Hawthorne Nature Quotes

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I cannot endure to waste anything so precious as autumnal sunshine by staying in the house." [Notebook, Oct. 10, 1842]
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
It is to the credit of human nature, that, except where its selfishness is brought into play, it loves more readily than it hates. Hatred, by a gradual and quiet process, will even be transformed to love, unless the change be impeded by a continually new irritation of the original feeling of hostility.
Nathaniel Hawthorne (The Scarlet Letter)
In our nature, however, there is a provision, alike marvelous and merciful, that the sufferer should never know the intensity of what he endures by its present torture, but chiefly by the pang that rankles after it.
Nathaniel Hawthorne (The Scarlet Letter)
Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth.
Nathaniel Hawthorne (Selected Works: The Custom-House, The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, The Marble Faun)
Depending upon one another's hearts, ye had still hoped that virtue were not all a dream. Now are ye undeceived. Evil is the nature of mankind.
Nathaniel Hawthorne (Young Goodman Brown)
...the natures of solitary people are apt to have more unmapped country in them than worldly folk imagine. They see and think and do things peculiar to themselves, and one may turn up buried treasure in them at any moment. ("Absolute Evil")
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
It is to the credit of human nature that, except where its selfishness is brought into play, it loves more readily than it hates.
Nathaniel Hawthorne (The Scarlet Letter)
Human nature will not flourish, any more than a potato, if it be planted and re-planted, for too long a series of generations, in the same worn-out soil.
Nathaniel Hawthorne (The Scarlet Letter)
Children, brought up naturally and in freedom, not only have imagination, but live in a world of imagination more real to them than our reality. ("Absolute Evil")
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
The whole forest was peopled with frightful sounds--the creaking of the trees, the howling of wild beasts, and the yell of Indians; while sometimes the wind tolled like a distant church bell, and sometimes gave a broad roar around the traveler, as if all Nature were laughing him to scorn. But he was himself the chief horror of the scene, and shrank not from its other horrors.
Nathaniel Hawthorne (Young Goodman Brown)
Nature seems to welcome defiance of conventions, and to say, with a smile, 'So, the truant has come back again!' ("Absolute Evil")
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
There are few uglier traits of human nature than this tendency—which I now witnessed in men no worse than their neighbours—to grow cruel, merely because they possessed the power of inflicting harm.
Nathaniel Hawthorne
It was one of those golden autumn afternoons and there were blackberries and splashes of old man's beard in the hedges, and the hawthorn berries were ripening scarlet for the birds when the cold winter came along. There were tall trees here and there on either side, oak and sycamore and ash and occasionally a sweet chestnut.
Roald Dahl (Matilda)
She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.
A.S. Byatt (Ragnarok)
76. David Hume – Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding 77. Jean-Jacques Rousseau – On the Origin of Inequality; On the Political Economy; Emile – or, On Education, The Social Contract 78. Laurence Sterne – Tristram Shandy; A Sentimental Journey through France and Italy 79. Adam Smith – The Theory of Moral Sentiments; The Wealth of Nations 80. Immanuel Kant – Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace 81. Edward Gibbon – The Decline and Fall of the Roman Empire; Autobiography 82. James Boswell – Journal; Life of Samuel Johnson, Ll.D. 83. Antoine Laurent Lavoisier – Traité Élémentaire de Chimie (Elements of Chemistry) 84. Alexander Hamilton, John Jay, and James Madison – Federalist Papers 85. Jeremy Bentham – Introduction to the Principles of Morals and Legislation; Theory of Fictions 86. Johann Wolfgang von Goethe – Faust; Poetry and Truth 87. Jean Baptiste Joseph Fourier – Analytical Theory of Heat 88. Georg Wilhelm Friedrich Hegel – Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History 89. William Wordsworth – Poems 90. Samuel Taylor Coleridge – Poems; Biographia Literaria 91. Jane Austen – Pride and Prejudice; Emma 92. Carl von Clausewitz – On War 93. Stendhal – The Red and the Black; The Charterhouse of Parma; On Love 94. Lord Byron – Don Juan 95. Arthur Schopenhauer – Studies in Pessimism 96. Michael Faraday – Chemical History of a Candle; Experimental Researches in Electricity 97. Charles Lyell – Principles of Geology 98. Auguste Comte – The Positive Philosophy 99. Honoré de Balzac – Père Goriot; Eugenie Grandet 100. Ralph Waldo Emerson – Representative Men; Essays; Journal 101. Nathaniel Hawthorne – The Scarlet Letter 102. Alexis de Tocqueville – Democracy in America 103. John Stuart Mill – A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography 104. Charles Darwin – The Origin of Species; The Descent of Man; Autobiography 105. Charles Dickens – Pickwick Papers; David Copperfield; Hard Times 106. Claude Bernard – Introduction to the Study of Experimental Medicine 107. Henry David Thoreau – Civil Disobedience; Walden 108. Karl Marx – Capital; Communist Manifesto 109. George Eliot – Adam Bede; Middlemarch 110. Herman Melville – Moby-Dick; Billy Budd 111. Fyodor Dostoevsky – Crime and Punishment; The Idiot; The Brothers Karamazov 112. Gustave Flaubert – Madame Bovary; Three Stories 113. Henrik Ibsen – Plays 114. Leo Tolstoy – War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales 115. Mark Twain – The Adventures of Huckleberry Finn; The Mysterious Stranger 116. William James – The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism 117. Henry James – The American; The Ambassadors 118. Friedrich Wilhelm Nietzsche – Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power 119. Jules Henri Poincaré – Science and Hypothesis; Science and Method 120. Sigmund Freud – The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis 121. George Bernard Shaw – Plays and Prefaces
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
He had a winged nature; she was rather of the vegetable kind, and could hardly be kept long alive, if drawn up by the roots. Thus it happened that the relation heretofore existing between her brother and herself was changed.
