Hartley Quotes

We've searched our database for all the quotes and captions related to Hartley. Here they are! All 200 of them:

β€œ
The past is a foreign country; they do things differently there.
”
”
L.P. Hartley (The Go-Between)
β€œ
To force a female to do things in male fashion is not equal opportunity, it is distorted idealism.
”
”
Gregory Hartley (I Can Read You Like A Book: How to Spot the Messages and Emotions People Are Really Sending With Their Body Language)
β€œ
Caw! Caw, Hartley, caw!" Chase narrowed his eyes again. "Sam?" I nodded. Then crossed to the window again and called down to Sam. "You can quit squawking. He caught me.
”
”
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β€œ
It's better to write about things you feel than about things you know about.
”
”
L.P. Hartley
β€œ
To see things as they really were--what an empoverishment!
”
”
L.P. Hartley (The Go-Between)
β€œ
Chase leaned in close. "hey" What? Are you wearing perfume? No... why would I be wearing perfume?... You sure you're not wearing anything? It smells like jasmine. Must be the bushes
”
”
Gemma Halliday (Social Suicide (Deadly Cool, #2))
β€œ
You insisted on thinking of them as angels, even if they were fallen angels.
”
”
L.P. Hartley (The Go-Between)
β€œ
That craptastical, gutless, son-of-a-cactus humping butt monkey" - Hartley Featherston
”
”
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β€œ
Grown-ups didn't seem to realize that for me, as for most other schoolboys, it was easier to keep silent than to speak. I was a natural oyster.
”
”
L.P. Hartley (The Go-Between)
β€œ
The only sheets I'll ever long for are my own.
”
”
David Hewson (Macbeth)
β€œ
You have ripped my fucking heart out, Neva and what's worse is that I love you far too fucking much to hate you for it.
”
”
Sofie Hartley (Finding You (Finding, #1))
β€œ
What must be done must be done, whatever the price, the cost, the pain. One day we all must walk through fire.
”
”
David Hewson (Macbeth)
β€œ
You flew too near the sun and you were scorched.
”
”
L.P. Hartley (The Go-Between)
β€œ
Holy effing crap, that sucks!" I turned to her. "Effing?" Sam shrugged. "What?" "We're censoring now?" "Kyle says I have a mouth like a trucker.
”
”
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β€œ
Life isn’t about waiting for the storm to pass, it’s learning to dance in the rain.
”
”
Sofie Hartley (Finding You (Finding, #1))
β€œ
When you understand the mechanincs of stress and master the techniques to manipulate someone's fears and dreams, you will be powerful.
”
”
Gregory Hartley
β€œ
El pasado es un paΓ­s extranjero: allΓ­ las cosas se hacen de manera distinta.
”
”
L.P. Hartley (The Go-Between)
β€œ
I’ve never fully trusted people who don’t like dogs. They rarely turn out well.
”
”
A.J. Hartley (Hamlet, Prince of Denmark)
β€œ
Not Adam and Eve, after eating the apple, could have been more upset than I was.
”
”
L.P. Hartley (The Go-Between)
β€œ
She loves me, and one day? I’m going to marry Hazel Hartley.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
Yes, the past is a foreign country," I said, "but some of us are full-fledged citizens, others occasional tourists, and some floating itinerants, itching to get out yet always aching to return." "There's a life that takes place in ordinary time," I said, "and another that bursts in but just as suddenly fizzles out. And then there's the life we may never reach but that could so easily be ours if only we knew how to find it. It doesn't necessarily happen on our planet, but is just as real as the one we live byβ€”call it our 'star life.' Nietzsche wrote that estranged friends may become declared enemies but in some mysterious way continue to remain friends, though on a totally different sphere. He called these 'star friendships.
”
”
AndrΓ© Aciman (Enigma Variations)
β€œ
If my twelve-year-old self, of whom I had grown rather fond, thinking about him, were to reproach me: 'Why have you grown up such a dull dog, when I gave you such a good start? Why have you spent your time in dusty libraries, catologuing other people's books instead of writing your own? What had become of the Ram, the Bull and the Lion, the example I gave you to emulate? Where above all is the Virgin, with her shining face and curling tresses, whom I entrusted to you'- what should I say? I should have an answer ready. 'Well, it was you who let me down, and I will tell you how. You flew too near to the sun, and you were scorched. This cindery creature is what you made me.' To which he might reply: 'But you have had half a century to get over it! Half a century, half the twentieth century, that glorious epoch, that golden age that I bequeathed to you!' 'Has the twentieth century,' I should ask, 'done so much better than I have? When you leave this room, which I admit is dull and cheerless, and take the last bus to your home in the past, if you haven't missed it - ask yourself whether you found everything so radiant as you imagined it. Ask yourself whether it has fulfilled your hopes. You were vanquished, Colston, you were vanquished, and so was your century, your precious century that you hoped so much of.
”
”
L.P. Hartley (The Go-Between)
β€œ
Which leads me to ask...what exactly are you going to do when we get there?" I thought about it. "Rip Josh's nuggets off and feed them to his hamster?
”
”
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β€œ
You know my biggest fear is this: That all my hard work. All my good intentions. All my studying. Have been nothing more than a building of a wall between me and life.
”
”
Hal Hartley
β€œ
Try now, try now, it isn't too late' ... Excitement, like hysteria, bubbled up in me from a hundred unsealed springs. If it isn't too late, I thought confusedly, neither it is too early: I haven't much time left to spoil. It was the last flicker of instinct of self-preservation which had failed me so signally at Brandham Hall.
”
”
L.P. Hartley (The Go-Between)
β€œ
Well, if you’re a native Chicagoan, you know how dumb he [Dr. Robert Hartley] is. He gets on the Ravenswood El, he goes past his stop on Sheridan Road, he gets off in Evanston, where the El is on the ground, and then he walks back 55 blocks to his apartment. Now, would you want to have that man as a psychologist? A man who misses his stop every day?
”
”
Bob Newhart
β€œ
You speak as if this is a good world with a little evil in it. Rubbish. It's a hellish one where the best a man can do is put a little sanity back and look after his own.
”
”
David Hewson (Macbeth)
β€œ
It's a long ride home with nothing but me for company. I bore myself sometimes. Not often. Just now and again.
”
”
David Hewson (Macbeth)
β€œ
To bleed from many wounds may be more serious than to bleed from one, but the pain, being less localized, is also easier for the mind to bear.
”
”
L.P. Hartley (The Go-Between)
β€œ
There's no such thing as adventure. There's no such thing as romance. There's only trouble and desire.
”
”
Hal Hartley
β€œ
Hartley, I'm sure he couldn't stop looking at you either. You're yummy. He snorted. You've got it bad Callahan
”
”
Sarina Bowen (The Year We Fell Down (The Ivy Years, #1))
β€œ
Juliet and Hartley had long ago abandoned manners with each other. It was refreshing to behave without respect towards someone.
”
”
Kate Atkinson (Transcription)
β€œ
I don’t know why I latched onto the idea of being friends, but it sits right with my gut. I want Hartley in my life and if being friends is the way that happens, then friendship is what we’ll have. It’s different, but maybe that’s not a bad thing.
