Hay Day Quotes

We've searched our database for all the quotes and captions related to Hay Day. Here they are! All 100 of them:

As she always did on any really important day, Penelope Hayes wore red.
Anna Godbersen (The Luxe (Luxe, #1))
Do you think it’s easy for me? No, I don’t remember you. I don’t remember holding you or talking to you or falling in love with you—but I walk around with a giant hole in my heart all the time. I feel your absence every second of the day. It aches and nothing soothes it. Losing you is bad enough, but I don’t even get the comfort of remembering that I had you once. -Haden
Gwen Hayes (Falling Under (Falling Under, #1))
Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.
Annie Dillard (Pilgrim at Tinker Creek)
Donny recovered herself. “Dude, that was the seventh sign of the apocalypse. I’m so not going to class on the last day of the world.
Gwen Hayes (Falling Under (Falling Under, #1))
Có một người tôi yêu hơn tất thảy Nên tôi đem giấu thật xa Thôi muốn thu người yêu tôi thành que kim Giấu trong cánh rừng già Hay thành một vỏ sò bé Giấu ở nơi tận cùng sóng vỗ
Nguyễn Thiên Ngân (Mình Phải Sống Như Mùa Hè Năm Ấy)
Think they work you too hard? Think of poor Ali Sard. He has to mow grass in his uncle's backyard and its quick growing grass and it grows as he mows it the faster he mows it the faster he grows it. And all that his stingy old uncle will pay for his shoving mower around the hay is piffulous pay of two dooklas a day. And Ali can't live on such piffulous pay!
Dr. Seuss (Did I Ever Tell You How Lucky You Are? (Classic Seuss))
The thing about hiking the Pacific Crest Trail, the thing that was so profound to me that summer—and yet also, like most things, so very simple—was how few choices I had and how often I had to do the thing I least wanted to do. How there was no escape or denial. No numbing it down with a martini or covering it up with a roll in the hay. As I clung to the chaparral that day, attempting to patch up my bleeding finger, terrified by every sound that the bull was coming back, I considered my options. There were only two and they were essentially the same. I could go back in the direction I had come from, or I could go forward in the direction I intended to go.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
And then one day, they stopped. Long, long before I had stopped loving him.
Robinne Lee (The Idea of You)
How you start your day is how you live your day. How you live your day is how you live your life.
Louise L. Hay (Heal Your Body A-Z)
Each day is a new opportunity. I chose to make this day a great one.
Louise L. Hay
If you take the final betrayal out of it,' he said, 'he was a fine agent - one of the best.' I stared at him. 'That's one way of putting it,' I replied. 'If you take the bomb out of it, 6 August was probably a nice day in Hiroshima.
Terry Hayes (I Am Pilgrim)
Saba solía decir que hay una diferencia entre lo heroico y la valentía. El heroísmo era hacer algo peligroso sin pensar. La valentía era caminar hacia el peligro, sabiendo perfectamente los riesgos.
Gayle Forman (Just One Year (Just One Day, #2))
Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken to my joyful tidings Of the golden future time. Soon or late the day is coming, Tyrant Man shall be o'erthrown, And the fruitful fields of England Shall be trod by beasts alone. Rings shall vanish from our noses, And the harness from our back, Bit and spur shall rust forever, Cruel whips shall no more crack. Riches more than mind can picture, Wheat and barley, oats and hay, Clover, beans, and mangel-wurzels, Shall be ours upon that day. Bright will shine the fields of England, Purer shall its water be, Sweeter yet shall blow its breezes On the day that sets us free. For that day we all must labour, Though we die before it break; Cows and horses, geese and turkeys, All must toils for freedom's sake. Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken well and spread my tidings Of the golden future time.
George Orwell (Animal Farm)
Your thoughts and beliefs of the past have created this moment, and all the moments up to this moment. What you are now choosing to believe and think and say will create the next moment and the next day and the next month and the next year.
Louise L. Hay
I went home that day, and I wrote your name over and over on a piece of paper. I must have written it a hundred times. My mom found the paper a few days later in my sock drawer. She wanted to know why I'd done that..." I wanted to know why more than anything I'd ever remembered wanting, but a part of me hoped he'd chicken out. "I told her I liked the way your name made my heart jump.
Gwen Hayes (So Over You)
I missed the days when I would silently judge seemingly crazy people in a park, instead of being one of them.
Drew Hayes (The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant)
Hay que enamorarse para amar, pero enamorarse no es lo mismo que amar
Gayle Forman (Just One Day (Just One Day, #1))
I’m sixty-eight” he said, “I first bucked hay when I was seventeen. I thought, that day I started, I sure would hate to do this all my life. And dammit, that’s just what I’ve gone and done.
Gary Snyder (Riprap and Cold Mountain Poems)
Lanzarme con otro libro es tan grave como enamorarme, un impulso alocado que exige dedicación fanática. Con cada uno, como ante un nuevo amor, me pregunto si me alcanzarán las fuerzas para escribirlo y si acaso semejante proyecto vale la pena: hay demasiadas páginas inútiles y demasiados amoríos frustrados.
Isabel Allende (The Sum of Our Days: A Memoir)
-Hay un mundo de diferencia, Lulu, entre el enamoramiento y el amar.
Gayle Forman (Just One Day (Just One Day, #1))
But she's the kind that won't be downed easily. She'll work all day and go to a Bohemian wedding and dance all night, and drive the hay wagon for a cross man next morning.
Willa Cather (O Pioneers!)
Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
Hay intimidad en el dolor. Cualquiera que haya consolado a alguien que sufre lo sabe —la indefensa ternura, los abrazos y susurros, y el lento balanceo conjunto mientras dos se vuelven uno contra el enemigo, el dolor—.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
La devastación me agarró desprevenido. Hay una diferencia entre perder algo que sabías que tenías y perder algo que descubriste que tenías. Uno es una desilusión. El otro se siente como perder una pieza de ti mismo.
Gayle Forman (Just One Year (Just One Day, #2))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
In Seattle there is a constant hope for a period called “two days in a row when it doesn’t fucking rain.
Drew Hayes (Super Powereds: Year 1)
We are always waiting, aren't we? All in a state of hesitation and held breath. Sometimes it's glorious like a storm at the end of a hot day.
Suzanne Hayes (I'll Be Seeing You (I'll Be Seeing You, #1))
The three agents were hard guys, the youngest of them in his twenties, a man whose IQ was so low I figured they had to water him twice a day.
Terry Hayes (I Am Pilgrim)
Para estar al borde del mar no hay más que cerrar los ojos.
Marcel Proust (Pleasures and Days)
Art thou not sorry for these heinous deeds? AARON. Ay, that I had not done a thousand more. Even now I curse the day- and yet, I think, Few come within the compass of my curse- Wherein I did not some notorious ill; As kill a man, or else devise his death; Ravish a maid, or plot the way to do it; Accuse some innocent, and forswear myself; Set deadly enmity between two friends; Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' door Even when their sorrows almost was forgot, And on their skins, as on the bark of trees, Have with my knife carved in Roman letters 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly; And nothing grieves me heartily indeed But that I cannot do ten thousand more.
William Shakespeare (Titus Andronicus)
First, the weather got hotter every day, and the hay press broke down every day. Second, the boss fell in love with Marian Wray, and the hay press broke down every day. Third, inside of forty-eight hours everybody on that crew hated everybody else, and the hay press broke down every day. Fourth, and most important of all, the hay press broke down every day.
Max Brand (The Oath of Office: A Western Trio)
As the sun shines I will make hay To keep failure at bay For there remaineth a pay For my honest toil each day.
Ogwo David Emenike
One day Samuel strained his back lifting a bale of hay, and it hurt his feelings more than his back, for he could not imagine a life in which Sam Hamilton was not privileged to lift a bale of hay. He felt insulted by his back, almost as he would have been if one of his children had been dishonest
John Steinbeck (East of Eden)
People say love is weak, but they're wrong: love is strong. In nearly everyone it trumps all other things - patriotism and ambition, religion and upbringing. And every kind of love - the epic and the small, the noble and the base - the one that a parent has for their child is the greatest of them all. That was the lesson I learned that day, and I'll be forever grateful I did. Some years later, deep in the ruins called Theatre of Death, it salvaged everything.
Terry Hayes (I Am Pilgrim)
Puesto que no hay remedio, tengamos valor con la muerte. Abracemos esta horrible idea con pecho firme; considerémosla cara a cara. Pidámosle cuenta de lo que es; sepamos qué quiere de nosotros; volvámosla en todos sentidos; descifremos el enigma y miremos de antemano en el sepulcro.
Victor Hugo (The Last Day of a Condemned Man)
Vampire strength might not let me lift cars, but I will tear up some shrubbery all day long.
Drew Hayes (The Utterly Uninteresting and Unadventurous Tales of Fred, the Vampire Accountant (Fred, the Vampire Accountant, #1))
The process of living is like taking a very long road trip. The destination may be important, but the journey experienced day to day and week to week is what is invaluable.
Steven C. Hayes (Acceptance and Commitment Therapy: The Process and Practice of Mindful Change)
Una vez que un accidente pasa, no hay vuelta atrás.
Gayle Forman (Just One Day (Just One Day, #1))
Ay, that I had not done a thousand more. Even now I curse the day—and yet, I think, Few come within the compass of my curse,— Wherein I did not some notorious ill, As kill a man, or else devise his death, Ravish a maid, or plot the way to do it, Accuse some innocent and forswear myself, Set deadly enmity between two friends, Make poor men's cattle break their necks; Set fire on barns and hay-stacks in the night, And bid the owners quench them with their tears. Oft have I digg'd up dead men from their graves, And set them upright at their dear friends' doors, Even when their sorrows almost were forgot; And on their skins, as on the bark of trees, Have with my knife carved in Roman letters, 'Let not your sorrow die, though I am dead.' Tut, I have done a thousand dreadful things As willingly as one would kill a fly, And nothing grieves me heartily indeed But that I cannot do ten thousand more.
William Shakespeare (Titus Andronicus)
I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea;
Robert Lowell (Collected Poems)
To this day I struggle to sleep when I’m expecting someone home; some part of me still won’t accept that people who leave will eventually come back.
Hazel Hayes (Out of Love)
God doesn't always give us enough peace and enough strength to save up and prepare for the future, but always, if we are willing to accept it, he gives us strength and peace sufficient to get through one day at a time.
Tim LaHaye (Soul Harvest: The World Takes Sides (Left Behind, #4))
In the morning, in the morning, In the happy field of hay, Oh they looked at one another By the light of day. In the blue and silver morning On the haycock as they lay, Oh they looked at one another And they looked away.
A.E. Housman (A Shropshire Lad)
Quizá para ti hay un mañana. Quizá para ti hay mil mañanas, o tres mil, o diez mil, tanto tiempo que puedas inundarte en él, dejarlo deslizarse como monedas a través de tus dedos. Tanto tiempo que puedes desperdiciarlo. Pero para alguno de nosotros, sólo existe el hoy. Y la verdad es que, realmente nunca lo sabes.
