Helicopter Quotes

We've searched our database for all the quotes and captions related to Helicopter. Here they are! All 100 of them:

How do you feel about helicopters?" There was a long pause. "How do you mean? Ethically?" "As a mode of transportation." "Faster than camels, but less sustainable.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly. “No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.” My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified. “You want to play on your Xbox?” I ask. He laughs, loudly. “No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath. “You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.” “Just open the damn door, Christian.” He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in. And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition. Holy fuck.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
You'll blow up a helicopter, but you won't go out with me? What is wrong with you?
Meg Cabot (When Lightning Strikes (1-800-Where-R-You, #1))
Fury didn’t stop her prep. “Bryce was a ghost for a long while, Hunt. She pretended she wasn’t, but she was.” The helicopter finally pulled into the air. “You brought her back to life.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
He pulls up outside my duplex. I belatedly realize he’s not asked me where I live - yet he knows. But then he sent the books, of course he knows where I live. What able, cell-phone-tracking, helicopter owning, stalker wouldn’t.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
We still name our military helicopter gunships after victims of genocide. Nobody bats an eyelash about that: Blackhawk. Apache. And Comanche. If the Luftwaffe named its military helicopters Jew and Gypsy, I suppose people would notice.
Noam Chomsky (Propaganda and the Public Mind)
On the 30th of April 1975, American helicopters flew out of Saigon in an ignominious retreat as the tanks of the People’s Liberation Army of Vietnam rumbled into the grounds of the American Embassy in Saigon.
Michael G. Kramer (A Gracious Enemy & After the War Volume One)
A ruby-encrusted orb popped its top and helicopter blades unfolded. Leo was glad Buford the table wasn't here-he would've fallen in love.
Rick Riordan
On the 30th of April 1975, American helicopters flew out of Saigon in an ignominious retreat as the tanks of the People’s Liberation Army of Vietnam rumbled into the grounds of the American Embassy in Saigon. (A Gracious Enemy & After the War Volume Two)
Michael G. Kramer
How can i eat now? I'm going to Seattle by helicopter with Christian Gray..And he wants to bite my lip..
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Locating the village elders, he said to them, “I think that we are in for a bad time. The American Sky Soldiers are coming by helicopter and the usual things the Americans do of air strikes by fighter-bombers and by B52 large bombers is starting at Long Phuoc! I fear the worst!
Michael G. Kramer (A Gracious Enemy)
She was standing in the airport of Copenhagen, staring at a doorway, trying to figure out if it was (a) a bathroom and (b) what kind of bathroom it was. The door merely said H. Was she an H? Was H "hers"? It could just as easily be "his". Or "Helicopter Room: Not a Bathroom at All
Maureen Johnson (13 Little Blue Envelopes (Little Blue Envelope, #1))
Scientists tell us that the fastest animal in the world, with a speed of 120 mph, is a cow dropped out of a helicopter.
Dave Barry
Also, truth be told, he wasn't very good at flying a helicopter, despite several lessons. He seemed to lack the important ability to orient himself vertically as well as horizontally, which led to disagreements involving trees.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Jason turned to Leo. “Do you think you can fly this thing?” “Um…” Leo put his hand on the side of the helicopter, concentrating hard, as if listening to the machine. “Bell 412HP utility helicopter,” Leo said. “Composite four-blade main rotor, cruising speed twenty-two knots, service ceiling twenty-thousand feet. The tank is near full. Sure, I can fly it.” Piper smiled at the ranger again. “You din’t have a problem with an under-aged unlicensed kid borrowing your copter, do you? We’ll return it.” “I-“ The pilot nearly choked on the words, but she got them out: “I don’t have a problem with that.” Leo grinned. “Hop in kids, Uncle Leo’s gonna take you for a ride.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
God is great and God is good," Lisa says. "But where are the Apache attack helicopters when you need them?
