“
I believe that every human has a finite amount of heartbeats. I don't intend to waste any of mine running around doing exercises.
”
”
Neil Armstrong
“
Around us, life bursts with miracles--a glass of water, a ray of sunshine, a leaf, a caterpillar, a flower, laughter, raindrops. If you live in awareness, it is easy to see miracles everywhere. Each human being is a multiplicity of miracles. Eyes that see thousands of colors, shapes, and forms; ears that hear a bee flying or a thunderclap; a brain that ponders a speck of dust as easily as the entire cosmos; a heart that beats in rhythm with the heartbeat of all beings. When we are tired and feel discouraged by life's daily struggles, we may not notice these miracles, but they are always there.
”
”
Thich Nhat Hanh
“
She used to say that the human heartbeat was the first music that a person heard, and that every child was born knowing the rhythm of her mother's song.
”
”
Kate Morton (The Clockmaker's Daughter)
“
The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body and flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms and clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones.
If such a consciousness truly is set loose in the world, nothing will be the same. It will free us to be in a sacred body, on a sacred planet, in sacred communion with all of it. It will infect the universe with holiness. We will discover the Divine deep within the earth and the cells of our bodies, and we will lover her there with all our hearts and all our souls and all our minds.
”
”
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
“
The beautiful stranger cuddled Cindy, and she rocked the chair slightly as she spoke softly to her. “Suicide is a problem, not a solution. Humans you love would be hurt deeply if you left them. Becky Johnson and her parents would be crushed. Your grandparents in Florida never forget to mention your name in their evening prayers. I have loved you before and since your first heartbeat. Your father loves you. He will be rightfully proud when I tell him about your brave attempt to protect Pretty Boy.”
“You will speak to Daddy?”
“I will.”
“Please, may I know? Who are you?”
“I am your guardian angel, Cindy.
”
”
Shafter Bailey (Cindy Divine: The Little Girl Who Frightened Kings)
“
I thought that you had stood up for the free will & rights of humans in this town.”
“Depends on the human,” Claire said. “As far as I know, Hitler had a heartbeat, and I wouldn’t vote him to be in charge.
”
”
Rachel Caine (Daylighters (The Morganville Vampires, #15))
“
Even when I cannot see him, I can hear the beautiful gallop of God's heartbeat for humanity.
”
”
Christine Caine (Undaunted: Daring to do what God calls you to do)
“
I believe that every human has a finite number of heart-beats. I don't intend to waste any of mine running around doing exercises.
”
”
Buzz Aldrin
“
He got right down in the dark between heartbeats, and rested there. And then he saw that another one wasn't going to come. That's it. That's the last. He looked at the dark. I would like to take this opportunity, he said, to pray for another human being.
”
”
Denis Johnson (Angels)
“
I grinned. “So you are human after all.” I touched his chest, feeling him breathe hard in and out. “I always thought you were made of steel, you know,” I said.
“Superman?” Nat arched his eyebrows.
“No, the Tin Man,” I answered back. I settled my head against his chest, turning my ear to listen to his heartbeat. “I sometimes wondered if you had a heart.” - Summer, Perfect Summer
”
”
Kailin Gow (Perfect Summer (Loving Summer, #3))
“
Every human heartbeat, he's said many times, is a universe of possibilities.
”
”
Gregory David Roberts (Shantaram)
“
See me. See me for who I am. I am magic. I am human. I am inhuman. See me. I am a boy. I am a girl. I am everything and nothing in between. See me. You do. You see me. You recoil in fear. You scream in anger. See me. I bleed. I ache. You see me, and you wish you hadn’t. You wish I was invisible. Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you can’t. You want me lost, but I am found in the breaths I take, in the spaces between heartbeats. I am found because I refuse to be in black and white, or any shade of gray. I am color. I am fire. I am the sun, and I will burn away the shadows until only light remains. And then you will have no choice but to see
”
”
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
“
Dying is the fastest route to fame for an aspiring rock star. The dead man’s melodies become profound, acquiring mystery and rising into a realm beyond the reach of human criticism. In the stopping of a heartbeat, the rocker is transformed from decadent hedonist into misunderstood genius. Aye, death and musical stardom go together like Scotland and rain.
”
”
Mark Rice (Metallic Dreams)
“
Of course I am not referring to those outburts of passions that drive us to do and say things we will later regret, that delude us into thinking we cannot life without a certain person, that set us quivering with anxiety at the mere possibility we might ever lose that person-a feeling that impoverishes rather than enriches us because we long to possess what we cannot, to hold on what we cannot.
No. I speak of a love that brings sight to the blind. Of a love stronger than fear. I speak of a love that breathes meaning into life, that defies the natural laws of deterioration, that causes us to flourish, that knows no bounds. I speak of the triumph of the human spirit over selfishness and death.
”
”
Jan-Philipp Sendker (The Art of Hearing Heartbeats (The Art of Hearing Heartbeats, #1))
“
Oh!--and I speak out of later knowledge--Heaven forefend me from the most of the average run of male humans who are not good fellows, the ones cold of heart and cold of head who don't smoke, drink, or swear, or do much of anything else that is brase, and resentful, and stinging, because in their feeble fibres there has never been the stir and prod of life to well over its boundaries and be devilish and daring. One doesn't meet these in saloons, nor rallying to lost causes, nor flaming on the adventure-paths, nor loving as God's own mad lovers. They are too busy keeping their feet dry, conserving their heart-beats, and making unlovely life-successes of their spirit-mediocrity.
”
”
Jack London (John Barleycorn: Alcoholic Memoirs)
“
The collective heartbeat of the oppressed will always be louder than any missile strike, gunshot or bomb.
”
”
R.Patient
“
We know the Arts are the archives of our human history, the wind of invention and the heartbeat of humanity
”
”
Natasha Tsakos
“
We are aberrations—beings born undead, neither one thing nor another, or two things at once … uncanny things that have nothing to do with the rest of creation, horrors that poison the world by sowing our madness everywhere we go, glutting daylight and darkness with incorporeal obscenities. From across an immeasurable divide, we brought the supernatural into all that is manifest. Like a faint haze it floats around us. We keep company with ghosts. Their graves are marked in our minds, and they will never be disinterred from the cemeteries of our remembrance. Our heartbeats are numbered, our steps counted. Even as we survive and reproduce, we know ourselves to be dying in a dark corner of infinity. Wherever we go, we know not what expects our arrival but only that it is there.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race)
“
But a poisonous black hate lives inside him, and his hatred needs a subject. The easy choice would be ASL, but ALS doesn't have a face or a voice or a heartbeat. Its hard to hate something that isn't human,
”
”
Lisa Genova (Every Note Played)
“
[He taught her] that life is interwoven with suffering. That in every life, without exception, illnesses are unavoidable. That we will age, and that we cannot elude death. These are the laws and conditions of human existence.
”
”
Jan-Philipp Sendker (The Art of Hearing Heartbeats (The Art of Hearing Heartbeats, #1))
“
The accouterments of humanity may change, but its heartbeat remained the same.
