Heart Shaped Box Quotes

We've searched our database for all the quotes and captions related to Heart Shaped Box. Here they are! All 100 of them:

Horror was rooted in sympathy . . . in understanding what it would be like to suffer the worst.
Joe Hill (Heart-Shaped Box)
Life's trials will test you, and shape you, but don’t let them change who you are.” ~ Aaron Lauritsen, ‘100 Days Drive
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
All the world is made of music. We are all strings on a lyre. We resonate. We sing together.
Joe Hill (Heart-Shaped Box)
You want sympathy, go fuck James Taylor.
Joe Hill (Heart-Shaped Box)
Your salary is not love and your word is not love. Your clothes are not love and holding hands is not love. Sex is not love and a kiss is not love. Long letters are not love and a text is not love. Flowers are not love and a box of chocolates is not love. Sunsets are not love and photographs are not love. The stars are not love and a beach under the moonlight is not love. The smell of someone else on your pillow is not love and the feeling of their skin touching your skin is not love. Heart-shaped candy is not love and an overseas holiday is not love. The truth is not love and winning an argument is not love. Warm coffee isn't love and cheap cards bought from stores are not love. Tears are not love and laughter is not love. A head on a shoulder is not love and messages written at the front of books given as gifts are not love. Apathy is not love and numbness is not love. A pain in your chest is not love and clenching your fist is not love. Rain is not love. Only you. Only you, are love.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
If you didn't have me to rake you over the coals now and then, there wouldn't be any fire in your life at all.
Joe Hill (Heart-Shaped Box)
If hell was anything, it was talk radio — and family.
Joe Hill (Heart-Shaped Box)
When you were a Goth, it was important to at least imply the possibility you might burst into flames in direct sunlight.
Joe Hill (Heart-Shaped Box)
That was one thing you found out when you were stoned, or wasted, or feverish: that the world was always turning and that only a healthy mind could block out the sickening whirl of it.
Joe Hill (Heart-Shaped Box)
The mad sometimes drilled holes in their own heads to let the demons out. To relieve the pressure of thoughts they could no longer bear. Jude understood the impulse. Each beat of his heart was a fresh and staggering blow felt in the nerves behind his eyes and in his temples. Punishing evidence of life.
Joe Hill (Heart-Shaped Box)
He had tried to explain the way he felt to Danny once, about compulsive behavior and time rushing too fast and the Internet and drugs. Danny had only lifted one of his slender, mobile eyebrows and stared at him in smirking confusion. Danny did not think coke and computers were anything alike. But Jude had seen the way people hunched over their screens, clicking the refresh button again and again, waiting for some crucial if meaningless hit of information, and he thought it was almost exactly the same.
Joe Hill (Heart-Shaped Box)
The dead pull the living down.
Joe Hill (Heart-Shaped Box)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
She eyes me like a Pisces when I am weak, I've been locked inside your heart-shaped box for weeks.
Kurt Cobain
He understood that the ghost existed first and foremost within his own head. That maybe ghosts always haunted minds, not places. If he wanted to take a shot at it, he’d have to turn the barrel against his own temple.
Joe Hill (Heart-Shaped Box)
I’ve always thought that when something really bad happens to a person, other people just have to know about it. You can’t be a tree falling in the woods with no one to hear you crash.
Joe Hill (Heart-Shaped Box)
...Keep all the flowers and the heart-shaped boxes of chocolates. When a man comes over to unblock your toilet, that's romance.
Rachel Winters (Would Like to Meet)
The dead win when you quit singing and let them take you on down the road with them.
Joe Hill (Heart-Shaped Box)
It was hard to venture back near the place you’d been bred without settling into the characteristics of the person you’d been there.
Joe Hill (Heart-Shaped Box)
She’d done things to him he thought only happened to characters in country-western songs, laying waste to his car, his dogs, driving him from his home, and making an outlaw of him. It was almost funny.
