“
My heart is yours, Hazel Sinnett," Jack said. "Forever. Beating or still.
”
”
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
“
Once, I believed in you like a poem, turned your heart into a metaphor for my heart, turned our mouths into honey and caramel lozenges.
But metaphors come and metaphors go,
and not even seasons have the courtesy to stay till dawn.
”
”
Shinji Moon (The Anatomy of Being)
“
I am not as strong as my words pretend to be. Not
as quiet as these caesuras promise. This heart is a patchwork quilt of people
that leave different shades of blue inside of me.
”
”
Shinji Moon (The Anatomy of Being)
“
There is a question I have learned to ask myself when I am feeling bothered about others: am I holding myself to the same standard I am demanding of them?
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
You,
with your hands full of Earth and your head full of
rainfall. How many hearts do you hold in your own?
”
”
Shinji Moon (The Anatomy of Being)
“
How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
My beating heart is still yours, the letter said, and I’ll be waiting for you.
”
”
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
“
...no conflict can be solved so long as all parties are convinced they are right. Solution is possible only when at least one party begins to consider how he might be wrong.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Seeing an equal person as an inferior object is an act of violence
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
I cannot draw a human figure if I don't know the order of his bones, muscles or tendons. Same is that I cannot draw a human face if I don't know what's going on his mind and heart. In order to paint life one must understand not only anatomy, but what people feel and think about the world they live in. The painter who knows his own craft and nothing else will turn out to be a very superficial artist.
”
”
Irving Stone (Lust for Life)
“
The Senior Council--"
"Couldn't find its heart if it had a copy of Grey's Anatomy, X-ray vision, and a stethoscope.
”
”
Jim Butcher (Small Favor (The Dresden Files, #10))
“
But there, in that remarkable room, surrounded by a laughing, rollicking, unseeing collection of London's brightest and wickedest, Pippa's knowledge of anatomy expanded.
It seemed there was such a thing as a broken heart.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
You are my heart,” he said. He’d said those very words to her that morning. But that morning, they’d sounded affectionate and playful. Now he said them as if he were stating a fact of anatomy. “I will not lose you. I’m sending you away to keep you safe. Do you understand? Say ‘Yes, sir.’”
Nora nodded and swallowed a sudden lump in her throat.
”Yes, sir.”
Soren bent his head and kissed her long and slow before pulling back.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Because if you are the mess, you can clean it. Improvement doesn't depend on others.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
...when I betray myself, others' faults become immediately inflated in my heart and mind. I begin to 'horribilize' others. That is, I begin to make them out to be worse than they really are. And I do this because the worse they are, the more justified I feel.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Most wars between individuals are of the 'cold' rather than the 'hot' variety---lingering resentment, for example, grudges long held, resources clutched rather than shared, help not offered. These are the acts of war that most threaten our homes and workplaces.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
The more sure I am that I'm right, the more likely I will actually be mistaken. My need to be right makes it more likely that I will be wrong! Likewise, the more sure I am that I am mistreated, the more likely I am to miss ways that I am mistreating others myself. My need for justification obscures the truth.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
In every moment...we choose to see others either as people like ourselves or as objects. They either count like we do or they don't.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Bruises heal more quickly than emotional scars do.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
This note about anatomy
from me to you
is for the remembering that
after you speak
after you shout
your open mouth
will breathe in the light
for which you've hungered
and your backbone will unfurl,
until you can again dance to the beat
of your steadfast heart.
”
”
Laurie Halse Anderson (Shout)
“
Before you examine the body of a patient, be patient to learn his story. For once you learn his story, you will also come to know his body.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
One young woman's tribute describes unwrapping her cadaver's hands and being brought up short by the realization that the nails were painted pink. "The pictures in the anatomy atlas did not show nail polish", she wrote. "Did you choose the color? Did you think that I would see it? I wanted to tell you about the inside of your hands. I want you to know you are always there when I see patients. When I palpate an abdomen, yours are the organs I imagine. When I listen to a heart, I recall holding your heart.
”
”
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
“
A solution to the inner war solves the outer war as well.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
As painful as it is to receive contempt from another, it is more debilitating by far to be filled with contempt for another.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
...whenever i dehumanize another, I necessarily dehumanize all that is human---including myself.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
So if we are going to find lasting solutions to difficult conflicts or external wars we find ourselves in, we first need to find our way out of the internal wars that are poisoning our thoughts, feelings, and attitudes toward others. If we can't put an end to the violence within us, there is no hope for putting an end to the violence without.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Have you ever been in a conflict with someone who thought he was wrong. If you are not wrong, then you will be willing to consider how you might be mistaken.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Poem from Rev. Jim Cotter, as listed on the opening pages of “Anatomy of the Spirit” by Caroline Myss:
~ God be in my head and in my understanding.