Nathaniel Hawthorne (The House of the Seven Gables)
And the girl who was there with them, Kaylie Rooney, she’d just gotten out of juvenile detention for arson. It was easier to deflect blame toward her than to try to pin it on nature.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
There is no season when such pleasant and sunny spots may be lighted on, and produce so pleasant an effect on the feelings, as now in October. The sunshine is peculiarly genial; and in sheltered places, as on the side of a bank, or of a barn or house, one becomes acquainted and friendly with the sunshine. It seems to be of a kindly and homely nature. And the green grass, strewn with a few withered leaves, looks the more green and beautiful for them.
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home.
Nathaniel Hawthorne (House of the Seven Gables)
Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera....
Ezra Pound
Human nature will not flourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth. —NATHANIEL HAWTHORNE, “The Custom-House
Jhumpa Lahiri (Unaccustomed Earth)
Little Phoebe was one of those persons who possess, as their exclusive patrimony, the gift of practical arrangement. It is a kind of natural magic that enables these favored ones to bring out the hidden capabilities of things around them; and particularly to give a look of comfort and habitableness to any place which, for however brief a period, may happen to be their home. A wild hut of underbrush, tossed together by wayfarers through the primitive forest, would acquire the home aspect by one night's lodging of such a woman, and would retain it long after her quiet figure had disappeared into the surrounding shade.
Nathaniel Hawthorne (The House of the Seven Gables)
When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skin. Then again, if it's love you're after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)
evil is the nature of mankind.
Nathaniel Hawthorne (Young Goodman Brown)
On such a Sabbath morn, were we pure enough to be its medium, we should be conscious of the earth's natural worship ascending through our frames, on whatever spot of ground we stood.
Nathaniel Hawthorne (The House of the Seven Gables)
But what shall we say, when an individual discovers a revelation addressed to himself alone, on the same vast sheet of record. In such a case, it could only be the symptom of a highly disordered mental state, when a man, rendered morbidly self-contemplative by long, intense, and secret pain, had extended his egotism over the whole expanse of nature, until the firmament itself should appear no more than a fitting page for his soul's history and fate.
Nathaniel Hawthorne (The Scarlet Letter)
It did not occur to me that absence of human companionship does not assure solitude. It may, on the contrary, plunge one into an environment compared with which New York or London would appear deserts. For we take memory and imagination with us. The seabirds that scream overhead or waddle along the margins of the surf; the grotesque forms of twisted cedars; the rustle of sea-grass in the wind; the interminable percussion of the breakers; the dead infinity of the sand itself - there can be no solitude, in the sense of freedom from disturbances of thought, in the presence of such things. They draw us back into the maelstrom. ("Absolute Evil")
Julian Hawthorne (American Fantastic Tales: Terror and the Uncanny from Poe to the Pulps)
I rejoice that I could once think better of the world's improvability than it deserved. It is a mistake into which men seldom fall twice, in a lifetime; or, if so, the rarer and higher is the nature that can magnanimously persist in error.
Nathaniel Hawthorne (The Blithedale Romance)
What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now. When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
It was very still. The tree was tall and straggling. It had thrown its briers over a hawthorn-bush, and its long streamers trailed thick, right down to the grass, splashing the darkness everywhere with great spilt stars, pure white. In bosses of ivory and in large splashed stars the roses gleamed on the darkness of foliage and stems and grass. Paul and Miriam stood close together, silent, and watched. Point after point the steady roses shone out to them, seeming to kindle something in their souls. The dusk came like smoke around, and still did not put out the roses.
D.H. Lawrence (Sons and Lovers)
Every gesture, every word, and even the silence of those with whom she came in contact, implied, and often expressed, that she was banished, and as much alone as if she inhabited another sphere, or communicated with the common nature by other organs and senses than the rest of human kind.
Nathaniel Hawthorne (The Scarlet Letter)
It is to the credit of human nature that, except where its selfishness is brought into play, it loves more readily than it hates. Hatred, by a gradual and quiet process, will even be transformed to love, unless the change be impeded by a continually new irritation of the original feeling of hostility.
Nathaniel Hawthorne (The Scarlet Letter)
I have before now experienced that the best way to get a vivid impression and feeling of a landscape is to sit down before it and read, or become otherwise absorbed in thought; for then, when our eyes happen to be attracted to the landscape, you seem to catch Nature at unawares, and see her before she has time to change her aspect. The effect lasts but for a single instant, and passes away almost as soon as you are conscious of it; but it is real for that moment. It is as if you could overhear and understand what the trees are whispering to one another; as if you caught a glimpse of a face unveiled, which veils itself from every willful glance. The mystery is revealed, and, after a breath or two, becomes just as much a mystery as before.
Nathaniel Hawthorne
How curious it is that in nature, the most vibrant colors are those that precede death. The delicate pinks and blues of spring are wan in comparison to the dramatic crimson of the hawthorn berries or the bloody gashes of the buckthorn leaves in late November. Stars blaze pale in their infancy, but in old age they melt and simmer in reds and oranges just as the oaks and maples do. Youth, it seems, is a state of diffuse abundance, while death’s approach concentrates.
Jacqueline Holland (The God of Endings)
A little parallelogram of sky was all that she had hitherto known of nature, so that she felt the awfulness that really exists in its limitless extent.
Nathaniel Hawthorne (The Blithedale Romance)
It is the credit of human nature that, except in the case where its selfishness is brought into play, it loves more readily than it hates.
Nathaniel Hawthorne
There is no such thing in man’s nature as a settled and full resolve either for good or evil, except at the very moment of execution. —NATHANIEL HAWTHORNE
J.D. Robb (Treachery in Death (In Death, #32))
Human nature will not nourish, any more than a potato, if it be planted and replanted, for too long a series of generations, in the same worn-out soil.
Nathaniel Hawthorne (The Scarlet Letter)
Human nature will not flourish, any more than a potato, if it be planted and replanted for too long a series of generations in the same worn-out soil.