Lauren Oliver (Before I Fall)
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Hay una diferencia entre perder algo que sabías que tenías y perder algo que descubriste que tenías. Uno es una desilusión. El otro se siente como perder una pieza de ti mismo.
Gayle Forman (Just One Year (Just One Day, #2))
Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops. His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it. Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.
William Maxwell (So Long, See You Tomorrow)
I failed,” I said finally. “At what?” “The relationship.” “Don't be ridiculous,” said Maya, “You can't fail at a relation ship. That's like getting off a roller coaster and saying you failed because the ride is over. Things end. That doesn't mean the experience wasn't worth it.” “I'm not sure it was worth it Maya. What did I get out of it?” “You got what you needed," she said. “And then one day it wasn't what you needed any more.
Hazel Hayes (Out of Love)
I must have wanton Poets, pleasant wits, Musitians, that with touching of a string May draw the pliant king which way I please: Musicke and poetrie is his delight, Therefore ile have Italian maskes by night, Sweete speeches, comedies, and pleasing showes, And in the day when he shall walke abroad, Like Sylvian Nimphes my pages shall be clad, My men like Satyres grazing on the lawnes, Shall with their Goate feete daunce an antick hay. Sometime a lovelie boye in Dians shape, With haire that gilds the water as it glides, Crownets of pearle about his naked armes, And in his sportfull hands an Olive tree, To hide those parts which men delight to see, Shall bathe him in a spring, and there hard by, One like Actaeon peeping through the grove, Shall by the angrie goddesse be transformde, And running in the likenes of an Hart, By yelping hounds puld downe, and seeme to die. Such things as these best please his majestie, My lord.
Christopher Marlowe (Edward II)
Take each day as it comes, don’t overthink it.
Bill Hayes (Insomniac City: New York, Oliver Sacks, and Me)
In the mainstream, with its illusion of unlimited relational possibilities, we can counter dissatisfaction in relationships by simply moving on in search of the "right people." But community...demands we cultivate friendships with people we might not choose ordinarily. Founding friendship on commitment rather than "chemistry" often requires adjustment...At the end of the day, however, we have found that any loss of chemistry in relationships is more than made up for with gains in meaning.
Jose Panate-Aceves and John Hayes
The stories themselves aren't what moves him now...What moves him are the shadowy people behind the stories, the workers weary from their days, gathering at night in front of a comforting bit of fire...The world then was no less terrifying than it is now, with our nightmares of bombs and disease and technological warfare. Anything held the ability to set of fear...a nail dropped in a the hay, wolves circling at the edge of the woods...
Lauren Groff (Arcadia)
I was angry about injustice--about the uncaring way the world works. I knew a lot of ordinary people had died that day, not because of fire or falling masonry but because of their compassion. It was their desperate attempts to save other human being--often total strangers--that ended up costing them their own lives.
Terry Hayes (I Am Pilgrim)
Yes, the man said, I've often wondered why I impress people as being altogether sad, and yet I insist I am not sad, and that they are quite wrong about me, and yet when I look in the mirror it turns out to be something really true, my face is sad, my face is actually sad, I become convinced (and he smiled at her, because it was four o'clock, and the day was ending and she was a very pretty girl, it was astonishing how gradually she had become prettier) that they are right after all, and I am sad, sadder than I know.
Alfred Hayes (In Love (Modern Romance Classics))
She wiped her eye and pressed her lips together. “I sleep in your room. I’m fairly pathetic about it, really. I wear your T-shirts to bed and watch your movies.” She paused. “And you don’t even remember me.” This time I stopped walking. “Do you think it’s easy for me?” She had gotten a few steps ahead and turned to look back at me. “No, I don’t remember you. I don’t remember holding you or talking to you or falling in love with you—but I walk around with a giant hole in my heart all the time. I feel your absence every second of the day. It aches and nothing soothes it. Losing you is bad enough, but I don’t even get the comfort of remembering that I had you once.
Gwen Hayes (Falling Under (Falling Under, #1))
You know I used to do public appearances multiple times a day, right?” Owen said. “And I used to shit my bed when I was a baby. Doesn’t mean I’d feel comfortable doing it tonight,” Hexcellent shot back.
Drew Hayes (Corpies (Super Powereds, #2.5))
Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow-underwing asleep in the shadow of the curtain never fails to rouse in us. They are hybrid creatures, neither gay like butterflies nor sombre like their own species. Nevertheless the present specimen, with his narrow hay-coloured wings, fringed with a tassel of the same colour, seemed to be content with life.
Virginia Woolf (The Death of the Moth and Other Essays)
Despues pinto un poco. Hay tranquilidad y silencio en estos dias y aprovecho que puedo concentrarme. La soledad. Quizas uno escribe y pinta no solo para crear un espacio de libertad alrededor, sino tambien para sentirse acompaNado. No exactamente para romper la soledad. No se trata de eso. La soledad siempre estA ahI. La siento, la toco, hablo con ella. Forma parte de mi vida. La soledad es inevitable. Y ayuda. Me concentro mas. Soy mas yo cuando convivimos bien apretaditos: la soledad y yo. Nos adoramos. No podria vivi sin la soledad. my translation: Later I paint a little bit. There's tranquility and silence in these days and I benefit from being able to concentrate. Loneliness. Maybe one writes and paints not only to create a space of freedom, but rather also to feel accompanied. Not exactly to break loneliness. It's not about that. Loneliness is always there. I feel it. I touch it. I talk with it. It forms part of my life. Loneliness is inevitable. And it helps. I concentrate more. I'm more me when we live pushed together: loneliness and me. We worship each other. I couldn't live with out loneliness.