God be in my eyes and in my looking.
God be in my mouth and in my speaking.
God be in my tongue and in my tasting.
God be in my lips and in my greeting.
~ God be in my nose and in my smelling/inhaling.
God be in my ears and in my hearing.
God be in my neck and in my humbling.
God be in my shoulders and in my bearing.
God be in my back and in my standing.
~ God be in my arms and in my reaching/receiving.
God be in my hands and in my working.
God be in my legs and in my walking.
God be in my feet and in my grounding.
God be in my knees and in my relating.
~ God be in my gut and in my feeling.
God be in my bowels and in my forgiving.
God be in my loins and in my swiving.
God be in my lungs and in my breathing.
God be in my heart and in my loving.
~ God be in my skin and in my touching.
God be in my flesh and in my paining/pining.
God be in my blood and in my living.
God be in my bones and in my dying.
God be at my end and at my reviving.
”
”
Caroline Myss (Anatomy of the Spirit: The Seven Stages of Power and Healing)
“
People whose hearts are at war toward others can't consider others' objections and challenges enough to be able to find a way through them.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Before you diagnose any sickness, make sure there is no sickness in the mind or heart. For the emotions in a man's moon or sun, can point to the sickness in any one of his other parts.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
As though in her heart she was not a travel writer at all, as her mother had said she wished to be, but simply a traveler, in the purer form, someone who collects impressions, dense anatomies of feeling, but does not care to record them.
”
”
Don DeLillo (White Noise)
“
Most problems in life are not solved merely by correction.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
If we have deep problems, it's because we are failing at the deepest part of the solution. And when we fail at this deepest level, we invite our own failure.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
But it so happens that everything on this planet is, ultimately, irrational; there is not, and cannot be, any reason for the causal connexion of things, if only because our use of the word "reason" already implies the idea of causal connexion. But, even if we avoid this fundamental difficulty, Hume said that causal connexion was not merely unprovable, but unthinkable; and, in shallower waters still, one cannot assign a true reason why water should flow down hill, or sugar taste sweet in the mouth. Attempts to explain these simple matters always progress into a learned lucidity, and on further analysis retire to a remote stronghold where every thing is irrational and unthinkable.
If you cut off a man's head, he dies. Why? Because it kills him. That is really the whole answer. Learned excursions into anatomy and physiology only beg the question; it does not explain why the heart is necessary to life to say that it is a vital organ. Yet that is exactly what is done, the trick that is played on every inquiring mind. Why cannot I see in the dark? Because light is necessary to sight. No confusion of that issue by talk of rods and cones, and optical centres, and foci, and lenses, and vibrations is very different to Edwin Arthwait's treatment of the long-suffering English language.
Knowledge is really confined to experience. The laws of Nature are, as Kant said, the laws of our minds, and, as Huxley said, the generalization of observed facts.
It is, therefore, no argument against ceremonial magic to say that it is "absurd" to try to raise a thunderstorm by beating a drum; it is not even fair to say that you have tried the experiment, found it would not work, and so perceived it to be "impossible." You might as well claim that, as you had taken paint and canvas, and not produced a Rembrandt, it was evident that the pictures attributed to his painting were really produced in quite a different way.
You do not see why the skull of a parricide should help you to raise a dead man, as you do not see why the mercury in a thermometer should rise and fall, though you elaborately pretend that you do; and you could not raise a dead man by the aid of the skull of a parricide, just as you could not play the violin like Kreisler; though in the latter case you might modestly add that you thought you could learn.
This is not the special pleading of a professed magician; it boils down to the advice not to judge subjects of which you are perfectly ignorant, and is to be found, stated in clearer and lovelier language, in the Essays of Thomas Henry Huxley.
”
”
Aleister Crowley
“
If breakups are like deaths, then ex sightings are like seeing a ghost: you feel goose bumps, near loss of bladder control, and the sensation of your heart bursting in your throat. The distinction is that the ex is alive.
”
”
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
“
My disability was my justification! It was my excuse for failing to engage with the world.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Very often conditions are recorded as observable "under thy fingers" [...] Among such observations it is important to notice that the pulsations of the human heart are observed.
”
”
James Henry Breasted (The Edwin Smith Surgical Papyrus, Vol 1: Hieroglyphic Transliteration, Translation and Commentary)
“
I cared what everybody thought more than what I thought. Or more than my heart thought. And that makes me an idiot.
