Haunted House Quotes

Nature is a haunted house--but Art--is a house that tries to be haunted.

No live organism can continue for long to exist sanely under conditions of absolute reality.

She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening.

In the haunted house of life, art is the only stair that doesn't creak.

The house smelled musty and damp, and a little sweet, as if it were haunted by the ghosts of long-dead cookies.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream.

There are no ghosts, but up here”—she gestured toward her head—“it’s a haunted house.

Am I walking toward something I should be running away from?

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Fear," the doctor said, "is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway.

I am like a small creature swallowed whole by a monster, she thought, and the monster feels my tiny little movements inside.

To learn what we fear is to learn who we are. Horror defies our boundaries and illuminates our souls.

I feel as if I am an ad for the sale of a haunted house: 18 rooms $37,000 I’m yours ghosts and all.

Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.

The deep sea is a haunted house: a place in which things that ought not to exist move about in the darkness.

When people see tears, they stop listening to your hands or your words or anything else you have to say. And it doesn't matter if the tears are angry or sad, frightened or frustrated. All they see is a girl crying.

Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Fear and guilt are sisters;

We are a country built by immigrants, dreams, daring, and opportunity. We are a country built by the horrors of slavery and genocide, the injustice of racism and exclusion. These realities exist side by side. It is our past and our present. The future is unwritten. This is a book about ghosts. For we live in a haunted house.

Why do people want to talk to each other? I mean, what are the things people always want to find out about other people?

All I could think of when I got a look at the place from the outside was what fun it would be to stand out there and watch it burn down.

Fear is the relinquishment of logic, the willing relinquishing of reasonable patterns. We yield to it or we fight it, but we cannot meet it halfway,

This sounds admirable! I do so much admire what you are doing. Using this wonderful old house.

Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.

She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening. She has the mysterious solitude of ambiguous states; she hovers in a no-man’s land between life and death, sleeping and waking.

Warrior, when you pledge yourself to the service of a High Priestess, the goal is not to frighten her to death but to protect your lady from death.

Gossip says she hanged herself from the turret on the tower, but when you have a house like Hill House with a tower and a turret, gossip would hardly allow you to hang yourself anywhere else.

It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house ; Hill House would stay as it was until it was destroyed.

I think we are only afraid of ourselves," the doctor said slowly. "No," Luke said. "Of seeing ourselves clearly and without disguise.

Ezra, the girl you're chasing after doesn't exist. I'm not some bohemian adventurer who takes you on treasure hunts and sends you secret messages. I'm this sad, lonely mess who studies too much and pushes people away and hides in her haunted house.

You see, Frank found out the hard way that the dark things lurking in the night don’t haunt old houses or abandoned ships. They haunt minds.

Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again

God! Whose hand was I holding?

I guess I wanted to see roses all over your house, too. Maybe because you feel like home.

No, the menace of the supernatural is that it attacks where modern minds are weakest, where we have abandoned our protective armor of superstition and have no substitute defense.

Eleanor looked up, surprised; the little girl was sliding back in her chair, sullenly refusing her milk, while her father frowned and her brother giggled and her mother said calmly, 'She wants her cup of stars.' Indeed yes, Eleanor thought; indeed, so do I; a cup of stars, of course. 'Her little cup,' the mother was explaining, smiling apologetically at the waitress, who was thunderstruck at the thought that the mill's good country milk was not rich enough for the little girl. 'It has stars in the bottom, and she always drinks her milk from it at home. She calls it her cup of stars because she can see the stars while she drinks her milk.' The waitress nodded, unconvinced, and the mother told the little girl, 'You'll have your milk from your cup of stars tonight when we get home. But just for now, just to be a very good little girl, will you take a little milk from this glass?' Don't do it, Eleanor told the little girl; insist on your cup of stars; once they have trapped you into being like everyone else you will never see your cup of stars again; don't do it; and the little girl glanced at her, and smiled a little subtle, dimpling, wholly comprehending smile, and shook her head stubbornly at the glass. Brave girl, Eleanor thought; wise, brave girl.