”
”
Erin Watt (Fallen Heir (The Royals, #4))
β€œ
We throw ourselves into the journey and when it's done, even while having learned that all experience involves the loss of something beloved, what is ledt in the residue of memory is love.
”
”
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β€œ
I had never met a lord before, nor had I ever expected to meet one. It didn't matter what he looked like: he was a lord first, and a human being, with a face and limbs and body, long, long after.
”
”
L.P. Hartley (The Go-Between)
β€œ
If everything I possessed, vanished, suddenly, I'd be sorry. But I value things unpossessed. The wind, and trees, and sky and kind thoughts, much more.
”
”
Dorothy Hartley
β€œ
My mom once said, we hurt the people we love the most, but the ability for them to love you despite the hurt is special and the most beautiful gift, it’s the gift of forgiveness
”
”
Sofie Hartley (Finding You (Finding, #1))
β€œ
I should not have cared to see it as an act of self-sacrifice even if it had been one; for there is nothing clever in self-sacrifice, nothing to pride oneself on.
”
”
L.P. Hartley (The Go-Between)
β€œ
Is love a fancy, or a feeling? No. It is immortal as immaculate Truth, 'Tis not a blossom shed as soon as youth, Drops from the stem of life--for it will grow, In barren regions, where no waters flow, Nor rays of promise cheats the pensive gloom. A darkling fire, faint hovering o'er a tomb, That but itself and darkness nought doth show, It is my love's being yet it cannot die, Nor will it change, though all be changed beside; Though fairest beauty be no longer fair, Though vows be false, and faith itself deny, Though sharp enjoyment be a suicide, And hope a spectre in a ruin bare.
”
”
Hartley Coleridge
β€œ
To my mind's eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don't know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.
”
”
L.P. Hartley (The Go-Between)
β€œ
It’s not fake anymore,” I whisper. β€œIs it?” Rory shakes his head. β€œNo, Hartley. It isn’t.” His gaze moves over my face like he’s trying to take in every detail about me, and he swallows like he’s nervous. β€œIt hasn’t been fake for me for a long time.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
And still you'll hesitate to tell him, won't you? Why? Because you're a woman? Is your destiny such a small thing then? To keep your legs open and your mouth shut?
”
”
David Hewson (Macbeth)
β€œ
If the door of opportunity doesn't open, knock it the fuck down.
”
”
Sofie Hartley
β€œ
Priests might divide the world into good and bad. In battle there was strong and weak and nothing else.
”
”
A.J. Hartley (Macbeth)
β€œ
He restated that all I ever needed to do was ask him for help, but therein lies the problem. I don’t want to micromanage housework. I want a partner with equal initiative.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
Knowing is not enough.
”
”
Hal Hartley
β€œ
I was no longer satisfied with the small change of experience, which had hitherto contented me. I wanted to deal in larger sums.
”
”
L.P. Hartley (The Go-Between)
β€œ
The past is a foreign country.” β€”L. P. Hartley
”
”
Annie Jacobsen (Operation Paperclip: The Secret Intelligence Program that Brought Nazi Scientists to America)
β€œ
I accused Hartley of being a 'fantasist', or perhaps that was Titus's word, but what a 'fantasist' I have been myself. I was the dreamer, I the magician. How much, I see as I look back, I read into it all, reading my own dream text and not looking at the reality. Hartley had been right when she said of our love that it was not part of the real world. It had no place.
”
”
Iris Murdoch (The Sea, the Sea)
β€œ
The conversation of the gods! - I didn't resent or feel aggrieved because I couldn't understand it. I was the smallest of the planets, and if I carried messages between them and I couldn't always understand, that was in order too: they were something in a foreign language - star-talk.
”
”
L.P. Hartley (The Go-Between)
β€œ
If you really were my girlfriend, Hartley,” he whispers, his breath sending electric currents over my skin, β€œthere’s no limit to what I would spend on you, so if we want to sell this? Let me.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
The stops point out, with truth, the time of pause A sentence doth require at ev'ry clause. t ev'ry comma, stop while one you count; At semicolon, two is the amount; A colon doth require the time of three; The period four, as learned men agree.
”
”
Cecil B. Hartley (Gentlemen's Book of Etiquette: And Manual of Politeness. Being a Complete Guide for a Gentleman's Conduct in All His Relations Towards Society)
β€œ
I had been conditioned my whole life to think one step ahead, to anticipate the needs of those around me and care about them deeply. Emotional labor was a skill set I had been trained in since childhood. My husband, on the other hand, hadn’t received that same education. He is a caring person, but he is not a skilled carer.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
Well, they don't talk to me very much," I said. "You see, they're all grown up, and they have grown-up games like whist and lawn tennis, and talking, you know, just for the sake of talking" (this seemed a strange pursuit to me).
”
”
L.P. Hartley (The Go-Between)
β€œ
I love you.” I would have thought the thrill of hearing it so often would wear off, but no. every fucking time Hazel Hartley tells me she loves me is the best moment of my life. β€œI love you, too. So fucking much, Hazel. You have no idea.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
I could see Marian's fingers at work, catch the gleam of her white arms and whiter neck , and imagine not one, but a whole series of deaths which i should die for her.
”
”
L.P. Hartley (The Go-Between)
β€œ
...the antidote to death was and always would be the heat and fury of life itself.
”
”
David Hewson (Macbeth)
β€œ
Shut the windows, draw the curtains, keep the rumour out!
”
”
L.P. Hartley (The Hireling)
β€œ
The future was to be a laborious business.
”
”
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β€œ
Anger is how you reclaim boundaries that have been violated,
”
”
Brittney Hartley (No Nonsense Spirituality: All the Tools No Belief Required)
β€œ
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
”
”
L.P. Hartley
β€œ
Now, now," said Vale in a sickeningly sweet voice reminiscent of a nursery nanny. "I already gave him a drubbing for courting Emmie." Reynaud raised his eyebrows. "You did?" "He did not," Hartley said even as Vale nodded happily. "I threw him down the stairs." Vale pursed his lips and looked skyward. "Not my recollection, but I can see how your memory of the event may've become hazy.
”
”
Elizabeth Hoyt (To Desire a Devil (Legend of the Four Soldiers, #4))
β€œ
No, I thought, growing more rebellious, life has its own laws and it is for me to defend myself against whatever comes along, without going snivelling to God about sin, my own or other people's. How would it profit a man if he got into a tight place, to call he people who put him there miserable sinners? Or himself a miserable sinner? I disliked the levelling aspect of this sinnerdom, it was like a cricket match played in a drizzle, where everybody had an excuse - and what a dull excuse! - for playing badly. Life was meant to test a man, bring out his courage, initiative, resource; and I longed, I thought, to be tested: I didn't want to fall on my knees and call myself a miserable sinner. But the idea of goodness did attract me, for I did not regard it as the opposite of sin. I saw it as something bright and positive and sustaining, like the sunshine, something to be adored, but from afar.