”
”
Julie McElwain (A Murder in Time (Kendra Donovan, #1))
“
Two chemicals called actin and myosin evolved eons ago to allow the muscles in insect wings to contract and relax. Thus, insects learned to fly. When one of those paired molecules are absent, wings will grow but they cannot flap and are therefore useless. Today, the same two proteins are responsible for the beating of the human heart, and when one is absent, the person’s heartbeat is inefficient and weak, ultimately leading to heart failure.
Again, science marvels at the way molecules adapt over millions of years, but isn’t there a deeper intent? In our hearts, we feel the impulse to fly, to break free of boundaries. Isn’t that the same impulse nature expressed when insects began to take flight? The prolactin that generates milk in a mother’s breast is unchanged from the prolactin that sends salmon upstream to breed, enabling them to cross from saltwater to fresh.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
To have been anything at all is such a strange and astounding fate. From stardust to heartbeat, from infinity to a blink, we are brief miracles, narratives spun from the cosmos, living, breathing art formed from chaos and chance. What a peculiar honour, to be here, to wonder, to wander.
”
”
Aura Biru
“
It’s rare that a story begins at the beginning. In the grand scheme of things, I really turned up at the beginning of the end of this one. After all, the story of the Rephaim and Scion started almost two hundred years before I was born - and human lives, to Rephaim, are as fleeting as a single heartbeat.
Some revolutions change the world in a day. Others take decades or centuries or more, and others still never come to fruition. Mine began with a moment and a choice. Mine began with the blooming of a flower in a secret city on the border between worlds.
You’ll have to wait and see how it ends.
Welcome back to Scion.
”
”
Samantha Shannon (The Mime Order (The Bone Season, #2))
“
When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force—there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.
”
”
Joyce Carol Oates
“
Most sane human beings who have managed to attain and retain fame each uses it to dramatically increase their name’s chances of being remembered until Jesus comes back, since their heart cannot do what they consciously or unconsciously lust for, that is to say, for it to beat until Jesus returns.
”
”
Mokokoma Mokhonoana (The Use and Misuse of Children)
“
See me.
See me for who I am. I am magic. I am human. I am inhuman.
See me.
I am a boy. I am a girl. I am everything and nothing in between.
See me.
You do. You see me. You recoil in fear. You scream in anger.
See me.
I bleed. I ache. You see me, and you wish you hadn’t. You wish I was invisible.
Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you can’t.
You want me lost, but I am found in the breaths I take, in the spaces between heartbeats.
I am found because I refuse to be in black and white, or any shade of gray.
I am color. I am fire.
I am the sun, and I will burn away the shadows until only light remains.
And then you will have no choice but to see me.
”
”
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
“
Her face was luminous and hopeful; she'd go into the dark with him in a heartbeat, sharp teeth and all. Human girls were stupid that way. No, not stupid. Primal in their skin, without even knowing it. The things that made thier pulse quicken were all the wrong things, but Mihai didn't take advantage of it, except for the free tea.
”
”
Laini Taylor (Lips Touch: Three Times)
“
When people touch, they no longer feel like strangers. It’s a feeling. When humans share feelings, they connect on an intimate level. It’s why I love music. It can go deeper than words. Rhythm is the heartbeat of your soul.
”
”
Jewel E. Ann (Look the Part)
“
I speak of a love that brings sight to the blind. Of a love stronger than fear. I speak of a love that breathes meaning into life, that defies the natural laws of deterioration, that causes us to flourish, that knows no bounds. I speak of the triumph of the human spirit over selfishness and death.
”
”
Jan-Philipp Sendker (The Art of Hearing Heartbeats (The Art of Hearing Heartbeats, #1))
“
That in every life, without exception, illnesses are unavoidable. That we will age, and that we cannot elude death. These are the laws and conditions of human existence,
”
”
Jan-Philipp Sendker (The Art of Hearing Heartbeats)
“
Peacefully protest for justice, transformational change and human rights are the heartbeats of democracy.
”
”
Amit Ray (Nuclear Weapons Free World - Peace on the Earth)
“
Be careful." I say. "And if anything happens, don't be afraid to sacrifice Micah's life to save your own."
"Oh, I will use him as a human shield in a heartbeat," she says earnestly.
”
”
Alexandra Christo (Princess of Souls (Hundred Kingdoms, #2))
“
The pulsing heartbeat of true crime, of all human stories when you got right down to it, was we all wanted and hoped and dreamed and loved, but we had no control over what happened in the end.
”
”
Alicia Thompson (Love in the Time of Serial Killers)
“
Watching Limelight with my mother really brought home to me the brevity of life. I realized in a little while that I would die and leave everything behind. Unlike vain people, I had the ability to think this right through. I had no difficulty in picturing full theatres and cinemas long after myself was gone. Not everybody can do that. Many are so intoxicated with sensual impressions that they're not able to grasp that there is a world out there. And therefore they're not able to comprehend the opposite either - they don't understand that one day the world will end. We, however, are only a few missing heartbeats away from being divorced from humanity forever.
”
”
Jostein Gaarder (The Ringmaster's Daughter)
“
I don't pretend to understand the mystery of love, but this time it was more than sex, more than using a woman's body. It was being lifted off the earth, outside fear and torment, being part of something greater than myself. I was lifted out of the dark cell of my own mind, to become part of someone else -- just as I had experienced it that day on the couch in therapy. It was the first step outward to the universe -- beyond the universe -- because in it and with it we merged to recreate and perpetuate the human spirit. Expanding and bursting outward, and contracting and forming inward, it was the rhythm of being -- of breathing, of heartbeat, of day and night -- and the rhythm of our bodies set off an echo in my mind. It was the way it had been back there in that strange vision. The gray murk lifted from my mind, and through it the light pierced into my brain (how strange that light should blind!), and my body was absorbed back into a great sea of space, washed under in a strange baptism. My body shuddered with giving, and her body shuddered its acceptance.
”
”
Daniel Keyes (Flowers for Algernon)
“
I've been avoiding you because I'm just so damn annoyed..." He shakes his head, sloshing water. The strands brush his shoulders rhythmically. "I don't want you risking yourself again. The human world...Will. It's too dangerous." Cassian takes my hand. I feel his heartbeat through the simple touch, the thud of his life meeting with mine. "You dead...it would break me." His voice whips sharply over the drum of the rainfall. "Everything I ever said to you was the truth. My feelings haven't changed for you, Jacinda. Even if you drive me crazy, here, in the pride...you're still that single bright light for me.
”
”
Sophie Jordan
“
seeing Derek fall as he turned human again, and then running too fast up Pillar Rock. She’d dropped to her knees and put her head on his chest, and when she’d heard the strong, even heartbeat, she’d cried and then kissed his lips gently, because he was asleep and he would never know. He’d scared her so much. Stupid wolf. Her stupid, stupid wolf.