Nathaniel Hawthorne (The Scarlet Letter)
These reminiscences and associations, together with the tendency to heart-break natural to a young man for the first time out of his native sphere, caused Giovanni to sigh heavily[.]
Nathaniel Hawthorne (Rappaccini's Daughter)
Woman, I could wellnigh pity thee!" said Roger Chillingworth, unable to restrain a thrill of admiration too; for there was a quality almost majestic in the despair which she expressed. "Thou hadst great elements. Peradventure, hadst thou met earlier with a better love than mine, this evil had not been. I pity thee, for the good that has been wasted in thy nature!
Nathaniel Hawthorne (The Scarlet Letter)
But thou shalt leave it all behind thee! It shall not cumber thy steps, as thou treadest along the forest-path; neither shalt thou freight the ship with it, if thou prefer to cross the sea. Leave this wreck and ruin here where it hath happened! Meddle no more with it! Begin all anew! Hast thou exhausted possibility in the failure of this one trial? Not so! The future is yet full of trial and success. There is happiness to be enjoyed! There is good to be done! Exchange this false life of thine for a true one. Be, if thy spirit summons thee to such a mission, the teacher and apostle of the red men. Or,—as is more thy nature,—be a scholar and a sage among the wisest and the most renowned of the cultivated world. Preach! Write! Act! Do any thing, save to lie down and die! Give up this name of Arthur Dimmesdale, and make thyself another, and a high one, such as thou canst wear without fear or shame. Why shouldst thou tarry so much as one other day in the torments that have so gnawed into thy life!—that have made thee feeble to will and to do!—that will leave thee powerless even to repent! Up, and away!
Nathaniel Hawthorne (The Scarlet Letter)
Siate sinceri! Siate sempre sinceri! E mostrate francamente al mondo, se non proprio il vostro lato peggiore, almeno qualche aspetto, da cui possa essere noto il peggiore male che è in voi.
Nathaniel Hawthorne (The Scarlet Letter)
Then, it is true, the prosperity of human nature to tell the very worst of itself, when embodied in the person of another, would constrain them to whisper the black scandal of bygone years.
Nathaniel Hawthorne (The Scarlet Letter)
Herman Melville came to see me at the Consulate, looking much as he used to do (a little paler, and perhaps a little sadder), in a rough outside coat, and with his characteristic gravity and reserve of manner.... [W]e soon found ourselves on pretty much our former terms of sociability and confidence. Melville has not been well, of late; ... and no doubt has suffered from too constant literary occupation, pursued without much success, latterly; and his writings, for a long while past, have indicated a morbid state of mind.... Melville, as he always does, began to reason of Providence and futurity, and of everything that lies beyond human ken, and informed me that he had "pretty much made up his mind to be annihilated"; but still he does not seem to rest in that anticipation; and, I think, will never rest until he gets hold of a definite belief. It is strange how he persists -- and has persisted ever since I knew him, and probably long before -- in wondering to-and-fro over these deserts, as dismal and monotonous as the sand hills amid which we were sitting. He can neither believe, nor be comfortable in his unbelief; and he is too honest and courageous not to try to do one or the other. If he were a religious man, he would be one of the most truly religious and reverential; he has a very high and noble nature, and better worth immortality than most of us. [after what would be their last meeting]
Nathaniel Hawthorne
A Blackberry Winter by Stewart Stafford Pond ice beneath the hawthorn tree, Reeds grasping from the frigid sculpture, Freezing fog clinging to land and foliage, Nature hindered but still in amelioration. Horses in crunching frosted footsteps march, To break the water trough's thick glaze, And drink thirstily in raw, jagged gulps, Until the thaw smoothes itself upon milder days. A swan slips and skates on the icicled river, Hoarfrost-encrusted rocks a guard of honour, The Anatidae ascension, maladroit but effective, Sure to pluck better days from its plumed reign. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
She seeks to place herself above the sympathies of our common nature, which envelopes all human souls. See if that nature do not assert its claim over her in some mode that shall bring her level with the lowest!
Nathaniel Hawthorne (Twice Told Tales)
In our nature, however, there is a provision, alike marvelous and merciful, that the sufferer should never know the intensity of what he endures by its present torture, but chiefly by the pain that rankles after it.
Nathaniel Hawthorne (The Scarlet Letter)
The human Heart to be allegorized as a cavern; at the entrance there is sunshine, and flowers growing about it. You step within, but a short distance, and begin to find yourself surrounded with a terrible gloom, and monsters of divers kinds; it seems like Hell itself. You are bewildered and wander long without hope. At last a light strikes upon you. You press towards it yon, and find yourself in a region that seems, in some sort, to reproduce the flowers and sunny beauty of the entrance, but all perfect. These are the depths of the heart, or of human nature, bright and peaceful; the gloom and terror may lie deep; but deeper still is this eternal beauty.
Nathaniel Hawthorne (The American Notebooks: The Centenary Edition (Volume 8))
For me, the natural world in all its evolutionary splendor is a revelation of the divine- the inviolable matrix of cause and effect that reveals itself to us in what we cannot control or manipulate no matter how pervasive our meddling.
Alison Hawthorne Deming (Writing the Sacred into the Real)
There can be no outrage, methinks, against our common nature--whatever be the delinquencies of the individual--no outrage more flagrant than to forbid the culprit to hide his face for shame; as it was the essence of this punishment to do.
Nathaniel Hawthorne (The Scarlet Letter)
There can be no outrage, methinks, against our common nature - whatever be the delinquencies of the individual - no outrage more flagrant than to forbid the culprit to hide his face for shame; as it was the essence of this punishment to do so.
Nathaniel Hawthorne (The Scarlet Letter)
He had spoken the very truth and transformed it into the veriest falsehood. And yet, by the constitution of his nature, he loved the truth and loathed the lie, as few men ever did. Therefore, above all things else, eh loathed his miserable self.