Joe Hill (Heart-Shaped Box)
He had always known he would go out this way: on fire. He had always known that rage was flammable, dangerous to store under pressure, where he had kept it his whole life.
Joe Hill (Heart-Shaped Box)
I miss you, Jude. I'm looking forward to putting my arms around you. We're going to sing just like the old days. Everyone sings here. After a while it kind of sounds like screaming. Just listen. Listen and you can hear them screaming.
Joe Hill (Heart-Shaped Box)
He understood that the ghost existed first and foremost within his own head. That maybe ghosts always haunted minds, not places.
Joe Hill (Heart-Shaped Box)
Prison didn't frighten him especially. He had a lot of fans in there.
Joe Hill (Heart-Shaped Box)
I feel bad for her. It's not a lot of fun, you know." "What?" "Being in love with you. I've been with a lot of bad guys who made me feel lousy about myself, Jude, but you're something special. Because I knew none of them really cared about me, but you do, and you make me feel like your shitty hooker anyway.
Joe Hill (Heart-Shaped Box)
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
Your beard and your big leather jacket and your big black car and your big black boots. No one puts on all that armor unless they been hurt by someone who didn’t have no right to hurt them.
Joe Hill (Heart-Shaped Box)
Jude wondered if the chip was smart enough to tell the difference between a dog and a naked psychotic scrambling around on all fours with a knife in his teeth.
Joe Hill (Heart-Shaped Box)
Chris Cornell: I think Pearl Jam was the band that set the perfect example. Their big video, "Jeremy," propelled them into becoming TV stars and one of the biggest rock bands on the planet, so they stopped making videos, which was proof positive that that wasn't where they wanted to be. And that made a lot of sense to me. Nirvana doing an Unplugged at the same time that they did it and making a video for "Heart-Shaped Box," that didn't make a lot of sense to me, because it seemed clear to me that Kurt was pretty disillusioned by the situation that he was being put in. It felt like, If he's so unhappy, he shouldn't be doing this kind of stuff.
Mark Yarm (Everybody Loves Our Town: An Oral History of Grunge)
Too many people die in hospitals, and if you can’t be helped, you have to wonder why.
Joe Hill (Heart-Shaped Box)
He'd possessed all the key elements of a school shooter: hormones, misery, ammunition. People wondered how something like Columbine could happen. Jude wondered why it didn't happen more often.
Joe Hill (Heart-Shaped Box)
A lot of his songs, when they started out, sounded like old music. They arrived on his doorstep, wandering orphans, the lost children of large and venerable musical families. They came to him in the form of Tin Pan Alley sing-alongs, honky-tonk blues, Dust Bowl plaints, lost Chuck Berry riffs. Jude dressed them in black and taught them to scream.
Joe Hill (Heart-Shaped Box)
His father had smashed his very first guitar for him, in an early attempt to rid Jude of his musical ambitions. Jude hadn’t been able to repeat the act himself, not even onstage, for show, when he could afford all the guitars he wanted. He was, however, perfectly willing to use one as a weapon to defend himself. In a sense he supposed he had always used them as weapons.
Joe Hill (Heart-Shaped Box)
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
Джуд подозираше, че в действителност Дани няма никакви музикални предпочитания и радиото е просто за фон, нещо като звуков еквивалент на тапетите.
Joe Hill (Heart-Shaped Box)
The idea that her death should precede his was worse than intolerable, it was obscene.
Joe Hill (Heart-Shaped Box)
She wrote she heard them hammering nails all day long and that it was like living next to a coffin maker after a plague. When
Joe Hill (Heart-Shaped Box)
Don’t give up on yourself. The dead win when you quit singing and let them take you on down the road with them.
Joe Hill (Heart-Shaped Box)
Die Todten reiten schnell. (For the dead travel fast.) —“LENORE,” GOTTFRIED BÜRGER
Joe Hill (Joe Hill Collection: Heart-Shaped Box, 20th Century Ghosts, Horns, and NOS4A2)
It was hard to venture back near the place you had been bred without settling into the characteristics of the person you had been there.