”
”
Ilona Andrews (Magic Stars (Kate Daniels, #8.5, Grey Wolf, #1))
“
There had been a time, a very long time, when there'd been no humans on this land, and Graff believed that someday it would be that way again. All that men had done to prove their ownership, their mastery, would be undone. In time as it was reckoned by humans, this might be a long while coming, but it would come, In the reckoning of the earth, it would take place in less than a heartbeat.
”
”
William Kent Krueger (The River We Remember)
“
They say the average human heart beats 2.5 billion times over the course of a lifetime.
2.5 billion heartbeats.
And every one of mine belongs to him.
”
”
Julie Johnson (Uncharted (Uncharted, #1))
“
If you insist on driving around in vintage cars with no seat belt on, try to time your crashes for the systole—blood-squeezed-out—portion of your heartbeat.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
Human age, he thinks, lying there in the darkness, should be measured in heartbeats.
”
”
Tor Ulven (Replacement)
“
As graduation loomed, I had a nagging sense that there was still far too much unresolved for me, that I wasn’t done studying. I applied for a master’s in English literature at Stanford and was accepted into the program. I had come to see language as an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion. A word meant something only between people, and life’s meaning, its virtue, had something to do with the depth of the relationships we form. It was the relational aspect of humans—i.e., “human relationality”—that undergirded meaning. Yet somehow, this process existed in brains and bodies, subject to their own physiologic imperatives, prone to breaking and failing. There must be a way, I thought, that the language of life as experienced—of passion, of hunger, of love—bore some relationship, however convoluted, to the language of neurons, digestive tracts, and heartbeats.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
We learned three things together, that first day of Ethan's humanity: skin warms skin, silver eyes light darkness, and our heartbeats measured time together, so that we knew we were no longer alone.
”
”
Vicki Keire (Gifts of the Blood (The Angel's Edge, #1))
“
If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heartbeat, and we should die of that roar which lies on the other side of silence.
”
”
George Eliot (Middlemarch)
“
A marine snail gliding through the familiar city. Only in a dream could I move so gently along with the small human heartbeat in rhythm with the tug tug heartbeat of the tugboat, and Paris unfolding, uncurling, in beautiful undulations.
”
”
Anaïs Nin (Under a Glass Bell)
“
Was it possible for a human being to literally melt? Because that was the only explanation I could think of for the way my knees weakened and my insides liquefied. I was a ball of nothing except emotion, held together by a roaring heartbeat and a string of butterflies.
”
”
Ana Huang (Twisted Hate (Twisted, #3))
“
A recent invention, vocal language may date back only ca. 200,000 years. As human primates, we have not fully come to grips with the prolonged, face-to-face closeness required for speech. Speaking to a stranger, e.g., stresses our autonomic nervous system's sympathetic (i.e., fight-or-flight) division, which a. speeds our heartbeat, b. dilates our pupils, and c. cools and moistens our hands. The limbic brain's hypothalamus instructs the pituitary gland to release hormones into the circulatory system, arousing our blood, sweat, and fears.
”
”
David B. Givens (The NONVERBAL DICTIONARY of gestures, signs and body language cues)
“
She communicated in what ways she could – sweet whines of happiness and wet kisses. She knew him. She knew him. He knelt in the grass, still pouring his attention onto her. She received every ounce of it in a way only a dog can, its unconditional love contained in every breath and every heartbeat.
And Luke was struck precisely at that moment at his capacity to feel so moved by the simple act of affection for this sweet animal. He swallowed hard. It wasn’t easy to let himself feel it, the gentle tug from a place deeply buried. And in the grass on his knees, he found himself releasing the sadness long held hostage in that deep place. Tears spilled over, finally uncontained. The dog stretched its snout through the rails and found his wet cheeks with its tongue. He did not retreat, but let her clean the tears from his face.
”
”
Dorothy Gravelle (Paradox Love)
“
It is a source of refreshment, laughter, joy and life—and of more power. Remove power and you cut off life, the possibility of creating something new and better in this rich and recalcitrant world. Life is power. Power is life. And flourishing power leads to flourishing life. Of course, like life itself, power is nothing—worse than nothing—without love. But love without power is less than it was meant to be. Love without the capacity to make something of the world, without the ability to respond to and make room for the beloved’s flourishing, is frustrated love. This is why the love that is the heartbeat of the Christian story—the Father’s love for the Son and, through the Son, for the world—is not simply a sentimental feeling or a distant, ethereal theological truth, but has been signed and sealed by the most audacious act of true power in the history of the world, the resurrection of the Son from the dead. Power at its best is resurrection to full life, to full humanity. Whenever human beings become what they were meant to be, when even death cannot finally hold its prisoners, then we can truly speak of power.
”
”
Andy Crouch (Playing God: Redeeming the Gift of Power)
“
I had come to see language as an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion. A word meant something only between people, and life’s meaning, its virtue, had something to do with the depth of the relationships we form. It was the relational aspect of humans — i.e., “human relationality” — that undergirded meaning. Yet somehow, this process existed in brains and bodies, subject to their own physiologic imperatives, prone to breaking and failing. There must be a way, I thought, that the language of life as experienced — of passion, of hunger, of love — bore some relationship, however convoluted, to the language of neurons, digestive tracts, and heartbeats.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. “But as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.”
There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke.
His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body.
His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age.
“We did it, didn’t we?” Raven said softly, bringing Gregori back to his body. “She’s a girl.”
Gregori stepped away from Raven, holding on to his composure with his great strength of will.
”
”
Christine Feehan (Dark Desire (Dark, #2))
“
That enormously complex biological interactions are so flawlessly coordinated as to result in such obvious manifestations as human thought or the electrical activity that dries the heartbeat is as exciting to me -- actually more exciting -- than such phenomena were when I was a small boy and thought them divinely (in the supernatural sense) driven.
”
”
Sherwin B. Nuland (How We Live)
“
told Rita what I tell everyone who’s afraid of getting hurt in relationships—which is to say, everyone with a heartbeat. I explained to her that even in the best possible relationship, you’re going to get hurt sometimes, and no matter how much you love somebody, you will at times hurt that person, not because you want to, but because you’re human. You will inevitably hurt your partner, your parents, your children, your closest friend—and they will hurt you—because if you sign up for intimacy, getting hurt is part of the deal.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
You, my reader, who see me close, wonder about my heartbeats and measure my words, you my close friend who know my eyes and the home of their prose, you, my only lover, who always move my life, my poetry's pace and rhyme,...
I can not disclose the shape of metaphors, nor what they bashfully display behind the robes of their naked source; but you can use the eyes of heart to feel what they are made of.
And if it's a tear or a smile I evoke, it means we are human, it means we care and we love.
It means we are both beautiful. (Soar)
”
”
Soar
“
Love is the heartbeat of our existence – the essence of humanity. In every life we try to do it better.
”
”
Jewel E. Ann (Scarlet Stone)
“
you never maximize your full potential until you learn how to embrace suffering.