Suzanne Finnamore (Split: A Memoir of Divorce)
At the door to the helicopter, Gansey looked bad over his shoulder at them, his smile complicated when he saw them holding hands.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Yeah. A feeling. Like the whole point of my life from the alleys in Bangkok to the yachts and private island to coming here like a crazy person trying to fly a helicopter like all of it from birth to here point A to point Z was all some big cosmic trick to get me to meet you. - Sanjit to Lana
Michael Grant (Plague (Gone, #4))
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
loneliness can fly a helicopter through a cut-out shape of a helicopter the same size as the helicopter and that's it's only skill and it isn't good enough but it's still amazing.
Tao Lin (this emotion was a little e-book)
Lieutenant Linh said, “Thank you for this valuable information, it gives us an opportunity to take counter-measures to nullify the American attack! I have here, over a thousand young and inexperienced soldiers who are a bit fearful of the Americans. Our young soldiers are asking questions like, “Will an old carbine bullet kill a big American?” and “Would a bullet actually kill a big black American?” He went on to say, “I reassure them that their bullets will kill Americans if they strike at the right spot!” Later on, he was to say, “Four days later, the Americans came. We watched with heavy hearts as their helicopters endlessly were landing men.
Michael G. Kramer (A Gracious Enemy)
Imagine this: You’re driving. The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star. so smile for the camera, it’s your big scene, you know your lines. I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have. Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die in your best friend’s arms. And you play along because it’s funny, because it’s written down, you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along. Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily. I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath. 'Planet of Love
Richard Siken (Crush)
I know loving me isn’t easy – the all-night helicopter parties, the glow-in-the-dark haircuts, but when I look at you it’s like praying with my eyes. I know it’s stupid to not own a gun yet have so many triggers, but in some other world gigantic seashells hold humans to their ears and listen to the echo of machines.
Jeffrey McDaniel
With Blue here, he was beginning to feel as if possibly he'd overdone it with the helicopter. He wondered if it would make Blue feel better or worse to know that it was Helen's helicopter, that he hadn't paid anything today for the use of it. Probably worse. Remembering his vow to at least do no harm with his words, he kept his mouth shut.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Wouldn't it be wonderful if I won a helicopter in a crossword puzzle competition? There is not much hope though I am afraid, as they never give such practical prizes.
Leonora Carrington (The Hearing Trumpet)
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day. But
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Comfort was the drug she hadn’t understood until it was too late and she was hooked on cups of tea and book-lined shelves, nights uninterrupted by the wail of sirens and the ceaseless churning of helicopters overhead.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
Helicopter parents. Before I started at Pirriwee Public, I thought it was an exaggeration, this thing about parents being overly involved with their kids. I mean, my mum and dad loved me, they were, like, interested in me when I was growing up in the nineties, but they weren't, like, obsessed with me.
Liane Moriarty (Big Little Lies)
He didn't like to see either of the women in his family disappointed; it ruined perfectly good meals.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
giving myself enough room to center myself and then quickly transform into a handsome helicopter.
Chuck Tingle (Helicopter Man Pounds Dinosaur Billionaire Ass)
Trauma destroys the fabric of time. In normal time you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy or bouncing like a rubber ball from now to then to back again. ... In the traumatic universe the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas.
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
I don't suppose you have a rocket powered helicopter hidden in your bra?
Jackie Williams (Tinted Lenses)
Emma gasped. "You drank faerie wine? Cristina! That's how you black out and wake up the next day under a bridge with a tattoo that says I LOVE HELICOPTERS.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Come spring, the trees give us gifts. Green bits that helicopter down from above. When they land, Joey and I follow, retrieve them and bend the blades until they touch, releasing the glue inside so we can stick them onto our noses and call each other Pinocchio. This beats anything in my yard. Gathering buds that die and fall was fine once. But chasing helicopters and having a green nose is better.