Nathaniel Hawthorne (The Scarlet Letter)
In my own behalf, I rejoice that I could once think better of the world's improvability than it deserved. It is a mistake into which men seldom fall twice in a lifetime; or, if so, the rarer and higher is the nature that can thus magnanimously persist in error.
Nathaniel Hawthorne (The Blithedale Romance)
After he died, I felt a terrible emptiness and it was only natural that I should have directed my feelings at Richard. It didn’t matter how kind he was to me. I thought he was buying his way out of jail, if you know what I mean. The more he gave me, the angrier I got.
Anthony Horowitz (The Sentence is Death (Hawthorne & Horowitz, #2))
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
It is to the credit of human nature that, except where its selfishness is brought into play, it loves more readily than it hates. Hatred, by a gradual and a quiet process, will even be transformed to love, unless the change be impeded by a continually new irritation of the original feeling of hostility.
Nathaniel Hawthorne (The Scarlet Letter)
Thus Ethan Brand become a fiend. He began to be so from the moment that his moral nature had ceased to keep the pace of improvement with his intellect. And now, as his highest effort and inevitable development -- as the bright and gorgeous flower, and rich, delicious fruit of his life's labor -- he had produced the Unpardonable Sin!
Nathaniel Hawthorne (Ethan Brand)
Thus Ethan Brand become a fiend. He began to be so from the moment that his moral nature had ceased to keep the pace of improvement with his intellect. And now, as his highest effort and inevitable development -- as the bright and gorgeous flower, and rich, delicious fruit of his life's labor -- had had produced the Unpardonable Sin!
Nathaniel Hawthorne (Ethan Brand)
The truth seems to be, however, that, when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him, better than most of his schoolmates and lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed, only and exclusively, to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer's own nature, and complete his circle of existence by bringing him into communion with it.
Nathaniel Hawthorne
True; there are such men," answered Mr. Dimmesdale. "But not to suggest more obvious reasons, it may be that they are kept silent by the very constitution of their nature. Or—can we not suppose it?—guilty as they may be, retaining, nevertheless, a zeal for God's glory and man's welfare, they shrink from displaying themselves black and filthy in the view of men; because, thenceforward, no good can be achieved by them; no evil of the past be redeemed by better service. So, to their own unutterable torment, they go about among their fellow-creatures, looking pure as new-fallen snow, while their hearts are all speckled and spotted with iniquity of which they cannot rid themselves." "These
Nathaniel Hawthorne (The Scarlet Letter)
Lo! there ye stand, my children," said the figure, in a deep and solemn tone, almost sad, with its despairing awfulness, as if his once angelic nature could yet mourn for our miserable race. "Depending upon one another's hearts, ye had still hoped that virtue were not all a dream! Now are ye undeceived! Evil is the nature of mankind. Evil must be your only happiness.
Nathaniel Hawthorne (Mosses from an Old Manse)
It may be so,” said Dr. Clarke, frowning as he spoke; “but I tell you, sir, I could wellnigh doubt the justice of the Heaven above us if no signal humiliation overtake this lady who now treads so haughtily into yonder mansion. She seeks to place herself above the sympathies of our common nature, which envelops all human souls; see if that nature do not assert its claim over her in some mode that shall bring her level with the lowest.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne)
If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally at the hedge, looked like single russet leaves that had forgotten to drop.
Charlotte Brontë (Jane Eyre)
Man’s finest workmanship, the closer you observe it, the more imperfections it shows; as in a piece of polished steel a microscope will discover a rough surface. Whereas, what may look coarse and rough in Nature’s workmanship will show an infinitely minute perfection, the closer you look into it. The reason of the minute superiority of Nature’s work over man’s is, that the former works from the innermost germ, while the latter works merely superficially.
Nathaniel Hawthorne
It would be difficult to identify an animal more universally admired than the rabbit. Maybe it’s that rabbits are ubiquitous in nature and yet somewhat mysterious—fully present while remaining mostly concealed. We respect their independence and resourcefulness. To see a rabbit or a hare (who are closely related to rabbits) in the wild, possibly nibbling on vegetation or hopping about with their mates, is to experience a moment of pure joy. For an instant, time stands still.
Mark Hawthorne (The Way of the Rabbit)
Phœbe went accordingly, but perplexed herself, meanwhile, with queries as to the purport of the scene she had just witnessed, and also whether judges, clergymen, and other characters of that eminent stamp and respectability, could really, in any single instance, be otherwise than just and upright men. A doubt of this nature has a most disturbing influence, and, if shown to be a fact, comes with fearful and startling effect on the minds of the trim, orderly, and limit-loving class, in which we maybe find our little country-girl. Dispositions more boldly speculative may derive a stern enjoyment from the discovery, since there must be evil in the world, that a high man is as likely to grasp his share of it as a low one. A wider scope of the view, and a deeper insight, may see rank, dignity, and station, all proved illusory, so far as regards their claim to human reverence, and yet not feel as if the universe were thereby tumbled head-long into chaos.
Nathaniel Hawthorne (The House of the Seven Gables)
(W.D.) Howells asserted that the Americans' 'love of the supernatural is their common inheritance from no particular ancestry.' Their fiction, he added, often gathers in the gray 'twilight of the reason,' on 'the borderland between experience and illusion." Howells's geographical metaphor was derived, of course, from Hawthorne's idea of a moonlit 'neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbue itself with the nature of the other.' Whether literally, as in Cooper's The Spy, or metaphorically, as in Hawthorne's works, the neutral territory/borderland was the familiar setting of the American romance. As American writers came to realize, not only was there a borderland between East and West, civilization and wilderness, but also between the here and the hereafter, between conscious and unconscious, 'experience and illusion' - psychic frontiers on the edge of territories both enticing and terrifying.
