β
The past is a foreign country; they do things differently there.
β
β
L.P. Hartley (The Go-Between)
β
To force a female to do things in male fashion is not equal opportunity, it is distorted idealism.
β
β
Gregory Hartley (I Can Read You Like A Book: How to Spot the Messages and Emotions People Are Really Sending With Their Body Language)
β
Caw! Caw, Hartley, caw!"
Chase narrowed his eyes again.
"Sam?"
I nodded. Then crossed to the window again and called down to Sam. "You can quit squawking. He caught me.
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
It's better to write about things you feel than about things you know about.
β
β
L.P. Hartley
β
To see things as they really were--what an empoverishment!
β
β
L.P. Hartley (The Go-Between)
β
Chase leaned in close. "hey" What?
Are you wearing perfume? No... why would I be wearing perfume?... You sure you're not wearing anything? It smells like jasmine. Must be the bushes
β
β
Gemma Halliday (Social Suicide (Deadly Cool, #2))
β
That craptastical, gutless, son-of-a-cactus humping butt monkey" - Hartley Featherston
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
You insisted on thinking of them as angels, even if they were fallen angels.
β
β
L.P. Hartley (The Go-Between)
β
Grown-ups didn't seem to realize that for me, as for most other schoolboys, it was easier to keep silent than to speak. I was a natural oyster.
β
β
L.P. Hartley (The Go-Between)
β
The only sheets I'll ever long for are my own.
β
β
David Hewson (Macbeth)
β
What must be done must be done, whatever the price, the cost, the pain. One day we all must walk through fire.
β
β
David Hewson (Macbeth)
β
You have ripped my fucking heart out, Neva and what's worse is that I love you far too fucking much to hate you for it.
β
β
Sofie Hartley (Finding You (Finding, #1))
β
Holy effing crap, that sucks!"
I turned to her. "Effing?"
Sam shrugged. "What?"
"We're censoring now?"
"Kyle says I have a mouth like a trucker.
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
You flew too near the sun and you were scorched.
β
β
L.P. Hartley (The Go-Between)
β
Life isnβt about waiting for the storm to pass, itβs learning to dance in the rain.
β
β
Sofie Hartley (Finding You (Finding, #1))
β
When you understand the mechanincs of stress and master the techniques to manipulate someone's fears and dreams, you will be powerful.
β
β
Gregory Hartley
β
El pasado es un paΓs extranjero: allΓ las cosas se hacen de manera distinta.
β
β
L.P. Hartley (The Go-Between)
β
Iβve never fully trusted people who donβt like dogs. They rarely turn out well.
β
β
A.J. Hartley (Hamlet, Prince of Denmark)
β
Juliet and Hartley had long ago abandoned manners with each other. It was refreshing to behave without respect towards someone.
β
β
Kate Atkinson (Transcription)
β
Yes, the past is a foreign country," I said, "but some of us are full-fledged citizens, others occasional tourists, and some floating itinerants, itching to get out yet always aching to return."
"There's a life that takes place in ordinary time," I said, "and another that bursts in but just as suddenly fizzles out. And then there's the life we may never reach but that could so easily be ours if only we knew how to find it. It doesn't necessarily happen on our planet, but is just as real as the one we live byβcall it our 'star life.' Nietzsche wrote that estranged friends may become declared enemies but in some mysterious way continue to remain friends, though on a totally different sphere. He called these 'star friendships.
β
β
AndrΓ© Aciman (Enigma Variations)
β
Not Adam and Eve, after eating the apple, could have been more upset than I was.
β
β
L.P. Hartley (The Go-Between)
β
You know my biggest fear is this: That all my hard work. All my good intentions. All my studying. Have been nothing more than a building of a wall between me and life.
β
β
Hal Hartley
β
Which leads me to ask...what exactly are you going to do when we get there?"
I thought about it. "Rip Josh's nuggets off and feed them to his hamster?
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
If my twelve-year-old self, of whom I had grown rather fond, thinking about him, were to reproach me: 'Why have you grown up such a dull dog, when I gave you such a good start? Why have you spent your time in dusty libraries, catologuing other people's books instead of writing your own? What had become of the Ram, the Bull and the Lion, the example I gave you to emulate? Where above all is the Virgin, with her shining face and curling tresses, whom I entrusted to you'- what should I say?
