Headphones Listening Quotes

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Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
Girl listens to radio. Girl finds music. Girl has whole other world. Girl slips on headphones. World gone.
Kathleen Glasgow (Girl in Pieces)
I sometimes wear headphones even though I’m not listening to anything just so I’m left alone. It’s the next best thing to wearing a ‘Do Not Disturb’ sign.
Karl Pilkington (The Moaning of Life: The Worldly Wisdom of Karl Pilkington)
The night I started playing your CD out loud for you, instead of playing it through my headphones?" Now this made my eyebrows rise. "You listened to it before that night?" "Every night. I've listened to it every single night since you gave it to me.
Kimberly Lauren (Beautiful Broken Rules (Broken, #1))
You think she’s been listening to Taylor Swift on her headphones in here?
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
After It happens when I’m at bodegas. It happens when I’m at school. It happens when I’m on the train. It happens when I’m standing on the platform. It happens when I’m sitting on the stoop. It happens when I’m turning the corner. It happens when I forget to be on guard. It happens all the time. I should be used to it. I shouldn’t get so angry when boys—and sometimes grown-ass men— talk to me however they want, think they can grab themselves or rub against me or make all kinds of offers. But I’m never used to it. And it always makes my hands shake. Always makes my throat tight. The only thing that calms me down after Twin and I get home is to put my headphones on. To listen to Drake. To grab my notebook, and write, and write, and write all the things I wish I could have said. Make poems from the sharp feelings inside, that feel like they could carve me wide open. It happens when I wear shorts. It happens when I wear jeans. It happens when I stare at the ground. It happens when I stare ahead. It happens when I’m walking. It happens when I’m sitting. It happens when I’m on my phone. It simply never stops.
Elizabeth Acevedo (The Poet X)
Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid being ripped away, taking the top layer off a family. And the underbelly of a household is never pretty, ours no exception. There were times I stayed in my room for days on end with headphones on, if only so that I would not have to listen to my mother cry. There were the weeks that my father worked round-the-clock shifts, so that he wouldn't have to come home to a house that felt too big for us.
Jodi Picoult (My Sister’s Keeper)
Hadrian held the headphones close to one ear. “What is this, Eden? You’re listening to music? Stupid, crappy music?” The square-jawed man stared blankly at him. “It’s Celine Dion, sir.” “Get security up here! I want this man in irons. Prepare the Dark Hole!
Steven Erikson (Willful Child (Willful Child, #1))
In the summer quiet. Just be. Joshua liked the Beatles, used to listen to them in his room, you could hear the noise even through the big headphones he loved. Let it be. Silly song, really. You let it be, it returns. There's the truth. You let it be, it drags you to the ground. You let it be, it crawls up your walls.
Colum McCann (Let the Great World Spin)
In Russia, as I sat there day after day wearing headphones, listening to the interpreter struggle to make our words relevant, I wondered if we could establish meaningful rapport with a nation that had never seen raisins dance in dark glasses on TV...never had a garage sale.
Erma Bombeck
I sit with my back against a wall, put on my headphones, listen to the music, and imagine galaxies and stars and the Universe above, and I imagine all the light from space flowing into my head and down into my body, going wherever it needs to go.
Kamal Ravikant (Love Yourself Like Your Life Depends On It)
I tossed n my headphones, not because I was listening to anything, but because people tended to leave you alone if you had headphones on. It was a great introvert hack: look busy to avoid human interaction.
Brittainy C. Cherry (Eleanor & Grey)
Hey, I heard this great song,” he said. Gansey tried to tune out the sound of a raven horking down a hot dog. “Want a listen?” Gansey and Ronan rarely agreed on music, but Gansey shrugged an agreement. Removing his headphones from his neck, Ronan placed them on Gansey´s ears - they smelled a little dusty and birdy from proximity to Chainsaw. Sound came through the headphones: “Squash one, squash tw -” Gansey tore them off as Ronan dissolved into manic laughter, which Chainsaw echoed, flapping her wings, both of them terrible and amused. “You bastard,” Gansey said savagely. “You bastard. You betrayed my trust.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Or perhaps it didn’t have much to do with the headphones at all. She flushed, remembering how it had felt to lay her head against Adrian’s chest. To listen to his heartbeat. There had been a feeling she couldn’t recall having experienced since she was a child. The uncanny sensation of being safe.
Marissa Meyer (Archenemies (Renegades #2))
Not many songs can fend off evil. But the right song with the right voice can be a weapon; anyone who's listened to music through headphones while riding the subway or plowing angrily through a rush-hour sidewalk knows how it can and separate you from them, allows you to say to the teeming masses that you are this and they are that.
Dave Eggers
Getting out of the house. Every. Single. Day. The best thing you can do for yourself, your sanity, and your baby is to leave the scene of the crime. Leave the place with the dishes in the sink and the overflowing Diaper Genie. Put your baby in a carrier or a stroller and go on a walk around the neighborhood. Put in some headphones and listen to Beyoncé or Adele or a podcast on business ethics. Do whatever you have to do to remind yourself that there is a life beyond your nest and that you are still part of it.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
Or, when I wasn't practicing the guitar and he wasn't listening to his headphones, still with his straw hat flat on his face, he would suddenly break the silence: 'Elio.' 'Yes?' 'What are you doing?' 'Reading.' 'No, you're not.' 'Thinking, then.' 'About?' I was dying to tell him. 'Private,' I replied. 'So you won't tell me?' 'So I won't tell you.' 'So he won't tell me,' he repeated, pensively, as if explaining to someone about me. How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
André Aciman (Call Me by Your Name)
I don't want comedy to be Bridesmaids 2. I'm not denigrating Bridesmaids but, enough already, let's stop pretending women are incalculably different to us. Seeking out podcasts, listening on headphones, it's like an intimate, specific conversation. People respond if it feels from the heart. I'm as neurotic a human being as lives, and I have my faults. I'm a drunk. But people really like that.
Greg Proops
I was listening to this playlist I’d made for her, headphones clamped over my ears. It was the story of us in music, except it wasn’t finished yet. I had this plan that I’d add a new song every month, so that the playlist would keep going as long as we did. It was sort of an electronic version of adopting a tree, which I’d done in the Carbon Footprint Awareness Club, but only because it had looked good, not because I’d actually wanted to. Keeping a playlist alive sounded much more me.
Robyn Schneider (Extraordinary Means)
Allow me to remove my headphones to listen to your bullshit.
William Eckard
She put on her headphones and listened to electronica—an epiphany from childhood: when all lies in disarray there’s still order in music
Emily St. John Mandel (The Lola Quartet)
Looking back, it still doesn't add up how we went from lying in the grass and listening to the same set of headphones to where we are now. Nowhere. I really needed to e-mail her.