Georgia Scott (American Girl: Memories That Made Me)
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
John Cassavetes
There was something about being in the vicinity of Grahame Coats that always made Fat Charlie (a) speak in cliches and (b) begin to daydream about huge black helicopters first opening fire upon, then dropping buckets of flaming napalm onto the offices of the Grahame Coats agency. Fat Charlie would not be in the office in those daydreams. He would be sitting in a chair outside a little cafe on the other side of Aldwych, sipping a frothy coffee and occasionally cheering at an exceptionally well-flung bucket of napalm.
Neil Gaiman (Anansi Boys)
Science ran too far ahead of us too quickly, and the people got lost in a mechanical wilderness, like children making over pretty things, gadgets, helicopters, rockets; emphasizing the wrong items, emphasizing machines instead of how to run the machines.
Ray Bradbury (The Martian Chronicles)
Vietnam, me love you long time. All day, all night, me love you long time. (...) Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning. Long time.
Alex Garland (The Beach)
Well, aren’t you a massive prick,” I said, quietly, under the roar of the helicopter. “What?” Sanders asked. “I said, ‘That’s a nifty trick.
John Scalzi (The Kaiju Preservation Society)
A sombrero fell out of the sky and landed on the main street of town in front of the mayor, his cousin, and a person out of work. The day was scrubbed clean by the desert air. The sky was blue. It was the blue of human eyes, waiting for something to happen. There was no reason for a sombrero to fall out of the sky. No airplane or helicopter was passing overhead and it was not a religious holiday.
Richard Brautigan (Sombrero Fallout (Arena Books))
In my country, terawatt globes are reserved for police helicopter chases and warning sailors of hazardous shoals. This is despite the fact that practically every living creature there can kill you in under three minutes. Our primary spoken language is screaming.
David Thorne
He could tell Big Tag was going to be a helicopter parent. An Apache attack helicopter parent.
Lexi Blake (Master No (Masters and Mercenaries, #9))
Checking in on what our kids are doing online isn't helicoptering, it's parenting.
Galit Breen (Kindness Wins)
Looking down on it from the helicopter, with a bottle of Jack in my left hand, a bag of pills in my right hand, and a blond head bobbing up and doen in my lap, I felt like the king of the world.
Vince Neil (The Dirt: Confessions of the World's Most Notorious Rock Band)
In her defense, her helicoptering tended to revolve around making sure that Dee could take care of herself. LEARN HOW TO TAKE OUT THE TRASH OR I WILL KILL YOU. LOVE MOM.
Karin Slaughter (Pretty Girls)
In retrospect, this seems to summarize all the insanity of that time. Guy is standing on top of a burning building. Helicopter arrives, hovers, drops a rope ladder. Climb up! the man leaning out of the helicopter's door shouts. Guy on top of burning building responds, Give me two weeks to think about it.
Stephen King (On Writing: A Memoir of the Craft)
designing a secret passage, where would I put it? He could sometimes figure out how a machine worked by putting his hand on it. He’d learned to fly a helicopter that way. He’d fixed Festus the dragon that way (before Festus crashed and burned). Once he’d even reprogrammed the electronic billboards in Times Square to read: ALL DA LADIES LUV LEO…accidentally, of course.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
A successful college president once complained to me, I'm so busy that I'm going to have to get a helicopter! Well, I answered, you'll be ahead so long as you're the only president who has one. But don't get it. Everyone will expect more out of you.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
Hand-to-hand combat with three hundred pounds of screaming monkey menace is not my idea of a fair fight. My idea of a fair fight is one unarmed, toothless, nearsighted old monkey versus me with a Blackhawk attack helicopter.
Dean Koontz (Seize the Night (Moonlight Bay, #2))
Mister Hendricks [was] manning a rotating-barreled minigun fixed to the deck of the helicopter--completely illegally, of course. But then, I suppose that's really one major advantage to working with criminals. They just don't care about that sort of thing.
Jim Butcher (Small Favor (The Dresden Files, #10))
No matter how you define success, you will need to be resilient, empowered, authentic, and limber to get there.
Joanie B. Connell (Flying Without a Helicopter: How to Prepare Young People for Work and Life)
You don't understand my dis-mounting. It's like climbing a mountain. Would you rather climb the mountain or have a helicopter deposit you on the top? The continual climb, the continual remounting, makes it a richer experience, and so on.