Howard Kerr (The Haunted dusk: American supernatural fiction, 1820-1920)
A man will commit almost any wrong,—he will heap up an immense pile of wickedness, as hard as granite, and which will weigh as heavily upon his soul, to eternal ages,—only to build a great, gloomy, dark-chambered mansion, for him to die in, and for his posterity to be miserable in. He lays his own dead corpse beneath the underpinning, as one may say, and hangs his frowning picture on the wall, and, after thus converting himself into an evil destiny, expects his remotest great-grandchildren to be happy there!
Nathaniel Hawthorne (The House of the Seven Gables)
It may seem marvellous that, with the world before her—kept by no restrictive clause of her condemnation within the limits of the Puritan settlement, so remote and so obscure—free to return to her birth-place, or to any other European land, and there hide her character and identity under a new exterior, as completely as if emerging into another state of being—and having also the passes of the dark, inscrutable forest open to her, where the wildness of her nature might assimilate itself with a people whose customs and life were alien from the law that had condemned her—it may seem marvellous that this woman should still call that place her home, where, and where only, she must needs be the type of shame. But there is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghost-like, the spot where some great and marked event has given the colour to their lifetime; and, still the more irresistibly, the darker the tinge that saddens it. Her sin, her ignominy, were the roots which she had struck into the soil. It
Nathaniel Hawthorne (The Scarlet Letter)
In this age of consumer activism, pinpoint marketing, and unlimited and immediate information, we want the impossible: products and producers that will assure us that we are fashionable, and that don’t pollute, harm animals, or contain weird chemicals, that run on alternative energy, pay their workers good salaries, recycle their scraps, use natural ingredients, buy from local suppliers, donate generously to charity, donate in particular to their neighborhoods, and don’t throw their weight around by lobbying. (Or maybe they should lobby for the right causes?)
Fran Hawthorne (Ethical Chic: The Inside Story of the Companies We Think We Love)
Doth the universe lie within the compass of yonder town, which only a little time ago was but a leaf-strewn desert, as lonely as this around us? Whither leads yonder forest-track? Backward to the settlement, thou sayest! Yes; but, onward, too! Deeper it goes, and deeper into the wilderness, less plainly to be seen at every step; until some few miles hence the yellow leaves will show no vestige of the white man's tread. There thou art free! So brief a journey would bring thee from a world where thou hast been most wretched, to one where thou mayest still be happy!
Nathaniel Hawthorne
Sometimes, moreover, he made personal application to individuals, holding out his small black palm, and otherwise plainly signifying his excessive desire for whatever filthy lucre might happen to be in anybody’s pocket. The mean and low, yet strangely manlike expression of his wilted countenance; the prying and crafty glance, that showed him ready to gripe at every miserable advantage; his enormous tail (too enormous to be decently concealed under his gabardine), and the deviltry of nature which it betokened, — take this monkey just as he was, in short, and you could desire no better image of the Mammon of copper coin, symbolizing the grossest form of the love of money. Neither was there any possibility of satisfying the covetous little devil.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
I loooves free,” Ethan said. “Don’t we all, man,” Mac said. He looked at me, rubbing his fingers together. “Until we make the majors, we’re poor.” “Aren’t most college students?” I asked. “Yep. So we have movies, free music, what else?” “Library, free books,” I offered. All the guys laughed really loudly, like that was the funniest thing they’d ever heard. But it was a good-natured laugh, not like they were making fun of me. Like maybe they thought I was really clever to offer free books. “My kid sister has this book called Free Stuff,” Mac said. “She sends away for all this junk: stickers, posters, booklets. She just loves getting mail.” “You guys must miss your families in the summer.” “Miss ’em all the time.” I didn’t ask why they didn’t go home for summer because I knew the answer: They loooves baseball.
Rachel Hawthorne (The Boyfriend League)
The plant he’d brought home wasn’t a currant, like I’d first thought. It was hawthorn, and while the blossoms had stronger medicinal properties than the berries, the bark and the leaves were what you really wanted. “For what?” My blood pumped with hope and fear. “For hearts!” he said, holding a ruby-colored berry between his thumb and pointer finger. The sun caught it just right, illuminating its heart shape and blood color, illustrating the rule that nature always showed us how to harvest its treasures. Walnuts, shaped like a brain, were exceptional for cerebral health. Slice a carrot crossway and what did you see? An eye, and there was no vegetable better suited to improving sight. Avocadoes worked wonders on the uterus, celery on the bones, grapefruit on the breasts. And this ruby berry, apparently, was a miracle cure for hearts.
Jess Lourey (Litani)
In all her intercourse with society, however, there was nothing that made her feel as if she belonged to it. Every gesture, every word, and even the silence of those with whom she came in contact, implied, she inhabited another sphere, or communicated with the common nature apart from moral interests, yet close beside them, like a ghost that revisits the familiar fireside, and can no longer make itself seen or felt; no more smile with the household joy, nor mourn with the kindred sorrow; or, should it succeed in manifesting its forbidden sympathy, awaken only terror and horrible repugnance. These emotions, in fact, and its bittersweet scorn besides, seemed to be the sole partition that she retained in the universal heart. It was not an age of delicacy; and her position, although she understood it well, and she was in little danger of forgetting it, was often brought before her vivid self-perception, like a new anguish, by the rudest touch upon the tenderest spot.
Nathaniel Hawthorne (The Scarlet Letter)
She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.
Paula Brackston (Lamp Black, Wolf Grey)
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott
Some destruction is required to live. We cannot eat rocks and air. Yet why should one organism eat so greedily that all others are imperiled? When we’re finished grazing in the garden, I want there to be some garden left. This is more than aesthetic desire- though surely it is the beautiful complexity of nature that woos me. It is moral desire. To use nature beyond its capacity to restore itself is to destroy the force and process that have given us our lives. We have not fallen from nature, we have risen from it; all human accomplishment, feeling, and belief along with flesh and blood are rooted in that generative power. Even our strange human inwardness that imagines such guiding abstractions as faith, justice, love, and compassion is a gift of nature. The theory of evolution, our long genetic entanglement with all the other living things, is not at odds with theories of the sacred. It locates the sacred in living things. I believe we owe nature the deep sense of gratitude that people once expressed to their gods. The earth’s life is finite, as is my own, and these are the realities I accept with sorrow, the place and the passage made sacred by their limits.
