Hay House Quotes

We've searched our database for all the quotes and captions related to Hay House. Here they are! All 100 of them:

It's not an endlessly expanding list of rights — the 'right' to education, the 'right' to health care, the 'right' to food and housing. That's not freedom, that's dependency. Those aren't rights, those are the rations of slavery — hay and a barn for human cattle.
Alexis de Tocqueville
Freedom is not empowerment. Empowerment is what the Serbs have in Bosnia. Anybody can grab a gun and be empowered. It's not entitlement. An entitlement is what people on welfare get, and how free are they? It's not an endlessly expanding list of rights -- the "right" to education, the "right" to food and housing. That's not freedom, that's dependency. Those aren't rights, those are the rations of slavery -- hay and a barn for human cattle. There is only one basic human right, the right to do as you damn well please. And with it comes the only basic human duty, the duty to take the consequences.
P.J. O'Rourke
There is no such thing as the last straw. There is only hay.
Mark Z. Danielewski (House of Leaves)
Christ, don't go to the Haunted Houses with Ally and Indy. A few years ago, Indy went berserk and broke through the hay bales they had set up to make the haunted trail and headed into the cornfields. All the employees chased after her but since they were dressed like monsters, Indy lost her mind. They had to call the cops to settle her down." I lost him at "cornfields". "Cornfields?" I whispered. "Yeah." "They have a haunted trail through cornfields?" "Yeah, up in Thornton. Best Haunted House in Denver. Indy and Ally go every year. Why?" "Cornfields freak me out," I admitted. Hank was silent. Then, he said, "You're from Indiana. How in the fuck can cornfields freak you out?" "Cornfields don't freak me out. Cornfields at night freak me out. Haunted cornfields at night freak me out." "You been to many haunted cornfields?" "Dude," I said low. "All cornfields are haunted. Trust me. I know... They whisper to you.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
For somewhere," said Poirot to himself, indulging in an absolute riot of mixed metaphors, "there is in the hay a needle, and among the sleeping dogs there is one on whom I shall put my foot, and by shooting the arrows into the air, one will come down and hit a glass house!
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
The books housed in one's first adult bookshelf are the geological bed of who we wish to become
Sheridan Hay (The Secret of Lost Things)
Lex froze. "What boy?" "That boy I saw you with, before you came up to ring the bell. The windows of this house are fully functional, you know." Lex didn't even bother with a lie this time. "His name is Driggs. He's my partner." "Ah, partner. How very Law and Order." "Shut up, that's just how it works." "I see. And have you two had a romp in the hay yet, or would that upset Mr. Frizzle the rooster?
Gina Damico (Croak (Croak, #1))
Sooner or later, they’ll realize that having one spider in the house kills a lot of the lesser insects.
Drew Hayes (Forging Hephaestus (Villains' Code, #1))
You Go Where You Place Your Energy
Elizabeth Hamilton-Guarino
I am Willing to Learn New Things Every Day,” (Hey, 2018, p. 116). Hey, L. L. (2018) Trust life: love yourself every day with wisdom from Luisa Hey. Carlsbad, CA: Hay House, Inc.
Louise L. Hay
Hay veces en que le envidio su juventud, pero trato de no pensar mucho en eso. Un anciano no debe tener celos de aquellos que vienen a ocupar su puesto, y recordar el tiempo en que era joven, sano y viril es un acto de masoquismo que no sirve de nada.
John Boyne (The House of Special Purpose)
We have two minds. One thinks, the other knows. The mind that knows goes back many lifetimes. This is the mind of the one heart, of all things: the trees, the plants, the clouds, the rivers, the mountains. The more time you spend with this mind, the more you will see Spirit around you." Forrest Hayes (2012-02-23). Na Bolom: House of the Jaguar (Kindle Locations 1865-1866). Musa Publishing. Kindle Edition.
Forrest Hayes (Na Bolom: House of the Jaguar)
A noble maiden must convey dignity and chastity without appearing to think about either one. Let common-born girls tussle in the hay with their loutish swains. The future of your family's bloodline and your future lord's bloodline should be your greatest concern. Let no man but one of your family embrace you. Let no man but your betrothed kiss any more than your fingertips; let your betrothed kiss you only on fingers, cheek, or forehead, lest he think you unchaste. And never allow yourself to be alone with a man, to safeguard the precious jewel of you reputation. No well-born maiden ever suffered from keeping her suitors at arm's length. Your chastity will make you a prize to you future husband's house and an honor to your own." - form Advice to a Young Noblewoman, by Lady Fronia of Whitehall (in Maren) given to Ally on her twelfth birthday by her godmother, Queen Thayet
Tamora Pierce (Trickster's Choice (Daughter of the Lioness, #1))
heeping (noun): a state of mindlessly following others when in fact you know the truth and the right actions you must take, but you don’t want to overcome social resistance, accept the brief emotional pain of going against social pressure, and assume full responsibility for your life.
Dragos Bratasanu (The Pursuit of Dreams: Claim Your Power, Follow Your Heart, and Fulfill Your Destiny)
Errar nos convierte en humanos, irracionales o no. Y aunque hay errores más graves que otros, si aprendemos de ellos nos volvemos mejores personas. Incluso si tenemos arañas en el cerebro.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Let not your heart be troubled; you believe in God, believe also in Me. In My Father’s house are many mansions; if it were not so, I would have told you. I go to prepare a place for you. And if I go and prepare a place for you, I will come again and receive you to Myself; that where I am, there you may be also.” (John 14:1-3)
Tim LaHaye (Are We Living in the End Times?: Curretn Events Foretold in Scripture... and What They Mean)
No soy más que un papel —dijo—. Fino y frágil. Si me sujetan a contraluz, el sol brilla a través de mí. Si escriben en mí, ya no pueden volver a utilizarme. Estos arañazos componen una historia. Un relato. Cuentan cosas que otros pueden leer, pero ellos solo ven las palabras, y no el soporte en el que están escritas. No soy más que un papel y, aunque hay muchos otros como yo, ninguno es idéntico a mí. Soy pergamino reseco. Tengo pliegues, tengo agujeros. Si me mojan, me deshago. Si me prenden fuego, ardo. Si me cogen unas manos curtidas, me arrugo. Me desgarro. No soy más que un papel. Fino y frágil.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Boy and Egg Every few minutes, he wants to march the trail of flattened rye grass back to the house of muttering hens. He too could make a bed in hay. Yesterday the egg so fresh it felt hot in his hand and he pressed it to his ear while the other children laughed and ran with a ball, leaving him, so little yet, too forgetful in games, ready to cry if the ball brushed him, riveted to the secret of birds caught up inside his fist, not ready to give it over to the refrigerator or the rest of the day.