”
”
L.P. Hartley (The Go-Between)
β€œ
There are no secrets.' The thing smiled, showing a row of even, childlike teeth. 'None worth keeping. Only the ones you hide from yourself, which are the most damaging and hurtful of all. Truth is truth, and lie is lie. Tell yourself one's the other and all the world turns kilter.
”
”
David Hewson (Macbeth)
β€œ
We accept life, breathe it in and celebrate it. But when death rocks our world, turning our happiness into hurt and grief, we fight it, unable to accept something that was engrained from the beginning. It’s a fact of life that is cruel, but undoubtedly necessary. Death is one of life’s biggest weakness, it's the one thing that will break even the strongest of people.
”
”
Sofie Hartley (Finding Me (Bad Boy, #2))
β€œ
The horse is by Nature a very lazy animal whose idea of heaven is an enormous field of lush grass in which he can graze undisturbed until his belly is full, and after a pleasant doze can start filling himself up all over again.
”
”
Elwyn Hartley Edwards
β€œ
In life, tragedy and loss happen every single day and nobody is immune. There are only two certainties in this world. You are born into this life and you will also be taken from it too. Some will be taken without warning and some will be taken slowly. It is the cruelest of certainties and also the most powerful. You will grieve for the loss but you will also become a stronger person for the gift of love and memories that you received.
”
”
Sofie Hartley (Finding You (Finding, #1))
β€œ
When she’s scared and hurt, she lashes out. Someone less stubborn than me would’ve left by now. But that’s why she’s aloneβ€”because she doesn’t have anyone in her life willing to stick it out with her. I know what it’s like to be alone. I know what it’s like to want and not have. I don’t want Hartley to feel that way. Not anymore. Not while I’m around.
”
”
Erin Watt (Fallen Heir (The Royals, #4))
β€œ
Because I’m a helpful, giving man, I’m going to answer some questions for y’all before classes start so you can concentrate on your shit inside, instead of spending the class period making up your own stories. Yes, Hartley and I are together. Yes, my family is okay with that.” He taps Ella, who nods. β€œYes, Hartley still has amnesia and yes, I will beat the shit out of anyone who even makes her frown. If you make her cry, you’ll have so many broken bones that it’ll take an entire fleet of Chinese steel to put you back together.
”
”
Erin Watt (Cracked Kingdom (The Royals #5))
β€œ
charisma is a flavor of manipulation.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
The past is another country. They do things differently there.
”
”
L.P. Hartley (The Go Between)
β€œ
The really witty man does not shower forth his wit so indiscriminately;
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in all his Relations Towards Society)
β€œ
it’s technology married with liberal arts, married with the humanities, that yields us the result that make our heart sing.
”
”
Scott Hartley (The Fuzzy and the Techie: Why the Liberal Arts Will Rule the Digital World)
β€œ
We are doing a disservice to our young people by telling them that life is a straight path.
”
”
Scott Hartley (The Fuzzy and the Techie: Why the Liberal Arts Will Rule the Digital World)
β€œ
You're a kid,' said Alexandra. 'There is no just about it. Only adults say just a kid and what the heck do they know about anything? Have you looked at their world lately?
”
”
A.J. Hartley (Darwen Arkwright and the Peregrine Pact (Darwen Arkwright, #1))
β€œ
She is not fair to outward view As many maidens be; Her loveliness I never knew Until she smiled on me. Oh! then I saw her eye was bright, A well of love, a spring of light.
”
”
Hartley Coleridge
β€œ
I became a kinesthetic person because I always overintellectualize. And feelings, for me, are a concept. Feelings? Ah yes, I've heard of those.
”
”
Nina Hartley
β€œ
I have instant compassion for men as equal human beings. Equally beaten down by the patriarchy and equally lost and wandering. At least women get to hug each other.
”
”
Nina Hartley
β€œ
Sign this... and I'll show you
”
”
A.J. Hartley (Chasing Shadows (Sekret Machines #1))
β€œ
One man can not wage a war alone. Therefore if humanity stops agreeing to go to war; there will be only peace.
”
”
Robert F. Hartley
β€œ
One of the first rules for a guide in polite conversation, is to avoid political or religious discussions in general society.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness)
β€œ
The civilian world was a dull place, a tired three-piece orchestra, waiting for the word 'fun'.
”
”
L.P. Hartley (The Hireling)
β€œ
Emotional labor, as I define it, is emotion management and life management combined. It is the unpaid, invisible work we do to keep those around us comfortable and happy.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
He was surrounded by tyrants who thought they had a right to order him about: it was a conspiracy. He could not call his soul his own.
”
”
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β€œ
History and time shape the world around us, and the earth is ever changing, Gaia is in torment. We cannot wait until it is too late. We must unite to save it.
”
”
Julie Ann Hartley (Love and the Third Degree 1: Zeda's Dawning (The Rockwell Chronicles))
β€œ
I can’t fucking think around Pippa Hartley. It’s always been like this.
”
”
Stephanie Archer (Behind the Net (Vancouver Storm, #1))
β€œ
The past is a foreign countryβ€” they do things differently there. L. P. Hartley, The Go-Between
”
”
Ian Mortimer (The Time Traveler's Guide to Medieval England: A Handbook for Visitors to the Fourteenth Century)
β€œ
So Titus was here too. Titus, and the sea monster, and the stars, and holding Hartley's hand in the cinema over forty years ago.
”
”
Iris Murdoch
β€œ
I’m proud of you.” β€œWhy?” β€œYou did the hard thing.” β€œThank you for coming with me.” β€œThat’s what we do for each other, Hartley.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
Nothing is ever a lady’s fault. - The Go-Between by L. P. Hartley
”
”
L.P. Hartley
β€œ
The past,” as the British novelist L. P. Hartley wrote, β€œis a foreign country. They do things differently there.
”
”
Fergus M. Bordewich (Congress at War: How Republican Reformers Fought the Civil War, Defied Lincoln, Ended Slavery, and Remade America)
β€œ
I’d loved Nash Hartley for as long as I could remember. Cedar Ridge was just a place. But Nash would always be home.
”
”
Catherine Cowles (Echoes of You (Lost & Found #2))
β€œ
You don't talk dirty to make him hot. You "talk dirty" to communicate what you need. And most guys, if you go, "Yeah, yeah, just like that, a little more to the left," they'll do it.
”
”
Nina Hartley
β€œ
True wisdom is the moment in the iconic Truman Show where he opens the door, and the doorway is dark. That image is tattooed onto my brain because it’s so relatable to what real growth looks like. Christof tells Truman, β€œStay here, stay in this world I have created for you. Stay in the illusion. It’s safe here, and you’re special here. There is no truth out there.
”
”
Brittney Hartley (No Nonsense Spirituality: All the Tools No Belief Required)
β€œ
[On playing another character that was not Dr. Bob Hartley]: I think you're lucky when you realize what you are. Spencer Tracy always played Spencer Tracy. I'm not putting myself into that category, but, to the same extent, the part of me that was Bob Hartley is in my new character, Dick Loudin. If you make fine bone china and you're recognized as the best in the world, you don't suddenly announce you're going to make automobiles. We see it so much in this business. We're so self-destructive. If you really do something well, you should stick to it.