Tom Wolfe (The Electric Kool-Aid Acid Test)
I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
Joey Comeau (We all got it coming)
Hazel understood. Being grown up meant doing what grown-ups wanted you to do. it meant sacrificing your imagination for rules. It meant sitting quietly in you chair while your best friend is helicoptered off for emergency eye surgery. It meant letting people say whatever they wanted to you.
Anne Ursu (Breadcrumbs)
WHITE AMERICANS HAVE A VERY UNUSUAL SENSE OF HISTORY. They make it up as they go along, constantly revising to suit their tastes in a manner that would make Stalin blush. Very few of them saw any irony in the fact that during a recent nasty Balkans conflict, when Uncle Sam intervened to stop the Serbs from ethnically cleansing the Bosnians, the military action was performed using Apache helicopter gunships. Helicopters named after a people that had been ethnically cleansed in the United States less than one hundred years previously. Sixteen lane highways across the sacred burial grounds. Yee-hah.
Craig Ferguson (Between the Bridge and the River)
Colored people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yet, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he's on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. Ten minutes after death a man's a speck of black dust. Let's not quibble over individuals with memoriams. Forget them. Burn all, burn everything. Fire is bright and fire is clean.
Ray Bradbury
The kids filed quietly to the edge of the strip to wait for the helicopters. Other Marines stopped to watch them, wanting to say an encouraging word yet not daring to break into their private world — a world no longer shared with ordinary people. Some of them were experiencing the last hour of that brief mystery called life.
Karl Marlantes (Matterhorn)
The whole idea of losing one's virginity is kind of ridiculous. To lose something implies carelessness. A mistake that you can fix simply by recovering the lost object, like your cell phone or your glasses. Virginity is more like shedding something than losing it. As in, "Don't worry, Mom. You can call off the helicopters and police dogs. Turns out - get this - I didn't actually lose my virginity. I just cast it off somewhere between here and Monterey. Can you believe it? It could be anywhere by now, what with all that wind.
Sarah Ockler (Twenty Boy Summer)
The riot had taken on a beauty of its own now. Arcs of gasoline fire under the crescent moon. Crimson tracer in mystical parabolas. Phosphorescence from the barrels of plastic bullet guns. A distant yelling like that of men below decks in a torpedoed prison ship. The scarlet whoosh of Molotovs intersecting with exacting surfaces. Helicopters everywhere: their spotlights finding one another like lovers in the Afterlife. And all this through a lens of oleaginous Belfast rain.
Adrian McKinty (The Cold Cold Ground (Detective Sean Duffy, #1))
The days seemed to stretch out toward infinity, blank and humid, without purpose, and at night I was kept awake by the endless drone of mosquitoes and helicopters. (Why wars must be contested under such conditions I shall never understand. Is not death sufficient?)
Tim O'Brien (Tomcat in Love)
Even thinking was hard.
John Sandford (Naked Prey (Lucas Davenport, #14))
The economic boom has given us too many people with helicopters and too many crushed into cockroachy flats from hell, way too many loathing their lives in fluorescent cubicles, enduring for the weekend and then starting all over again, and we're fracturing under the weight of it.
Tana French (The Likeness (Dublin Murder Squad, #2))
So bring on your clubs and parties, your acrobats and magicians, your daredevils, jet cars, motorcycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.
Ray Bradbury
She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.
Julez (Duplicity)
Angry Trish had changed all his contacts to characters from Fifty Shades of Grey. He knew this because Al’s Auto Shop, usually listed first, was now “50 Shades of Grey gave me more orgasms than you.” After that he had Anastasia Steele and A Helicopter. Worst of all, his mom—whose number he could thankfully remember—was listed as The Red Room of Pain.