I should have an answer ready. 'Well, it was you who let me down, and I will tell you how. You flew too near to the sun, and you were scorched. This cindery creature is what you made me.'
To which he might reply: 'But you have had half a century to get over it! Half a century, half the twentieth century, that glorious epoch, that golden age that I bequeathed to you!'
'Has the twentieth century,' I should ask, 'done so much better than I have? When you leave this room, which I admit is dull and cheerless, and take the last bus to your home in the past, if you haven't missed it - ask yourself whether you found everything so radiant as you imagined it. Ask yourself whether it has fulfilled your hopes. You were vanquished, Colston, you were vanquished, and so was your century, your precious century that you hoped so much of.
β
β
L.P. Hartley (The Go-Between)
β
Well, if youβre a native Chicagoan, you know how dumb he [Dr. Robert Hartley] is. He gets on the Ravenswood El, he goes past his stop on Sheridan Road, he gets off in Evanston, where the El is on the ground, and then he walks back 55 blocks to his apartment. Now, would you want to have that man as a psychologist? A man who misses his stop every day?
β
β
Bob Newhart
β
Try now, try now, it isn't too late'
...
Excitement, like hysteria, bubbled up in me from a hundred unsealed springs. If it isn't too late, I thought confusedly, neither it is too early: I haven't much time left to spoil. It was the last flicker of instinct of self-preservation which had failed me so signally at Brandham Hall.
β
β
L.P. Hartley (The Go-Between)
β
You speak as if this is a good world with a little evil in it. Rubbish. It's a hellish one where the best a man can do is put a little sanity back and look after his own.
β
β
David Hewson (Macbeth)
β
It's a long ride home with nothing but me for company. I bore myself sometimes. Not often. Just now and again.
β
β
David Hewson (Macbeth)
β
Hartley, I'm sure he couldn't stop looking at you either. You're yummy.
He snorted. You've got it bad Callahan
β
β
Sarina Bowen (The Year We Fell Down (The Ivy Years, #1))
β
I donβt know why I latched onto the idea of being friends, but it sits right with my gut. I want Hartley in my life and if being friends is the way that happens, then friendship is what weβll have.
Itβs different, but maybe thatβs not a bad thing.
β
β
Erin Watt (Fallen Heir (The Royals, #4))
β
If you really were my girlfriend, Hartley,β he whispers, his breath sending electric currents over my skin, βthereβs no limit to what I would spend on you, so if we want to sell this? Let me.
β
β
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β
There's no such thing as adventure. There's no such thing as romance. There's only trouble and desire.
β
β
Hal Hartley
β
If everything I possessed, vanished, suddenly,
I'd be sorry.
But I value things unpossessed.
The wind, and trees, and sky and kind thoughts, much more.
β
β
Dorothy Hartley
β
My mom once said, we hurt the people we love the most, but the ability for them to love you despite the hurt is special and the most beautiful gift, itβs the gift of forgiveness
β
β
Sofie Hartley (Finding You (Finding, #1))
β
We throw ourselves into the journey and when it's done, even while having learned that all experience involves the loss of something beloved, what is ledt in the residue of memory is love.
β
β
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β
I had never met a lord before, nor had I ever expected to meet one. It didn't matter what he looked like: he was a lord first, and a human being, with a face and limbs and body, long, long after.
β
β
L.P. Hartley (The Go-Between)
β
Is love a fancy, or a feeling? No.
It is immortal as immaculate Truth,
'Tis not a blossom shed as soon as youth,
Drops from the stem of life--for it will grow,
In barren regions, where no waters flow,
Nor rays of promise cheats the pensive gloom.
A darkling fire, faint hovering o'er a tomb,
That but itself and darkness nought doth show,
It is my love's being yet it cannot die,
Nor will it change, though all be changed beside;
Though fairest beauty be no longer fair,
Though vows be false, and faith itself deny,
Though sharp enjoyment be a suicide,
And hope a spectre in a ruin bare.
β
β
Hartley Coleridge
β
Itβs not fake anymore,β I whisper. βIs it?β Rory shakes his head. βNo, Hartley. It isnβt.β His gaze moves over my face like heβs trying to take in every detail about me, and he swallows like heβs nervous. βIt hasnβt been fake for me for a long time.