Joe Hill (Heart-Shaped Box)
If hell was anything, it was talk radio—and family.
Joe Hill (Heart-Shaped Box)
maybe ghosts always haunted minds, not places.
Joe Hill (Heart-Shaped Box)
The mad sometimes drilled holes in their own heads, to let the demons out, to relieve the pressure of thoughts they could no longer bear.
Joe Hill (Heart-Shaped Box)
Jude had a private collection.
Joe Hill (Heart-Shaped Box)
In truth, Jude suspected that Danny had no particular musical preferences, no strong likes or dislikes, and that the radio was just background sound, the auditory equivalent of wallpaper.
Joe Hill (Heart-Shaped Box)
I wish you didn't first see me takin' my clothes off for drunks. I wish we didn't meet in a strip club. I wish you could've known me before I started with that kind of thing. Before I got like I am. Before I did all the things I wish I could take back. You know how people pay more money to buy furniture that's been roughed up a little? What do they call it? Things that have been distressed? That's because something that's seen a little wear is just more interesting than something brand-new that hasn't ever had a scuff on it.
Joe Hill (Heart-Shaped Box)
What is love? Is it a lightning bolt that instantaneously unites two souls in utter infatuation and admiration through the meeting of a simple innocent stare? Or is it a lustful seed that is sown in a dark dingy bar one sweaty summer's night only to be nurtured with romantic rendezvous as it matures into a beautiful flower? Is it a river springing forth, creating lifelong bonds through experiences, heartaches, and missed opportunities? Or is it a thunderstorm that slowly rolls in, climaxing with an awesome display of unbridled passion, only to succumb to its inevitable fade into the distance? I define love as education.... It teaches us to learn from our opportunities, and made the stupidest of decisions for the rightest of reasons. It gives us a hint of what "it" should be and feel like, but then encourages us to think outside the box and develop our own understanding of what "it" could be. Those that choose to embrace and learn from love's educational peaks and valleys are the ones that will eventually find true love, that one in a million. Those that don't are destined to be consumed with the inevitable ring around the rosy of fake I love you's and failed relationships. I have been lucky enough to have some of the most amazing teachers throughout my romantic evolution and it is to them that I dedicate this book. The lessons in life, passion and love they taught me have helped shape who I am today and who I will be tomorrow. To the love that stains my heart, but defines my soul....I thank you.....
Ivan Rusilko (Appetizers (The Winemaker's Dinner, #1))
Jude collected them in almost exactly the same way the Pied Piper had collected rats, and children. He made melodies out of hate and perversion and pain, and they came to him, skipping to the music, hoping he would let them sing along.
Joe Hill (Heart-Shaped Box)
Why do you got to ask so many damn questions?” he wanted to know. As they went back out into the rain, he opened his black duster and closed it over her thin, shivering body, clasped her against him. “I’d rather ask questions,” she said, “than answer them.
Joe Hill (Heart-Shaped Box)
Danny did not think coke and computers were anything alike. But Jude had seen the way people hunched over their screens, clicking the refresh button again and again, waiting for some crucial if meaningless hit of information, and he thought it was almost exactly the same.
Joe Hill (Heart-Shaped Box)
He searched the ground floor and found only shadow and stillness, which should’ve reassured him but didn’t. It was the wrong kind of stillness, the shocked stillness that follows the bang of a cherry bomb. His eardrums throbbed from the pressure of all that quiet, a dreadful silence.
Joe Hill (Heart-Shaped Box)
Jude did not flip them off and then drove for a few blocks feeling good about himself, proud of his restraint. His will, it was like iron.
Joe Hill
If hell was anything, it was talk radio—and family. In
Joe Hill (Heart-Shaped Box)
The dead win when you quit singing and let them take you on down the road with them.” Something
Joe Hill (Heart-Shaped Box)
When you had a set of wheels that could take you anywhere, you didn’t walk away from it.
