“
Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.
”
”
David McCullough
“
Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it
”
”
Frank O'Hara
“
You’ve got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don’t settle…
Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
”
”
Steve Jobs
“
But I don’t understand. Why do you want me to think that this is great architecture? He pointed to the picture of the Parthenon.
That, said the Dean, is the Parthenon.
- So it is.
- I haven’t the time to waste on silly questions.
- All right, then. - Roark got up, he took a long ruler from the desk, he walked to the picture. - Shall I tell you what’s rotten about it?
- It’s the Parthenon! - said the Dean.
- Yes, God damn it, the Parthenon!
The ruler struck the glass over the picture.
- Look,- said Roark. - The famous flutings on the famous columns – what are they there for? To hide the joints in wood – when columns were made of wood, only these aren’t, they’re marble. The triglyphs, what are they? Wood. Wooden beams, the way they had to be laid when people began to build wooden shacks. Your Greeks took marble and they made copies of their wooden structures out of it, because others had done it that way. Then your masters of the Renaissance came along and made copies in plaster of copies in marble of copies in wood. Now here we are, making copies in steel and concrete of copies in plaster of copies in marble of copies in wood. Why?
”
”
Ayn Rand (The Fountainhead)
“
Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it.
”
”
Alex Flinn (Beastly (Beastly, #1))
“
Haven’t you got an organ to weigh, people to annoy, or notes to scribble down for Uncle Jonathan? Or perhaps you’ve got another patient to experiment on.”
“Dr. Wadsworth was called away on more urgent matters. It’s just the two of us and I’m quite bored of your moping about. We could be taking full advantage of our time together. But no,” he sighed dramatically. “You’re intently reading rubbish.
”
”
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!).
Yet you haven’t any friends.
The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities.
Nevertheless, some free time remains. What’s to be done? How do you use your
time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less.
Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering.
And yet you haven’t always wanted to die.
You have had a life. There have been moments when you were having a life. Of
course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela.
More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world!
You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
”
”
Michel Houellebecq (Whatever)
“
What's that you're doing, Sassenach?"
"Making out little Gizmo's birth certificate--so far as I can," I added.
"Gizmo?" he said doubtfully. "That will be a saint's name?"
"I shouldn't think so, though you never know, what with people named Pantaleon and Onuphrius. Or Ferreolus."
"Ferreolus? I dinna think I ken that one." He leaned back, hands linked over his knee.
"One of my favorites," I told him, carefully filling in the birthdate and time of birth--even that was an estimate, poor thing. There were precisely two bits of unequivocal information on this birth certificate--the date and the name of the doctor who's delivered him.
"Ferreolus," I went on with some new enjoyment, "is the patron saint of sick poultry. Christian martyr. He was a Roman tribune and a secret Christian. Having been found out, he was chained up in the prison cesspool to await trial--I suppose the cells must have been full. Sounds rather daredevil; he slipped his chains and escaped through the sewer. They caught up with him, though, dragged him back and beheaded him."
Jamie looked blank.
"What has that got to do wi' chickens?"
"I haven't the faintest idea. Take it up with the Vatican," I advised him.
"Mmphm. Aye, well, I've always been fond of Saint Guignole, myself." I could see the glint in his eye, but couldn't resist.
"And what's he the patron of?"
"He's involved against impotence." The glint got stronger. "I saw a statue of him in Brest once; they did say it had been there for a thousand years. 'Twas a miraculous statue--it had a cock like a gun muzzle, and--"
"A what?"
"Well, the size wasna the miraculous bit," he said, waving me to silence. "Or not quite. The townsfolk say that for a thousand years, folk have whittled away bits of it as holy relics, and yet the cock is still as big as ever." He grinned at me. "They do say that a man w' a bit of St. Guignole in his pocket can last a night and a day without tiring."
"Not with the same woman, I don't imagine," I said dryly. "It does rather make you wonder what he did to merit sainthood, though, doesn't it?"
He laughed.
"Any man who's had his prayer answered could tell yet that, Sassenach."
(PP. 841-842)
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
Democracy requires active participation, and sooner or later someone ‘offers’ to take all the difficult decision-making away from you and your hectic life. But the darknet throws those decisions back onto you. It hard-codes democracy into the DNA of civilization. You upvote and downvote many times a day on things that directly affect your life and the lives of people around you—not just once every few years on things you haven’t got a chance in hell of affecting.
”
”
Daniel Suarez (Freedom™ (Daemon, #2))
“
Have you ever wondered why the keys on a typewriter are arranged in that particular order?”
“No, I haven’t.”
“We call it the QWERTY keyboard, because that’s the order of the letters on the first row of keys. I once wondered why it was like that, and I found the answer. The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem: If a person typed very fast, the keys got stuck together and stopped the machine from working. Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. ”
“I don’t believe it.”
“But it’s true. It so happened that Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. To repeat: The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly, do you understand? If you changed the letters around, you wouldn’t find anyone to buy your product.”
When she saw a keyboard for the first time, Mari had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. She assumed it was simply the best layout for people to type quickly.
”
”
Paulo Coelho (Veronika Decides to Die)
“
Young Tchitcherine was the one who brought up political narcotics. Opiates of the people.
Wimpe smiled back. An old, old smile to chill even the living fire in Earth’s core. "Marxist dialectics? That’s not an opiate, eh?"
"It’s the antidote."
"No." It can go either way. The dope salesman may know everything that’s ever going to happen to Tchitcherine, and decide it’s no use—or, out of the moment’s velleity, lay it right out for the young fool.
"The basic problem," he proposes, "has always been getting other people to die for you. What’s worth enough for a man to give up his life? That’s where religion had the edge, for centuries. Religion was always about death. It was used not as an opiate so much as a technique—it got people to die for one particular set of beliefs about death. Perverse, natürlich, but who are you to judge? It was a good pitch while it worked. But ever since it became impossible to die for death, we have had a secular version—yours. Die to help History grow to its predestined shape. Die knowing your act will bring will bring a good end a bit closer. Revolutionary suicide, fine. But look: if History’s changes are inevitable, why not not die? Vaslav? If it’s going to happen anyway, what does it matter?"
"But you haven’t ever had the choice to make, have you."
"If I ever did, you can be sure—"
"You don’t know. Not till you’re there, Wimpe. You can’t say."
"That doesn’t sound very dialectical."
"I don’t know what it is."
"Then, right up to the point of decision," Wimpe curious but careful, "a man could still be perfectly pure . . ."
"He could be anything. I don’t care. But he’s only real at the points of decision. The time between doesn’t matter."
"Real to a Marxist."
"No. Real to himself."
Wimpe looks doubtful.
"I've been there. You haven't.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
But she was always wanting to do things. *Experience* everything. It was on that trip that I realized I couldn't live with her, because I haven't got the energy to keep experiencing things the whole time. I started longing for everyday life, all the boring stuff, but she hated being bored.
”
”
Fredrik Backman (Anxious People)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
She had known it all the time: I'm so enormously exhausted, so utterly, basically tired, and in fibre of myself, that to know I haven't got to go through with living is like a reprieve. How extraordinary! And every one of these people, with the possible exception of this exuberant young man, is terrified that the machine is going to crash, and yet we all trooped obediently into it. So perhaps we all feel the same way?
”
”
Doris Lessing (The Golden Notebook)
“
He set the RAM on the desk, then reached into his back pocket to pull out his grimoire. The size of a small paperback novel, it'd been a gift from Ambrose to help him understand some of the madness that surrounded him, and to answer some of the "other" questions that came up.
"All right, Nashira," Nick said in a low tone. "Talk to me. What the heck is watching me?"
He slid his knife out of his pocket, opened the book, and pricked his finger, allowing three drops of blood to touch a blank page. "Dredanya eire coulet" he whispered, waking the female spirit who lived inside the enchanted pages. The moment he finished speaking, his blood began swirling until it formed words:
Do not fear that which cannot be seen.
For they are lost in between.
'Tis the ones who come alive
That your blood will allow to thrive.
Nick snorted at the cryptic stanzas. "Not really useful, Nashira. Doesn't answer my question."
His blood crawled over to the next page.
Answer, answer, you always say,
But it doesn't work that way.
In time, the truth you shall find.
And then you will understand my rhyme.
"I'm such a masochist to even try talking to you"
Underneath the words, a picture of an obscene gesture formed.
"Oh very nice, Nashira. Very nice. Wherever did you learn that?"
In your pocket I reside.
Ever privy to your deride.
But more than that, I can see.
And that includes bathroom stall graffiti
Nick screwed his face up in distaste. "Oh my God, no. Tell me you haven't been spying on me in the rest room. You perv!"
Calm yourself, you evil troll.
My job is not to console.
But if it is privacy you seek,
Leave me in your backpack so I can't peek.
Now he understood why other people got so aggravated with his attitude disorder. He wanted to strangle his book.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
Sean: Yeah? You got a lady now?
Will: Yeah, I went on a date last week.
Sean: How'd it go?
Will: Fine.
Sean: Well, are you going out again?
Will: I don't know.
Sean: Why not?
Will: Haven't called her.
Sean: Jesus Christ, you are an amateur.
Will: I know what I'm doing. She's different from the other girls I met. We have a really good time. She's smart, beautiful, fun...
Sean: So Christ, call her up.
Will: Why? So I can realize she's not so smart. That she's boring. You don't get it. Right now she's perfect, I don't want to ruin that.
Sean: And right now you're perfect too. Maybe you don't want to ruin that. Well, I think that's a great philosophy Will, that way you can go through your entire life without ever having to really know anybody. My wife used to turn the alarm clock off in her sleep. I was late for work all the time because in the middle of the night she'd roll over and turn the damn thing off. Eventually I got a second clock and put it under my side of the bed, but it got to where she was gettin' to that one too. She was afraid of the dark, so the closet light was on all night. Thing kept me up half the night. Eventually I'd fall asleep, out of sheer exhaustion and not wake up when I was supposed to cause she'd have already gotten to my alarms. My wife's been dead two years, Will. And when I think about her, those are the things I think about most. Little idiosyncrasies that only I knew about. Those made her my wife. And she had the goods on me too. Little things I do out of habit. People call these things imperfections Will. It's just who we are. And we get to choose who we're going to let into out weird little worlds. You're not perfect. And let me save you the suspense, this girl you met isn't either. The question is, whether or not you're perfect for each other. You can know everything in the world, but the only way you're findin' that one out is by giving it a shot. You sure won't get the answer from an old fucker like me. And even if I did know, I wouldn't tell you.
Will: Why not? You told me every other fuckin' thing. You talk more than any shrink I ever met.
Sean: I teach this shit, I didn't say I knew how to do it.
Will: You ever think about gettin' remarried?
Sean: My wife's dead.
Will: Hence, the word remarried.
Sean: My wife's dead.
Will: Well I think that's a wonderful philosophy, Sean. That way you can go through the rest of your life without having to really know anyone.
Sean: Time's up.
”
”
Matt Damon (Good Will Hunting)
“
You haven’t got a clue, Devon,” Akira spat out. “I would have chosen any life other than the one I have. I envy your naïveté. Your belief in the possibility of love. I know you don’t understand any of this or who I am, but I was like you at one time. I only wanted to see the best in people. To believe this world was filled with hope and kindness.” Her bitterness was apparent. “I thought compassion came with understanding…with seeing inside a person’s heart and knowing their true mind. But I was wrong. Nothing in this world is what it seems.
”
”
Kaylin McFarren (Twisted Threads (Threads #4))
“
Cade: Baby, why are you blushing? Willa: Because I swear people are looking at me like I just got my brains fucked out. Cade: You did. Willa: I think these panties are ruined. Cade: I’ll wash them for you. And then shove them in your mouth again the next time you say something rude. Willa: Fuck off. Cade: Careful. They haven’t even been washed yet.
”
”
Elsie Silver (Heartless (Chestnut Springs, #2))
“
Ruby and Aaron are both crazy patient; they’re good parents.”
“I could be a good dad,” Ivan whispered, still feeding Jess.
I could have told him he’d be good at anything he wanted to be good at, but nah.
“Do you want to have kids?” he asked me out of the blue.
I handed Benny another block. “A long time from now, maybe.”
“A long time… like how long?”
That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?”
“Because of figure skating?”
“Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.”
Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.”
I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.”
Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything.
All he said was, “Hmm.”
A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?”
“I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.”
I frowned, the feeling in my stomach getting more intense.
He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.”
It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?”
Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.”
I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.”
“Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.”
I blinked. “I hope you get abducted by aliens.”
Ivan laughed, and the sound of it made me smile. “You would miss me.”