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
Por lo que a mí respecta, he aprendido que hay regalos de todas clases y tamaños y que llegan en el momento menos pensado.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Hay mas cosas en el cielo y en la tierra que todas las que pueda soñar la filosofía.
John Boyne (This House Is Haunted)
my favorite chapter in Cheryl Richardson’s book The Art of Extreme Self-Care (Hay House, 2009) is the one titled “Let Me Disappoint You.
Christiane Northrup (Goddesses Never Age: The Secret Prescription for Radiance, Vitality, and Well-Being)
To them Howards End was a house; they could not know that to her it had been a spirit, for which she sought a spiritual heir. And—pushing one step farther in these mists—may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a wisp of hay with dew on it—can passion for such things be transmitted where there is no bond of blood?
E.M. Forster (Howards End)
He said, ‘The government of the people, by the people, and for the people, has one duty above all others: it must preserve the American Republic and the constitutional rule of law upon which it is founded. Because if those foundations be removed, how can our house be saved from ruination?’
Tim LaHaye (Mark of Evil (The End, #4))
Las cosas que más miedo nos dan son las que menos deberíamos temer —le dijo—. Es irracional, pero es lo que nos hace humanos. Y si somos capaces de vencer esos temores, no hay nada que no podamos conseguir.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Years later Nixon aide John Ehrlichman seemed to offer up a smoking gun when he told a reporter: The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.
Chris Hayes (A Colony in a Nation)
To use Matthew’s own language, turning the other cheek makes sense if and only if it really is true that the meek will inherit the earth, if and only if it really is true that those who act on Jesus’ words have built their house on a rock so that it will stand in the day of judgment. Turning the other cheek makes sense if and only if all authority in heaven and on earth has been given to Jesus.
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
There are many voices in the world. The social environment will try to mould us in the image and likeness of man. People will influence us one way or another, but we have in our hearts the voice of God, calling us in every moment to return to love, to return to Truth. We have been given everything we need to make our dreams a reality, and fulfill our destiny. Believe it or not, the freedom to do so is ours.
Dragos Bratasanu (The Pursuit of Dreams: Claim Your Power, Follow Your Heart, and Fulfill Your Destiny)
Meditation If prayer is speaking, meditating is listening.
Kyle Gray (Angels: How to See, Hear and Feel Your Angels (Hay House Basics Book 1))
When we have faith in angels, they do deliver.
Kyle Gray (Angels: How to See, Hear and Feel Your Angels (Hay House Basics Book 1))
He... he aprendido que en este mundo hay cosas que desafían la imaginación.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
We must be the dog that guards the house. We must be the bark and the bite.
Terrence Hayes
Lead with Compassion. Lead with compassionate actions, compassionate interactions and compassionate listening.
Elizabeth Hamilton-Guarino (Percolate: Let Your Best Self Filter Through)
Necesitan a un hombre para sentirse seguras y no se dan cuenta que lo único que hay que temer es a los mismos hombres.
Isabel Allende (The House of the Spirits)
All the things they'd brought into this house; all of Elsie's things, packed up and taken away. A world delineated by this ebb and flow of items. The stuff of people's lives.
Ashley Hay (A Hundred Small Lessons)
On a frosty winter afternoon, I rode in sight of Thornfield Hall. On a stile in Hay Lane I saw a quiet little figure sitting by itself. I had no presentiment of what it would be to me; no inward warning that the arbitress of my life--my genius for good or evil--waited there in humble guise. When once I had pressed the frail shoulder, something new--a fresh sap and sense--stole into my frame. It was well I had learnt that this elf must return to me--that it belonged to my house down below- -or I could not have felt it pass away from under my hand, and seen it vanish behind the dim hedge, without singular regret. I heard you come home that night, Jane, though probably you were not aware that I thought of you or watched for you.
Charlotte Brontë (Jane Eyre)
A hot dry day was perfect for cutting hay, but Sunday in those days was a true day of rest, and no hay would be taken from the fields, nor any labour done inside or outside of the house.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
—Ya no hay lugar para ti en el mundo exterior. Ahora vives en Aurora House. ¿Vas captando el concepto? ¿O le pido al señor Withers aquí presente que te lo vuelva a explicar? Mándala a la mierda, me aconsejaba mi espíritu, o te arrepentirás después. Dile lo que quiere oír, chillaba mi sistema nervioso, o te arrepentirás ahora. El espíritu parecía fuerte, pero la carne es débil.
David Mitchell (Cloud Atlas)
help is already here. Yes, help is already present. God and his angels are just waiting to help us and they’re waiting for us to turn up. It is our job to accept the help that is already there for us.
Kyle Gray (Angels: How to See, Hear and Feel Your Angels (Hay House Basics Book 1))
July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.
Louisa May Alcott (Little Men [with Biographical Introduction])
So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.
Louise Erdrich (The Round House)
Yes, I see you. I recognize that you’re a thinking, feeling person, and I’m here to listen.” That’s the essence and magic of meditation—the gift of telling yourself that you matter and that you’re worth time and attention. No pomp. No circumstance. No rules. Just showing up for yourself with compassion and without judgment. When this is your practice, meditation can serve as a mirror and the lighthouse that leads you home.