Joe Hill (Joe Hill Collection: Heart-Shaped Box, 20th Century Ghosts, Horns, and NOS4A2)
I’d rather ask questions,” she said, “than answer them.
Joe Hill (Heart-Shaped Box)
In Vietnam he earned a Purple Heart and a Bronze Star. He was discharged with honors and settled in Florida.
Joe Hill (Heart-Shaped Box)
He watched until Danny passed through the gates, turned left, and disappeared from sight. Jude never saw him again.
Joe Hill (Heart-Shaped Box)
Repulsion masks attraction.
Joe Hill (Heart-Shaped Box)
Lake Pontchartrain, huh?
Joe Hill (Heart-Shaped Box)
You're a sympathetic sonofabitch, you know that?". "You want sympathy, go fuck James Taylor.
Joe Hill (Heart-Shaped Box)
Ozzy Osbourne has Pomeranians,” the UPS guy said. “I saw them on TV. Cute little dogs like house cats. You ever think about getting a couple cute little dogs like that?
Joe Hill (Heart-Shaped Box)
Sounds could suggest shapes, painted a picture of the pocket of air in which they’d been given form
Joe Hill (Heart-Shaped Box)
Horror was rooted in sympathy, after all, in understanding what it would be like to suffer the worst.
Joe Hill (Heart-Shaped Box)
At the end of the meal, the waiter brings over a pair of heart-shaped sweets in a beautifully carved wooden box. I eat mine whole. Turns out it was actually a candle.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
What he'd thought of as a personal strength---he was happy to know about her only what she wanted him to know---was something more like selfishness. A childish willingness to remain in the dark, to avoid distressing conversations, upsetting truths. He had feared her secrets---or, more specifically, the emotional entanglements that might come with knowing them.
Joe Hill (Heart-Shaped Box)
No plane. Planes are too fast. You can’t go south on a plane. You need to drive. Or take a train. You need to watch the dirt turn to clay. You need to look at all the junkyards full of rustin’ cars. You need to go over a few bridges. They say that evil spirits can’t follow you over running water, but that’s just humbug. You ever notice rivers in the North aren’t like rivers in the South? Rivers in the South are the color of chocolate, and they smell like marsh and moss. Up here they’re black, and they smell sweet, like pines. Like Christmas.
Joe Hill (Heart-Shaped Box)
You and your beard and your big leather jacket and your big black car and your huge black boots. Nobody wears this much armor unless it has been hurt by someone who had no reason to hurt him.
Joe Hill
He searched the ground floor and found only shadow and stillness, which should’ve reassured him but didn’t. It was the wrong kind of stillness, the shocked stillness that follows the bang of a cherry bomb.
Joe Hill (Heart-Shaped Box)
The lights of London are burning bright across my retinas like we finally got our fireworks and I’m greedily breathing in Thea’s perfume as it clings to my receptors and she wraps my soul in a heart-shaped box.
Andrew James
But before that there’d been summer days in the barn while he rebuilt the Mustang. There’d been John Prine on the radio, the sweet smell of hay baking in the heat, and afternoons filled with her lazy, pointless questions—a never-ending interrogation that was, at turns, tiresome, amusing, and erotic. There’d been her body, tattooed and icy white, with the bony knees and skinny thighs of a long-distance runner. There’d been her breath on his neck.
Joe Hill (Heart-Shaped Box)
We made close to forty boxes today. Fifteen truffles (still selling well), but also a batch of coconut squares, some sour cherry gobstoppers, some bitter-coated orange peel, some violet creams, and a hundred or so lunes de miel, those little discs of chocolate made to look like the waxing moon, with her profile etched in white against the dark face. It's such a delight to choose a box, to linger over the shape- will it be heart shaped, round, or square? To select the chocolates with care; to see them nestled between the folds of crunchy mulberry-colored paper; to smell the mingled perfumes of cream, caramel, vanilla, and dark rum; to choose a ribbon; to pick out a wrapping; to add flowers or paper hearts; to hear the silky whisssh of rice paper against the lid-
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
When he was on the road, or recording, he had become accustomed to rolling into bed at five in the morning and sleeping through most of the daylight hours, but staying up all night had never come naturally. On the road, he would wake at four in the afternoon, bad-tempered and headachy, confused about where the time had gone. Everyone he knew would seem to him clever imposters, unfeeling aliens wearing rubber skin and the faces of friends. It took a liberal quantity of alcohol to make them seem like themselves again.
