Heart Is Like A Vase Quotes

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Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
It's turning the thunder into grace, knowing sometimes the break in your heart is like the hole in the flute. Sometimes it's the place where the music comes through.
Andrea Gibson (The Madness Vase)
Every one of us is losing something precious to us... Lost opportunities, lost possibilities, feelings we can never get back again. That's what part of it means to be alive. But inside our heads- at least that's where I imagine it- there's a litle room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you'll live for ever in your own private library.
Haruki Murakami (Kafka on the Shore)
No amount of soul searching would fix my past. There was no magical Band-Aid I could stick on my heart, no special glue I could use to make myself whole again. I had shattered to pieces like a fragile vase on concrete; some fragments could be roughly cobbled back together, but many of my vital parts had simply turned to dust, pulverized and scattered by the first gust of wind.
Julie Johnson (Like Gravity)
Some days my heart beats so fast my ribcage sounds like a fucking railroad track and my breath is a train I just can't catch.
Andrea Gibson (The Madness Vase)
Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s what part of it means to be alive. But inside our heads — at least that’s where I imagine it — there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let fresh air in, change the water in the flower vases. In other words, you’ll live for ever in your own private library.
Haruki Murakami (Kafka on the Shore)
In that moment her heart fell out of her chest. Like the glass filled vase he had brought to her, it dropped. It was shattered into a million small pieces.
J.B. McGee (Broken (This, #1))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
Kintsugi is a pottery technique. When something breaks, like a vase, they glue it back together with melted gold. Instead of making the cracks invisible, they make them beautiful. To celebrate the history of the object. What it's been through. And I was just... Thinking of us like that. My heart full of gold veins, instead of cracks.
Leah Raeder (Cam Girl)
Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads--at least that's where I imagine it--there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Like a vase, a heart breaks once. After that, it just yields to its flaws.
Sarah Manguso (300 Arguments: Essays)
The Wait It seemed like years before I picked a bouquet of kisses off her mouth and put them into a dawn-colored vase in my heart. But the wait was worth it. Because I was in love.
Richard Brautigan
I miss you, and I’m sick of treating this like a crystal vase I’m afraid to tamper with in case it breaks.
Claire Contreras (Paper Hearts (Hearts, #2))
Through my attachments, I was dependent on my relationships to fulfill my needs. I allowed those relationships to define my happiness or my sadness, my fulfillment or my emptiness, my security, and even my self-worth. And so, like the vase placed where it will inevitably fall, through those dependencies I set myself up for disappointment. I set myself up to be broken.
Yasmin Mogahed (Reclaim Your Heart: Personal insights on breaking free from life's shackles)
Like a broken vase does not fear of breaking once more, my broken heart is not affected by your hurting words anymore!
Mehmet Murat ildan (Award Winning Plays -2)
Now he reduced his progress to the rhythm of his boots -- he walked across the land until he came to the sea. Everything that impeded him had to be outweighed, even if only by a fraction, by all that drove him on. In one pan of the scales, his wound, thirst, the blister, tiredness, the heat, the aching in his feet and legs, the Stukas, the distance, the Channel; in the other, I'll wait for you, and the memory of when she had said it, which he had come to treat like a sacred site. Also, the fear of capture. His most sensual memories -- their few minutes in the library, the kiss in Whitehall -- was bleached colorless through overuse. He knew by heart certain passages from her letters, he had revisited their tussle with the vase by the fountain, he remembered the warmth from her arm at the dinner when the twins went missing. These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before war, before the sight of a corpse became a banality. But these heresies died when he read her last letter. He touched his breast pocket. It was a kind of genuflection. Still there. Here was something new on the scales. That he could be cleared had all the simplicity of love. Merely tasting the possibility reminded him of how much had narrowed and died. His taste for life, no less, all the old ambitions and pleasures. The prospect was of rebirth, a triumphant return.