Pedro Juan Gutiérrez (Animal tropical)
Boy and Egg Every few minutes, he wants to march the trail of flattened rye grass back to the house of muttering hens. He too could make a bed in hay. Yesterday the egg so fresh it felt hot in his hand and he pressed it to his ear while the other children laughed and ran with a ball, leaving him, so little yet, too forgetful in games, ready to cry if the ball brushed him, riveted to the secret of birds caught up inside his fist, not ready to give it over to the refrigerator or the rest of the day.
Naomi Shihab Nye (Fuel: Poems (American Poets Continuum Series))
Love is the most powerful healing force there is. You can take this love out into the world and silently share it with everyone you meet. Love yourself. Love one another. Love the planet and know that we are all one. And so it is.
Louise L. Hay (Mirror Work: 21 Days to Heal Your Life)
I just called to tell you good night. Get some sleep, Theia. Tomorrow is a big day.” “I would sleep much better if you were here.” As soon as the words spilled out of my mouth,I wanted to die of embarrassment. Haden and I were close, but we hadn’t gotten that close yet. “I mean . . . it’s just that when you’re near I’m not as agitated. Not that I want to sleep with you.” I needed to stop talking—I was making it worse. “You don’t?” He was teasing now. “Now you’ve hurt my male pride.
Gwen Hayes (Dreaming Awake (Falling Under, #2))
(This is how the iron law of bureaucracy installs itself at the heart of an institution. Most of the activities of any bureaucracy are devoted not to the organization’s ostensible goals, but to ensuring that the organization survives: because if they aren’t, the bureaucracy has a life expectancy measured in days before some idiot decision maker decides that if it’s no use to them they can make political hay by destroying it. It’s no consolation that some time later someone will realize that an organization was needed to carry out the original organization’s task, so a replacement is created: you still lost your job and the task went undone. The only sure way forward is to build an agency that looks to its own survival before it looks to its mission statement. Just another example of evolution in action.)
Charles Stross (The Annihilation Score (Laundry Files, #6))
Part of the problem was that I couldn't seem to get past the fact that I hadn't tried to escape from Kas. Even in France, when he'd left me on my own for several days, I'd carried on working [as a prostitute] and doing all the things he'd told me to d. And although I knew that it was because of the fear he'd so carefully and deliberately instilled in me, I still felt as though I'd somehow colluded in what had happened to me - despite knowing, deep down, that nothing could have been further from the truth.
Sophie Hayes (Trafficked: The Terrifying True Story of a British Girl Forced into the Sex Trade)
A couple of days ago, I saw a rig big enough to haul that tanker. You wanna get outta here? You talk to me.
Terry Hayes (The Original MAD MAX 1)
Scripture is also clear that it is not by works of righteousness we have done but by God’s mercy that He saves us.
Tim LaHaye (The Rapture: In the Twinkling of an Eye / Countdown to the Earth's Last Days (Before They Were Left Behind Book 3))
Nothing done in Jesus’ name is wasted.
Tim LaHaye (The Rapture: In the Twinkling of an Eye / Countdown to the Earth's Last Days (Before They Were Left Behind Book 3))
For with God nothing will be impossible.
Tim LaHaye (The Rapture: In the Twinkling of an Eye / Countdown to the Earth's Last Days (Before They Were Left Behind Book 3))
If you take the bomb out of it, August 6th was probably a nice day in Hiroshima.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
The next time something happens to your car, make a note as to what you feel the broken part represents and see if you can connect it to how you are feeling at that particular moment. You may be surprised at the results. One day I will write a little book and call it Heal Your Automobile.
Louise L. Hay (The Power Is Within You)
Joao Elvas wrapped his cloak tightly around him, tucked up his legs as if he were still in his mother's womb, and snoozed in the warmth of the hay, which gave off a pleasant odour generated by the heat of his body. There are refined men and women, and sometimes not all that refined, who cannot bear such odours and who take great pains to cover any traces of their natural smell, and the day will come when artificial roses will be sprayed with the artificial scent of roses, and these refined souls will exclaim, How lovely they smell.
José Saramago (Baltasar and Blimunda)
UNDERSTANDING I am constantly increasing my understanding. I am teachable. Every day I open my awareness a little more to the Divine Wisdom within me. I am glad to be alive and so grateful for the good that has come to me. Life, to me, is an education. Every day I open my mind and my heart, as a child does, and I discover new insights, new people, new viewpoints, and new ways to understand what’s happening around me and within me. My human mind may not always understand at first. Understanding seems to require lots of love and patience. My new mental skills are really helping me feel more at ease with all the changes in this incredible school of life here on Planet Earth.
Louise L. Hay (Meditations to Heal Your Life)
In the days that followed I thought about grief; how nothing and nobody can prepare you for it. People tell you their stories but until you experience it for yourself you can't possibly understand. There's no going around it. Or under or over it. You've got to go through it. It will hit you in waves so enormous that the you are smacked against the shore. It will fabric of your life, so that everything you do is stained by it; every moment, good or bad, is steeped in sadness for a while. Even the nice moments, the achievements and successes, are permeate very tinged with the knowledge that someone something is missing. And the first time that you smile or laugh, you catch yourself, because happiness feels so unfamiliar.