Mona Awad (13 Ways of Looking at a Fat Girl)
Looking back, it still doesn't add up how we went from lying in the grass and listening to the same set of headphones to where we are now. Nowhere. I really need to email her.
Mona Awad (13 Ways of Looking at a Fat Girl)
lemonade, suntan lotion, books, espadrilles, sunglasses, colored pens, and music, which he listened to with headphones, so that it was impossible to speak to him unless he was speaking to you first.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
The dust is in the air,” Donald said. He leaned against the counter, his knees weak. The nanos eating away at mankind, they were loosed on the world with every cleaning, little puffs like clockwork, tick-tock with each exile. The headphones sat there quietly. “I am an ancient,” Donald said, using her words. He grabbed the headphones from the desk and repeated into the microphone, loudly, “I am an ancient! I did this!” He sagged once more against the desk, catching himself before he fell. “I’m sorry,” he muttered. “I’m sorry, I’m sorry.” Louder, yelling it: “I’m sorry!” But nobody was listening.
Hugh Howey (Dust (Silo, #3))
Annie clouded up. For a second, he thought she was going to erupt, and flinched. She saw that...and got control of herself with an visible effort. She took three deep breaths, each longer than the last, and her features became serene. All at once it seemed totally clear to Mike that she was right and he was nuts - that his ingenius theory was nonsense, childish, fantasty bullshit. His conviction evaporated, and he was ashamed. He felt his cheeks grow hot, groped for words with which to backtrack - "I have to admit I have no better explanation for the the facts," Annie said slowly. Again, Mike did an emotional instant 180. "Holy shit -" She held up a hand. "I am going to think now. Very hard, for a long time. You will be as quiet as possible while I do." She got up from the computer, went to the bed, and lay down. "Think yourself, or read, or play games with the headphones on, or go Topside if you like." She clasped her hands on her belly, closed her eyes and appeared to go to sleep
Spider Robinson (The Free Lunch)
Storm was an outcast, a geek. She was the girl who dressed weird and always carried an old camera around and took five AP classes her senior year. She listened to bands nobody had ever heard of and spent lunch breaks leaned against a pillar in the middle of the quad with oversize headphones on her ears and equally oversize Russian novels in her lap.
Rachel Bateman (Someone Else's Summer)
One gapes at the wonder of those headphones. A man is about to toss two canisters of tear gas into a crowd of four hundred people and then open fire on them with a shotgun, semi-­automatic rifle, and a handgun, and yet his nerves are so delicately strung that he cannot bear to listen to the clamor and the screams those actions will inevitably provoke.
Paul Auster (Bloodbath Nation)
The value of the tape was also the crafting of a mixtape. I am from an era when we learned not to waste songs. If you are creating a cassette that you must listen to all the way through, and you are crafting it with your own hands and your own ideas, then it is on you not to waste sounds and to structure a tape with feeling. No skippable songs meant that I wouldn’t have to take my thick gloves off during the chill of a Midwest winter to hit fast-forward on a Walkman, hoping that I would stop a song just in time. No skippable songs meant that when the older, cooler kids on my bus ride to school asked what I was listening to in my headphones, armed with an onslaught of jokes if my shit wasn’t on point, I could hand my headphones over, give them a brief listen of something that would pass quality control, and keep myself safe from humiliation for another day.
Hanif Abdurraqib (Go Ahead in the Rain: Notes to A Tribe Called Quest (American Music Series))
Focus is passé. In the modern world we want to feel everything all the time. There is no point in just taking a walk in the park when we can also listen to headphones, munch on a hot dog, crank up our vibrating soles to the maximum, and check out the passing carnival of humanity. Our choices about the creed of a new world order: stimulation! Thought and creativity have become subservient to the singular goal of saturating our senses.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
One of my students performed a radical, poetic intervention into that field of isolation. He was listening to music with headphones, sitting next to a woman also wearing headphones, who was moving a little to her music. He took off his headphones and held them out to her. She looked puzzled for a moment, then took hers off and traded with him. They listened to each other's music for a few minutes and then traded back. Not a word passed between them.
Kio Stark (When Strangers Meet: How People You Don't Know Can Transform You)
Sleepwalking" I fell in love and I needed a roadmap To find out where you lived So excited now Sleepwalking, cuz I'm sleepwalking The white trash boys Listen to the headphones Blasting white noise In the convenience store parking lot I hung around there Wasting my time Hoping you'll stop by Cuz I'm sleepwalking, I'm sleepwalking A mutual friend's parents Left town for a week So we raided their liquor stash And walked down by the riverside Sleepwalking, cuz I'm sleepwalking
Modest Mouse
This is heaven.” And I wouldn’t hear him say another word for at least an hour. There was nothing I loved more in life than to sit at my table and pore over my transcriptions while he lay on his belly marking pages he’d pick up every morning from Signora Milani, his translator in B. “Listen to this,” he’d sometimes say, removing his headphones, breaking the oppressive silence of those long sweltering summer mornings. “Just listen to this drivel.” And he’d proceed to read aloud something he couldn’t believe he had written months earlier.
André Aciman (Call Me by Your Name (Call Me by Your Name, #1))
Something out there sounded strange. He pressed the headphones in tighter against his ears. Sonar operators were a special breed. Few people could sit in front of a computer screen, fighting monotony day after day, listening to the faintest of sounds through lonely ocean waters. But for the few who could, it was surprising how attuned a human sense could become. Eugene Walker would rather be a Ping Jockey than do any other job in the Navy. Here, he could hear everything. Even on a boring night like this, he knew exactly what surrounded them as they slid silently through the dark waters. What he was listening to tonight was odd though. He had heard it for some time but couldn’t pin it down. He shifted in his seat and studied the computer screen in front of him, listening to the strange sound
Michael C. Grumley (Breakthrough (Breakthrough, #1))
When I first started dual enrollment at Lake City Community College you could print in the library for free. I printed whole books. Like James Legge's 1891 "Tao Te Ching" translation. He was to parentheses what Emily Dickinson was to the Em Dash. "To know and yet (think) we do not know is the highest (at­tain­ment); not to know (and yet think) we do know is a dis­ease." I'd sit around listening to records as their dot matrix printer whirred. Slowly printing a book from the 6th century BCE. They had those hard blue plastic headphones. Your ears would ache. But Rimsky-Korsakov was pretty metal. Herbert Benson's "The Relaxation Response" had me picking "ZOOM" as my meditation mantra. Reading Vonnegut with his nonlinear narrative. Books will often have Acknowledgments. A page or two. Things that helped you. What matters. Everything I write is an Acknowledgment. What matters. And I've printed whole books.