β
β
Stephanie Archer (The Fake Out (Vancouver Storm, #2))
β
To my mind's eye, my buried memories of Brandham Hall are like effects of chiaroscuro, patches of light and dark: it is only with effort that I see them in terms of colour. There are things I know, though I don't know how I know them, and things that I remember. Certain things are established in my mind as facts, but no picture attaches to them; on the other hand there are pictures unverified by any fact which recur obsessively, like the landscape of a dream.
β
β
L.P. Hartley (The Go-Between)
β
If the door of opportunity doesn't open, knock it the fuck down.
β
β
Sofie Hartley
β
He restated that all I ever needed to do was ask him for help, but therein lies the problem. I donβt want to micromanage housework. I want a partner with equal initiative.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
Priests might divide the world into good and bad. In battle there was strong and weak and nothing else.
β
β
A.J. Hartley (Macbeth)
β
And still you'll hesitate to tell him, won't you? Why? Because you're a woman? Is your destiny such a small thing then? To keep your legs open and your mouth shut?
β
β
David Hewson (Macbeth)
β
I accused Hartley of being a 'fantasist', or perhaps that was Titus's word, but what a 'fantasist' I have been myself. I was the dreamer, I the magician. How much, I see as I look back, I read into it all, reading my own dream text and not looking at the reality. Hartley had been right when she said of our love that it was not part of the real world. It had no place.
β
β
Iris Murdoch (The Sea, the Sea)
β
I had been conditioned my whole life to think one step ahead, to anticipate the needs of those around me and care about them deeply. Emotional labor was a skill set I had been trained in since childhood. My husband, on the other hand, hadnβt received that same education. He is a caring person, but he is not a skilled carer.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
The conversation of the gods! - I didn't resent or feel aggrieved because I couldn't understand it. I was the smallest of the planets, and if I carried messages between them and I couldn't always understand, that was in order too: they were something in a foreign language - star-talk.
β
β
L.P. Hartley (The Go-Between)
β
Well, they don't talk to me very much," I said. "You see, they're all grown up, and they have grown-up games like whist and lawn tennis, and talking, you know, just for the sake of talking" (this seemed a strange pursuit to me).
β
β
L.P. Hartley (The Go-Between)
β
I should not have cared to see it as an act of self-sacrifice even if it had been one; for there is nothing clever in self-sacrifice, nothing to pride oneself on.
β
β
L.P. Hartley (The Go-Between)
β
I was no longer satisfied with the small change of experience, which had hitherto contented me. I wanted to deal in larger sums.
β
β
L.P. Hartley (The Go-Between)
β
The future was to be a laborious business.
β
β
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β
Knowing is not enough.
β
β
Hal Hartley
β
...the antidote to death was and always would be the heat and fury of life itself.
β
β
David Hewson (Macbeth)
β
To bleed from many wounds may be more serious than to bleed from one, but the pain, being less localized, is also easier for the mind to bear.
β
β
L.P. Hartley (The Go-Between)
β
Shut the windows, draw the curtains, keep the rumour out!
β
β
L.P. Hartley (The Hireling)
β
Mr. Scott Fitzgerald deserves a good shaking. Here is an unmistakable talent unashamed of making itself a motley to the view. The Great Gatsby is an absurd story, whether considered as romance, melodrama, or plain record of New York high life.
β
β
L.P. Hartley
β
The stops point out, with truth, the time of pause
A sentence doth require at ev'ry clause.
t ev'ry comma, stop while one you count;
At semicolon, two is the amount;
A colon doth require the time of three;
The period four, as learned men agree.
β
β
Cecil B. Hartley (Gentlemen's Book of Etiquette: And Manual of Politeness. Being a Complete Guide for a Gentleman's Conduct in All His Relations Towards Society)
β
Now, now," said Vale in a sickeningly sweet voice reminiscent of a nursery nanny. "I already gave him a drubbing for courting Emmie."
Reynaud raised his eyebrows. "You did?"
"He did not," Hartley said even as Vale nodded happily. "I threw him down the stairs."
Vale pursed his lips and looked skyward. "Not my recollection, but I can see how your memory of the event may've become hazy.
