Headstone Quotes

Death leaves a heartache no one can heal, love leaves a memory no one can steal. From an Irish headstone

I take a longer look at the words on her headstone. Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on… Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer. Why do we romanticize the dead? Why can’t we be honest about them?

There are still more days to travel in this life. And he knows that the man who makes the journey has been shaped by every day and every person along the way. Scars are just another kind of memory....Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone.

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

A woman doesn't want to be told she looks nice,' Jude nuttered as she sat down beside maud's grave. "She wants to be told she's beautiful, sexy. That she looks outrageous. It dosen't matter if its not true.' She sighed and laid the flowers against the headstone. 'Because for the moment, when the words are said and the words are heard, it's perfect truth.

Side by side they are twin angels on a headstone, cold and terrible and immutable. They were boys once, he remembers, but they aren't anymore.

I came here because it's pine-dark and the ocean is wild. The kind of quiet-noise you need when there's too much going on in your head. Like the water and the woods are doing all the feeling, and I can hang out, quiet as a headstone, in a between place. A blank I can bear.

Because I liked you better Than suits a man to say, It irked you, and I promised I'd throw the thought away. To put the world between us We parted stiff and dry: 'Farewell,' said you, 'forget me.' 'Fare well, I will,' said I. If e'er, where clover whitens The dead man's knoll, you pass, And no tall flower to meet you Starts in the trefoiled grass, Halt by the headstone shading The heart you have not stirred, And say the lad that loved you Was one that kept his word.

Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone.

As life runs on, the road grows strange With faces new, and near the end The milestones into headstones change, ’Neath every one a friend.

Generally, old media don't die. They just have to grow old gracefully. Guess what, we still have stone masons. They haven't been the primary purveyors of the written word for a while now of course, but they still have a role because you wouldn't want a TV screen on your headstone.

In the time that we're here today, more women and children will die violently in the Darfur region than in Iraq, Afghanistan, Palestine, Israel or Lebanon. So, after September 30, you won't need the UN - you will simply need men with shovels and bleached white linen and headstones.

In the stillness of headstones, Darkness is my blanket. And forever is my song. In the arms if stone angels, I'm not afraid. Because finally and completely, I belong.

...Hattie wanted to give her babies names that weren't already chiseled on a headstone in the family plots in Georgia, so she gave them names of promise and of hope, reaching-forward names, not looking-back ones.

In a duel, man to man, sword against sword, it can be a lack of skill that gets you killed. Often as not, though, it'll be a matter of luck, or if it goes on too long, then it'll be the man who tires first that tends to die. In the end it's about staying power. They should put that on headstones, "Got tired.

When I remember you, Randy, I'm going to smile, not cry. You're a part of me. One of the best parts. I just wanted to tell you that." She stopp up, brushing the headstone once more. "And if you meet someone called Giselda," she whispered, "tell her she's still part of Spade, too. A beautiful part. Please thank her for that.

The poets and philosophers I once loved had it wrong. Death does not come to us all, nor does the passage of time dim our memories and reduce our bodies to dust. Because while I was considered dead, and a headstone had been engraved with my name, in truth my life was just beginning.

I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.

You were dropped as a child, weren't you?" Varen asked her. "Maybe once or twice," Gwen said, "but at least I wasn't raised by highly literate vampires who, every night just before bed, fed me a steady diet of dark sarcasm and gothic horror fiction." "Every morning before bed," Varen corrected. Stepping forward, he moved toward the headstone. "We slept during the day.

I swear to you on any kind of sacred whateverthefuck you favor: if I live through this I will absolutely start taking your advice." "That'll look nice on your headstone.

Halt by the headstone naming The heart no longer stirred, And say the lad that loved you Was one that kept his word.

He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

Enough! we're tired, my heart and I. We sit beside the headstone thus, And wish that name were carved for us. The moss reprints more tenderly The hard types of the mason's knife, As Heaven's sweet life renews earth's life With which we're tired, my heart and I .... In this abundant earth no doubt Is little room for things worn out: Disdain them, break them, throw them by! And if before the days grew rough We once were loved, used, - well enough, I think, we've fared, my heart and I.

His headstone said FREE AT LAST, FREE AT LAST But death is a slave's freedom We seek the freedom of free men And the construction of a world Where Martin Luther King could have lived and preached non-violence

We turn, three men bound by love, by history, by circumstance, and most certainly by the awful grace of God, and together walk a narrow lane where headstones press close all around, reminding me gently of Warren Redstone’s parting wisdom, which I understand now. The dead are never far from us. They’re in our hearts and on our minds and in the end all that separates us from them is a single breath, one final puff of air.