”
”
Steve Carter (This Invitational Life: Risking Yourself to Align with God's Heartbeat for Humanity)
“
The vagabond human spirit requires a chart of possibilities in order to keep putting one foot in front of another, keep licensing the next heartbeat after the previous.
”
”
Gregory Maguire (Hiddensee: A Tale of the Once and Future Nutcracker)
“
Jesus Christ is the source—the only source—of meaning in life. He provides the only satisfactory explanation for why we’re here and where we’re going. Because of this good news, the final heartbeat for the Christian is not the mysterious conclusion to a meaningless existence. It is, rather, the grand beginning to a life that will never end. That same Lord is waiting to embrace and forgive anyone who comes to Him in humility and repentance. He is calling your name, just as He called the name of Pete Maravich. His promise of eternal life offers the only hope for humanity. If you have never met this Jesus, I suggest that you seek spiritual counsel from a Christian leader who can offer guidance. You can also write to me, if that would help. Thanks for reading along with me. I hope to meet you someday. If our paths don’t cross this side of heaven, I’ll be looking for you in that eternal city. By all means, Be there!
”
”
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion)
“
In the future, it will be difficult to die alone. Your clothes will be able to sense any irregularities in your heartbeat, breathing, and even brain waves by means of tiny chips woven into the fabric.
”
”
Michio Kaku (Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100)
“
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is.
She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers.
So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
”
”
Brittainy C. Cherry (The Wreckage of Us)
“
I'm not a human, Evangeline. And I'm not your friend, your husband, or your lover."
"I never said you were," she breathed.
"Then don't try to make me act like it. It doesn't end well."
The fingers under her skirt turned rough and something vicious flashed in his eyes. Enough to make her finally feel a spike of fear. "This doesn't end well." His fingers pressed harder.
Evangeline gasped, and at last pushed him away, "There is no this - I'm married."
Jacks ran his finger over the smirk playing on his lips. "You keep saying that, Little Fox, as if it's something I should care about."
A heartbeat later, he was gone.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
There’s a reason for the word heartbeat not be called beat of heart. The perfect woman only needs a good beat. The heart will follow. Emotions, when put in equilibrium with reason, create more miracles than any emotion, no matter how strong, deprived from reason. This is why it’s much easier to love a woman that can play the drums or any other instrument with rhythm, than one that believes in unreasonable magic, simply because there’s more magic in reason than in the lack of it. You see, loving someone that you truly want to love, someone you admire, someone you want to spend your time with, helping, sharing and growing together, makes much more sense than expecting someone to love you for no reason than your will, needs and desires. And when humans understand this, they will understand love, find it easily and never lose it again.
”
”
Robin Sacredfire
“
To the ancients, bears symbolized resurrection. The creature goes to sleep for a long time, its heartbeat decreases to almost nothing. The male often impregnates the female right before hibernation, but miraculously, egg and sperm do not unite right away. They float separately in her uterine broth until much later. Near the end of hibernation, the egg and sperm unite and cell division begins, so that the cubs will be born in the spring when the mother is awakening, just in time to care for and teach her new offspring. Not only by reason of awakening from hibernation as though from death, but much more so because the she-bear awakens with new young, this creature is a profound metaphor for our lives, for return and increase coming from something that seemed deadened.
The bear is associated with many huntress Goddesses: Artemis and Diana in Greece and Rome, and Muerte and Hecoteptl, mud women deities in the Latina cultures. These Goddesses bestowed upon women the power of tracking, knowing, 'digging out' the psychic aspects of all things. To the Japanese the bear is the symbol of loyalty, wisdom, and strength. In northern Japan where the Ainu tribe lives, the bear is one who can talk to God directly and bring messages back for humans. The cresent moon bear is considered a sacred being, one who was given the white mark on his throat by the Buddhist Goddess Kwan-Yin, whose emblem is the crescent moon. Kwan-Yin is the Goddess of Deep Compassion and the bear is her emissary.
"In the psyche, the bear can be understood as the ability to regulate one's life, especially one's feeling life. Bearish power is the ability to move in cycles, be fully alert, or quiet down into a hibernative sleep that renews one's energy for the next cycle. The bear image teaches that it is possible to maintain a kind of pressure gauge for one's emotional life, and most especially that one can be fierce and generous at the same time. One can be reticent and valuable. One can protect one's territory, make one's boundaries clear, shake the sky if need be, yet be available, accessible, engendering all the same.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
brain activity in a heartbeat. All of that says Richard. But the DNA in consort with the paper trail of a genealogy available only for royalty says this was him. Richard III is now the oldest person to be unequivocally identified in death.
”
”
Adam Rutherford (A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes)
“
Entropy is the degree of randomness or disorder in a system, Doctor.” His eyes fix on Werner’s for a heartbeat, a glance both warm and chilling. “Disorder. You hear the commandant say it. You hear your bunk masters say it. There must be order. Life is chaos, gentlemen. And what we represent is an ordering to that chaos. Even down to the genes. We are ordering the evolution of the species. Winnowing out the inferior, the unruly, the chaff. This is the great project of the Reich, the greatest project human beings have ever embarked upon.” Hauptmann writes on the blackboard. The cadets inscribe the words into their composition books. The entropy of a closed system never decreases. Every process must by law decay.
”
”
Anthony Doerr (All the Light We Cannot See)
“
I always thought I'd find ultimate happiness within the pages of a book. I've been so convinced of that fact that I've devoted so much of my life to disappearing inside them, searching for that which has always eluded me. I should have known that I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others. Especially the poets. That was both their salvation and their ultimate downfall; without knowing the joy of loving another human being, they would never have been able to write about the soaring joy that always made my heartbeat quicken. And they'd never have been able to capture true desolation and sorrow without enduring the kind of suffering that can only come from lost love.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
The city itself was dead. Some buildings had chunks missing. Bricks and concrete were scattered along sidewalks, debris mingling with bodies. Once this had been a thriving metropolis with a heartbeat all its own. Now it was a corpse, with no morgue big enough to house it. Nothing can ever prepare you for the eeriness of a great city emptied of humanity. In that small room in each of our souls where loneliness makes its home, our fear that we will end up alone and unloved is amplified a million times.
”
”
Bobby Underwood (Saturday's Children)
“
Human remains … What exactly did that mean? Was it a few hard bones and soft tissue? Clothes and accessories? Things solid and compact enough to fit inside a coffin? Or was it rather the intangible – the words we send out into the ether, the dreams we keep to ourselves, the heartbeats we skip beside our lovers, the voids we try to fill and can never adequately articulate – when all was said and done, what was left of an entire life, a human being … and could that really be disinterred from the ground?
”
”
Elif Shafak (The Island of Missing Trees)
“
She had never witnessed such a symbiosis between two people, and there were moments when the sight of them made her wonder whether, in the end, a person maybe wasn't alone after all, whether in some cases, the smallest human unit was two rather than one.