Damon Thomas (Some Books Are Not For Sale)
In August 1977 Canadians reacted with horror and revulsion when they learned that in the 1950s and early 1960s, one of the most eminent psychiatrists in the country had used his vulnerable patients as unwitting guinea pigs in brainwashing experiments funded by the CIA and the Canadian government. Behind the doors of the so-called sleep room on Wards 2 South, Dr. Ewen Cameron, the director of Montreal’s Allan Memorial Institute, exposed dozens of his own patients to barbaric treatments from which some never fully recovered. Operating under the belief that he could wipe brains clean of "bad behavior" and program in new behaviour, Cameron kept patients in a chemical sleep for weeks and months at a time exposing them to massive amounts of electro-shock and drugs such as LSD, and forced them to listen to tape-recorded messages repeated endlessly through headphones. Cameron was not alone in his desire to reprogram the human brain. The U.S. intelligence establishment found in him an eager collaborator, and funded his work substantially and covertly. Eventually, after years of stonewalling by the CIA, nine of the dozens of victims were at last given a chance to claim restitution for Cameron’s “treatments” by taking the powerful U.S. intelligence agency to court.
Anne Collins (In the Sleep Room: The Story of the CIA Brainwashing Experiments in Canada)
Nick found Gabriel in his bedroom, sitting cross-legged on his bed, surrounded by textbooks. Headphones trailed from his ears, and his pencil tapped in time with whatever he was listening to. He either didn’t notice Nick standing at the door, or he deliberately wasn’t looking up. Nick wanted to shove him off the bed and kick him in the face. Not aggressive, my ass. Gabriel finally looked up and yanked the headphones free. “So I have to leave you alone, but you get to stand there like a freaky stalker?” Oh, good. New adjectives. Nick told his heartbeat to chill out. He pushed Gabriel’s door open. “I need to talk to you about something.” Gabriel stared at him. Nick could read the debate on his face: screw with Nick or just play it easy. He went with the latter. His pencil dropped into the spine of his trig textbook. “Okay. Talk.” “If you grabbed someone by the wrist, could you set their skin on fire without anyone knowing you were doing it?” Gabriel’s eyebrows went up. “Not exactly what I thought you’d want to talk about.” Nick didn’t have an answer for that. He kept his gaze steady and waited. “Look, Nicky . . .” Gabriel hesitated. “Whatever I did to piss you off, just—” “Forget it.” Nick was halfway out his door before Gabriel slid off the bed to grab his arm. “Stop,” said his twin. “I’ll answer your question, all right?” Nick stopped, but he didn’t look at him... Gabriel drew a ragged breath, and it took Nick a second to even remember his question about burning. “I don’t know. I’d have to try it. It would take a lot of control. A lot of focus.” “Fine.” Nick held out his wrist, the good one. “Try it.” “Okay.” Nick braced himself, but Gabriel turned his head. “Hey, Chris. Come here. I want to try something.” Chris came out of his room, took one look at them, and turned around. “No way. I know that look.” But Gabriel was too quick. He rushed around Nick and caught Chris’s door before it latched. He forced his way through. And five seconds later, Chris was yelling and punching him and shoving past Nick to get to the bathroom. He was clutching his wrist. “What the f**k, Gabriel?” Then the door slammed and the water was running. Gabriel turned to Nick and smiled. “So, yeah. I can do it.
Brigid Kemmerer (Secret (Elemental, #4))
Ian sat and listened in the studio, headphones around his neck, staring at the floor. That was his heart they’d just heard.
D.P. McHenry (Never In My Life)
His pranks by then typically involved electronics. At one point he wired his house with speakers. But since speakers can also be used as microphones, he built a control room in his closet, where he could listen in on what was happening in other rooms. One night, when he had his headphones on and was listening in on his parents’ bedroom, his father caught him and angrily demanded that he dismantle the system.
Anonymous
CITY OF SCREAMS October 23, 2:09 P.M. Kabul, Afghanistan IT STARTED WITH the screams. Sergeant Jordan Stone listened again to the snippet of an SOS that had reached the military command in Kabul at 4:32 that morning. He rested his elbows on the battered gray table, his palms pressing the oversize headphones against his ears, trying to draw out every clue the recording might offer. A lunch of lamb kebabs and local lavash bread sat forgotten, though the smell of curry and cardamom still permeated the air, contributing to the nausea he felt as he listened. He sat alone in a small, windowless room at the Afghan Criminal Techniques Academy, a one-story nondescript building at the edge of Bagram airport outside Kabul. But his mind was out there, lost in that firefight recorded on tape. He strained, his eyes closed, listening for the fourteenth time.
James Rollins (City of Screams (The Order of the Sanguines, #0.5))
Part of the problem is that people at our school don't listen. They just put on the headphones and tune out the world. It's intimidating.
Alexandra Robbins (The Geeks Shall Inherit the Earth: Popularity, Quirk Theory and Why Outsiders Thrive After High School)
You float like a feather," sings Radiohead, "In a beautiful world." I've listened several times to the Radiohead songs, because it was nice of Raymond to say he heard a bit of them in what I sang. I'm not sure I hear it myself, but I am pleased and touched. Sometimes that's what you need, just a quick casual word of knowledgeable encouragement. Radiohead reminds me a little of the songs in Garden State soundtrack. Now, that's a soundtrack. They were all songs that Zach Braff liked, so he put them in his movie. And there's that beautiful moment near the beginning where Natalie Portman hands him the headphones and she watches him listen to the song and she smiles her huge, innocent Natalie Portman smile.
Nicholson Baker (Traveling Sprinkler (The Paul Chowder Chronicles #2))
Headphones are to an introvert what the cloak of invisibility is to Harry Potter. Slipping them on is a way of becoming invisible. The bigger the headphones, the better. As a rule I’m against ear buds. The message they send is ambiguous: “I’m sort of listening to something, but you can still talk to me.” Give me headphones big enough for Dumbo, cans that say, “Don’t you dare try to talk to me right now.” You can tell how big an introvert someone is by how big their headphones are. At least you should be able to.
Sammy Rhodes (This Is Awkward: How Life's Uncomfortable Moments Open the Door to Intimacy and Connection)
Private listening really took off in 1979, with the popularity of the Walkman portable cassette player. Listening to music on a Walkman is a variation of the “sitting very still in a concert hall” experience (there are no acoustic distractions), combined with the virtual space (achieved by adding reverb and echo to the vocals and instruments) that studio recording allows. With headphones on, you can hear and appreciate extreme detail and subtlety, and the lack of uncontrollable reverb inherent in hearing music in a live room means that rhythmic material survives beautifully and completely intact; it doesn’t get blurred or turned into sonic mush as it often does in a concert hall. You, and only you, the audience of one, can hear a million tiny details, even with the compression that MP3 technology adds to recordings. You can hear the singer’s breath intake, their fingers on a guitar string. That said, extreme and sudden dynamic changes can be painful on a personal music player. As
David Byrne (How Music Works)
I listen to Alanis Morissette on my headphones all night and pretend I don’t have a crush on that smiling fool.