All things considered, the happiest epitaph to have etched on one's headstone is this: 'He never knew what hit him'.

I recall the look in Rhauk's eyes the moment he spotted Kate. It will stay with me forever, carved into my brain like an engraving on a headstone. It's as if he found something he treasured, something he's been looking for all his life.

Lydia supposed his headstone had been ordered. Something large and garish made of the finest marble and phallic shaped because being dead didn't stop you from being a dick.

I hate that her headstone has a year on it for when she was born and another for when she died but only a dash for the life she lived in between.

This isn't how it should be, God. Thousands of graves marking thousands of lives--so much focus on death. Did the gravediggers spend their lives just serving the dead? How many Numbers ticked away for the sake of carving headstones no one would read? As I stare at this scene, I decide I don't want a headstone when I die. I don't even want to be buried. I want to disappear--save that chunk of earth for people to live on. This land I stand on is worthless now. No one can build a house here. No one can plant gardens or start a new village. Is that what the people buried beneath me would have wanted? Earth wasn't intended to hold only dead bodies. I stand. God, I need to live.

There are still more days to travel in this life. And he knows that the man who makes the journey has been shaped by every day and every person along the way. Scars are just another kind of memory. Isabel is part of him, wherever she is, just like the war and the light and the ocean. Soon enough the days will close over their lives, the grass will grow over their graves, until their story is just an unvisited headstone. He watches the ocean surrender to the night, knowing that the light will reappear.

George Harrison: The day after the Blue Angel audition, John showed up to rehearsal with a long list of name suggestions, and I remember each and every one of them: the Deads-men, the Deadmen, the Undeads-men, the Undeadmen, the Rots, the Rotters, the Dirts, the Dirty Ones, the Grayboys, the Eaten Brains, the Eating Brains, the Mersey Beaters, the Mersey Beaten, the Bloodless, the Graves, the Headstones, and the Liverpools of Blood. Paul ripped off John's right arm and used it to slap John across the face, then he said, "Those're horrible, mate, just horrible, y'know.

I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

I tell myself I should remain guarded against you, even as we are fastened together. And yet another side of me believes that you and I could make something of this arrangement. That you and I are complements, that we are made to clash and sharpen each other like iron. That you and I will stay bound together by that which is nameless and runs deeper than vows, until the very end, when the isle takes my bones into the ground and my name is nothing but memory carved into a headstone.

I grinned, and a burst of shocked laughter shoved out of me. I'd done it! I'd beaten that bitch, and could see again. I'd won. With only my blood. I climbed to my feet, cradling my throbbing hand against my stomach, and looked out over the cemetery. The first real thing I saw was Silla, stumbling toward me. Her hands left scarlet prints on every headstone she touched.

But you see, the problem is that apologies are really just little weeds that grow over monuments and headstones. They keep coming back, but never stop ruining what lies beneath. If an apology is truly authentic, the pain is supposed to stop. Right?

Love, marriage, divorce, infidelity... life was the same here as anywhere else, wasn't? She realized now wrong she'd been; the pali wasn't a headstone and Kalaupapa wasn't a grave. It was a community like any other, bound by ties deeper than most, and people here went to their deaths as people did anywhere: with great reluctance, dragging the messy jumble of their lives behind them.

I’ve never met someone who is both so vain and so practical,” he says, sounding just barely awed. “Which will be what actually goes on my headstone.

My death would be noted with nothing more than a headstone bearing the dates of my birth and my death to let the world know I had been here.

The birds chattered merrily on the wet brown branches. Daffodils sunned out among the headstones. How alive it all seemed, and how gracious-to die in an era when your death bought you a brief moment at the centre of something. To be important, rather than one of millions.

Warm summer sun, shine friendly here Warm western wind, blow kindly here; Green sod above, rest light, rest light, Good-night, Annette! Sweetheart, good-night!

You look down when you talk to a headstone! When you talk to a live person, you look up! I'm still alive! So treat me like it! Look at me!

I place my palm on the headstone's face, and it's the closest I'll come to holding her hand.

Story idea: a graveyard for dead dreams, headstones marking each one.

When Knut was lying in his sickbed those last nights, she asked him: "Are you scared?" He replied: "Yes." Then his fingers ran through her hair and he added: "But it'll be quite nice to get a bit of peace and quiet. You can put that on the headstone." Estelle laughed hard at that. When he left her she wept so hard that she couldn't breathe. Her body was never really the same after that, she curled up and never quite unfurled again.

The very thing keeping me alive is also killing me—love. No wonder the rose symbolizes both love and death. They should have a deal where if you buy a dozen roses you get a free headstone.