β
β
Elizabeth Hoyt (To Desire a Devil (Legend of the Four Soldiers, #4))
β
No, I thought, growing more rebellious, life has its own laws and it is for me to defend myself against whatever comes along, without going snivelling to God about sin, my own or other people's. How would it profit a man if he got into a tight place, to call he people who put him there miserable sinners? Or himself a miserable sinner? I disliked the levelling aspect of this sinnerdom, it was like a cricket match played in a drizzle, where everybody had an excuse - and what a dull excuse! - for playing badly. Life was meant to test a man, bring out his courage, initiative, resource; and I longed, I thought, to be tested: I didn't want to fall on my knees and call myself a miserable sinner.
But the idea of goodness did attract me, for I did not regard it as the opposite of sin. I saw it as something bright and positive and sustaining, like the sunshine, something to be adored, but from afar.
β
β
L.P. Hartley (The Go-Between)
β
There are no secrets.' The thing smiled, showing a row of even, childlike teeth. 'None worth keeping. Only the ones you hide from yourself, which are the most damaging and hurtful of all. Truth is truth, and lie is lie. Tell yourself one's the other and all the world turns kilter.
β
β
David Hewson (Macbeth)
β
We accept life, breathe it in and celebrate it. But when death rocks our world, turning our happiness into hurt and grief, we fight it, unable to accept something that was engrained from the beginning. Itβs a fact of life that is cruel, but undoubtedly necessary. Death is one of lifeβs biggest weakness, it's the one thing that will break even the strongest of people.
β
β
Sofie Hartley (Finding Me (Bad Boy, #2))
β
The horse is by Nature a very lazy animal whose idea of heaven is an enormous field of lush grass in which he can graze undisturbed until his belly is full, and after a pleasant doze can start filling himself up all over again.
β
β
Elwyn Hartley Edwards
β
In life, tragedy and loss happen every single day and nobody is immune. There are only two certainties in this world. You are born into this life and you will also be taken from it too. Some will be taken without warning and some will be taken slowly. It is the cruelest of certainties and also the most powerful. You will grieve for the loss but you will also become a stronger person for the gift of love and memories that you received.
β
β
Sofie Hartley (Finding You (Finding, #1))
β
When sheβs scared and hurt, she lashes out. Someone less stubborn than me wouldβve left by now. But thatβs why sheβs aloneβbecause she doesnβt have anyone in her life willing to stick it out with her. I know what itβs like to be alone. I know what itβs like to want and not have. I donβt want Hartley to feel that way. Not anymore. Not while Iβm around.
β
β
Erin Watt (Fallen Heir (The Royals, #4))
β
Because Iβm a helpful, giving man, Iβm going to answer some questions for yβall before classes start so you can concentrate on your shit inside, instead of spending the class period making up your own stories. Yes, Hartley and I are together. Yes, my family is okay with that.β He taps Ella, who nods. βYes, Hartley still has amnesia and yes, I will beat the shit out of anyone who even makes her frown. If you make her cry, youβll have so many broken bones that itβll take an entire fleet of Chinese steel to put you back together.
β
β
Erin Watt (Cracked Kingdom (The Royals #5))
β
You're a kid,' said Alexandra. 'There is no just about it. Only adults say just a kid and what the heck do they know about anything? Have you looked at their world lately?
β
β
A.J. Hartley (Darwen Arkwright and the Peregrine Pact (Darwen Arkwright, #1))
β
She is not fair to outward view
As many maidens be;
Her loveliness I never knew
Until she smiled on me.
Oh! then I saw her eye was bright,
A well of love, a spring of light.
β
β
Hartley Coleridge
β
He was surrounded by tyrants who thought they had a right to order him about: it was a conspiracy. He could not call his soul his own.
β
β
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β
Emotional labor, as I define it, is emotion management and life management combined. It is the unpaid, invisible work we do to keep those around us comfortable and happy.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
Sign this... and I'll show you
β
β
A.J. Hartley (Chasing Shadows (Sekret Machines #1))
β
I became a kinesthetic person because I always overintellectualize. And feelings, for me, are a concept. Feelings? Ah yes, I've heard of those.
β
β
Nina Hartley
β
I have instant compassion for men as equal human beings. Equally beaten down by the patriarchy and equally lost and wandering. At least women get to hug each other.
β
β
Nina Hartley
β
One of the first rules for a guide in polite conversation, is to avoid political or religious discussions in general society.