One need not be a Chamber — to be Haunted — One need not be a House — The Brain has Corridors — surpassing Material Place —

You never know what you are going to want until you see it clearly.

I don't know about you, but I'm kind of fed up with realism. After all, there's enough reality already; why make more of it? Why not leave realism for the memoirs of drug addicts, the histories of salt, the biographies of porn stars? Why must we continue to read about the travails of divorced people or mildly depressed Canadians when we could be contemplating the shopping habits of zombies, or the difficulties that ensue when living and dead people marry each other? We should be demanding more stories about faery handbags and pyjamas inscribed with the diaries of strange women. We should not rest until someone writes about a television show that features the Free People's World-Tree Library, with its elaborate waterfalls and Forbidden Books and Pirate-Magicians. We should be pining for a house haunted by rabbits. (from the review of Kelly Link's Magic for Beginners in The Guardian)

The great art of life is sensation, to feel that we exist, even in pain,” said Lord Byron,

Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.

Let him be wise, or let me be blind; don't let me, she hoped concretely, don't let me know too surely what he thinks of me.

You’re very silly or very brave, living in a haunted house.

And that is how someone who is unusally susceptible to nightmares, night terrors, the Creeps, the Willies and the Seeing Things That Aren't Really There talks himself into making one last trip to the abandoned, almost-certainly-haunted house where a dozen or more children met their untimely end.

What you’re seeing now is what I see every day. No matter how far I run, how hard I try to escape you—you’re everywhere I go. You’re everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I’ve never felt so at home while being so lost inside you.

Was there something … something evil …getting at Hugo? This bizarre and unwelcome thought surfaced in his mind. Were demons and evil spirits only to be found in the bible stories, or maybe this was some sort of challenge to him to deal with without help from anyone, least of all from the One who he constantly questioned and tried to understand …

Art is a house that tries to be haunted.

It watches," he added suddenly. "The house. It watches every move you make.

Hill House, she thought, You're as hard to get into as heaven.

That night, at God knows what hour, Bill phoned me up and shouted, ‘Ozzy, I think my house is haunted!’ ‘Sell tickets then,’ I told him, and put the phone down.

In this way, the Dream House was a haunted house. You were the sudden, inadvertent occupant of a place where bad things had happened. And then it occurs to you one day, standing in the living room, that you are this house's ghost: you are the one wandering from room to room with no purpose, gaping at the moving boxes that are never unpacked, never certain what you're supposed to do. After all, you don't need to die to leave a mark of psychic pain. If anyone is living in the Dream House now, he or she might be seeing the echo of you.

There are several cats smoothly moving about, which helped me greatly to relax, for I have always felt that no house is wholly bad where there are cats, and conversely, where there are several cats, a house is bound to be wonderfully charming.

I could live there all alone, she thought, slowing the car to look down the winding garden path to the small blue front door with, perfectly, a white cat on the step. No one would ever find me there, either, behind all those roses, and just to make sure I would plant oleanders by the road. I will light a fire in the cool evenings and toast apples at my own hearth. I will raise white cats and sew white curtains for the windows and sometimes come out of my door to go to the store to buy cinnamon and tea and thread. People will come to me to have their fortunes told, and I will brew love potions for sad maidens; I will have a robin...

I have emotions 
that are like newspapers that 
read themselves. I go for days at a time
 trapped in the want ads. I feel as if I am an ad
 for the sale of a haunted house: 18 rooms
 $37,000 
I'm yours
 ghosts and all.

She had taken to wondering lately, during these swift-counted years, what had been done with all those wasted summer days; how could she have spent them so wantonly? I am foolish, she told herself early every summer, I am very foolish; I am grown up now and know the values of things. Nothing is ever really wasted, she believed sensibly, even one's childhood, and then each year, one summer morning, the warm wind would come down the city street where she walked and she would be touched with the little cold thought: I have let more time go by.