Ian McEwan (Atonement)
I’m trying to fix a problem I caused, not start more of them.” “Then fix what actually matters here, and spoiler warning, it’s not the vase.” “I…” I lose the rest of my sentence. “What was the point of going back to rehab if you were only going to start drinking again?” My heart feels like someone split it apart with the jaws of life. “I had lost my reason for getting sober in the first place.” Her brows furrow. “What? Money? Hockey? The will to live a normal life?” “You, Lana. I lost you.
Lauren Asher (Final Offer (Dreamland Billionaires, #3))
My body’s been broken, my heart trampled by divine whims, my hopes shattered like a glass vase hit by lightning. And despite all the obstacles the gods threw my way, I collected the debris and fused them back together, turning fragile glass into impenetrable diamond.
Astrid Arditi (Olympian Heritage: A Young Adult Urban Fantasy (Olympian Challenger Book 2))
Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads – at least that’s where I imagine it – there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live for ever in your own private library.
Haruki Murakami (Kafka on the Shore)
But inside our heads – at least that’s where I imagine it – there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases.
Haruki Murakami (Kafka on the Shore)
Once let down, I never fully recovered. I could never forget, and the break never mended. Like a glass vase that you place on the edge of a table, once broken, the pieces never quite fit again. However the problem wasn’t with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edge of tables. Through my attachments, I was dependent on my relationships to fulfill my needs. I allowed those relationships to define my happiness or my sadness, my fulfillment or my emptiness, my security, and even my self-worth. And so, like the vase placed where it will inevitably fall, through those dependencies I set myself up for disappointment. I set myself up to be broken. And that’s exactly what I found: one disappointment, one break after another. Yet the people who broke me were not to blame any more than gravity can be blamed for breaking the vase. We can’t blame the laws of physics when a twig snaps because we leaned on it for support. The twig was never created to carry us. Our weight was only meant to be carried by God. We are told in the Qur’an: "…whoever rejects evil and believes in God hath grasped the most trustworthy hand-hold that never breaks. And God hears and knows all things." (Qur’an, 2: 256) There is a crucial lesson in this verse: that there is only one hand-hold that never breaks. There is only one place where we can lay our dependencies. There is only one relationship that should define our self-worth and only one source from which to seek our ultimate happiness, fulfillment, and security. That place is God. However,
Yasmin Mogahed (Reclaim Your Heart: Personal insights on breaking free from life's shackles)
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
There were vases of silk roses carefully centered on crocheted doilies, figurines of puppies carrying roses in their mouths on lace doilies, and delicate rose-covered tea sets placed on paper doilies. And that was just the start of it. It all had a really old feel to it as well, like I'd been transported back to the 1890s. Adrian stood behind us, just outside the door, and I was pretty sure I heard him mutter, "Needs more rabbits.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads—at least that's where I imagine it—there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us,” he says after the phone stops ringing. “Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads—at least that’s where I imagine it—there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us, lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads-at least that's where I imagine it-there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads—at least that’s where I imagine it—there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us,' he says after the phone stops ringing. 'Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads--at least--that's where I imagine it--there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our heart, we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us,” he says after the phone stops ringing. “Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads—at least that’s where I imagine it—there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us," he says after the phone stops ringing. "Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads--at least that's where I imagine it--there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us," he says after the phone stops ringing. "Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads--at least that's where I imagine it--there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
Haruki Murakami (Kafka on the Shore)
Every one of us is losing something precious to us,” he says after the phone stops ringing. “Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads – at least that’s where I imagine it – there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live for ever in your own private library.
Haruki Murakami (Kafka on the Shore)
Bernadette flew up to look at houses. She called to say she had found the perfect place, the Straight Gate School for Girls, in Queen Anne. To anyone else, a crumbling reform school might seem an odd place to call home. But this was Bernadette, and she was enthusiastic. Bernadette and her enthusiasm were like a hippo and water: get between them and you’ll be trampled to death. We moved to Seattle. I was swallowed whole by Microsoft. Bernadette became pregnant and had the first of a series of miscarriages. After three years, she passed the first term. At the beginning of her second term, she was put on bed rest. The house, which was a blank canvas on which Bernadette was to work her magic, understandably languished. There were leaks, strange drafts, and the occasional weed pushing up through a floorboard. My concern was for Bernadette’s health—she didn’t need the stress of a remodel, she needed to stay put—so we wore parkas inside, rotated spaghetti pots when it rained, and kept a pair of pruning shears in a vase in the living room. It felt romantic. Our daughter, Bee, was born prematurely. She came out blue. She was diagnosed with hypoplastic left heart syndrome.