Debra Anastasia (Return to Poughkeepsie (Poughkeepsie Brotherhood, #2))
Look, life is stressful. This is true everywhere. But life in Night Vale is more stressful. There are things lurking in the shadows. Not the projections of a worried mind, but literal Things, lurking, literally, in shadows. Conspiracies are hidden in every storefront, under every street, and floating in helicopters above. And with all that there is still the bland tragedy of life. Births, deaths, comings, goings, the gulf of subjectivity and bravado between us and everyone we care about. All is sorrow, as a man once said without really doing much about it.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Pretend" often confuses the adult, but it is the child's real and serious world, the stage upon which any identity is possible and secret thoughts can be safely revealed.
Vivian Gussin Paley (The Boy Who Would Be a Helicopter)
Science ran too far ahead of us too quickly, and the people got lost in a mechanical wilderness, like children making over pretty things, gadgets, helicopters, rockets; emphasizing the wrong items, emphasizing machines instead of how to run the machines. Wars got bigger and bigger and finally killed Earth. That
Ray Bradbury (The Martian Chronicles)
This inability to ground his fantasies in reality has generally been regarded as one of Leonardo’s major failings. Yet in order to be a true visionary, one has to be willing to overreach and to fail some of the time. Innovation requires a reality distortion field. The things he envisioned for the future often came to pass, even if it took a few centuries. Scuba gear, flying machines, and helicopters now exist. Suction pumps now drain swamps. Along the route of the canal that Leonardo drew there is now a major highway.
Walter Isaacson (Leonardo da Vinci)
We were on the Congo’s eastern edge and, as the helicopter climbed higher, I could see nothing but an unbroken spread of vegetation. I was looking at the Congo’s rainforest, one of the natural wonders of the world. Conservationists describe it as one of the Earth’s lungs, an immense expanse of oxygen-generating green, matched in size only by the Amazonian rainforest. Explorers recorded it as one of the most impenetrable and hostile environments on the planet – as clammy as a pressure cooker, thick with disease, capped by a tree-top canopy too solid for sunlight to penetrate.
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
Canada?" Ash said. "You didn't say it was in Canada. "I said Ontario." (Maya) "I thought you meant Ontario, California." "Seriously?" Tori said,rolling her eyes. "A helicopter to California? You may be hot,but your sister clearly inherited all the brains in the family." "Did she call me hot?" Ash whispered to me, looking more annoyed than he ever did when someone called him a jerk. "She hasn't been on a date in six months", Derek rumbled behind us. "No offense, but as long as aren't related to her, you're fair game. Hell, even--" Tori spun on him. "I didn't know." "Um, wait a sec," Corey said. "So Ash is hot and I'm seriously cute? Is there a difference?" "Yes," Hayley said, and propelled him through the line.
Kelley Armstrong (The Rising (Darkness Rising, #3))
Children are not born for the benefit of their parents, neither are they the property of their family. Children belong to the future.
Anthon St. Maarten
The calcium in your bones came from a star. We are all made from recycled bits and pieces of the universe. This matters because origins matter. For example, if you were born to a reigning monarch but kidnapped by the black market baby underground shortly after birth and sent to America where you were raised by common, unremarkable people from Ohio, and when you were in your thirties working as a humble UPS driver, dignitaries landed their helicopter on the roof of your crummy apartment building and informed you of their thirty-plus year search for you, His Royal Highness, the course of your life might change. You know? Our familial genetic origins -medical histories- inform us of medical conditions which exist in our families and when we know about these specific conditions, we can sometimes take certain actions to prevent them. Which is why I think it’s important to consider that billions of years before we were students and mothers and dog trainers and priests, we were particles that would form into star after star after star until forever passed, and instead of a star what formed was life; simplistic, crude, miraculous. And after another infinity, there we were. And this is why for you, anything is possible. Because you are made out of everything.
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
Alex's T-shirt is red, and for a second I think it's a trick of the light, but then I realise he's drenched, soaked in blood: blood seeping across his chest, like the stain seeping up the sky, bringing another day to the world. Behind him is that insect army of men, all running toward him at once, guns drawn. The guards are coming too, reaching for him from both sides.....The helicopter has him fixed in it's spotlight. He is standing white and still and frozen in its beam, and I don't think I have ever, in my life, seen anything more beautiful than him.