All I said, while shrugging was, “Meh. I know I’d get to see you again someday—”
He smiled.
“—in hell.”
That wiped the look right off his face. “I’m a good person. People like me.”
“Because they don’t know you. If they did, somebody would have kicked your ass already.”
“They’d try,” he countered, and I couldn’t help but laugh.
There was something wrong with us.
And I didn’t hate it. Not even a little bit.
”
”
Mariana Zapata (From Lukov with Love)
“
What do you think you know about me!? This is all I am! I have high hopes even though I'm powerless; I have all these dreams even though I'm dumb; I keep trying even though I can't do anything! I hate myself! I'm always nothing but talk! I'm worse than useless, but I'm still a world-class complainer! Who the hell do I think I am?! How dare I live such a shameful life this long?! I'm empty. I've got nothing inside me. Until I came here, until I met all of you, do you know what I was doing?! I wasn't doing anything. I didn't do anything... I didn't do one little thing! With all that time to do it! With all that freedom! I should have done lots of stuff, but I didn't do any of it! And this is the result! The man I am now is the result! I'm powerless, talentless, and all of it, all of it, is because of my rotten personality! I want to achieve something when I haven't done anything before--conceited doesn't even begin to describe it... I was lazy and imposed on other people; I wasted my whole life away; I killed you. I thought I could live here, but not a single thing's changed about me. That old man saw right through me, didn't he? During those days of training, the old man had spoken of those who wield the sword, but he had shaken his head and said, 'There is little point lecturing someone about what it takes to become stronger when he has already abandoned the choice to do so.' It's not like I really thought I'd get stronger or I'd be able to do anything... I just went through the motions. I was just a poser trying to justify myself. I wanted to say, I couldn't help it! I wanted other people to say it couldn't be helped! That's all it was! That's the only reason I pretended to put myself on the line like that! Even when you were helping me study, I was just putting on a show to cover up the embarrassment! I'm a small, underhanded, filthy guy down to the bone, always worrying about what other people think of me, and none of that's ever changed!
”
”
Tappei Nagatsuki (Re:ゼロから始める異世界生活 6 [Re:Zero Kara Hajimeru Isekai Seikatsu, Vol. 6] (Re:Zero Light Novels, #6))
“
Their impoverished condition somehow made them very real people. It’s hard to be phony when you haven’t got anything.
”
”
Studs Terkel (Hard Times: An Oral History of the Great Depression)
“
When people moan, "Oh, I'm so busy, I'm run off my feet, my life is a blur, I haven't got time for anything," what they mean is, "looks at me: I am hugely important, exciting and energetic.
”
”
Carl Honoré
“
When people moan, “Oh, I’m so busy, I’m run off my feet, my life is a blur, I haven’t got time for anything,” what they often mean is, “Look at me: I am hugely important, exciting and energetic.
”
”
Carl Honoré (In Praise of Slowness: Challenging the Cult of Speed)
“
I stand in the corners - the darkest pits of the room and sometimes I stand in the center feeling the stale cold envelop me just watching everyone disappear, I know they label it hiatus, but hiatus is just like death. It could be a long time before I could ever say hello again - and sometimes I never got to say goodbye.
I'm just now realizing how long this empire called goodreads has survived, I'm always here seeing new faces, new people, new ways of thinking. But my main question is -
How could they leave all this behind?
A deep sorrow that sounds like a ringing silence delves into my ears when I realize time has gone by fast and here I am finding direct mails from 2020, or 2019, 2018, 2017, even further.
I'm scared - alone and out of touch. I remember a couple from my early years....They both disappeared. Ken got shot again. Alastor up and left. I remember forenthico and bree fighting over a valentine's day present he presented to match with her. Abbigail is gone. I haven't heard from Elizabeth in a long while. Nezuko is silent. Alice, Tsukishima, Fizzii, Giran, Moonkitty, Sylvia, River, Star.
If you see this I'm still waiting.
”
”
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
“
People who go through a heavy experience like that are changed men, like it or not,” he said. “They change for the better and they change for the worse. On the good side, they become unshakable. Next to that half year, the rest of the suffering I’ve experienced doesn’t even count. I can put up with almost anything. And I also am a lot more sensitive to the pain of people around me. That’s on the plus side. It made me capable of making some real friends. But there’s also the minus side. I mean, it’s impossible, in my own mind, to believe in people. I don’t hate people, and I haven’t lost my faith in humanity. I’ve got a wife and kids. We’ve made a home and we protect each other.
Those things you can’t do without trust. It’s just that, sure, we’re living a good life right now, but if something were to happen, if something really were to come along and yank up everything by the roots, even surrounded by a happy family and good friends, I don’t know what I’d do. What would happen if one day, for no reason, no one believes a word you say? It happens, you know.
Suddenly, one day, out of the blue. I’m always thinking about it. Last time, it was only six months, but the next time? No one can say; there’s no guarantee. I don’t have confidence in how long I can hold out the next time. When I think of these things, I really get shaken up. I’ll dream about it and wake up in the middle of the night. It happens a little too often, in fact. And when it happens, I wake my wife up and I hold on to her and cry.
Sometimes for a whole hour, I’m so scared.
”
”
Haruki Murakami (The Elephant Vanishes)
“
That thing you thought you'd do
You start to think you can't;
You always say tomorrow,
But you haven't got a plan.
Everyone's asking questions,
And all you do is dodge.
That career that you'd imagined
Was only a mirage.
The older that you get,
The smaller that you feel;
You forget what's only in your head,
And what is really real.
Sometimes people make it;
They become who they meant to be.
But most of the time,
Dreamers only dream.
”
”
Margo T. Rose (The Words)
“
Sometimes it's hard because I don't like to hurt people's feelings. So there have been times when a friend will get a haircut and I will see it and my initial reaction is "Oh my God, you look like a streetwalker who got caught in a wind tunnel." But I obviously can't say that because that would be an insult to streetwalkers. So I have to say, "I love it! It looks great!" But when I say it my voice goes up about three octaves. "It looks greee-aaattt!" So I'm certain they know I'm lying.
How come when we lie our voices go up so many octaves? It's a dead giveaway. It happens when we dole out compliments we don't mean and it happens when we say things like "You didn't have to get my anything!" or "What do you mean you weren't invited to my party? You're always invited!" Everyone knows what those mean. "You definitely had to get me something" and "You haven't been invited back to the house since the urn incident of '04." And it's a mathematical fact: the higher the octave, the bigger the lie. "I didn't even hear my phone ring!" is usually like a four on the scale. "You think I'm sleeping with someone else?" is off the charts.
I can tell when people are lying to me when they start their sentence with "I have to be honest with you." They may as well say, "Listen, I'm about to lie straight to your face." Why do people need to clarify when they're being honest? Does that mean everything else they've ever said has been a lie? Yesterday they said they liked my sweater but they didn't say they were being honest. Does that mean they hated it?
It's so strange to me. It almost feels like they're giving me the option to not hear the truth. As if when they say, "I have to be honest with you," I might say, "No, no. Please. Only lies right now.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
Will: Do you ever wonder what your life would be like if you never met your wife?
Sean: What? Do I wonder if I'd be better off if I never met my wife? No, that's okay. It's an important question. 'Cause you'll have your bad times, which wake you up to the good stuff you weren't paying attention to. And you can fail, as long as you're trying hard. But there's nothing worse than regret.
Will: You don't regret meetin' your wife?
Sean: Why? Because of the pain I feel now? I have regrets Will, but I don't regret a single day I spent with her.
Will: When did you know she was the one?
Sean: October 21, 1975. Game six of the World Series. Biggest game in Red Sox history. Me and my friends slept out on the sidewalk all night to get tickets. We were sitting in a bar waiting for the game to start and in walks this girl. What a game that was. Tie game in the bottom of the tenth inning, in steps Carlton Fisk, hit a long fly ball down the left field line. Thirty-five thousand fans on their feet, screamin' at the ball to stay fair. Fisk is runnin' up the baseline, wavin' at the ball like a madman. It hits the foul pole, home run. Thirty-five thousand people went crazy. And I wasn't one of them.
Will: Where were you?
Sean: I was havin' a drink with my future wife.
Will: You missed Pudge Fisk's home run to have a drink with a woman you had never met?
Sean: That's right.
Will: So wait a minute. The Red Sox haven't won a World Series since nineteen eighteen, you slept out for tickets, games gonna start in twenty minutes, in walks a girl you never seen before, and you give your ticket away?
Sean: You should have seen this girl. She lit up the room.
Will: I don't care if Helen of Troy walked into that bar! That's game six of the World Series! And what kind of friends are these? They let you get away with that?
Sean: I just slid my ticket across the table and said "sorry fellas, I gotta go see about a girl."
Will: "I gotta go see about a girl"? What did they say?
Sean: They could see that I meant it.
Will: You're kiddin' me.
Sean: No Will, I'm not kiddin' you. If I had gone to see that game I'd be in here talkin' about a girl I saw at a bar twenty years ago. And how I always regretted not goin' over there and talkin' to her. I don't regret the eighteen years we were married. I don't regret givin' up counseling for six years when she got sick. I don't regret being by her side for the last two years when things got real bad. And I sure as Hell don't regret missing that damn game.
Will: Would have been nice to catch that game though.
Sean: Well hell, I didn't know Pudge was gonna hit the home run.
”
”
Matt Damon (Good Will Hunting)
“
This has got to be the most poorly named town I've ever visited. There is absolutely no sign of anything even remotely enchanting about it. It's one of the worst cases of false advertising I've seen.
I've traveled a lot.Done considerable time in my share of dead-end dumps. Or at least that's what I thought until I came here.
I mean,where do people shop for clothing and food?
Where do the teens all hang out-the ones who haven't already hopped the first bus out of this godforsaken place?
And,more important,where do I catch that very same bus-how soon 'til it leaves?
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Most people don't see what's going on around them. That's my principal message to writers: for God's sake, keep your eyes open. Notice what's going on around you. I mean, I walk down the street with friends. I ask, “Did you see him, that person who just walked by?” No, they didn't notice him. I had a very pleasant time on the train coming out here. I haven't traveled on trains in years. I found there were no drawing rooms. I got a bedroom so I could set up my typewriter and look out the window. I was taking photos, too. I also noticed all the signs and what I was thinking at the time, you see. And I got some extraordinary juxtapositions. For example, a friend of mine has a loft apartment in New York. He said, “Every time we go out of the house and come back, if we leave the bathroom door open, there's a rat in the house.” I look out the window, there's Able Pest Control.
”
”
William S. Burroughs
“
I am a man and what I have to recapture is the whole past of the world, I am not responsible only for the slavery involved in Santo Domingo, every time man has contributed to the victory of the dignity of the spirit, every time a man has said no to an attempt to subjugate his fellows, I have felt solidarity with his act. In no way does my basic vocation have to be drawn from the past of peoples of color. In no way do I have to dedicate myself to reviving some black civilization unjustly ignored. I will not make myself the man of any past. My black skin is not a repository for specific values. Haven’t I got better things to do on this earth than avenge the blacks of the 17th century?
I as a man of color do not have the right to hope that in the white man there will be a crystallization of guilt towards the past of my race. I as a man of color do not have the right of stamping down the pride of my former master. I have neither the right nor the duty to demand reparations for my subjugated ancestors. There is no black mission. There is no white burden. I do not want to be victim to the rules of a black world. Am I going to ask this white man to answer for the slave traders of the 17th century? Am I going to try by every means available to cause guilt to burgeon in their souls? I am not a slave to slavery that dehumanized my ancestors. It would be of enormous interest to discover a black literature or architecture from the 3rd century B.C, we would be overjoyed to learn of the existence of a correspondence between some black philosopher and Plato, but we can absolutely not see how this fact would change the lives of 8 year old kids working the cane fields of Martinique or Guadeloupe. I find myself in the world and I recognize I have one right alone: of demanding human behavior from the other.
”
”
Frantz Fanon
“
But my mother keeps on forgetting that she did everything she wanted to do. Married my father. Went to university. Had a family. No one got in her way. All at our age now. And that’s what she taught me. To do what I want to do and stop having people telling me that I can’t marry Will because I’m too young and I haven’t seen the world or taken advantage of the choices out there. Who says we’re not going to see the world? Or that I won’t want to sew for the rest of my life, or that I won’t want to finish my Honors? Who says choice is better in ten years’ time when it comes to guys? Just say there are bigger dickheads out there?