”
”
Jan-Philipp Sendker (The Art of Hearing Heartbeats (The Art of Hearing Heartbeats, #1))
“
She stared at me like I'd lost my mind. "I'm a f*cking human being! You can't just kidnap me like this and expect me to do whatever the hell you say."
"I can. And I did. And you will."
Fire warmed her gray eyes. "Or what? You'll kill me?" She pushed herself up from the floor, and I could practically see her entire body vibrating with her anger. It was fucking beautiful. A rage that rivaled my own. "Go ahead," she spit the words at me. "Death would be preferable to staying here with you and being your puppet." God, she was stunning. And infuriating. My own men didn't mouth off to me the way this woman did. I crossed the room and stood directly in front of her before she had time to run. Grabbing her jaw, I forced her to look at me. "Keep mouthing off to me, Veda. I dare you."
Taking a step back, she jerked her chin from my grasp, then slapped me across the face. Hard. A deadly calm came over me. Slowly, I turned my head back around until our gazes clashed. Whatever she saw there wiped the rebellious look from her face. A heartbeat passed. Then another...
”
”
Angel Rayne (His Game (His Obsession, #1))
“
He asked me for a light to light his cigarette, and by reason of unaware, it is he that really gave light to me, made me realize how much alike we all are, breathing the same air, beating the same red blood, separated through some fortune and shame in the way of humanity.
”
”
Anthony Liccione
“
Michael held out his hand, and Kaden squeezed tighter than a typical handshake. The other man wiggled his hand free and then shot him an irritated glare.
So, this was the human trying to steal his Annabelle? He didn't look like much - a bit too skinny. She needed a man who could put his arms around her and make her feel safe.
Annabelle's my friend. I have no right to think of her as mine.
His heart pulsed a second time, and he startled. This wasn't happening. Annabelle couldn't be his? A human mate? He didn't understand. Two heartbeats. It had to mean something.
”
”
Stacey O'Neale (Under His Skin (Alien Encounters, #1))
“
A word meant something only between people, and life’s meaning, its virtue, had something to do with the depth of the relationships we form. It was the relational aspect of humans—i.e., “human relationality”—that undergirded meaning. Yet somehow, this process existed in brains and bodies, subject to their own physiologic imperatives, prone to breaking and failing. There must be a way, I thought, that the language of life as experienced—of passion, of hunger, of love—bore some relationship, however convoluted, to the language of neurons, digestive tracts, and heartbeats.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
I twirl away, then back to him, staying on my toes, my hips always lightly rotating. He reacts clumsily at first, but soon the awkwardness fades away and he begins matching my movements, reflecting them in reverse. We dance like this, wrist to wrist, twirl and turn, step for step, for several more minutes. He holds my gaze, our eyes connecting at every turn, anticipating one another’s movements.
His pulse is so strong against my wrist that it echoes through me, almost like a heartbeat of my own. My skin warms; my breath catches in my throat. I know how closely I dance along the line of destruction, but I cannot pull myself away. He is intoxicating, his force of life an addiction I cannot refuse. I have not felt this alive in centuries, not since you, Habiba, when you taught me the dance of Fahradan. Ours was a dance of giddy laughter, a dance of friends, sisters, a dance of life and youth and hope.
But this dance is different.
It is not I but he who entices, reversing the ancient roles of the dance. And I resist because I must, because if I don’t, because if I give in to the all-too-human desires racing through me—then it is Aladdin who will pay the terrible price.
“Stop.” I drop my wrists and step away, and he does the same, still caught up in mirroring me. Except that he is breathing heavily, his chest rising and falling with exertion, his eyes filled with a strange, wondrous, curious look as he stares at me. He moves closer, his eyes fixed on mine, and despite myself I cannot look away.
Aladdin raises a tentative hand to my cheek. Immobile with both dread and longing, I can only stare up at him, flushing with warmth when he gently runs his hand down the side of my face. I shut my eyes, leaning into his touch just slightly, my stomach leaping. Longing. Wishing.
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
Throughout the biblical story, from Genesis to Revelation, every radical challenge from the biblical God is both asserted and then subverted by its receiving communities— be they earliest Israelites or latest Christians. That pattern of assertion-and-subversion, that rhythm of expansion-and-contraction, is like the systole-and-diastole cycle of the human heart.
In other words, the heartbeat of the Christian Bible is a recurrent cardiac cycle in which the asserted radicality of God’s nonviolent distributive justice is subverted by the normalcy of civilization’s violent retributive justice. And, of course, the most profound annulment is that both assertion and subversion are attributed to the same God or the same Christ.
Think of this example. In the Bible, prophets are those who speak for God. On one hand, the prophets Isaiah and Micah agree on this as God’s vision: “they shall beat their swords into plowshares, / and their spears into pruning hooks; / nation shall not lift up sword against nation, / neither shall they learn war any more” (Isa. 2:4 = Mic. 4:3). On the other hand, the prophet Joel suggests the opposite vision: “Beat your plowshares into swords, / and your pruning hooks into spears; / let the weakling say, ‘I am a warrior’” (3:10). Is this simply an example of assertion-and-subversion between prophets, or between God’s radicality and civilization’s normalcy?
That proposal might also answer how, as noted in Chapter 1, Jesus the Christ of the Sermon on the Mount preferred loving enemies and praying for persecutors while Jesus the Christ of the book of Revelation preferred killing enemies and slaughtering persecutors. It is not that Jesus the Christ changed his mind, but that in standard biblical assertion-and-subversion strategy, Christianity changed its Jesus.
”
”
John Dominic Crossan (How to Read the Bible and Still Be a Christian: Struggling with Divine Violence from Genesis Through Revelation)
“
It wasn't like being face to face with a human. He didn't need air to breathe. She noticed sometimes he did, an instinct left over from his human years. Janie paused to feel his heartbeat under her chest. It sped quickly, in equal rhythm with hers. She counted the beats to make certain his heart really beat. It did.
”
”
Taryn Browning (Dark Seeker (Seeker, #1))
“
It was the mystery that biologists from Darwin onwards had been longing to solve. How could we understand the ability of fish and seals to survive in the cold dark waters of the Antarctic? How could humans see inside a biotope that was sealed with layers of ice? What would the Earth look like from the sky, if we crossed the Mediterranean on the back of a goose? How did it feel to be a bee? How could we measure the speed of an insect’s wings and its heartbeat, or monitor its blood pressure and eating patterns? What was the impact of human activities, like shipping noise or subsea explosions, on mammals in the depths? How could we follow animals to places where no human could venture?