Lauren Oliver (Delirium (Delirium, #1))
The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.
Kate Chopin (The Awakening)
I settled in and told Michael, "Now, if only we had some Wagner to send us on our way." I saw Gard's reflection in the chopper's front windows look up at my words. Then she flicked a couple of switches, and "Ride of the Valkyries" started thrumming through the helicopter's cabin. "Yee-haw," I said as my elbows and knees started a nagging ache. "As long as we're going, we might as well go out in style.
Jim Butcher (Death Masks (The Dresden Files, #5))
Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
In particular, our culture focuses almost entirely on one aspect of the parent-child relationship. That’s control—how much control the parent exerts over the child, and how much control the child tries to exert over the parent. The most common parenting “styles” all revolve around control. Helicopter parents exert maximal control. Free-range parents exert minimal. Our culture thinks either the adult is in control or the child is in control.
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)
Long before we had writing or farms or post-digital strike helicopters, we had each other. We lived together and changed each other, and so we needed to say “this is who I am, this is what I do.” So, in the same way that we attached sounds to meanings to make language, we began to attach clusters of behavior to signal social roles. Those clusters were rich, and quick-changing, and so just like language, we needed networks devoted to processing them. We needed a place in the brain to construct and to analyze gender.
Isabel Fall
Almost as an article of faith, some individuals believe that conspiracies are either kooky fantasies or unimportant aberrations. To be sure, wacko conspiracy theories do exist. There are people who believe that the United States has been invaded by a secret United Nations army equipped with black helicopters, or that the country is secretly controlled by Jews or gays or feminists or black nationalists or communists or extraterrestrial aliens. But it does not logically follow that all conspiracies are imaginary. Conspiracy is a legitimate concept in law: the collusion of two or more people pursuing illegal means to effect some illegal or immoral end. People go to jail for committing conspiratorial acts. Conspiracies are a matter of public record, and some are of real political significance. The Watergate break-in was a conspiracy, as was the Watergate cover-up, which led to Nixon’s downfall. Iran-contra was a conspiracy of immense scope, much of it still uncovered. The savings and loan scandal was described by the Justice Department as “a thousand conspiracies of fraud, theft, and bribery,” the greatest financial crime in history. Often the term “conspiracy” is applied dismissively whenever one suggests that people who occupy positions of political and economic power are consciously dedicated to advancing their elite interests. Even when they openly profess their designs, there are those who deny that intent is involved. In 1994, the officers of the Federal Reserve announced they would pursue monetary policies designed to maintain a high level of unemployment in order to safeguard against “overheating” the economy. Like any creditor class, they preferred a deflationary course. When an acquaintance of mine mentioned this to friends, he was greeted skeptically, “Do you think the Fed bankers are deliberately trying to keep people unemployed?” In fact, not only did he think it, it was announced on the financial pages of the press. Still, his friends assumed he was imagining a conspiracy because he ascribed self-interested collusion to powerful people. At a World Affairs Council meeting in San Francisco, I remarked to a participant that U.S. leaders were pushing hard for the reinstatement of capitalism in the former communist countries. He said, “Do you really think they carry it to that level of conscious intent?” I pointed out it was not a conjecture on my part. They have repeatedly announced their commitment to seeing that “free-market reforms” are introduced in Eastern Europe. Their economic aid is channeled almost exclusively into the private sector. The same policy holds for the monies intended for other countries. Thus, as of the end of 1995, “more than $4.5 million U.S. aid to Haiti has been put on hold because the Aristide government has failed to make progress on a program to privatize state-owned companies” (New York Times 11/25/95). Those who suffer from conspiracy phobia are fond of saying: “Do you actually think there’s a group of people sitting around in a room plotting things?” For some reason that image is assumed to be so patently absurd as to invite only disclaimers. But where else would people of power get together – on park benches or carousels? Indeed, they meet in rooms: corporate boardrooms, Pentagon command rooms, at the Bohemian Grove, in the choice dining rooms at the best restaurants, resorts, hotels, and estates, in the many conference rooms at the White House, the NSA, the CIA, or wherever. And, yes, they consciously plot – though they call it “planning” and “strategizing” – and they do so in great secrecy, often resisting all efforts at public disclosure. No one confabulates and plans more than political and corporate elites and their hired specialists. To make the world safe for those who own it, politically active elements of the owning class have created a national security state that expends billions of dollars and enlists the efforts of vast numbers of people.