Maria Semple (Where'd You Go, Bernadette)
No one pours liquid into a cracked and broken vase which can hold nothing. Your heart is divided into as many pieces representing the cares you hold: each care is a broken piece; and do you think that God will pour his grace into such a useless vessel? Ask the wise man, who says: “The heart of a fool is like a broken vessel, and not all wisdom shall it hold.” [47]   God instills this devout and very sweet wisdom of which we speak into the hearts of the righteous, the golden vessels and cups from which he drinks our good desires, symbolized by the goblets from which King Solomon drank which were all gold. A golden vase cannot easily be broken, neither can the heart of the just be divided between different interests without urgent necessity. However, the hearts of unreflecting men are like the ill-baked clay vessels which David was given in the desert when persecuted by Absalom.[48] This clay vessel is broken because the man's exterior and worldly actions are not referred to God nor performed purely for his sake, but some are done to please men, others by the inspiration of the devil, others for pleasure or vainglory, so that his heart being divided, cannot retain the grace of devotion or the sweetness of the heavenly liquor.
Francisco De Osuna (Third Spiritual Alphabet)
I thought I should ask of thee---but I dared not---the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two. Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, `Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water---it is thy dreadful sword. I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine. From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world. From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
Rabindranath Tagore (Gitanjali)
The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.
Rosamund Hodge (Cruel Beauty)
It was then that I made the discovery that his talk created reverberations, that the echo took a long time to reach one's ears. I began to compare it with French talk in which I had been enveloped for so long. The latter seemed more like the play of light on an alabaster vase, something reflective, nimble, dancing, liquid, evanescent, whereas the other, the Katsimbalistic language, was opaque, cloudy, pregnant with resonances which could only be understood long afterwards, when the reverberations announced the collision with thoughts, people, objects located in distant parts of the earth. The Frenchman puts walls about his talk, as he does about his garden: he puts limits about everything in order to feel at home. At bottom he lacks confidence in his fellow-man; he is skeptical because he doesn't believe in the innate goodness of human beings. He has become a realist because it is safe and practical. The Greek, on the other hand, is an adventurer: he is reckless and adaptable, he makes friends easily. The walls which you see in Greece, when they are not of Turkish or Venetian origin, go back to the Cyclopean age. Of my own experience I would say that there is no more direct, approachable, easy man to deal with than the Greek. He becomes a friend immediately: he goes out to you. With the Frenchman friendship is a long and laborious process: it may take a lifetime to make a friend of him. He is best in acquaintanceship where there is little to risk and where there are no aftermaths. The very word ami contains almost nothing of the flavor of friend, as we feel it in English. C'est mon ami cannot be translated by "this is my friend." There is no counterpart to this English phrase in the French language. It is a gap which has never been filled, like the word "home." These things affect conversation. One can converse all right, but it is difficult to have a heart to heart talk.