”
”
Frank Schätzing (The Swarm: A Novel)
“
Heat is lost at the surface, so the more surface area you have relative to volume, the harder you must work to stay warm. That means that little creatures have to produce heat more rapidly than large creatures. They must therefore lead completely different lifestyles. An elephant’s heart beats just thirty times a minute, a human’s sixty, a cow’s between fifty and eighty, but a mouse’s beats six hundred times a minute—ten times a second. Every day, just to survive, the mouse must eat about 50 percent of its own body weight. We humans, by contrast, need to consume only about 2 percent of our body weight to supply our energy requirements. One area where animals are curiously—almost eerily—uniform is with the number of heartbeats they have in a lifetime. Despite the vast differences in heart rates, nearly all animals have about 800 million heartbeats in them if they live an average life. The exception is humans. We pass 800 million heartbeats after twenty-five years, and just keep on going for another fifty years and 1.6 billion heartbeats or so. It is tempting to attribute this exceptional vigor to some innate superiority on our part, but in fact it is only over the last ten or twelve generations that we have deviated from the standard mammalian pattern thanks to improvements in our life expectancy. For most of our history, 800 million beats per lifetime was about the human average, too.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
You let yourself fall too fast
For a boy
Who doesn’t even have the common courtesy
To manhandle your heart with the proper care.
Didn’t someone tell you
That you’re worth more than
Dispassionate good morning text messge
And tasteless afternoon dates?
Your heart beats more heartbeats than the average human being.
Doesn’t that mean anything to you?
”
”
Zienab Hamdan
“
Entropy is the degree of randomness or disorder in a system, Doctor.” His eyes fix on Werner’s for a heartbeat, a glance both warm and chilling. “Disorder. You hear the commandant say it. You hear your bunk masters say it. There must be order. Life is chaos, gentlemen. And what we represent is an ordering to that chaos. Even down to the genes. We are ordering the evolution of the species. Winnowing out the inferior, the unruly, the chaff. This is the great project of the Reich, the greatest project human beings have ever embarked upon.” Hauptmann writes on the blackboard. The cadets inscribe the words into their composition books. The entropy of a closed system never decreases. Every process must by law decay. The
”
”
Anthony Doerr (All the Light We Cannot See)
“
You don’t know how you feel about us.” It’s not a question.
Her eyes touch mine, searching. “No. Yes. I do – of course I do – but I feel like it’s wrong to feel this way. Like I’m a horrible, disgusting person to harbor these feelings because of my situation. And if I acknowledge them, they’ll take over. They’ll consume me. You’ll consume me.”
I step in as close as humanly possible. Close enough to feel her heartbeat stutter against my ribcage. “I want to consume you, Ally. I want to devour every bit of you until there’s no you and there’ snot me. Until we’re nothing but sensation and exhaustion. Until you see music and hear colors.” My lips are just a breath away from hers, longing for a taste. “You don’t have to define your feelings for me, Ally. Let me do it for you.
”
”
S.L. Jennings (Taint (Sexual Education, #1))
“
That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heartbeat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
”
”
George Eliot (Middlemarch)
“
Is it true it takes thirteen months for a female to carry and give birth?”
“Minimum.” He said it with such casual dismissal that Bella laughed.
“That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face.
His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm.
“I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat.
“Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon.
“You.”
Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on.
“Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station.
“Because I cannot seem to help myself, lovely little Bella.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
We have not thoroughly assessed the bodies snatched from dirt and sand to be chained in a cell. We have not reckoned with the horrendous, violent mass kidnapping that we call the Middle Passage.
We have not been honest about all of America's complicity - about the wealth the South earned on the backs of the enslaved, or the wealth the North gained through the production of enslaved hands. We have not fully understood the status symbol that owning bodies offered. We have not confronted the humanity, the emotions, the heartbeats of the multiple generations who were born into slavery and died in it, who never tasted freedom on America's land.
The same goes for the Civil War. We have refused to honestly confront the fact that so many were willing to die in order to hold the freedom of others in their hands. We have refused to acknowledge slavery's role at all, preferring to boil things down to the far more palatable "state's rights." We have not confessed that the end of slavery was so bitterly resented, the rise of Jim Crow became inevitable - and with it, a belief in Black inferiority that lives on in hearts and minds today.
We have painted the hundred-year history of Jim Crow as little more than mean signage and the inconvenience that white people and Black people could not drink from the same fountain. But those signs weren't just "mean". They were perpetual reminders of the swift humiliation and brutal violence that could be suffered at any moment in the presence of whiteness. Jim Crow meant paying taxes for services one could not fully enjoy; working for meager wages; and owning nothing that couldn't be snatched away. For many black families, it meant never building wealth and never having legal recourse for injustice. The mob violence, the burned-down homes, the bombed churches and businesses, the Black bodies that were lynched every couple of days - Jim Crow was walking through life measuring every step.
Even our celebrations of the Civil Rights Movement are sanitized, its victories accentuated while the battles are whitewashed. We have not come to grips with the spitting and shouting, the pulling and tugging, the clubs, dogs, bombs, and guns, the passion and vitriol with which the rights of Black Americans were fought against. We have not acknowledged the bloodshed that often preceded victory. We would rather focus on the beautiful words of Martin Luther King Jr. than on the terror he and protesters endured at marches, boycotts, and from behind jail doors. We don't want to acknowledge that for decades, whiteness fought against every civil right Black Americans sought - from sitting at lunch counters and in integrated classrooms to the right to vote and have a say in how our country was run.
We like to pretend that all those white faces who carried protest signs and batons, who turned on their sprinklers and their fire hoses, who wrote against the demonstrations and preached against the changes, just disappeared. We like to pretend that they were won over, transformed, the moment King proclaimed, "I have a dream." We don't want to acknowledge that just as Black people who experienced Jim Crow are still alive, so are the white people who vehemently protected it - who drew red lines around Black neighborhoods and divested them of support given to average white citizens. We ignore that white people still avoid Black neighborhoods, still don't want their kids going to predominantly Black schools, still don't want to destroy segregation.
The moment Black Americans achieved freedom from enslavement, America could have put to death the idea of Black inferiority. But whiteness was not prepared to sober up from the drunkenness of power over another people group. Whiteness was not ready to give up the ability to control, humiliate, or do violence to any Black body in the vicinity - all without consequence.
”
”
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
“
Animals at the high end of heartbeat longevity, such as mice, cats, dogs, horses, elephants, and whales, have the capacity for as many as a billion heartbeats within their life spans. Human hearts, on the other hand, can sustain nearly three billion beats in a lifetime. This significant difference in humans’ capacity for longevity demands explanation. The human body’s characteristics allowing for such extended activity on all levels (physical, mental, and spiritual) suggests uniqueness of design and purpose. It argues for a qualitative rather than mere quantitative difference between humans and the rest of Earth’s creatures.