”
”
Melina Marchetta (The Piper's Son)
“
THIS IS beautiful advice that I got once from Jon Snoddy, my hero at Disney Imagineering. I just was so taken with the way he put it. “If you wait long enough,” he said, “people will surprise and impress you.” As he saw things: When you’re frustrated with people, when they’ve made you angry, it just may be because you haven’t given them enough time.
”
”
Randy Pausch (The Last Lecture)
“
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger."
"What are you talking about?" said Harry.
"The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..."
All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them.
"It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...."
Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck.
"If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..."
"What d'you mean?" said Harry, whose mouth had gone dry.
"Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat."
"No," Harry whispered.
"Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Will:"You know, when two people narrowly escape falling to their deaths, they usually have something to talk about, Even if they hadn't met before that moment, they usually have something to sayto each other afterward. But you haven't said anything to me. I've been tryingto give you some time. I've been trying to give you some space. All I want is-"
Ivy:"Thank you. Thank you for risking your life. Thank you for saving me."
"That's not what I wanted! Gratitude is the last thing I-"
"Well, let me tell you what I want, Honesty."
"When haven't I been honest? When?"
"I found your note, Will. I know you blackmailed Gregory. I didn't tell the police yet, but I will."
"So tell them, go ahead! It's old news to them, but if you've got the note, it's one more piece for the police files. I just don't get- Wait a minute. Do you think- You couldn't really think I did that to make money, could you?"
"That's usually why people blackmail."
"You think I'd betray you like that? Ivy I set up that blackmail--I got the Celentanos to help me out, and i videotaped it-so that i had something to take to the police." "Back in August when you were in the hospital, Gregory called me and told me you had tried to commit suicide. I couldn't believe it. I knew how much you missed Tristan, but I knew you were a fighter, too. I went to the train station that morning to look around and try to figure out what had gone through your head. As i was leaving I found the jacket and hat. I picked them up, but for weeks I didn't know how or even if they were connected to what had happened." "When school started I ran across some file photos of Tristan in the newspaper office. Suddenly I figured it out. I knew it wasn't like you to jump in front of a train, but it was just like you Eric and Gregory to con you across the track. I remembered how Eric had played chicken with us, and I blamed him at first. Later I realized that there was a lot more than a game going on."
"Why didn't you tell me this before? You should have told me this before."
"You weren't telling me things, either."
"I was trying to protect you!"
"What the heck do you think I was doing?...I had to distract him, give him another target, and try to get something on him at the same time. It almost worked. I gave the tape to Lieutenant Donnelly Tuesday afternoon, but Gregory had already laid his trap." "You thought I'd betray you."
"Will I'm sorry. I was wrong. I really am sorry, I made a mistake. A big one. Try to understand. I was so mixed up and afraid. I thought I betrayed myself when I trusted you-and betrayed Tristan when I fell in love with you. Will!"
"You fell in love with me?"
"Love you, Will."
"Love you, Ivy.
”
”
Elizabeth Chandler (Soulmates (Kissed by an Angel, #3))
“
I don't know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven't been able to stop thinking about what it would be like if you and I got together. And that kiss ... God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn't tilt then, it never will. I know it's crazy because we're so different. And if anything happens between us I don't want people at school to know. Not that you'll agree to have a secret relationship with me, but I at least have to find out if it's possible. I broke up with Colin, who I had a very public relationship with and I'm ready for something private. Private and real. I know I'm babbling like an idiot, but if you don't say something soon or give me a hint of what you're thinking then I'll--"
"Say it again," he says.
"That whole drawn-out speech?" I remember something about a solar system, but I'm too light-headed to recite the entire thing all over again.
He steps closer. "No. The part about you fallin' for me."
My eyes cling to his. "I think about you all the time, Alex. And I really, really want to kiss you again."
The sides of his mouth turn up.
Unable to face him, I look at the ground. "Don't make fun of me." I can take anything but that right about now.
"Don't turn away from me, mamacita. I'd never make fun of you.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
WHEN I DESCRIBED THE TUMOR IN MY ESOPHAGUS as a “blind, emotionless alien,” I suppose that even I couldn’t help awarding it some of the qualities of a living thing. This at least I know to be a mistake: an instance of the pathetic fallacy (angry cloud, proud mountain, presumptuous little Beaujolais) by which we ascribe animate qualities to inanimate phenomena. To exist, a cancer needs a living organism, but it cannot ever become a living organism. Its whole malice—there I go again—lies in the fact that the “best” it can do is to die with its host. Either that or its host will find the measures with which to extirpate and outlive it. But, as I knew before I became ill, there are some people for whom this explanation is unsatisfying. To them, a rodent carcinoma really is a dedicated, conscious agent—a slow–acting suicide–murderer—on a consecrated mission from heaven. You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful:
Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing and then die a horrible agonizing death, and THEN comes the real fun, when he’s sent to HELLFIRE forever to be tortured and set afire.
There are numerous passages in holy scripture and religious tradition that for centuries made this kind of gloating into a mainstream belief. Long before it concerned me particularly I had understood the obvious objections. First, which mere primate is so damn sure that he can know the mind of god? Second, would this anonymous author want his views to be read by my unoffending children, who are also being given a hard time in their way, and by the same god? Third, why not a thunderbolt for yours truly, or something similarly awe–inspiring? The vengeful deity has a sadly depleted arsenal if all he can think of is exactly the cancer that my age and former “lifestyle” would suggest that I got. Fourth, why cancer at all? Almost all men get cancer of the prostate if they live long enough: It’s an undignified thing but quite evenly distributed among saints and sinners, believers and unbelievers. If you maintain that god awards the appropriate cancers, you must also account for the numbers of infants who contract leukemia. Devout persons have died young and in pain. Betrand Russell and Voltaire, by contrast, remained spry until the end, as many psychopathic criminals and tyrants have also done. These visitations, then, seem awfully random. My so far uncancerous throat, let me rush to assure my Christian correspondent above, is not at all the only organ with which I have blasphemed. And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half–aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
”
”
Christopher Hitchens (Mortality)
“
I’ve lived on both sides of the abuse. I wear bruises on both sides of my fist. I have wept “what am I doing” and I have cried “why did they do that”. The child of an alcoholic and the alcoholic of a child. It’s strange how broken spirits, broken hearts, and broken homes walk hand-in-hand. How they leave a clear trail of shattered to follow.
We are all picking out sins of the father like shrapnel left over from the day we were born. Bang. Welcome to life. Try not to step on a landmine before you get to twenty. Here are your parents. They hate you. Sorry that you won the race.
Me? I’ve got a piece of broken mirror lodged dangerously close to my heart. I never know which twist in the story will be the one to open up my insides and help me drown in my own soul.
People asked me where I picked up the wisdom. I don’t know that any of this actually is made of wisdom. There’s just too much fluff and well-meaning for my taste.
For me, the path was always made of pain. I haven’t found feel better or act right yet... not for myself. I’m not the best one to help anybody else find it... that’s for certain... but I know every road that leads to resentment. I’ve walked them more times than I can count. I can’t tell you how to get where you’re going, but I can give you a roadmap that highlights the places I wish I never went.
The first place on the list sits pretty damn close to home.
There’s a town called Grief & Regret
just north of Salvation, USA.
I’m putting do not enter signs
on every road that goes there.
”
”
Kalen Dion
“
I know what it’s like when people go away. It’s agony for a week, then painful for a week, then you begin to forget, and then it seems as if it never happened, it happened to someone else, and you start shrugging. You say, dingo, it’s life, that’s the way things are. Stupid things like that. As if you haven’t really lost something for ever.’ ‘I shan’t forget. I shan’t ever forget.’ ‘You will. And I will.’ ‘We’ve got to go on living. However sad it is.’ After a long time she said, ‘I don’t think you know what sadness is.
”
”
John Fowles (The Magus)
“
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned.
I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.”
“But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then.
I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.”
The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.”
“You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too.
“Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—”
“You weren’t thinking.”
She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—”
“The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.”
She ignored me again. “Everything makes me cry and I itch. I itch so bad.”
“Do I… want to know where you’re itching?”
“Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.”
I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever.
“He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.”
“You know you can come stay with us if you want.”
She made a noise.
“I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.”
She sighed. “I would. I really would, but I couldn’t leave Aiden.”
And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too.
“Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—”
Vanessa let out another loud laugh. “You jerk.”
“What? You could.”
There was a pause. “I don’t even know why I bother with you half the time.”
“Because you love me?”
“I don’t know why.”
“Tia,” Louie hissed, rubbing his belly like he was seriously starving.
“Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?”
Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.”
“Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—”
“Goddammit, Diana—”
I laughed. “Love you. I’ll call you back. Bye!”
“Vanny has a whale?” Lou asked.
”
”
Mariana Zapata (Wait for It)
“
And then Raspail himself … died. Why?” “Frankly, I got sick and tired of his whining. Best thing for him, really. Therapy wasn’t going anywhere. I expect most psychiatrists have a patient or two they’d like to refer to me. I’ve never discussed this before, and now I’m getting bored with it.” “And your dinner for the orchestra officials.” “Haven’t you ever had people coming over and no time to shop? You have to make do with what’s in the fridge, Clarice. May I call you Clarice?” “Yes. I think I’ll just call you—” “Dr. Lecter—that seems most appropriate to your age and station,” he said.
”
”
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
“
She is putting on airs already," said Laurie, who regarded the idea in the light of a capital joke. "But may I inquire how you intend to support the establishment? If all the pupils are little ragamuffins, I'm afraid your crop won't be profitable in a worldly sense, Mrs. Bhaer." "Now don't be a wet-blanket, Teddy. Of course I shall have rich pupils, also—perhaps begin with such altogether. Then, when I've got a start, I can take in a ragamuffin or two, just for a relish. Rich people's children often need care and comfort, as well as poor. I've seen unfortunate little creatures left to servants, or backward ones pushed forward, when it's real cruelty. Some are naughty through mismanagment or neglect, and some lose their mothers. Besides, the best have to get through the hobbledehoy age, and that's the very time they need most patience and kindness. People laugh at them, and hustle them about, try to keep them out of sight, and expect them to turn all at once from pretty children into fine young men. They don't complain much—plucky little souls—but they feel it. I've been through something of it, and I know all about it. I've a special interest in such young bears, and like to show them that I see the warm, honest, well-meaning boys' hearts, in spite of the clumsy arms and legs and the topsy-turvy heads. I've had experience, too, for haven't I brought up one boy to be a pride and honor to his family?" "I'll testify that you tried to do it," said Laurie with a grateful look. "And
”
”
Louisa May Alcott (Little Women (Little Women #1))
“
The Terrible People
People who have what they want are very fond of telling people who haven't what they want that they really don't want it,
And I wish I could afford to gather all such people into a gloomy castle on the Danube and hire half a dozen capable Draculas to haunt it.
I don't mind their having a lot of money, and I don't care how they employ it,
But I do think that they damn well ought to admit they enjoy it.
But no, they insist on being stealthy
About the pleasures of being wealthy,
And the possession of a handsome annuity
Makes them think that to say how hard it is to make both ends meet is their bounden duity.
You cannot conceive of an occasion
Which will find them without some suitable evasion.
Yes indeed, with arguments they are very fecund;
Their first point is that money isn't everything, and that they have no money anyhow is their second.
Some people's money is merited,
And other people's is inherited,
But wherever it comes from,
They talk about it as if it were something you got pink gums from.
Perhaps indeed the possession of wealth is constantly distressing,
But I should be quite willing to assume every curse of wealth if I could at the same time assume every blessing.
The only incurable troubles of the rich are the troubles that money can't cure,
Which is a kind of trouble that is even more troublesome if you are poor.
Certainly there are lots of things in life that money won't buy, but it's very funny --
Have you ever tried to buy them without money?
”
”
Odgen Nash
“
Sally has spent most of her professional life working for respect. She started in television, first as Gidget (1965–66) and then as The Flying Nun (1967–70), and spent the next ten years trying to live those roles down. That explains why, when she won her second Oscar, for Places in the Heart (1984), she said, “I haven’t had an orthodox career, and I’ve wanted more than anything to have your respect. The first time I didn’t feel it, but this time I feel it—and I can’t deny the fact that you like me, right now, you like me!” She was making a reference to a line in Norma Rae, but nobody got the joke, and Sally got slammed for it. To make it worse, people misquoted her as saying, “You like me, you really like me!” That line has been dogging her ever since.