”
”
Bob Newhart
β€œ
But I was not so much interested in facts themselves as in the importance they had for my imagination. I was passionately interested in railways, and in the relative speed of the fastest express trains; but I did not understand the principle of the steam engine and had no wish to learn.
”
”
L.P. Hartley (The Go-Between)
β€œ
Why do you like Hugh better? Because he is a Viscount?' 'Well, that's one reason,' I admitted, without any false shame. Respect for degree was in my blood and I didn't think of it as snobbery.
”
”
L.P. Hartley (The Go-Between)
β€œ
And everyone assured him that he would never be a man until he learned how to drive. Indeed, the future was already dull and menacing with the ambitions other people entertained on his behalf.
”
”
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β€œ
While women have spent the past few decades being encouraged to reach for the masculine ideal of success, being told they can become anything their hearts desire in the professional realm, they have not been relieved of any of the emotional labor that waits for them when they return home.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
But what I heard was a low insistent murmur, with pauses for reply in which no reply was made. It had a hypnotic quality that I had never heard in any voice: a blend of urgency, cajolery, and extreme tenderness, and with below it the deep vibrato of a held-in laugh that might break out at any moment. It was the voice of someone wanting something very much and confident of getting it, but at the same time willing, no, constrained, to plead for it with all the force of his being.
”
”
L.P. Hartley (The Go-Between)
β€œ
Even the most impassioned devotee of the ghost story would admit that the taste for it is slightly abnormal, a survival, perhaps, from adolescence, a disease of deficiency suffered by those whose lives and imaginations do not react satisfactorily to normal experience and require an extra thrill
”
”
L.P. Hartley
β€œ
intoxication of anger, like that of the grape, shows us to others, but hides us from ourselves, and we injure our own cause in the opinion of the world when we too passionately and eagerly defend it.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in all his Relations Towards Society)
β€œ
But underneath it all there was something ugly and mean, and you really didn’t want to get too close to her. You especially didn’t want to cross Nancy Hartley. God help the person who incurred her wrath.
”
”
Silvia Moreno-Garcia (The Seventh Veil of Salome)
β€œ
A late-comer to school, I had uncritically accepted all its standards. I was a conformist: it never occurred to me that because I suffered there was something wrong with the system, or with the human heart.
”
”
L.P. Hartley (The Go- Between. (Lernmaterialien))
β€œ
No little boy likes to be called a little man, but any little boy likes to be treated as a little man, and this is what Marian had done for me: at times, and when she had wanted to, she had endowed me with the importance of a grown-up; she had made me feel that she depended on me. She, more than anyone, had puffed me up.
”
”
L.P. Hartley (The Go-Between)
β€œ
Sex is my practice. It's where I always strive to be my best self. I try to be as honest as possible, as present as possible, as centered as possible, as kind as possible, as generous as possible without being a doormat.
”
”
Nina Hartley
β€œ
What did we talk about that has left me with an impression of wings and flashes, as of air displaced by the flight of a bird? Of swooping and soaring, of a faint iridescence subdued to the enfolding brightness of the day?
”
”
L.P. Hartley (The Go-Between)
β€œ
Okay, Hartley. No more lazing around. We’ve got a big day ahead of us.” β€œYou don’t have practice today.” β€œWe need to move you in.” β€œToday?” β€œToday, Hartley. I finally got you to say yes, and I’m not waiting a second longer.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
There simply seemed to be no reason why faith in the correct supernatural story should be the highest value in God’s hierarchy of values, especially when most people who have ever lived on this earth did not have access to that story. Why is faith a value at all, when all it seems to do is be used as a tool to ignore cognitive dissonance?
”
”
Brittney Hartley (No Nonsense Spirituality: All the Tools No Belief Required)
β€œ
The man who says that his mother was or is the best cook in the world can lay claim to little originality. Many men have said it, and for various reasons- not the least of which, the modern woman may contend, being to irritate their wives.
”
”
Lodwick Charles Hartley (Plum Tree Lane)
β€œ
Months before a conservative Congress passed the 1947 Taft-Hartley Act, called β€œthe Slave Labor Act” by critics and passed over President Harry Truman’s veto, the state’s governor had signed a pioneering β€œright-to-work” law to weaken labor unions.
”
”
Nancy MacLean (Democracy in Chains: The Deep History of the Radical Right's Stealth Plan for America)
β€œ
It is ill-bred to put on an air of weariness during a long speech from another person, and quite as rude to look at a watch, read a letter, flirt the leaves of a book, or in any other action show that you are tired of the speaker or his subject. In
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in all his Relations Towards Society)
β€œ
Lizzie and I arrived in the polluted heat of a London summer. We stood frozen at street corners as a blur of pedestrians burst out of the subways and spilled like ants down the pavements. The crowed bars, the expensive shops, the fashionable clothes - to me it all seemed a population rushing about to no avail...I stared at a huge poster of a woman in her underwear staring down at her own breasts. HELLO BOYS, she said. At the movies we witnessed sickening violence, except that this time we held tubs of popcorn between our legs and the gunfire and screams were broadcast in digital Dolby. We had escaped a skull on a battlefield, only to arrive in London, where office workers led lines of such tedium and plenty that they had to entertain themselves with all the f****** and killing on the big screen. So here then was the prosperous, democratic and civilized Western world. A place of washing machines, reality TV, Armani, frequent-flier miles, mortgages. And this is what the Africans are supposed to hope for, if they're lucky.
”
”
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β€œ
Sometimes sexy women like to act stupid because it helps them get exactly what they want. Theresa Boudreaux was one of those types: a bodacious waffle-house waitress with a devilish streak. Unfortunately for a certain high-ranking elected leader, she had the wits to go to RadioShack and buy herself a nine-dollar phone-recording device. She then used it to tape her dirty phone calls with US Congressman Huey Hartley, a powerful, sanctimonious, married-for-thirty-years politician from the solidly red state of Mississippi.
”
”
Holly Peterson
β€œ
Rory, what are you—” She lets out a yelp of surprise as I haul her over my shoulder, careful not to bump her ankle. I’ve got one arm wrapped around Hartley, holding her steady, and Volkov places the crutches in my free hand. β€œI’m taking you home and you’re not going to argue,” I tell Hazel.
”
”
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β€œ
Re-entry taught me a new sort of fear that was slow and dull rather than quick and thrilling...the hardest part of reentry to a humdrum life was not recovering from the bad stuff. It was missing the good times, the friendship, intensity, fear, sense of purpose, the sheer exotic escapism of it all.
