Hat Lover Quotes

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ubiquitous, adj. When it’s going well, the fact of it is everywhere. It’s there in the song that shuffles into your ears. It’s there in the book you’re reading. It’s there on the shelves of the store as you reach for a towel and forget about the towel. It’s there as you open the door. As you stare off into the subway, it’s what you’re looking at. You wear it on the inside of your hat. It lines your pockets. It’s the temperature. The hitch, of course, it that when it’s going badly, it’s in all the same places.
David Levithan (The Lover's Dictionary)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover, I must have you!
F. Scott Fitzgerald (The Great Gatsby)
Red Sox looked around Jane at the patient, “Your mind reading coming back?” “With her? Sometimes?” “Huh. You getting anything from anyone else?” “Nope.” Red Sox repositioned his hat. “Well, ah…let me know if you pick up shit from me, k? There are some things that I’d prefer to keep private, feel me?” “Roger that. Although I can’t help it sometimes.” “Which is why I’m going to take up thinking about baseball when you’re around.” “Thank fuck you’re not a Yankees fan.” “Don’t use the Y-word. We’re in mixed company.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
A cold blast hit him and he laughed at the sting as he stepped outside, surveyed the night sky, and drank deeply. Such a good liar he was. Such a good one. Everyone thought he was fine because he'd camo'd his little problems. He wore a Sox hat to hide the eye twitch. Set his wristwatch to go off every half hour to beat back the dream. Ate though he wasn't angry. Laughed though he found nothing funny. And he'd always smoked like a chimney.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
There was a table laid with jellies and trifles, with a party hat beside each place, and a birthday cake with seven candles on it in the center of the table. The cake had a book drawn on it, in icing. My mother, who had organized the party, told me that the lady at the bakery said that they had never put a book on a birthday cake before, and that mostly for boys it was footballs or spaceships. I was their first book.
Neil Gaiman (The Ocean at the End of the Lane)
Then wear the golden hat, if that will move her; If you can bounce high, bounce for her too, Till she cry, `Lover, gold-hatted, high-bouncing lover, I must have you!
Thomas Parke D'Invilliers
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
The guy in the Red Sox hat came in with an astonishingly beautiful blond woman at his side. He stood close to her, and though they weren't touching, it was clear that they were a couple. They just belonged together.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
There are few things more mysterious than endings. I mean, for example, when did the Greek gods end, exactly? Was there a day when Zeus waved magisterially down from Olympus and Aphrodite and her lover Ares, and her crippled husband Hephaestus ) I always felt sorry for him), and all the rest got rolled up like a worn-out carpet?
Salley Vickers
I know better!" broke in Laurie. "You think so now, but there'll come a time when you will care for somebody, and you'll love him tremendously, and live and die for him. I know you will, it's your way, and I shall have to stand by and see it," and the despairing lover cast his hat upon the ground with a gesture that would have seemed comical, if his face had not been so tragic.
Louisa May Alcott (Little Women (Little Women #1))
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
A crowd of drunken lovers. Newspaper hats, new couples falling from couches and love- seats—the pleasure remembered, never the regret.
Kelli Russell Agodon (Hourglass Museum)
WESTON, COLORADO, was a small ranch town with dusty streets, too many cowboy hats, and a main drag that had been built to
Melissa Foster (Lovers At Heart)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, till she cry 'Lover, gold-hatted, high-bouncing lover, I must have you!
Thomas Parke D'Invilliers
(…) most people don`t know my name, and nobody knows hat to call me in relation to you.
David Levithan (The Lover's Dictionary)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry “Lover, gold-hatted, high-bouncing lover, I must have you!” Thomas Parke D’Invilliers.
F. Scott Fitzgerald (The Great Gatsby)
As Reverend Deal moved into his sermon, the hands of the women unfolded like pairs of raven's wings and flew high above their hats in the air. They did not hear all of what he said;they heard the one word, or phrase, or inflection that was for them the connection between the event and themselves. For some it was the term "Sweet Jesus". And they saw the Lamb's eye and the truly innocent victim: themselves. They acknowledged the innocent child hiding in the corner of their hearts, holding a sugar-and-butter sandwich. That one. The one who lodged deep in their fat, thin, old, young skin, and was the one the world had hurt. Or they thought of their son newly killed and remembered his legs in short pants and wondered where the bullet went in. Or they remembered how dirty the room looked when their father left home and wondered if that is the way the slim, young Jew, he who for them was both son and lover and in whose downy face they could see the sugar-and-butter sandwiches and feel the oldest and most devastating pain there is : not the pain of childhood, but the remembrance of it.
