Hastings Car Quotes

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Science! true daughter of Old Time thou art! Who alterest all things with thy peering eyes. Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise? Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies, Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car? And driven the Hamadryad from the wood To seek a shelter in some happier star? Hast thou not torn the Naiad from her flood, The Elfin from the green grass, and from me The summer dream beneath the tamarind tree?
Edgar Allan Poe
I looked around me to make sure it was clear. That's when I noticed the still, white figure. Edward Cullen was leaning against the front door of the Volvo, three cars down from me, and staring intently in my direction. I swiftly looked away and threw the truck into reverse, almost hitting a rusty Toyota Corolla in my haste. Lucky for the Toyota, I stomped on the brake in time. It was just the sort of car that my truck would make scrap metal of. I took a deep breath, still looking out the other side of my car, and cautiously pulled out again, with greater success. I stared straight ahead as I passed the Volvo, but from a peripheral peek, I would swear I saw him laughing.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
A broad margin of leisure is as beautiful in a man's life as in a book. Haste makes waste, no less in life than in housekeeping. Keep the time, observe the hours of the universe, not of the cars.
Henry David Thoreau
I’d like to feel alone sometimes, I’d like to walk down the street and not worry that the car that’s driving next to me is there to take me,
Jessa Hastings (Daisy Haites (The Magnolia Parks Universe Book 2))
but when he looked at me there in that car, for a split second it was like someone had thrown some silk over his face. A wisp of gentle.
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
Transferring in haste, I felt a curious breathlessness as the cars rumbled on through the early afternoon sunlight into territories I had always read of but had never before visited. I knew I was entering an altogether older-fashioned and more primitive New England than the mechanised, urbanised coastal and southern areas where all my life had been spent; an unspoiled, ancestral New England without the foreigners and factory-smoke, billboards and concrete roads, of the sections which modernity has touched. There would be odd survivals of that continuous native life whose deep roots make it the one authentic outgrowth of the landscape—-the continuous native life which keeps alive strange ancient memories, and fertilises the soil for shadowy, marvellous, and seldom-mentioned beliefs.
H.P. Lovecraft (The Whisperer in Darkness: Collected Stories Volume 1)
Here we all are,” said Herb Thompson, taking his cigar out and looking at it reflectively. “And life is sure funny.” “Eh?” said Mr. Stoddard. “Nothing, except here we are, living our lives, and some place else on earth a billion other people live their lives.” “That’s a rather obvious statement.” “Life,” he put his cigar back in his lips, “is a lonely thing. Even with married people. Sometimes when you’re in a person’s arms you feel a million miles away from them.” “I like that,” said his wife. “I didn’t mean it that way,” he explained, not with haste; because he felt no guilt, he took his time. “I mean we all believe what we believe and live our own little lives while other people live entirely different ones. I mean, we sit here in this room while a thousand people are dying. Some of cancer, some of pneumonia, some of tuberculosis. I imagine someone in the United States is dying right now in a wrecked car.
Ray Bradbury (Bradbury Stories: 100 of His Most Celebrated Tales)
Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty. The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not. Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart. I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming---all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze. But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
Rabindranath Tagore (Gitanjali)
Hang on, Levon,” said Elf. “Hang on. Are you saying you want to sack Griff because his brother just died in a horrific car crash and he’s too full of grief to play? Seriously?” “I am laying out the facts. Because somebody has to. Or there is no band. Of course we give Griff time. Of course. But you heard Griff. You saw him. It is entirely possible he won’t be back.” “Drummers like Griff don’t grow on trees,” said Elf. “You think I don’t know that?” asked Levon. “I chose him! But a drummer who can’t drum isn’t a drummer. Jasper. Speak.” Jasper drew a spiral on the steamy glass. “Eight days.” “Speak English, not Cryptic Crossword. Please. I have a headache as big as East Anglia.” “My Dutch grandfather used to say, ‘If you don’t know what to do, do nothing for eight days.’ ” Dean asked, “Why eight?” “Less than eight is haste. More than eight is procrastination. Eight days is long enough for the world to shuffle the deck and deal you another hand.” Without warning, the train shuddered into motion. The passengers raised a weary ironic cheer.