Joe Hill (Heart-Shaped Box)
lowered, rearing away from the suit. Georgia laughed. “It is haunted,” she said. She held the suit in front of her and waved it back and forth, walking it through the air toward Angus, flapping it at him, a bullfighter with cape. She moaned as she closed in on him, the
Joe Hill (Heart-Shaped Box)
With the card, there’s a photo of us from the day Yael taught me to box. The selfie in the mirror. I gulp at the image of our bodies together. My heart feels like its pumping tar through my veins. I wish I had the power to free my hands and shape my own life. But I don’t.
Leslie K. Barry (Newark Minutemen)
It was a childhood of mud, barking dogs, barbed wire, dilapidated farm buildings, squealing pigs with their flaking skin and squashed-in faces, and little human contact, beyond a mother who sat most of the day at the kitchen table wearing the slack, staring aspect of someone who had been lobotomized, and his father, who ruled their acres of pig shit and ruin with his angry laughter and his fists.
Joe Hill (Heart-Shaped Box)
She had drawn intricate patterns around the edges of the paper. Heart-shaped petals formed into flowers, and paisley curlicues formed into leaves, all of which connected to look like lace. It was similar to the designs he'd seen decorating Charlotte's skin over the years. He opened the box and lifted out a glass ball. He held it up and saw tiny glass threads inside that reminded him of strings of batter falling from a spoon.
Sarah Addison Allen (Other Birds)
burn it.’ Jude felt, for an instant, an almost overpowering impulse to do just that, find some lighter fluid, douse it, cook it in the driveway. It was an impulse he immediately mistrusted, wary of any irrevocable action. Who knew what bridges might be burned along with it? He felt the slightest flicker of an idea, something about the awful-smelling suit and how it might be of use, but the thought drifted away before he could fix on it. He was tired. It was hard to pin a solid thought in place. His reasons for wanting to hold on to the suit were illogical, superstitious, unclear even to himself, but when he spoke, he had a perfectly reasonable explanation for keeping it. ‘We can’t burn it. It’s evidence. My lawyer is going to want it later, if we decide to build a case against her.’ Georgia laughed, weakly, unhappily. ‘What? Assault with a deadly spirit?
Joe Hill (Heart-Shaped Box)
Am I dreaming?” Bing asked. “I told you,” Manx said. “The road to Christmasland is paved in dreams. This old car can slip right out of the everyday world and onto the secret roads of thought. Sleep is just the exit ramp. When a passenger dozes off, my Wraith leaves whatever road it was on and slides onto the St. Nick Parkway. We are sharing this dream together. It is your dream, Bing. But it is still my ride. Come. I want to show you something.
Joe Hill (Joe Hill Collection: Heart-Shaped Box, 20th Century Ghosts, Horns, and NOS4A2)
My Chemical Romance was on Conan. They had rings in their lips and eyebrows, their hair done up in spikes, but beneath the white pancake makeup and black lipstick they looked like a collection of chubby kids who had probably been in their high-school marching band a few years earlier. They leaped around, falling into each other, as if the stage beneath them were an electrified plate. They played frantically, pissing themselves with fear. Jude liked them. He wondered which of them would die first.