Toni Morrison (Sula)
Next to the tree was a short, broad-shouldered Asian man in overalls and a straw hat, leaning on a spade. His face was weathered, and in a halting English difficult to follow, he told Alma that this moment was beautiful, but that it would last only a few days before the blooms fell like rain to the ground; much better was the memory of the cherry tree in bloom, because that would last all year, until the following spring.
Isabel Allende (The Japanese Lover)
You saved me, you should remember me. The spring of the year; young men buying tickets for the ferryboats. Laughter, because the air is full of apple blossoms. When I woke up, I realized I was capable of the same feeling. I remember sounds like that from my childhood, laughter for no cause, simply because the world is beautiful, something like that. Lugano. Tables under the apple trees. Deckhands raising and lowering the colored flags. And by the lake’s edge, a young man throws his hat into the water; perhaps his sweetheart has accepted him. Crucial sounds or gestures like a track laid down before the larger themes and then unused, buried. Islands in the distance. My mother holding out a plate of little cakes— as far as I remember, changed in no detail, the moment vivid, intact, having never been exposed to light, so that I woke elated, at my age hungry for life, utterly confident— By the tables, patches of new grass, the pale green pieced into the dark existing ground. Surely spring has been returned to me, this time not as a lover but a messenger of death, yet it is still spring, it is still meant tenderly.
Louise Glück
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
Guy de Maupassant (Selected Short Stories)
Then wear the gold hat, if that will move her, If you can bounce high, bounce for her too, Till she cry 'Lover, golf-hatted, high-bouncing lover, I must have you!' --
F. Scott Fitzgerald (The Great Gatsby)
Wissen Sie, man kann nicht erzwingen, wiedergeliebt zu werden. Ganz gleich, wie sehr man sich es wünscht. Manchmal hat man einfach den richtigen Zeitpunkt verpasst.
Jojo Moyes (The Last Letter from Your Lover)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry “Lover, gold-hatted, high-bouncing lover, I must have you!
F. Scott Fitzgerald (The Great Gatsby)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry ‘Lover, gold-hatted, high-bouncing lover, I must have you!’ —THOMAS PARKE D’INVILLIERS
F. Scott Fitzgerald (The Great Gatsby)
Then wear the gold hat, if that will move her; If you can bounce high, bounce for her too, Till she cry “Lover, gold-hatted, high-bouncing lover, I must have you!” —Thomas Parke D’invilliers
F. Scott Fitzgerald (The Great Gatsby)
I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I meet Silas at the movie theater on Church Street. We choose seats close to the front. He's wearing a striped wool hat that he keeps on the whole movie, and our bodies never touch. I've never been more aware of not touching someone in my life.
Lily King (Writers & Lovers)
And in the complicated, relished, introspective web of young lovers, or more exactly, young petters, they progress along the oldest channel in the world and the most deceptive, for they are certain it is unique to them. Even as they are calling themselves engaged, they are losing the details of their subtle involved pledging of a troth. They are moved and warmed by intimacies between them, by long husky conversations in the parlor, in inexpensive restaurants, by the murmurs, the holding of hands in the dark velvet caverns of movie houses. They forget most of the things that have advanced them into love, feel now only the effect of them. And of course their conversation alters, new themes are bruited. Shy sensitive girls may end up as poetesses or they may turn bitter and drink alone in bars, but nice shy sensitive Jewish girls usually marry and have children, gain two pounds a year, and worry more about refurbishing hats and trying a new casserole than about the meaning of life. After their engagement, Natalie talks over their prospects.
Norman Mailer (The Naked and the Dead)
Du hast vergessen, daß Liebende heilig sind. Auch wenn sie sich irren, Joh; selbst ihr Irrtum ist heilig. Auch wenn sie Narren sind, Joh; selbst ihre Narrheit ist heilig. Denn wo Liebende sind, ist der Garten Gottes, und niemand hat das Recht, sie daraus zu vertreiben. Nicht einmal Gott.