Rebekah Borucki (You Have 4 Minutes to Change Your Life: Simple 4-Minute Meditations for Inspiration, Transformation, and True Bliss)
See also Bronnie Ware, The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing (Carlsbad, CA: Hay House, 2012). The five regrets are as follows: (1) “I wish I’d had the courage to live a life true to myself, not the life others expected of me.” (2) “I wish I hadn’t worked so hard.” (3) “I wish I’d had the courage to express my feelings.” (4) “I wish I had stayed in touch with my friends.” (5) “I wish that I had let myself be happier.
Joshua Becker (Things That Matter: Overcoming Distraction to Pursue a More Meaningful Life)
In this jangle of causes and effects, what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, death a blue sky, life was a house, death a wisp of hay, a flower, a tower, life and death were anything and everything, except this ordered insanity, where the king takes the queen, and the ace the king. Ah, no; there was beauty and adventure behind, such as the man at her feet had yearned for; there was hope this side of the grave; there were truer relationships beyond the limits that fetter us now. As a prisoner looks up and sees stars beckoning, so she, from the turmoil and horror of those days, caught glimpses of the diviner wheels.
E.M. Forster (Howards End)
This book tells my story. I’m writing it in Ireland, in a house on a hillside. The house sits low in the landscape between a holy well and the site of an Iron Age dwelling. It was built of stones ploughed out of the fields by men who knew how to raise them with their hands and to lock one stone to the next so each was firm. It’s a lone house on the foothills of the last mountain on the Dingle peninsula, the westernmost point in mainland Europe. At night the sky curves above it like a dark bowl, studded with stars. … From the moment I crossed the mountain, I fell in love with the place, which was more beautiful than any I’d ever seen. And with a way of looking at life that was deeper, richer, and wiser than any I’d known before.
Felicity Hayes-McCoy (The House on an Irish Hillside)
you wanted to commit suicide and couldn’t quite find the courage, two days in Jeddah would do the trick. With no movie houses, concerts, bars, mixed-sex coffee shops, or parties there was little to do at night and we drove down a highway that was almost deserted.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
sloped down to distant cliffs; farmland, ribboned with yellow gorse, broken by outcrops of granite, and patchworked into dozens of small fields. Like a quilt, thought Virginia, and saw the pasture fields as scraps of green velvet, the greenish gold of new-cut hay as shining satin, the
Rosamunde Pilcher (The Empty House)
The Thanksgiving tradition we celebrate today with a feast actually commemorates a betrayal that happened two years after the first arrival of the colonists. In 1622, Myles Standish, an English military officer working for the Pilgrims, heard that Indians planned to raid the newly established white settlement of Wessagussett. Standish organized a militia to repel the attack, but no Indians appeared. So he decided to preemptively attack by luring two Indians to Wessagussett under the pretense of sharing a meal. When they entered the house, Standish and his men killed them.
Christopher L. Hayes (A Colony in a Nation)
I’m so excited you two are here. The house used to be busy all summer, but it’s slower these days.” She looked at Rachel and patted her hand. “I’m so sorry, sweetie.” But Rachel waved her off. “It’s been a long time, Margaret, since the house was like that.” “Some things never get easier.
Katy Hays (The Cloisters)
Understatement has become part of the tradition. A proposal to build a history room to house the football team's memorabilia was immediately shelved when many former players complained. What makes this program so special is what you carry in your heart, they argued, not what you hang on the wall.
Neil Hayes (When the Game Stands Tall, Special Movie Edition: The Story of the De La Salle Spartans and Football's Longest Winning Streak)
The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh and a poke in the ribs, you went to Jenny’s and got your money’s worth; but if the sweet worldsadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days.
John Steinbeck (East of Eden)
There is no man that hath left house, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for Jesus’ sake, and the gospel’s, but he shall receive an hundredfold now in this time, houses, and brethren, and sisters, and mothers, and children, and lands, with persecutions; and in the world to come eternal life.” God
Tim LaHaye (Apollyon (Left Behind, #5))
He raised a hand in response and tossed the ear of corn into the wagon. Then he returned to his fantasy, imagining himself running the livery instead of working there, making the decisions, placing orders, selecting new horses, agreeing to board others, and hiring a boy to muck out the stalls and pitch hay. In his daydream, he no longer lived in the back room. He came home at night to a small house he’d bought with his earnings. Inside, a woman waited for him. A wife. In his fantasy her hair was as golden as the ear of corn he tossed into the wagon and her eyes as blue as the cloudless sky overhead. Catherine smiled at him and he could hear as well as see her say his name. “Jim! Welcome home.
Bonnie Dee (A Hearing Heart)
Siempre había querido ver el mar. —Los sueños no son más que eso: sueños. Se supone que son fantasías. No tienen por qué hacerse realidad necesariamente. —Y, sin embargo, helo aquí, junto al mar, lejos de su butaca y de su hogar. —Se detuvo y alzó el rostro hacia el cielo—. Hay música en todas partes, señor Baker. Basta con entrenar el oído para escucharla.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Ja always talkin bout hurry canes. He say, "Nell get in da hous, hurry canes comin!" I don't know why he so scard of canes dat hurry. Maybe dey skuuu him in da belly somtime when he was a littl'n. Nell feeles all ta-hay bout hurry canes. Dey make trees swaaaaay in da wiiiiiind. Waaaaana hurry cane. Nell say to Ja--don't ki, missa chickabee. Come to Nell, hurry cane.
Jodi Foster Nell
It’s not much of a place: only a loft; but, having a loft, I always say, is one of the great conveniences of living in a mews; and till this coach-house and stable gets a better let, we live here cheap. There’s plenty of sweet hay up there, belonging to a neighbour; and it’s as clean as hands, and Meg, can make it. Cheer up! Don’t give way. A new heart for a New Year, always!
Charles Dickens (The Complete Works of Charles Dickens)
As she slipped back into the house, Travis mumbled, “It’s about time.” Everett Hayes had the gall to wink at him. “Better get used to it, Archer. Things are never the same after you install a woman in your house.” “That is true,” the parson said as he pushed up out of his chair, his expression slightly censorious as he glanced at Everett. “But if the Lord is installed, as well, the changes can bring blessing to a man.” He shifted his attention and peered at Travis. “Marriage is a sacred union, son, and not something to dread. As Ecclesiastes says, ‘Two are better than one, because they have a good reward for their labor. . . . A threefold cord is not quickly broken.’ Keep God woven into your relationship and this union will make you stronger. But if you treat it as a burden, it will become one.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
They'd had a long chat, Elsie Gormley and this house, more than sixty years of it. It had witnessed all her tempers, all her moods, and usually improved them. It held her voice, her husband's, her children's, and now their children's in turn - echoes and repetitions lodged in around the baseboards, around the window frames like those pale motes of dust that had wedged at the edge of the kitchen floor.