β
β
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness)
β
One man can not wage a war alone. Therefore if humanity stops agreeing to go to war; there will be only peace.
β
β
Robert F. Hartley
β
You don't talk dirty to make him hot. You "talk dirty" to communicate what you need. And most guys, if you go, "Yeah, yeah, just like that, a little more to the left," they'll do it.
β
β
Nina Hartley
β
[On playing another character that was not Dr. Bob Hartley]: I think you're lucky when you realize what you are. Spencer Tracy always played Spencer Tracy. I'm not putting myself into that category, but, to the same extent, the part of me that was Bob Hartley is in my new character, Dick Loudin. If you make fine bone china and you're recognized as the best in the world, you don't suddenly announce you're going to make automobiles. We see it so much in this business. We're so self-destructive. If you really do something well, you should stick to it.
β
β
Bob Newhart
β
But I was not so much interested in facts themselves as in the importance they had for my imagination. I was passionately interested in railways, and in the relative speed of the fastest express trains; but I did not understand the principle of the steam engine and had no wish to learn.
β
β
L.P. Hartley (The Go-Between)
β
Why do you like Hugh better? Because he is a Viscount?'
'Well, that's one reason,' I admitted, without any false shame. Respect for degree was in my blood and I didn't think of it as snobbery.
β
β
L.P. Hartley (The Go-Between)
β
And everyone assured him that he would never be a man until he learned how to drive. Indeed, the future was already dull and menacing with the ambitions other people entertained on his behalf.
β
β
L.P. Hartley (Eustace and Hilda (Eustace and Hilda, #1-3))
β
While women have spent the past few decades being encouraged to reach for the masculine ideal of success, being told they can become anything their hearts desire in the professional realm, they have not been relieved of any of the emotional labor that waits for them when they return home.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
Even the most impassioned devotee of the ghost story would admit that the taste for it is slightly abnormal, a survival, perhaps, from adolescence, a disease of deficiency suffered by those whose lives and imaginations do not react satisfactorily to normal experience and require an extra thrill
β
β
L.P. Hartley
β
No little boy likes to be called a little man, but any little boy likes to be treated as a little man, and this is what Marian had done for me: at times, and when she had wanted to, she had endowed me with the importance of a grown-up; she had made me feel that she depended on me. She, more than anyone, had puffed me up.
β
β
L.P. Hartley (The Go-Between)
β
Sex is my practice. It's where I always strive to be my best self. I try to be as honest as possible, as present as possible, as centered as possible, as kind as possible, as generous as possible without being a doormat.
β
β
Nina Hartley
β
What did we talk about that has left me with an impression of wings and flashes, as of air displaced by the flight of a bird? Of swooping and soaring, of a faint iridescence subdued to the enfolding brightness of the day?
β
β
L.P. Hartley (The Go-Between)
β
The man who says that his mother was or is the best cook in the world can lay claim to little originality. Many men have said it, and for various reasons- not the least of which, the modern woman may contend, being to irritate their wives.
β
β
Lodwick Charles Hartley (Plum Tree Lane)
β
But what I heard was a low insistent murmur, with pauses for reply in which no reply was made. It had a hypnotic quality that I had never heard in any voice: a blend of urgency, cajolery, and extreme tenderness, and with below it the deep vibrato of a held-in laugh that might break out at any moment. It was the voice of someone wanting something very much and confident of getting it, but at the same time willing, no, constrained, to plead for it with all the force of his being.
β
β
L.P. Hartley (The Go-Between)
β
It is ill-bred to put on an air of weariness during a long speech from another person, and quite as rude to look at a watch, read a letter, flirt the leaves of a book, or in any other action show that you are tired of the speaker or his subject. In
β
β
Cecil B. Hartley (The Gentlemen's Book of Etiquette and Manual of Politeness Being a Complete Guide for a Gentleman's Conduct in all his Relations Towards Society)
β
Sometimes sexy women like to act stupid because it helps them get exactly what they want. Theresa Boudreaux was one of those types: a bodacious waffle-house waitress with a devilish streak. Unfortunately for a certain high-ranking elected leader, she had the wits to go to RadioShack and buy herself a nine-dollar phone-recording device. She then used it to tape her dirty phone calls with US Congressman Huey Hartley, a powerful, sanctimonious, married-for-thirty-years politician from the solidly red state of Mississippi.