Thea von Harbou (Metropolis)
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
Later, some evil-disposed person invented Kodaks, and Begglely went everywhere slung on to a thing that looked like an overgrown missionary box, and that bore a legend to the effect that if Begglely would pull the button, a shameless Company would do the rest. Life became a misery to Begglely’s friends. Nobody dared to do anything for fear of being taken in the act. He took an instantaneous photograph of his own father swearing at the gardener, and snapped his youngest sister and her lover at the exact moment of farewell at the garden gate. Nothing was sacred to him. He Kodaked his aunt’s funeral from behind, and showed the chief mourner but one whispering a funny story into the ear of the third cousin as they stood behind their hats beside the grave.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
He knows we're a team.' 'A team,' Hunt said slowly. As if, out of everything she'd laid out, that was what he chose to dwell on. 'You know what I mean,' Bryce said. 'I'm not sure I do.' Had his voice dropped lower? 'We're roomies,' she said, her own voice getting breathy. 'Roomies.' 'Occasional Beer Pong Champions?' Hunt snatched the hat off her head and plunked it back on his own, backward as usual. 'Yes, the Autumn King truly fears our unholy beer pong alliance.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Stöhnend dreht er sich auf den Rücken, legt die Hand auf die Stirn und jammert übertrieben: »Oh mein Gott, worauf habe ich mich nur eingelassen? Diese Ärztin hat aus mir einen Achtstundenschläfer gemacht. Ich bin ein Kuschelbär geworden, ein Sonnenbrillenträger, Busenwärmer und Frauenzuhörer. Mein Leben, wie es einmal war, ist vorbei. Ich unterdrücke meine Furze, rülpse nicht mehr laut und setze mich zum Pinkeln hin. Das alles nur ihretwegen!« Vor Lachen halte ich mir den Bauch. »Jetzt übertreib mal nicht so, und das mit dem Sitzpinkeln stimmt ja wohl gar nicht!« Er wirft mir einen seiner Unschuldsblicke zu. »Im Moment bin ich schon zu schwach zum Stehen. Ehrlich.« Todernst sage ich: »Soll ich dir die Pinkelflasche bringen?« »Nur wenn du ihn reinhältst.«
Inka Loreen Minden (Jax (Warrior Lover, #1))
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre.
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
They lay down, all three, in a meadow by Minton Church... [William] lay back in the sunshine and dreamed, while she fingered with his hair. Paul went gathering the big daisies. She had taken off her hat... Paul came back and threaded daisies in her jet black hair, big spangles of white and yellow, and just a pink touch of ragged robbin... "Has he made a sight of me?" she asked, laughing down on her lover. "That he has!" said William smiling. And as he lay he continued to look at her. His eyes never sought hers. He did not want to meet her eyes. He only wanted to look at her, not to come together with her in her gaze... "Can't you smell the sun o your hair?" [Paul] said. "Now, that's how you ought to go to the ball."... "Shall I?" she asked of William. "May I go like this." William looked at her again. Her beauty seemed to hurt him.
D.H. Lawrence (Sons and Lovers)
The girl was staring at the muddy river as if it were sweeping away her memories. Corso saw her smile, thoughtfully, absently. "I never knew an impartial god. Or devil." She turned to him suddenly - her earlier thoughts seemed to have washed downstream. "Do you believe in the Devil, Corso?" He looked at her intently, but the river had also swept away the images that had filled her eyes seconds before. All he could see there now was liquid green, and light. “I believe in stupidity and ignorance.” He smiled wearily at the girl. They had continued walking and were now on the wooden boards of the Pont des Arts. The girl stopped and leaned on the metal rail, by a street artist selling tiny water colours.” "I like this bridge," she said. "No cars. Only lovers, and old ladies in hats. People with nothing to do. This bridge has absolutely no common sense.