Joe Hill (Heart-Shaped Box)
She sat on the end of the dock, shoes and socks off, feet trailing in the water, to wrestle with the knot. When she was on coke—yeah, she had done that, too—she could’ve struggled with the knot for a happy hour, enjoying it as much as sex. She would’ve played that knot like Slash hammering out a guitar solo. But after five minutes she quit. No point. There would be a knife in the tackle box. You had to know when it made sense to try to untangle something and when to just cut the motherfucker loose.
Joe Hill (Joe Hill Collection: Heart-Shaped Box, 20th Century Ghosts, Horns, and NOS4A2)
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
Who was the Ghost?" "Her cousin Freddy, He'd hung himself in the summer. He was fifteen. They were really close Freddy & Sheryll." "What did he want?" 'He said there was pictures in his family's barn of guys in their underwear. He told us right where to find them, hidden under a floorboard. He said he didn't want his parents to know he was gay and be anymore upset than they were. He said that's why he killed himself, because he didn't want to be gay anymore. Then he said, 'souls aren't boys and aren't girls. They're only souls. He said there is no gay and he had made is mama sorrowful for nothin'. I remember that exactly. That he used the word sorrowful.
Joe Hill (Heart-Shaped Box)
we will ride at nightfall we will ride to the hole i am dead you will die anyone who gets too close will be infected with the death on you us and the grave dirt will will fall in on top of us lalala the dead pull the living down if anyone tries to help you i us we will pull them down and step on them and no one climbs out because the hole is too deep and the and the dirt falls too fast and everyone who hears your voice will know it is true jude is dead and i am dead and you will doe you will hear my our voice on and we will ride together on the night road to the place the final place where the wind cries for you for us we will walk to the edge of the hole we will fall in holding each other we will fall sing for us sing at our at your grave sing lalala
Joe Hill (Heart-Shaped Box)
If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.
Jeffrey A. White
With indifference people are continuously breeding a society full of disparity – they are constantly aiding the creation of more inequality. We are constantly making way for a world where some parents give their kids x-box to soothe them, for their birthday, and many more parents are forced to use leftover cardboard boxes as cradle for their babies because they don't even have a roof over their head. This is our so called civilization - this is our so called modern humanity - shame on us - shame on us as a species - shame on us as civilized beings - shame on us as thinking and breathing individuals of conscience. No more - no more - we must break this disparity - and we must do it right now - and we are not going to do it by fighting over whose ideology is the best - we are going to do it only by taking actual responsibility of our society - by taking actual responsibility of the world - we are going to do it by acting as a living cure for those disparities, by using our own resources as means to erase those gaps however we can. Only with action born from our heart can we end disparity, not with talks of argument and inaction of complacency.
Abhijit Naskar (The Shape of A Human: Our America Their America)
i didn’t know it for most of my growing up… but my mama had dreams. dreams that weren’t of ring shapes and dress colors. she had dreams that were drenched in art and tasted like adventure… ones that felt like being kissed until her heart burst… ones that opened up her whole soul like a wildflower on fire. but i didn’t know it. i didn’t know it because she tucked them away in pretty memory boxes and hid them in tattered journals that she pushed aside for perfectly-scripted scrapbooks, and she buried all her burning desires under yes ma’ams and sunday dresses and sweet, supportive smiles, while any part of her that ever maybe might could’ve known that she mattered… by herself, for herself, and belonging. to. herself. suffocated quietly under the white noise of all those voices that had told her that all that really mattered was that she had been chosen… by him. and when i started to see that inside of her was a whole other woman that she ached to be… i knew i couldn’t go through my life aching for the me i’d never be, in that same way. so all i’ve ever wanted… is to know that i matter. by myself. for myself. and belonging to myself. chosen by no one, but me.