”
”
Andrea Portes (Anatomy of a Misfit)
“
My heart beats with you,
Love runs red throughout my veins,
Making me alive
SA Node - Haiku
”
”
Eric Overby (Legacy)
“
But like many who are lonely, I was more preoccupied with others than were those who lived to socialize...Everyone I hated was always with me, even when I was alone. They had to be, for I had to remember what and why I hated in order to remind myself to stay away from them.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
The churning of a human mind is unpredictable, as is the anatomy of the human heart.
”
”
Rudy Rucker (Turing & Burroughs)
“
Only dogmatic thinking, the result of the laziness of mind and heart, tries to construct simplistic schemes of the either-or type that block any real understanding.
”
”
Erich Fromm (The Anatomy of Human Destructiveness)
“
Abigail had no interest in the dolls themselves. Only in what she could keep from them.
”
”
Christie Stratos (Anatomy of a Darkened Heart (Dark Victoriana Collection #1))
“
If you see people of a particular race or culture as objects, your view of them is racist, whatever your color or lack of color or you power or lack of power.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
In the beginning, I wanted his heart. Then I shifted focus to his body. I was never interested in only friendship.
”
”
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
“
A month later the law student leaves you for one of her classmates, tells you that it was great but she has to start being realistic. . . . .Later you see her with said classmate on the Yard. He's even lighter than you but he still looks unquestionably black. He's also like nine feet tall and put together like an anatomy primer. They are walking hand in hand and she looks so very happy that you try to find the space in your heart not to begrudge her.
”
”
Junot Díaz (This Is How You Lose Her)
“
When you begin to see others as people,’ Ben told me, ‘issues related to race, ethnicity, religion, and so on begin to look and feel different. You end up seeing people who have hopes, dreams, fears, and even justifications that resemble your own.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Is the heart always failing itself or by nature unfaithful?
I had to restrain myself from writing to her too often, especially because she rarely wrote back or responded with the speed and in the manner I had allowed myself to expect. Some people manage to escape the obligation a sincere letter places on them.
”
”
Hisham Matar (Anatomy of a Disappearance)
“
And I was thinking with a part of my
anatomy that has nothing to do with my brain." Veronica had to laugh at that. "Oh, really?" "Yeah," Joe said. His smile grew softer, his eyes gentler. "My heart."
And then he kissed her.
”
”
Suzanne Brockmann (Prince Joe (Tall, Dark & Dangerous, #1))
“
There have been, of course, many other insatiable polymaths, and even the Renaissance produced other Renaissance Men. But none painted the Mona Lisa, much less did so at the same time as producing unsurpassed anatomy drawings based on multiple dissections, coming up with schemes to divert rivers, explaining the reflection of light from the earth to the moon, opening the still-beating heart of a butchered pig to show how ventricles work, designing musical instruments, choreographing pageants, using fossils to dispute the biblical account of the deluge, and then drawing the deluge. Leonardo was a genius, but more: he was the epitome of the universal mind, one who sought to understand all of creation, including how we fit into it.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
This whole city is most certainly a pitiful corpse, while the neighborhood outside the walls of this bar has the distinction of being the withering heart of the deceased. And I am a devoted student of its anatomy—a pathologist, after a fashion, with an eye for necroses that others overlook.
”
”
Thomas Ligotti (Songs of a Dead Dreamer)
“
the way we can know if we’ve betrayed ourselves is by whether we are still desiring to be helpful.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
But none of that is possible,” he continued, “if my heart is at war. A heart at war needs enemies to justify its warring. It needs enemies and mistreatment more than it wants peace.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Enter with passion,
climb into my soul!
My heart is now free! I’ve lost all control!
In others, I know where the heart had been placed.
Everyone knows - it beats in the chest.
But even anatomy
is absurd in my case
one massive heart
and no room for the rest.
”
”
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
“
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.
”
”
Chelsea G. Summers (A Certain Hunger)
“
Before everything happened I wished i had double voice box like a song bird so I could sing two songs at once, the way a bird can harmonize with itself. I wanted to sing crystal clear notes. I wanted to sing them one after anther in ascending order. And at the same time I wanted to let another fountain of notes descend from my heart.
”
”
Karen Foxlee (The Anatomy of Wings)
“
What is your least favorite part of the male anatomy?” “Uh…what?” “Come on.” I nudged her shoulder. “You have to have a least favorite part.” Marie stared at me for a beat then blinked rapidly. “Really? I just pour out my heart to you and….” “Balls,” Ashley announced unceremoniously from her place on the floor. Elizabeth snickered. “Oh, my lord.” Marie covered her face with her hands and shook her head. I ignored her and leaned closer to Ashley. “I know, right? I mean, shouldn’t those things be on the inside?” Janie’s thoughtfully distracted voice chimed in. “I feel like the rest of the male body makes a lot of sense. And then…balls.” “Yes!” “It makes me think maybe God is an alien or ran out of alluring parts before he got to the male reproductive system.” “They never look nice; it’s basically impossible. You can’t dress them up, and I’ve seen a lot of balls in the ER. I’ve never seen a man’s balls and thought to myself, Now that guy has a great set of testicles
”
”
Penny Reid (Love Hacked (Knitting in the City, #3))
“
Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again—making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. […] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics.