Arturo Pérez-Reverte (The Club Dumas)
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
Without thinking, she delivered a stinging slap, all her hurt and disappointment behind the impact. The imprint of her hand on his cheek shocked her. And though she immediately regretted her childish action, pride forbade her to own up to it. "Mind your manners, next time, Sinclair!" Across the yard, Luter Hicks halted and burst into guffaws. "Guess she told you, lapdog! Hey, honey," he called to Willow, "if he ain't satisfying you, how 'bout lettin' me warm your bed tonight?" An angry growl rolled out of Rider's throat. He pulled Willow up on her tiptoes, mashing her breasts against his hard chest. His fingers plowed through her thick tresses, knocking her bonnet off and scattering her hair pins. Then clasping her chin between his thumb and fingers, he tipped her head back and took fierce possession of her mouth. When he finally released her lips, he set her down a little harder than necessary. "I'll kill the first man who even blinks at you," he ground out loud enough for Hicks to hear. Then in a low, no-nonsense voice,meant for her ears alone, he ordered, "Kiss me and make it look good!" Willow glanced over at Hick's eager face and cringed. Her pride be damned! Sinclair was by far the lesser evil. She swept her arms around his neck. "Whatever you say...lover," she hissed in his ear. Standing on tiptoe again, she slowly brought his head down and pasted her lips to his. But he would have none of her stiff-lipped kiss and increased the pressure on her mouth until she opened to his brazen tongue. As the kiss deepened, he spread one big hand at the base of her spine and molded her stomach against his hard, hot need. Willow's blood sang, her anger instantly gone in the heat of the moment. "Mr. Sinclair!" Miriam interrupted in a berating tone. "You degrade this young lady with your public display. Unhand her at once!" Without his supporting arms, Willow's weak knees barely held her upright. She stumbled backwards, thoroughly stunned by her backfiring emotions. A loud crash snapped her to her senses when Luther threw his plate against the house and stomped off to the bunkouse. Rider collected himself and stooped to pick up Willow's discarded bonnet. Carefully brushing the dust off, he handed it to her without a word. Willow took her hat, gave him a perfunctory nod, and ground her heel into his toe as she pivoted to enter the house. Unaware of the young man's pained expression, Miriam followed on the girl's heels. "Talk about circuses!" she exclaimed, closing the door behind them. "It was just an act for Hick's benefit," Willow defended. Feeling the need to escape Miriam's all-too-knowing glance,she headed down the hall to her room. A heavy boot kicked at the door. Miriam opened it and Rider limped in. "Where do you want these?" he growled testily from behind a tower of packages. "Put them on the settee for now, thank you," Miriam said. "I'd have you carry them back to Willow's room but it isn't a healthy place for you right now." Rider only grunted,dumped the bundles, and returned to the wagon for another armload.
Charlotte McPherren (Song of the Willow)
As it turns out, skiing trips are pretty bloody annoying anyway. It’s mostly about queuing, skiing. You queue to get your breakfast in the stupid wooden hotel, you queue to get on the minibus or find a taxi to take you to the stupid skiing place at the bottom of the stupid hill. You queue to buy a pass, which you lose later in the day and then you get down to the serious queuing, at the point where you get on the lift at the bottom of the mountain to take you to the top. This, technically, isn’t queuing, it’s something more akin to fighting, so I preferred this bit. You hang around in a big crowd on a sort of train platform. Except there are no tracks, just a big wire overhead. Eventually, the cable car device lumbers into view and disgorges a load of really annoying people with stupid smiles under their stupid hats on to the other side of the platform. The car never stops; it just swings around the bottom of the platform on a huge, horizontal wheel until it comes up the side on which you and several million Germans are loitering, ready to get on board. Then there is a really massive fight, lots of shouting, some vicious pushing and, the next thing you know, you’re on the cable car, face pressed to the frosted glass, staring through it at crying kids back on the platform, disappointed mothers and bereft lovers waving mournfully as the other half of their life is transported away on the carriage that someone, usually you, prevented them from getting on by elbowing them in the face and jabbing a ski pole into their groin. It’s really rather good fun. But only that part is fun; the rest of it is terrible.
Richard Hammond (As You Do: Adventures With Evel, Oliver, and The Vice-President Of Botswana)
He brought the horse closer, reining in sharply so his muscled thigh was scarcely a handsbreadth from my face, knowing that the heavy log at my heels prevented any retreat. “I’ve told you once I would not force you to my will,” he reminded me, drawing one finger along my upturned jawline. “When we become lovers, it will be because you desire it as much as I.” His finger brushed my lips, the fleeting phantom of a kiss, before he raised his hand to his hat and bid me a polite good day.
