Haze Game Quotes

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I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," He says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
God told us to love everyone. However, when you don’t like someone then you need to walk away and focus not on him or her, but the hatred you’re harboring. Otherwise, you will allow your piety to take over. Before you know it, you’re using the gospel as a sword to slice other religious people apart, which have offended you. From your point of helplessness, it will be is easy to recruit people that will mistake your kindness as righteousness, when in reality it is a hidden agenda to humiliate through the words of Christ. This game is so often used by women in the Christian faith, that it is the number one reason why many people become inactive. It is a silent, unspoken hypocrisy that is inconsistent with the teachings of the gospel. If you choose not to like someone, then avoid them. If you wish to love them, the only way to overcome your frustrations is through empathy, prayer, forgiveness and allowing yourself time to heal through distance. Try focusing on what you share as sisters in the gospel, rather than the negative aspects you dislike about that person.
Shannon L. Alder
The world outside B&G is a blue haze; refrigerator cold, filled with rapists and murderers and lightly sprinkling rain. A sheet of newspaper blows past, right on cue. He
Sally Thorne (The Hating Game)
All I can think about is him. His body. It’s like I’m drugged. My brain goes on a loop, replaying things we’ve done, imagining things we’ll do. I walk around in this lust-fueled haze.
Kresley Cole (The Master (The Game Maker #2))
Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the as**sembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.
Emily St. John Mandel (Station Eleven)
I am not a lost cause." Denial was automatic and a waste of time. Andrew put his hand over Neil's mouth to shut him up and said, "Liar. But that's what makes you interesting. It's also what makes you dangerous. I should know better by now. Maybe I'm not as smart as I thought I was. Should I be disappointed or amused?" The perfect retort burned Neil's tongue, but he kept quiet in case Andrew wasn't done rambling. The answer was there, right out of reach, close enough Neil could feel it, but too far for him to make sense of. Maybe Andrew felt it too, because even in his drugged haze he knew to shut up. The smile he flashed Neil mocked them both at that near-miss. He withdrew completely, leaving just the memory of his heartbeat against Neil's mouth, and spun away.
Nora Sakavic (The Raven King (All for the Game, #2))
Peeta, who spends much of the night roaming the train, hears me screaming as I struggle to break out of the haze of drugs that merely prolong the horrible dreams. He manages to wake me and calm me down. Then he climbs into bed to hold me until I fall back to sleep.
Suzanne Collins (The Hunger Games Trilogy)
Initiation. What he meant was hazing. [...] Bonding and brotherhood were always the excuses, but more often it was about humiliation and channeling sexual frustrations into perverse games of dominance.
Isa K. (How To Quit Playing Hockey (Hockey #1))
I amused myself with mental games in which I changed the focus, deceived myself, forgot altogether what had been troubling me or wrapped in a mysterious haze. We might call this confused, hazy state melancholy, or perhaps we should call it by its Turkish name, hüzün, which denotes a melancholy that is communal rather than private. Offering no clarity; veiling reality instead, hüzün brings us comfort, softening the view like the condensation on a window when a tea kettle has been spouting steam on winters day. Steamed-up windows make me feel hüzün, and I still love getting up and walking over to those windows to trace words on them with my finger. As I trace out words and figures on the steamy window, the hüzün inside me dissipates, and I can relax; after I have done all my writing and drawings, I can erase it all with the back of my hand and look outside. But the view itself can bring its own hüzün. The time has come to move towards a better understanding of this feeling that the city of Istanbul carries as its fate.