Hazel Hayes (Out of Love)
Suddenly Yudhisthira saw a yaksha approaching him. The being sat in front of him and began firing questions rapidly at him. What is bigger than the Earth? the yaksha asked. "A mother" replied Yudhisthira. What is taller than the sky? "A father" What is faster than the wind? "The mind , of course". Yudhisthira smiled. What grows faster than hay? "Worry" What is the greatest dharma in the world? queried the yaksha "Compassion and conscience" With who is friendship never-ending? "With good people" responded Yudhisthira patiently. What is the secret to never feeling unhappy? "If one can control his or her mind, then that person will never feel sad" The yaksha increase his pace now. What is the greatest kind of wealth. "Education" What is the greatest kind of profit? "Health" What is the greatest kind of happiness? "Contentment" said Yudhisthira, ever prompt with his replies. What is man's worst enemy? "Anger" What disease will never have a cure? "Greed is incurable" The yaksha smiled again. A last question my friend. What is life's biggest irony? "It is the desire to live eternally. Every day, we encounter people dying but we always think that death will never come to us.
Sudha Murty (The Serpent's Revenge: Unusual Tales from the Mahabharata)
S., a clever and truthful man, once told me the story of how he ceased to believe. On a hunting expedition, when he was already twenty-six, he once, at the place where they put up for the night, knelt down in the evening to pray -- a habit retained from childhood. His elder brother, who was at the hunt with him, was lying on some hay and watching him. When S. had finished and was settling down for the night, his brother said to him: 'So you still do that?' They said nothing more to one another. But from that day S. ceased to say his prayers or go to church. And now he has not prayed, received communion, or gone to church, for thirty years. And this not because he knows his brother's convictions and has joined him in them, nor because he has decided anything in his own soul, but simply because the word spoken by his brother was like the push of a finger on a wall that was ready to fall by its own weight. The word only showed that where he thought there was faith, in reality there had long been an empty space, and that therefore the utterance of words and the making of signs of the cross and genuflections while praying were quite senseless actions. Becoming conscious of their senselessness he could not continue them.
Leo Tolstoy (A Confession)
To use Matthew’s own language, turning the other cheek makes sense if and only if it really is true that the meek will inherit the earth, if and only if it really is true that those who act on Jesus’ words have built their house on a rock so that it will stand in the day of judgment. Turning the other cheek makes sense if and only if all authority in heaven and on earth has been given to Jesus.
Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
INVITATION TO LOVE Come when the nights are bright with stars Or when the moon is mellow; Come when the sun his golden bars Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene'er you may, And you are welcome, welcome. You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it rest As the bird flies home to its welcome nest. Come when my heart is full of grief Or when my heart is merry; Come with the falling of the leaf Or with the redd'ning cherry. Come when the year's first blossom blows, Come when the summer gleams and glows, Come with the winter's drifting snows, And you are welcome, welcome.
Paul Laurence Dunbar (Lyrics of Lowly Life)
I had enjoyed riding with Ostrander and his Jayhawkers early on. As I said, it reminded me of my days with Black Legs and Dirt Face, when we terrorized the Mexican peasantry and took what we wanted. We were kings then, and I was young. I saw no wrong in it—it was the way of the Comanche. And so it was with Ostrander. We raided, and we killed, and we took, but we did it for righteousness sake, he said. To right the wrong, the evil, of slavery,
M.J. Hayes (Son of the Mountain)
By 'stay,' do you mean forever?" I mean to ask but don't. Stay till I die? Till I am too old to take care of myself, like my father? "For now." is my answer, but I don't know, not really. If moving to New York at age forty-eight taught me anything, it is that I am capable of starting over in a new place. And yet, the thought of leaving it, of knowing how much I would miss, is too painful to contemplate. I remember how Wendy once told me she loved New York so much she couldn't bear the thought of it going on without her. It seemed like both the saddest and the most romantic thing one could possibly say—sad because New York can never return the sentiment, and sad because it's the kind of thing said more often about a romantic love—husband, wife, girlfriend, partner, lover. You can't imagine them going on without you. But they do. We do. Every day, we may wake up and say, What's the point? Why go on? And, there is really only one answer: To be alive.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
First one turned up at my family's ranch jus' days aft' I buried my parents. Arbiter Colm he called himself.” Betrim fixed Green with a cold stare. “Ya never forget ya first time. He was there ta look about my parent's death. Seems he thought they died of unnatural circumstances.” “Did they?” Green asked. “Well seeing as how I stabbed 'em both myself. Aye.
Rob J. Hayes (The Heresy Within (The Ties That Bind, #1))
When I'm at home, surrounded by people I know, and this holds true for most of us, I play my part in a role I’ve created for myself. I fulfill my social obligations, and conform to the rules of society, acting in what I’ve determined is an acceptable way. Don’t we all do this? Deciding each day when we look in the mirror whether or not to continue acting out our role we’ve created?  This is why it is paramount to travel alone. When you travel alone, you’re instantly set free from this character you’ve assumed. When you travel alone, no one knows who you are, there’s no predetermined idea about how you should act, you are free, and you can be your true self. Every morning you are liberated to create your identity as you truly want it to be.