Susanna Kearsley (Mariana)
Then wear the gold hat, if that will move her;     If you can bounce high, bounce for her too, Till she cry "Lover, gold-hatted, high-bouncing lover,    I must have you!" —THOMAS PARKE D'INVILLIERS
Anonymous
Primer of Love [Lesson 44] Fire and gunpowder don't sleep together. ~ Ashanti Proverb from Ghana Lesson 44) Leave the oil and vinegar for your salad dressing -- look for compatibility in your lover. You heard the old adage 'opposites attracts'-- just listen for a few more minutes and you'll next hear KABOOM. That is not the chemistry for long term relationships. You need identical value systems or you're setting yourself up for tsuris (Yiddish for aggravation).Some important compatibilities you should have are God (monotheist+atheist/bad combo), children (wants none+wants four/bad combo), money (important+non-important/bad combo), where you want to live (big city apartment+suburbia, sex (often+often/good combo). What you must agree upon from day one is the mother-in-laws don't live in your house. That's a relationship killer with an ugly hat.
Beryl Dov
What?" she asked, partly annoyed, partly curious. "Just trying to get the witch hat and pointy shoes in frame." He moved slightly to his left, then right. She channeled her most intense withering gaze, then said, "How are you still single?" "I'm not, remember?" He pointed at her. "Seriously, though. You need to look like you're having a good time." He put down the phone, then gnawed on his lips, deep in thought. "Oh, I know! Imagine I've stubbed my toe in an extremely painful way." Now that really did make her smile. "Excellent, excellent," he said as he reviewed the photo.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
It's a good thing they can get your hair big enough to hide the witch hat." Leo absentmindedly rolled up the cuff of his shirt, like he hadn't even noticed she was there. Nina ignored how seeing a hint of his skin made her mouth twitch, just slightly. Stop drooling. "Don't you want to use a little powder to take the shine off his cloven hooves?" Nina asked the makeup person, but she couldn't help but notice that Leo's lips twinged at her comment.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
Good Advices" When you greet a stranger, look at his shoes Keep your money in your shoes, put your trouble behind When you greet a stranger, look at her hands Keep your money in your hands, put your travel behind Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away At the end of the day, I'll forget your name I'd like it here if I could leave and see you from a long way away When you greet a stranger, look at his shoes Keep you memories in your shoes, put your travel behind Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away At the end of the day, when there are no friends When there are no lovers, who are you going to call for What do you have to change A familiar face, a foreign place, I'll forget your name I'd like it here if I could leave and see you from a long way away Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away R.E.M., Fables of the Reconstruction (1985)
R.E.M.
Derek Walcott wrote in his 1992 Nobel Lecture about the enthusiasm of the tourist: What is hidden cannot be loved. The traveller cannot love, since love is stasis and travel is motion. If he returns to what he loved in a landscape and stays there, he is no longer a traveller but in stasis and concentration, the lover of that particular part of earth, a native. So many people say they ‘love the Caribbean’, meaning that someday they plan to return for a visit but could never live there, the usual benign insult of the traveller, the tourist. These travellers, at their kindest, were devoted to the same patronage, the islands passing in profile, their vegetal luxury, their backwardness and poverty . . . What is the earthly paradise for our visitors? Two weeks without rain and a mahogany tan, and, at sunset, local troubadours in straw hats and floral shirts beating ‘Yellow Bird’ and ‘Banana Boat Song’ to death. There is a territory wider than this – wider than the limits made by the map of an island – which is the illimitable sea and what it remembers. All of the Antilles, every island, is an effort of memory; every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel.24
Carrie Gibson (Empire's Crossroads: A History of the Caribbean from Columbus to the Present Day)
Presents I snipped and stitched my soul to a little black dress, hung my heart on a necklace, tears for its pearls, my mouth went for a bracelet, gracing your arm, all my lover's words for its dangling charms, and my mind was a new hat, sexy and chic, for a hair of your head on my sleeve, like a scrawled receipt.
