Heartbeat Memorable Quotes

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I dream of your voice, daydream about it. I spend a good part of my day thinking up ways to make you laugh, counting the hours before I can hold you—just hold you—to feel you breathe, feel your heartbeat. I've memorized your walk. I even look forward to your butchering of the German language and discovering which T-shirt you'll wear. I want to tell everyone about you, how brilliant you are, how generous and kind and amazing you are, and I will keep you safe. I want to know everything about you so I can be what you need—give you what you need.
Penny Reid (Love Hacked (Knitting in the City, #3))
Our life settled into a pulse, a heartbeat, a collection of breaths. In the silence between them, I memorized the cadence of Max's barefoot steps padding down the hallways at night, the way one single muscle in his throat twitched when he was stressed, the whisper of a laugh that always followed one of my quips (however unfunny). I learned that one side of his smile aways started first - the left side, a fraction of a second before the right - and that he loved ginger tea above all else and the list of things he wasn't made for. And, in turn, he quietly memorized me, too. I knew he did, because one day I realized he had long ago stopped asking me how I took my tea and we mysteriously always had a never-ending stock of raspberries, even though I knew he didn't like them.
Carissa Broadbent (Daughter of No Worlds (The War of Lost Hearts, #1))
Isaac stopped her at the bottom of the stairs with a crooked smile. “I would wish you sweet dreams, but how could they be memorable at all if I won’t be in them?” Her mood lightened and she punched him in the arm. “I’ll have you know that I was capable of conjuring up perfectly good dreams all on my own before I met you.” “Perhaps,” he admitted. His smile went from playful to absolutely devastating in a heartbeat. He leaned in until he filled up her entire vision, her whole sphere of consciousness, and made her stomach flip over and over until she was dizzy with him. “But remember that only I can make those dreams a reality.
Chloe Jacobs (Greta and the Lost Army (Mylena Chronicles, #3))
Then I’m suddenly reminded of how I get engulfed with nightmares of Mom’s death as soon as I fall asleep. Hesitantly, I call to him, “Hey, Adrian?” “Yeah?” “Can you hold my hand the entire night?” My voice comes out as a quiet whisper. There’s a pause. I’m almost afraid to meet his eyes. Heartbeat picking up faster, his fingers interweave with mine and lace them together. I turn almost reflexively and I’m faced with his eyes—burning so green that it’s hard to look away. And for a second—one second, there is this feeling that flits in my chest, making my breath catch. Then his eyes close and I blink slowly—feeling as I’m in a dream-like trance. Then mine slide close too after a while of memorizing this moment, this moment of silent peacefulness. The gentle pressure of his hand holding mine coaxes me into sleep. This time, there’s only a soothing blankness. And we sleep just like that; backs curved together, my head folded in his chest. As we hold hands, I fall into the awaiting darkness.
L. Jayne (Chasing After Infinity)
Who are you?" she said, barely able to hear her own words as her heartbeat thrummed in her ears. He froze at her question and darted his eyes from her gaze, taking in, memorizing, her face and neck, the lines of her collarbone. He reached for a lock of hair that had spilled over her breast. "This is your dream, remember? Tell me who I am," he said smiling, absently coiling the long brown tendril around a finger. She narrowed her eyes at him, her tone firm. "If this is my dream, oneiroi, then answer my question. Who are you?" He was hearing her true voice- that of a natural ruler. His smile widened at her fearlessness, even though he was twice her size and loomed over her, caging her body with his. "I am not an oneiroi, sweet one." "What are you, then?" "Deathless," he said simply. "Like you." "Wh-who are you?" she whispered. He slowly lowered himself to her, hovering just above her, the heat of his chest making contact with her, making her quiver, making her want to pull the weight of his body down to cover hers. He whispered in her ear. "I am your lord husband.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
To not be cut off, however, we need to be moving in a rhythm that is syncopated with that of the oaks and willows, heartbeats and touch. We must recall the original cadence of the soul. One of my most memorable teachings about slowing down came from my mentor, Clarke Berry, a Jungian analyst with whom I apprenticed, following licensure. I was young, and I knew I was in need of a mentor, someone who could teach me the art of sitting with others in therapy. The Jung Institute in San Francisco referred me to Clarke along with other analysts, but when I met him, I knew I was in the right place. Our first meeting, over thirty years ago, was unforgettable. When we sat down, Clarke reached to his left, placed his hand on a large rock lying on a table, and said, “This is my clock. I operate at geologic speed. And if you are going to work with the soul, you need to learn this rhythm, because this is how the soul moves.” Then he pointed to a small clock also sitting there and added, “It hates this.” What an amazing thing to tell this young therapist. It is the single most important thing I ever learned about therapy, about working with the soul. I share this story with every person I work with; I use it as a means of calming the urgency to change and helping patients return to a rhythm that enables them to listen once again to their own soul.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