Alison Hawthorne Deming (Writing the Sacred into the Real)
Being naturally of a serious turn, my attention was directed to the solid advantages derivable from a residence here, rather than to the effervescent pleasures which are the grand object with too many visitants. The Christian reader, if he have had no accounts of the city later than Bunyan's time, will be surprised to hear that almost every street has its church, and that the reverend clergy are nowhere held in higher respect than at Vanity Fair. And well do they deserve such honorable estimation; for the maxims of wisdom and virtue which fall from their lips come from as deep a spiritual source, and tend to as lofty a religious aim, as those of the sagest philosophers of old. In justification of this high praise I need only mention the names of the Rev. Mr. Shallow-deep, the Rev. Mr. Stumble-at-truth, that fine old clerical character the Rev. Mr. This-today, who expects shortly to resign his pulpit to the Rev. Mr. That-tomorrow; together with the Rev. Mr. Bewilderment, the Rev. Mr. Clog-the-spirit, and, last and greatest, the Rev. Dr. Wind-of-doctrine. The labors of these eminent divines are aided by those of innumerable lecturers, who diffuse such a various profundity, in all subjects of human or celestial science, that any man may acquire an omnigenous erudition without the trouble of even learning to read.
Nathaniel Hawthorne (Mosses from an Old Manse and other stories)
Here and there, a few drops of this freshness were scattered on a human heart, and gave it youth again, and sympathy with the eternal youth of nature. The artist chanced to be one on whom the reviving influence fell. It made him feel — what he sometimes almost forgot, thrust so early as he had been into the rude struggle of man with man — how youthful he still was. “It seems to me,” he observed, “that I never watched the coming of so beautiful an eve, and never felt anything so very much like happiness as at this moment. After all, what a good world we live in! How good, and beautiful! How young it is, too, with nothing really rotten or age-worn in it! This old house, for example, which sometimes has positively oppressed my breath with its smell of decaying timber! And this garden, where the black mould always clings to my spade, as if I were a sexton delving in a graveyard! Could I keep the feeling that now possesses me, the garden would every day be virgin soil, with the earth’s first freshness in the flavor of its beans and squashes; and the house! — it would be like a bower in Eden, blossoming with the earliest roses that God ever made. Moonlight, and the sentiment in man’s heart responsive to it, are the greatest of renovators and reformers. And all other reform and renovation, I suppose, will prove to be no better than moonshine!
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.
Nathaniel Hawthorne (Mosses from an Old Manse)
The wedded couple lived in London. The man, under pretence of going a journey, took lodgings in the next street to his own house, and there, unheard of by his wife or friends, and without the shadow of a reason for such self-banishment, dwelt upwards of twenty years. During that period, he beheld his home every day, and frequently the forlorn Mrs. Wakefield. And after so great a gap in his matrimonial felicity – when his death was reckoned certain, his estate settled, his name dismissed from memory, and his wife, long, long ago, resigned to her autumnal widowhood – he entered the door one evening, quietly, as from a day’s absence, and became a loving spouse till death. [...] He is in the next street to his own, and at his journey’s end. He can scarcely trust his good fortune, in having got thither unperceived – recollecting that, at one time, he was delayed by the throng, in the very focus of a lighted lantern; and, again, there were footsteps that seemed to tread behind his own, distinct from the multitudinous tramp around him; and, anon, he heard a voice shouting afar, and fancied that it called his name. Doubtless, a dozen busybodies had been watching him, and told his wife the whole affair. Poor Wakefield! Little knowest thou thine own insignificance in this great world! No mortal eye but mine has traced thee. Go quietly to thy bed, foolish man... - Wakefield (1835) -
Nathaniel Hawthorne
In a little while the guest became sensible of the fragrance of the yet untasted coffee. He quaffed it eagerly. The subtle essence acted on him like a charmed draught, and caused the opaque substance of his animal being to grow transparent, or, at least, translucent; so that a spiritual gleam was transmitted through it, with a clearer lustre than hitherto. “More, more!” he cried, with nervous haste in his utterance, as if anxious to retain his grasp of what sought to escape him. “This is what I need! Give me more!” Under this delicate and powerful influence he sat more erect, and looked out from his eyes with a glance that took note of what it rested on. It was not so much that his expression grew more intellectual; this, though it had its share, was not the most peculiar effect. Neither was what we call the moral nature so forcibly awakened as to present itself in remarkable prominence. But a certain fine temper of being was now not brought out in full relief, but changeably and imperfectly betrayed, of which it was the function to deal with all beautiful and enjoyable things. In a character where it should exist as the chief attribute, it would bestow on its possessor an exquisite taste, and an enviable susceptibility of happiness. Beauty would be his life; his aspirations would all tend toward it; and, allowing his frame and physical organs to be in consonance, his own developments would likewise be beautiful.
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
And, in truth, while our friend smiled at these wild fables, he sighed in the same breath to think how the once genial earth produces, in every successive generation, fewer flowers than used to gladden the preceding ones. Not that the modes and seeming possibilities of human enjoyment are rarer in our refined and softened era,—on the contrary, they never before were nearly so abundant,—but that mankind are getting so far beyond the childhood of their race that they scorn to be happy any longer. A simple and joyous character can find no place for itself among the sage and sombre figures that would put his unsophisticated cheerfulness to shame. The entire system of man's affairs, as at present established, is built up purposely to exclude the careless and happy soul. The very children would upbraid the wretched individual who should endeavor to take life and the world as w what we might naturally suppose them meant for—a place and opportunity for enjoyment. It is the iron rule in our day to require an object and a purpose in life. It makes us all parts of a complicated scheme of progress, which can only result in our arrival at a colder and drearier region than we were born in. It insists upon everybody's adding somewhat—a mite, perhaps, but earned by incessant effort—to an accumulated pile of usefulness, of which the only use will be, to burden our posterity with even heavier thoughts and more inordinate labor than our own. No life now wanders like an unfettered stream; there is a mill-wheel for the tiniest rivulet to turn. We go all wrong, by too strenuous a resolution to go all right.