”
”
Burt Reynolds (But Enough About Me: A Memoir)
“
There were days, weeks, and months when I hated politics. And there were moments when the beauty of this country and its people so overwhelmed me that I couldn’t speak. Then it was over. Even if you see it coming, even as your final weeks are filled with emotional good-byes, the day itself is still a blur. A hand goes on a Bible; an oath gets repeated. One president’s furniture gets carried out while another’s comes in. Closets are emptied and refilled in the span of a few hours. Just like that, there are new heads on new pillows—new temperaments, new dreams. And when it ends, when you walk out the door that last time from the world’s most famous address, you’re left in many ways to find yourself again. So let me start here, with a small thing that happened not long ago. I was at home in the redbrick house that my family recently moved into. Our new house sits about two miles from our old house, on a quiet neighborhood street. We’re still settling in. In the family room, our furniture is arranged the same way it was in the White House. We’ve got mementos around the house that remind us it was all real—photos of our family time at Camp David, handmade pots given to me by Native American students, a book signed by Nelson Mandela. What was strange about this night was that everyone was gone. Barack was traveling. Sasha was out with friends. Malia’s been living and working in New York, finishing out her gap year before college. It was just me, our two dogs, and a silent, empty house like I haven’t known in eight years.
”
”
Michelle Obama (Becoming)
“
Perhaps the most difficult thing about loving and helping an addict, which most people who haven’t been through it don’t understand, is this: every day the cycle continues is your new worst day. When looked at from the outside it seems endless, the same thing over and over again; but when you’re living it, it’s like being a hamster on a wheel. Every day there’s the chronic anxiety of waiting for news, the horrible rush when it turns out to be bad, the overwhelming sense of déjà vu – and the knowledge that, despite your best efforts, you’ll probably be here again. Even so-called good days are not without their drawbacks. You enjoy them as much as you can, but in the back of your mind there’s the lurking fear that tomorrow you could be back to square one again, or worse. For me, this was life with Amy. If I was stopped by someone in the street and they asked how Amy was doing, I knew they wouldn’t understand if I told them what was going on. I’d learned that it’s nearly impossible to explain how this could keep happening. I’d imagined that, as they offered sympathy, they’d be wondering, How can her family let this carry on? Or, Why didn’t they lock her up until she was clean? But unless an addict wants to quit, they’ll find a way to get drugs, and as soon as they leave the rehab facility they’ll pick up where they left off. Long before Amy was an addict, no one could tell her what to do. Once she became an addict, that stubbornness just got worse. There were times when she wanted to be clean, but the times when she didn’t outnumbered them.
”
”
Mitch Winehouse
“
Taylor held a finger up to Val and Kate. “Hold that thought for a second while I get this.”
As she headed into the living room, she overheard Kate mumble to Val, “Hold what thought? I haven’t understood a word she’s said yet.”
Taylor unlocked her front door and opened it. Before she could react, Jason barreled right in, all fired up.
“Where have you been?? I tried calling you—is your cell phone off? I need you to tell me who the hell I can sue. I just met with Marty—we got back the mock-ups for the new publicity posters the studio’s going to use to promote Inferno .”
Jason stormed into the kitchen, so engrossed in his rant he didn’t notice Valerie and Kate. He opened Taylor’s fridge and helped himself to a bottled water.
“And get this,” he fumed angrily, “the dumbasses who designed the posters have me pictured in this scene where I’m putting out a fire with all these other firemen. But if you look at the poster from the side, the water from the hose of one of the other firefighters looks like it’s shooting right out of my crotch. And the best part is, they want to put this poster over the theater entrance for the premiere. I can just see it—” He gestured grandly to the air. “ ‘Come see Inferno! Get pissed on by Jason Andrews!’”
With that, he threw Taylor a wink. “It should be right up your alley.”
Finished with his rant, Jason took a sip of water. Then he finally noticed Kate and Val. He smiled charmingly.
“Oh. People. Hello.”
Kate and Val sat in silence at the table. They stared at the sight of this god, this ideal man of modern time, standing before them in all his glory.
”
”
Julie James (Just the Sexiest Man Alive)
“
Of course his drinking put a strain on me as a young person. It made me very tense and edgy. That happens when one lives with an alcoholic. My story in this sense is not unique. I’ve lived with many alcoholic men over the years, and each has taught me that it is useless to worry, fruitless to ask why, suicide to try to help them. They are who they are, for better and worse. Now I live alone. Happily. Gleefully, even. I’m too old to concern myself with other people’s affairs. And I no longer waste my time thinking ahead into the future, worrying about things that haven’t happened yet. But I worried all the time when I was young, not least of all about my future, and mostly with respect to my father—how long he had left to live, what he might do, what I would find when I got home from work each evening.
”
”
Ottessa Moshfegh (Eileen)
“
I hope you'll make mistakes. If you make mistakes, it means you're out there doing something. I escaped from school as soon as I could, when the prospect of four more years of enforced learning before I could become the writer I wanted to be, seemed stifling. I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it all up as I went along. They just read what I wrote and they paid me for it or they didn't. The nearest thing I had, was a list I made when I was about 15, of everything I wanted to do. I wanted to write an adult novel, a children's book, a comic, a movie, record an audio-book, write an episode of Doctor Who, and so on. I didn't have a career, I just did the next thing on the list. When you start out in the arts, you have no idea what you're doing. This is great. People who know what they're doing, know the rules, and they know what is possible and what is impossible. You do not, and you should not. The rules on what is possible and impossible in the arts, were made by people who had not tested the bounds of the possible, by going beyond them, and you can. If you don't know it's impossible, it's easier to do, and because nobody's done it before, they haven't made up rules to stop anyone doing that particular thing again. That's much harder than it sounds, and sometimes, in the end, so much easier than you might imagine, because normally, there are things you have to do before you can get to the place you want to be. When you start out, you have to deal with the problems of failure. You need to be thick-skinned. The things I did because I was excited and wanted to see them exist in reality have never let me down, and I've never regretted the time I spent on any of them. If you have an idea of what you want to make, what you were put here to do, then just go and do that, whether you're a musician or a photographer, a fine artist, or a cartoonist, a writer, a dancer, singer, a designer, whatever you do, you have one thing that's unique, you have the ability to make art. For me, for so many of the people I've known, that's been a lifesaver the ultimate lifesaver. It gets you through good times, and it gets you through the other ones. The one thing that you have, that nobody else has, is you! Your voice, your mind, your story, your vision. So write and draw, and build, and play, and dance and live, as only you can. Do what only you can do best, make good art.
”
”
Neil Gaiman
“
When someone’s been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it’s like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you’re just clutching air and grit. That’s why you can’t save it all up like that. Because by the time you finally see each other, you’re catching up only on the big things, because it’s too much bother to tell about the little things. But the little things are what make up life. Like a month ago when Daddy slipped on a banana peel, a literal banana peel that Kitty had dropped on the kitchen floor. Kitty and I laughed for ages. I should have e-mailed Margot about it right away; I should have taken a picture of the banana peel. Now everything feels like you had to be there and oh never mind, I guess it’s not that funny. Is this how people lose touch? I didn’t think that could happen with sisters. Maybe with other people, but never us. Before Margot left, I knew what she was thinking without having to ask; I knew everything about her. Not anymore. I don’t know what the view looks like outside her window, or if she still wakes up early every morning to have a real breakfast or if maybe now that she’s at college she likes to go out late and sleep in late. I don’t know if she prefers Scottish boys to American boys now, or if her roommate snores. All I know is she likes her classes and she’s been to visit London once. So basically I know nothing. And so does she. There are big things I haven’t told her—how my letters got sent out. The truth about me and Peter. The truth about me and Josh. I wonder if Margot feels it too. The distance between us. If she even notices.
To All the Boys I’ve Loved Before by Jenny Han
”
”
Jenny Han
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people
think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
Tate was sprawled across the bed in his robe early the next morning when the sound of the front door opening penetrated his mind. There was an unholy commotion out there and his head was still throbbing, despite a bath, several cups of coffee and a handful of aspirin that had been forced on him the day before by two men he’d thought were his friends. He didn’t want to sober up. He only wanted to forget that Cecily didn’t want him anymore.
He dragged himself off the bed and went into the living room, just in time to hear the door close.
Cecily and her suitcase were standing with mutual rigidity just inside the front door. She was wearing a dress and boots and a coat and hat, red-faced and muttering words Tate had never heard her use before.
He scowled. “How did you get here?” he asked.
“Your boss brought me!” she raged. “He and that turncoat Colby Lane and two bodyguards, one of whom was the female counterpart of Ivan the Terrible! They forcibly dressed me and packed me and flew me up here on Mr. Hutton’s Learjet! When I refused to get out of the car, the male bodyguard swept me up and carried me here! I am going to kill people as soon as I get my breath and my wits back, and I am starting with you!”
He leaned against the wall, still bleary-eyed and only half awake. She was beautiful with her body gently swollen and her lips pouting and her green eye sin their big-lensed frames glittering at him.
She registered after a minute that he wasn’t himself. “What’s the matter with you?” she asked abruptly.
He didn’t answer. He put a hand to his head.
“You’re drunk!” she exclaimed in shock.
“I have been,” he replied in a subdued tone. “For about a week, I think. Pierce and Colby got my landlord to let them in yesterday.” She smiled dimly. “I’d made some threats about what I’d do if he ever let anybody else into my apartment, after he let Audrey in the last time. I guess he believed them, because Colby had to flash his company ID to get in.” He chuckled weakly. “Nothing intimidates the masses like a CIA badge, even if it isn’t current.”
“You’ve been drunk?” She moved a little closer into the apartment. “But, Tate, you don’t…you don’t drink,” she said.
“I do now. The mother of my child won’t marry me,” he said simply.
“I said you could have access…”
His black eyes slid over her body like caressing hands. He’d missed her unbearably. Just the sight of her was calming now. “So you did.”
Why did the feel guilty, for God’s sake, she wondered. She tried to recapture her former outrage. “I’ve been kidnapped!”
“Apparently. Don’t look at me. Until today, I was too stoned to lift my head.” He looked around. “I guess they threw out the beer cans and the pizza boxes,” he murmured. “Pity. I think there was a slice of pizza left.” He sighed. “I’m hungry. I haven’t eaten since yesterday.”
“Yesterday!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Spill-what’s the deal with Hottie McDreamMan?”
“Sage?” I laughed.
“No, I mean Minister Sanders.” She threw a pillow at me. “Of course I mean Sage! He’s the one, right? The guy from your dreams. Oh my God-he’s real and he’s hot! Does he kiss as well in real life as he did in your dreams?”
“I wouldn’t know,” I admitted. “We haven’t kissed.”
“What are you waiting for?”
“So the whole randomly-popping-up-in-pictures thing doesn’t bother you?”
“Nope.”
“The whole strange-cultists-chasing-after-him? That doesn’t bother you either?”
“Nobody’s perfect, Clea.”
“How about if I told you he might be a serial killer? Would that bother you?”
“Debatable. Elaborate.”
I told her about the nightmares and about what I’d seen in his house. As I unrolled the story, her expression went from flip and giddy to openmouthed and riveted.
“Oh my God, Clea.”
“Crazy, right? And I still have no idea how he got into all those pictures.”
“That part’s easy.”
“Really?”
“Of course,” she said. “You’re soulmates.
“Rayna…”
“Fine, I know, you don’t like that word. But you can’t possibly deny that you have a deep, powerful soul connection. By definition you have that. You said yourself, he found you in four different countries and four different times. Out of all the people in the world at any given time, he found you. The only possible way he could have done that is if your souls were connected. He’s a soul-seeking missile.”
“But he told me he wasn’t there for any of the pictures.”
“Yes, he was! Don’t you get it, Clea? Your souls are connected-he’s always with you, whether he’s there physically or not. And you’re the one who told me about cameras capturing people’s souls, right? So that’s what it’s doing-capturing the soul that’s always with you, because you’re always connected. It’s very romantic.”
I thought about what she said, ignoring the last sentence because I knew by now that everything was very romantic to Rayna.
“Okay,” I ceded, “I’ll give you the connection. But what about the serial killer thing? What fi we’re connected because he tracks these women down, acts like he loves them, and then kills them?”
“Kills you. You’re them.”
“Yeah, thanks, that’s a much nicer way to put it,” I said, rolling my eyes.
”
”
Hilary Duff (Elixir (Elixir, #1))
“
—and I say you still haven't answered my question, Father Bleu."
"Haven't I, dear lady? I thought I stated that death is merely the beginning of—"
"No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?"
She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow."
"Let me say it another way. Most people are afraid of dying, yes?"
"I disagree. Not those who find mystical union with the body of Christ in—"
"Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?"
"What aspect is that, Madame Kagle?"
"The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it."
She slurped champagne in the silence. She eyed him defiantly.