β
β
Holly Peterson
β
Women are fed up because weβve realized we canβt clock out. Emotional labor is expected from us no matter where we turn. We are fed up with the ongoing demand to be the primary providers of emotional labor in all arenas of life because it is taxing, it is time consuming, and it is holding us back.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
Re-entry taught me a new sort of fear that was slow and dull rather than quick and thrilling...the hardest part of reentry to a humdrum life was not recovering from the bad stuff. It was missing the good times, the friendship, intensity, fear, sense of purpose, the sheer exotic escapism of it all.
β
β
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β
Lizzie and I arrived in the polluted heat of a London summer. We stood frozen at street corners as a blur of pedestrians burst out of the subways and spilled like ants down the pavements. The crowed bars, the expensive shops, the fashionable clothes - to me it all seemed a population rushing about to no avail...I stared at a huge poster of a woman in her underwear staring down at her own breasts. HELLO BOYS, she said. At the movies we witnessed sickening violence, except that this time we held tubs of popcorn between our legs and the gunfire and screams were broadcast in digital Dolby. We had escaped a skull on a battlefield, only to arrive in London, where office workers led lines of such tedium and plenty that they had to entertain themselves with all the f****** and killing on the big screen. So here then was the prosperous, democratic and civilized Western world. A place of washing machines, reality TV, Armani, frequent-flier miles, mortgages. And this is what the Africans are supposed to hope for, if they're lucky.
β
β
Aidan Hartley (The Zanzibar Chest: A Story of Life, Love, and Death in Foreign Lands)
β
Men often have a slower timeline or lower standard when it comes to domestic work, so women take it on themselves, choosing to delegate work only when itβs most desperately needed. This may be in part because women tend to associate a clean home with their personal success, whereas menβs success is tied strictly to their work outside the home.
β
β
Gemma Hartley (Fed Up: Emotional Labor, Women, and the Way Forward)
β
It takes a certain skill set to be partnered. You have the biological knowledge of the machine. What are the parts, where are they located, how do they work, what do they do? Then there is your intellectual understanding about sex, in history, what you believe about sex, what you were taught about sex. Then there's you intrapersonal skill, your relationship with yourself. Then there are interpersonal skills.
β
β
Nina Hartley
β
Believing himself to be unseen by other bathers, he gave himself up to being alone with his body. He wriggled his toes, breathed hard through his nose, twisted his brown moustache where some drops of water still clung, and looked himself critically all over. The scrutiny seemed to satisfy him, as well as it might. I, whose only acquaintance was with bodies and minds developing, was suddenly confronted by maturity in its most undeniable form; and I wondered, what must it feel like to be him, master of those limbs which have passed beyond the need of gym and playing field, and exist for their own beauty and strength? What can they do, I thought, to be conscious of themselves?
β
β
L.P. Hartley (The Go-Between)
β
Her face was wet with tears.
A foreigner in the world of the emotions, ignorant of their language but compelled to listen to it, I turned into the street. With every step I marvelled more at the extent of Marian's self-deception. Why then was I moved by what she had said? Why did I half wish that I could see it all as she did? And why should I go on this preposterous errand? I hadn't promised to and I wasn't a child, to be ordered about. My car was standing by the public call-box; nothing easier than to ring up Ted's grandson and make my excuses. . . .
But I didn't, and hardly had I turned in at the lodge gates, wondering how I should say what I had come to say, when the south-west prospect of the Hall, long hidden from my memory, sprang into view.
β
β
L.P. Hartley (The Go-Between)
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I did not know it by the name of passion. I did not understand the nature of the bond that drew the two together; but I understood its workings very well. I knew what they would give for it and give up for it; I knew how far they would go β I knew there were no lengths they would not go to. I realized they got something out of it I could not get: I did not realize that I was jealous of it, jealous of whatever it was they gave each other, and did not give me. But though experience could not tell me what it was, my instincts were beginning to have a clue.
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L.P. Hartley (The Go-Between)
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For the first time in his life he was unable to think of himself as existing the next day. There would be a Eustace, he supposed, but it would be someone else, someone to whom things happened that he, the Eustace of to-night, knew nothing about. Already he he felt he had taken leave of the present. For a while he thought it strange that they should all talk to him about ordinary things in ordinary voices; and once when Minney referred to a new pair of sand-shoes he was to have next week he felt a shock of unreality, as though she had suggested taking a train that had long since gone.