She said to me, over the phone She wanted to see other people I thought, Well then, look around. They're everywhere Said that she was confused... I thought, Darling, join the club 24 years old, Mid-life crisis Nowadays hits you when you're young I hung up, She called back, I hung up again The process had already started At least it happened quick I swear, I died inside that night My friend, he called I didn't mention a thing The last thing he said was, Be sound Sound... I contemplated an awful thing, I hate to admit I just thought those would be such appropriate last words But I'm still here And small So small.. How could this struggle seem so big? So big... While the palms in the breeze still blow green And the waves in the sea still absolute blue But the horror Every single thing I see is a reminder of her Never thought I'd curse the day I met her And since she's gone and wouldn't hear Who would care? What good would that do? But I'm still here So I imagine in a month...or 12 I'll be somewhere having a drink Laughing at a stupid joke Or just another stupid thing And I can see myself stopping short Drifting out of the present Sucked by the undertow and pulled out deep And there I am, standing Wet grass and white headstones all in rows And in the distance there's one, off on its own So I stop, kneel My new home... And I picture a sober awakening, a re-entry into this little bar scene Sip my drink til the ice hits my lip Order another round And that's it for now Sorry Never been too good at happy endings...

Because I liked you better than it suits a girl to say, It irked you and I promised to throw the thought away To put the world between us, we parted stiff and dry 'Goodbye' and you: 'Forget me'. 'No fear I will' said I. Now here where clover whitens The dead man's knoll you pass And now tall flower to meet you Starts in the trefoiled grass Halt by the headstone naming the heart no longer stirred And say the girl that loved you Was one who kept her word.

What a lot of graves there are laid out as far as the eye can see!. Their headstones are like hands raised in surrender, though they are beyond being threatened by anything. A city of silence and truth, where success and failure, murderer and victim come together, where thieves and policeman lie side by side in peace for the first and last time.

The church was simply the former chapel of the castle, fronting upon its grass-grown court, which, however, was of generous enough width to have given up its quaintest corner to a little graveyard. Here the very headstones themselves seemed to sleep, as they slanted into the grass.

Adaira raised her hand and laid it against the arch of his cheek, and he knew she was beginning to see him as he saw her. The threads that tied them together. “My father was the Keeper of the Aithwood. It was he who brought you into the east, where he knew you would be safe and loved,” said Jack. It was liberating to speak those forbidden words aloud. The weight slipped from his chest like a stone, and he shivered to feel the space it left behind, waiting to be filled. “From your life came mine. I would not exist if you had been born in the east. I am but a verse inspired by your chorus, and I will follow you until the end, when the isle takes my bones and my name is nothing more than a remembrance on a headstone, next to yours.

THE MOON AND THE YEW TREE This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue. The grasses unload their griefs on my feet as if I were God, Prickling my ankles and murmuring of their humility. Fumy, spiritous mists inhabit this place Separated from my house by a row of headstones. I simply cannot see where there is to get to. The moon is no door. It is a face in its own right, White as a knuckle and terribly upset. It drags the sea after it like a dark crime; it is quiet With the O-gape of complete despair. I live here. Twice on Sunday, the bells startle the sky Eight great tongues affirming the Resurrection. At the end, they soberly bong out their names. The yew tree points up. It has a Gothic shape. The eyes lift after it and find the moon. The moon is my mother. She is not sweet like Mary. Her blue garments unloose small bats and owls. How I would like to believe in tenderness The face of the effigy, gentled by candles, Bending, on me in particular, its mild eyes. I have fallen a long way. Clouds are flowering Blue and mystical over the face of the stars. Inside the church, the saints will be all blue, Floating on their delicate feet over the cold pews, Their hands and faces stiff with holiness. The moon sees nothing of this. She is bald and wild. And the message of the yew tree is blackness -- blackness and silence. --written 22 October 1961

As usual, he saves his wife's for last. He leans on the cane and he looks at the headstone and he thinks about many things. Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.

The massive bronze gates were wide open now, too late. Inside, the cemetery had been turned into a grotesque place gleaming with high-powered searchlights, blue flashlight flares, winking pocket torches. Uniformed men were already swarming about. Red cigarette-embers showed oddly amidst the headstones here and there. ("The Street Of Jungle Death")

What?’ Otto said as he finished soldering one of the contact points on the device in front of him. ‘It’s not like we’re being trained to follow the rules here. If anything, I think Nero should reward us for our determination and initiative.’ ‘Can you fit “determination and initiative” on a headstone?’ Laura asked as she leant in to examine Otto’s handiwork.

Everything else, everything, is just human vanity, the dash on the headstone between the day we’re born and the day we die.

