β
There is nothing you can do about the past except keep it there.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
β
There is no client as scary as an innocent man."
J. Michael Haller, Criminal Defense Attorney, Los Angeles, 1962.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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You can't patch a wounded soul with a Band-Aid.
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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What is important is not what you hear said, it's what you observe.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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What is jealousy but a reflection of your own failures?
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Michael Connelly (The Last Coyote (Harry Bosch, #4))
β
There were a billion lights out there on the horizon and I knew that all of them put together weren't enough to light the darkness in the hearts of some men.
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Michael Connelly (The Scarecrow (Jack McEvoy, #2; Harry Bosch Universe, #20))
β
I view people two ways. They're either eye-for-an-eye people or they are turn-the-cheek people.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
β
He [Harry Bosch] defined good company not by the conversation but by the lack of it. When there was no need to talk to feel comfortable, that was the right company
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
β
I've learned over the years that sometimes if you ask the same question more than once you get different responses.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
β
Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
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If the system turns away from the abuses inflicted on the guilty, then who can be next but the innocents?
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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You can fall in love and make love many times but there is only one bullet with your name etched on the side. And if you are lucky enough to be shot with that bullet then the wound never heals.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
β
The setting sun burned the sky pink and orange in the same bright hues as surfers' bathing suits. It was beautiful deception, Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog that made their colors so brilliant, that behind every pretty picture there could be an ugly story.
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
β
You know you're going to get burned from time to time. It's just part of the game. So when it happens you have to pick yourself up, dust yourself off and forget about it because they're about to snap the ball again.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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Everybody matters or nobody matters.
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Harry Bosch by Michel Connelly
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Itβs lucky no one else knows what our most secret thoughts are. Weβd all be seen for the cunning, self-aggrandizing fools we are.
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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Don't go growing a conscience on me," I said. "I've been down that road. It doesn't lead you to anything good.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
β
In the long run, all wrongs are righted, every minus is equalized with a plus, the columns are totaled and the totals are found correct. But that's in the long run. We must live in the short run and matters are often unjust there. The compensating for us of the universe makes all the accounts come out even, but they grind down the good as well as the wicked in the process.
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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She refused to accept the simple truism that the better you were, the bigger threat you were to those at the top....
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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I'm relaxed, Belk. I call it Zen and the art of not giving a shit.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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Money. The ultimate motivation. The ultimate way of keeping score.
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Michael Connelly (Chasing the Dime (Harry Bosch Universe, #12))
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There is nothing like the start of a season, before all the one-run losses, pitching breakdowns and missed opportunities. Before reality sets in.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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You're a sleazy defense lawyer with two ex-wifes and an eight-year-old daughter and we all love you.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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The law was not about truth. It was about negotiation, amelioration, manipulation.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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There is no end of things in the heart. ...she understood it to mean that if you took something to heart, really brought it inside those red velvet folds, then it would always be there for you. No matter what happened, it would be there waiting. She said this could mean a person, a place, a dream. A mission. Anything sacred. She told me that it is all connected in those secret folds. Always. It is all part of the same and will always be there, carrying the same beat as your heart.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
β
Well, did he do it?"
She always asked the irrelevant question. It didn't matter in terms of the strategy of the case whether the defendant "did it" or not. What mattered was the evidence against him -- the proof -- and if and how it could be neutralized. My job was to bury the proof, to color the proof a shade of gray. Gray was the color of reasonable doubt.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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if you canβt stand the ghosts, get out of the haunted house.
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Michael Connelly (Echo Park (Harry Bosch, #12; Harry Bosch Universe, #17))
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If you go into darkness, the darkness goes into you.
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Michael Connelly (The Late Show (RenΓ©e Ballard, #1; Harry Bosch Universe, #30))
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No matter how much they tried to dress her up with neon and family entertainment she [Las Vegas] was still a whore.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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Whatever made her happy made me happyβexcept the time she thought divorcing me would make her life happier. That didnβt do much for me.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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He had lived alone most of his life. He was used to places that were empty. He knew the real shelter of a home was inside yourself.
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Michael Connelly (Angels Flight (Harry Bosch, #6; Harry Bosch Universe, #8))
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The world was full of people who could not get over things. There was no closure and there was no peace. The truth did not set you free. But you could get through things. Thatβs what Bosch would tell him. You could head toward the light and climb and dig and fight your way out of the hole.
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Michael Connelly (The Closers (Harry Bosch, #11; Harry Bosch Universe, #15))
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It's only a wonderful world if you can make it that way. There are no street signs pointing to Paradise Road.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
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Loneliness had been the trash can fire he huddled around for most of his life.
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Michael Connelly (The Last Coyote (Harry Bosch, #4))
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Everybody counts or nobody counts.