”
”
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β€œ
Women are fed up because we’ve realized we can’t clock out. Emotional labor is expected from us no matter where we turn. We are fed up with the ongoing demand to be the primary providers of emotional labor in all arenas of life because it is taxing, it is time consuming, and it is holding us back.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
Lord Hartley has strict requirements for his heir’s prospective wife, particularly that she have β€œa striking appearance and a presentable wit.” One only hopes that the heir apparent recognizes what his father does notβ€”that a woman with a presentable appearance and a striking wit is far more interesting. L
”
”
Sabrina Jeffries (The Dangerous Lord (Lord Trilogy, #3))
β€œ
Men often have a slower timeline or lower standard when it comes to domestic work, so women take it on themselves, choosing to delegate work only when it’s most desperately needed. This may be in part because women tend to associate a clean home with their personal success, whereas men’s success is tied strictly to their work outside the home.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
The musicians, who were all English, included one pianist, Theodore Ronald Brailey; three cellists, Roger Marie Bricaux, Percy Cornelius Taylor, and John Wesley Woodward; a bassist, John Frederick Preston Clark; and three violinists, John Law Hume, Georges Alexandre Krins, and the bandmaster, Wallace Hartley. They were brought on deck near where the lifeboats were being loaded early on to help keep morale high. As the night went on and the situation became more dire, they continued to play, probably believing it was all they could do to express their own anguish and comfort the increasingly panicked crowd. Many survivors reported hearing them playing until shortly before the sinking.
”
”
Henry Freeman (Titanic: The Story Of The Unsinkable Ship)
β€œ
The sad reality of human history thus far is that when we try to go back to, or preserve, more communal ways of living, the cult that produces the most dogmatic, individualistic, egocentric, us versus them, "only our kind go to heaven" idea wins the war. It is something we will have to outgrow after a collective recognition that this is not the way.
”
”
Brittney Hartley (No Nonsense Spirituality: All the Tools No Belief Required)
β€œ
The past is a foreign country. They do things differently there.
”
”
L.P. Hartley
β€œ
interplay that is humanity.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
it is always about a feeling and not facts.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
charismatic.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
I also started to look for a good definition of the word charismatic.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
If you can't wake up and be grateful for all the beauty that still surrounds you, you will always find yourself trapped in the ugly that simmers in your own mind.
”
”
Irene Hartley (Son of Time: Alexander's Story (Enlightened Worlds Book 1))
β€œ
any sufficiently advanced technology is indistinguishable from magic.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
more technique than magic.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
shrouded in mystery.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
discernable
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
The five steps are: 1.​Demonstrate value. 2.​Recognize opportunity. 3.​Grant an audience. 4.​Create belonging. 5.​Differentiate your target.
”
”
Gregory Hartley (How to Charm People and get them do what you want)
β€œ
The past is a foreign country: they do things differently there.
”
”
L.P. Hartley
β€œ
If only she could fart on command and leave him stewing in silent fumes.
”
”
Madison Score (Bride or Die (Claire Hartley Accidental Mystery Book 1))
β€œ
Emerson was the only woman I wanted, and the one I absolutely could not have.
”
”
Jenna Hartley (Reputation (Tempt))
β€œ
I fell in love with your mind, before I even thought about falling in love with your body.
”
”
Sofie Hartley (Finding Me (Bad Boy, #2))
β€œ
FOR THE BROTHERS GRIMM, FOR ALLOWING YOUNG GIRLS TO BELIEVE THEY NEED TO BE RESCUED. CINDERELLA CAN KISS MY ASS. FAIRY TALES ARE FOR MORONS.
”
”
Sofie Hartley (Once upon a Time (A Broken Fairy Tale, #1))
β€œ
Avoid gossip; in a woman it is detestable, but in a man it is utterly despicable.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in all his Relations Towards Society)
β€œ
El pasado es un paΓ­s extraΓ±o; allΓ­ hacen las cosas de manera muy diferente a como las hacemos aquΓ­
”
”
L.P. Hartley
β€œ
A liberal education is not so much about learning to do a job as it is about learning to learn, and to love learning.
”
”
Scott Hartley (The Fuzzy and the Techie: Why the Liberal Arts Will Rule the Digital World)
β€œ
Die Vergangenheit ist ein fremdes Land; dort gelten andere Regeln.
”
”
L.P. Hartley
β€œ
It is an absurdity for a man who writes a challenge, or an offensive letter, to another, to subscribe himself, β€œYour obedient Servant.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness)
β€œ
When multi-national corporations are given the same powers as feudal states or nations: expect wars.
”
”
Norman Hartley (The Viking Process)
β€œ
I've no need of reasons. The doing's enough.' Well said for once, the girl thought. The doing was everything.
”
”
David Hewson (Macbeth)
β€œ
We spent today sending men to hell. What's more natural than to pass the night dreaming of procreating a few more to take their place?
”
”
David Hewson (Macbeth)
β€œ
After which, he visited the wife of that fool Wallace and spent midnight till dawn bouncing her from one end of the mattress to the other.
”
”
David Hewson
β€œ
A nation's not a child, for God's sake. ... It's like a wild horse you tame by breaking it. Or a fiery woman you slap till she sees sense and warms your bed.
”
”
David Hewson (Macbeth)
β€œ
He wasn’t my Prince Charming or my knight in shining armor. Instead, all I got was an asshole covered in aluminum foil,
”
”
Sofie Hartley (Once upon a Time (A Broken Fairy Tale, #1))
β€œ
She was very much familiar with the Confucian saying that you have to dig two graves once you decide to seek vengeance.
”
”
J.D. Stonebridge (The Enlightened (Charlie Hartley Series, #2))
β€œ
As we scream into each other’s mouths, my body succumbs. There’s no turning back. This is the moment when we both breakβ€”beautifully, purposefully.
”
”
Alessa Kelly (Hold Me Forever (Hartley Brothers #1))
β€œ
Indeed, the life of facts proved no bad substitute for the facts of life.
”
”
L.P. Hartley (The Go-Between)
β€œ
She does not care what you think. She only cares what you think as far it helps her get what she wants from you
”
”
Gregory Hartley
β€œ
Knowledge may be power, but it is not resilience, or resourcefulness, or adaptability to life, still less is it instinctive sympathy with human nature;
”
”
L.P. Hartley (The Go-Between)
β€œ
She ends her observation with the statement β€œI can do it all, but all of it is not mine to do.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
But, hey, remember: If things don't work out in your life, you can always just turn to drugs or join the Army.
”
”
Jason Christopher Hartley
β€œ
My heart is full and my weapon is clean.
”
”
Jason Christopher Hartley (Just Another Soldier: A Year on the Ground in Iraq)
β€œ
Nature meant his face to be expressive but he did not; for an expression is a give-away and he did not want to give anything away.
”
”
L.P. Hartley (The Hireling)
β€œ
Recognition of his own value, by himself and others, was of paramount importance to the car-hire driver.
”
”
L.P. Hartley (The Hireling)
β€œ
Women are still spending double the time men do on both domestic labor and caring for children.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
I disliked the levelling aspect of this sinnerdom, it was like a cricket match played in the drizzle, where everyone had an excuse - and what a dull excuse! - for playing badly. Life was meant to test a man, bring out his courage, initiative, resource; and I longed, I thought, to be tested: I did not want to fall on my knees and call myself a miserable sinner.
”
”
L.P. Hartley (The Go-Between)
β€œ
One of the first rules for a guide in polite conversation, is to avoid political or religious discussions in general society. Such discussions lead almost invariably to irritating differences of opinion, often to open quarrels, and a coolness of feeling which might have been avoided by dropping the distasteful subject as soon as marked differences of opinion arose.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness)
β€œ
I can't keep protecting someone who doesn't want to be protected. I can't keep doing this, Neva. You need to learn how to protect yourself, I just can't do it. You're breaking every single piece of me. You need to find the girl inside you who isn't afraid, who isn't guilty, and who isn't racked with demons. You need to let go of the past, before you stay stuck in it forever.