A portrait is like an ornamental headstone. It is not for the subject, but for those who look upon it. For those you want to remember.

Headstones: What I asked was, "Would you MARRY me?!!" "This time I'll count to one hundred and you hide." "OK, It's not funny anymore let me out!!

Old willows trailed veils of wet leaves across his path. Moss crawled up the headstones. The place was otherwise deserted.

THE BODY of BENJAMIN FRANKLIN Printer like the cover of an old book, its contents torn out, and stripped of its lettering and gilding lies here, food for worms; Yet the work itself shall not be lost, For it will (as he believed) appear once more, in a new, and more beautiful edition, corrected and amended By The AUTHOR

He didn’t scream hysterically or stand up and kick the headstone or any of that. He put his face on his knees and listened as the wind from the mountains mercilessly leveled everything in its path. He remembered the person who had helped him fly with the wind instead of being beaten down by it, and he cried quietly into his knees, finally knowing how the big of the sky could make a person feel as alone as a heartbeat in space.

Witches cackle. Goblins growl. Spectres boo, And werewolves howl. Black cats hiss. Bats flap their wings. Mummies moan. The cold wind sings. Ogre’s roar. And crows, they caw. Vampires bahahahaha. Warlocks swish their moonlit capes. Loch Ness monsters churn the lake. Skeletons, they rattle bones While graveyards crack the old headstones. All the while the ghouls, they cry To trick-or-treaters passing by. Oh, the noise on Halloween; It makes me want to scream!

I believe hurling is the best of us, one of the greatest and most beautiful expressions of what we can be. For me that is the perspective that death and loss cast on the game. If you could live again you would hurl more, because that is living. You'd pay less attention to the rows and the mortgage and the car and all the daily drudge. Hurling is our song and our verse, and when I walk in the graveyard in Cloyne and look at the familiar names on the headstones I know that their ownders would want us to hurl with more joy and more exuberance and more (as Frank Murphy used to tell us) abandon than before, because life is shorter than the second half of a tournament game that starts at dusk.

As she searched, she looked down at the fallen architecture and read the names graffitied on its sides. Gracus loves Lucinda. Ethan loves Sarah. Michael loves Erin. For what seemed like days she ran her fingers over the names carved into the fragmented bones of ruined loves, stepping around the broken pillars of unkept vows and dusting headstones in the graveyard of love with her hands. Every kind of death had a resting place in the dry lands. She walked until her feet bled.

But it happens, doesn't it? Death. Either suddenly or steadily. But you never put it in your calendar, X marks the spot – let's get the headstone in a Black Friday sale and have the name chiselled into it. You can never usually plan on death like that.

Then Hermione’s voice came out of the blackness for the third time, sharp and clear from a few yards away. “Harry, they’re here…right here.” And he knew by her tone that it was his mother and father this time: He moved toward her, feeling as if something heavy were pressing on his chest, the same sensation he had had right after Dumbledore had died, a grief that had actually weighed on his heart and lungs. The headstone was only two rows behind Kendra and Ariana’s. It was made of white marble, just like Dumbledore’s tomb, and this made it easy to read, as it seemed to shine in the dark. Harry did not need to kneel or even approach very close to it to make out the words engraved upon it. JAMES POTTER BORN 27 MARCH 1960 DIED 31 OCTOBER 1981 LILY POTTER BORN 30 JANUARY 1960 DIED 31 OCTOBER 1981 The last enemy that shall be destroyed is death. Harry read the words slowly, as though he would have only one chance to take in their meaning, and he read the last of them aloud. “‘The last enemy that shall be destroyed is death’…” A horrible thought came to him, and with it a kind of panic. “Isn’t that a Death Eater idea? Why is that there?” “It doesn’t mean defeating death in the way the Death Eaters mean it, Harry,” said Hermione, her voice gentle. “It means…you know…living beyond death. Living after death.” But they were not living, though Harry: They were gone. The empty words could not disguise the fact that his parents’ moldering remains lay beneath snow and stone, indifferent, unknowing. And tears came before he could stop them, boiling hot then instantly freezing on his face, and what was the point in wiping them off or pretending? He let them fall, his lips pressed hard together, looking down at the thick snow hiding from his eyes the place where the last of Lily and James lay, bones now, surely, or dust, not knowing or caring that their living son stood so near, his heart still beating, alive because of their sacrifice and close to wishing, at this moment, that he was sleeping under the snow with them.