”
”
Hugh Ross (Hidden Treasures in the Book of Job (Reasons to Believe): How the Oldest Book in the Bible Answers Today's Scientific Questions)
“
Anger flashed through me, hot and wild. I gasped in surprise at the unexpected reaction. I’d heard of the emotional instability of these human bodies, but this was beyond my ability to anticipate. In eight full lives, I’d never had an emotion touch me with such force. I felt the blood pulse through my neck, pounding behind my ears. My hands tightened into fists. The machines beside me reported the acceleration of my heartbeats. There was a reaction in the room: the sharp tap of the Seeker’s shoes approached me, mingled with a quieter shuffle that must have been the Healer. “Welcome to Earth, Wanderer,” the female voice said.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Touch is the most basic and fundamental of human experiences. Before we can suckle, before we can even see, we are enveloped by the welcoming arms of our mother. As we nestle into her body, feel the steadiness of her heartbeat, breathe her smell, we embed ourselves with her as our beacon. Her body, her voice, her skin, her touch become the way we orient ourselves as we make our personal journey through infancy, childhood and beyond. And touch is among the most crucial of these elements, not only providing us, in the case of loving touch, with a sense of security and ease in our bodies, but shaping our biology and our neurocircuitry in ways that will affect our tempers and our personalities throughout our lives.
”
”
Susie Orbach (Bodies)
“
Lucien found him a week later. Gavriel had taken the stagecoach away from Paris and found himself a small hostelry outside Marseille. He had lain down the night before, sweating and shaking, hearing the heartbeats of humans like drums through the walls. Cold crept deeper and deeper into his skin until it finally froze his heart. When Lucien opened the front door and saw the common room streaked with scarlet, the bodies of the innkeeper and his wife, the barely grown children who worked in the kitchens and stables, he smiled. Gavriel, crouched over a body, looked up at him with a despair so deep that it was barely a feeling at all. Of course, Lucien had killed the girl Gavriel had tried to spare. He told Gavriel all about it on their ride back to Paris.
”
”
Holly Black (The Coldest Girl in Coldtown)
“
See me. See me for who I am. I am magic. I am human. I am inhuman. See me. I am a boy. I am a girl. I am everything and nothing in between. See me. You do. You see me. You recoil in fear. You scream in anger. See me. I bleed. I ache. You see me, and you wish you hadn’t. You wish I was invisible. Out of sight, out of mind. Unseen, faded, muted. You want my color. You want my joy. You want a monochrome world with monochrome beliefs. You see me, and you want to take it all away. But you can’t. You want me lost, but I am found in the breaths I take, in the spaces between heartbeats. I am found because I refuse to be in black and white, or any shade of gray. I am color. I am fire. I am the sun, and I will burn away the shadows until only light remains. And then you will have no choice but to see me.
”
”
T.J. Klune (Somewhere Beyond the Sea (Cerulean Chronicles, #2))
“
Essay on Lust Identity can’t be concise. It’s knit from sequins and lust and scatters. Mostly everyone was fucking the seven arts with a willed difficulty. Then for one day there was the collective sensation that we carried our lovely voices as if in baskets, piled up in clear tones like grapes. Each voice had achieved its particular mass. From an interior space we heard the word sequin repeating in relation to leaves and the image was yellow-gold leaves moving on dark water. We had undergone an influence of death which was itself imprinted on such a moving sequin: the breath sequins, the heartbeat sequins, the organs and their slowing articulation sequins which drifting from the foreground appear to dim since they gradually go out to illuminate some event so distant we will never own the moment of its perception. But all this gives the illusion of peacefulness which is inert or at least passive when breaths burst smashing into sobbed words some urgent errand trapped in these letters as labour of light diminishing rhythm and if we fiercely decide to clear the stupid human stuff stop waiting for something to come to the father-studded earth shouldn’t this impatience release itself as a tongue so new weeping stops. In young women enamoured of their own intensities the Latin element wells up and knits from lust the pelt on the wall that’s ocelot or shadepelt or the imagination of matter. Nothing’s frugal. As for us, we want to give the city what lust has never ceased to put together. Young women or other women carrying their lovely voices as if on platters, their ten voices or nine voices in urgent errand dictating the imagination of matter. It is not our purpose to obscure the song of no-knowledge.
”
”
Lisa Robertson (Lisa Robertson's Magenta Soul Whip)
“
A normal human life consists of 500 million breaths for three billion heartbeats. That sounds a lot, but it’s not enough.
You are searching: for a moment that feels better than the last. For a spark that lights a fire in your heart. For things that make you want to keep breathing: those your heart will want to keep beating for. For as long as you are living you are looking for them. Constantly and continuously, regardless of what you find. And here there’s us who we have become eternal. We will have to keep searching for the unbearable rest of eternity: aim- und pointlessly, since everything there is to find is, at some stage, found.
You get tired. So tired of searching, so tired of life. There is nothing in the world that a heart wants to keep beating for forever: no single spark that can outlast eternity and no moment that can feel good enough to make up for the countless ones which will forever be in front of us.
”
”
Sima B. Moussavian (Tomorrow death died out: What if the future were past?)
“
I don't pretend to understand the mystery of love, but this time it was more than sex, more than using a woman's body. It was being lifted off the earth, outside fear and torment, being part of something greater than myself. I was lifted out of the dark cell of my own mind, to become part of someone else—just as I had experienced it that day on the couch in therapy. It was the first step outward to the universe—beyond the universe—because in it and with it we merged to recreate and perpetuate the human spirit. Expanding and bursting outward, and contracting and forming inward, it was the rhythm of being—of breathing, of heartbeat, of day and night—and the rhythm of our bodies set off an echo in my mind. It was the way it had been back there in that strange vision. The gray murk lifted from my mind, and through it the light pierced into my brain (how strange that light should blind!), and my body was absorbed back into a great sea of space, washed under in a strange baptism.
”
”
Daniel Keyes (Flowers for Algernon)
“
A writer toils to combat the insufficiency plaguing his or her life. Every writer seeks to ward off the corrosive obliteration wrought by the passage of time upon memory by capturing on paper his or her present day thoughts on life. For these intrepid souls, writing not only entails a lifetime of work it also represents their very lifeblood spilled out onto sheets of virgin white paper. Writers’ inkblot of words forms a pictograph for present and future generations to view; their thoughtful elucidations speak to us from the grave. Writers’ words transcend time by creating indelible images that survive wars, famines, epidemics, and censorship. Thanks to great writers, every man, woman, or child can escape the confines of their own cloistered environment and converse with other people of every occupation and lifestyle whose communal heartbeats form the bloodstream of every city. Thanks to literary figures, each reader can peer into the depths of past generations whose eclectic filament forms the ever-evolving equitable eye in humankinds’ collective consciousness, or colloquially what we refer to as humanity.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
I'm sorry.'
It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash.
Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted.
A lie. A lie, as Rhys had lied to me. Stay with the High Lord.
Stay.
For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer.
Stay. Stay, stay, stay.
I clung to those scraps and remnants, clawing at the voice that lurked beyond.
Stay.
I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.'
Blank faces.
I screamed at them, 'BRING HIM BACK.'
Nothing.
'You did it for me,' I said, breathing hard. 'Now do it for him.'
'You were human,' Helion said carefully. 'It is not the same-'
'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if-
Tarquin stepped forward. He slowly extended his hand toward me.
'For what he gave,' Tarquin said quietly. 'Today and for many years before.'
And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once.
Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin.
Then Kallias. And Thesan.
Until only Beron stood there.
Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said.
Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either.