Nathaniel Hawthorne (The Marble Faun)
In all her intercourse with society, however, there was nothing that made her feel as if she belonged to it. Every gesture, every word, and even the silence of those with whom she came in contact, implied, and often expressed, that she was banished, and as much alone as if she inhabited another sphere, or communicated with the common nature by other organs and senses than the rest of human kind. She stood apart from moral interests, yet close beside them, like a ghost that revisits the familiar fireside, and can no longer make itself seen or felt; no more smile with the household joy, nor mourn with the kindred sorrow; or, should it succeed in manifesting its forbidden sympathy, awakening only terror and horrible repugnance. These emotions, in fact, and its bitterest scorn besides, seemed to be the sole portion that she retained in the universal heart. It was not an age of delicacy; and her position, although she understood it well, and was in little danger of forgetting it, was often brought before her vivid self-perception, like a new anguish, by the rudest touch upon the tenderest spot. The poor, as we have already said, whom she sought out to be the objects of her bounty, often reviled the hand that was stretched forth to succor them. Dames of elevated rank, likewise, whose doors she entered in the way of her occupation, were accustomed to distil drops of bitterness into her heart; sometimes through that alchemy of quiet malice, by which women can concoct a subtle poison from ordinary trifles; and sometimes, also, by a coarser expression, that fell upon the sufferer's defenceless breast like a rough blow upon an ulcerated wound.
Nathaniel Hawthorne (The Scarlet Letter)
More than once, Mr. Dimmesdale had gone into the pulpit, with a purpose never to come down its steps until he should have spoken words like the above. More than once he had cleared his throat, and drawn in the long, deep, and tremulous breath, which, when sent forth again, would come burdened with the black secret of his soul. More than once—nay, more than a hundred times—he had actually spoken! Spoken! But how? He had told his hearers that he was altogether vile, a viler companion of the vilest, the worst of sinners, an abomination, a thing of unimaginable iniquity, and that the only wonder was that they did not see his wretched body shrivelled up before their eyes by the burning wrath of the Almighty! Could there be plainer speech than this? Would not the people start up in their seats, by a simultaneous impulse, and tear him down out of the pulpit which he defiled? Not so, indeed! They heard it all, and did but reverence him the more. They little guessed what deadly purport lurked in those self–condemning words. “The godly youth!” said they among themselves. “The saint on earth! Alas! if he discern such sinfulness in his own white soul, what horrid spectacle would he behold in thine or mine!” The minister well knew—subtle, but remorseful hypocrite that he was!—the light in which his vague confession would be viewed. He had striven to put a cheat upon himself by making the avowal of a guilty conscience, but had gained only one other sin, and a self–acknowledged shame, without the momentary relief of being self–deceived. He had spoken the very truth, and transformed it into the veriest falsehood. And yet, by the constitution of his nature, he loved the truth, and loathed the lie, as few men ever did. Therefore, above all things else, he loathed his miserable self!
Nathaniel Hawthorne (The Scarlet Letter)
The picture of human life in the market-place, though its general tint was the sad gray, brown, or black of the English emigrants, was yet enlivened by some diversity of hue. A party of Indians—in their savage finery of curiously embroidered deerskin robes, wampum-belts, red and yellow ochre, and feathers, and armed with the bow and arrow and stone-headed spear—stood apart with countenances of inflexible gravity, beyond what even the Puritan aspect could attain. Nor, wild as were these painted barbarians, were they the wildest feature of the scene. This distinction could more justly be claimed by some mariners—a part of the crew of the vessel from the Spanish Main—who had come ashore to see the humours of Election Day. They were rough-looking desperadoes, with sun-blackened faces, and an immensity of beard; their wide short trousers were confined about the waist by belts, often clasped with a rough plate of gold, and sustaining always a long knife, and in some instances, a sword. From beneath their broad-brimmed hats of palm-leaf, gleamed eyes which, even in good-nature and merriment, had a kind of animal ferocity. They transgressed without fear or scruple, the rules of behaviour that were binding on all others: smoking tobacco under the beadle's very nose, although each whiff would have cost a townsman a shilling; and quaffing at their pleasure, draughts of wine or aqua-vitae from pocket flasks, which they freely tendered to the gaping crowd around them. It remarkably characterised the incomplete morality of the age, rigid as we call it, that a licence was allowed the seafaring class, not merely for their freaks on shore, but for far more desperate deeds on their proper element. The sailor of that day would go near to be arraigned as a pirate in our own. There could be little doubt, for instance, that this very ship's crew, though no unfavourable specimens of the nautical brotherhood, had been guilty, as we should phrase it, of depredations on the Spanish commerce, such as would have perilled all their necks in a modern court of justice. But the sea in those old times heaved, swelled, and foamed very much at its own will, or subject only to the tempestuous wind, with hardly any attempts at regulation by human law. The buccaneer on the wave might relinquish his calling and become at once if he chose, a man of probity and piety on land; nor, even in the full career of his reckless life, was he regarded as a personage with whom it was disreputable to traffic or casually associate. Thus the Puritan elders in their black cloaks, starched bands, and steeple-crowned hats, smiled not unbenignantly at the clamour and rude deportment of these jolly seafaring men; and it excited neither surprise nor animadversion when so reputable a citizen as old Roger Chillingworth, the physician, was seen to enter the market-place in close and familiar talk with the commander of the questionable vessel.