”
”
Neal Stephenson
“
you can’t ever be broken. You are a hero, and even though you might fall to your knees on a bathroom floor under the pressure of it all, you will rise, like a phoenix from the ashes, and you will stay true to the integrity of your calling.
”
”
Lissa Rankin (The Anatomy of a Calling: A Doctor's Journey from the Head to the Heart and a Prescription for Finding Your Life's Purpose)
“
How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived. But you won’t grow. You can come out, and we will end it, cleanly, or you can die in there, of hunger and of fear. And when you are dead your circle will mean nothing, and we will tear out your heart and take your soul for a keepsake
”
”
Neil Gaiman
“
It was like a slap. I dont remember her being mean before that. It made Miranda smile. The smile that unlocked something in Beth like a key
”
”
Karen Foxlee (The Anatomy of Wings)
“
If we are poor learners, our teaching will be ineffective.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
... if I'm sure I'm right, there is little hope of seeing where I am failing. So I keep trying the same old things-
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
I finally understand part of my role. I am a bridge, a translator.
”
”
Lissa Rankin (The Anatomy of a Calling: A Doctor's Journey from the Head to the Heart and a Prescription for Finding Your Life's Purpose)
“
Seeing an equal person as an inferior object is an act of violence, Lou. It hurts as much as a punch to the face. In fact, in many ways it hurts more. Bruises heal more quickly than emotional scars do.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
When he reached out with both huge hands to grasp me, I ducked under them and stepped forward, smoothly pulling my knife out of my sleeve. Then, with one quick swipe, I sliced him across the belly. I wasn't certain enough of his anatomy to try stabbing him in the heart. As big as he was, his ribs were probably as thick as my wrist.
He stared at me in utter amazement. Then he looked down at the entrails that came boiling out of the gaping wounds that ran from hip to hip across his lower belly.
"I think you dropped something there, Grul," I suggested.
He clutched at his spilling entrails with both hands, a look of consternation on his brutish face. "'Grat cut Grul's belly," he said. "Make Grul's insides fall out."
"Yes, I noticed that. Did you want to fight some more, Grul? I think you could spend your time better by sewing yourself back together. You're not going to be able to move very fast with your guts tangled around your feet."
"'Grat is not nice," he accused mournfully, sitting down and holding his entrails in his lap.
”
”
David Eddings (Belgarath the Sorcerer)
“
But human anatomy and human endurance are variable. While the much younger nun had succumbed to her injuries, Ursula's heart kept beating, her body unwilling to surrender its soul. Not a miracle, merely one of those quirks of fate, like the child who survives a fall from a sixth-floor window, and is only scratched.
”
”
Tess Gerritsen (The Sinner (Rizzoli & Isles, #3))
“
The deepest way in which we are right or wrong,” he continued, “is in our way of being toward others. I can be right on the surface—in my behavior or positions—while being entirely mistaken beneath, in my way of being.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
We can treat our children fairly, for example, but if our hearts are warring toward them while we're doing it, they won't think they're being treated fairly at all. In fact, they'll respond to us as if they weren't being treated fairly.
”
”
Emery Reves (Anatomy of Peace)
“
In the way we regard our children, our spouses, neighbors, colleagues, and strangers, we choose to see others either as people like ourselves or as objects.They either count like we do or they don't. In the former case we regard them as we regard ourselves, we say our hearts are at peace toward them. In the latter case, since we systematically view them as inferior, we say our hearts are at war.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Gradually the idea for a book began to take shape. It was to be a wildly ambitious and intolerant work, a kind of 'Anatomy of Restlessness' that would enlarge on Pascal's dictum about the man sitting quietly in a room. The argument, roughly, was as follows: that in becoming human, man had acquired, together with his straight legs and striding walk, a migratory 'drive' or instinct to walk long distances through the seasons; that this 'drive' was inseparable from his central nervous system; and, that, when warped in conditions of settlement, it found outlets in violence, greed, status-seeking or a mania for the new. This would explain why mobile societies such as the gypsies were egalitarian, thing-free and resistant to change; also why, to re-establish the harmony of the First State, all the great teachers - Buddha, Lao-tse, St Francis - had set the perpetual pilgrimage at the heart of their message and told their disciples, literally, to follow The Way.