Tarryn Fisher (Marrow)
That night changed my life: I was finally experiencing, in person, the songs that had been the soundtrack of my life for the past few years, the lyric-images I'd memorized after hours of headphone-listening on walks to school, the words that had been direct-deposited into my heart though the channel of my ears---I was hearing them here, now, in a moment that would never exist again.
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
listening back to the audio-clip anyway, and put her headphones straight in. She was in even less of a mood for small-talk than normal.  As Roper’s voice spoke in her ears, asking Mary if she’d seen or heard anyone arguing with or threatening Oliver Hammond, she took a bite out a bagel she’d topped with light cream cheese. Someone had taken and eaten the two slices of smoked salmon she’d left in the fridge. She didn’t have energy to find out who.  Jamie chewed thoughtfully, glad of the noise in her ears to drown the world out. She’d become good at tuning out Roper’s east-London rasp by now. It was practically white noise. She was thinking about Oliver Hammond. His parents’ number was written down in front of her. She was working up to calling them to follow-up.  It was nearly midday and they’d already been informed of his death and told that a detective would be calling to speak to them. She’d listened to the recording of the conversation. His father had
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
you work in an environment in which people talk loudly, experiment with white noise or other sound recordings designed to trigger feelings of calm and emotional stability. Try sounds recorded in nature, as these are often soothing for empaths. You can find lots of free resources on YouTube or specialized noise-generating sites such as mynoise.net. If possible, listen to natural or white noise via noise-cancellation headphones for at least a portion of your workday.
Judy Dyer (Empath: A Complete Guide for Developing Your Gift and Finding Your Sense of Self)
tossed on my headphones, not because I was listening to anything, but because people tended to leave you alone if you had headphones on. It was a great introvert hack: look busy to avoid human interaction.
Brittainy C. Cherry (Eleanor & Grey)
eggs and curried chicken salad and double fudge brownies. That was all she was good at: eating. In the summer the Castles, the Alistairs, and the Randolphs all went to the beach together. When they were younger, they would play flashlight tag, light a bonfire, and sing Beatles songs, with Mr. Randolph playing the guitar and Penny’s voice floating above everyone else’s. But at some point Demeter had stopped feeling comfortable in a bathing suit. She wore shorts and oversized T-shirts to the beach, and she wouldn’t go in the water, wouldn’t walk with Penny to look for shells, wouldn’t throw the Frisbee with Hobby and Jake. The other three kids always tried to include Demeter, which was more humiliating, somehow, than if they’d just ignored her. They were earnest in their pursuit of her attention, but Demeter suspected this was their parents’ doing. Mr. Randolph might have offered Jake a twenty-dollar bribe to be nice to Demeter because Al Castle was an old friend. Hobby and Penny were nice to her because they felt sorry for her. Or maybe Hobby and Penny and Jake all had a bet going about who would be the one to break through Demeter’s Teflon shield. She was a game to them. In the fall there were football parties at the Alistairs’ house, during which the adults and Hobby and Jake watched the Patriots, Penny listened to music on her headphones, and Demeter dug into Zoe Alistair’s white chicken chili and topped it with a double spoonful of sour cream. In the winter there were weekends at Stowe. Al and Lynne Castle owned a condo near the mountain, and Demeter had learned to ski as a child. According to her parents, she used to careen down the black-diamond trails without a moment’s hesitation. But by the time they went to Vermont with the Alistairs and the Randolphs, Demeter refused to get on skis at all. She sat in the lodge and drank hot chocolate until the rest of the gang came clomping in after their runs, rosy-cheeked and winded. And then the ski weekends, at least, had stopped happening, because Hobby had basketball and Penny and Jake were in the school musical, which meant rehearsals night and day. Demeter thought back to all those springs, summers, falls, and winters with Hobby and Penny and Jake, and she wondered how her parents could have put her through such exquisite torture. Hobby and Penny and Jake were all exceptional children, while Demeter was seventy pounds overweight, which sank her self-esteem, which led to her getting mediocre grades when she was smart enough for A’s and killed her chances of landing the part of Rizzo in Grease, even though she was a gifted actress. Hobby was in a coma. Her mother was on the phone. She kept
Elin Hilderbrand (Summerland)
Then we went into “Nobody’s Fault.” This was one of the highlights of my creative career. If you listen really close to the front of “Nobody’s Fault,” there isn’t an intro to the song. I suggested to Joe that he turn his amp volume to 12 and the volume on his guitar off. Since the key of the song was an E, I suggested he start by fingering a D chord, and then turn the volume knob all the way up slowly. I told Brad to play an A chord, same dealio as Joe. Then Joe played a C, did the same thing—Brad played a G, Joe played a B-flat, Brad played an F, Joe played an A-flat, Brad played an E-flat, and then Joe and Brad both played a D chord. And when they played that D together, rolling the volume knob up with their pinkies—and holding it for a second—then the band came in on a crashing E chord like Hitler was at the door. I looked over and Jack Douglas was internally hemorrhaging with bliss. I was in the middle of the room with my headphones on (which we called “cans”) and a live mic in front of me, because I loved singing live vocals as the band tracked. It always seemed to incite a little riot inside of everyone. Right before the band came in on the downbeat, the union engineer from Columbia marked his presence for all time by opening the door right in the middle of that sweet silence. He had a clarinet in his hand that wound up on the front of “Pandora’s Box,” but that’s another story. You can actually hear the door opening in “Nobody’s Fault” to this day and it somehow seems to get louder and louder with each play, only ’cause you know it’s there now.