Ashley Hay (A Hundred Small Lessons)
I saw myself as a person that wanted to build their own house and was aware that I needed to have all the skills and know-how of house building. I knew I needed to learn everything from design to bricklaying to painting to electrics if I wanted to have the house that I envisioned. I am a very much a hands-on person and I learn from doing. Hopefully I can now pass on some of what I have learned on to you. 
Teddy Hayes (The Guerrilla Guide To Being A Theatrical Producer)
Yes, I see you. I recognize that you’re a thinking, feeling person, and I’m here to listen.” That’s the essence and magic of meditation—the gift of telling yourself that you matter and that you’re worth time and attention. No pomp. No circumstance. No rules. Just showing up for yourself with compassion and without judgment. When this is your practice, meditation can serve as a mirror and the lighthouse that leads you home.
Rebekah Borucki (You Have 4 Minutes to Change Your Life: Simple 4-Minute Meditations for Inspiration, Transformation, and True Bliss)
...No me conviene salir de un capitalista para caer en otro. Lo que hay que hacer es una cooperativa y mandar a la madame al carajo. No ha oído hablar de eso? Váyase con cuidado, mire que si sus inquilinos le forman una cooperativa en el campo, usted se jodió. Lo que yo quiero es una cooperativa de putas. Pueden ser putas y maricones, para darle más amplitud al negocio. Nosotros ponemos todo, el capital y el trabajo. Para qué queremos un patrón?
Isabel Allende (The House of the Spirits)
What happened?” he asked softly, after a moment’s silence. Heathcliff lifted his head at the same time Rose did. Her eyes were red and swollen, her cheeks streaked with tears. A piece of hay clung to her chin and stuck to her hair. She looked beautiful Achingly so. “You’re wet,” she said, her voice thick. She wasn’t impressed with his arrival, that much was clear. “I commanded the rain to stop before I left the house but it didn’t listen.” She didn’t smile at his poor attempt at humor. “Why the tears, Rosie?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Cleaning the mental house after a lifetime of indulging in negative mental thoughts is a bit like going on a good nutritional program after a lifetime of indulging in junk foods. They both can often create healing crises. As you begin to change your physical diet, the body begins to throw off the accumulation of toxic residue, and as this happens, you can feel rather rotten for a day or two. So it is when you make a decision to change the mental thought patterns— your circumstances can begin to seem worse for a while.
Louise L. Hay (You Can Heal Your Life)
Chapman, G.D. The Five Love Languages (Moody Press, 2015) DeMarco, M.J. The Millionaire Fastlane (Viperion Publishing, 2011) Dunn, J. The SoulMate Experience (A Higher Possibility, first edition, 2011) Goldsmith, M. What Got You Here Won’t Get You There: How Successful People become even more successful (Profile Books, 2008) Gottman, J.M. The Seven Principles For Making a Marriage Work (Orion, 2007) Harv Eker, T. Secrets of the Millionaire Mind (Piatkus, 2007) Hill, N., Think and Grow Rich (Wilder Publications, 2007) Kelly, M. The Rhythm of Life (Simon & Schuster, 2006) Pavlina, S., Personal Development for Smart People (Hay House, 2009) Ramsey, D. Total Money Makeover (Thomas Nelson Publishers, reprint edition, 2013) Stevenson, S. Sleep Smarter: 21 Proven Tips to Sleep Your Way to a Better Body, Better Health, and Bigger Success. (Model House Publishing, 2014) Tracy, B. Eat That Frog! (Berrett-Koehler Publishers, 2007) Whitsett, D. The Non-Runner’s Marathon Trainer (McGraw Hill, 1998). Williamson, M. A Return To Love (Thorsons, 1996)
Hal Elrod (The Miracle Morning: The 6 Habits That Will Transform Your Life Before 8AM)
Let not your heart be troubled; you believe in God, believe also in Me. In My Father’s house are many mansions; if it were not so, I would have told you. I go to prepare a place for you. And if I go and prepare a place for you, I will come again and receive you to Myself; that where I am, there you may be also. And where I go you know, and the way you know.’ “‘Thomas said to Him, “Lord, we do not know where You are going, and how can we know the way?” “‘Jesus said to him, “I am the way, the truth, and the life. No one comes to the Father except through Me.
Tim LaHaye (Glorious Appearing: The End of Days)
-En casi todas las familias hay algún tonto o un loco, hijita -aseguró Clara mientras se afanaba en su tejido, porque en todos esos años no había aprendido a tejer sin mirar -. A veces no se ven, porque los esconden, como si fuera una vergüenza. Los encierran en los cuartos más apartados, para que no los vean las visitas. Pero en realidad no hay de qué avergonzarse, ellos también son obra de Dios. -Pero en nuestra familia no hay ninguno, abuela -replicó Alba. -No. Aquí la locura se repartió entre todos y no sobró nada para tener nuestro propio loco de remate.