There were many deficits in our swamp education, but Grandpa Sawtooth, to his credit, taught us the names of whole townships that had been forgotten underwater. Black pioneers, Creek Indians, moonshiners, women, 'disappeared' boy soldiers who deserted their army camps. From Grandpa we learned how to peer beneath the sea-glare of the 'official, historical' Florida records we found in books. "Prejudice," as defined by Sawtooth Bigtree, was a kind of prehistoric arithmetic--a "damn, fool math"--in which some people counted and others did not. It meant white names on white headstones in the big cemetery in Cypress Point, and black and brown bodies buried in swamp water. At ten, I couldn't articulate much but I got the message: to be a true historian, you had to mourn amply and well.

Here in the forest lay sullen, soot-blackened stones that were the remains of ruined hearths; in abandoned cemeteries were dark headstones that had already half sunk into the ground. Everything inanimate—stones, iron—was being swallowed by the earth, dissolving into it with the years, while green, vegetable life, in contrast, was bursting up from the earth. The boy found the silence over the cold hearths especially painful. And when he came back home, the smell of smoke from the kitchen, the barking of dogs, and the cackling of hens somehow seemed all the sweeter.

On Radcliffe's headstone, in smaller text beneath his name, was written, Here lieth one who sought truth and light and saw beauty in all things, 1842-1882. Leonard [Gilbert] found himself staring as he often did at the dash between the dates. Within that lichen-laced mark there lay the entire life of a man: his childhood, his loves, his losses and fears, all reduced to a single chiseled line on a piece of stone in a quiet churchyard at the end of a country lane. Leonard wasn't sure whether the thought was comforting or distressing; his opinion changed, depending on the day.

PLEASE TELL ME YOU KNOW OF SYLVIA PLATH Conventions bleed my soul squeeze me old wear me grey like a headstone in transit. It’s tradition and form— fear of the unknown— driving me dead in tight spaces darkly. I cry aloud but who can hear when I stand alone in the middle of an art show….

Kostia kept reading as the nurse faded away and my tears began to slide. You aren’t wanted here, I told death, breathing faint and inexorable over my shoulder. You were supposed to take me. Not him. Death didn’t care. He stood at my shoulder, implacable, immovable, as the hours of day slipped into night, as Kostia read and read and read, as Lyonya sometimes stirred in delirium and opened blind, blank eyes, and sometimes lay still as a headstone.

Why is my mother texting me about how hot you are?" "Weird. Think it has anything to do with the fact I just went to the bookstore in nothing but a patent leather trench coat?" Charlie replies with a screenshot of some texts between him and his mom. "Cottage guest is very pretty", Sally writes, then separately, "No ring." Charlie replied: "Oh? Thinking of leaving Dad?" She ignored his comment and instead said, "Tall. You always liked tall girls." "What are you talking about" Charlie wrote back, no question mark. "Remember your homecoming date? Lilac Walter-Hixton? She was practically a giant" "That was the eighth-grade formal" he said "it was before my growth spurt." "Well this girl's very pretty and tall but not too tall." "Tall but not TOO tall," I tell Charlie, "can also be added to my headstone. He says "I'll make a note." I say, "She told me you would bring wood over to the cottage for me." He says "Please swear to me you didn't make a 'too late for that' joke.

When a ship sinks, the battlefield goes away. Currents move, thermal layers mix, and by the time the surveyors and rescuers arrive, the water that more witness to the slaughter is nowhere to be found. The dead disappear, carried under with their ruined vehicles. No wreckage remains for tacticians to study. There are no corpses for stretcher bearers to spirit away, no remains to shovel, bad, and bury. On the sea there is no place to anchor a memorial flagpole or headstone. It is a vanishing graveyard.

Ah! you are come, are you, Edgar Linton?' she said, with angry animation. 'You are one of those things that are ever found when least wanted, and when you are wanted, never! I suppose we shall have plenty of lamentations now - I see we shall - but they can't keep me from my narrow home out yonder: my resting-place, where I'm bound before spring is over! There it is: not among the Lintons, mind, under the chapel-roof, but in the open air, with a head-stone; and you may please yourself whether you go to them or come to me!

A bank is a place that will lend you money if………………………………… you can prove you don’t need it.

He was in his mid-thirties, with a posture that suggested a hundred.

Only dead fish swim with the stream.

She set the bouquet of dahlias- a most harmonious flower, the vivid petals springing from its center like a work of art- at the base of the headstone, the pink and white blooms cheery against the day's overcast dreariness. Dahlias were long bloomers (Nellie had even seen them survive an early frost) and signified an unbreakable commitment between two people. While Nellie found the flower too gay for such a profound meaning, Elsie had insisted that was why dahlias were so enchanting. "Just as powerful as they are pretty. Like you, my sweet girl.