”
”
Sofie Hartley (Finding Me (Bad Boy, #2))
β€œ
Thirty-six House incumbents with ratings from the AFL-CIO’s Committee on Political Education of seventy-five or higher were defeatedβ€”especially traumatic since Republicans had filibustered labor’s fondest legislative wish: a repeal of the right-to-work provision of the 1947 Taft-Hartley Act. Union members voted for politicians who weakened their unions because the Democrats supported civil rights.
”
”
Rick Perlstein (Nixonland: America's Second Civil War and the Divisive Legacy of Richard Nixon 1965-72)
β€œ
In general, we gender emotions in our society by continuing to reinforce the false idea that women are always, naturally and biologically able to feel, express, and manage our emotions better than men,
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
It takes a certain skill set to be partnered. You have the biological knowledge of the machine. What are the parts, where are they located, how do they work, what do they do? Then there is your intellectual understanding about sex, in history, what you believe about sex, what you were taught about sex. Then there's you intrapersonal skill, your relationship with yourself. Then there are interpersonal skills.
”
”
Nina Hartley
β€œ
The song β€œEnd Game” came on, and as I listened to the lyrics, I realized that I wanted to be Emerson’s end game. Because she was certainly mine. I loved her. I had for a while now. I just had been too scared to admit it.
”
”
Jenna Hartley (Reputation (Tempt))
β€œ
His habitual mood was one of fearful joy contending with a ragged cloud of nervous apprehensions, and accompanying this was a train of extremely intense sensations proceeding from well-known sounds and sights and smells.
”
”
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β€œ
Believing himself to be unseen by other bathers, he gave himself up to being alone with his body. He wriggled his toes, breathed hard through his nose, twisted his brown moustache where some drops of water still clung, and looked himself critically all over. The scrutiny seemed to satisfy him, as well as it might. I, whose only acquaintance was with bodies and minds developing, was suddenly confronted by maturity in its most undeniable form; and I wondered, what must it feel like to be him, master of those limbs which have passed beyond the need of gym and playing field, and exist for their own beauty and strength? What can they do, I thought, to be conscious of themselves?
”
”
L.P. Hartley (The Go-Between)
β€œ
The ring on your finger is mine.” He brought the back of it to his mouth for a kiss. Then he turned my hand and slid it down my stomach, down farther until I was cupping myself with his hand resting over mine. β€œThis pussy should be mine too.
”
”
Jenna Hartley (Reputation (Tempt))
β€œ
So?" Mac says. I shrug. "Oh, come on! Don't tell me you didn't feel something? That you didn't enjoy it?" "It was nice, I guess." "You guess?" Mac laughs and swipes his hair from his brow. "Tough crowd." "Yeah, well, I guess you are an acquired taste.
”
”
Ashley Mansour (Blood, Ink & Fire)
β€œ
Her face was wet with tears. A foreigner in the world of the emotions, ignorant of their language but compelled to listen to it, I turned into the street. With every step I marvelled more at the extent of Marian's self-deception. Why then was I moved by what she had said? Why did I half wish that I could see it all as she did? And why should I go on this preposterous errand? I hadn't promised to and I wasn't a child, to be ordered about. My car was standing by the public call-box; nothing easier than to ring up Ted's grandson and make my excuses. . . . But I didn't, and hardly had I turned in at the lodge gates, wondering how I should say what I had come to say, when the south-west prospect of the Hall, long hidden from my memory, sprang into view.
”
”
L.P. Hartley (The Go-Between)
β€œ
Even when my days appeared uneventful, I was in my head all the time but rarely thinking about myself in that bigger, deeper way that used to make my life feel meaningful. What consumed most of my mental effort had minimal emotional rewards. It simply left me feeling drained. I finally understood why so many women said they lost themselves after becoming mothers. I no longer had the mental and emotional capacity to tend to my interior life, my creative life, my meaning-driven life. At the end of the day, I had nothing left in my mind to give.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
My father was, I suppose, a crank. He had a fine, precise mind which ignored what it was not interested in. Without being a misanthrope he was unsociable and non-conforming. He had his own unorthodox theories of education, one of which was that I should not be sent to school.
”
”
L.P. Hartley (The Go-Between)
β€œ
I did not know it by the name of passion. I did not understand the nature of the bond that drew the two together; but I understood its workings very well. I knew what they would give for it and give up for it; I knew how far they would go β€” I knew there were no lengths they would not go to. I realized they got something out of it I could not get: I did not realize that I was jealous of it, jealous of whatever it was they gave each other, and did not give me. But though experience could not tell me what it was, my instincts were beginning to have a clue.
”
”
L.P. Hartley (The Go-Between)
β€œ
TRUE Hebrew Israelites DO NOT hate white people. TRUE Hebrew Israelites DO NOT have more than one wife. TRUE Hebrew Israelites DO NOT smoke marijuana or do any other types of drugs TRUE Hebrew Israelites DO NOT have to stand on corners Intimidating people into believing the way.
”
”
Alex Hartley Jr.
β€œ
For the first time in his life he was unable to think of himself as existing the next day. There would be a Eustace, he supposed, but it would be someone else, someone to whom things happened that he, the Eustace of to-night, knew nothing about. Already he he felt he had taken leave of the present. For a while he thought it strange that they should all talk to him about ordinary things in ordinary voices; and once when Minney referred to a new pair of sand-shoes he was to have next week he felt a shock of unreality, as though she had suggested taking a train that had long since gone.
”
”
L.P. Hartley (The Shrimp and the Anemone)
β€œ
Their conversations usually followed the same pattern: beginning with Lady Franklin and her obsession, they ended with Leadbitter and his fictitious home-life. Ask me no questions and I'll tell you no lies; but Lady Franklin asked a great many questions and Leadbitter told her a great many lies.
”
”
L.P. Hartley (The Hireling)
β€œ
The man who takes up nothing but a newspaper, but reads it to think, to deduct conclusions from its premises, and form a judgment on its opinions, is more fitted for society than he, who having all the current literature and devoting his whole time to its perusal, swallows it all without digestion.
”
”
Cecil B. Hartley (The Gentlemen's Book of Etiquette, and Manual of Politeness)
β€œ
...for the first time I couldn't feel really interested in my mother's letter. The small concerns of home, instead of coming close to me and enveloping me as I read about them, remained small and far away; they were like magic lantern slides without a lantern to bring them back to life. I didn't belong there, I felt; my place was here; here I was a planet, albeit a small one, and carried messages for other planets. And my mother's harping on the heat seemed irrelevant and almost irritating; she ought to know, I felt, that I was enjoying it, that I was invulnerable to it, invulnerable to everything...