Michael Parenti (Dirty Truths)
There are many different reasons why I paint, but without intending it I always recreate the same scene over and over again: a group of boys with outstretched arms, standing on the freezing mountain with two helicopters arriving from the valley. I paint them again and again, but what is most curious is that every time I paint them I count the boys, never knowing whether they are greeting the helicopters when they arrive or saying goodbye when they leave. I count them and I count them again, and with tears in my eyes I always discover that there are more than sixteen.
Pablo Vierci (La sociedad de la nieve)
The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.
J.G. Ballard
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
In the American Civil War it was a matter of principle that a good officer rode his horse as little as possible. There were sound reasons for this. If you are riding and your soldiers are marching, how can you judge how tired they are, how thirsty, how heavy their packs weigh on their shoulders? I applied the same philosophy in Vietnam, where every battalion commander had his own command-and-control helicopter. Some commanders used their helicopter as their personal mount. I never believed in that. You had to get on the ground with your troops to see and hear what was happening. You have to soak up firsthand information for your instincts to operate accurately. Besides, it’s too easy to be crisp, cool, and detached at 1, 500 feet; too easy to demand the impossible of your troops; too easy to make mistakes that are fatal only to those souls far below in the mud, the blood, and the confusion.
Harold G. Moore (We Were Soldiers Once . . . and Young: Ia Drang-The Battle That Changed the War in Vietnam)
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
Our culture today is obsessively focused on unrealistically positive expectations: Be happier. Be healthier. Be the best, better than the rest. Be smarter, faster, richer, sexier, more popular, more productive, more envied, and more admired. Be perfect and amazing and crap out twelve-karat-gold nuggets before breakfast each morning while kissing your selfie-ready spouse and two and a half kids goodbye. Then fly your helicopter to your wonderfully fulfilling job, where you spend your days doing incredibly meaningful work that’s likely to save the planet one day. But when you stop and really think about it, conventional life advice—all the positive and happy self-help stuff we hear all the time—is actually fixating on what you lack.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
The behaviour of the English people I had run into was making it very difficult to nail down a theory that the reason my trip so far had been such a bizarre success, was that Irish people were crazy. One Englishman had spent a morning on the telephone trying to organise a helicopter to take me out to an island, when a boat was leaving only a few yards away, and here was another, making a two-hour round trip for no reason other than to lend a helping hand. Two of the more eccentric pieces of behaviour hadn't been performed by the Irish, but by my fellow countrymen. However, both Andy and Tony had embraced wholeheartedly a love of the Irish way of living life.
Tony Hawks (Round Ireland with a Fridge)
She’d just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper—Wow, Leo couldn’t even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she’d be wondering, could she break down the same way her dad did? “Hey, don’t worry,” Leo said. “Piper, you’re the strongest, most powerful beauty queen I’ve ever met. You can trust yourself. For what it’s worth, you can trust me too.” The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. “Trust you, huh?” “Ah, shut up, already.” But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I do not know from what associations the hippopotamus got into the chess board, but although the spectators were convinced that I was continuing to study the position, I, despite my humanitarian education, was trying at this time to work out: just how WOULD you drag a hippopotamus out of the marsh? I remember how jacks figured in my thoughts, as well as levers, helicopters, and even a rope ladder. After a lengthy consideration I admitted defeat as an engineer, and thought spitefully to myself: "Well, just let it drown!" And suddenly the hippopotamus disappeared. Went right off the chessboard just as he had come on... of his own accord! And straightaway the position did not appear to be so complicated.