Orhan Pamuk (Istanbul: Memories and the City)
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
Tell me this- if you could have a guarantee that your child would be a National Merit Scholar and get into a prestigious college, have good work habits and a successful career, but that your relationship with him would be destroyed in the process, would you do it? Why not? Because you are made to love, that's why. We care about our relationships more than about our accomplishments. That's the way God made us. Then why don't we live that way? Why, come a damp and gloomy day in March, do we yell over a  math lesson or lose our temper over a writing assignment? Why do we see the lessons left to finish and get lost in an anxiety-ridden haze? We forget that we are dealing with a soul, a precious child bearing the Image of God, and all we can see is that there are only a few months left to the school year and we are still only halfway through the math book. When you are performing mommy triage- that is, when you have a crisis moment and have to figure out which fire to put out first- always choose your child. It's just a math lesson. It's only a writing assignment. It's a Latin declension. Nothing more. But your child? He is God's. And the Almighty put him in your charge for relationship. Don't damage that relationship over something so trivial as an algebra problem. And when you do (because you will, and so will I), repent. We like to feed our egos. When our children perform well, we can puff up with satisfaction and pat ourselves on the back for a job well done. But as important as it is to give our children a solid education (and it is important, don't misunderstand me), it is far more important that we love them well.  Our children need to know that the most important thing about them is not whether they finished their science curriculum or score well on the SAT. Their worth is not bound up in a booklist or a test score. Take a moment. Take ten. Look deep into your child's eyes. Listen, even when you're bored. Break out a board game or an old picture book you haven't read in ages. Resting in Him means relaxing into the knowledge that He has put these children in our care to nurture. And nurturing looks different than charging through the checklist all angst-like. Your children are not ordinary kids or ordinary people, because there are no ordinary kids or ordinary people. They are little reflections of the
Sarah Mackenzie (Teaching from Rest: A Homeschooler's Guide to Unshakable Peace)
I think in the ever growing diversity of the distinct and person-centred presentations of autism it is important to know and acknowledge the crucial differences between Autism & Asperger's Syndrome. Both are which are forms of autism but have different "mechanics" that drive them. I have Autism (as opposed to Asperger's Syndrome) I live in a world before the literal, words tumble in my mind into sounds I love tone, melody and beats they brings my world alive. I live in world world where visuals hold no significance fragmented and not in my "mind's eye" and need to be touched in order to be "seen". I like elevated gesture and tone when people speak dead words wander alive into my mind and give them meaning and circumstance. Where a sense of "self" is not wanting to be exposed by the directness of people but at the same time I want to understand "other" even if I struggle to at times. I am empathic young man and this not through lack of care nor wanting. I care deeply. Logic and literalism are not the name of the game for me to "decode" the word around me it's sensing, patterning and feeling to gain an "understanding". I am using a different part of my brain. So as with AS Autism has many different presentations too this is mine. I think it is important to know differences it has helped me so much to know that.
Paul Isaacs (Living Through the Haze)
Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the assembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.
Emily St. John Mandel (Station Eleven)
If it’s a girl, I want to name her Grace.” “Okay, if it’s a boy, I think we should name him Hamsel,” I said, straight-faced. “What?” Her tone was not nice. “Yeah, I’ve always loved the name Hamsel, or we can name him Wilbur Jr. and just call him Junior for short.” I finally had mercy when Mia’s eyes were open as wide as they would go. “I’m kidding. What names do you like?” “For a boy, hmm. I don’t know; we’ll have to think on it. I really like Birch or Branch, you know something earthy…maybe Webb.” I laughed but she deadpanned, “What? I mean if you don’t like those, I also really like Stream or Haze.” Oh my God, she’s serious. She tilted her head to the side, smiled, and cackled like a witch. “Ha, ha, Will. Two can play this game.” “Thank God, I thought you were serious. Shit.” She socked me in the chest
Renee Carlino (Sweet Little Thing (Sweet Thing, #1.5))
An hour after they’d left the clearing, a heavy layer of fog filled the valley like a moist blanket. The trees grew into amorphous shapes, mountains gone. Ash stopped dead in his tracks. He stared into the forest with wide eyes. “Whoa! D’you see that?!” Vale jerked to a stop. “What? Where?!” “There in the trees.” He pointed into the forest to where the rainy undergrowth grew thick with a hazy veil of grey-white mist. “The haze.” “What about it?” “Looks like game lag. But like… real lag. Real life lag.” Ash grinned at her, his brown eyes sparkling. “Like the forest is supposed to be there, but it’s not totally loaded by the computer yet.” “That’s going to be trouble.” “Why?” Vale nodded to where Ash knew the mountaintops should be, but were no longer visible, caught in an otherworldly lag. “It means we can’t see the mountains.” “So?” “So we can’t see where we are going anymore.” Ash frowned. “Er… yeah.” “C’mon. Let’s keep walking.