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Michael Connelly (The Crossing (Harry Bosch, #18; Harry Bosch Universe, #28))
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Bosch had never liked Las Vegas, though he came often on cases. It shared a kinship with Los Angeles; both were places desperate people ran to. Often, when they ran from Los Angeles, they came here. It was the only place left.
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Michael Connelly (Trunk Music (Harry Bosch, #5; Harry Bosch Universe, #6))
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Bosch knew the dawn had nothing on the dusk. Dawn always came up ugly, as if the sun was clumsy and in a hurry. The dusk was smoother, the moon more graceful. Maybe it was because the moon was more patient. In life and nature, Bosch thought, darkness always waits.
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Michael Connelly (The Closers (Harry Bosch, #11; Harry Bosch Universe, #15))
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You know what my father said about innocent clients? ... He said the scariest client a lawyer will ever have is an innocent client. Because if you fuck up and he goes to prison, it'll scar you for life ... He said there is no in-between with an innocent client. No negotiation, no plea bargain, no middle ground. There's only one verdict. You have to put an NG up on the scoreboard. There's no other verdict but not guilty."
Levin nodded thoughtfully.
"The bottom line was my old man was a damn good lawyer and he didn't like having innocent clients," I said. "I'm not sure I do, either.
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Michael Connelly (The Lincoln Lawyer (The Lincoln Lawyer, #1; Harry Bosch Universe, #16))
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There is a means to every end. A root to any cause. Sometimes the root is more evil than any cause, though it's the cause that is usually most vilified.
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Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
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Eenie, meenie, minie, moe, catch a killer by the toe. If his lawyerβs Haller, let him go. Eenie, meenie, minie, moe. Hey bro.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
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There are plenty of people out there judging us every day of our lives and for every move we make. The gods of guilt are many.You don't need to add to them
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Michael Connelly (The Gods of Guilt (The Lincoln Lawyer, #5; Harry Bosch Universe, #26))
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There was still chicken on the bone but sometimes you just have to push the plate away.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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Innocence is not a legal term. No one is ever found innocent in a court of law.
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Michael Connelly (The Law of Innocence (The Lincoln Lawyer, #6; Harry Bosch Universe #35))
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Everybodyβs got a cage that keeps out the sharks. Those who open the door and venture out do so at their own risk.
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Michael Connelly (City Of Bones (Harry Bosch, #8; Harry Bosch Universe, #11))
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Reasonable Doubt for a Reasonable Fee. Call the Lincoln Lawyer. Bosch
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Michael Connelly (The Crossing (Harry Bosch, #18; Harry Bosch Universe, #28))
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Everybody has a jury, the voices they carry inside.
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Michael Connelly (The Gods of Guilt (The Lincoln Lawyer, #5; Harry Bosch Universe, #26))
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The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever.
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Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
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Artists are supposed to stay hungry.β βThatβs bullshit. Thatβs a myth invented to keep the artist down because art is powerful. You give an artist both money and power and theyβre dangerous.
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Michael Connelly (The Wrong Side of Goodbye (Harry Bosch, #19; Harry Bosch Universe, #29))
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itβs like the laws of physicsβfor every action, there is an opposite and equal reaction. If you go into darkness, the darkness goes into you. You then have to decide what to do with it. How to keep yourself safe from it. How to keep it from hollowing you out.
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Michael Connelly (The Late Show (RenΓ©e Ballard, #1; Harry Bosch Universe, #30))
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Nobody in this world is who they say they are. Nobody. Not when theyβre in their own room with the door shut and locked. And nobody knows anybody, no matter what they think... The best you can hope for is to know yourself. And sometimes when you do, when you see your true self, you have to turn away.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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He knew there were two kinds of truth in this world. The truth that was the unalterable bedrock of oneβs life and mission. And the other, malleable truth of politicians, charlatans, corrupt lawyers, and their clients, bent and molded to serve whatever purpose was at hand.
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Michael Connelly (Two Kinds of Truth (Harry Bosch, #20; Harry Bosch Universe, #31))
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why donβt you just Uber your ass out of here.
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Michael Connelly (The Late Show (RenΓ©e Ballard, #1; Harry Bosch Universe, #30))
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Out of the blue and into the black is what they called going into a tunnel. Each one was a black echo. Nothing but death in there. But, still, they went.
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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They need you until they donβt need you.
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Michael Connelly (The Gods of Guilt (The Lincoln Lawyer, #5; Harry Bosch Universe, #26))
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If we canβt be honest with ourselves, how can we ever tell the truth to the people out there?