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L.P. Hartley (The Shrimp and the Anemone)
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...for the first time I couldn't feel really interested in my mother's letter. The small concerns of home, instead of coming close to me and enveloping me as I read about them, remained small and far away; they were like magic lantern slides without a lantern to bring them back to life. I didn't belong there, I felt; my place was here; here I was a planet, albeit a small one, and carried messages for other planets. And my mother's harping on the heat seemed irrelevant and almost irritating; she ought to know, I felt, that I was enjoying it, that I was invulnerable to it, invulnerable to everything...
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L.P. Hartley (The Go-Between)
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We cannot pick and choose whom among the oppressed it is convenient to support. We must stand with all the oppressed or none of the oppressed. This is a global fight for life against corporate tyranny. We will win only when we see the struggle of working people in Greece, Spain, and Egypt as our own struggle. This will mean a huge reordering of our world, one that turns away from the primacy of profit to full employment and unionized workplaces, inexpensive and modernized mass transit, especially in impoverished communities, universal single-payer health care and a banning of for-profit health care corporations. The minimum wage must be at least $15 an hour and a weekly income of $500 provided to the unemployed, the disabled, stay-at-home parents, the elderly, and those unable to work. Anti-union laws, like the Taft-Hartley Act, and trade agreements such as NAFTA, will be abolished. All Americans will be granted a pension in old age. A parent will receive two years of paid maternity leave, as well as shorter work weeks with no loss in pay and benefits. The Patriot Act and Section 1021 of the National Defense Authorization Act, which permits the military to be used to crush domestic unrest, as well as government spying on citizens, will end. Mass incarceration will be dismantled. Global warming will become a national and global emergency. We will divert our energy and resources to saving the planet through public investment in renewable energy and end our reliance on fossil fuels. Public utilities, including the railroads, energy companies, the arms industry, and banks, will be nationalized. Government funding for the arts, education, and public broadcasting will create places where creativity, self-expression, and voices of dissent can be heard and seen. We will terminate our nuclear weapons programs and build a nuclear-free world. We will demilitarize our police, meaning that police will no longer carry weapons when they patrol our streets but instead, as in Great Britain, rely on specialized armed units that have to be authorized case by case to use lethal force. There will be training and rehabilitation programs for the poor and those in our prisons, along with the abolition of the death penalty. We will grant full citizenship to undocumented workers. There will be a moratorium on foreclosures and bank repossessions. Education will be free from day care to university. All student debt will be forgiven. Mental health care, especially for those now caged in our prisons, will be available. Our empire will be dismantled. Our soldiers and marines will come home.
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Chris Hedges (America: The Farewell Tour)
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When I talk to Future Therapists of America, I tell them that what often drives people into treatment is the constant tension between what the organism naturally wants for pleasure and what they've been taught to think about those desires... They just feel guilty about what they think. And this is why I'm so careful about not misusing sexuality. Because I know how to manipulate a body and have infinite patience until it has a good time... If I were an evil person, I would find vulnerable people who are desperate for that kind of experience and give it to them. That would form an intense attachment. I would come across like a savior. And then I could mess with them...So I don't doubt for a moment that her abuser was able to get her body to respond even though she didn't want to be there.
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Nina Hartley
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I think most people are wired to be monogamous for short periods at a time. The partner who is right for me at age twenty is not the partner who is necessarily right for me at age thirty, and so on. I think from my experiences, that about 20 percent of people are truly monogamous. By that I mean, when they're in love, they truly don't want or need anybody else. For them, monogamy is not a strain at all. Twenty percent of people are polyamorous or swinger types. They'll never be monogamous and don't want to be. The remain 60% of the population are stuck somewhere on a spectrum between happy monogamy and nonhappy monogamy. Some of because thats the vow they took and they're basically okay with it, and they don't want to be liars or cheaters. Some are actively angry about it and pick fights. Some are unhappy with it and, while they don't cheat, they do withdraw emotionally from their partners, giving themselves the worst of both worlds. Some are actively cheating but won't leave the marriage. Some people would be happy at home if they could get a little "strange" a few times a year and not have it be a big deal. They don't want o lose all they've built with their mates but just want a taste of something different.
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Nina Hartley