Danika Stone (Switchback)
Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.
Andrew Sean Greer (Less (Arthur Less, #1))
It was little things at first. Abby missed a phone call because she had an away game. Then one time Gretchen didn’t write back and never made up for the missing letter. They got busy with SATs and college applications, and even though they both applied to Georgetown, Gretchen didn’t get in, and Abby wound up going to George Washington anyways. At college they went to their computer labs and sent each other emails, sitting in front of black and green CRT screens and pecking them out one letter at a time. And they still wrote, but calling became a once-a-week thing. Gretchen was Abby’s maid of honor at her tiny courthouse wedding, but sometimes a month would go by and they wouldn’t speak. Then two months. Then three. They went through periods when they both made an effort to write more, but after a while that usually faded. It wasn’t anything serious, it was just life. The dance recitals, making the rent, first real jobs, pickups, dropoffs, the fights that seemed so important, the laundry, the promotions, the vacations taken, shoes bought, movies watched, lunches packed. It was a haze of the everyday that blurred the big things and made them feel distant and small.
Grady Hendrix (My Best Friend's Exorcism)
My mouth kept dropping open, and I would choke on road dust as the city loomed ever closer. When I glanced over at Elka, she was in the same state—wide-eyed and torn between fear and wonderment. Everything seemed like something out of legend. In the shadow of the soaring walls, the city became less of an imposing majestic place and more a heaped, jumbled gathering of wealth and squalor existing side by side. Heady perfumes and the stink of offal wrapped around each other, woven into an overwhelming tapestry by the ocean breeze. Wicker cages full of fowl and small game swung from carts, squawking and chittering excitedly, filling the air with a haze of fur and feathers. Tens and tens of incomprehensible languages rang in my ears. Houses and temples and other buildings made of stone—structures that made my father’s great hall seem like a sheepherder’s hut—rose above the street, level upon level. All of it—the sights and sounds and smells—tangled together into an assault on my senses that made me want to clap my hands over my ears and hide my head. But there was no escaping the chaos as our cart plunged on, heading right toward the very heart of Massilia. With only the bars of my cage between me and the pushing, shoving, singing, shouting crowd, I’d never felt so vulnerable.
Lesley Livingston (The Valiant (The Valiant, #1))
Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the assembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.
Emily St. John Mandel (Station Eleven)
Ell's Double Down --- "The haze across the room conceals the faces of the patrons and gives the setting a secretive draping. Her heart is pounding and although she has done this for months now, she still becomes nervous starting out. She glances across the table, the man facing her is attractive he is dressed in a fine suit his eyes a warm brown, his stare deliberate. When he looks at her she can tell, it’s a look you don’t give a kid sister, his look is heated. She can hardly breathe when she looks into his eyes it is disarming, she can’t have this. She looks above him to her friend Sophie; she is unsure of herself and silently communicates her discomfort to her friend. Sophie gives her a smile then leans down whispering into the man’s ear his attention is suddenly diverted giving Ell the opportunity to settle in. She exhales feeling better now that the man is distracted. Later she will help Sophie untangle herself from him but now she has to focus on the business at hand. She takes a deep breath, flashing a dazzling smile at the rest of the men gathered around the table and antes up. The truth is gambling makes her feel empowered the rush was like none other. Each hand dealt promised her a solution to her problems. Logically that alone could be the cause for her increased heart rate and butterflies but Ell knew better. She liked the mind games played as each of them attempted to psyche out opponents seated around the table. Ell herself suffered through painful lessons until she honed her own skills. Eventually Sophie taught her the most valuable ploy --using her womanly wiles as her weapon. Ell initially felt foolish but the first time she glanced through mascaraed lashes and saw the effect she turned to her friend for additional suggestions. This combined with her ability to gauge the cards each player held or what now laid in the muck. However to be honest, she simply loved soundly beating the table full of men.
