cathedral on lonely nights; white gulls swooped in on grey afternoons and looked startling against the backdrop of the rain-swept edifice. In a few years, Naxalbari would become a reality, but not yet. Like an infant Kali with bohemian fantasies, Calcutta and its literature sprouted a new tongue – that of the Hungry Generation. Malay, like Samir and many others, found himself at the helm of this madness, and poetry seemed to lick his body and soul in strange colours. As a reassurance of such a huge leap of faith, Shakti had written to Samir: Bondhu Samir, We had begun by speaking of an undying love for literature, when we suddenly found ourselves in a dream. A dream that is bigger than us, and one that will exist in its capacity of right and wrong and beyond that of our small worlds. Bhalobasha juriye Shakti

helm, and how it was buried in a deep underground cavern,

The girl is nine and narrow-faced like a sleek hunting dog. Electra, the eldest of Sevro’s three daughters, is taller than my son and twice as thin. But while Pax radiates an inner joy that makes adults’ eyes twinkle, there’s a deep grimness to the girl. Her eyes are dusky gold and hidden behind heavy lids. Sometimes when they look at me, I feel them judging with an aloofness that reminds me of her mother. Sevro leans forward eagerly. “I’ll wager Aja’s razor against Apollonius’s helm that my wee monster beats the piss out of your boy.” “I’m not going to bet on our children,” I whisper in indignation. “I’ll throw Aja’s Institute ring in as well.” “Have some decency, Sevro. They’re our children.” “And Octavia’s cape.” “I want the Falthe Ivory Tree.” Sevro gasps. “I love the Ivory Tree. Where else will I hang my trophies?” I shrug. “No Ivory Tree, no bet.” “Bloodydamn savage,” he says, sticking out a hand to shake. “You have a deal.

I could have traveled the remainder of my eternally bound life not seeking a true and living God. Many times, He was trying to speak to me, Ignorantly avoided influences like church, praying, reading the Holy Bible. Lost in the jailhouse of sin's deep darkness, with no care in the world to allow Jesus to direct my decisions. I wanted to lead the helm of my life the way I thought was best. Choosing our selfish ways is like shooting an arrow at a target fully missing the center of the bulls-eye. Doing what pleases me, me, me, leads us astray. Since sin is in us, we think sins are normal when they are the exact opposite. Only Jesus can change our inward nature to fulfill the center of His will.

With the thirty-foot miniature of Helm’s Deep, complete with the Hornburg keep, Deeping Wall and polystyrene cliffsides recently constructed with Lee’s assistance, Jackson went out and bought 5,000 1/32nd scale plastic soldiers. ‘Sort of Medieval guys with pikes,’ he reports happily, having cleaned out Wellington’s toyshops. A poor soul spent two weeks laboriously gluing them down in groups of twelve to blocks of wood so the director could move formations of Uruk-hai around like Napoleon.

My meal from Honey and Hickory came with a side of dysentery straight out of Oregon Trail.’” Finn now spat out the quote against the echo of Simone’s accusation, reciting from memory a review he’d found on a late-night, liquor-fueled deep dive into all things Honey and Hickory. “That’s a direct quote from a one-star review I found for Simone’s historic family restaurant online.” Simone strode forward and claimed center stage. “Written by a disgruntled cook who was fired for never showing up to work. It hardly classifies as empirical evidence.” “Look, Ms. Blake,” he said, leaning heavy on the honorific like she had, gratified when her eyes narrowed. “Beyond Honey and Hickory’s subpar reviews, your generic flavors can’t match the nuance of Finn’s Secret Sauce. You’re a mom-and-pop barbecue joint with no soul, stuck in the past.” Directing his next words to the investors, he said, “Whereas I’m all heart, focused on the future of barbecue. Sustainable, organic, outside-the-box flavor blends.” Simone clicked her tongue. “Organic? Wow, super cutting edge. If this was 1999.” Hands on her hips, she angled away from him, toward the crowd. “Honey and Hickory was farm to table long before it was fashionable, and we cook with locally sourced meat and home-grown produce.” “Like you had anything to do with that? Your grandfather probably set up those contacts while you were in diapers.” He turned his focus on the audience; two could play at that game. “Don’t let Ms. Blake fool you. She’s been at the helm of the restaurant for less than a year, yet she’s trying to convince you she played a role in Honey and Hickory’s decades of success.

Earlier Vale had said, “In the words of Gandalf, the battle for Helm’s Deep is over. The battle for Middle Earth is about to begin.” Knox had understood the gist.

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come. And plink! a silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes: they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.