Henry Miller (The Colossus of Maroussi)
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I open my makeup compact and set it on the table next to the vase of flowers and let my mechanical pencil hover over the page. I adjust until I can see most of my face in the tiny mirror and start drawing an outline of the compact itself first. Seems easier than tackling an eye right off the bat. “Drawing hearts in your diary again?” I perk my head up, pulse racing. “Darren!” Instinctively I stand and he rushes to me, opening his arms and pulling me close. “I wasn’t sure if I’d see you again before I had to leave,” I say, out of breath even though he’s the one that just trekked up the hill. His eyes widen. “Are you leaving soon?” “Well, my flight’s scheduled in a couple of weeks when the summer program I’m supposedly going to is over. Gotta keep up appearances.” He laughs and my smile spreads. It seems like it’s been forever since I heard that sound. “I’m glad I caught you then. When I woke up this morning…I just had to see you. It’s been too long. I started getting antsy,” he says, dimples appearing in his cheeks.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I struck out into the night searching for you. For the entire night, I searched through stormy gales, frigid blizzards and scorching deserts. Condition much greater than what any man could have bore on his own. But you were all I could think about. You were my motivation. You were in every step I trounced, every breath I rasped, every shout, pleading for you to come back. When morning came and the darkness of night cleared, I saw you. Deep on the horizon, you were walking, your back turned to me. I called out to you, and you turned, looking at me with those big, beautiful eyes...and you turned and continued to walk away. My heart shattered like a vase as I realized that the reality that had been beating within my heart all this time couldn't be denied. Everything I had ever thought about you was wrong, everything I thought we has shared was a lie...and I was the only one to blame. I could neither apologize, nor beg for your forgiveness. I had ruined everything. All I could do was stand helplessly, watching your silhouette fade into the early morning sunrise.
-Mark Caster
I struck out into the night searching for you. For the entire night, I searched through stormy gales, frigid blizzards and scorching deserts. Condition much greater than what any man could have bore on his own. But you were all I could think about. You were my motivation. You were in every step I trounced, every breath I rasped, every shout, pleading for you to come back. When morning came and the darkness of night cleared, I saw you. Deep on the horizon, you were walking, your back turned to me. I called out to you, and you turned, looking at me with those big, beautiful eyes...and you turned and continued to walk away. My heart shattered like a vase as I realized that the reality that had been beating within my heart all this time couldn't be denied. Everything I had ever thought about you was wrong, everything I thought we has shared was a lie...and I was the only one to blame. I could neither apologize, nor beg for your forgiveness. I had ruined everything. All I could do was stand helplessly, watching your silhouette fade into the early morning sunrise.
Mark Caster
It seemed like years before I picked a bouquet of kisses off her mouth and put them into a dawn-colored vase in my heart. But the wait was worth it. Because I was in love.
Richard Brautigan
Roses Four roses drinking from a blue vase. The first one I name Moment of Gladness, the second, Wresting Beauty from Fear. All year I watched her disappearing, the sweet fat of her hips, her laughter, her will, as though a whelk had drilled through her shell, sucked out the flesh. Death woke me each morning with its bird impersonation. But now she has cut these Clouds of Glory and a honeyed musk sublimes from their petals, veined fine as an infant’s eyelids, and spiraling like any embryo—fish, snake, or human. And she has carried them to me, saturated in the colors they have not swallowed, the blush and gold, the razzle-dazzle red. Riven from the dirt to cling here briefly. And now, as though to signify our fortune, a tiny insect journeys across the kingdom of one ivory petal and into the heart of the blossom. O, Small Mercies sliced from the root. I listen as they sip the blue water.
Ellen Bass
I could never forget, and the break never mended. Like a glass vase that you place on the edge of a table, once broken, the pieces never quite fit again. However the problem wasn't with the vase, or even that the vases kept breaking. The problem was that I kept putting them on the edge of tables.
Yasmin Mogahed (Reclaim Your Heart: Personal Insights on Breaking Free from Life's Shackles)
He told Gilberte he would let her play one game, that he could wait a quarter of an hour, and sitting down like anyone else on an iron chair, paid for his ticket with the same hand which Philippe VII25 had so often held in his own, while we began playing on the lawn, putting to flight the pigeons whose beautiful heart-shaped iridescent bodies, like the lilacs of the bird kingdom, went to seek refuge as though in so many sanctuaries, one on the large stone vase to which its beak, by disappearing into it, imparted the gesture, and assigned the purpose, of offering in abundance the fruits or seeds which the bird seemed to be pecking from it, another on the forehead of the statue, which it seemed to crown with one of those enameled objects whose polychrome varies the monotony of the stone in certain ancient works of art, and with an attribute which, when the goddess carries it, earns her a particular epithet, and makes her, as does for a mortal woman a different first name, a new divinity.