Christ, don't go to the Haunted Houses with Ally and Indy. A few years ago, Indy went berserk and broke through the hay bales they had set up to make the haunted trail and headed into the cornfields. All the employees chased after her but since they were dressed like monsters, Indy lost her mind. They had to call the cops to settle her down." I lost him at "cornfields". "Cornfields?" I whispered. "Yeah." "They have a haunted trail through cornfields?" "Yeah, up in Thornton. Best Haunted House in Denver. Indy and Ally go every year. Why?" "Cornfields freak me out," I admitted. Hank was silent. Then, he said, "You're from Indiana. How in the fuck can cornfields freak you out?" "Cornfields don't freak me out. Cornfields at night freak me out. Haunted cornfields at night freak me out." "You been to many haunted cornfields?" "Dude," I said low. "All cornfields are haunted. Trust me. I know... They whisper to you.

Insomniacs know better than anyone how it would be to haunt a house.

A house with old furniture has no need of ghosts to be haunted.

Journeys end in lovers meeting

…Silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

To find Margo Roth Spiegelman, you must become Margo Roth Spiegelman. And I had done many of the things she might have done: I had engineered a most unlikely prom coupling. I had quieted the hounds of caste warfare. I had come to feel comfortable inside the rat-infested haunted house where she did her best thinking. I had seen. I had listened. But I could not yet become the wounded person.

One need not be a chamber to be haunted, One need not be a house; The brain has corridors surpassing Material place. Far safer, of a midnight meeting External ghost, Than an interior confronting That whiter host. Far safer through an Abbey gallop, The stones achase, Than, moonless, one's own self encounter In lonesome place. Ourself, behind ourself concealed, Should startle most; Assassin, hid in our apartment, Be horror's least. The prudent carries a revolver, He bolts the door, O'erlooking a superior spectre More near.

Some places speak distinctly. Certain dank gardens cry aloud for a murder; certain old houses demand to be haunted; certain coasts are set apart for shipwrecks.

Materializations are often best produced in rooms where there are books. I cannot think of any time when materialization was in any way hampered by the presence of books.

He is altogether selfish, she thought in some surprise, the only man I have ever sat and talked to alone, and I am impatient; he is simply not very interesting.

I never cut my neighbor's throat; My neighbor's gold I never stole; I never spoiled his house and land; But God have mercy on my soul! For I am haunted night and day By all the deeds I have not done; O unattempted loveliness! O costly valor never won!

I am home, she thought, and stopped in wonder at the thought. I am home, I am home, she thought; now to climb.

She could not remember ever being truly happy in her adult life; her years with her mother had been built up devotedly around small guilts and small reproaches, constant weariness, and unending despair. Without ever wanting to become reserved and shy, she had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words.

Forgiveness is warm. Like a tear on a cheek. Think of that and of me when you stand in the rain. I loved you completely. And you loved me the same. That's all. The rest is confetti. -Nell Crain - The Haunting of Hill House

I fought a killer and didn’t even smudge my makeup.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, but some, to dream.

Whatever hour you woke there was a door shutting.

I am a kind of stray cat, aren’t I?

To learn what we fear is to learn who we are.

If she died, her petty heart wanted to know who to haunt.

No matter how far I run, how hard I try to escape you --you're everywhere I go. You're everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I've never felt so at home while being so lost inside you.

Tell me something that only I will ever know, was perhaps what she wanted to ask him, or, What will you remember me by? - or even, Nothing of the least importance has ever belonged to me; can you help?

Around her the trees and wild flowers, with that oddly courteous air of natural things suddenly interrupted in their pressing occupations of growing and dying, turned toward her with attention, as though, dull and imperceptive as she was, it was still necessary for them to be gentle to a creation so unfortunate as not to be rooted in the ground, forced to go from one place to another, heart-breakingly mobile.