"Well, Father? What have you got to say?"
Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—"
"If that's how you feel," she interrupted, "you're just not thinking it out."
"My good woman!" said Father Bleu gently.
"Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead."
She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears.
"Even your blessed St. Paul bears me out, Father."
The priest glanced up, startled. "What?"
"The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting."
In the pause the furnace door behind her eyes opened wide, and hell shone out.
"I know what I'm talking about, Father. I've been there."
Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out.
The party broke up at once.
”
”
John Jakes (Orbit 3)
“
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it."
There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory:
Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'.
Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
”
”
John Lewis Gaddis (George F. Kennan: An American Life)
“
Well, those who mean to escape their catching must get ready. I’m getting ready. Mind you, it isn’t all of us that are made for wild beasts; and that’s what it’s got to be. That’s why I watched you. I had my doubts. You’re slender. I didn’t know that it was you, you see, or just how you’d been buried. All these—the sort of people that lived in these houses, and all those damn little clerks that used to live down that way—they’d be no good. They haven’t any spirit in them—no proud dreams and no proud lusts; and a man who hasn’t one or the other—Lord! What is he but funk and precautions? They just used to skedaddle off to work—I’ve seen hundreds of ’em, bit of breakfast in hand, running wild and shining to catch their little season-ticket train, for fear they’d get dismissed if they didn’t; working at businesses they were afraid to take the trouble to understand; skedaddling back for fear they wouldn’t be in time for dinner; keeping indoors after dinner for fear of the back streets, and sleeping with the wives they married, not because they wanted them, but because they had a bit of money that would make for safety in their one little miserable skedaddle through the world. Lives insured and a bit invested for fear of accidents. And on Sundays—fear of the hereafter. As if hell was built for rabbits! Well, the Martians will just be a godsend to these. Nice roomy cages, fattening food, careful breeding, no worry. After a week or so chasing about the fields and lands on empty stomachs, they’ll come and be caught cheerful. They’ll be quite glad after a bit. They’ll wonder what people did before there were Martians to take care of them. And the bar loafers, and mashers, and singers—I can imagine them. I can imagine them,” he said, with a sort of sombre gratification. “There’ll be any amount of sentiment and religion loose among them. There’s hundreds of things I saw with my eyes that I’ve only begun to see clearly these last few days. There’s lots will take things as they are—fat and stupid; and lots will be worried by a sort of feeling that it’s all wrong, and that they ought to be doing something. Now whenever things are so that a lot of people feel they ought to be doing something, the weak, and those who go weak with a lot of complicated thinking, always make for a sort of do-nothing religion, very pious and superior, and submit to persecution and the will of the Lord. Very likely you’ve seen the same thing. It’s energy in a gale of funk, and turned clean inside out. These cages will be full of psalms and hymns and piety. And those of a less simple sort will work in a bit of—what is it?—eroticism.
”
”
H.G. Wells (The War of the Worlds)
“
I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by...
“That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause.
“So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river.
“Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure.
“Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here.
“Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing.
“Now I can’t even leave off writing to you.
“But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.
”
”
D.H. Lawrence
“
Christina walks out, bumping me with her shoulder as she leaves. Tris lifts her eyes to mine.
“We should talk,” I say.
“Fine,” she says, and I follow her into the hallway.
We stand next to the door until everyone else leaves. Her shoulders are drawn in like she’s trying to make herself even smaller, trying to evaporate on the spot, and we stand too far apart, the entire width of the hallway between us. I try to remember the last time I kissed her and I can’t.
Finally we’re alone, and the hallway is quiet. My hands start to tingle and go numb, the way they always do when I panic.
“Do you think you’ll ever forgive me?” I say.
She shakes her head, but says, “I don’t know. I think that’s what I need to figure out.”
“You know…you know I never wanted Uriah to get hurt, right?” I look at the stitches crossing her forehead and I add, “Or you. I never wanted you to get hurt either.”
She’s tapping her foot, her body shifting with the movement. She nods. “I know that.”
“I had to do something,” I say. “I had to.”
“A lot of people got hurt,” she says. “All because you dismissed what I said, because--and this is the worst part, Tobias--because you thought I was being petty and jealous. Just some silly sixteen-year-old girl, right?” She shakes her head.
“I would never call you silly or petty,” I say sternly. “I thought your judgment was clouded, yes. But that’s all.”
“That’s enough.” Her fingers slide through her hair and wrap around it. “It’s just the same thing all over again, isn’t it? You don’t respect me as much as you say you do. When it comes down to it, you still believe I can’t think rationally--”
“That is not what’s happening!” I say hotly. “I respect you more than anyone. But right now I’m wondering what bothers you more, that I made a stupid decision or that I didn’t make your decision.”
“What’s that supposed to mean?”
“It means,” I say, “that you may have said you just wanted us to be honest with each other, but I think you really wanted me to always agree with you.”
“I can’t believe you would say that! You were wrong--”
“Yeah, I was wrong!” I’m shouting now, and I don’t know where the anger came from, except that I can feel it swirling around inside me, violent and vicious and the strongest I have felt in days. “I was wrong, I made a huge mistake! My best friend’s brother is as good as dead! And now you’re acting like a parent, punishing me for it because I didn’t do as I was told. Well, you are not my parent, Tris, and you don’t get to tell me what to do, what to choose--!”
“Stop yelling at me,” she says quietly, and she finally looks at me. I used to see all kinds of things in her eyes, love and longing and curiosity, but now all I see is anger. “Just stop.”
Her quiet voice stalls the anger inside me, and I relax into the wall behind me, shoving my hands into my pockets. I didn’t mean to yell at her. I didn’t mean to get angry at all.
I stare, shocked, as tears touch her cheeks. I haven’t seen her cry in a long time. She sniffs, and gulps, and tries to sound normal, but she doesn’t.
“I just need some time,” she says, choking on each word. “Okay?”
“Okay,” I say.
She wipes her cheeks with her palms and walks down the hallway. I watch her blond head until it disappears around the bend, and I feel bare, like there’s nothing left to protect me against pain. Her absence stings worst of all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit.
“Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.”
“So what is this?” Zumwald said. “A military dictatorship? Beatings for free?”
“Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.
”
”
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
“
Korie: Phil and Willie are so much alike. We went to a marriage seminar at our church one time, and Phil and Kay and Jase and Missy were there as well. Each of the couples took a personality test to see if their personalities were compatible. We all laughed because Phil and Willie scored high in the characteristics for having a dominant personality. They were almost identical in a lot of areas, but somewhat different in that Willie was high in the social category as well. I think Willie got that part of his personality from his mother.
It’s funny because people look at the Robertsons and think Jase and Phil are just alike, and they are certainly similar in their love for ducks. But when we took the personality test, we saw that Jase’s personality is much more like his mother’s. So I guess it makes sense that Phil and Jase get along so well in the duck blind. They made a good team, just like Phil and Kay do at home. Kay has always said that Willie is a lot like Phil and even calls him “Phil Jr.” at times. While I wouldn’t go that far, I definitely saw the similarities. They both have strong, charismatic personalities. They are both big-picture guys with big ideas and deep beliefs. Whatever either of them is going in life, he does it all the way, and they are both very opinionated, which can sometimes be a challenge. Phil and Willie haven’t always been as close as they are now. As they grew, they recognized the attributes they have in common and learned to value one another’s differences and strengths. Willie says it couldn’t have happened until after he was thirty, though. He needed to grow up and mature, and Phil has gotten more relaxed as he’s gotten older. Willie loves to hunt with his dad and brothers, but there have been times when he’s had a hard time sitting in Phil’s blind. You can only have one leader in the duck blind, only one man who lines up the men and yells, “Cut ‘em!” when it’s time to shoot. Willie and Phil have both always been leaders, whether it’s in the blind or in business.
”
”
Willie Robertson (The Duck Commander Family)
“
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.”
Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault.
When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.”
Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life.
Only God could have stopped this disaster, and contrary to what you think, you aren’t God.
When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.”
But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced.
Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end.
If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything.
The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that.
He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.”
When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.”
Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.”
“One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother.
Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years.
Jane would be proud.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.”
She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.”
“How?”
Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?”
“How are you getting home? Did you park on the street or something?”
Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.”
“Don’t you have a car?”
She steels her spine. “No. I don’t.”
I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work.
“Okay, well then what about an Uber or something?”
Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.”
I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.”
She laughs and starts to step back. “It’s not your concern. Don’t worry about me.”
Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her.
Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full.
“Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.”
Her soft feminine laugh echoes around the lobby.
“Thank you, but I’d rather walk.”
What she really means is, Thank you, but I’d rather die.
“It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.”
Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.”
She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way.
“Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up.
“You’re clocked out, aren’t you? Call me Matt.”
“Doctor,” she says pointedly. “Please give me my backpack before I call security.”
I laugh because really, she’s hilarious. No one has ever threatened to call security on me before.
“It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?”
It weighs nothing.
“My lunchbox. A water bottle. Some empty Tupperware.”
Tupperware.
I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her?
“Did you bring more banana bread?”
She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.”
“I didn’t get any last time either,” I point out.
She snorts. “Yeah well, I don’t feel bad about that.”
I face forward again so she can’t see my smile.
”
”
R.S. Grey (Hotshot Doc)
“
I no longer require your services." With her head held high, she strode for the door.
Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake.
"You don't want to hear my report?" he called out after her.
She paused near the door. "I don't believe you even have a report."
"I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require."
"A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him.
He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly.
Her eyes went wide. "You're making that up."
"He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think."
That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband."
"He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you."
"You can't be sure of that."
"No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants."
Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese."
He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.”
“Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.”
“I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.”
“Plenty of people don’t get along with their families,” she said stoutly.
“He has a long-established mistress, too.”
A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.”
He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?”
The sigh that escaped her was all the answer he needed.
“I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.”
“With his mad family.”
“He’s already told me about his father, whom I knew about anyway.”
“Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.”
Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“
As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?”
She hesitated, then squared her shoulders. “Marriage, if you must know.”
Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.”
Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that??
'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back.
'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up
for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.'
'He only wins if you let him.' 'What can I do about it?' she asked.
'From listening to your podcast, sounds to me like there's not much you can't do.'
'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -'
'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?'
She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true.
And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life.
'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that."
'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
”
”
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
“
No matter what anyone in North Star thought of my mom, everyone agreed on one thing: she was the best cook in the Texas Hill Country. She was known for her barbecue and fried pies. But she was most famous for one particular dish. The dish people people would drive hundreds of miles for was simply called the Number One. I imagine Momma was going to make a list of specials. The trouble was, she never got past the Number One. So there it sat at the top of the menu, alone, all by itself.
The Number One:
Chicken fried steak with cream gravy, mashed potatoes,
green beans cooked in bacon fat, one buttermilk biscuit,
and a slice of pecan pie
With Brad's words ringing in my head about my vague culinary vision, I decide to make the Number One for tonight's supper. After leaving the salon, I drive to various farm stands, grocery stores, and butchers. I handpick the top-round steak with care, choose fresh eggs one by one, and feel an immense sense of home as I pull Mom's cast-iron skillet from the depths of Merry Carole's cabinets. My happiest memories involve me walking into whatever house we were staying in at the time to the sounds and smells of chicken fried steak sizzling away in that skillet. This dish is at the very epicenter of who I am. If my culinary roots start anywhere, it's with the Number One.
As I tenderize the beef, my mind is clear and I'm happy. I haven't cooked like this- my recipes for me and the people I love- in far too long. If ever. Time flies as I roll out the crust for the pecan pie. I'm happy and contented as I cut out the biscuit rounds one by one. I haven't a care in the world. Being in Merry Carole's kitchen has washed away everything I left in the whirlwind of being back in North Star.
”
”
Liza Palmer (Nowhere But Home)
“
Someone should politely explain to antifa [that] the most violent Americans, the most violent and willing Americans, haven’t even left the couch yet. The most violent and ready to go, the most tactically trained, haven’t even got off the couch yet. So you better pray to God, and I mean this literally—or whoever the fuck it is you pray to—that Donald J. Trump, President of the United States, and Attorney General Barr clean this up lawfully. If for any reason the president of the United States feels that it’s not getting done the way it should and decides to put out the tweet that says, ‘My fellow Americans, my fellow 2A-loving Americans, it’s time to take up arms against these assholes,’ you are all fucked in under an hour,” he continued. “[We’re] waiting for that one tweet, that one emergency text message from the fucking president of the United States that gives us the green light to finish this entire thing in under an hour. It will not be law enforcement. It will not be one of these slow, bureaucratic, justice system wheels of justice turning. It’ll be a group of people you didn’t even know fucking existed because we were at our houses, we got off work, we were with our families, but we were ready for that call. And if that call ever does come, you will be fucked seven ways from Sunday. So I suggest you back down.