”
”
L.P. Hartley (The Go-Between)
β€œ
Almost any student of history is familiar with the truth summed up in the opening line of L. P. Hartley’s novel The Go-Between: β€˜The past is a foreign country; they do things differently there.’ It requires a level of naivety to imagine that a piece from a magazine published in 1916 would meet the precise social criteria of 2018. In 1916 women in Britain and America did not have the right to vote, you could still be sentenced to hard labour in prison for being gay, and an entire generation of young men were being gassed, blown-up, shot at and shelled in the fields of Flanders and France. Things were different then.
”
”
Douglas Murray (The Madness of Crowds: Gender, Race and Identity)
β€œ
There is no branch of education called so universally into requisition as the art of letter writing; no station, high or low, where the necessity for correspondence is not felt; no person, young or old, who does not, at some time, write, cause to be written, and receive letters. From the President in his official capacity, with the busy pens of secretaries constantly employed in this branch of service, to the Irish laborer who, unable to guide a pen, writes, also by proxy, to his kinsfolks across the wide ocean; all, at some time, feel the desire to transmit some message, word of love, business, or sometimes enmity, by letter.
”
”
Florence Hartley (The Ladies' Book of Etiquette, and Manual of Politeness A Complete Hand Book for the Use of the Lady in Polite Society)
β€œ
We cannot pick and choose whom among the oppressed it is convenient to support. We must stand with all the oppressed or none of the oppressed. This is a global fight for life against corporate tyranny. We will win only when we see the struggle of working people in Greece, Spain, and Egypt as our own struggle. This will mean a huge reordering of our world, one that turns away from the primacy of profit to full employment and unionized workplaces, inexpensive and modernized mass transit, especially in impoverished communities, universal single-payer health care and a banning of for-profit health care corporations. The minimum wage must be at least $15 an hour and a weekly income of $500 provided to the unemployed, the disabled, stay-at-home parents, the elderly, and those unable to work. Anti-union laws, like the Taft-Hartley Act, and trade agreements such as NAFTA, will be abolished. All Americans will be granted a pension in old age. A parent will receive two years of paid maternity leave, as well as shorter work weeks with no loss in pay and benefits. The Patriot Act and Section 1021 of the National Defense Authorization Act, which permits the military to be used to crush domestic unrest, as well as government spying on citizens, will end. Mass incarceration will be dismantled. Global warming will become a national and global emergency. We will divert our energy and resources to saving the planet through public investment in renewable energy and end our reliance on fossil fuels. Public utilities, including the railroads, energy companies, the arms industry, and banks, will be nationalized. Government funding for the arts, education, and public broadcasting will create places where creativity, self-expression, and voices of dissent can be heard and seen. We will terminate our nuclear weapons programs and build a nuclear-free world. We will demilitarize our police, meaning that police will no longer carry weapons when they patrol our streets but instead, as in Great Britain, rely on specialized armed units that have to be authorized case by case to use lethal force. There will be training and rehabilitation programs for the poor and those in our prisons, along with the abolition of the death penalty. We will grant full citizenship to undocumented workers. There will be a moratorium on foreclosures and bank repossessions. Education will be free from day care to university. All student debt will be forgiven. Mental health care, especially for those now caged in our prisons, will be available. Our empire will be dismantled. Our soldiers and marines will come home.
”
”
Chris Hedges (America: The Farewell Tour)
β€œ
Tiffany Dufu writes in Drop the Ball, β€œUntil the contributions that women make at work are seen as just as valuable as the contributions women make at home, the contributions that men make at home will never be considered as valuable as the contributions men make at work. Just as women need affirmation on both fronts, so do men.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
I believed, like the child I once was, fairy tales were more than just stories that our parents read to us every night before bed. I believed that I would one day grow into a princess and Prince Charming would rescue me on his white horse and whisk me away into the distance. ... And they lived happily ever after. What a crock of shit.
”
”
Sofie Hartley (Once upon a Time (A Broken Fairy Tale, #1))
β€œ
She shook her head impatiently; the idea of being in competition with other unhappy people was distasteful to her. It was an argument that her friends sometimes used, very delicately of courseβ€”that other people had more reason for grief than she had. As if grief could be measured by its causes, and not by the victim's capacity for suffering!
”
”
L.P. Hartley (The Hireling)
β€œ
Suddenly I caught sight of myself in a glass and saw what a figure of fun I looked. Hitherto I had always taken my appearance for granted; now I saw how inelegant it was, compared with theirs; and at the same time, for the first time, I was acutely aware of social inferiority. I felt utterly out of place among these smart rich people, and a misfit everywhere.
”
”
L.P. Hartley (The Go-Between)
β€œ
Elhers Danlos Syndrome. I had never heard of it and didn’t know whether to be delighted to finally know what we were dealing with or devastated to read about the condition. It is essentially a connective tissue disorder characterised by joint hypermobility and there is no cure, but his symptoms can be managed. It can be hereditary or can appear for the first time.
”
”
Josiah Hartley (The Boy Between: A Mother and Son's Journey From a World Gone Grey)
β€œ
Perhaps because same-sex or gender-nonconforming partners have already confronted so many gender norms by virtue of their existence, rethinking their roles at home is simply not that big a deal. They don’t subscribe to the gender roles dictating that one person should take on all the emotional labor, so they can challenge the imbalance without challenging their very identity.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
We are told frequently that women are more intuitive, more empathetic, more innately willing and able to offer succor and advice,” Zimmerman writes. β€œHow convenient that this cultural construct gives men an excuse to be emotionally lazy. How convenient that it casts feelings-based work as β€˜an internal need, an aspiration, supposedly coming from the depths of our female character.’”9
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
When I talk to Future Therapists of America, I tell them that what often drives people into treatment is the constant tension between what the organism naturally wants for pleasure and what they've been taught to think about those desires... They just feel guilty about what they think. And this is why I'm so careful about not misusing sexuality. Because I know how to manipulate a body and have infinite patience until it has a good time... If I were an evil person, I would find vulnerable people who are desperate for that kind of experience and give it to them. That would form an intense attachment. I would come across like a savior. And then I could mess with them...So I don't doubt for a moment that her abuser was able to get her body to respond even though she didn't want to be there.
”
”
Nina Hartley
β€œ
I think most people are wired to be monogamous for short periods at a time. The partner who is right for me at age twenty is not the partner who is necessarily right for me at age thirty, and so on. I think from my experiences, that about 20 percent of people are truly monogamous. By that I mean, when they're in love, they truly don't want or need anybody else. For them, monogamy is not a strain at all. Twenty percent of people are polyamorous or swinger types. They'll never be monogamous and don't want to be. The remain 60% of the population are stuck somewhere on a spectrum between happy monogamy and nonhappy monogamy. Some of because thats the vow they took and they're basically okay with it, and they don't want to be liars or cheaters. Some are actively angry about it and pick fights. Some are unhappy with it and, while they don't cheat, they do withdraw emotionally from their partners, giving themselves the worst of both worlds. Some are actively cheating but won't leave the marriage. Some people would be happy at home if they could get a little "strange" a few times a year and not have it be a big deal. They don't want o lose all they've built with their mates but just want a taste of something different.
