Headphones Picture Quotes

Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.

Oh, I can picture myself rattling along Route 66 on that thing, headphones on, singing along to ZZ Top's 'Sharp Dressed Man' or the opening line from 'Born to be Wild' by Steppenwolf - 'Get your motor running...' The trike brings out that in all of us, which is no bad thing. Forget Viagra, get yourself a trike!

Years of backseat drives full of noise and sounds that seem random until you're alone in your room with headphones on; so you can truly get the whole picture.

He’s wearing a pair of Sennheiser headphones that probably cost more than most high-end divorce attorneys.

The feeling of steadily leaving this place but still remaining inside of it. We say we miss them but we don’t mean them. We mean the autumn we discovered them, when we had our headphones in and felt like we were a movie. We mean the way the breeze felt on our skin that day, while we walked toward our best friend’s house. We mean words put to music that belong on the refrigerator of our hearts, a magnet that holds up a picture of our nephews. We mean a history that was never written for us, those words that found themselves in our mouths and danced out so easily.

Curtis Rouanzoin waves a thin metal rod back and forth in front of my eyes as I recall memories of my mother. He then places headphones over my ears and plays tones that jump from the right earpiece to the left one as I keep remembering and feeling pain, remembering and feeling pain—until I’m just remembering. Lindsay Joy Greene ducks as I send my fist flying into the air with all my strength, releasing anger that feels like it’s been trapped in my wrist for decades. I do it over and over again with each hand, until I just don’t need to anymore. Olga Stevko spends eight hours hypnotizing me. I walk around her office, entering the minds of my parents in search of the things they didn’t get from their parents. Then I imagine flowing these qualities to each person in my family back seven generations and then forward to me in the moment I was conceived, until I feel like I actually grew up with them. Greg Cason gives me homework. Lots of it. Thought records, goal sheets, written exposures, gratitude diaries, behavioral experiments—each one chipping away at my fears and pathological accommodation until I can see them as the delusions they are. Barbara McNally tells me to close my eyes; picture myself and my mother in a room with a white light coming from me and an X over her; and then imagine yelling, “Give me the fucking keys!” as I punch her in the face repeatedly. I am at war. It is a strange fucking war. But I am winning.