As she explained to her students, patients often awoke from very bad illnesses or cardiac arrests, talking about how they had been floating over their bodies. “Mm-hmmm,” Norma would reply, sometimes thinking, Yeah, yeah, I know, you were on the ceiling. Such stories were recounted so frequently that they hardly jolted medical personnel. Norma at the time had mostly chalked it up to some kind of drug reaction or brain malfunction, something like that. “No, really,” said a woman who’d recently come out of a coma. “I can prove it.” The woman had been in a car accident and been pronounced dead on arrival when she was brought into the emergency room. Medical students and interns had begun working on her and managed to get her heartbeat going, but then she had coded again. They’d kept on trying, jump-starting her heart again, this time stabilizing it. She’d remained in a coma for months, unresponsive. Then one day she awoke, talking about the brilliant light and how she remembered floating over her body. Norma thought she could have been dreaming about all kinds of things in those months when she was unconscious. But the woman told them she had obsessive-compulsive disorder and had a habit of memorizing numbers. While she was floating above her body, she had read the serial number on top of the respirator machine. And she remembered it. Norma looked at the machine. It was big and clunky, and this one stood about seven feet high. There was no way to see on top of the machine without a stepladder. “Okay, what’s the number?” Another nurse took out a piece of paper to jot it down. The woman rattled off twelve digits. A few days later, the nurses called maintenance to take the ventilator machine out of the room. The woman had recovered so well, she no longer needed it. When the worker arrived, the nurses asked if he wouldn’t mind climbing to the top to see if there was a serial number up there. He gave them a puzzled look and grabbed his ladder. When he made it up there, he told them that indeed there was a serial number. The nurses looked at each other. Could he read it to them? Norma watched him brush off a layer of dust to get a better look. He read the number. It was twelve digits long: the exact number that the woman had recited. The professor would later come to find out that her patient’s story was not unique. One of Norma’s colleagues at the University of Virginia Medical Center at the time, Dr. Raymond Moody, had published a book in 1975 called Life After Life, for which he had conducted the first large-scale study of people who had been declared clinically dead and been revived, interviewing 150 people from across the country. Some had been gone for as long as twenty minutes with no brain waves or pulse. In her lectures, Norma sometimes shared pieces of his research with her own students. Since Moody had begun looking into the near-death experiences, researchers from around the world had collected data on thousands and thousands of people who had gone through them—children, the blind, and people of all belief systems and cultures—publishing the findings in medical and research journals and books. Still, no one has been able to definitively account for the common experience all of Moody’s interviewees described. The inevitable question always followed: Is there life after death? Everyone had to answer that question based on his or her own beliefs, the professor said. For some of her students, that absence of scientific evidence of an afterlife did little to change their feelings about their faith. For others,
Erika Hayasaki (The Death Class: A True Story About Life)
We catch the train that makes stops in every village, sitting as close to each other as possible, freely kissing whenever we feel like it. I’m torn between wishing we hadn’t waited so long to get to this point and almost wishing it never had happened at all. Now I really know what I’m going to be missing. The motion of the train conflicts with all the crap in my head and I panic. I lay my head against Darren’s chest and wrap my arms around his middle. He puts both of his arms around me, hugging me tight. I can feel him sigh. Is he thinking through everything like I am? “We’ll figure it out,” he says in my ear before he kisses the top of my head. “I promise.” I squeeze him tighter and memorize the rhythm of his heartbeat. We decide to meet at the trattoria for breakfast first thing tomorrow and spend the whole morning together before he has to leave. I already can’t wait to kiss him again, but I don’t look forward to figuring out the logistics of a long-distance relationship, if that’s what he even wants. If it’s what I want. Our lips touch until the last possible moment when the doors of the train threaten to close at his stop in Manarola. “I’ll see you tomorrow,” he says, a smile stretching ear to ear. “Tomorrow,” I reply, beaming back at him. “Good night.” “Good night, Pippa.” He hops down onto the platform and the doors slap together. I look at him through the grimy window, reminded of the time I saw him across the metro station in Rome, when I didn’t know if I’d ever see him again. Now I know I will for sure. And I also know there will be kissing.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
You told me that you will always be there for me if I ever needed you…I need to fall asleep to the lullaby of your heartbeat once again. You see, you told me once that when two eyes meet, the beats of our hearts will sync and my heart can’t dance without the sound of yours. I need to memorize the rhythm of your breath on my skin. I need to feel safe in the shelter of your arms and be calmed by your laughter. I long to taste your smile once more as your hand dances across my skin. I need to look into the blue gray eyes that catch the rays of sun just right…I need you now.
Christian Lea
Where are you looking now?" "At your mouth." "Look away." "Can't. You have very sexy lips." She went red in the face. Self-conscious. He was bold, blunt, and spoke his mind. She liked that about him. Emotion soared. Arousal slipped up on her. She wanted him in her life. He apparently wanted her too. His desire came in a kiss. Light and gentle and lasting no more than a heartbeat. Modest and restrained. Sensitive, yet sensationally hot. Memorable.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))