Isabel Allende (The House of the Spirits)
On Wednesday night, November 13, (1861), Lincoln went with Seward and Hay to McClellan's house. Told that the general was at a wedding, the three waited in the parlor for an hour. When McClellan arrived home, the porter told him the president was waiting, but McClellan passed by the parlor room and climbed the stairs to his private quarters. After another half hour, Lincoln again sent word that he was waiting, only to be informed that the general had gone to sleep. Young John Hay was enraged, " I wish here to record what I consider a portent of evil to come," he wrote in his diary, recounting what he considered an inexcusable "insolence of epaulettes," the first indicator "of the threatened supremacy of the military authorities." To Hay's surprise, Lincoln "seemed not to have noticed it specially, saying it was better at this time not to be making points of etiquette & personal dignity." He would hold McClellan's horse, he once said, if a victory could be achieved. Though Lincoln, the consummate pragmatist, did not express anger at McClellan's rebuff, his aides fumed at every instance of such arrogance. Lincoln's secretary, William Stoddard, described the infuriating delay when he accompanied Lincoln to McClellan's anteroom. "A minute passes, then another, and then another, and with every tick of the clock upon the mantel your blood warms nearer and nearer its boiling-point. Your face feels hot and your fingers tingle, as you look at the man, sitting so patiently over there...and you try to master your rebellious consciousness." As time went by, Lincoln visited the haughty general less frequently. If he wanted to talk with McClellan, he sent a summons for him to appear at the White House.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.
Chris Hayes (A Colony in a Nation)
Old maps make sense to me. With their strange collections of obscure landmarks. It's how we all got around when young. An hour to Gainesville. Turn off where they have the livestock fair. Then past an airport owned by my stepdad's family. A Rotunda. Tiny Horses. Dani's house. Jonesville didn't have much back then. Rosie's Bar and a Lil' Champ. Still when we saw the sign we knew we were close. "HAY!" Screamed by a face on the side of a store. We'd all yell it as we passed. For good luck. Later that sign was stolen. This created suspicions. Some asked if we had taken it. No. But we should have.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
Nixon aide John Ehrlichman seemed to offer up a smoking gun when he told a reporter: The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I’m saying? We knew we couldn’t make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did.
Chris Hayes (A Colony in a Nation)
The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
This long letter is because I'm writing before breakfast. Oh, the beautiful vine leaves! The house is covered with a vine. I looked out earlier, and Mrs. Wilcox was already in the garden. No wonder she sometimes looks tired. She was watching the large red poppies come out. Then she walked off the lawn to the meadow, whose corner to the right I can just see. Trail, trail, went her long dress over the sopping grass, and she came back with her hands full of the hay that was cut yesterday - I suppose for rabbits or something, as she kept on smelling it. The air here is delicious. Later on I heard the noise of croquet balls, and looked out again, and it was Charles Wilcox practising; they are keen on all games. Presently he started sneezing and had to stop. Then I hear more clicketing, and it is Mr. Wilcox practising, and then, "a-tissue, a-tissue": he has to stop too. Then Evie comes out, and does some calisthenic exercises on a machine that is tacked to a greengage-tree - they put everything to use - and then she says "a-tissue," and in she goes. And finally Mrs. Wilcox reappears, trail, trail, still smelling hay and looking at the flowers. I inflict all this on you because once you said that life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which, and up to now I have always put that down as "Meg's clever nonsense.
E.M. Forster (Howards End)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
There was something very poetic about lying on the hay, beneath the polythene roof. This was how we had spent our first night, on the hay next to the bull in Harry Mann’s barn. During the 18 days in-between we had slept in a posh hotel, a canal boat, a student house, a pub, a tent in a car park, a hitman’s sitting room, an elderly lady’s spare bedroom, a hostel, a bunk house, a farm house, our own self-contained flat, our own house, and now we were back on the hay. We had gone full circle. Out of all of the different types of accommodation, our two nights on the hay were undoubtedly our most comfortable. Next time you hear the nativity story, don’t feel sorry for Mary and Joseph; they had it very lucky indeed.
George Mahood (Free Country: A Penniless Adventure the Length of Britain)
All right, Almanzo!” Almanzo slapped Bess with the lines and shouted: “Giddap, Bess!” Bess began to walk around the capstan, and the capstan began to wind up the rope. The rope pulled the ends of the levers toward the press, and the inner ends of the levers pushed its loose bottom upward. The bottom slowly rose, squeezing the hay. The rope creaked and the box groaned, till the hay was pressed so tight it couldn’t be pressed tighter. Then Father shouted, “Whoa!” And Almanzo shouted, “Whoa, Bess!” Father climbed up the hay-press and ran ash withes through narrow cracks in the box. He pulled them tight around the bale of hay, and knotted them firmly. Mr. Weed unfastened the cover, and up popped the bale of hay, bulging between tight ash-withes. It weighed 250 pounds, but Father lifted it easily.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
The wages of laboring men in several counties toward London at tenpence per day in common business, the employer finds small beer and the laborer finds his own food; but in harvest and hay time wages are about one shilling per day, and the laborer hath all his diet. In some parts of the north of England poor laboring men have their food where they work, and appear in common to do rather better than nearer London. Industrious women who spin in the factories get some fourpence, some fivepence, and so on to six, seven, eight, nine, or ten pence per day, and find their own house-room and diet. Great numbers of poor people live chiefly on bread and water in the southern parts of England, as well as in the northern parts; and there are many poor children not even taught to read. May those who have abundance lay these things to heart!
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
The fire started inside a barn. It was tiny at first, a glowing dot, some wisps of white smoke. But then flames reached up. They grabbed hold of a pile of hay. Crackle! Pop! And then, Boom! Towers of flame shot up, higher, higher, punching through the roof, reaching for the sky. Voices screamed out. “Fire! Fire! Fire!” Alarm bells clanged. Firefighters readied their horses and raced their pumpers through the streets. But it was too late. The flames blasted a shower of fiery sparks into the windy sky. Like a swarm of flaming wasps, they flew through the air, starting fires wherever they landed. Shops and homes erupted in flames. Warehouses exploded. Mansions burned. Crowds of panicked people fled their houses and rushed through the streets and along the wooden sidewalks. They screamed and pushed and knocked one another down, desperate to get away from the choking smoke and broiling flames. But there was no escape. The winds blew harder. Flames shot hundreds of feet in the air, spreading across miles and miles. And in the middle of it all was eleven-year-old Oscar Starling. Oscar had never felt so terrified, not even two years ago, when a killer blizzard hit his family’s Minnesota farm. He was trapped inside a burning house, fighting for his life. He’d made it down the stairs, desperate to escape. And then, Crash! A ball of fire and cinders crashed through the window, and the house exploded in flames. And suddenly, Oscar was in the fire’s ferocious grip. The flames clawed at him, seared him, threw him to the ground. Smoke gushed up his nose and into his mouth. But the worst was the blistering heat, the feeling of being roasted alive. Was this the end? Oscar had never wanted to come to this city. And now he was sure he was going to die here.