Carol Ann Duffy (Rapture)
To her shock he knelt on the grass in front of her so his upturned face was only a little below hers. He took her limp hands from her lap and held them. “I am deeply sorry for wronging her and for causing you pain. I am yours Ann. I have been for months, with all my soul, as I never felt for Emmie. If I had married her I would have spent the rest of my life trying not to think of you. Tell me you feel the same. I know I have hurt you, and I never want to hurt you again. I hope to have the rest of my life to make it up to you. Do you feel the same?” The hurt welled up again. She wanted him to feel the pain he had caused her. She turned her face. “No, I do not” He paused. The hurt was palpable. Guilt mixed with agitation. “I do not believe you,” he said. She looked back at him. He stood and raised her to her feet so they were standing closely as only lovers would. “May I remove your hat for you?” He pulled at the tie of her hat. When the bow gave way, he lifted it off her head and dropped it behind her. She stared up at him as if mesmerized. She felt his arms encircle her. She stopped breathing. He drew her even closer, and she closed her eyes at the touch of his lips on hers. The Union of spirit and body was so overwhelming she thought she would faint. She turned her face up to his kiss and breathed in the sweet warmth of his face. She wanted to be closer, as if the missing part of her had come home with the touch of his skin and the strong warmth of his body next to hers. He drew back, and she opened her eyes. The blood rushed to her face, and she tried to drop her hands from where she had placed them on his shoulders. He grabbed them, holding them in place. “You don’t want to marry me?” He murmured it as if he could not believe it. She could not lie while caught in the tender gaze of his dark eyes. “I do.” “You will?” “I’ll marry you.” She smiled and his answering smile was so joyful she thought it would light the whole grove. He kissed her again making her so weak she held his arms to steady herself.
Rosslyn Elliott ([ Fairer Than Morning [ FAIRER THAN MORNING BY Elliott, Rosslyn ( Author ) May-10-2011[ FAIRER THAN MORNING [ FAIRER THAN MORNING BY ELLIOTT, ROSSLYN ( AUTHOR ) MAY-10-2011 ] By Elliott, Rosslyn ( Author )May-10-2011 Paperback by Elliott, Rosslyn ( Aut...)
Another coal lover in his sport shirt and M-T company hat said to Raylan, “I’ll meet you out here after, you want. Teach you respect for the company.” “You don’t see me right away,” Raylan said, “practice falling down till I get here.
Elmore Leonard (Raylan (Raylan Givens, #4))
airborne to knock my hat off. He and the others
Jack Canfield (Chicken Soup for the Cat & Dog Lover's Soul: Celebrating Pets as Family with Stories About Cats, Dogs and Other Critters (Chicken Soup for the Soul))
           •   On dunces: in the old days, if you were found out to be a dunce on any given subject you would have been asked to don a donkey hat for an hour, and made to stand to the right of the blackboard with your back to the class, dodging an array of projectiles -bits of erasers, paper planes, dried snot balls et cetera- but nowadays, in startling contrast, you’d be invited to stand outside, in the cold hallway, thereby sharply decreasing your chances to learn anything of the lesson you were supposed to catch up on. Another triumph of modern thinking!
Patric Juillet (Memoirs of a Sardine lover (Life Between the Tides Book 1))
But I knew this much: how could anyone with half a brain would want to live in a vast, cold place like Russia which was controlled by a few old farts in furry hats and where everyone was barred from owning his own house and having personal possessions, in a barren land without jazz, without Marilyn Monroe (I had become a huge fan after seeing Gentlemen Prefer Blondes), without Studebakers and skyscrapers, without Maria Callas (yes, she was born in New York, U.S.A.) and hot dogs (without ketchup)
Patric Juillet (Memoirs of a Sardine lover (Life Between the Tides Book 1))
Gavin ran back into the house with a toy gun, cowboy hat and sheriff’s badge stuck to his shirt. "Bad boys, bad boys, whatcha gonna do, whatcha gonna do when they cut your wiener," Gavin sang as he pointed his gun at random objects. "Wow, cops have gotten pretty hardcore lately," Carter muttered.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
I rarely remember the names or faces of nonfictional people.