I remember once in the Arctic, when we were attempting to cross the frozen North Atlantic in a small, open rigid inflatable boat (RIB), that I heard that voice very clearly. We had been caught out in a monster, sub-zero, gale-force 8 storm, 400 miles off the coast of Greenland - and we were struggling. We were reduced to a crawl as we battled up and down huge, freezing waves and crashing white water. It felt like only a matter of time before we would be capsized to our deaths in the black and icy sea during this longest of nights. Each time one of us handed over the control of the little boat to another crew member to do their shift at the wheel, we had an especially frightening few minutes as the new helmsman fought to become accustomed to the pitch and character of those freak waves. If ever we were going to be capsized, it was during these change-over times. We got lucky once. We were all thrown off our seats after the RIB had been tossed up and landed on the side of her tubes, only to topple back, by luck, the right way up. We then got lucky a second time in a similar incident. Instinct told me we wouldn’t get so lucky a third time. ‘No more mistakes. Helm this yourself,’ I felt the voice saying to me. As I prepared to hand over to Mick, my old buddy, something deep inside me kept repeating, ‘Just keep helming for a bit longer - see this team through the storm yourself.’ But we had a rota and I also knew we should stick to it. That was the rule. Yet the voice persisted. Eventually I shouted over the wind and spray to Mick that I was going to keep helming. ‘Trust me,’ I told him. Mick then helped me all through that night, pouring Red Bull down my throat as we got thrown left and right, fighting to cling on to the wheel and our seats. By dawn, the seas were easing and by the next evening we could see the distant coast of Iceland ahead. Finally. Afterwards, two of the crew said to me quietly that they had been so terrified to helm that they were praying someone else would do it. I had been exhausted, and logic had said to hand over, but instinct had told me I should keep steering. Deep down I knew that I had been beginning to master how to control the small boat in the chaos of the waves and ice - and that voice told me we might not get a third lucky escape. It was the right call - not an easy one, but a right one. Instinct doesn’t always tell us to choose the easier path, but it will guide you towards the right one.

Please,’ the man wept, ‘please don’t kill me.’ Through his helm’s olfactory receptors, Talos scented the cloying incense on the mortal’s robes, and the sour reek of his breath. He was infected with… something. Something within his body. A cancer, perhaps, eating at his lungs… Taint. He reeked of taint. Talos let the man stare into the impassive skulled face of his helm for several more beats of his panicked, mortal heart. Let the fear build. The words of his gene-father, the teachings of the VIII Legion: Show the prey what the predator can do. Show that death is near. The prey will be in your thrall. ‘Do you wish to join your friends in death?’ he snapped, knowing his helm’s speakers turned the threat into a mechanical bark. ‘No, please. Please. Please.’ Talos shivered involuntarily. Begging. He had always found begging particularly repulsive, even as a child in the street gangs of Atra Hive on Nostramo. To reveal that level of weakness to another being… With a feral snarl, he pulled the man’s weeping, pleading face against the cold front of his helm. Tears glistened on the ceramite. Talos felt his armour’s machine-spirit roil at the new sensation, like a river serpent thrashing in deep

It's only words and words are all I've. I'm a person who enjoys quiet moments, of reflection and Introspection. And over the years I've come to grasp a fundamental truth about myself: "Words are all I have." This realization runs deep, emphasizing the significance of my composing journey. It's an acknowledgment that the very make-up of my being, from couching joy to helming sorrow, relies on my art of words. It's only words, but to me, they hold the essence of my dreams. Each word I speak or write is a reflection of who I am and what I feel. They're not just letters strung together; they're pieces of my soul; shared.. It's only words, but they're my gateway to the world of my innermost thoughts and feelings. With each word expressed, I reveal a piece of my heart, offering glimpses into my fear and mettle. Through the art of language, I try to epitomize, I reveal the sanctuary of my soul, trusting, with the raw beauty of the vulnerabilities. In this self-awareness, I find the strength that accompany the words I choose to wield. They often become the bridge between my inner world and the external reality, giving meaning to my experiences and connecting me with others on a profound level. It's only words. This very phrase encapsulates the essence of my personal journey—a recognition of the weight and wonder held within the words that accompany me through every epoch of my life. Wishes are a strong current guiding us through the river of dreams, gently nudging us towards the shores of our deepest desires. I wish my words dance like poetry and sing like music, leaving a trail of wonder and enchantment in their wake.

When I was younger, Maman assumed pink was my favorite color for no reason at all. I didn’t hate the color. It just wasn’t me. I preferred jewel tones, emeralds and sapphires as deep as oceans, colors captains wore when they helmed ships and heroines when they sneaked away to meet their secret lover in the dead of night.