I buried her like a pagan. I put deer bones in with her, for her journey; a blanket, for warmth; flowers, cedar fronds, stones from places we’d been, grouse feathers, a tidbit of raw venison hamburger, and a swatch of my own hair. A headstone, a footstone. I planted an aspen tree above the headstone, to give her shade, and to someday provide leaf-music in the breeze. It took a long time before I was worth a damn again. How to measure the eleven years of magic she brought to us? How, now, to say thank you? Too late, as usual, for these sorts of things.

You going to the game tonight?" I was about to answer,but another voice rang out from just behind me. "She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it. "Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever. But now he was here. It was my waist he held. It didn't seem real. "I can't carry the team to victory without you," he said. "You're my rabbit's foot." I craned my neck around to look at him. "I've always dreamed of some guy saying that to me." He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered. "It doesn't take much. We're in the middle of the hallway." "You want to know what else I love?" His tone was playful. "No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered. "That." I could feel his smile against my ear. Jack was always smiling.It was what made him so likable. By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk. Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us. "Uh-oh," I said. Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback. "Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?" I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal. We hadn't even been together then. It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing. Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.

Yejide don't have the heart to tell him that is not only headstones that make a place a burial ground. Under the Green, under fancy restaurants that used to be plantation houses, under the government buildlings, under the housing complexes, under the shopping malls, is layers and layers of dead — unknown, unnamed, unclaimed. It don't have a single place on this whole island that don't house the dead.

Shadow inserted his coin. The drunk in the graveyard raised his bottle to his lips. One of the gravestones flipped over, revealing a grasping corpse; a headstone turned around, flowers replaced by a grinning skull. A wraith appeared on the right of the church, while on the left of the church something with a half-glimpsed, pointed, unsettlingly birdlike face, a pale, Boschian nightmare, glided smoothly from a headstone into the shadows and was gone. Then the church door opened, a priest came out, and the ghosts, haunts, and corpses vanished, and only the priest and the drunk were left alone in the graveyard. The priest looked down at the drunk disdainfully, and backed through the open door, which closed behind him, leaving the drunk on his own. The clockwork story was deeply unsettling. Much more unsettling, thought Shadow, than clockwork has any right to be. “You know why I show that to you?” asked Czernobog. “No.” “That is the world as it is. That is the real world. It is there, in that box.

...There is a holy story that tells of a man who was fulfilled by sowing his enemy's field one night. Bjartur's story is the story of a man who sowed his enemy's field all his life, day and night. Such is the story of the most independent man in the country. Moors; more moors. From the ravine there came an eerie echoing rumble as the headstone crashed its way down, and the bitch sprang to the brink, barking wildly.

To the poet, Every act is poetry; From cutting the grass, To cleaning a headstone. From walking, To breathing. Every act is something worth holding In the mind’s eye and letting go Onto paper or into the imperfect Reflective stream of memory. Every act done simply, Reminding them of their place here And the impermanence Of experience and of the moment. No matter the situation, “Yes, and this too is beautiful.” Is the mantra.

...son, you won't need to talk to my headstone in order to talk to me. I won't be there. I'll be in the air and the Earth. I'll be in the stars that light the African heavens. I'll be watchin' over you and your family. My spirit will always be close enough to touch and protect you all. So, do not grieve for me. My body will die, but my soul will live on. For my soul cannot die. Always remember that my soul is the spark of God in me.

He’s writing his name in water,” I said. “What’s that?” It was the half-regretful term—borrowed from the headstone of John Keats—that Crabtree used to describe his own and others’ failure to express a literary gift through any actual writing on paper. Some of them, he said, just told lies; others wove plots out of the gnarls and elf knots of their lives and then followed them through to resolution. That had always been Crabtree’s chosen genre—thinking his way into an attractive disaster and then attempting to talk his way out, leaving no record and nothing to show for his efforts but a reckless reputation and a small dossier in the files of the Berkeley and New York City police departments.

Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.

I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted. In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it. ("The Graveyard Reader")

FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.

His oldest child from his second marriage, Matthew, stayed up all the night before he was buried, putting his father’s history on a wooden tombstone. He began with his father’s name on the first line, and on the next, he put the years ofhis father’s coming and going. Then all the things he knew his father had been. Husband. Father. Farmer. Grandfather. Patroller. Tobacco Man. Tree Maker. The letters ofthe words got smaller and smaller as the boy, not quite twelve, neared the bottom ofthe wood because he had never made a headstone for anyone before so he had not compensated for all that he would have to put on it. The boy filled up the whole piece ofwood and at the end of the last line he put a period. His father’s grave would remain, but the wooden marker would not last out the year. The boy knew better than to put a period at the end ofsuch a sentence. Something that was not even a true and proper sentence, with subject aplenty, but no verb to pull it all together. A sentence, Matthew’s teacher back in Virginia had tried to drum into his thick Kinsey head, could live without a subject, but it could not live without a verb.