David Mitchell (Utopia Avenue)
Mr. Ravenel, if you are to spend a fortnight here, you will conduct yourself like a gentleman, or I will have you forcibly taken to Alton and tossed onto the first railway car that stops at the station.” West blinked and looked at her, clearly wondering if she was serious. “Those girls are the most important thing in the world to me,” Kathleen said. “I will not allow them to be harmed.” “I have no intention of harming anyone,” West said, offended. “I’m here at the earl’s behest to talk to a set of clodhoppers about their turnip planting. As soon as that’s concluded, I can promise you that I’ll return to London with all possible haste.” Clodhoppers? Kathleen drew in a sharp breath, thinking of the tenant families and the way they worked and persevered and endured the hardships of farming…all to put food on the table of men such as this, who looked down his nose at them. “The families who live here,” she managed to say, “are worthy of your respect. Generations of tenant farmers built this estate--and precious little reward they’ve received in return. Go into their cottages, and see the conditions in which they live, and contrast it with your own circumstances. And then perhaps you might ask yourself if you’re worthy of their respect.” “Good God,” West muttered, “my brother was right. You do have the temperament of a baited badger.” They exchanged glances of mutual loathing and walked away from each other.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.
Edgar Allan Poe (The Complete Works Of Edgar Allen Poe: Miscellany)
…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open… …Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded...
Oleg Lurye
…Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded..
Oleg Lurye
I left the village slowly, getting used to the feel of the car. It was mid-morning, and although the roads were busy, the ominous sky and strong winds were keeping most pedestrians indoors. The weather and the churning grey sea reminded me of childhood trips to the seaside from our home in south London. Hastings and Margate and Eastbourne. It was always either blazingly hot, with my sister running screaming from the wasps that seemed to believe she was their queen, or – more often – pissing down. I had strong memories of sitting in the back seat of the car, eating chips, with the smell of vinegar and the sound of the windscreen wipers squeaking back and forth
Mark Edwards (Keep Her Secret)
When the telephone rang in the middle of the night, I knew. The Tennessee state trooper on the other end said, "Your sister's been hurt pretty bad." In my haste to get to Nashville I didn't ask a single question. There had been a car accident. What else did I need to know? I'd been dreading a call like that my whole life.
Amy Smith Linton
During World War II trolley tracks ran down Central Avenue, the main street of the Jersey City Heights, before traveling off of the cliffs and continuing down to Hoboken on a high wooden trestle. At best, it was a hairy ride as it jostled around, nearly coming off of the rails. For some of us kids, it was exciting to hop onto the back of the trolley for a free ride, and then snap the cord to the electrical rod, which provided power from an overhead wire, when I wanted to get off. This would leave the conductor spewing a streak of profanity, as his trolley ground to a standstill. Departing the scene in haste, I would run and quickly disappear into the darkness, leaving him with the daunting task of getting the rod back onto the overhead wire in the dark.