Sean Michael Hayes (Five Weeks in the Amazon)
We need to give children ways to help themselves feel good,” she tells me. “Parents can start with simple messages throughout the morning that children can repeat—messages such as: It’s so easy to get dressed. I love getting dressed. Breakfast is always a fun time. We’re all so glad to see each other. We love eating breakfast together. Breakfast makes my body feel good. “Parents can even go around the table and have each family member share one thing they love about themselves. Or they can put affirmations in a bowl and choose one for the whole family to focus on during the day. This can become a morning ritual for couples, families, roommates, and so on. Each person can even decide on one experience they’d like to have that day and create an affirmation for
Louise L. Hay (You Can Create an Exceptional Life)
Within hours, large crowds were streaming into the car park and by the time a twelve-year-old boy—the Saracen’s best friend—drove past with his father he knew exactly what it meant. It was a Friday—the Muslim day of rest—and the traffic was terrible, so it took the kid over an hour to get home. He immediately grabbed his bicycle and rode eight miles to tell his friend what he had seen.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
In the leadup to the election of 1876, swing votes were tied to the issue of Chinese immigration in the same way that immigration was a hot topic during this election cycle. Rutherford Hayes endorsed Chinese exclusion and won the election. In the following election, James Garfield also carried the torch of anti-Chinese immigration into office. (From those days to now, every presidential election has fanned the flames of anti-immigration. This, Henry, shows that hate and fear are reliable, predictable, and effective political tools.) All of this led eventually to the Chinese Exclusion Act of 1882, which barred the entry of all Chinese immigrants to the United States except for those who were teachers, students, diplomats, ministers, or merchants. It also declared all Chinese totally ineligible for naturalized citizenship. This clause alone allowed the United States to join Nazi Germany and South Africa as the only nations every to withhold naturalization purely on racial grounds.
Lisa See (Radical Hope: Letters of Love and Dissent in Dangerous Times)
July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.
Louisa May Alcott (Little Men [with Biographical Introduction])
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
In this jangle of causes and effects, what had become of their true selves? Here Leonard lay dead in the garden, from natural causes; yet life was a deep, deep river, death a blue sky, life was a house, death a wisp of hay, a flower, a tower, life and death were anything and everything, except this ordered insanity, where the king takes the queen, and the ace the king. Ah, no; there was beauty and adventure behind, such as the man at her feet had yearned for; there was hope this side of the grave; there were truer relationships beyond the limits that fetter us now. As a prisoner looks up and sees stars beckoning, so she, from the turmoil and horror of those days, caught glimpses of the diviner wheels.
E.M. Forster (Howards End)
Invitation to Love Come when the nights are bright with stars Or come when the moon is mellow; Come when the sun his golden bars Drops on the hay-field yellow. Come in the twilight soft and gray, Come in the night or come in the day, Come, O love, whene’er you may, And you are welcome, welcome. You are sweet, O Love, dear Love, You are soft as the nesting dove. Come to my heart and bring it to rest As the bird flies home to its welcome nest. Come when my heart is full of grief Or when my heart is merry; Come with the falling of the leaf Or with the redd’ning cherry. Come when the year’s first blossom blows, Come when the summer gleams and glows, Come with the winter’s drifting snows, And you are welcome, welcome
Paul Laurence Dunbar
I Knew a Woman" I knew a woman, lovely in her bones, When small birds sighed, she would sigh back at them; Ah, when she moved, she moved more ways than one: The shapes a bright container can contain! Of her choice virtues only gods should speak, Or English poets who grew up on Greek (I’d have them sing in chorus, cheek to cheek). How well her wishes went! She stroked my chin, She taught me Turn, and Counter-turn, and Stand; She taught me Touch, that undulant white skin; I nibbled meekly from her proffered hand; She was the sickle; I, poor I, the rake, Coming behind her for her pretty sake (But what prodigious mowing we did make). Love likes a gander, and adores a goose: Her full lips pursed, the errant note to seize; She played it quick, she played it light and loose; My eyes, they dazzled at her flowing knees; Her several parts could keep a pure repose, Or one hip quiver with a mobile nose (She moved in circles, and those circles moved). Let seed be grass, and grass turn into hay: I’m martyr to a motion not my own; What’s freedom for? To know eternity. I swear she cast a shadow white as stone. But who would count eternity in days? These old bones live to learn her wanton ways: (I measure time by how a body sways).
Theodore Roethke (The Collected Poems)
She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles. Leonie kill things.
Jesmyn Ward (Sing, Unburied, Sing)
At least she was good at archaeology, she mused, even if she was a dismal failure as a woman in Tate’s eyes. “She’s been broody ever since we got here,” Leta said with pursed lips as she glanced from Tate to Cecily. “You two had a blowup, huh?” she asked, pretending innocence. Tate drew in a short breath. “She poured crab bisque on me in front of television cameras.” Cecily drew herself up to her full height. “Pity it wasn’t flaming shish kebab!” she returned fiercely. Leta moved between them. “The Sioux wars are over,” she announced. “That’s what you think,” Cecily muttered, glaring around her at the tall man. Tate’s dark eyes began to twinkle. He’d missed her in his life. Even in a temper, she was refreshing, invigorating. She averted her eyes to the large grass circle outlined by thick corded string. All around it were make-shift shelters on poles, some with canvas tops, with bales of hay to make seats for spectators. The first competition of the day was over and the winners were being announced. A woman-only dance came next, and Leta grimaced as she glanced from one warring face to the other. If she left, there was no telling what might happen. “That’s me,” she said reluctantly, adjusting the number on her back. “Got to run. Wish me luck.” “You know I do,” Cecily said, smiling at her. “Don’t disgrace us,” Tate added with laughter in his eyes. Leta made a face at him, but smiled. “No fighting,” she said, shaking a finger at them as she went to join the other competitors. Tate’s granitelike face had softened as he watched his mother. Whatever his faults, he was a good son.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Who's the Devil?" Frances crouches down as if she were talking to Trixie. "That's something I'll never tell you, Lily, no matter how old you get to be, because the Devil is shy. It makes him angry when someone recognizes him, so once they do the Devil gets after them. And I don't want the Devil to get after you." "Is the Devil after you?" "Yes." "Jesus can beat the Devil." "If God wants." "God is against the Devil." "God made the Devil." "Why?" "For fun." "No, to test us." "If you know, why are you asking me?" "Daddy says there's no such thing as the Devil, it's just an idea." "The Devil lives with us." "No he doesn't." "You see the Devil every day. The Devil hugs you and eats right next to you." "Daddy's not the Devil." "I never said he was. ..." Frances has got a dry look, tinder in the eye; her voice is a stack of hay heating up at the center, her mouth a stitched line. "I'm the Devil." This is the moment Lily stops being afraid of anything Frances could ever say or do again. Stops being afraid of anything at all. She reaches out and takes Frances's hand. The white hand that always smells of small wildflowers, lily of the valley. The hand that has always done up Lily's buttons and laces, and produced wondrous objects. She holds Frances's hand and tells her, "It's okay, Frances.