”
”
Bruce Chatwin (Anatomy of Restlessness: Selected Writings, 1969-1989)
“
You never know the biggest day of your life is the biggest day, not until it’s happening. You don’t recognize the biggest day of your life, not until your right in the middle of it. The day you commit to something or someone. The day you get your heart broken. The day you meet your soul mate. The day you realize there’s not enough time because you want to live forever. Those are the biggest days, the perfect days.
”
”
Isobel Stevens
“
Everything that she saw glowing during the day seemed tarnished beside the light that was at the heart of the evening. the bleached color of things replaced by a beauty that stole into everything. the pale yellow leaves grew golden. The white gems opened up their hearts and shone.
”
”
Karen Foxlee (The Anatomy of Wings)
“
I would like those who are not at all versed in anatomy to take the trouble, before reading this, to have the heart of some large animal that has lungs dissected in their presence (for such a heart is in all respects sufficiently similar to that of a man), and to be shown the two chambers or cavities that are in it.
”
”
René Descartes (Discourse on Method and Meditations on First Philosophy (Hackett Classics))
“
I haven't laid eyes on you since the ship docked some three weeks ago, and suddenly here you are, knocking on my door with a stranger at your side, and announcing with no explanation whatsoever, that you and Old Chinese here would very much like to puncture various parts of anatomy. And you actually expect me to comply?
”
”
Kathleen Bittner Roth (Alanna (When Hearts Dare, #2))
“
Did I ever tell you that they nearly cut my dick off?’ ‘No,’ I said, uncertain whether this was something that had really happened or something he was misremembering in his delirium. ‘It’s true,’ he said. ‘The night before the Gardaí found me. They said that I had a choice. That they’d either pop one of my eyes out or cut my dick off. They told me I could choose which.’ ‘Jesus,’ I said. ‘I mean I would have said my eye, of course. Probably the one on the other side to the missing ear, just to balance things out. But can you imagine if they had cut my dick off? I wouldn’t be lying here right now, would I? None of this would have happened.’ ‘That’s one way of looking at it,’ I said. ‘They would have saved my life.’ ‘Maybe.’ ‘No, you’re right. I’d be dead already because I’d probably have killed myself if they’d cut my dick off. There’s no way I would have gone through my life dickless. It’s amazing, isn’t it, how one small part of our anatomy completely controls our lives?
”
”
John Boyne (The Heart's Invisible Furies)
“
In your life, God’s “way” is about loving him and loving your neighbor with all the parts of you. And this is hard work, especially for those parts of your “heart, soul, and mind” that have not had much practice doing that—the wounded parts, the weak parts, or the functions, such as memory or emotion, that you may not pay much attention to.
”
”
Curt Thompson (Anatomy of the Soul: Surprising Connections between Neuroscience and Spiritual Practices That Can Transform Your Life and Relationships)
“
Yes, do as you would be done by - and not to the dark man and the white woman alone, but to the sorrel horse and the grey squirrel as well; not to creatures of your own anatomy alone, but to all creatures. You cannot go high enough, low enough nor far enough to find those whose bowed and broken beings will not rise up at the coming of the kindly heart, or whose souls will not darken at the touch of inhumanity. Do to beings below as you would be done by beings above you. They are our fellow mortals. They came out of the same mysterious womb of the past, are passing through the same dream, and are destined to the same melancholy end as we ourselves. Let us be kind and merciful to them.
”
”
J. Howard Moore
“
Don’t misunderstand,” Yusuf added. “Despite our best efforts, we may find that some battles are unavoidable. Some around us will still choose war. May we in those cases remember what we learned from Saladin: that while certain outward battles may need to be fought, we can nevertheless fight them with hearts that are at peace. “And may we remember the deeper lesson as well: that your and my and the world’s hoped-for outward peace depends most fully not on the peace we seek without but on the peace we establish within.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
no conflict can be solved so long as all parties are convinced they are right. Solution is possible only when at least one party begins to consider how he might be wrong.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
A choice to betray myself,” he said, “is a choice to go to war.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
My heart is yours, Hazel Sinnett', Jack said. 'Forever. Beating or still.
”
”
Dana Schwartz (Anatomy: A Love Story (The Anatomy Duology, #1))
“
we and our enemies are perfect for each other. Each of us gives the other reason never to have to change.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
I don’t feel the same now. Which means that he hasn’t caused me to feel how I’ve felt. I’ve always had the choice.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
Preverbal, love is the smell of a known body, the touch of a recognized hand, the blurred face in a haze of light. Words come, and love sharpens. Love becomes describable, narratable, relatable. Over time, one love comes to lay atop another, a mother's love, a father's love, a lover's love, a friend's love, an enemy's love. This promiscuous mixing of feelings and touches, of smiles and cries in the dark, of half-pushed pleasures and heart-cracking pain, of shared unutterable intimacies and guttural expressions, layer in embellished bricolage. One love coats another, like the clear pages of an anatomy textbook, drawing pictures of things we can only ever see in fractions. With the coming of words, love writes and is then overwritten; love is marginalia illegibly scrawled in your own illegible hand. In time, love becomes a dense manuscript, a palimpsest of inscrutable, epic proportions, one love is overlaying another, thick and hot and stinking of beds. It's an unreadable mess.