My mother, alone among all the Negroes at Turner’s Mill, had been laid honorably to rest in the family plot among white folks (scant yards away, indeed, from the unsentimental Benjamin, now spinning in his coffin) with a marble headstone not one inch smaller nor a shade less white than theirs. I am no longer oppressed by the fact (as I was for so many years after I had grown to manhood and was able to reflect long and hard on these matters) that the name on that headstone was not a nigger woman’s forlorn though honest “Lou-Ann” but the captured, possessed, owned “Lou-Ann Turner.

Are you persuaded of what you do or not? Do you need something to happen or not in order to do what you do? Do you need the correlations to coincide always, because the end is never in what you do, even if what you do is vast and distant but is always in your continuation? Do you say you are persuaded of what you do, no matter what? Yes? Then I tell you: tomorrow you will certainly be dead. It doesn't matter? Are you thinking about fame? About your family? But your memory dies with you,with you your family is dead. Are you thinking about your ideals? You want to make a will? You want a headstone? But tomorrow those too are dead, dead. All men die with you. Your death is an unwavering comet. Do you turn to god? There is no god, god dies with you. The kingdom of heaven crumbles with you, tomorrow you are dead, dead. Tomorrow everything is finished—your body, family, friends, country, what you’re doing now, what you might do in the future, the good, the bad, the true, the false, your ideas, your little part, god and his kingdom, paradise, hell, everything, everything, everything. Tomorrow everything is over—in twenty four hours is death. Well, then the god of today is no longer yesterday’s, no longer the country, the good, the bad, friends, or family. You want to eat? No, you cannot. The taste of food is no longer the same; honey is bitter, milk is sour, meat nauseating, and the odor, the odor sickens you: it reeks of the dead. You want a woman to comfort you in your last moments? No, worse: it is dead flesh. You want to enjoy the sun, air, light, sky? Enjoy?! The sun is a rotten orange, the light extinguished, the air suffocating. The sky is a low, oppressive arc. . . .No, everything is closed and dark now. But the sun shines, the air is pure, everything is like before, and yet you speak like a man buried alive, describing his tomb. And persuasion? You are not even persuaded of the sunlight; you cannot move a finger, cannot remain standing. The god who kept you standing,made your day clear and your food sweet, gave you family, country, paradise—he betrays you now and abandons you because the thread of your philopsychia is broken. The meaning of things, the taste of the world, is only for continuation’s sake. Being born is nothing but wanting to go on on: men live in order to live, in order not to die. Their persuasion is the fear of death. Being born is nothing but fearing death, so that, if death becomes certain in a certain future, they are already dead in the present. All that they do and say with fixed persuasion, a clear purpose, and evident reason is nothing but fear of death– ‘indeed, believing one is wise without being wise is nothing but fearing death.

Till they arrived no other lives had been lived here. It made the air that much thinner, harder to breathe. She had not understood, till she came to a place where it was lacking, the extent to which her sense of the world had to do with the presence of those who had been there before, leaving signs of their passing and spaces still warm with their breath - a threshold worn with the coming and going of feet, hedges between fields that went back a thousand years, and the names even further; most of all, the names on headstones, which were their names, under which lay the bones that had made their bones and given them breath.

Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

The Stones This is the city where men are mended. I lie on a great anvil. The flat blue sky-circle Flew off like the hat of a doll When I fell out of the light. I entered The stomach of indifference, the wordless cupboard. The mother of pestles diminished me. I became a still pebble. The stones of the belly were peaceable, The head-stone quiet, jostled by nothing.

But the death of spirit goes by another name. It is usually called the birth of reason. The dreams of reason are, at this late date, everywhere to be seen, much like headstones in a cemetery. The inertia of a standard which prunes every tree to the dimensions of a utility pole will, with the same determination, core the heart out of the human personality. This fermenting mind, intoxicated by its heady sobriety, methodically slits its own throat, all the while mistaking the elongating wound for a smile. When the spirit is free, according to Nietzsche, the head will be the bowels of the heart. In these top heavy days that have turned life topsy-turvy the head has little appetite for freedom. Instead it has developed a taste for coprophagy.