Steven Tyler (Does the Noise in My Head Bother You?: A Rock 'n' Roll Memoir)
What does True Wireless Earbuds Mean Where are my earphones? Ahh!! There they are….and they are tangled (with irksome scream inside your head). There is nothing more frustrating than going on a search operation for your headphones and finally finding them entangled. Well thanks to the advance technology these days one of your daily struggles is gone with the arrival of wireless earphones in the market. No wire means no entanglement. ‘Kill the problem before it kills you’, you know the saying. Right! So what actually truly wireless earbuds are? Why should you replace your old headphones and invest in wireless ones? Without any further delay let’s dig deep into it. image WHAT ARE TRUE WIRELESS EARBUDS? A lot of people misunderstand true wireless earbuds and wireless earphones as the same thing. When it’s not. A true wireless earbuds which solely connects through Bluetooth and not through any wire or cord or through any other source. While wireless earphones are the ones which are connected through Bluetooth to audio source but the connection between the two ear plugs is established through a cable between them. Why true wireless earbuds? Usability: Who doesn’t like freedom! With no wire restrictions, it’s easier to workout without sacrificing your music motivation. From those super stretch yoga asanas to marathon running, from weight training to cycling - you actually can do all those without worrying about your phone safety or the dilemma of where to put them. With no wire and smooth distance connection interface, you have the full freedom of your body movement. They also comes with a charging case so you don’t have to worry about it’s battery. Good audio quality and background noise cancellation: With features like active noise cancellation, which declutter the unwanted background voice giving you the ultimate audio quality. These earbuds has just leveled up the experience of music and prevents you from getting distracted. Comfort and design: These small ear buddies are friendly which snuggles into your ear canal and don’t put too much pressure on your delicate ears as they are light weight. They are style statement maker and are comfortable to use even when you are on move, they stick to your ear and don’t fall off easily. Apart from all that you can easily answer your call on go, pause your music or whatever you are listening, switch to next by just touching your earplugs. image Convenience: You don’t necessarily have to have your phone on you like the wired ones. The farthest distance you could go was the length of the cable. But with wireless ones this is not the case, they could transmit sound waves from 8 meter upto 30 meters varying from model to model. Which allows you multi-task and make your household chores interesting. You can enjoy your podcasts or music or follow the recipe while cooking in your kitchen when your phone is lying in your living room. Voice assistance: How fascinating was it to watch all those detective/ secret agent thriller movies while they are on run and getting directions from their computer savvy buddies. Ethan Hunt from Mission Impossible….. Remember! Many wireless earphones comes with voice assistance feature which makes it easy to go around the places you are new to. You don’t have to stop and look to your phone screen for directions which makes it easier to move either on foot or while driving. Few things for you to keep in mind and compare before investing in a true wireless earphones :- Sound Quality Battery Life Wireless Range Comfort and design Warranty Price Gone are those days when true wireless earbuds were expensive possession. They are quite economical now and are available with various features depending upon different brands in your price range.
Hammer
Music's beauty is in the eye of the listener. For most people, the more they listen the more they adapt and appreciate more complex sounds, harmonies and rhythms. Mirroring visual art, music artists propelled past the emotional into the abstract and for the music lovers Hammer have bought the dramatically magnificent over the ear wireless bluetooth headphones. Hammer is the brand for the person who really feels the music and also it is for the people who are fitness freak. The truly wireless bluetooth headphones when put over the ears look extraordinarily amazing and trendy. The sound coming out of the truly wireless headphones not only hit the ears of the person but also it touches the soul of the person. The stylish Hammer Bash wireless headphones by Hammer are not only good in the looks and sound quality but with these products the icing on the cake is the durability of the product and the promising long life of these products.
Hammer
How can intermediate level beings see or experience this artificial life? The answer is that we already have virtual reality goggles through which we can view, in three dimensions, sporting events on the opposite side of the world. Today you can purchase equipment that enables you to watch and listen to a professional basketball game that takes place in the United States while you are in your bedroom in Japan, wearing the virtual reality goggles and headphones. Imagine the authenticity, accuracy and realism of virtual reality that a civilization a thousand years more advanced than us can produce!
Laurence Galian (Alien Parasites: 40 Gnostic Truths to Defeat the Archon Invasion!)
Maybe he was annoyed by the criticism he got for the scene in Grizzly Man during which he listens to Timothy Treadwell’s death over headphones: Why should he get to hear it and we don’t? There was no need—the coroner had already given a play-by-play account. The voyeurs still wanted more. They wanted to hear raw mortality.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
answers) 8.There is no crosswalk and you see a pedestrian crossing your lane ahead. You should: Stop and let him/her finish crossing the street. 9.It is illegal to listen to: Listening to music through headphones that cover both ears. 10.Always stop before you cross railroad tracks when: You don't have room on the other side to completely cross the tracks. 11.When you tailgate other drivers (drive close to their rear bumper): You can frustrate the other drivers and make them angry. 12.Should you always drive slower than other traffic? No, you can block traffic when you drive too slowly. 13.You see a signal person at a road construction site ahead. You should obey his or her instructions: At all times. 14.If you plan to pass another vehicle, you should: Not assume the other driver will make space for you to return to your lane  
Southern California Educational Services (107 Driver’s Test Questions for California DMV Written Exam: Your 2022 CA Drivers Permit/License Study Book)
Turn off your wireless router (if you’re working on a deep work task that doesn’t require the Internet). •      Play music or white noise that you feel helps you stay focused (see small action #9). •      Wear a pair of headphones if you work in an office (do this even if you don’t listen to music, so you’ll have a barrier around the people who like to interrupt you). •      Tell coworkers (and family members) that you shouldn’t be disturbed during this time unless it’s an emergency. •      Use any of the tools mentioned in small action #6 to block the distractions on your computer. •      Set a timer where you work at a priority task without taking a break. (My preference is the Pomodoro Technique, which I’ll talk about in a bit.)
S.J. Scott (Habit Stacking: 127 Small Actions That Take Five Minutes or Less)
GGMM Nightingale isn't just for iPods or MP3 players but also for a lecture or novel listening, or take notes from a recorded business meeting, or provides a quiet and private room to enjoy a good book or album; It allows you to have conversations while on the move; Getting fit and healthy is more fun when you listen to your favourite music during your workout. Pick up Nightingale, turn up the volume, and begin your training.
GGMM Nightingale Deep Heavy Bass Earbuds Headphone
Brilliantly engineered with high quality 8.6 mm dynamic drivers that produce tonally balanced audio with crisp highs and crystal clear sounds to create an exciting and fun listening experience.
Metal Earbuds Headphone
Flying means boredom. Next time you're going away, just drive. You can leave when you want. You don't have to sit next to a stranger. You can listen to all sorts of loud music without headphones and look at things out of the window that aren't just clouds. Driving is sensible alternative to flying.
Jeremy Clarkson (The Grand Tour Guide to the World)
about the tree? The dead-letter drop?’ ‘I feel like this is going to be Elizabeth’s fault,’ says Ron approvingly. ‘Well, Poppy was with you, wasn’t she?’ ‘But with headphones on, Joyce.’ ‘Well, who else have we met recently wearing headphones? The lovely girl at the station. And what was she listening to?’ ‘Nothing,’ says Elizabeth. ‘Nothing. So who’s to say Poppy was listening to anything on her headphones? Who’s to say she couldn’t hear every word?’ ‘Beautiful,’ says Ron. ‘So she heard Douglas confess, and she heard about the old dead-letter drop,’ says Ibrahim. ‘And then she put two and two together, just like you did,’ says Joyce. ‘Then came back up the hill, found the note, read it, and put it back,’ says Sue. ‘Then told her mum where to find the diamonds,’ says Ron. Everyone is looking at Elizabeth
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
From there, you can ask open-ended questions to keep leading the conversation: - What brought you to this city? - What do you like to do for fun here? - [If she’s with a friend] How do you guys know each other? - [If she was listening to headphones] What kind of music were you jamming out to?