Marcel Proust (Swann's Way : In the search of lost time: First part)
He told Gilberte he would let her play one game, that he could wait a quarter of an hour, and sitting down like anyone else on an iron chair, paid for his ticket with the same hand which Philippe VII had so often held in his own, while we began playing on the lawn, putting to flight the pigeons whose beautiful heart-shaped iridescent bodies, like the lilacs of the bird kingdom, went to seek refuge as though in so many sanctuaries, one on the large stone vase to which its beak, by disappearing into it, imparted the gesture, and assigned the purpose, of offering in abundance the fruits or seeds which the bird seemed to be pecking from it, another on the forehead of the statue, which it seemed to crown with one of those enameled objects whose polychrome varies the monotony of the stone in certain ancient works of art, and with an attribute which, when the goddess carries it, earns her a particular epithet, and makes her, as does for a mortal woman a different first name, a new divinity.
Marcel Proust, Lydia Davis
He squinted. “That’s odd. It says the vase is originally from Parthos.” He angled his head. “I thought Parthos was a myth. A human fairy tale.” “Because humans were no better than rock-banging animals until the Asteri arrived?” “Tell me you don’t believe that conspiracy crap about an ancient library in the heart of a pre-existing human civilization?” When she didn’t answer, Hunt challenged, “If something like that did exist, where’s the evidence?” Bryce zipped her amulet along its chain and nodded toward the image on the screen. “This vase was made by a nymph,” he said. “Not some mythical, enlightened human.” “Maybe Parthos hadn’t been wiped off the map entirely at that point.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The fire in the hearth to her left was warm and relaxing. She let it soothe her nerves as she tried to slowly release the pain of loss that had taken root. Then she noticed the vase of wilted flowers sitting on the mantel and started crying. They had been a gift from Ayrion on his last day before heading to war. She didn’t have the heart to toss them out, even though the petals had all but fallen off and the stems were hanging over the sides like willow branches
Michael Wisehart (Plague of Shadows (The Aldoran Chronicles, #2))
In contrast, I feel happy and content. I have time to experience bliss in my quiet space, where even the air feels fresh and clean; time to sit and sip herbal tea while I reflect on my day. As I look around, my glance falls on a painting that I particularly love, purchased overseas, and a vase of fresh flowers in one corner. Although not large, the space I live in is graced only with those things that speak to my heart. My lifestyle brings me joy. Wouldn't you like to live this way, too? It's easy, once you know how to truly put your home in order.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing)
I say, Lucien, you all right?” He spied his brother, Lawrence, a few feet behind him in the open doorway. Except for the fact he was five years younger, he was a mirror image of Lucien. Anger still boiling deep inside him like a dormant volcano, Lucien now aimed the vase at his meddlesome brother. Lawrence stepped back, hands raised in surrender. “If you break that, mother will be most upset. She spent a fortune getting that back from Shanghai for you. To hear her tell it, she hired an entire caravan of elephants like Hannibal for part of the journey.” With a snarl, he set the vase back down on the cherrywood side table and glowered at his smirking brother. “I thought you were in France.” His brother gave a casual shrug. “I came back with Avery.” “Have you obtained lodgings?” “Not as of yet.” “Then you must stay here,” Lucien replied, but his heart wasn’t in the gesture. He wasn’t in the mood to entertain, not even his family. Was it so bad to want some peace and quiet to sort out the messy tangle of emotions that plagued him? His brother flicked an invisible speck of dust off his coat sleeve. “I’m only here for a few days and I wouldn’t dare to impose, especially since you seem to be having rather heated issues with your décor.” Lawrence was well known for his sarcasm. Lucien had had words, and more than words with him over such remarks when they’d been younger. “Just because we are no longer children doesn’t mean I won’t box your ears.” “You could try.” Lucien swung his fist good-naturedly at his brother, who danced back a step. They laughed, and Lucien found his anger deflated. God bless Lawrence. -Lawrence & Lucien
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads — at least that’s where I imagine it — there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live for ever in your own private library.