I didn't know the spell, the power it came from. But I was High Lady.
I held out my palm. Willing the spark of life to appear. Nothing happened.
I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one.
Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until-
There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life.
I laid it gently on Rhys's blood-crusted throat.
And I realised, just as he appeared, what was missing.
Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty.
He studied Rhys, lifeless before me. Studied all of us- the palms still out.
There was no kindness on his face. No mercy.
'Please,' was all I said to him.
Then Tamlin glanced between us- me and my mate. His face did not change.
'Please,' I wept. 'I will- I will give you anything-'
Something shifted in his eyes at that. But not kindness. No emotion at all.
I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour.
'Anything,' I breathed to no one in particular. 'Anything.'
Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder.
The steps remained behind me for long enough that I looked.
Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place.
'Be happy, Feyre,' he said quietly.
And dropped that final kernel of light onto Rhysand.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . . on you roll, across a countryside whose light is forever changing--castles, heaps of rock, moons of different shapes and colors come and go. There are stops at odd hours of teh mornings, for reasons that are not announced: you get out to stretch in lime-lit courtyards where the old men sit around the table under enormous eucalyptus trees you can smell in the night, shuffling the ancient decks oily and worn, throwing down swords and cups and trumps major in the tremor of light while behind them the bus is idling, waiting--"passengers will now reclaim their seats" and much as you'd like to stay, right here, learn the game, find your old age around this quiet table, it's no use: he is waiting beside the door of the bus in his pressed uniform, Lord of the Night he is checking your tickets, your ID and travel papers, and it's the wands of enterprise that dominate tonight...as he nods you by, you catch a glimpse of his face, his insane, committed eyes, and you remember then, for a terrible few heartbeats, that of course it will end for you all in blood, in shock, without dignity--but there is meanwhile this trip to be on ... over your own seat, where there ought to be an advertising plaque, is instead a quote from Rilke: "Once, only once..." One of Their favorite slogans. No return, no salvation, no Cycle--that's not what They, nor Their brilliant employee Kekule, have taken the Serpent to mean.
”
”
Thomas Pynchon
“
She was beauty and intelligence stitched together with no seams
She lived in a world with no difference between reality and dreams
Excellence as habit, she was much more than simple flesh and bone
She walked in the way that forced her presence to be known
If I viewed the world in melody, she is the only one I would see
She could conquer that world in a day and still have time for tea
Soft lips curved in confidence spilling sweetness with every breath
Ideas remaining and growing even after the revolving dance of death
Fingers curled with the power of creation and the ease with which it came
She sat upon a throne as a queen playing the world like a simple game
She was fire, and laughter, and the warmth both of them brought
She made the idea of perfection appear as a simple afterthought
Her body danced with the tidal currents of marvelous desire
She could reach the sky in a day and then push on even higher
She was the best getting better, the absolute antonym of threshold
The words she wrote were gilded, laid heavy with amber glow gold
She was one of very many, and yet, she was the only one of them all
Her taste made my mouth water, her effect hit me harder than alcohol
She was quality, and substance, an actual angel in every way real
Her word was solid, it was a better guarantee than a devil with a deal
She was better than just human, more like power that has taken shape and form
And I the lucky one who holds her close, feels her heartbeat quicken like a storm
”
”
H.T. Martin
“
It is raining. The clock ticks. I am leaning on my elbow. The wind
blows through the cracks. The door rattles in its frame. My arm is
tired of staying in one position. There is a pressure on the wrist. My
temple burns on one side. I wonder what will happen next. Someone
laughs. If he had heard the rain, the clock, and the door, he would
have kept silent. Had I been laughing, I would not have heard these
things.
Gaze into a cat's eye or a gorilla's. You will notice a peculiar thing that
will make you shudder. sometimes cats claw at human eyes. Some-
times gorillas enrage.
Telepathy and death are wound inextricably together. To see why this
is so, you must understand consciousness. When, late at night in
your bed, you hear a distant automobile, you and the driver are parts
of yourself. When you speak, you are alone and the listener is both
you and himself. Two men, one on the mountain and the other in the
village, cannot communicate. Each is looking into a mirror. Wave,
and *he* waves - shout, and *he* replies. All of us see the same
moon and feel the same heartbeat, but we can never admit it. One
says the moon is a pale disc, another that it is a satellite of the Earth,
a third that it is a silver world. My heart thumps, yours clatters, and his
booms. Consciousness is distortion.
But much telepathy passes unnoticed. Dogs in the night, a dream of
Mabel, Dr. Rhines' dice games - these are self-conscious tricks that
mean nothing. What of the more obvious examples? You know when
another is lying. You know who is going down the stair. You know
emotion without seeing it. You know the intelligence of others. Some
sign gives them away. It is coincidence? Guessing games again?
Then think of what you could not possibly know, what no one could tell
you. Is there any doubt you do not know that fellow on the gibbet or
the thought of that girl on the stake? Watch someone die and you
may read his mind at ease.
You need not got so far. We human beings understand one another
better than we think. Argue, deny, shout, denounce, destroy. Nothing
alters truth. You, reader, see my flaws and concentrate on them. You
wonder why I choose this word and not that.
My arguments are weak and you can drum up stronger ones against
them. But we are eye to eye for all of that.
”
”
E.E. Rehmus
“
With the relief of knowing I had passed through a crisis, I sighed because there was nothing to hold me back. It was no time for fear or pretense, because it could never be this way with anyone else. All the barriers were gone. I had unwound the string she had given me, and found my way out of the labyrinth to where she was waiting. I loved her with more than my body. I don’t pretend to understand the mystery of love, but this time it was more than sex, more than using a woman’s body. It was being lifted off the earth, outside fear and torment, being part of something greater than myself. I was lifted out of the dark cell of my own mind, to become part of someone else—just as I had experienced it that day on the couch in therapy. It was the first step outward to the universe—beyond the universe—because in it and with it we merged to recreate and perpetuate the human spirit. Expanding and bursting outward, and contracting and forming inward, it was the rhythm of being—of breathing, of heartbeat, of day and night—and the rhythm of our bodies set off an echo in my mind. It was the way it had been back there in that strange vision. The gray murk lifted from my mind, and through it the light pierced into my brain (how strange that light should blind!), and my body was absorbed back into a great sea of space, washed under in a strange baptism. My body shuddered with giving, and her body shuddered its acceptance. This was the way we loved, until the night became a silent day. And as I lay there with her I could see how important physical love was, how necessary it was for us to be in each other’s arms, giving and taking. The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other—child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death. But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other’s hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing. And in the moment before I fell off into sleep, I remembered the way it had been between Fay and myself, and I smiled. No wonder that had been easy. It had been only physical. This with Alice was a mystery. I leaned over and kissed her eyes. Alice knows everything about me now, and accepts the fact that we can be together for only a short while. She has agreed to go away when I tell her to go. It’s painful to think about that, but what we have, I suspect, is more than most people find in a lifetime.
”
”
Daniel Keyes (Flowers for Algernon)