Hank Bracker
The story of that first ascent to Leh from Manali is in this verse that I wrote after that terrible drive. To a land called Ladakh we were preparing to go, Over high roads generously peppered with snow. The old monk saw us packing the car and a greeting he waved, Which I returned since I am moderately well-behaved. ‘So you’re off to my land of Ladakh I guess, It will take you two days to reach at best.’ ‘No sir, I have a very capable car, you see, And within a day in the city of Leh we’ll be.’ ‘Yes son, the car will handle the road, that is true, What I’m wondering is whether or not will you. Those roads are high and almost touch the sky It would be prudent to be a little shy.’ And, worrying his beads, he walked away with a limping gait, And I scoffed at his warning—I was in good physical shape. It was a terrible mistake I made, And the price in full I paid. We climbed that towering road too high and too quick, And at the fifteen thousand-foot high Baralacha La fell violently sick. Altitude mountain sickness had enveloped me in a deadly embrace, My head hurt, my stomach retched, and around me the world reeled at a furious pace. Had to make Sarchu, the only sheltered place to stay, And it was misery personified every kilometre of the way. Mountains and streams make Sarchu a place of unimaginable beauty, But appreciating it was beyond me as I lay groaning, nauseous and retchy. It could have been paradise for all I care, Inside my mind it was the devil’s lair. The gentle monk had tried to warn us, Words that I’d dismissed as an old man’s fuss. Here in the mountains where altitude is king, Hurry or haste is a very deadly thing. A million times I called to my God that night, And then I saw the bright shining light. I snapped awake shivering with fear; are the angels here, is my end near? ‘Not yet, my son,’ a voice seemed to say in my ear. It was the sun shining through the tent, the beginning of another day, My head felt good and I could stand without feeling the world sway. That remains my most distressing night, Those seven hours that I took to fight the height. I am wiser now and whenever that awesome road I drive, I remember the monk and am never in a hurry to arrive. Apart
Rishad Saam Mehta (Hot Tea across India)
can right here,” Marge replied and looked inside. “The thing is empty.” Celeste smiled at the sight of Marge finally trapping a paper between her oversized colorful mitts. “Thank you, Suzy Homemaker. All you need is an apron.” While we hurried to search the room, the doorbell rang. Drat. The three of us froze. We had every right to be here and I was getting tired of explaining that to Alex. I was hoping we’d be gone before he showed up at the door. We headed to the landing to see Deborah peeking out the window. She nodded when she saw us. “Yes, I’m afraid it’s him,” she whispered. I knew what was coming next: a mournful look from Alex, along with a little speech about interference with an important police investigation. Could we get in trouble? What were exactly the rules when we were working in a private home and hired by the homeowner? I’d promised him I’d be careful. But surely we had every right to be here, working for our client. The gig was up in any case. Alex had surely seen Marge’s car out front. “Let’s hurry to the couch,” I said, keeping my voice very low. “Then he might think that we’re only here to talk and to consult with Deborah.” “Quick, let’s go,” Celeste said. “Deborah, could you hold off for just a second before you let him in?” Deborah scowled. “I don’t really want to let him in at all. He’s a looker, but obnoxious. You take your time. He can cool his heels and wait.” Celeste wasn’t taking any chances. “Go!” she said, touching me on the back since I was closest to the stairs. Things moved quickly from that point. As I tended to do at the most important times, I tripped and fell flat on my face. Thankfully, my glasses stayed on. I’d nearly made it safely down the stairs when my foot got caught on the carpet. Marge and Celeste were right behind me, almost flying in their haste. We ended up in one big pile in front of a frowning Deborah. “And you’re sure that you’re detectives?” she asked doubtfully. “The real official thing,” Marge squeaked, rubbing her shoulder with the bright orange oven mitt. We limped to the couch as Deborah headed to the door. I heard a familiar voice as she let him in, and we arranged ourselves oh so casually on the couch, as if we’d been there all along. Alex wasn’t pleased at all. He and Deborah were both scowling as they walked into the room. And for all the unpleasantness, we hadn’t found a thing. Operation Search the Office Before Alex had not been a success. Chapter Seven Despite the pain in my left knee (and the tight quarters on the loveseat), I tried to look the part of an innocent working woman who’d come to talk – and only talk – to a client in distress. “What are you three up to?” Alex gave us a
Deany Ray (Diced)
Look, then, upon the modern metropolis in which people are packed together and yet remain strangers. In the subway, underground or "tube" they meet and yet never meet, experiencing the closest physical intimacy at the same time as total separation. If they make eye contact in the crowded streets they are embarrassed and hastily turn away. If one of their number falls to the pavement the rest avert their heads, fearing involvement. In solitary rooms and apartments a man or woman grieves or dies unnoticed. The rain that falls—that powerful reminder of the divine mercy—is grubby and polluted, and the drivers marooned in their stationary motor cars resist the temptation to express their rage in some act of violence. Everyone is in a hurry ("Haste comes from Satan", according to a saying of the Prophet), slaves to a busy schedule, and everyone is locked into the prison of their own problems and anxieties. They behave like enemies, so unwilling are they to meet.