Haruki Murakami
Some Tips to Preserve Flowers Fresh Longer Receiving new and lovely blossoms is among the most wonderful emotions in the world. It creates you feel loved, and unique, critical. Nothing really beats fresh flowers to mention particular feelings of love and devotion. This is actually the reason why you can tell how a celebration that is unique is from the quantity and type of flowers current, sold or whether available one to the other. Without a doubt the rose sector actually flowers online stores can not slow-down anytime soon and are booming. Weddings, Valentines Day, birthday, school, anniversaries, brand all without and the most significant instances a doubt flowers are part of it. The plants could have been picked up professionally or ordered through plants online, regardless of the means, new blossoms can present in a celebration. The challenge with receiving plants, however, is how to maintain their freshness longer. Really, merely placing them on vases filled up with water wouldn’t do the trick, here are a few established ways you'll be able to keep plants clean and sustained for times:  the easiest way to keep plants is by keeping them inside the refrigerator. Here is the reason why most flower shops have huge appliances where they keep their stock. If you have added place in the fridge (and endurance) you're able to just put the flowers before bed-time and put it within the fridge. In the morning you could arrange them again and do the same within the days.  If you are partial to drinking pop, specially the obvious ones like Sprite and 7 Up, you need to use this like a chemical to preserve the flowers fresh. Just serve a couple of fraction of mug of pop to mix within the water in the vase. Sugar is just a natural chemical and soda has high-sugar content, as you know.  To keep the petals and sepals fresh-looking attempt to apply somewhat of hairspray on the couple of plants or aroma. Stay from a length (about one feet) then provide the blossoms a fast spritz, notably to the leaves and petals.  the trick to maintaining cut flowers new is always to minimize the expansion of bacteria while in the same period give you the plants with all the diet it needs. Since it has properties for this function vodka may be used. Just blend of vodka and sugar for the water that you're going to use within the vase but make sure to modify the water daily using the vodka and sugar solution.  Aspirin is also recognized to preserve flowers fresh. Only break a pill of aspirin before you place the plants, and blend it with the water. Remember which you need to add aspirin everytime the water changes.  Another effective approach to avoid the growth of bacteria is to add about a quarter teaspoon of bleach inside the water within the vase. Mix in a few teaspoon of sugar for the blossoms and also diet will definitely last considerably longer. The number are only several of the more doable ways that you can do to make sure that it is possible to enjoy those arrangement of flowers you obtained from the person you worry about for a very long time. They could nearly last but atleast the message it offered will soon be valued inside your heart for the a long time.
Homeland Florists
They were mistaken if they thought he did not kill her because he loved her too much. At that moment Nacib did not love her. He did not hate her either. He beat her mechanically, as if to relax his nerves from the tension of suffering. He was empty like a vase without a flower. He felt a pain in his heart as if someone were slowly pushing a dagger into it. He felt neither hate nor love. Just pain" (366).
Jorge Amado
He comes closer, peering at the wheel. “What are you making?” “Honestly,” I say, “I’ve barely been paying attention.” “Looks like a vase.” “You might need glasses,” I say. His gaze lifts. “Is it hard?” “I think what’s hard about it,” I say, “is that you need to do less than you realize. And overthinking it and trying too hard to control it messes it up. At least in my experience.” He gives a half-hearted smile. “Life.
Emily Henry (Happy Place)
This was stress cardiomyopathy, also called “broken heart syndrome.” First described by the Japanese in 1990, this disease occurs when an emotional trauma causes the brain to release high doses of stress hormones. This hormonal blast paralyzes the muscle cells of the heart, preventing them from working to pump the blood. Typically only one section of the heart is spared this devastating paralysis—the part closest to the aorta so that with each heartbeat only the upper portion contracts and the heart looks like a narrow-necked vase. The Japanese called it takotsubo, after a type of trap that is used to capture octopus and has the same vase-like shape. For reasons that no one understands, this mostly affects postmenopausal women. There is no cure. There is no clot to bust, no bugs to kill. Like its metaphorical counterpart, the only treatment is support and the passage of time. The initial burst of hormones subsides and the patient must be kept alive until the heart recovers. For those who survive long enough to reach the hospital, the prognosis is good.