”
”
Brenden M Dilley
“
Energy vampires are those who exert finite energy and time to be around, fit in with, impress and receive fake love or hollow validation from people who haven't got their back and will quickly forget about them when the currency which binds or bonds them ceases to be beneficial.
”
”
Henry Joseph-Grant
“
So how were these people judged? How will we be judged? We get up every morning thinking that if we're good, we'll make it to heaven, and if we're bad, we'll have trouble. But then we see a six-year-old girl die of cancer. We see raging waters and mud swallow innocent people in South America. And we see our neighbor, who cheats on his wife or steals from his boss, become wealthy. We see our cousin, the liar, win the lottery. What sense does this make?"
A few people shake their heads. I want to know, too.
"Got me," Natto says. "Got me. But I'll tell you this. I want to know. I want to find out. And I'll tell you two more things. One is, overall, we have seen a lot of times in life that what comes around goes around, haven't we?"
A few people nod.
"In the case of Venezuela, there's no good explanation. But we see sinners locked up every day, and brave men rewarded. And last night on the news, they showed heroes, people who saved lives in Venezuela. We saw people working together. Rescue workers. Relief workers. And that is God."
He stops pacing.
"That is God," he says again.
He goes back to pacing. He has a strong gait.
"These people do good. And if one of their planes crashed on the way back to whereever they came from? What sense would that make? I don't know. I don't claim to have all the answers. And maybe there are cases where I will never ever understand them. This is something a lot of churches don't want to admit, but I really might never have the answers. And sometimes, this might make me very angry."
I like this.
"But I said there were two more things I'll tell you. One is that we have seen that what comes around goes around. And here's the second thing. We judge within ourselves. Those people in Venezuela, the dying, if they led a good life, they knew it. They died at peace. They knew that they didn't deserve it, that it was just something that happened. But a guy who's been hurting people, who suddenly feels a rumble and the sky caves in, he's lying there, torn apart, and besides the physical pain, he knows in his heart, or he feels in his heart, that he's being punished. He can't lie there and say, "Please God I don't deserve to die". Because he knows he did wrong, and he has to apologize and make amends. And so in that way, judgement comes upon him. And we all know in our hearts, whether we're to be judged in the afterworld or not, that while we're on this earth, we judge ourselves.
”
”
Caren Lissner (Carrie Pilby)
“
social proof. Whenever we haven’t got enough information to make decisions for ourselves, we have a habit of copying the behaviour of those around us. It’s why theatres sometimes secretly plant people in the audience to clap and cheer at the right times. As soon as we hear others clapping, we’re more likely to join in.
”
”
Hannah Fry (Hello World: Being Human in the Age of Algorithms)
“
If you truly want to be intimate with the people you love, you need to know what drives them. In different stages of our lives we are driven by different things; that is why it is so important to make this an annual exercise with regular review throughout the year. If you asked your spouse what his or her dreams were when you first starting dating and you haven’t spent much time on the subject since, you will likely discover that he or she has a whole new set of dreams now. If this is the case, may I suggest you ask this question of your significant other as a starting point for the renewal in your relationship: Which of your dreams got lost along the way while I was too busy pursuing my own
”
”
Matthew Kelly (The Seven Levels of Intimacy: The Art of Loving and the Joy of Being Loved)
“
After comparing desired with available resources, it became crystal clear that the company was pursuing many more projects than it had people to staff. In particular, by trying to engage in many highly demanding platform launches at the same time, the company was unlikely to do justice to its portfolio of options. Nor was it likely to manage the enhancement launches (as opposed to platform launches) that current customers were demanding, because many of these were still on the drawing board and were competing for the same scarce design and engineering talent as the major platform launches. In short, the company was taking on too much. The results of this overcommitment meant that project deadlines perpetually slipped, promises to key customers were often broken, and people were beginning to feel burned out.
This situation is not uncommon. The processes through which companies take on projects usually lead them to discover that they haven’t got the resources to do justice to everything on their plates. In particular, when managers have not clearly thought through which resources for projects will be needed to support their needs to either build new platforms or learn through options, the different types of projects compete with each other, creating confusion. This lack of coordination is also typical of companies that haven’t matched their strategy to available resources. A far wiser approach is to pursue a few well-run projects than to chase down a grab-bag of forever-behind-schedule and over-budget initiatives.
”
”
Rita Gunther McGrath (The Entrepreneurial Mindset: Strategies for Continuously Creating Opportunity in an Age of Uncertainty)
“
I’m sorry.”
“I don’t think that’s something you have to be sorry for. I haven’t done it. I’ve had two hundred years and I haven’t.”
“Why not?” asked Halim.
“It was easier to be a toad,” said Toadling. “I thought perhaps I could, one day, but then I was a toad for a long time, and as long as I was a toad, I didn’t have to worry about it. And then no one could get in, so it didn’t matter anymore.”
“Didn’t matter? But you couldn’t leave here, could you?”
“No. But I’d made a mess of the gift. I didn’t give it to her properly. So it was only right I had to stay.”
“You think you had to pay for two hundred years for a momentary slip of the tongue?”
Toadling was giggling at him. She could feel the words slipping down inside her, into a place under her breastbone. The other words rearranged themselves to make space.
“There’s a very high wall,” said Halim, “according to the imams, called al-A’raf. Between hell and paradise. And if you haven’t been good enough or evil enough to go to one place or the other, you live in this wall. But even those people will eventually enter paradise, because God is merciful.” He jammed his chin onto his fist and gazed at Toadling. “It seems like you’ve been stuck in that wall for quite a long time now…That’s all the theology I’ve got in me, incidentally, so I hope it’s useful.”
Toadling sighed. “I would like to climb down from that wall,” she admitted.
”
”
T. Kingfisher (Thornhedge)
“
If I find this nostalgia for a "vanished" landscape a bit strange it is probably because as I write I can look from my window over twenty miles of superb countryside to the sea and a sparsely populated coast. This county, like many others, has seemingly limitless landscapes of great beauty and variety, unspoiled by excessive tourism or the uglier forms of industry. Elsewhere big cities have certainly destroyed the surrounding countryside but rapid transport now makes it possible for a Londoner to spend the time they would have needed to get to Box Hill forty years ago in getting to Northumberland. I think it is simple neophobia which makes people hate the modern world and its changing society; it is xenophobia which makes them unable to imagine what rural beauty might lie beyond the boundaries of their particular Shire. They would rather read Miss Read and The Horse Whisperer and share a miserable complaint or two on the commuter train while planning to take their holidays in Bournemouth, as usual, because they can't afford to go to Spain this year. They don't want rural beauty anyway; they want a sunny day, a pretty view.
Writers like Tolkien take you to the edge of the Abyss and point out the excellent tea-garden at the bottom, showing you the steps carved into the cliff and reminding you to be a bit careful because the hand-rails are a trifle shaky as you go down; they haven't got the approval yet to put a new one in.
I never liked A. A. Milne, even when I was very young. There is an element of conspiratorial persuasion in his tone that a suspicious child can detect early in life. Let's all be cosy, it seems to say (children's books are, after all, often written by conservative adults anxious to maintain an unreal attitude to childhood); let's forget about our troubles and go to sleep. At which I would find myself stirring to a sitting position in my little bed and responding with uncivilized bad taste.
”
”
Michael Moorcock (Epic Pooh)
“
You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed.
Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?
”
”
Georges Perec (Un homme qui dort)
“
You’ve never told me how he died.” “What?” “Josh. I knew he was dead, but you never told me what happened to him.” “Oh.” I swallow. Put my head back down on his shoulder since it seems safer that way. “I thought I had.” “You haven’t. I figured it was too raw and hard for you, so I never asked directly. You don’t have to tell me now if you don’t want.” “No. It’s okay. After Impact… After Impact, he got worse. A lot of people did. All the fear and the stress and the struggle to even survive. He eventually started to hit me. He’d do it once and then act all sorry and promise to never do it again. He’d be good for a while, but then he’d do it again. In the old world, I think him hitting me would have been a hard line for me. I really think I would have left after the first time. But after everything fell apart… I felt trapped. I was trapped. How the hell was I going to survive on my own in that world right after Impact. Everything was chaos. And so incredibly dangerous.” “So what happened?” he murmurs gently. “It went on like that for about six months. Then one day he hit me in the face. I tried to cover the bruise with the makeup I had left, but an older lady in town noticed and asked about it. I… I told her. The truth. That he was hitting me and it had been going on for a while. Nothing I did would make him stop.” Mack is silent. His hand is still now as it rests on my back. “Then… Then the next day…” I take a ragged breath. “Maybe it was just a coincidence. I never knew for sure. But the timing… Anyway, the next day he went off into the woods with a hunting party like normal. He never came back.” “Fuck,” Mack breathes out. “They said it was an accident. Someone else was shooting in the area and must have mistaken him for a deer or something. But he was wearing orange, so… I don’t know. But he was dead, and I was…” “You were what?” “I was so relieved. Not sad at all. Just relieved.” “Of course you were. Anyone would have been.” “And it was then I decided I was going to make the best of my freedom and new start. Even though we were going through an apocalypse, why shouldn’t I finally try to learn how to be strong?” “You did.” “Yeah. I think I did okay. I did get stronger, and maybe I’ve also finally figured out that real strength isn’t what I used to assume it was.
”
”
Claire Kent (Beacon (Kindled #8))
“
Piers Morgan
Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s.
The conversation moved swiftly to the latest edition of “Have I Got News for You.”
“Oh, Mummy, it was hilarious,” laughed William. “They had a photo of Mrs. Parker Bowles and a horse’s head and asked what the difference was. The answer was that there isn’t any!”
Diana absolutely exploded with laughter.
We talked about which was the hottest photo to get.
“Charles and Camilla is still the really big one,” I said, “followed by you and a new man, and now, of course, William with his first girlfriend.”
He groaned. So did Diana. Our “big ones” are the most intimate parts of their personal lives. It was a weird moment. I am the enemy, really, but we were getting on well and sort of developing a better understanding of each other as we went along.
Lunch was turning out to be basically a series of front-page exclusive stories--none of which I was allowed to publish, although I did joke that “I would save it for my book”--a statement that caused Diana to fix me with a stare, and demand to know if I was carrying a tape recorder.
“No,” I replied, truthfully. “Are you?” We both laughed, neither quite knowing what the answer really was.
The lunch was one of the most exhilarating, fascinating, and exasperating two hours of my life. I was allowed to ask Diana literally anything I liked, which surprised me, given William’s presence. But he was clearly in the loop on most of her bizarre world and, in particular, the various men who came into it from time to time. The News of the World had, during my editorship, broken the Will Carling, Oliver Hoare, and James Hewitt scoops, so I had a special interest in those. So, unsurprisingly, did Diana. She was still raging about Julia Carling: “She’s milking it for all she’s worth, that woman. Honestly. I haven’t seen Will since June ’95. He’s not the man in black you lot keep going on about. I’m not saying who that is, and you will never guess, but it’s not Will.”
William interjected: “I keep a photo of Julia Carling on my dartboard at Eton.”
That was torture. That was three fantastic scoops in thirty seconds. Diana urged me to tell William the story of what we did to Hewitt in the Mirror after he spilled the beans in the ghastly Anna Pasternak book. I dutifully recounted how we hired a white horse, dressed a Mirror reporter in full armor, and charged Hewitt’s home to confront him on allegations of treason with regard to his sleeping with the wife of a future king--an offense still punishable by death.
Diana exploded again. “It was hysterical. I have never laughed so much.” She clearly had no time for Hewitt, despite her “I adored him” TV confessional.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
I’ve never ditched school before. Of course a boy I kissed has never been arrested before, either.
This is about me being real. To myself. And now I’m going to be real to Alex, like he’s always wanted. It’s scary, and I’m not convinced I’m doing the right thing. But I can’t ignore this magnetic pull that Alex has over me.
I plug in the address on my GPS. It leads me to the south side, to a place called Enrique’s Auto Body. A guy is standing in front. His mouth drops open the minute he sees me.
“I’m looking for Alex Fuentes.”
The guy doesn’t answer.
“Is he here?” I ask, feeling awkward. Maybe he doesn’t speak English.
“What do you want with Alejandro?” the guy finally asks.
My heart is pumping so hard I can see my shirt move with each beat. “I need to talk to him.”
“He’ll be better off if you leave him alone,” the guy says.