Lauren Tarshis (I Survived the Great Chicago Fire, 1871 (I Survived #11))
they’re bloody good ones too. I thought we’d finished with this nonsense last year when we raided that house out on the Limerick road and found the printing press. But these are much higher quality. It wouldn’t have been detected at all except for the banknote counting machine that spat it out.” “Where did they come from?” Lyons said. “Oh, the usual. These two came from different pubs in the city when the landlord was doing the lodgement after the weekend, and I’m sure we’re not finished with them yet. I’ve put out a notification to all the pubs and restaurants to be sure to use their pens on all twenties, but you know yourself, when they are busy they don’t bother. Will you take Eamon out to the bars that these came from and see if there’s any CCTV, or if the barmen remember anything about who might have passed them?” Hays said. “Yes sure, no problem. I never need much encouragement to go calling on pubs, as you know!” Lyons said. *
David Pearson (Murder on the West Coast (Galway Homicide: Hays & Lyons #3))
When social and economic relationships are recast along an imaginary axis of center and periphery, geographical space can also become freighted with moral significance. The periferia designates not just a geographic locale but also an associated nexus of social, economic and moral conditions. Anyone who has spent significant time in Brazil inevitably will have been warned of the periferia, a term that identifies not only the perimeter of urban space but also the marginal conditions believed to prevail there. In its most narrow usage, periferia refers to the shantytowns and blocks of low income housing that have sprouted along the edges of Rio de Janeiro and other urban centers in Brazil. More broadly periferia denotes a boundary zone, frontier, or hinterland, but like all liminal terminology it lends itself to a web of referents expanding its meaning beyond the purely spatial to encompass both the moral and social connotations of life on the edge: marginality, lawlessness, immorality and chaos. It is often used as synonym for favela, although not all favelas are located on the periphery.
Kelly E. Hayes (Holy Harlots: Femininity, Sexuality, and Black Magic in Brazil)
Can’t you wait for bed?” “I could, but the house is full of people. Why’d you insist my mother had to stay with us in the house? She was perfectly willing to take a cabin.” “First of all, there’s only one cabin empty and it’s hunting season, and second, I’m not going to have your mother stay under a different roof when we have two perfectly good upstairs bedrooms. That would be rude. Besides, we’re married—we’re allowed to have sex in our own house, in our own bed.” He grabbed her perfect behind in two large hands and pulled her against him. “You’re noisy when you come.” Then he swooped down on her mouth and kissed her like a starving man. When his lips were somewhat satisfied he broke away slightly and said, “And before and after.” “No, I’m not,” she argued. “Uh-huh. Then you snore and talk in your sleep.” “Do not.” “And you missed a period.” “You noticed that? It’s just a little late.” “Did you pee on a stick yet?” he asked her. Shelby shook her head. “I think it’s too soon and I don’t want to be disappointed. Besides, it might be coming—I feel weepy and my breasts are a little sore.” “You’re pregnant,” he said. “And I want to do you in the hay. You can scream until the horses stampede.” He grinned at her. “Maybe I can get you more pregnant.” “Luke…I don’t want to go home with hay in my hair…” “I can take care of that problem,” he said.
Robyn Carr (Angel's Peak (Virgin River #10))
Wind in a Box" —after Lorca I want to always sleep beneath a bright red blanket of leaves. I want to never wear a coat of ice. I want to learn to walk without blinking. I want to outlive the turtle and the turtle’s father, the stone. I want a mouth full of permissions and a pink glistening bud. If the wildflower and ant hill can return after sleeping each season, I want to walk out of this house wearing nothing but wind. I want to greet you, I want to wait for the bus with you weighing less than a chill. I want to fight off the bolts of gray lighting the alcoves and winding paths of your hair. I want to fight off the damp nudgings of snow. I want to fight off the wind. I want to be the wind and I want to fight off the wind with its sagging banner of isolation, its swinging screen doors, its gilded boxes, and neatly folded pamphlets of noise. I want to fight off the dull straight lines of two by fours and endings, your disapprovals, your doubts and regulations, your carbon copies. If the locust can abandon its suit, I want a brand new name. I want the pepper’s fury and the salt’s tenderness. I want the virtue of the evening rain, but not its gossip. I want the moon’s intuition, but not its questions. I want the malice of nothing on earth. I want to enter every room in a strange electrified city and find you there. I want your lips around the bell of flesh at the bottom of my ear. I want to be the mirror, but not the nightstand. I do not want to be the light switch. I do not want to be the yellow photograph or book of poems. When I leave this body, Woman, I want to be pure flame. I want to be your song. Terrance Hayes, Wind in a Box (Penguin, 2006) When I leave this body, Woman, I want to be pure flame. I want to be your song
Terrance Hayes (Wind in a Box)
Lucinda,” Elizabeth said for the third time in an hour, “I cannot tell you how sorry I am about this.” Five days ago, Lucinda had arrived at the inn at the Scottish border where she joined Elizabeth for the journey to Ian Thornton’s house. This morning, their hired coach broke an axle, and they were now ignominiously ensconced on the back of a hay wagon belonging to a farmer, their trunks and valises tipping precariously to and fro along the rutted path that evidently passed for a road in Scotland. The prospect of arriving in a hay wagon on Ian Thornton’s doorstep was so horrible that Elizabeth preferred to concentrate on her guilt, rather than her forthcoming meeting with the monster who had ruined her life. “As I said the last time you apologized, Elizabeth,” Lucinda replied, “it is not your fault, and therefore not your responsibility to apologize, for the deplorable lack of roads and conveyances in this heathen country.” “Yes, but if it weren’t for me you wouldn’t be here.” Lucinda sighed impatiently, clutched the side of the hay wagon as it made a particularly sharp lurch, and righted herself. “And as I have already admitted, if I hadn’t been deceived into mentioning Mr. Thornton’s name to your uncle, neither of us would be here. You are merely experiencing some nervousness at the disagreeable prospect of confronting the man, and there is no reason in the world-“The wagon tipped horribly and they both clutched at the sides of it for leverage. “-no reason in the world to continue apologizing. Your time would be better spent preparing yourself for the unhappy occasion.” “You’re right, of course.” “Of course,” Lucinda agreed unhesitatingly. “I am always right, as you know. Nearly always,” she amended, obviously thinking of how she had been misled by Julius Cameron into revealing the name of Ian Thornton as one of Elizabeth’s former suitors.