”
”
Chelsea G. Summers (A Certain Hunger)
“
THEY SAY THAT the way to a man’s heart is through his stomach, which just goes to show they’re as confused about anatomy as they gen’rally are about everything else, unless they’re talking about instructions on how to stab him, in which case a better way is up and under the ribcage.
”
”
Terry Pratchett (Nanny Ogg's Cookbook: a beautifully illustrated collection of recipes and reflections on life from one of the most famous witches from Sir Terry Pratchett’s bestselling Discworld series)
“
In anatomy lab, we objectified the dead, literally reducing them to organs, tissues, nerves, muscles. On that first day, you simply could not deny the humanity of the corpse. But by the time you'd skinned the limbs, sliced through inconvenient muscles, pulled out the lungs, cut open the heart and removed a lobe of the liver, it was hard to recognize this pile of tissue as human. Anatomy lab, in the end, becomes less a violation of the sacred and more something that interferes with happy hour, and that realization discomfits. In our rare reflective moments, we were all silently apologizing to our cadavers, not because we sensed the transgression but because we did not.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
When I go musing all alone
Thinking of divers things fore-known.
When I build castles in the air,
Void of sorrow and void of fear,
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy.
When I lie waking all alone,
Recounting what I have ill done,
My thoughts on me then tyrannise,
Fear and sorrow me surprise,
Whether I tarry still or go,
Methinks the time moves very slow.
All my griefs to this are jolly,
Naught so mad as melancholy.
When to myself I act and smile,
With pleasing thoughts the time beguile,
By a brook side or wood so green,
Unheard, unsought for, or unseen,
A thousand pleasures do me bless,
And crown my soul with happiness.
All my joys besides are folly,
None so sweet as melancholy.
When I lie, sit, or walk alone,
I sigh, I grieve, making great moan,
In a dark grove, or irksome den,
With discontents and Furies then,
A thousand miseries at once
Mine heavy heart and soul ensconce,
All my griefs to this are jolly,
None so sour as melancholy.
Methinks I hear, methinks I see,
Sweet music, wondrous melody,
Towns, palaces, and cities fine;
Here now, then there; the world is mine,
Rare beauties, gallant ladies shine,
Whate'er is lovely or divine.
All other joys to this are folly,
None so sweet as melancholy.
Methinks I hear, methinks I see
Ghosts, goblins, fiends; my phantasy
Presents a thousand ugly shapes,
Headless bears, black men, and apes,
Doleful outcries, and fearful sights,
My sad and dismal soul affrights.
All my griefs to this are jolly,
None so damn'd as melancholy.
Methinks I court, methinks I kiss,
Methinks I now embrace my mistress.
O blessed days, O sweet content,
In Paradise my time is spent.
Such thoughts may still my fancy move,
So may I ever be in love.
All my joys to this are folly,
Naught so sweet as melancholy.
When I recount love's many frights,
My sighs and tears, my waking nights,
My jealous fits; O mine hard fate
I now repent, but 'tis too late.
No torment is so bad as love,
So bitter to my soul can prove.
All my griefs to this are jolly,
Naught so harsh as melancholy.
Friends and companions get you gone,
'Tis my desire to be alone;
Ne'er well but when my thoughts and I
Do domineer in privacy.
No Gem, no treasure like to this,
'Tis my delight, my crown, my bliss.
All my joys to this are folly,
Naught so sweet as melancholy.
'Tis my sole plague to be alone,
I am a beast, a monster grown,
I will no light nor company,
I find it now my misery.
The scene is turn'd, my joys are gone,
Fear, discontent, and sorrows come.
All my griefs to this are jolly,
Naught so fierce as melancholy.
I'll not change life with any king,
I ravisht am: can the world bring
More joy, than still to laugh and smile,
In pleasant toys time to beguile?
Do not, O do not trouble me,
So sweet content I feel and see.
All my joys to this are folly,
None so divine as melancholy.
I'll change my state with any wretch,
Thou canst from gaol or dunghill fetch;
My pain's past cure, another hell,
I may not in this torment dwell!
Now desperate I hate my life,
Lend me a halter or a knife;
All my griefs to this are jolly,
Naught so damn'd as melancholy.