We couldn't even hear you, in the night.... No one could. No one lives any nearer than town. No one else will come any nearer than that." "I know," Eleanor said tiredly. "In the night," Mrs. Dudley said, and smiled outright. "In the dark," she said..

We have grown to trust blindly in our senses of balance and reason, and I can see where the mind might fight wildly to preserve its own familiar stable patterns against all evidence that it was leaning sideways.

No Human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice.

I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.

She’s no ordinary ghost, that seems certain,” he says. “I know. Something’s made her stronger.” “The way she died?” he asks. “I’m not sure. From what I’ve heard, she was just murdered like so many others. Throat slit. But now she’s haunting her old house, killing whoever steps inside, like some goddamn spider.

Hill House,not sane, stood by itself against its hills, holding darkness within; it has stood for eighty years and might stand eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

I’ll see you at your funeral, if you’ll see me at mine. I’ll wait at the edges for your ghost to rise (until the end of time). We’ll find someplace nice to haunt, an abandoned beach house filled with memories of summer sunburns. Children will giggle as we tickle their feet at night and they’ll never know the bad dreams we fight. We’ll make our own heaven. Walking in places we used to walk until death, dies.

Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.

I have an immoderate passion for water; for the sea, though so vast, so restless, so beyond one's comprehension; for rivers, beautiful, yet fugitive and elusive; but especially for marshes, teeming with all that mysterious life of the creatures that haunt them. A marsh is a whole world within a world, a different world, with a life of its own, with its own permanent denizens, its passing visitors, its voices, its sounds, its own strange mystery.

Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil.

There is no father,’ he said eventually, ‘And I believe you’re running away from something. You’re a lovely woman trying to hold it all together but it’s too much for you. You think I’m a stupid old man who doesn’t care what he looks like and sits here day after day with nothing to do. And doesn’t notice anything. But you don’t know what’s here inside …’ he laid his arm across his chest, ‘My soul and my heart and my mind. There is so much in here it’s bursting and roving around the world like a lost soul with no home, endlessly looking and searching. I feel the mystery, I sense the mysteries – and the endless joy and the wonder and incredible beauty of the world and the pain and the cruelty. You feel all this too Sarah, but you pretend you’re a shallow woman with some sort of story, and underneath you think about … many things. Which of my books are you itching to get your hands on, huh? And you’re carrying the pain around with you, and something has just happened, and you are worried and, something has happened in the last few minutes and it’s all more than you can bear, and you need to tell me, yes me, Samuel. I am so much more than you think I am, and I can understand, and I can help.’ Ruby looked up startled and their eyes met. ‘I am so tired,’ she said, ‘Yes, you are right. I am so very tired of it all.' 

You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

I want you to remember something. Zo. It's important, and it'll make more sense when you have yourself together again. I'm gonna leave here and get another chance at life.You're gonna be a big, famous vamp High Priestess. That means you're gonna live like a gazillion years. I'll find you again. Even if it takes a hundred of those years. I promise you, Zoey Redbird, we'll be together again." Heath pulled her into his arms and kissed her trying through touch to show her that his love was never-ending. When he finally forced himself to let her go, he thought he saw understanding in her haunted, shocked gaze. "I'll love you forever, Zo." Then Heath turned and walked away from his true love. The air before him opened, curtainlike, and he stepped from one realm to another and disappeared completely.

You invented me. There is no such earthly being, Such an earthly being there could never be. A doctor cannot cure, a poet cannot comfort— A shadowy apparition haunts you night and day. We met in an unbelievable year, When the world's strength was at an ebb, Everything withered by adversity, And only the graves were fresh. Without streetlights, the Neva's waves were black as pitch, Thick night enclosed me like a wall ... That's when my voice called out to you! Why it did—I still don't understand. And you came to me, as if guided by a star That tragic autumn, stepping Into that irrevocably ruined house, From whence had flown a flock of burnt verse.