Judith McNaught (Almost Heaven (Sequels, #3))
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
We talked about how we were going to be roommates and live together forever. Yeah, even I knew we were just making silly talk with that, but a part of me really hoped that it was true.
Susanna Hays (Three Houses Down)
One more story, again involving Billy Graham, illustrates the dilemma. At the beginning of the Gulf War in January of 1991, Graham went to the White House to pray with President George Bush as he launched the Desert Storm attack on Iraq. Only hours earlier, however, Edmond Browning, the presiding bishop of the Episcopal Church—Bush’s own denomination—had joined an ecumenical group of Christians in a candlelight vigil outside the White House fence, praying for peace rather than success in war. Which group of Christians, those inside the White House or those outside the fence, had rightly discerned the Word of God?
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
new people who help her. Will Anna adjust to living in a farm house with the minimum of amenities?
Ruth Hay (Auld Acquaintance (Prime Time #1))
When we reached the street that branched off into the western section of the city, I expected Saadi to conintue north, but he did not. We dismounted and walked side by side, leading our horses, until my house came into view. “You should leave,” I said to him, hoping I didn’t sound rude. “Let me help you take King to your stable.” I hesitated, unsure of the idea, then motioned for him to follow me as I cut across the property to approach the barn from the rear. After putting King in his private stall at the back of the building, sectioned off from the mares, I lit a lantern and grabbed a bucket. While Saadi watched me from the open door of the building, I went to the well to fill it. “You should really go now,” I murmured upon my return, not wanting anyone to see us or the light. He nodded and hung the lantern on its hook, but he did not leave. Instead, he took the bucket from me, placing it in King’s stall, and I noticed he had tossed in some hay. Brushing off his hands, he approached me. “Tell your family I returned the horse to your care, that our stable master found him too unruly and disruptive to serve us other than to sire an occasional foal.” “Yes, I will,” I mumbled, grateful for the lie he had provided. I had been so focused on recovering the stallion that explaining his reappearance had not yet entered my mind. Then an image of Rava, standing outside the barn tapping the scroll against her palm, surfaced. What was to prevent her return? “And your sister? What will you tell her?” He smirked. “You seem to think Rava is in charge of everything. Well, she’s not in charge of our stables. And our stable master will be content as long as we can still use the stallion for breeding. As for Rava, keep the horse out of sight and she’ll likely never know he’s back in your hands.” “But what if you’re wrong and she does find out?” “Then I’ll tell her that I have been currying a friendship with you. That you have unwittingly become an informant. That the return of the stallion, while retaining Cokyrian breeding rights, furthered that goal.” I gaped at him, for his words flowed so easily, I wondered if there was truth behind them. “And is that what this is really all about?” I studied his blue eyes, almost afraid of what they might reveal. But they were remarkably sincere when he addressed the question. “In a way, I suppose, for I am learning much from you.” He smiled and reached out to push my hair back from my face. “But it is not the sort of information that would be of interest to Rava.” His hand caressed my cheek, and he slowly leaned toward me until his lips met mine. I moved my mouth against his, following his lead, and a tingle went down my spine. With my knees threatening to buckle, I put my hands on his chest for balance, feeling his heart beating beneath my palms. Then he was gone. I stood dumbfounded, not knowing what to do, then traced my still-moist lips, the taste of him lingering. This was the first time I’d been kissed, and the experience, I could not deny, had been a good one. I no longer cared that Saadi was Cokyrian, for my feelings on the matter were clear. I’d kiss him again if given the chance.
Cayla Kluver (Sacrifice (Legacy, #3))
February 27 Devoted Gazes of a Slave But now that you have been set free from sin and have become slaves to God, the benefit you reap leads to holiness, and the result is eternal life. —Romans 6:22 It was bitterly cold and raining, as I went to the barn to get horse feed. In the darkness, I could barely see a patch of white in the hay. “not a good idea to leave the poor thing,” I said to myself. Assuming it was a cat, I thought I bet I’m going to get scratched. But there was no resistance. As I slid my hand under the tiny animal, I realized it was a puppy. I tucked it deep into the folds of my jacket and walked back to the house. After vigorously rubbing her coat, I wrapped her in a big, fluffy towel—still shivering. As I entered the kitchen to get milk, her little body was leaning as far to the left as she could trying not to lose sight of me. I never found the owner and from that day, Chelsea was wholly devoted to me. None of my dogs ever doted on me like she did. She literally became my slave. Her gaze was constantly upon me. She was obedient and lived to bring pleasure. I tell this story to illustrate the loving gaze of the slave toward her master. She knows he has rescued her from certain death and even now has the power of life and death over her, yet she loves him for sparing her life. She watches him closely, trying to learn his wants and desires; she devotes herself to pleasing him. Her joy becomes his joy; and in the end, he blesses her with more than she has ever given him. Perhaps it’s been a while since you’ve gazed upon the one who has saved you from the slavery of sin. Would you return to worship at his feet with loving devotion, knowing that he will give you much more than you could ever sacrifice for Him?
The writers of Encouraging.com (God Moments: A Year in the Word)
Let not your heart be troubled; you believe in God, believe also in Me. In My Father’s house are many mansions; if it were not so, I would have told you. I go to prepare a place for you. And if I go and prepare a place for you, I will come again and receive you to Myself; that where I am, there you may be also. And where I go you know, and the way you know.’ “‘Thomas said to Him, “Lord, we do not know where You are going, and how can we know the way?” “‘Jesus said to him, “I am the way, the truth, and the life. No one comes to the Father except through Me.