Dave Perrotta (The Lifestyle Blueprint: How to Talk to Women, Build Your Social Circle, and Grow Your Wealth)
I used to keep a MiniDisc player in my pocket, with the headphone wire running along my sleeve to my wrist. It meant I could sit in class, resting my cheek on my palm, listening to music. I thought it was a genius move. My teachers took a different view.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)
Approximately three thousand people work for the Bureau of Engraving. It takes 490 notes to make a pound, and it would require 14.5 million notes to make a stack one mile high. Coin and paper account for only about 8 percent of all the dollars in the world. The rest are merely numbers in a ledger or tiny electronic blips on a computer chip. At the end of the process, the workers bundle the bills into packages of 100, which they then stack into bricks of 4,000. These bricks are loaded onto a pallet for transport to the basement from where they will be sent to the various Federal Reserve offices around the nation for distribution to banks and the public. Along the way, the curious visitors pepper the guides with questions: Q. Why are so many employees listening to music on headphones? A. To block the loud sound of the printing, cutting, and stacking machines. Q. Why are some of them eating? A. They are on break. Q. Why are all of the checkers so fat? A. Because they sit all day and watch money go by with little chance for exercise.
Jack Weatherford (The History of Money)
They turn on short-range telemetry kits, and we approach through the clear-cut. The black soil is deformed into thigh-high welts from earth-moving equipment. Pings from the radio collars tell them that the male is south of the female, who is farther up the wood line. Because the male wolf and the yearlings will often sit the pups while the female goes off to hunt or rest elsewhere, the biologists must choose which wolf’s signal to focus upon. This morning, they can’t decide which wolf might be with the pups. Chris whispers a game plan to Ryan. “I’m going to walk up on the male,” Chris says. “You walk farther up and get a bead on the female. Wait a few minutes before you go in - give me some time to find him first because the wind will wash your scent south right back on top of him, okay? If the pups aren’t with him, I’ll just keep moving north toward her and find you.” Ryan nods his agreement, and Chris slips into the woods. The density of the vegetation encloses around him within a few feet from the tree line. Chris, having spent twenty-five years using telemetry to track wolves, can interpret the pings like most people read road signs. His body melts behind thick vines, woody growth, and an abundance of wax myrtle bushes that crowd the understory. Ryan and I walk north along the clear-cut. He listens for the female, holding his telemetry antennae high. He waves the unit this way and that, searching the radio wave for the best strength. It begins raining. He paces up and down a fifty-foot stretch of the tree line. Where the female wolf’s signal is the strongest, he scratches a large X in the dark muck with his boot heel. We wait in the light drizzle. Minutes tick by. Finally, Ryan motions for me to follow him into the woods. We creep deliberately, slowly, and I plant each step where he does. After about ten yards, he drops onto his hands and knees and crawls beneath a cluster of thorny devil’s walking sticks. I trail him as if playing a silent game of follow the leader. We pause here and there to let the wolf confuse our sounds with a foraging squirrel. He uses vine clippers to snip through several large branches obscuring our way. Soon, Ryan pulls the cable from his antennae and shows me that he can hear her with just the receiver box. We are close. I try not to breathe. She is within thirty feet. Then the pinging in his headphones tells him she is running. We don’t hear or even see her flush. It is like tracking a ghost.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Ihung up with Josh, and the switch flipped in my head. Sloan called it my velociraptor brain because it made me fierce and sharp. Something big had to trigger it, and when it did, my compulsive, laser-focused, primal side activated. The one that got me a near perfect score on my SATs and got me through college finals and Mom. The one that made me clean when I was stressed and threatened to launch into full-scale manic OCD if left unchecked—that kicked in. Emotion drained away, the tiredness from staying up all night crying dissipated, and I became my purpose. I didn’t do hysterics. Never had. When in crisis, I became systematic and efficient. And the transition was now complete. I weighed only for a second whether to call Sloan and tell her or go pick her up. I decided to pick her up. She would be too upset to drive properly, but knowing her, she would try anyway. From Josh’s explanation of the situation, Brandon wouldn’t be out of the hospital anytime soon. Sloan wouldn’t leave Brandon, and I wouldn’t leave her. She would need things for the stay. People would need to be called. Arrangements made. I began to compile a list in my head of things to do and things to pack as I quickly but methodically drove to Sloan’s. Phone charger, headphones, blanket, change of clothes for Sloan, toiletries, and her laptop. It took me twenty minutes to get to her house, and I got out of my car ready for a surgical extraction. I stood there, surrounded by the earthy smell of Sloan’s just-watered potted porch flowers. The door opened, and I took in her blissfully ignorant face one more time. “Kristen?” It wasn’t unusual for me to stop by. But she knew me well enough to instantly know something was wrong. “Sloan, Brandon has been in an accident,” I said calmly. “He’s alive, but I need you to get your purse and come with me.” I knew immediately that I’d been right to come get her instead of calling. One look at her and I knew she wouldn’t have been able to put a foot in front of the other. While I mobilized and became strong under stress, she froze and weakened. “What?  ” she breathed. “We have to hurry. Come on.” I pushed past her and systematically executed my checklist. I gave myself a two-minute window to grab what was needed. Her gym bag would be in the laundry room, already filled with toiletries and her headphones. I grabbed that, pulled a sweater from her closet, selected a change of clothes for her, and stuffed her laptop inside the bag. When I came out of the room, she had managed to grab her purse as instructed. She stood by the sofa looking shaken, her eyes moving back and forth like she was trying to figure out what was happening. Her cell phone sat by her easel and I snatched it, pulling the charger from the wall. I grabbed her favorite throw blanket from the sofa and stuffed that in the bag and zipped it. List complete. Then I took her by the elbow, locked her front door, and dragged her to the car. “Wha…what happened? What happened!” she screamed, finally coming out of her shock. I opened up the passenger door and put her in. “Buckle yourself up. I’ll tell you what I know on the way.” When I got around to the driver’s side, she had her phone to her ear. “He’s not answering. He’s not answering! What happened, Kristen?!” I grabbed her face in my hands. “Listen to me. Look at me. He is alive. He was hit on his bike. Josh went on the call. He was unconscious. It was clear he had some broken bones and a possible head injury. He’s at the ER, and I need to get you to the hospital to be with him. But I need you to be calm.” Her brown eyes were terrified, but she nodded. “Right now your job is to call Brandon’s family,” I said firmly. “Relay what I just said to you, calmly. Can you do that for Brandon?” She nodded again. “Yes.” Her hands shook, but she dialed.