”
”
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
“
But seriously – how is this a good example of womanhood? How is this something we should be propping up and praising? Think about the women in your life – your mom, your aunts, your grandmothers, your sisters, your daughters, your nieces, your friends. Would you like ANY of them reduced to one small part of their anatomy? Would you tell them to their faces that they are nothing more than a walking life support system for their vaginas? ‘Cause that’s the message that feminism is sending to women the world over.I thought feminists cared more about a woman’s mind and heart, and less about her body parts....Ladies, we are so much more than our body parts. Don’t take Hollywood airheads like Cate Blanchett as your life example.
”
”
Chrissy Johnson
“
Look at any picture of Priapus from antiquity, and you will see why he might have had trouble focusing on anything beyond his own anatomy. One fresco in Pompeii shows him fully occupied with the task of weighing his gigantic erection on scales. 25 He raises his filthy hopes, Ovid continues, and tries to sneak up on her, heart racing, on tiptoe (I find myself wondering how he doesn’t tip up,
”
”
Natalie Haynes (Divine Might: Goddesses in Greek Myth)
“
So, for example, if I had been raised in a critical or demanding environment, it might have been easier for me, relatively speaking, to find refuge in worse-than or need-to-be-seen-as justifications. Those who were raised in affluent or sanctimonious environments, on the other hand, may naturally gravitate to better-than and I-deserve justifications, and so on. Need-to-be-seen-as boxes might easily arise in such circumstances as well. “But the key point, and the point that is the same for all of us, is that we all grab for justification, however we can get it. Because grabbing for justification is something we do, we can undo it. Whether we find justification in how we are worse or in how we are better, we can each find our way to a place where we have no need for justification at all. We can find our way to peace—deep, lasting, authentic peace—even when war is breaking out around us.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
another important function of the learning level of the pyramid is that it keeps reminding us that we might be mistaken in our views and opinions. Maybe an objective I’ve been insisting upon at work is unwise, for example. Or maybe a strategy I’ve been taking with my child is hurtful. Or maybe the lesson structure we had planned isn’t working, and so on. The learning level of the pyramid keeps inviting us toward humility. It reminds us that the person or group we wish would change may not be the only one who needs to change! It continually invites us to hone our views and opinions.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)
“
In a word, every man for his own ends. Our summum bonum is commodity, and the goddess we adore Dea Moneta, Queen Money, to whom we daily offer sacrifice, which steers our hearts, hands, affections, all: that most powerful goddess, by whom we are reared, depressed, elevated, esteemed the sole commandress of our actions, for which we pray, run, ride, go, come, labour, and contend as fishes do for a crumb that falleth into the water. It is not worth, virtue (that's bonum theatrale [a theatrical good]), wisdom, valour, learning, honesty, religion, or any sufficiency for which we are respected, but money, greatness, office, honour, authority; honesty is accounted folly; knavery, policy; men admired out of opinion, not as they are, but as they seem to be: such shifting, lying, cogging, plotting, counterplotting, temporizing, flattering, cozening, dissembling, "that of necessity one must highly offend God if he be conformable to the world," Cretizare cum Crete [to do at Crete as the Cretans do], "or else live in contempt, disgrace, and misery." One takes upon him temperance, holiness, another austerity, a third an affected kind of simplicity, whenas indeed he, and he, and he, and the rest are hypocrites, ambidexters, outsides, so many turning pictures, a lion on the one side, a lamb on the other.
”
”
Robert Burton (The Anatomy Of Melancholy: What It Is, With All The Kinds, Causes, Symptoms, Prognostics And Several Cures Of It)
“
... and that did it. That brought those depthless blue eyes within a foot, perhaps six inches, maybe even closer, and something happened inside Enrique, like a guitar string suddenly unstrung. There was a shock and a vibration in his heart, a palpable break inside the cavity of his chest. He had dropped out of high school and never took a class in anatomy, but he did know that the cardiovascular system wasn't supposed to react as if it were the source and center of feeling. And yet he would have sworn to all and sundry - not that he expected to admit it to anyone - that Margaret, or at least her bright blue eyes, had just snapped his brittle heart.
”
”
Rafael Yglesias (A Happy Marriage)
“
The Kali-Yuga happens to people you love. You see the inner shape, the real one, when they’re just walking away across the room with their backs to you, you see their secret faces when they’re alone, and you see that they’re trudging, their shoulders hunched and rounded under the burden, their faces baffled and bewildered, almost muttering, but still defiant, still determined, because they’re human, and their demand, their consciousness of birthright, is ineffaceable, ineradicable. The divine imprint. His image. And you think they haven’t got a chance, but then again you can’t really know. God alone knows their fate. It happens to the people you love. That’s what breaks your heart. Breaks your heart.