”
”
Nina Hartley
β€œ
In life, tragedy and loss happen every single day and nobody is immune. There are only two certainties in this world. You are born into this life and you will also be taken from it too. Some will be taken without warning and some will be taken slowly. It is the cruelest of certainties and also the most powerful. You will grieve for the loss but you will also become a stronger person for the gift of love and memories that you received
”
”
Sofie Hartley (Finding You (Finding, #1))
β€œ
When I was a stripper I realized that men and women are equally fucked over about sex but in such different areas, we're blind to the other's pain. So for certain kinds of guys, women are heartless bitches and cock teases and will bleed you dry before giving you a kiss. And for some women, men are asshole jerks who only want one thing. They'll love you and leave you. I don't see it that way. It's the culture keeping them equally ignorant and feeding them nonsense. And then saying, go of and get married!
”
”
Nina Hartley
β€œ
The men who pay for sex feel entitled to women’s time and emotional labor, to such an extent that it doesn’t occur to them that they’ve paid for what amounts to a therapy session with a side of blow job. Much of the work, as Petro describes it, is sympathetically listening to men bitch about their ex-girlfriends. β€œI love to dance, and that part was enjoyable. The physical work of prostitution wasn’t particularly different than nonpaid sexual encounters. It was the emotional labor that was really taxing.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
Hochschild used the term emotional labor to designate the management of feeling to create a publicly observable facial and bodily display that has exchange value and is sold as a commodity, while she used the terms emotion work and emotion management to refer to emotional labor done in a private setting.7 Her study focused on the deep acting and surface acting required of flight attendants to not simply appear warm and friendly on the job but become warm and friendly in order to better manage the emotions and expectations of customers in flight.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
A modern woman sees a piece of linen, but the mediaeval woman saw through it to the flax fields, she smelt the reek of the retting ponds, she felt the hard rasp of the hackling, and she saw the soft sheen of the glossy flax. Man did not see 'just leather', he saw the beast - perhaps one of his own - and knew the effort of slaughtering, liming and curing. Communities were smaller and whether our man lived on the outskirts of some feudal system, had escaped from it, or was entirely isolated, he would work alone, or daily with the same fellow-workers - conversation would soon languish. But THINK he must.
”
”
Dorothy Hartley (Land of England: English Country Customs Through the Ages)
β€œ
symptom of larger cultural inequality. β€œAn equalitarian couple in a society that as a whole subordinates women cannot, at the basic level of emotional exchanges, be equal. For example, a woman lawyer who earns as much money and respect as her husband, and whose husband accepts these facts about her, may still find that she owes him gratitude for his liberal views and his equal participation in housework. Her claims are seen as unusually high, his as unusually low. The larger market in alternate partners offers him free household labor, which it does not offer her. In light of the larger social context, she is lucky to have him. And it is usually more her burden to manage indignation at having to feel grateful.”3 We’re lucky to get help at all. Men are entitled to it.
”
”
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β€œ
Roderick Sutton, Earl of Westerham, owner of Farleigh Place, a stately home in Kent Lady Esme Sutton, Roderick’s wife Lady Olivia β€œLivvy” Sutton, twenty-six, the Suttons’ eldest daughter, married to Viscount Carrington, mother of Charles Lady Margaret β€œMargot” Sutton, twenty-three, the second daughter, now living in Paris Lady Pamela β€œPamma” Sutton, twenty-one, the third daughter, currently working for a β€œgovernment department” Lady Diana β€œDido” Sutton, nineteen, the fourth daughter, a frustrated debutante Lady Phoebe β€œFeebs” Sutton, twelve, the fifth daughter, too smart and observant for her own good Servants at Farleigh (a skeleton staff) Soames, butler Mrs. Mortlock, cook Elsie, parlourmaid Jennie, housemaid Ruby, scullery maid Philpott, Lady Esme’s maid Nanny Miss Gumble, governess to Lady Phoebe Mr. Robbins, gamekeeper Mrs. Robbins, gamekeeper’s wife Alfie, a Cockney boy, now evacuated to the country Jackson, groom Farleigh Neighbours Rev.Β Cresswell, vicar of All Saints Church Ben Cresswell, the vicar’s son, now working for a β€œgovernment department” At Nethercote Sir William Prescott, city financier Lady Prescott, Sir William’s wife Jeremy Prescott, Sir William and Lady Prescott’s son, RAF flying ace At Simla Colonel Huntley, formerly of the British Army Mrs.Β Huntley, the colonel’s wife Miss Hamilton, spinster Dr. Sinclair, doctor Sundry villagers, including an artist couple, a builder, and a questionable Austrian Officers of the Royal West Kent Regiment Colonel Pritchard, commanding officer Captain Hartley, adjutant Soldiers under command At Dolphin Square Maxwell Knight, spymaster Joan Miller, Knight’s secretary At Bletchley Park Commander Travis, deputy
”
”
Rhys Bowen (In Farleigh Field)
β€œ
In 2014, the American media exploded with news of ISIS beheadings in Syriaβ€”six thousand miles away from the United States. Meanwhile, the beheading capital of the world is just to our south, a stone’s throw from American homes, businesses, and ranches. When the Islamic State of Iraq and Syria first began posting videotaped beheadings online, it was as if no one had ever heard of such barbarity. In fact, decapitation porn was an innovation of the Mexican drug cartels.45 One β€œISIS” video circulating in 2014 showed a man being beheaded with a chain saw. Then it turned out the video wasn’t an ISIS beheading, at all: It was a Mexican video from 2010.46 After American David Hartley was shot and killed by Mexican drug cartel members while jet skiing with his wife at a lake on the Mexican border, the lead investigator on the case was murdered and his head delivered in a suitcase to a nearby military installation.47 In 2013, there was a huge outcry over Facebook’s video-sharing policy when an extremely graphic video of a man beheading a woman appeared on the site. That, too, was a product of Mexico.48 Where is the 24-7 coverage for these champion beheaders? If it seems like you never hear about all the dismemberments in Mexico, you’d be right. In a search of all transcripts in the Nexis archive in the first eight months of ISIS’s existence as a jihadist group, β€œbeheading” was used in the same sentence as β€œISIS” or β€œISIL” 1,629 times. During that same time period, it was used in the same sentence as β€œMexico” or β€œMexican” twice. Indeed, in the previous five years Mexican beheadings were mentioned only sixty-six times.49 If a tree falls and beheads a woman in Mexico, does anyone hear it?
”
”
Ann Coulter (Β‘Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
β€œ
And the heat was a medium which made this change of out-look possible. As a liberating power with its own laws it was outside my experience. In the heat, the commonest objects changed their nature. Walls, trees, the very ground one trod on, instead of being cool were warm to the touch: and the sense of touch is the most transfiguring of all the senses. Many things to eat and drink, which one had enjoyed because they were hot, one now shunned for the same reason. Unless restrained by ice, the butter melted. Besides altering or intensifying all smells the heat had a smell of its own - a garden smell, I called it to myself, compounded of the scents of many flowers, and odours loosened from the earth, but with something peculiar to itself which defied analysis. Sounds were fewer and seemed to come from far away, as if Nature grudged the effort. In the heat the senses, the mind, the heart, the body, all told a different tale. One felt another person, one was another person.
”
”
L.P. Hartley (The Go-Between)