“Está bien, Enrique,” a familiar voice booms. I turn to Alex, leaning against the auto body’s front door with a shop towel hanging out of his pocket and a wrench in his hand. The hair peeking out of his bandana is mussed and he looks more masculine than any guy I’ve ever seen.
I want to hold him. I need him to tell me it’s okay, that he’s not going to jail ever again.
Alex keeps his eyes fixed on mine.
“I guess I’ll leave you two alone,” I think I hear Enrique say, but I’m too focused on Alex to hear clearly.
My feet are glued to the same spot so it’s a good thing he saunters toward me.
“Um,” I start. Please let me get through this. “I, uh, heard you got arrested. I had to see if you’re okay.”
“You ditched school to see if I was okay?”
I nod because my tongue won’t work.
Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.”
“Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--”
“Say it again,” he says.
“That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again.
He steps closer. “No. The part about you fallin’ for me.”
My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.”
The sides of his mouth turn up.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--”
“Say it again,” he says.
“That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again.
He steps closer. “No. The part about you fallin’ for me.”
My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.”
The sides of his mouth turn up.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
You ditched school to see if I was okay?”
I nod because my tongue won’t work.
Alex steps back. “Well, then. Now that you’ve seen I’m okay, go back to school. I gotta, you know, get back to work. My bike was impounded last night and I need to make money to get it back.”
“Wait!” I yell. I take a deep breath. This is it. I’m going to spill my guts. “I don’t know why or when I started falling for you, Alex. But I did. Ever since I almost ran over your motorcycle that first day of school I haven’t been able to stop thinking about what it would be like if you and I got together. And that kiss…God, I swear I never experienced anything like that in my life. It did mean something. If the solar system didn’t tilt then, it never will. I know it’s crazy because we’re so different. And if anything happens between us I don’t want people at school to know. Not that you’ll agree to have a secret relationship with me, but I at least have to find out if it’s possible. I broke up with Colin, who I had a very public relationship with and I’m ready for something private. Private and real. I know I’m babbling like an idiot, but if you don’t say something soon or give me a hint of what you’re thinking then I’ll--”
“Say it again,” he says.
“That whole drawn-out speech?” I remember something about a solar system, but I’m too light-headed to recite the entire thing all over again.
He steps closer. “No. The part about you fallin’ for me.”
My eyes cling to his. “I think about you all the time, Alex. And I really, really want to kiss you again.”
The sides of his mouth turn up.
Unable to face him, I look at the ground. “Don’t make fun of me.” I can take anything but that right about now.
“Don’t turn away from me, mamacita. I’d never make fun of you.”
“I didn’t want to like you,” I admit, looking back up at him.
“I know.”
“This probably won’t work,” I tell him.
“Probably not.”
“My home life’s not so perfect.”
“That makes two of us,” he says.
“I’m willing to find out what this thing is going on between us. Are you?”
“If we weren’t outside,” he says, “I’d show you--”
I cut him off by grabbing the thick hair at the base of his neck and pulling that gorgeous head of his down. If we can’t exactly have privacy right now, I’ll settle for being real. Besides, everyone who we need to keep this a secret is in school.
Alex keeps his hands at his side, but when I part my lips, he groans against my mouth and his wrench drops to the ground with a loud clink.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
How funny do you think it feels not to be able to play the piano when it’s all I’ve done of worth in the past twenty-some years? I did not excel at school, and I can’t point to an illustrious career like my brother, the former cavalry officer. I haven’t Westhaven’s head for business. I wasn’t a jolly good time like Bart or a charmer like Vic. But, by God, I could play the piano.” “And you can build stone walls and referee between Day and Phil and keep an eye on Nick Haddonfield when he hares all over the Home Counties,” Darius retorted. “Do you think one activity defines you?” “I’m like a whore, Darius, in that, yes, the one activity, in my case playing the piano, defines me.” Val heard weariness in his own voice. “When Dev was driven mad by nightmares, I played for him so he couldn’t hear the battles anymore. When his little Winnie was scared witless by all the changes in her life, I played for her and taught her a few things to play for herself. When Victor was so sick, I’d play for him, and he’d stop coughing for a little while. It’s how I let people know they matter to me, Darius, and now…” Darius got up and crossed the room, then lowered himself to sit beside Val in the shifting candlelight. “Now all this playing for others has left you one-handed, angry, and beating yourself up.” Not beating himself up, precisely, but feeling beaten up. “The piano is the way I have a soul, Dare. It’s always there for me, always able to say the things I can’t, always worth somebody’s notice, even if they don’t know they notice. It has never let me down, never ridiculed me before others, never taken a sudden notion not to know who I am or what I want. As mistresses go, the piano has been loyal, predictable, and lovely.” “You
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
outside your little hidey hole in Miami.” “OK, what do you want?” “We’re trying to track down a guy, a foreign national, on American soil. We believe New York.” “Face recognition should’ve picked him up if you have him on file.” “I would’ve thought so . . . but it hasn’t.” “Why is that?” “This man is an assassin. And we believe he’s about to carry out a terrorist attack. Maybe a hit. We don’t know.” “And you’ve used all face-recognition technology at your disposal?” Reznick turned and looked at O’Donoghue, who nodded. “Yes, we have.” “Then you got a problem.” “That’s why I’m calling. Can you help me or not?” There was a silence, as if the hacker was considering what he was about to say. “I might.” Reznick felt exasperation. “Look, I haven’t got time to play games, my friend.” “I’m working on some software. I hope to patent it later this year, once I’ve tested it more extensively. This is my intellectual property, so I’m reluctant to give out the details.” “What exactly does this software do?” “It recognizes people through how they walk. Their gait. And it’s phenomenally accurate.” “We’ve got footage of the guy we’re looking for walking in Tijuana.” “Send it to me.” “This is real classified stuff, my friend.” “I’m former NSA, cleared at the highest level. I know all about what you’re talking about.” “Where will we send the clip?” The hacker gave a ProtonMail address. “Swiss-based, encrypted, right?” “Exactly, Reznick. Why I use it.” O’Donoghue keyed in the email address and sent the covert footage of Andrej Dragović with Dimitri Merkov in Tijuana. A few moments later, the hacker spoke. “Which
”
”
J.B. Turner (Hard Way (Jon Reznick, #4))
“
Set your mind for victory
You may not realize it, but that’s setting the tone for defeat, for failure, for a lousy day. The first thing you should do is get your mind going in the right direction. This is why many people don’t have enough energy, joy, vision, or passion. Their minds are set on the negative. It’s been that way so long they don’t know any better. It’s normal to them.
They go through the day expecting problems, bad breaks, to barely get by, and to be mistreated. They live by Murphy’s Law, which says, “If anything can go wrong, it will, and at the worst possible time. Things will take longer than you thought. It will be more difficult than it seems.”
Because these people haven’t set their minds, they expect negative things to happen. They wonder why they have such a tough time, and why they can’t get ahead. It’s because they’re setting their minds for defeat, for bad breaks, for failure.
If you have fallen into that negative mind-set, you’ve got to change your outlook. You are a child of the most high God. You’ve been crowned with favor. You were never created to live an average, get-by, short-end-of-the-stick life. You were created to be the head and not the tail, to lend and not borrow, to reign in life as a king. You have royalty in your blood. Winning is in your DNA.
Now get rid of that negative mentality, and set your mind for victory. Set your mind for increase. Set your mind for good breaks. Start expecting your plans to work out. Expect people to be good to you. Expect to have a productive day.
If it doesn’t happen, don’t fall back into that old negative mentality by thinking things like: “I should have known it would not work out for me. I never get good breaks. I never find a good parking spot. These people never treat me right. It always takes me longer than anyone else.
”
”
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
“
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.”
Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?”
“Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him.
“We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell?
“Yeah. Let’s go.”
“Okay.”
Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley.
Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick.
Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance.
“Are you sure everything is alright?” Furious asked, annoyed.
“I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot.
Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him.
Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?”
Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.”
“No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?”
“Furious.”
“Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?”
“Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.”
“I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye.
Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
”
”
A.E. Via
“
What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book! I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand
”
”
Jenson Publishing (Super Mario: The Funniest Super Mario Jokes & Memes Volume 3)
“
I know you can't see it now, but this is a good thing, man,” I say. “You have your freedom back. You're young, good looking, have a great job – just think about how much pussy you're going to get.” “I don't want pussy,” he moans. “I want Stephanie back.” I groan inwardly. Stephanie is a terrible human being. I haven't liked her since they first started dating back when we were all going to Stanford together. She was always too pretentious and condescending for my liking. Always looked down on people and seemed to think that she was better than everyone else. No, Stephanie and I never got on well at all. I know that it’s always bugged Trey, but some people just don't click. I never went out of my way to be an asshole to her – at least, not usually. But, I was never overly-friendly to her either. I have a hard time making nice with somebody I despise. Truthfully, I want to do fucking cartwheels and throw a party now that she's out of Trey's life. I genuinely think he'll be better off without her. And that he'll find a much better woman. I pour out another shot – a smaller amount this time – and Trey pounds it down, slamming his shot glass onto the bar again. “I really thought she was the one, man,” he says, sniffing loudly. “Yeah, well, I don't want to be an asshole,” I say, “but you usually aren't going to find the ‘one’ down on her knees sucking some other guy off in your house.” I feel bad for slapping Trey with such a hard dose of reality, but he needs it. Stephanie is about as close to the one for him as I am. I tried telling him that back in college. I've always suspected she had a side piece, but I couldn't ever prove it. And mentioning it to Trey was as useful as talking to a brick wall about it. All he ever saw in Stephanie was the good. Or at least, what he perceived to be good. But really, there is
”
”
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
“
I used to love going to Willie’s little house before school. He would cook me these elaborate omelets and even put a garnish on the top of them. Up till that time, I was never one for waking up early, and I’m still not, for that matter. But during our dating days, I didn’t mind getting up early if it meant that I got to spend a little more time with Willie. Plus, his cooking really impressed me. Willie’s actually very romantic, which a lot of people might not realize. He’s written me a ton of love notes and even poems, and he likes to cook for me. Thankfully after twenty years of marriage those things haven’t changed.