Lisa Sanders (Diagnosis: Solving the Most Baffling Medical Mysteries)
My heart looked like a shattered vase, missing small details that I’d never get back. All because I trusted the wrong male to keep a slice of my soul for himself.
M.F. Adele (Druid Dreams (The Chronicles of Sloane King, #1))
She picked up a roundish thing from the ground and shook the sand off. It was the top of an old ceramic jar, once painted bright blue and gold. The humans had so many jars. And amphorae. And vases. And vessels. And kegs. And tankards. So many... things... to put other... things in. Merfolk rarely had a necessity to store anything beyond the occasional rare and fancy comestible, like the sweet golden-wine they used to trade for when she was a child. Merfolk ate when they were hungry, almost never had the need to drink anything, and rarely had a reason to store food for the future. She dropped the lid and sighed, drifting over to the rock she used to perch on while admiring her collection. Things, so many things. Things she never found out the proper use for in her short time on land. Because she had been too busy mooning over Eric. In some ways, that was the part of the seagull's story that bothered her the most. She could not believe the reaction her traitor heart had when the bird mentioned his name. Eric. Eric remembered something? He wrote an opera about it? About her? It wasn't just the flattery of it, though. If Eric remembered enough to compose music about it... would he remember her, too? A little? She remembered him far too often. Despite the fact that her life had been ruined because of her pursuit of Eric, when she closed her eyes to go to sleep, her last thoughts were often still of him. Or when a perfectly handsome, reasonably amusing (and mostly immortal- not an irrelevant point) merman tried to win her affections, and all she could think about was how his hair might look when it was dry. Would it bounce, like Eric's?
Liz Braswell (Part of Your World)
her wrist, warm and fragile, tugging it away from the other man. Instantly she drew a sharp, hissing breath. Her head swung round, eyes widening and pupils dilating as she saw him. Those soft brown eyes had once, too long ago, looked adoringly at him. And he, like a fool, had thought they always would. Matteo had learned his lesson. He took nothing for granted anymore. ‘Hello, Angela.’ His face felt tight as he smiled. Was he smiling or grimacing? He didn’t give a damn. He turned to the lanky crew member who, up till this point, he’d been so pleased to have work on this project. Now Matteo wished him to the devil, despite his cinematic skill. All trace of a smile disintegrated as he stared at the other man. ‘I see you already know my wife.’ CHAPTER TWO His wife! Angela flung open the lid of her suitcase and grabbed a pile of neatly folded clothes. She stalked across the vast, opulent room and pulled open an antique door, looking for the wardrobe. Instead she found a palatial dressing room, with sleek modern shelves and endless hanging spaces. She shoved her clothes onto a random shelf and pivoted on her heel. Matteo had referred to her as his wife, just as if he hadn’t received her request for a divorce. The paparazzi who’d snooped around for a story behind their separation would have a field day if they heard that. But more, Matteo had her checked into this extraordinary private hotel that was more like a palace than a place for a cash-strapped screenwriter. The walls were hung in exquisite eau de nil silk. The wide tester bed was topped with a gilt crown from which hung matching silk. Antiques, elegant and perfectly positioned, turned the room into a suite fit for royalty. Even the fresh flowers in their crystal vases were so gorgeous it was a shame she’d be the only one to see them.   When she was met at the vaporetto stop on the Grand Canal, fresh off the plane, she’d been only too grateful to relinquish her luggage, not knowing it would be taken somewhere like this. Having it taken on ahead had been a luxury, for dragging a heavy case over the quaint cobbled streets wasn’t fun. Besides, despite herself, she’d been eager to detour and catch a glimpse of the filming. Angela’s step faltered in the doorway of the dressing room and she sagged against the door frame. Face the truth. You wanted to see Matteo. Even now, even after his betrayal. Even knowing the pair of you were never meant to be together. Her heart crashed against her ribs and her knees turned
Annie West (The Italian's Bold Reckoning (Hot Italian Nights, #4))
Even when I was a young boy, trouble latched onto me like a magnet. I pounded through life at volume eleven, leaving a trail of broken things: vases, noses, cars, hearts, brain cells. Side effects of reckless living.
Anonymous