Ann-Marie MacDonald (Fall on Your Knees)
As Christians we face two tasks in our evangelism: saving the soul and saving the mind, that is to say, not only converting people spiritually, but converting them intellectually as well. And the Church is lagging dangerously behind with regard to this second task. If the church loses the intellectual battle in one generation, then evangelism will become immeasurably more difficult in the next. The war is not yet lost, and it is one which we must not lose: souls of men and women hang in the balance. For the sake of greater effectiveness in witnessing to Jesus Christ Himself, as well as for their own sakes, evangelicals cannot afford to keep on living on the periphery of responsible intellectual existence. Thinking about your faith is indeed a virtue, for it helps you to better understand and defend your faith. But thinking about your faith is not equivalent to doubting your faith. Doubt is never a purely intellectual problem. There is a spiritual dimension to the problem that must be recognized. Never lose sight of the fact that you are involved in spiritual warfare and there is an enemy of your soul who hates you intensely, whose goal is your destruction, and who will stop at nothing to destroy you. Reason can be used to defend our faith by formulating arguments for the existence of God or by refuting objections. But though the arguments so developed serve to confirm the truth of our faith, they are not properly the basis of our faith, for that is supplied by the witness of the Holy Spirit Himself. Even if there were no arguments in defense of the faith, our faith would still have its firm foundation. The more I learn, the more desperately ignorant I feel. Further study only serves to open up to one's consciousness all the endless vistas of knowledge, even in one's own field, about which one knows absolutely nothing. Don't let your doubts just sit there: pursue them and keep after them until you drive them into the ground. We should be cautious, indeed, about thinking that we have come upon the decisive disproof of our faith. It is pretty unlikely that we have found the irrefutable objection. The history of philosophy is littered with the wrecks of such objections. Given the confidence that the Holy Spirit inspires, we should esteem lightly the arguments and objections that generate our doubts. These, then, are some of the obstacles to answered prayer: sin in our lives, wrong motives, lack of faith, lack of earnestness, lack of perseverance, lack of accordance with God’s will. If any of those obstacles hinders our prayers, then we cannot claim with confidence Jesus’ promise, “Whatever you ask in my name, I will do it”. And so I was led to what was for me a radical new insight into the will of God, namely, that God’s will for our lives can include failure. In other words, God’s will may be that you fail, and He may lead you into failure! For there are things that God has to teach you through failure that He could never teach you through success. So many in our day seem to have been distracted from what was, is and always will be the true priority for every human being — that is, learning to know God in Christ. My greatest fear is that I should some day stand before the Lord and see all my works go up in smoke like so much “wood, hay, and stubble”. The chief purpose of life is not happiness, but knowledge of God. People tend naturally to assume that if God exists, then His purpose for human life is happiness in this life. God’s role is to provide a comfortable environment for His human pets. But on the Christian view, this is false. We are not God’s pets, and the goal of human life is not happiness per se, but the knowledge of God—which in the end will bring true and everlasting human fulfilment. Many evils occur in life which may be utterly pointless with respect to the goal of producing human happiness; but they may not be pointless with respect to producing a deeper knowledge of God.
William Lane Craig (Hard Questions, Real Answers)
Putting It into Practice: Neutralizing Negativity Use the techniques below anytime you’d like to lessen the effects of persistent negative thoughts. As you try each technique, pay attention to which ones work best for you and keep practicing them until they become instinctive. You may also discover some of your own that work just as well. ♦ Don’t assume your thoughts are accurate. Just because your mind comes up with something doesn’t necessarily mean it has any validity. Assume you’re missing a lot of elements, many of which could be positive. ♦ See your thoughts as graffiti on a wall or as little electrical impulses flickering around your brain. ♦ Assign a label to your negative experience: self-criticism, anger, anxiety, etc. Just naming what you are thinking and feeling can help you neutralize it. ♦ Depersonalize the experience. Rather than saying “I’m feeling ashamed,” try “There is shame being felt.” Imagine that you’re a scientist observing a phenomenon: “How interesting, there are self-critical thoughts arising.” ♦ Imagine seeing yourself from afar. Zoom out so far, you can see planet Earth hanging in space. Then zoom in to see your continent, then your country, your city, and finally the room you’re in. See your little self, electrical impulses whizzing across your brain. One little being having a particular experience at this particular moment. ♦ Imagine your mental chatter as coming from a radio; see if you can turn down the volume, or even just put the radio to the side and let it chatter away. ♦ Consider the worst-case outcome for your situation. Realize that whatever it is, you’ll survive. ♦ Think of all the previous times when you felt just like this—that you wouldn’t make it through—and yet clearly you did. We’re learning here to neutralize unhelpful thoughts. We want to avoid falling into the trap of arguing with them or trying to suppress them. This would only make matters worse. Consider this: if I ask you not to think of a white elephant—don’t picture a white elephant at all, please!—what’s the first thing your brain serves up? Right. Saying “No white elephants” leads to troops of white pachyderms marching through your mind. Steven Hayes and his colleagues studied our tendency to dwell on the forbidden by asking participants in controlled research studies to spend just a few minutes not thinking of a yellow jeep. For many people, the forbidden thought arose immediately, and with increasing frequency. For others, even if they were able to suppress the thought for a short period of time, at some point they broke down and yellow-jeep thoughts rose dramatically. Participants reported thinking about yellow jeeps with some frequency for days and sometimes weeks afterward. Because trying to suppress a self-critical thought only makes it more central to your thinking, it’s a far better strategy to simply aim to neutralize it. You’ve taken the first two steps in handling internal negativity: destigmatizing discomfort and neutralizing negativity. The third and final step will help you not just to lessen internal negativity but to actually replace it with a different internal reality.