As I write this, we are in an especially divisive era in American politics. There are questions about who holds power, who abuses it, who profits from it, and at what cost to our democracy. It is a time of questions about what makes us American, of shifting identities, inclusion and exclusion, protest, civil and human rights, the strength of our compassion versus the weakness of our fears, and the seductive lure of a mythic "great" past that never was versus the need for the consciousness and responsibility necessary if we are truly to live up to the rich promise of "We the People." We are a country built by immigrants, dreams, daring, and opportunity. We are a country built by the horrors of slavery and genocide, the injustice of racism and exclusion. These realities exist side by side. It is our past and present. The future is unwritten. This is a book about ghosts. For we live in a haunted house.

Now the two of them rode silently toward town, both lost in their own thoughts. Their way took them past the Delgado house. Roland looked up and saw Susan sitting in her window, a bright vision in the gray light of that fall morning. His heart leaped up and although he didn't know it then, it was how he would remember her most clearly forever after- lovely Susan, the girl in the window. So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely if ever crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

I've heard some strange noises every once in a while late at night and always wondered if the house is haunted. I bet it is. I bet that freaky little fucker wants to watch us have sex. Fine with me, buddy, enjoy the show. Just don't touch my ass at all during the event or I will call the Winchester brothers from Supernatural. Dean and Sam will fuck you up! I had a strange hand touch my ass one time in college during a threesome, and that's just something you don't get over. Random ass touching scares me more than spiders.

Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.

The sidewalks were haunted by dust ghosts all night as the furnace wind summoned them up, swung them about, and gentled them down in a warm spice on the lawns. Trees, shaken by the footsteps of late-night strol- lers, sifted avalanches of dust. From midnight on, it seemed a volcano beyond the town was showering red-hot ashes every- where, crusting slumberless night watchmen and irritable dogs. Each house was a yellow attic smoldering with spon- taneous combustion at three in the morning. Dawn, then, was a time where things changed element for element. Air ran like hot spring waters nowhere, with no sound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serene vapors. Tar was poured licorice in the streets, red bricks were brass and gold, roof tops were paved with bronze. The high- tension wires were lightning held forever, blazing, a threat above the unslept houses. The cicadas sang louder and yet louder. The sun did not rise, it overflowed.

The inconsistencies that haunt our relationships with animals also result from the quirks of human cognition. We like to think of ourselves as the rational species. But research in cognitive psychology and behavioral economics shows that our thinking and behavior are often completely illogical. In one study, for example, groups of people were independently asked how much they would give to prevent waterfowl from being killed in polluted oil ponds. On average, the subjects said they would pay $80 to save 2,000 birds, $78 to save 20,000 birds, and $88 to save 200,000 birds. Sometimes animals act more logically than people do; a recent study found that when picking a new home, the decisions of ant colonies were more rational than those of human house-hunters. What is it about human psychology that makes it so difficult for us to think consistently about animals? The paradoxes that plague our interactions with other species are due to the fact that much of our thinking is a mire of instinct, learning, language, culture, intuition, and our reliance on mental shortcuts.

Looking back at those early days in the band house, we can all see how important they were in helping us bond as a band. It could have gone so wrong. Danny and I had picked Harry and Dougie after, literally, two days of knowing them. We could have all hated each other. We could have found that we had nothing in common, or that we resented the time we spent with each other. In fact, we had such a lot of fun. We weren’t yet famous or successful, but already we were having the time of our lives. Even when we hit the big time, we didn’t want to go out to clubs or celebrity haunts. Not our scene. For us, the best thing about being in a band was being in a band, doing band stuff - not all the trappings that went with it. We liked working on our music, and we liked hanging out together. All this meant we gelled more than most bands ever have the opportunity or inclination to do. Within a couple of months of moving into the band house, I had three new best friends. Their names were Danny, Harry and Dougie. No matter what the future held for us, our friendship was something we now know we could always rely on.