Nathaniel Hawthorne (The Scarlet Letter)
A hedge witch’s practice is often shamanic and Seidh in nature, involving astral projection, lucid dreaming, trance work, and communication with spirits.
Ambrosia Hawthorn (The Spell Book for New Witches: Essential Spells to Change Your Life)
Magic is the natural energy that flows through the world, whereas power is the practical art of channeling that energy. Power is within you, waiting to be tapped into, and magic can be found in natural objects.
Ambrosia Hawthorn (The Spell Book for New Witches: Essential Spells to Change Your Life)
But whatever you do, never try to evangelize anyone.
Scott Hawthorn (Wicca: Path for Beginners Towards Initiation Into the New Paganism and Witchcraft. How to Embrace the New Religion of Nature by Learning the Basics of Rituals With Candles, Herbs and Spells)
Nature is something to be tolerated, not tamed.
Max Hawthorne (The Sleigh (A Nail Biting Supernatural Suspense Thriller): It's Christmas Eve. Pray he doesn't come down your chimney.)
It is to the credit of human nature, that, except where its selfishness is brought to play, it loves more readily than it hates.
Nathanial Hawthorne (The Scarlet Letter)
He assumed a good prone, legs splayed and bent a little, right leg pulled up a bit more than the left, both feet turned out with the heels down. He rested the forestock on his pack, wrapping the sling around his left arm. There was some debate about this technique, but Mick was squarely in the two-wrap camp. He didn’t slip his left hand under the buttstock but instead slid it along the forestock until it reached that old familiar spot, and he tucked the rifle into his shoulder good. You wanted to get it tucked in just right, because that big magnum was one rifle that spoke with authority. You pull the trigger on a .338 Win Mag, especially from the prone with Mick’s bear loads, and it’ll make a man out of you right then and there. … Mick kept still for just a second, taking the weight of the rifle in his bones and letting gravity take him and make him part of the Earth itself. He put the crosshairs exactly where he wanted them, paused his breathing at the natural break after a normal exhale, then simply willed that beautiful custom trigger to break. Break it did, crisp and clean like always, and the 225 grain bullet flew downrange at almost three thousand feet per second. It reached the deck in less than half a second, about a half second before the sound of the shot. The Very Last War WH Hawthorne
WH Hawthorne
The sight of the table, arranged in a gigantic horseshoe, signalled emphatically that autumn was passing and winter was coming. Game in all possible forms and varieties dominated the delicacies heaped on great serving dishes and platters. There were huge quarters of boar, haunches and saddles of venison, various forcemeats, aspics and pink slices of meat, autumnally garnished with mushrooms, cranberries, plum jam and hawthorn berry sauce. There were autumn fowls–grouse, capercaillie, and pheasant, decoratively served with wings and tails, there was roast guinea fowl, quail, partridge, garganey, snipe, hazel grouse and mistle thrush. There were also genuine dainties, such as fieldfare, roasted whole, without having been drawn, since the juniper berries with which the innards of these small birds are full form a natural stuffing. There was salmon trout from mountain lakes, there was zander, there was burbot
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Certain present-day tendencies make us wonder if succeeding generations of young people are not in danger of growing up impervious to style and insensitive to the quality of real literature. Granted the need for books for beginners in which the vocabulary is adapted to their ability, it is nevertheless disconcerting to find editors rewriting classics for children in what they consider to be more suitable language. Working material to aid a child’s learning process, material which is interesting and appropriate for his age, is needed, of course, but it should be provided without reducing a masterpiece to the commonplace. To the average fortunate child the classics among books written for children, and the classics in adult literature suitable for boys and girls, come naturally into his experience at a time when they can be appreciated and enjoyed. In the midst of the flood of the mediocre which assails the young person of the present day, a classic, here and there—Alice, Robinson Crusoe, Hawthorne’s Wonder Book, Gulliver’s Travels—provides, albeit unconsciously to the children, a touchstone to distinguish the work of a master hand from that of a journeyman. When these classics are rewritten, however, and “modified as to vocabulary,” the touchstone loses its power.
Anne Thaxter Eaton (Reading with Children)
these points. All Monday morning in the woods again. Afternoon, out with the drawing party; I felt the evils of the want of conventional refinement, in the impudence with which one of the girls treated me. She has since thought of it with regret, I notice; and by every day’s observation of me will see that she ought not to have done it. In the evening a husking in the barn … a most picturesque scene…. I stayed and helped about half an hour, and then took a long walk beneath the stars. Wednesday…. In the evening a conversation on Impulse…. I defended nature, as I always do;—the spirit ascending through, not superseding, nature. But in the scale of Sense, Intellect, Spirit, I advocated the claims of Intellect, because those present were rather disposed to postpone them. On the nature of Beauty we had good talk. –- seemed in a much more reverent humour than the other night, and enjoyed the large plans of the universe which were unrolled…. Saturday,—Well, good-bye, Brook Farm. I
Henry James (Hawthorne (Henry James Collection))
All Gennady had to do was wait for this Special Agent Daniel Hawthorne to get bombed, then sit on his lap and let nature take care of the rest.
Aster Glenn Gray (Honeytrap)
But what is the magic? It is the manipulation of energy that we've seen. Everything has energy, and by knowing how to work with different types of energy, almost any goal can be achieved.
Scott Hawthorn (Wicca: Path for Beginners Towards Initiation Into the New Paganism and Witchcraft. How to Embrace the New Religion of Nature by Learning the Basics of Rituals With Candles, Herbs and Spells)
My conviction is that through the consistent redirection of your focus inward, you will come to realize that you have always stood at the epicenter of your narrative. As this awareness takes root within you, you will become finely attuned to the natural FLOW of your life, embarking on a transformative and enlightening journey of self-discovery.
Celeste Hawthorne (The Book of Flow: Unveiling a Book Centered Entirely on You)