”
”
Willie Robertson (The Duck Commander Family)
“
Going to the office wasn't as pleasant lately, Sam thought, as he made his way through the back entry to the detectives' division. There weren't so many people there that day, and it seemed like a lot of them were avoiding the place, just staying away as much as they could. He could understand that. After almost ten years as a Denver cop, Sam was sick of seeing what humanity was really capable of. He had grown up reading cop stories, always seeing how the cops would save the day, watching them rescue the innocent and punish the guilty every week on TV, until he finally knew that he had to be one himself. After a short stint in the Army that never even got him out of the country, he'd come home and applied for the academy. He'd been accepted, and that was the start of an illustrious career. Now, it was all he could do to drag himself out of bed in the mornings, make himself come in and see what new horrors he'd have to deal with. The past four months he'd been on loan to the DEA, and they'd made some big drug busts, shut down some of the most evil purveyors of sin and death that ever lived, but they were like the mythical hydra—as soon as you cut off one of its heads, three more grew back to take its place. Sam wanted to stop cutting off heads and find the creature's heart, but there was almost no evidence as to where that heart might be. They knew there was something big behind the drug operations in the city, but it was so well organized and so carefully designed that no one seemed to have any idea where or how to find it. His cell rang as he sat down at his desk, and he saw his partner's number. Dan Jacobs was already out on his station, watching one of the dealers they'd identified the day before. “Yo,” Sam answered. “Sam, it's Dan. I been thinkin', and it seems to me that we might be lookin' in the wrong direction, y'know?” Sam blinked a couple of times. “Danny, I've been awake for about fifteen minutes, and haven't even opened my Starbuck's yet. What the heck are you talkin' about?” “I'm sayin', maybe we're goin' about this all the wrong way, tryin' to find dealers and trail 'em, follow the tracks up the ladder. There's something about this whole setup that smacks of serious organization, something big enough to hide in plain sight, know what I mean? If it's that well laid out, we can follow minions all day long, we're never gonna find the top guy, because they don’t ever see the top guys.” Sam nodded. “Yeah, you're probably right,” he said, “but unless you got a crystal ball lead on where else to go, I don’t know what good it's doin' us. Where else we gonna find any leads at all? Got a clue, there?” “Maybe,” Dan said. “We've been tailing a lot of these clowns the past few weeks, right? Have you noticed one thing they all do the same?” Sam thought about it, but nothing jumped out at him. He looked at it from a couple of different angles, then shook his head. Into the phone, he said, “Nope. So, what is it?” “Facebook. No matter what else they're doin', these bastards never miss checking in on Facebook every day, several times a day. They go on, look at what people are sayin' on their pages, sometimes they answer and sometimes they don't, and then they go back to their drug dealin' ways.” Sam rubbed his temple. “Dan, everyone does that. Everyone on freakin' earth is on Facebook, and always checkin' it out. That's just part
”
”
David Archer (The Grave Man (Sam Prichard #1))
“
Oh, for God’s sake,” she spat out. “Just say it. You’re involved with someone and it doesn’t work into your plans to spend time in Virgin River!” “That’s not it,” he said nervously. “You know everything about me! Yet you couldn’t even casually mention you were seeing someone at home?” “It’s not like that. Listen, I just need some time on this. Some patience. Because I really intend to do better by you than I have. I know I haven’t been here for you like I meant to be and—” “Stop!” she said. “I haven’t asked you for anything except to stay in touch! Stop whimpering!” He scowled. His neck got red. “I’m not whimpering!” “Well, you sure as hell aren’t talking! Man up!” “I’m trying! But you’re doing all the talking for me!” She had a few more hot retorts, but bit her tongue against them. She pursed her lips. He had been in Virgin River for months, but he went back to Grants Pass almost every week for a day or two. He had said it was to check on the construction company he’d left in the hands of his father and brothers. And to check on her? It must’ve been pretty hard on her to be asked to understand he had to be away so much, tending to his best friend’s widow. Imagine now, being told he’d have to make frequent trips to Virgin River to make sure the widow and baby were doing all right. Talk about complicated. Well, she wasn’t interested in that kind of relationship. “I think you’re trying to tell me there’s a woman back in Grants Pass who’s counting on you. You have obligations there.” “Yeah,” he said weakly. “But, Vanni, I have obligations here, as well. You and Mattie, you’re awful important to me…” Being referred to as an obligation should have made her want to cry, but instead it made her furious. “Well, don’t worry your little head. We’re getting along just fine—better every day. You have a life in Grants Pass. I wouldn’t want to get in the way of that.” “You’re not listening,” he said, his voice raising to match hers. “I want to be here with you, as often as possible,” he said. “I’m doing my damn best!” “It sounds like you have other things, other people you’d better pay attention to.” “Listen, things can happen that you don’t plan, don’t expect!” “Oh really?” she asked sarcastically. “Tell me about it,” she said. She hadn’t expected her husband to die, or to fall in love with Paul. If there was one thing she knew about the men in her life—her father, her late husband, Paul and all the guys who seemed to gather around him—they didn’t make commitments lightly, and once a promise was made, they never broke an oath. “I’m sure you’ll get everything straightened out,” she said. She tried to keep the angry edge out of her voice, but she was thoroughly unsuccessful. “Please, you have no obligations here. We’ll be fine. I don’t know why you didn’t just tell me—a long time ago! Did you think I wouldn’t understand you had to get home because there was someone there? Someone who was counting on you?” “It isn’t like that!” “You could have just told me!” “Vanessa! For God’s sake—” Paul attempted. Walt walked into the room. He looked stricken, startled. “Are you having an argument about something?” “No!” they both said. “Oh,” Walt said. “Poetry, I guess. Some new kind of poetry?” Vanessa hissed and Paul just shook his head. “I hear the baby,” she said, whirling out of the room. “I hear something, too,” Paul said, leaving in the opposite direction, charging out the front door and letting it slam behind him. Walt was left alone in the great room in front of a blazing hearth. “Well,” he said to himself. “Glad to know that wasn’t an argument.” *
”
”
Robyn Carr (Second Chance Pass)
“
Brother, you give me no credit. You think I took emergency leave to come up here and save your life without knowing anything? I called that bar—that sweet little bar you like so much? Where they haven’t seen you in a long time? I talked to Jack a while, got Walt Booth’s number and talked to him, too. Here’s what happened—Shelby went to Maui for a warm, sunny vacation before heading to San Francisco to get an apartment for school that’s not starting for months. She got out of town. Since we had this talk once already, I can guess why. You pushed her away. You wouldn’t tell her how you feel because you think it’s a mistake for her. And you’re still scared every woman you meet is going to do you dirty. You’re still making decisions for other people without getting their opinion. Now she thinks you don’t care about her and so she took you up on the challenge and she left. Got as far away as she could. And now you’re in the shitter!” Luke glared at Aiden for a moment before he said, “I’m going to fucking kill you.” Aiden sat back in the chair and grinned. He took a slug of his beer. “Oh yeah? And why is that?” “You called the general? About me?” “Yup. And the bartender. But I got the call from Sean who got the call from Mom and you should just be glad Paddy and Colin aren’t stateside or they’d be in it. Now, why don’t you just answer the fucking phone and tell people you’re busy and can’t talk? What the hell are you doing?” “Save my life?” Luke asked. “Emergency leave? Save my life? What the hell are you talking about?” Aiden sat forward and grew serious. “Look, we’ve been here before. We were all young, true, and the circumstances were entirely different, but try to imagine what it’s like to see your big brother—the guy you most admire in the world—hit the skids and just about sink out of sight. Scared the shit out of everyone. That’s not going to happen again. No one is going to let it happen again.” Luke took a breath. “Look, it’s not a big deal. Shelby was just following through with her plans. She wants to travel, go to school. I’m adjusting. Gimme a week. It’ll be fine.” Aiden stared at him for a second. “Aw, bullshit,” he said. Before
”
”
Robyn Carr (Temptation Ridge)
“
People on TV talk about kids having no self-esteem. Complete bullshit. Kids today got self-esteems the size of fucking Wyoming. Self-esteem oozes from every pore on their bodies. They been told they’re special since the day they popped out of mama and a hundred times a day since. They believe it. They haven’t done a goddamn thing in their lives, but they know they’re special. So when they fail at sports or school or life, it’s not because they didn’t work hard enough or they’re just not smart enough or good enough. No, they’re special, so it’s got to be someone else’s fault. They didn’t fail. Someone made them fail. Now we’ve got an entire generation of fucked-up narcissists ’cause their mamas told them they’re special.
”
”
Mark Gimenez (The Case Against William)
“
In the words of Apple co-founder and CEO Steve Jobs: Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma—which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary … You’ve got to find what you love …The only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle. As with all matters of the heart, you’ll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it.
”
”
L. Michael Hall (Innovations in NLP: Innovations for Challenging Times)
“
A good example of ill-conceived (and premature) training approaches is seen in the many calls I get to conduct training programs to help people become better managers. I put my callers through a standard set of questions:
•Did you choose people for managerial roles because they were the type of people who could get their fulfillment and satisfaction out of helping other people shine rather than having the ego-need to shine themselves? (No!)
•Did you select them because they had a prior history of being able to give a critique to someone in such a way that the other person responds: "Wow, that was really helpful, I'm glad you helped me see all that." (No!)
•Do you reward these people for how well their group has done, or do you reward them for their own personal accomplishments in generating business and serving clients? (Both, but with an emphasis on their personal numbers!)
People can detect immediately a lack of alignment between what they are being trained in and how they are being managed. When they do detect it, little of what has been discussed or "trained" ever gets implemented.
"So, let's summarize;' I say. "You've chosen people who don't want to do the job, who haven't demonstrated any prior aptitude
for the job, and you are rewarding them for things other than doing the job?"
Thanks, but I'll pass on the wonderful privilege of training them!
Here's a good test for the timing of training: If the training was entirely optional and elective, and only available in a remote village accessible only by a mule, but your people still came to the training because they were saying to themselves, "I have got to learn this-it's going to be critical for my future; then, and only then, you will know you have timed your training well. Anything less than that, and you are doing the training too soon.
”
”
David H. Maister (Strategy and the Fat Smoker; Doing What's Obvious But Not Easy)
“
During my stay here in your city [Chicago] I have been visited by several groups of your people—all of whom have recited the story of the wrongs and injustices heaped upon the race; all of them appealing to me to denounce these outrages to the world. I have asked each delegation 'What are you doing to help yourselves?' Each group gave the same answer, namely, that they are so divided in church, lodges, etc., that they have not united their forces to fight the common enemy. At last I got mad, and said, 'You people have not been lynched enough! You haven't been lynched enough to drive you together! You say you are only ten millions in this country, with ten times that number against you—all of whom you say are solidly united by race prejudice against your progress. All of you by your own confession stand as individual units striving against a united band to fight or hold your own. Any ten-year-old child knows that a dozen persons fighting as one can make better headway against ten times its number than if each were fighting singlehanded and alone.'
What you need in each community is a solid organization to fight race prejudice wherever shown. That organization should be governed by a council of your best men and women. All matters affecting your race welfare should be passed on by that council and loyally obeyed and supported by all members of your race. Until you do that much, it is useless to appeal to others to do for you what you can best do for yourselves.
”
”
William T. Stead (Crusade for Justice: The Autobiography of Ida B. Wells (Negro American Biographies and Autobiographies))
“
John looked up from where he was crouched beside the fire, feeding it little bites of driftwood, and said, ‘We’d better decide who wants hot dogs and who wants hamburgers because we haven’t got too much time.’
Everybody began talking about food, and things were better. There’s something I’ve noticed about food: whenever there’s a crisis if you can get people to eating normally things get better.
”
”
Madeleine L'Engle (The Moon by Night (Austin Family Chronicles, #2))
“
For instance, the art of making order where people live. In our culture this activity is not considered an art, it is not even considered work. "Do you work?" - and she, having stopped mopping the kitchen and picked up the baby to answer the door, says, "No, I don't work." People who make order where people live are by doing so stigmatized as unfit for 'higher' pursuits; so women mostly do it, and among women, poor, uneducated, or old women more often than rich, educated, young ones. Even so, many people want very much to keep house but can't, because they're poor and haven't got a house to keep, or the time and money it takes, or even the experience of ever having seen a decent house, a clean room, except on TV. Most men are prevented from housework by intense cultural bias; many women actually hire another woman to do it for them because they're scared of getting trapped in it, ending up like the woman they hire, or like that woman we all know who's been pushed so far over by cultural bias that she can't stand up, and crawls around the house scrubbing and waxing and spraying germ killer on the kids. But even on her kneebones, where you and I will never join her, even she has been practicing as best she knows how a great, ancient, complex, and necessary art. That our society devalues it is evidence of the barbarity, the aesthetic and ethical bankruptcy, of our society.
”
”
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
“
It's commonly said that this book is about 'marginalized' people. We were never marginalized. We were the world. We were our own world, and we couldn't have cared less about what 'straight' people thought of us. I made my people into superstars, and the Ballad maintains their legacy.
In the '80s, there was a certain freedom, and a sense of immortality, that ended with that decade. AIDS cracked the earth. With everyone dying, everything shifted. Our history got cut off. We lost a whole generation. We didn't just lose the actors, we lost the audience. There are few people left with that kind of intensity. There was an attitude towards life that doesn't exist anymore, everything's been so cleaned up.
Lately when I'm working with the photos of my missing friends, it's as if they are frozen in amber. For long periods of time I forget they're not on this planet. But the pictures show me how much I've lost; the people who knew me the best, the people who carried my history, the people I grew up with and I was planning to get old with are gone. They took my memory with them. The pictures in the Ballad haven't changed. But Cookie is dead. David is dead. Greer is dead. Kenny is dead. I talk to them all the time, but they don't talk back anymore. Mourning doesn't end, it continues and it transmutes. This book is now a volume of loss, as well as a ballad of love.
”
”
Nan Goldin (The Ballad of Sexual Dependency)
“
She and Bub went to live with Pop in that crowded, musty flat on Seventh Avenue. She hunted for a job with a grim persistence that was finally rewarded, for two weeks later she went to work as a hand presser in a steam laundry. It was hot. The steam was unbearable. But she forced herself to go to night school—studying shorthand and typing and filing. Every time it seemed as though she couldn't possibly summon the energy to go on with the course, she would remind herself of all the people who had got somewhere in spite of the odds against them. She would think of the Chandlers and their young friends—'It's the richest damn country in the world.'
Mrs. Chandler wrote her a long letter and Jim forwarded it to her from Jamaica. 'Lutie dear: We haven't had a decent thing to eat since you left. And Little Henry misses you so much he's almost sick—' She didn't answer it. She had more problems than Mrs. Chandler and Little Henry had and they could always find somebody to solve theirs if they paid enough.
”
”
Ann Petry (The Street)
“
People haven’t got time to stop in the street, size a poster up, see what it refers to and then decide whether or not it interests them. Communication must be instant and it must be exact.
”
”
Bruno Munari (Design as Art)