Abby Jimenez
I’ve listened to that song before each race. I won’t repeat all the words, but it begins like this: Sometimes you feel tired, feel weak When you feel weak, you feel like you wanna just give up But you gotta search within you, find that inner strength. I toweled off the block in my lane, Lane 4, took the headphones off, and stretched my legs against
Michael Phelps (Beneath the Surface: My Story)
of the tiny aircraft and helped the third passenger aboard, his girlfriend Sandra, 30. The plane taxied and sped down the runway. As it rose into the blue California sun, Norman felt a surge of excitement. But as they banked east over Venice Beach, it was clear there was a storm ahead. In front of them a thick blanket of grey cloud was smothering the San Bernardino Mountains. Only the very tips of their 3,000 m (10,000 ft) peaks showed above the gloom. Norman Senior asked the pilot if it was okay to fly in that weather. The pilot reassured them: it was just a thirty-minute hop. They’d stay low and pop through the mountains to Big Bear before they knew it. Norman wondered if he’d be able to see the slope he’d won the championship on when they wheeled round Mount Baldy. His dad nodded and sat back to read the paper and whistle a Willie Nelson tune. Up front, Norman was savouring every moment. He stretched up to see over the plane’s dashboard and listened to the air traffic chatter on his headphones. As the foothills rose below them, he heard Burbank control pass their plane on to Pomona Control. The pilot told Pomona he wanted to stay below 2,300 m (7,500 ft) because of low freezing levels. Then a private plane radioed a warning against flying into the Big Bear area without decent instruments. Suddenly, the sun went out. The greyness was all around them, as thick as soup. They had pierced the storm. The plane shook and lurched. A tree seemed to flit by in the mist, its spiky fingers lunging at the window. But that couldn’t be, not up here. Then there really was a branch outside and with a sickening yawn, time slowed down and the horror unfurled. Norman instinctively curled into a ball. A wing clipped into a tree, tumbling the plane round, up, down, over and round. The spinning only stopped when they slammed into the rugged north face of Ontario Peak. The plane was instantly smashed into debris and the passengers hurled across an icy gully. And there they lay, sprawled amid the wreckage, 75 m (250 ft) from the top of the 2,650 m (8,693 ft) high mountain and perched on a 45-degree ice slope in the heartless storm.
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
They showed a movie, and my neighbor got headphones. Sometimes, I watched the figures moving across the little screen, but I couldn't even tell if the movie was supposed to be a romance or a horror film. After an eternity, the plane began to descend toward New York City. Olivia remained in her trance. I dithered, reaching out to touch her, only to pull my hand back again. This happened a dozen times before the plane touched down with a jarring impact. ‘Olivia,’ I finally said. ‘Olivia, we have to go.’ I touched her arm. Her eyes came open very slowly. She shook her head from side to side for a moment. ‘Anything new?’ I asked in a faint voice, conscious of the man listening on the other side of me. ‘Not exactly,’ she breathed in a voice I could barely catch. ‘He's getting closer. He's deciding how he's going to ask.’ We had to run for our connection, but that was good-better than having to wait. As soon as the plane was in the air, Olivia closed her eyes and slid back into the same stupor as before. I waited as patiently as I could. When it was dark again, I opened the window to stare out into the flat black that was no better than the window shade. I was grateful that I'd had so many months' practice with controlling my thoughts. Instead of dwelling on the terrifying possibilities that, no matter what Olivia said I did not intend to survive, I concentrated on lesser problems. Like, what I was going to say to Mr. Anderson if I got back:' That was a thorny enough problem to occupy several hours, and Marcel? He had promised to wait for me, but did that promise still apply? Would I end up home alone in Pittsburgh, with no one at all? I didn't want to survive, no matter what happened. It felt like seconds later when Olivia shook my shoulder-I hadn't realized I'd fallen asleep. ‘Bell,’ she hissed, her voice a little too loud in the darkened cabin full of sleeping humans. I wasn't disoriented-I hadn't been out long enough for that. ‘What's wrong?
Marcel Ray Duriez
I met Chris at the Student Union. We both used to study there between our 9:30 and 11:30 classes. I had seen him on campus before. He was always wearing this yellow sweatshirt and giant headphones. The kind of headphones that say, “I may not take my clothes seriously. I may not have brushed or even washed my hair today. But I pronounce the word ‘music’ with a capital ‘M.’ Like God.” So I had noticed him before. He had Eddie Vedder hair. Ginger brown, tangly. He was too thin (much thinner than he is now), and there were permanent smudges under his eyes. Like he was too cool to eat or sleep. I thought he was dreamy. I called him Headphone Boy. I couldn’t believe my luck when I realized we studied in the Union at the same time. Well, I studied. He would pull a paperback out of his pocket and read. Never a textbook. Sometimes, he’d just sit there with his eyes closed, listening to music, his legs all jangly and loose. He gave me impure thoughts. (...) There we were. In the Student Union. He always sat in the corner. And I always sat one row across from him, three seats down. I took to leaving my 9:30 class early so I could primp and be in my spot looking casual by the time he sauntered in. He never looked at me – or anyone else, to my relief – and he never took off his headphones. I used to fantasize about what song he might be listening to… and whether it would be the first dance at our wedding… and whether we’d go with traditional wedding photography or black and white… Probably black and white, magazine style. There’d be lots of slightly out-of-focus, candid shots of us embracing with a romantic, faraway look in our eyes. Of course, Headphone Boy already had a faraway look in his eyes, which my friend Lynn attributed to “breakfast with Mary Jane.” This started in September. Sometime in October, one of his friends walked by and called him “Chris.” (A name, at last. “Say it loud and there’s music playing. Say it soft and it’s almost like praying.”) One Tuesday night in November, I saw him at the library. I spent the next four Tuesday nights there, hoping it was a pattern. It wasn’t. Sometimes I’d allow myself to follow him to his 11:30 class in Andrews Hall, and then I’d have to run across campus to make it to my class in the Temple Building. By the end of the semester, I was long past the point of starting a natural, casual conversation with him. I stopped trying to make eye contact. I even started dating a Sig Ep I met in my sociology class. But I couldn’t give up my 10:30 date with Headphone Boy. I figured, after Christmas break, our schedules would change, and that would be that. I’d wait until then to move on. All my hope was lost. And then… the week before finals, I showed up at the Union at my usual time and found Chris sitting in my seat. His headphones were around his neck, and he watched me walk toward him. At least, I thought he was watching me. He had never looked at me before, never, and the idea made my skin burn. Before I could solve the problem of where to sit, he was talking to me. He said, “Hey.” And I said, “Hi.” And he said, “Look…” His eyes were green. He kind of squinted when he talked. “I’ve got a 10:30 class next semester, so… we should probably make other arrangements.” I was struck numb. I said, “Are you mocking me?” “No,” he said, “I’m asking you out.” “Then, I’m saying yes.” “Good..,” he said, “we could have dinner. You could still sit across from me. It would be just like a Tuesday morning. But with breadsticks.” “Now you’re mocking me.” “Yes.” He was still smiling. “Now I am.” And that was that. We went out that weekend. And the next weekend. And the next. It was wildly romantic.