The Left Behind Complete Set, Series 1-12
Hotchner has also written for theater. His play The White House, starring Helen Hayes, was performed on Broadway, and in 1996 it was performed in the East Room of the White House for President and Mrs. Clinton and an audience of distinguished guests.
A.E. Hotchner (The Good Life According to Hemingway)
A statue of him on Central Park's "Literary Walk" is still today the only representation there of an American writer; it was unveiled in 1877 by President Hayes and a crowd of fifty thousand people. Halleck dined twice with President Jackson; Abraham Lincoln complimented him; and John Quincy Adams referred to his poetry in a speech to the House of Representatives in 1836. For sixteen years he was "a sort of secretary and companion" to John Jacob Astor, America's richest and best-connected man. Halleck was admired by Charles Dickens, William Thackeray, James Fenimore Cooper, Washington Irving, and especially Poe. But by 1930, he was largely forgotten.
Rick Whitaker (The First Time I Met Frank O'Hara: Reading Gay American Writers)
With more than twenty million Soviets already killed in the war, Stalin allowed his soldiers to “celebrate.” Twenty-four-year-old Hildegard Kristoff recalled what that meant . . . The Russians came. We weren’t allowed to lock our doors. Holding machine guns, they herded us into an empty house. Other young women had also been dragged in. The beasts pounced on us again and again, day and night—the whole mob of them. At dawn they disappeared. We crept back to our family—many committed suicide. As many as two million German women were raped.
Francis Hayes (Hitler vs Stalin: The Battle of Stalingrad (Legendary Battles of History Book 2))
When Almanzo went into these great barns, he always went through the Horse-Barn’s little door. He loved horses. There they stood in their roomy box-stalls, clean and sleek and gleaming brown, with long black manes and tails. The wise, sedate work-horses placidly munched hay. The three-year-olds put their noses together across the bars, they seemed to whisper together. Then softly their nostrils whooshed along one another’s necks; one pretended to bite, and they squealed and whirled and kicked in play. The old horses turned their heads and looked like grandmothers at the young ones. But the colts ran about excited, on their gangling legs, and stared and wondered. They all knew Almanzo. Their ears pricked up and their eyes shone softly when they saw him. The three-year-olds came eagerly and thrust their heads out to nuzzle at him. Their noses, prickled with a few stiff hairs, were soft as velvet, and on their foreheads the short, fine hair was silky smooth. Their necks arched proudly, firm and round, and the black manes fell over them like a heavy fringe. You could run your hand along those firm, curved necks, in the warmth under the mane. But Almanzo hardly dared to do it. He was not allowed to touch the beautiful three-year-olds. He could not go into their stalls, not even to clean them. Father would not let him handle the young horses or the colts. Father didn’t trust him yet, because colts and young, unbroken horses are very easily spoiled.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
I put the phone down and turned on the TV. Anybody who was alive that terrible day knows what happened: people leaping hand in hand from God knows what height, the collapse of the two towers, the dust, and apocalyptic scenes in Lower Manhattan. In houses, offices, and war rooms across the world people were seeing things they would never forget. Sorrow floats.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
than one hundred black Louisianans exercising political liberty. The duty of protecting citizens’ equal rights, the Court said, “rests alone with the States.” Such judicial conservatism and embrace of states’ rights doctrine, practiced by the justices, all of whom had been appointed by Republican presidents Lincoln and Grant, left a resounding imprint on what remained of Reconstruction.55 In the disputed election of 1876, Tilden in all likelihood won the popular vote by more than two hundred thousand votes and 3 percent, but did not become president. When election returns poured in, it appeared that Hayes had failed, but the three “unredeemed” Southern states of Louisiana, Florida, and South Carolina were fiercely and violently contested. With 185 electoral votes needed for victory, without the three disputed states Tilden had 184 and Hayes 166. Both sides claimed they had won and accused their opponents of fraud in the disputed states, although most of the bloodshed and intimidation committed in those states had been against black Republican voters. To resolve this unprecedented situation, Congress established a fifteen-member electoral commission, balanced between Democrats and Republicans. Because Republicans held a majority in the overall Congress, they prevailed 8–7 on repeated attempts to “count” the confused returns. As the midwinter crisis dragged on in Washington, it appeared Hayes would become president. Democrats controlled the House and launched a filibuster to block action on the count.56
David W. Blight (Frederick Douglass: Prophet of Freedom)
They stepped into the gloom and peered into the rows of cages. Luxuriant, curly fur covered some rabbits, so thick it weighed the tips of the ears down. Other pens housed pink-eyed albinos, their jaws working furiously on bits of hay poking out of their mouths. Earth's biodiversity never ceased to amaze him. One of the rabbits was easily the size of a dog. The label on its cage read FLEMISH GIANT. Giant was right. Quentin leaned close to one to snap a photo for his nieces, and the rabbit thumped its back feet on the metal cage. Next to the rabbit, Alisha jumped a mile, her sneakers skidding on the concrete as she danced away. Not so eager for the bunnies, then. Fine by him. The next barn housed horses. In one of the stalls, a huge horse regarded them through wise dark eyes, like a sentient Narnian beast. A black mane fell across its face, and feathery white hair fanned out around its hooves. "A Budweiser horse!" She laughed, pointing to the placard. "Clydesdale.
Chandra Blumberg (Digging Up Love (Taste of Love, #1))
The past has no power over me because I am willing to learn and to change. I see the past as necessary to bring me to where I am today. I am willing to begin where I am right now to clean the rooms of my mental house. I know it does not matter where I start, so I now begin with the smallest and the easiest rooms, and in that way I will see results quickly.
Louise L. Hay (You Can Heal Your Life)
she was a pixie determined to be taken seriously. Given how hard she worked and the speedy progress on her education, I didn’t even mind when my morning coffee occasionally turned into hot chocolate.
Drew Hayes (Out of House and Home (Fred, the Vampire Accountant #7))
I would never shame my clan by dying with a job unfinished.
Drew Hayes (Out of House and Home (Fred, the Vampire Accountant #7))