Caroline Walken
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
The Lakers wrapped the season with an NBA-best 67-15 record, and while O’Neal (29.7 points per game), Bryant (22.5 points per game), and Rice (15.9 points per game) stood out on the statistical sheets, the key was Jackson. The veteran coach somehow kept a roster overflowing with egos and arrogance in one piece; somehow convinced O’Neal to ignore Bryant’s cockiness; and somehow convinced Bryant to accept life in the shadow of a larger-than-life big man. He used Rice wisely, leaned on veterans like John Salley and Ron Harper to keep the locker room happy, forbade the hazing of rookies.
Jeff Pearlman (Three-Ring Circus: Kobe, Shaq, Phil, and the Crazy Years of the Lakers Dynasty)
Maggie sucked in a breath. Confronted with Glory’s eyes—Rhys’s eyes—she couldn’t lie. Nor did she want to. “Yes, it’s true. I knew Ransom before I married your father…the one who raised you I mean. But Ransom didn’t find out about you until he came to Dorset a few weeks ago.” Anxiously, she searched her daughter’s face. “I know how confusing this must be. It all happened a long time ago, and—” “I understand.” She blinked at the steady reply. “You do?” Glory nodded. “Does Ransom want to be my papa now?” “He does, dear heart.” Hesitantly, Maggie asked, “Do you think…you’d like that too?” In answer, Glory called out, “Papa! Papa—stop fighting!” Rhys’s arm froze mid-swing. He twisted toward them. Maggie saw the haze of bloodlust slowly fade from his eyes. “Did Glory just call me…Papa?” he asked hoarsely. “She did.” Her heart full to bursting, Maggie smiled tremulously. “Now that we have your attention, would you mind leaving off the killing and joining your family instead?” Rhys surged to his feet, rising from the ash of pulverized glass. Dark hair waved over his sweaty brow. His cheek was cut, his jacket torn, and his fists dripped blood. He was the most beautiful sight she’d ever seen. “Anything for my girls,” he said. He started over. She and Glory met him halfway, running into his arms.
Grace Callaway (Enter the Duke (Game of Dukes, #2))
sedimentary time. The lowest stratum, or the layer immediately above the Deterrence Center, had probably been deposited four billion years ago. The Earth had been born only five hundred million years before that. The turbid ocean was in its infancy, and nonstop flashes of lightning struck its surface; the Sun was a fuzzy ball of light in a haze-veiled sky, casting a crimson reflection over the sea. At short intervals, other bright balls of light streaked across the sky, crashing into the sea and trailing long tails of fire; these meteor strikes caused tsunamis that propelled gigantic waves to smash onto continents still laced with rivers of lava, raising clouds of vapor generated by fire and water that dimmed the Sun.… In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.
Liu Cixin (Remembrance of Earth's Past: The Three-Body Trilogy (Remembrance of Earth's Past #1-3))
Teddy felt her in him, pressed at the base of his throat. He could see her sitting in the early July haze, in that dark orange light a city gets on summer nights just after sundown, looking up as he pulled to the curb and the kids returned to their stickball game in the middle of the street, and the laundry flapped overhead, and she watched him approach with her chin propped on the heel of her hand and the cigarette help up by her ear, and he'd brought flowers for once, and she was so simply his love, his girl, watching him approach as if she were memorizing him and his walk and those flowers and this moment, and he wanted to ask her what sound a heart made when it broke from pleasure, when just the sight of someone filled you the way food, blood, and air never could, when you felt as if you'd been born for only one moment, and this, for whatever reason, was it.
Dennis Lehane