Anonymous
In the 1950s Detroit was undergoing changes in the city and factories with enormous political consequences. When I arrived in Detroit the city had just begun Urban Renewal (which blacks renamed “Negro Removal”) in the area near downtown where most blacks were concentrated. Hastings Street and John R, the two main thoroughfares that were the hub of the commerce and nightlife of the black community, were still alive with pedestrians. Large sections of the inner city, however, were being bulldozed to build the Ford Freeway crisscrossing the city from east to west, the Lodge Freeway bisecting the city from north to south, and the Fisher and Chrysler Freeways coming from Toledo and proceeding all the way north to the Upper Peninsula. These freeways were built to make it easy to live in the suburbs and work in the city and at the same time to expand the car market. So in 1957 whites began pouring out of the city by the tens of thousands until by the end of the decade one out of every four whites who had lived in the city had left. Their exodus left behind thousands of houses and apartments for sale and rental to blacks who had formerly been confined inside Grand Boulevard, a horseshoe-shaped avenue delimiting the inner city, many of whom had been uprooted by Negro Removal. Blacks who had been living on the East Side, among them Annie Boggs, began buying homes on the West Side and the North End. The black community was not only expanding but losing the cohesiveness it had enjoyed (or endured) when it was jammed together on the Lower East Side. New neighbors no longer served as extended family to the young people growing up in the new black neighborhoods. Small businesses owned by blacks and depending on black customers went bankrupt, eliminating an entrepreneurial middle class that had played a key role in stabilizing the community. By the end of the 1950s one-fourth of the buildings inside the Boulevard stood vacant. At the same time all Americans, regardless of race, creed, or national origin, were being seduced by the consumerism being fostered by large corporations so that they could sell the abundance of goods coming off the American assembly lines. All around us in the black community parents were determined to give their children “the things I didn’t have.
Grace Lee Boggs (Living for Change: An Autobiography)
Did you love me?” My head pulls back and I blink five times quickly. I swallow, shaking my head as I stare over at him with big, confused eyes. “Why would you—” “Call it closure,” he tells me with a decided nod. “From what?” I frown. “You always said we weren’t together.” “And you always said we were,” he fires back. I flick my eyes to the roof of the car, press my tongue into the roof of my mouth and breathe out a shallow laugh. “Why are you asking me this?” “I don’t know—” he says, face strained as it watches me. “I just need to know how to pocket this in my mind.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.
Susan Hill (The Magic Apple Tree: A Country Year)
I have a goal: learn to play guitar in five months and be ready for the New Slits gig. I feel like a contestant on the reality-TV show Faking It. Take a bored Hastings housewife and turn her into a punk-rock guitarist in five months. [...] I ignore the pain of the wire cutting into the pads of my fingers. I don’t watch TV, read newspapers, meet anyone for coffee or lunch or do anything that will take a second away from my playing. I just do the minimum I have to do domestically and that’s it. Everything else stops. I take the guitar with me wherever I go, it’s always in the back of the car; if my daughter’s at a tennis lesson, I sit in the car, push the front seat back and practice whilst I wait for her.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
I remember gripping the chair of Jo’s car so tightly my nails tore the leather. I remember Henry reaching around to me from the backseat behind and holding my arm, steadying me. I remember at a stoplight Jonah turning to me and wiping tears from my face I didn’t know I was crying. And I remember, viscerally, the feeling that my chest had been sawed wide open and the nerve endings of my heart were exposed.
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
I move past him, hope he can’t tell how crushed I am as I do and our shoulders brush then he says, “Actually—no. Fuck it.” He grabs me by the waist and bangs me backwards into his car, pressing his mouth up against mine in this perfect, rushy way.
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
Have you ever seen the person you love be hit by a car just because they love you? Two cars, actually. Because as I reach for my seatbelt to get out and to her, another car t-bones her. Love is wild, isn't it? It makes a life so much more valuable... not just to me but to my enemies. No one was trying to kill Magnolia Parks until I loved her
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
I open her car door and look down at her. “I didn’t realise before,” I nod my head back to the old days, “that you liked art. I knew you stole it, I didn’t know you liked it.
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
I’m sort of struck that we’re here in my car again, and even though it’s not how I want it, I’ll take it anyway because the sun’s behind her and it’s lighting her up like she’s got a halo, and to me she does.
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))