My grandmother, perhaps the biggest Elvis fan on earth, loved going to Memphis and visiting Graceland with her sister, daughter, and nieces. She had photo albums full of their trips; they’d go and she would take photos of the exact same things trip after trip. It was her mecca. She had a photo of Elvis’s headstone in various seasons, and you could watch her daughter and nieces grow up in a series of photos in front the mansion’s driveway gate. It was routine. I’ve come to regard Dianne Feinstein’s “assault weapons” press conferences in the same way. Every few years or so, Senator Feinstein calls a press conference, the D.C. version of theater, and plays Vanna White with guns strapped to whiteboards. You can watch her age through the years at these pressers via Google Images. She begins with a youthful plump to her cheeks, standing tall, holding up a rifle to her chest and as the years go by she takes on the posture of a cocktail shrimp and simply motions to the boards. I give her credit for her dedication to never learning a single thing about the firearms she proposes to ban. It takes devotion to remain ignorant about a topic when you spend decades discussing it.

Out beyond and way back and further past that still. And such was it since. But after all appearances and some afternoons misspent it came to pass not all was done and over with. No, no. None shally shally on that here hill. Ah, but that was idle then and change was not an old hand. No, no. None shilly shilly on that here first rung. So, much girded and with new multitudes, a sun came purple and the hail turned in a year or two. And that was not all. No, no. None ganny ganny on that here moon loose. Turns were taken and time put in, so much heft and grimace, there, with callouses, all along the diagonal. Like no other time and the time taken back, that too like none other that can be compared to a bovine heap raising steam, or the eye-cast of a flailing comet. Back and forth, examining the egg spill and the cord fray and the clowning barnacle. And all day with no break to unwrap or unscrew or squint and flex or soak the brush. No, no. None flim flim on that here cavorting mainstay. From tree to tree and the pond there deepening and some small holes appearing and any number of cornstalks twisting into a thing far from corn. That being the case there was some wretched plotting, turned to stone, holding nothing. No, no. None rubby rubby on that here yardstick. Came then from the region of silt and aster, all along the horse trammel and fire velvet, first these sounds and then their makers. When passed betwixt and entered fully, pails were swung and notches considered. There was no light. No, none. None wzm wzm on that here piss crater. And it being the day, still considered. Oh, all things considered and not one mentioned, since all names had turned in and handed back. Knowing this the hounds disbanded and knowing that the ground muddled headstones and milestones and gallows and the almond-shaped buds of freshest honeysuckle. And among this chafing tumult fates were scrambled and mortality made untidy and pithy vows took themselves a breather. This being the way and irreversible homewards now was a lifted skeletal thing of the past, without due application or undue meaning. No, no. None shap shap on that here domicile shank. From right foot to left, first by the firs, then by the river, hung and loitered, and the blaze there slow to come. All night waking with no benefit of sleeping and the breath cranking and the heart-place levering and the kerosene pervading but failing to jerk a flame from out any one thing. No, none. None whoosh whoosh on that here burnished cunt. Oh, the earth, the earth and the women there, inside the simpering huts, stamped and spiritless, blowing on the coals. Not far away, but beyond the way of return.

July I watch eagerly a certain country graveyard that I pass in driving to and from my farm. It is time for a prairie birthday, and in one corner of this graveyard lives a surviving celebrant of that once important event. It is an ordinary graveyard, bordered by the usual spruces, and studded with the usual pink granite or white marble headstones, each with the usual Sunday bouquet of red or pink geraniums. It is extraordinary only in being triangular instead of square, and in harboring, within the sharp angle of its fence, a pin-point remnant of the native prairie on which the graveyard was established in the 1840’s. Heretofore unreachable by scythe or mower, this yard-square relic of original Wisconsin gives birth, each July, to a man-high stalk of compass plant or cutleaf Silphium, spangled with saucer-sized yellow blooms resembling sunflowers. It is the sole remnant of this plant along this highway, and perhaps the sole remnant in the western half of our county. What a thousand acres of Silphiums looked like when they tickled the bellies of the buffalo is a question never again to be answered, and perhaps not even asked. This year I found the Silphium in first bloom on 24 July, a week later than usual; during the last six years the average date was 15 July. When I passed the graveyard again on 3 August, the fence had been removed by a road crew, and the Silphium cut. It is easy now to predict the future; for a few years my Silphium will try in vain to rise above the mowing machine, and then it will die. With it will die the prairie epoch. The Highway Department says that 100,000 cars pass yearly over this route during the three summer months when the Silphium is in bloom. In them must ride at least 100,000 people who have ‘taken’ what is called history, and perhaps 25,000 who have ‘taken’ what is called botany. Yet I doubt whether a dozen have seen the Silphium, and of these hardly one will notice its demise. If I were to tell a preacher of the adjoining church that the road crew has been burning history books in his cemetery, under the guise of mowing weeds, he would be amazed and uncomprehending. How could a weed be a book? This is one little episode in the funeral of the native flora, which in turn is one episode in the funeral of the floras of the world. Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life. * * *