Chuck Klosterman (I Wear the Black Hat: Grappling With Villains (Real and Imagined))
I think people come to words much as lovers get together. They stumble onto each other, at the oddest of times, in the strangest of places. They will meet in an empty laundromat on a rainy Sunday afternoon, or they will catch each other’s eyes across a ballroom dance floor in the middle of a wedding waltz. They will meet without appointment and strike up a relationship without an agenda. There may be a long courtship or a whirlwind romance. There may be protracted avoidance, even what looks like a phobia, as in Karl’s case, or there may be an instant avidity, what amounts to love at first sight. Some carry on a kind of epistolary relationship with words, expressing their feelings through the formal prose of elegant notes, while others jump at words and bark them out at the world in the immediate poetry of certain street-corner vendors. Some slap their words up on posters on telephone poles, while others keep them in reserve, like a pistol concealed in a pocketbook. Some read haltingly, like the nervous lover, hat in hand, while others seem born to orate. We all woo language differently, and language grants us her favors in different ways. Sometimes the relationship takes off, although it is rare there is a ride without bumps. While utterly beautiful, endlessly varied, and thoroughly transfixing, language can also be frustrating, confusing, exasperating, and unforgiving.
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
[Re: Valentine's Day cards] On these little visual interpretations, no emblem is so common as the heart, — that little three-cornered exponent of all our hopes and fears, — the bestuck and bleeding heart ; it is twisted and tortured into more allegories and affectations than an opera hat. What authority we have in history or mythology for placing the head-quarters and metropolis of God Cupid in this anatomical seat rather than in any other, is not very clear ; but we have got it, and it will serve as well as any other. Else we might easily imagine, upon some other system which might have prevailed for any thing which our pathology knows to the contrary, a lover addressing his mistress, in perfect simplicity of feeling, " Madam, my liver and fortune are entirely at your disposal," or putting a delicate question, "Amanda, have you a midriff' to bestow?" But custom has settled these things, and awarded the seat of sentiment to the aforesaid triangle, while its less fortunate neighbours wait at animal and anatomical distance.
Charles Lamb (Essays of Elia and Last Essays of Elia)
You have hardly started living, and yet all is said, all is done. You are only twenty-five, but your path is already mapped out for you. The roles are prepared, and the labels: from the potty of your infancy to the bath-chair of your old age, all the seats are ready and waiting their turn. Your adventures have been so thoroughly described that the most violent revolt would not make anyone turn a hair. Step into the street and knock people's hats off, smear your head with filth, go bare-foot, publish manifestos, shoot at some passing usurper or other, but it won't make any difference: in the dormitory of the asylum your bed is already made up, your place is already laid at the table of the poètes maudits; Rimbaud's drunken boat, what a paltry wonder: Abyssinia is a fairground attraction, a package trip. Everything is arranged, everything is prepared in the minutest detail: the surges of emotion, the frosty irony, the heartbreak, the fullness, the exoticism, the great adventure, the despair. You won't sell your soul to the devil, you won't go clad in sandals to throw yourself into the crater of Mount Etna, you won't destroy the seventh wonder of the world. Everything is ready for your death: the bullet that will end your days was cast long ago, the weeping women who will follow your casket have already been appointed. Why climb to the peak of the highest hills when you would only have to come back down again, and, when you are down, how would you avoid spending the rest of your life telling the story of how you got up there? Why should you keep up the pretence of living? Why should you carry on? Don't you already know everything that will happen to you? Haven't you already been all that you were meant to be: the worthy son of your mother and father, the brave little boy scout, the good pupil who could have done better, the childhood friend, the distant cousin, the handsome soldier, the impoverished young man? Just a little more effort, not even a little more effort, just a few more years, and you will be the middle manager, the esteemed colleague. Good husband, good father, good citizen. War veteran. One by one, you will climb, like a frog, the rungs on the ladder of success. You'll be able to choose, from an extensive and varied range, the personality that best befits your aspirations, it will be carefully tailored to measure: will you be decorated? cultured? an epicure? a physician of body and soul? an animal lover? will you devote your spare time to massacring, on an out-oftune piano, innocent sonatas that never did you any harm? Or will you smoke a pipe in your rocking chair, telling yourself that, all in all, life's been good to you?
Georges Perec (Un homme qui dort)
Reign grunts, flipping his hat backward and leaning on my dresser.
Monty Jay (Wrath of an Exile: An Enemies to Lovers Romance (The River Styx Heathens Book 1))