butterflies rising
Can I give you my gift now?” Blake reached in his pocket. “You gave me this already.” Livia wiggled her ring finger. He unfolded the music and held it open for her.“You wrote me a song,” she gasped. “I love it, though you know I can’t read music.” She kissed his lips and held the paper against her heart. “Wait! Oh my gosh. Let me get your gift.” She grabbed a gift bag Kyle had left by the steps. Just before she could hand it to him, she pulled it back. “But what if you hate it? It’s either perfect or horrible. Now I’m worried.” Blake tilted his head and squinted his eyes. “It’s perfect. I’m sure of it. Hand it over.” Livia looked sheepish as he moved the tissue paper out of the way. He unrolled the familiar-shaped cardboard and stared at the keyboard she had painstakingly drawn. Livia tried to cover her worry with words. “I’m not sure if I should have replaced it. I mean, I know nothing could replace it. I tried to get the keys right. I went through like ten boxes and—” Blake could move quickly when he wanted to, and she gasped as he kissed her mid-word. He finally stopped long enough to thank her. “Every time I think I couldn’t love you a bit more, you stretch my heart again.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
Abigail Roux (Crash & Burn (Cut & Run, #9))
Saturday is birthday cake day. During the week, the panadería is all strong coffee and pan dulce. But on weekends, it's sprinkle cookies and pink cake. By ten or eleven this morning, we'll get the first rush of mothers picking up yellow boxes in between buying balloons and paper streamers. In the back kitchen, my father hums along with the radio as he shapes the pastry rounds of ojos de buey, the centers giving off the smell of orange and coconut. It may be so early the birds haven't even started up yet, but with enough of my mother's coffee and Mariachi Los Camperos, my father is as awake as if it were afternoon. While he fills the bakery cases, my mother does the delicate work of hollowing out the piñata cakes, and when her back is turned, I rake my fingers through the sprinkle canisters. During open hours, most of my work is filling bakery boxes and ringing up customers (when it's busy) or washing dishes and windexing the glass cases (when it's not). But on birthday cake days, we're busy enough that I get to slide sheet cakes from the oven and cover them in pink frosting and tiny round nonpareils, like they're giant circus-animal cookies. I get to press hundreds-and-thousands into the galletas de grajea, the round, rainbow-sprinkle-covered cookies that were my favorite when I was five. My mother finishes hollowing two cake halves, fills them with candy- green, yellow, and pink this time- and puts them back together. Her piñatas are half our Saturday cake orders, both birthday girls and grandfathers delighting at the moment of seeing M&M's or gummy worms spill out. She covers them with sugar-paste ruffles or coconut to look like the tiny paper flags on a piñata, or frosting and a million rainbow sprinkles.
Anna-Marie McLemore (Hungry Hearts: 13 Tales of Food & Love)
Plants Fed On by Fawns" All the flowers: the pleated leaves of the hellebore; And the false blossom of the calla, a leaf like a petal— The white flesh of a woman bathing— a leaf over- Shadowing the small flowers hidden in the spadix; And fly poison, tender little flower, whose cursed root Pounded into a fine white powder will destroy flies. But why kill flies? They do not trouble me. They Are like the fruit the birds feed on. They are like The wind in the trees, or the sap that threads all things, The blue blood moving through branch and vine, Through the wings of dead things and living things.... If I lift my hand? If I write to you? The letters Can be stored in a box. Can they constitute the shape Of a love? Can the paper be ground? Can the box Be altar and garden plot and bed? Can there rise From the bed the form of a two-headed creature, A figure that looks both forward and back, keeping Watch always, one head sleeping while the other wakes, The bird head sleeping while the lion head wakes, And then the changing of the guard?.... No, The flies do not trouble me. They are like the stars At night. Common and beautiful. They are like My thoughts. I stood at midnight in the orchard. There were so many stars, and yet the stars, The very blackness of the night, though perfectly Cold and clear, seemed to me to be insubstantial, The whole veil of things seemed less substantial Than the thing that moved in the dark behind me, An unseen bird or beast, something shifting in its sleep, Half-singing and then forgetting it was singing: Be thou always ravished by love, starlight running Down and pulling back the veil of the heart, And then the water that does not exist opening up Before one, dark as wine, and the unveiled figure Of the self stepping unclothed, sweetly stripped Of its leaf, into starlight and the shadow of night, The cold water warm around the narrow ankles, The body at its most weightless, a thing so durable It will— like the carved stone figures holding up The temple roof— stand and remember its gods Long after those gods have been forsaken.