Mikhail Tal
Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were Toobfreex at play in the video universe, the tropic isle, the Long Branch Saloon, the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and here was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness…
Thomas Pynchon
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
She feels like the first drags of fresh cigarettes but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.
Julez (Duplicity)
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd) I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
Dr. Talbon was struck by another very important thing. It all hung together. The stories Cheryl told — even though it was upsetting to think people could do stuff like that — they were not disjointed They were not repetitive in terms of "I've heard this before". It was not just she'd someone trying consciously or unconsciously to get attention. really processed them out and was done with them. She didn't come up with them again [after telling the story once and dealing with it]. Once it was done, it was done. And I think that was probably the biggest factor for me in her believability. I got no sense that she was using these stories to make herself a really interesting person to me so I'd really want to work with her, or something. Or that she was just living in this stuff like it was her life. Once she dealt with it and processed it, it was gone. We just went on to other things. 'Throughout the whole thing, emotionally Cheryl was getting her life together. Parts of her were integrating where she could say,"I have a sense that some particular alter has folded in with some basic alter", and she didn't bring it up again. She didn't say that this alter has reappeared to cause more problems. That just didn't happen. The therapist had learned from training and experience that when real integration occurs, it is permanent and the patient moves on.
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it. Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do? In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work. We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back. A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
Douglas Adams
Dear Bill, I came to this black wall again, to see and touch your name. William R. Stocks. And as I do, I wonder if anyone ever stops to realize that next to your name, on this black wall, is your mother's heart. A heart broken fifteen years ago today, when you lost your life in Vietnam. And as I look at your name, I think of how many, many times I used to wonder how scared and homesick you must have been, in that strange country called Vietnam. And if and how it might have changed you, for you were the most happy-go-lucky kid in the world, hardly ever sad or unhappy. And until the day I die, I will see you as you laughed at me, even when I was very mad at you. And the next thing I knew, we were laughing together. But on this past New Year's Day, I talked by phone to a friend of yours from Michigan, who spent your last Christmas and the last four months of your life with you. Jim told me how you died, for he was there and saw the helicopter crash. He told me how your jobs were like sitting ducks; they would send you men out to draw the enemy into the open, and then, they would send in the big guns and planes to take over. He told me how after a while over there, instead of a yellow streak, the men got a mean streak down their backs. Each day the streak got bigger, and the men became meaner. Everyone but you, Bill. He said how you stayed the same happy-go-lucky guy that you were when you arrived in Vietnam. And he said how you, of all people, should never have been the one to die. How lucky you were to have him for a friend. And how lucky he was to have had you. They tell me the letters I write to you and leave here at this memorial are waking others up to the fact that there is still much pain left from the Vietnam War. But this I know; I would rather to have had you for twenty-one years and all the pain that goes with losing you, than never to have had you at all. -Mom
Eleanor Wimbish
They're arguing for giving homework and tests to all young children, or separating them into winners and losers, because these tykes need to get used to such things -- as if exposure itself will inoculate them against the negative effects they would otherwise experience later. If we were interested in helping children to anticipate and deal with unpleasant experiences, it might make sense to discuss the details with them and perhaps guide them through role-playing exercises. But why would we subject kids to those experiences? After all, to teach children how to handle a fire emergency, we talk to them about the dangers of smoke inhalation and advise them where to go when the alarm sounds. We don't actually set them on fire. But the key point is this: From a developmental perspective, BGUTI [Better-Get-Used-To-It worldview] is flat-out wrong. People don't get better at coping with unhappiness because they were because they were deliberately made unhappy when they were young On the contrary, what best prepares children to deal with the challenges of the real world is to experience success and joy, to feel supported and respected, to receive loving guidance and unconditional care and the chance to have some say about what happens to them.
Alfie Kohn (The Myth of the Spoiled Child: Coddled Kids, Helicopter Parents, and Other Phony Crises)