Olivia Fox Cabane (The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
When I sit up I am greeted by the world. Level with the treetops I look down on sparrows swooping in and out of the branches. The tide, the new rising moon, the clouds, the wind - these greet me. These are my allies. The whole planet is laid out before me and available for whatever adventure the day will take me on. By comparison, living in society seems to require an alarm clock. Primarily assembled from angst and fish anuses, these contraptions, regardless of your soul's whereabouts, will slap and assault you into a pitiful state of what passes for consciousness. Your first sight is the Time, an arragement of molecules on the clock's face to whom you will be enslaved for the rest of the day. You may as well call him "master." Next, a pile of dirty clothes on the floor, a knocked-over glass of water, and so forth, until you are so overwhelmed with despair that to prevent hurling yourself through the window, you must ignore your personal bill of rights, put on an acceptable frown, and go about your business, disregarding the pleas from you increasingly timid soul.
Daniel Hays (On Whale Island: Notes from a Place I Never Meant to Leave)
THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.
John Rawson (From The English Countryside: Tales Of Tragedy: Narrated In Dramatic Traditional Verse)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
A businessman buys a business and tries to operate it. He does everything that he knows how to do but just cannot make it go. Year after year the ledger shows red, and he is not making a profit. He borrows what he can, has a little spirit and a little hope, but that spirit and hope die and he goes broke. Finally, he sells out, hopelessly in debt, and is left a failure in the business world. A woman is educated to be a teacher but just cannot get along with the other teachers. Something in her constitution or temperament will not allow her to get along with children or young people. So after being shuttled from one school to another, she finally gives up, goes somewhere and takes a job running a stapling machine. She just cannot teach and is a failure in the education world. I have known ministers who thought they were called to preach. They prayed and studied and learned Greek and Hebrew, but somehow they just could not make the public want to listen to them. They just couldn’t do it. They were failures in the congregational world. It is possible to be a Christian and yet be a failure. This is the same as Israel in the desert, wandering around. The Israelites were God’s people, protected and fed, but they were failures. They were not where God meant them to be. They compromised. They were halfway between where they used to be and where they ought to be. And that describes many of the Lord’s people. They live and die spiritual failures. I am glad God is good and kind. Failures can crawl into God’s arms, relax and say, “Father, I made a mess of it. I’m a spiritual failure. I haven’t been out doing evil things exactly, but here I am, Father, and I’m old and ready to go and I’m a failure.” Our kind and gracious heavenly Father will not say to that person, “Depart from me—I never knew you,” because that person has believed and does believe in Jesus Christ. The individual has simply been a failure all of his life. He is ready for death and ready for heaven. I wonder if that is what Paul, the man of God, meant when he said: [No] other foundation can [any] man lay than that is laid, which is Jesus Christ. Now if any man build upon this foundation gold, silver, precious stones, wood, hay, stubble; every man’s work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man’s work of what sort it is. If any man’s work abide which he hath built thereupon, he should receive a reward. If any man’s work shall be burned, he shall suffer loss: but he himself shall be saved; yet so as by fire (1 Cor. 3:11-15). I think that’s what it means, all right. We ought to be the kind of Christian that cannot only save our souls but also save our lives. When Lot left Sodom, he had nothing but the garments on his back. Thank God, he got out. But how much better it would have been if he had said farewell at the gate and had camels loaded with his goods. He could have gone out with his head up, chin out, saying good riddance to old Sodom. How much better he could have marched away from there with his family. And when he settled in a new place, he could have had “an abundant entrance” (see 2 Pet. 1:11). Thank God, you are going to make it. But do you want to make it in the way you have been acting lately? Wandering, roaming aimlessly? When there is a place where Jesus will pour “the oil of gladness” on our heads, a place sweeter than any other in the entire world, the blood-bought mercy seat (Ps. 45:7; Heb. 1:9)? It is the will of God that you should enter the holy of holies, live under the shadow of the mercy seat, and go out from there and always come back to be renewed and recharged and re-fed. It is the will of God that you live by the mercy seat, living a separated, clean, holy, sacrificial life—a life of continual spiritual difference. Wouldn’t that be better than the way you are doing it now?
A.W. Tozer (The Crucified Life: How To Live Out A Deeper Christian Experience)
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
Shannon Hale (Austenland (Austenland, #1))