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Michael Connelly (City Of Bones (Harry Bosch, #8; Harry Bosch Universe, #11))
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Politicians could talk about building walls and changing laws to keep people out, but in the end they were just symbols. Neither would stop the tide any more than the rock jetties at the mouth of the port did. Nothing could stop the tide of hope and desire. Bosch
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Michael Connelly (The Wrong Side of Goodbye (Harry Bosch, #19; Harry Bosch Universe, #29))
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That's justice," she said, nodding at the statue. "She doesn't hear you. She doesn't see you. She can't feel you and won't speak to you. Justice, Detective Bosch, is just a concrete blonde.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
β
Everybody has a jury, the voices they carry inside. Earl Briggs sits on my jury, Gloria Dayton, too. They are there with Katie and Sandy, my mother, my father, and soon Legal Siegel as well. Those I have loved and those I have hurt. Those who bless me and those who haunt me. My gods of guilt. Every day I carry on and I carry them close. Every day I step into the well before them and I argue my case.
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Michael Connelly (The Gods of Guilt (The Lincoln Lawyer, #5; Harry Bosch Universe, #26))
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I put my hand down below the table to check my zipper. You have to stand before a jury only once with your fly open and it will never happen again
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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It had been Boschβs experience that when you looked back at a life, you used a magnifying glass. Everything was bigger, amplified.
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Michael Connelly (The Wrong Side of Goodbye (Harry Bosch, #19; Harry Bosch Universe, #29))
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But too much going with the flow is heading us into the sewer...
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Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
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I felt sympathy for her but not too much. Idealism dies hard with everybody.
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Michael Connelly (The Fifth Witness (The Lincoln Lawyer, #4; Harry Bosch Universe, #23))
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from the short story, Cielo Azul
βHarry, get an ambulance.β
I stood up and stepped back from the scene. I felt my chest growing tight, a clarity of thought coming over me. In all my years I had spoken for the dead many times. I had avenged the dead. I was at home with the dead. But I had never so clearly had a part in pulling someone away from the outstretched hands of death.
And in that moment I knew we had done just that. And I knew that whatever happened afterward and wherever my life took me, I would always have this moment, that it would be a light that could lead me out of the darkest of tunnels.
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Michael Connelly (Suicide Run (Harry Bosch, #14.5; Harry Bosch Universe, #23.4))
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Livingstone had said sympathy was no substitute for action. That was an essential brick in Boschβs wall. He had built himself as a man of action and, at the moment when the integrity of his lifeβs work had been called into question by a man on death row, he had chosen to turn his sympathy for Elizabeth Clayton into action.
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Michael Connelly (Two Kinds of Truth (Harry Bosch, #20; Harry Bosch Universe, #31))
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The civilized people in the world, the ones who hide behind culture and art and politicsβ¦ and even the law, theyβre the ones to watch out for. Theyβve got that perfect disguise goinβ for them, you know? But theyβre the most vicious. Theyβre the most dangerous people on earth.
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Michael Connelly (The Last Coyote (Harry Bosch, #4; Harry Bosch Universe, #4))
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You build a city in the desert, water it with false hopes and false idols, and eventually this is what happens. The desert reclaims it, turns it arid, leaves it barren. Human tumbleweeds drift across its streets, predators hide in the rocks.
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Michael Connelly (Lost Light (Harry Bosch, #9; Harry Bosch Universe, #13))
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Bosch counted twenty-two names and it made him miss the old Los Angeles Times. In 1993 it was big and strong, its editions fat with ads and stories produced by a staff of some of the best and brightest journalists in their field. Now the paper looked like somebody who had been through chemoβthin, unsteady, and knowing the inevitable could only be held off for so long.
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Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
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The bag was a hybrid I had picked up at a store called Suitcase City while I was plotting my comeback. [...] It had a logo on it -- a mountain ridgeline with the words "Suitcase City" printed across it like the Hollywood sign. Above it, skylights swept the horizon, completing the dream image of desire and hope. I think that logo was the real reason I liked the bag. Because I knew Suitcase City wasn't a store. It was a place. It was Los Angeles.
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Michael Connelly (The Brass Verdict (The Lincoln Lawyer, #2; Harry Bosch Universe, #19))
β
Slowly, his eyes came up and he looked through the kitchen window and out through the Cahuenga Pass. The lights of Hollywood glimmered in the cut, a mirror reflection of the stars of all galaxies everywhere. He thought about all that was bad out there. A city with more things wrong than right. A place where the earth could open up beneath you and suck you into the blackness. A city of lost light. His city. It was all of that and, still, always still, a place to begin again. His city. The city of the second chance.
Bosch nodded and bent down. He closed his eyes, put his hands under the water and brought them up to his face. The water was cold and bracing, as he thought any baptism, the start of any second chance, should be.
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Michael Connelly (A Darkness More Than Night (Harry Bosch, #7; Harry Bosch Universe, #10))
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I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.β
βWhat is the other, Henrik?β Though he knew the answer.
βAnger . . . I am still angry, Detective Bosch.β
Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for.
βSo am I, Henrik,β he said. βSo am I.β
- "The Burning Room" by Michael Connelly
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Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))