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year of the King: An Actor's Diary and Sketchbook)
Who was I to judge? The closest I came to romance in my own life was when I bought heart-shaped boxes
A.R. Winters (Innocent in Las Vegas (Tiffany Black Mysteries, #1))
Seriously, Enid has a really unhealthy obsession with Elizabeth. For her Christmas present, Enid buys her a silk, heart-shaped box. Um.
Robin Hardwick (If You Lived Here, You'd Be Perfect By Now: The Unofficial Guide to Sweet Valley High)
He understood that the ghost existed first and foremost within his own head. That maybe ghosts always haunted minds, not places. If he wanted to take a shot at it, he’d have to turn the barrel against his own temple. ========== Heart-Shaped Box (Hill, Joe)
Anonymous
can that be? You’re not in good shape. And that is true! But this is the paradox of my life. I love running because it puts me in an instant good mood, and I think I read on the back of a box of Cheerios that it’s good for my heart. But I also love alcohol, fast-food hamburgers, and eating gluten. So it’s a perilous teeter-totter that I am trying to get away with until my doctors tell me I’m in trouble.
Mindy Kaling (Big Shot)
John put his hand inside the container and opened a small red box. “And this is from me.” He knelt on one knee and Rachel held her breath. “Bella and I love you, Rachel. Will you marry me and be part of our lives?” She looked at the beautiful heart-shaped diamond ring. “The Tin Man wanted a heart,” she whispered. John wiped his eyes and stood up. “He wanted to know what love felt like. Every day that I’ve known you, you’ve shown me what it’s like to be loved. I’d like to spend the rest of my life showing you how much I love you. Will you marry me?” Rachel nodded. Tears slid down her face as Bella and John wrapped her in their arms. She glanced at Tank and smiled as he blew his nose. Closing her eyes, she felt joy unfold inside her. Like Dorothy in The Wizard of Oz, Rachel had found what she’d been looking for. And it had been there all along. THE END
Leeanna Morgan (Sealed with a Kiss (Emerald Lake Billionaires #1))
outside with dark hair framing a heart shaped face, green eyes and petite figure. Ordinary.
K.J. Emrick (Darcy Sweet Mystery Box Set One (Darcy Sweet, #1-6))
The vertical viewing slot in the door was thrown back, and a pair of eyes filled it for a moment before it was closed again. There was the sharp report of a bolt being thrown, metal on metal. Then the door opened inward and there was a flood of light silhouetting two figures. Not two, she thought. Three of them. One after the other. Their bodies melded together into a single wide mass but three heads stuck out at the top. The first one wore a cowboy hat with the side brims bent up sharply. The middle one wore a peaked cap of some kind. The last man to enter was hatless but the blocky shape of his head was familiar. He was the trucker who’d brought them here and the man who’d pulled Krystyl out of the room by her hair. Gracie saw the glint of a badge on the second man, and for a brief electric moment her heart soared. The police had come to rescue them. Then she realized the man with the badge was in the middle of the three, not in back where he should be. He wasn’t prodding the men into the room—he was one of them. A voice she’d not heard before, high and twangy, said, “Hello, girls.” Then: “Gimme that flashlight.” A few seconds later Gracie was blinded by a beam. He’d shined it directly into her eyes. She raised her hands up and covered her face. Even through her closed eyelids she knew the bright light was still on her.
C.J. Box (The Highway (Highway Quartet #2))
Where's Jude?' I asked. Martin knelt to get something from his bass case, and then turned to me. His voice was strung tight, savage and bitter. 'He wanted me to give this to you.' He held up a silver case, condensation on the outside, and Jude within.
Maggie Stiefvater (The Curiosities: A Collection of Stories (The Curiosities, #1))