”
”
Marty Glass (Yuga: An Anatomy of Our Fate)
“
Before I was turned, my human body sustained itself, albeit only for days. Something in me must have kept my heart beating and the muscles in my ribs tightening and relaxing, letting air into and out of my lungs. It's completely possible that that human power is still there, only dormant. Perhaps there is actually a lot of human potential in me. Last night, as my body had been warmed by Ben, I'd felt alive in a way I've never felt before. My heart had woken up and was beating faster than the demon could ever pump it; I'd felt a pleasure better and more intense than eating; I'd felt Ben's blood coursing through his veins but felt no desire to drink it, and only gratitude that he was alive and with me. It had been the duck that had repelled Ben---death had, essentially, repelled him: the remnants of my last meal. If I deny myself blood, perhaps the human side of me will get stronger until I can consume and live off human food, and I'll attract humans to me too, and a human life for myself, and human love.
”
”
Claire Kohda (Woman, Eating)
“
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
”
”
Henry Miller
“
Jasper’s boot tapped against the side of her foot. She met his gaze with raised brows. Look at me, he mouthed with darkened eyes. Did he not understand how difficult that was? Of course he didn’t. He did not feel overheated and confused when he looked at her. He didn’t struggle to understand why the act of pressing their lips together had created overwhelming feelings in other parts of the anatomy. Frustrated, she crossed her arms and looked at the passing carriages. The toe of his boot touched her ankle, then slid up along the back of her lower calf. Eliza froze. Her lungs seized, holding her breath. A shiver moved up her leg to unmentionable places. Wide-eyed, she glanced at him. Jasper winked. As indignation welled up within her, his tongue traced the curve of his lower lip in a slow, sensual glide. Her breath left her in a rush. Instantly and viscerally she recalled the feel of that talented tongue against her lips and in her mouth, thrusting deep and sure in imitation of a far more intimate act. Her breasts grew heavy and tender. The beat of her heart quickened and her skin tingled from her head to the place where his boot stroked her. It suddenly struck her that Jasper was deliberately arousing her. In the middle of the day. In the center of town. Seated inches away from two other people. His hand lifted to an unsecured button on his coat. Strong fingers grasped it, the pad of his thumb rubbing leisurely
”
”
Sylvia Day (Pride and Pleasure)
“
Ultimately, my effectiveness at each level of the pyramid depends on the deepest level of the pyramid— my way of being. “I can put all the effort I want into trying to build my relationships,” Yusuf said, “but if I’m in the box while I’m doing it, it won’t help much. If I’m in the box while I’m trying to learn, I’ll only end up hearing what I want to hear. And if I’m in the box while I’m trying to teach, I’ll invite resistance in all who listen.” Yusuf looked around at the group. “My effectiveness in everything above the lowest level of the pyramid depends on the lowest level. My question for you is why?” Everyone looked at the pyramid. “You might try looking at the Way-of-Being Diagram from yesterday,” Yusuf said. “I get it,” Lou said after a moment. “What?” Yusuf asked. “What are you seeing?” “Well, the Way-of-Being Diagram tells us that almost any outward behavior can be done in either of two ways—with a heart that’s at war or a heart that’s at peace.” “Yes,” Yusuf agreed. “And what does that have to do with the Influence Pyramid?” “Everything above the lowest level of the pyramid is a behavior,” Lou answered. “Exactly,” Yusuf said. “So anything I do to build relationships, to learn, to teach, or to correct can be done either in the box or out. And as we learned yesterday from the Collusion Diagram, when I act from within the box, I invite resistance. Although there are two ways to invade Jerusalem, only one of those ways invites cooperation. The other sows the seeds of its own failure. So while the pyramid tells us where to look and what kinds of things to do in order to invite change in others, this last lesson reminds us that it cannot be faked. The pyramid keeps helping me to remember that I might be the problem and giving me hints of how I might begin to become part of a solution. A culture of change can never be created by behavioral strategy alone. Peace—whether at home, work, or between peoples—is invited only when an intelligent outward strategy is married to a peaceful inward one. “This is why we have spent most of our time together working to improve ourselves at this deepest level. If we don’t get our hearts right, our strategies won’t much matter. Once we get our hearts right, however, outward strategies matter a lot. The virtue of the pyramid is that it reminds us of the essential foundation—change in ourselves—while also revealing a behavioral strategy for inviting change in others. It reminds us to get out of the box ourselves at the same time that it tells us how to invite others to get out as well.
”
”
Arbinger Institute (The Anatomy of Peace: Resolving the Heart of Conflict)