Rainbow Rowell (Attachments)
To listen to Audible books on your Kindle, you must first pair a Bluetooth audio device, such as headphones or speakers. There are two ways you can pair a Bluetooth audio device.
Amazon (Kindle Paperwhite User’s Guide)
He used to love newsrooms: the ones he had visited when his father was alive, the ones where he had interned when he was starting out—AP and UPI wire machines buzzing and clicking; typewriters clacking; reporters on phones, conducting interviews, badgering sources; heated arguments about politics in the commissary and by the vending machines. But entering the Tomorrow building was like walking into a war-torn city after a neutron bomb had gone off. Half the offices were empty or filled with their downsized occupants’ detritus. Eerie silence predominated; cubicles were occupied by beaten-down millennials scrolling Twitter, listening to music through headphones, surreptitiously filling out job applications or updating their CVs on LinkedIn. People barely talked, just messaged each other on Slack.
Adam Langer (Cyclorama)
Look, beautiful, I need a little helping hand here, see? My girl’s halfway through an audiobook about a chick who gets abducted by an alien with a tentacle dick and she’ll listen to it without the headphones all night long if I don’t get her new ones. I mean, sure, I’m happy for her to come climbing onto my cock at three am sobbing because the tentacle bloke almost died, and I’ll even let her paint me blue before she rides me like a horny space cadet that needs breeding, but I got work to do before then.
Caroline Peckham (Forget-Me-Not Bombshell)
The brainstorm became known as eCAP (El Crystal Audiobook Project) and added up to sixty iPod kits (from grant money), along with six hundred audiobooks. When a teacher identifies a non-proficient reader, she sits down with the student and they construct a fifteen-book playlist from the school’s master list and load it into an iPod. The kit that accompanies it includes the book’s text, a charger, headphones, and any necessary instructions. Best of all, it stays with the student—in school and out—for the entire school year, with more books loaded as needed. The student listens to the book on the iPod while following along in the text with his eyes.
Jim Trelease (The Read-Aloud Handbook)
And yet we constantly make the active choice to disengage. We listen to our headphones as we walk, run, take the subway. We check our phones when we are having dinner with our friends and family. We think of the next meeting while we are in the current one. In short, we occupy our minds with self-made memorization topics or distracting strings of numbers
Anonymous
He would buy me a pair of headphones if I would promise to use them when he was home. Those headphones forever changed the way I listened to music.
Daniel J. Levitin (This Is Your Brain on Music: The Science of a Human Obsession)
And often, we didn’t talk at all. There was such a peace to sharing space with him with the burden of speech removed. I’d never had that. The sense that just by existing as myself, I was participating positively in someone else’s life. When I’d lived with Kaspar, I had stayed away from him if I didn’t want to interact. If I didn’t have the energy to talk, then I didn’t walk into the kitchen when he was getting coffee; if I didn’t want to have sex, then I didn’t touch him. I learned not to make any promises with my presence that I wouldn’t be able to deliver on. It was easier that way. But Faron and I seemed to move around each other with awareness but no obligation. I’d tried testing the waters—kissing Faron on the cheek as I walked by the couch when he was reading. He’d smiled and run a hand through my hair, but when I continued on to the kitchen, he made no comment. I’d sat on the couch next to him another time, and put on headphones to listen to music, and he didn’t try to talk to me, just rearranged himself on the couch so I could put my legs over his if I chose. It was like learning a new language of proximity. A language that finally felt like my native tongue. Sex with
Roan Parrish (Invitation to the Blues (Small Change, #2))
Both ‘Childhood’ and ‘Smile’ were recorded live with an orchestra at the Hit Factory on the same day, with the majority of Michael’s live vocals from the sessions used on the final versions. But Michael was so unhappy with his vocals for ‘Smile’ that he recorded over a dozen takes. “Michael did a bunch of takes live with orchestra that would be called amazing by most standards,” Rob Hoffman said. “He then did more later that day, and I think some the next as well. In all I think there were 14 takes.” Michael may not have been satisfied, but the orchestra was blown away by the performance. “When we finished recording with the orchestra, Michael asked me if he could go out in the studio and meet the musicians,” Bruce Swedien said. “During the recording, the entire orchestra had been listening to Michael sing through their individual headphones. When Michael walked out in the studio to meet the orchestra, they gave him a standing ovation. Every member of the 50-piece orchestra stood up and tapped their music stands with their bows, as loud as they could! Michael was thrilled.
Mike Smallcombe (Making Michael: Inside the Career of Michael Jackson)
Try Evan,” he suggests. “Apart from numbers and heaven, which gets old very quickly, there’s practically nothing.” “Numbers? Oh! Eleven…seven…” I furrow my brow. “Devon,” Kelly calls over. “That’s a county in England.” “Leaven,” I add. “You do it to bread.” Evan’s expression is comical, his blue eyes stretched as wide as they’ll go as he plucks a string and, in a singsong nursery-rhyme voice, intones: “From the age of seven to eleven Before he tragically went to heaven Evan leavened bread in Devon.” He throws his hands wide. “See? Not much to work with.” “At least you don’t have rude stuff that rhymes with you,” Kelly says gloomily. “They called me Smelly Jelly Belly at school for years.” “And Kendra isn’t that great either. It sort of sounds like bend-ya,” Kendra adds. I can’t help smiling that Kendra and Kelly are competitive in everything, even down to whose name rhymes with worse stuff. “Kendra,” Evan sings, playing a chord, “I would never bend ya, or lend ya or send ya… Oh, the words I can engender thinking about Kendra…” “‘Engender’!” Kelly exclaims. “That’s really good!” I pull myself out of the pool and walk over to a lounger, picking up a towel and wrapping it around myself; I sit on one side of Evan, Kelly on the other. Even cool-as-a-cucumber Kendra has sat up to watch Evan playing his guitar. “What about Paige?” I ask, looking over at his sister, the only one uninterested in her brother’s talent. She’s got a moisturizing pack on her hair--her head is wrapped in the special leopard-skin towel she uses when she’s doing a hair treatment--pink headphones on her ears, and a magazine in her hands as she reclines on her lounger. “Paige goes into a rage when you tell her she’s not yet legal drinking age--” Evan sings immediately, and Paige, who must have been listening after all, promptly throws her magazine at his head. He ducks easily, and it flies past and lands on the tiles.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
chose the quiet coach when I boarded at Portsmouth and Southsea. True to form, most people were chatting inanely on their mobile phones or leaking hissing drumbeats from their headphones, so I kept going, looking for an area without cackling post-hen-parties, toddlers or badly tuned radios. There is nothing worse than being forced to listen to other people’s choice of music, except perhaps other people’s children’s choice of music. As I entered the next carriage, my foot caught in a loose strap and I found myself spread-eagled over a table occupied by four men in rugby shirts,
A.J. Waines (Girl on a Train)