Hardy Boy Quotes

We've searched our database for all the quotes and captions related to Hardy Boy. Here they are! All 100 of them:

I remembered what it is I like about sex: what I like about sex is that I can lose myself in it entirely. Sex, in fact, is the most absorbing activity I have discovered in adulthood. When I was a child I used to feel this way about all sorts of things—Legos, The Jungle Book, The Hardy Boys, The Man from U.N.C.L.E., Saturday morning cartoons...I could forget where I was, the time of day, who I was with. Sex is the only thing I've found like that as a grown-up, give or take the odd film: books are no longer like that once you're out of your teens, and I've certainly never found it in my work. All the horrible pre-sex self-consciousness drains out of me, and I forget where I am, the time of day...and yes, I forget who I'm with, for the time being.
Nick Hornby (High Fidelity)
Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
The sooner, the better!
Franklin W. Dixon (Hardy Boys Complete Series Set Books 1-66 (The Hardy Boys, #1-66))
Mona knocked at the wrong time. “Uh…yeah…wait a minute, Mona -- ” Mona shouted through the door. “Room service, gentlemen. Just pull the covers up.” Michael grinned at Jon. “My roommate. Brace yourself.” Seconds later, Mona burst through the doorway with a tray of coffee and croissants. “Hi! I’m Nancy Drew! You must be the Hardy Boys!
Armistead Maupin (Tales of the City (Tales of the City, #1))
I shan't forget you, Jude,' he said, smiling, as the cart moved off. 'Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
I don`t know if he was English but he spoke like it. He said good afternoon when everybody else said hardy weather or she looks like rain.
Patrick McCabe (The Butcher Boy)
Look at the four-spaced year That imitates four seasons of our lives; First Spring, that delicate season, bright with flowers, Quickening, yet shy, and like a milk-fed child, Its way unsteady while the countryman Delights in promise of another year. Green meadows wake to bloom, frail shoots and grasses, And then Spring turns to Summer's hardiness, The boy to manhood. There's no time of year Of greater richness, warmth, and love of living, New strength untried. And after Summer, Autumn, First flushes gone, the temperate season here Midway between quick youth and growing age, And grey hair glinting when the head turns toward us, Then senile Winter, bald or with white hair, Terror in palsy as he walks alone.
Ovid (Ovid's Metamorphoses: Books 1-5)
Do we dust for fingerprints now?” I asked. He swiveled his head back around until he was gazing at me. “Who do we look like? The Hardy Boys?” Silas chuckled at us without looking up from the laptop screen. Stone, C. L. (2014-01-19). Drop of Doubt: The Ghost Bird Series: #5 (Kindle Locations 945-947). Arcato Publishing. Kindle Edition.
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
It didn't help matters that I was shy and wore glasses. I was never one to stand out in the crowd. I liked to stay in corners. And I was happiest when I was alone reading. That and the good grades I got in school had doomed any chance of being popular with my peers. So it was a foregone conclusion that boys like Hardy were never going to take notice of me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
When not duck farming, I'm busy being mysterious. I'm like The Hardy Boys. Both of them. That's why I exclusively shop Buy One, Get One FREE.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
We believed optimistically that Laurie was a reformed character. I told my husband, on the last day of Laurie's confinement, that actually one good scare like that could probably mark a child for life, and my husband pointed out that kids frequently have an instinctive desire to follow the good example rather than the bad, once they find out which is which. We agreed that a good moral background and thorough grounding in the Hardy Boys would always tell in the long run. ("Arch-Criminal")
Shirley Jackson (Just an Ordinary Day: The Uncollected Stories)
When I was younger, my brother told me that he had the power to shrink me to the size of an ant. In fact, he said, he used to have another sister, but he shrank her down and stepped on her. He also told me that when you became a grown-up, you were admitted into a private party that was full of monsters and horror movie characters. There was Chucky, drinking a cup of coffee. And the mummy on the cover of the Hardy Boys book that used to freak me out, except he was doing the twist while Jason from 'Friday the 13th' played the alto sax. He told me you stayed at the party as long as you had to, making conversation with these creatures, and that was why adults were never afraid of anything. I used to believe everything my brother told me, because he was older and I figured he knew more about the world. But as it turns out, being a grown-up doesn't mean you're fearless. It just means you fear different things.
Jodi Picoult (Lone Wolf)
Beneath the conversations and silences and reconnecting intimacy, I tried to reconcile the adult Hardy had become with the boy I had known and longed for. It troubled me to realize they weren't the same...but of course I wasn't the same either.
Lisa Kleypas (Sugar Daddy (Travises, #1))
Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.
Britta Lundin (Ship It)
At these the fellow-passengers laughed, except the solitary boy bearing the key and ticket, who, regarding the kitten with his saucer eyes, seemed mutely to say: "All laughing comes from misapprehension. Rightly looked at there is no laughable thing under the sun.
Thomas Hardy
In the worst attacks of trouble there appears to be always a superficial film of consciousness which is left disengaged and open to the notice of trifles, and Bathsheba was faintly amused at the boy's method, till he too passed on.
Thomas Hardy (Far from the Madding Crowd)
Between Holberger and Veres there exists a kind of technical understanding that outruns the powers of speech. Most Hardy Boys share this specialist’s ESP to some degree. It’s a feeling that some good chess players say they share with worthy opponents, a kind of mind reading—what Holberger calls being “in sync.
Tracy Kidder (The Soul of A New Machine)
You got somebody in your corner, you lucky ... and blessed. And when you get that, you gotta know it, stand by it, and treat it with care. To nurture it. To build on it.
James Earl Hardy (B-Boy Blues: A Seriously Sexy, Fiercely Funny, Black-on-Black Love Story)
Motion
Carolyn Keene (Bonfire Masquerade (Nancy Drew: Girl Detective and the Hardy Boys: Undercover Brothers Super Mystery, #5))
Sound the tocsin of national peril and hordes of well-meaning folk with nothing much to do always materialize from nowhere. They itch to meddle in great matters of which their comprehension is usually pretty dim, and have no objection to getting their names and pictures in the papers.
Leslie McFarlane (Ghost of the Hardy Boys: An Autobiography)
It was quite unlike any other party they had seen that day. The crier who went before it shouting, “Way, way!” was the only Calormene in it. And there was no litter; everyone was on foot. There were about half a dozen men and Shasta had never seen anyone like them before. For one thing, they were all as fair-skinned as himself, and most of them had fair hair. And they were not dressed like men of Calormen. Most of them had legs bare to the knee. Their tunics were of fine, bright, hardy colours – woodland green, or gay yellow, or fresh blue. Instead of turbans they wore steel or silver caps, some of them set with jewels, and one with little wings on each side of it. A few were bare-headed. The swords at their sides were long and straight, not curved like Calormene scimitars. And instead of being grave and mysterious like most Calormenes, they walked with a swing and let their arms and shoulders go free, and chatted and laughed. One was whistling. You could see that they were ready to be friends with anyone who was friendly, and didn’t give a fig for anyone who wasn’t. Shasta thought he had never seen anything so lovely in his life.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
Though Farmer Troutham had just hurt him, he was a boy who could not himself bear to hurt anything. He had never brought home a nest of young birds without lying awake in misery half the night after, and often reinstating them and the nest in their original place the next morning. He could scarcely bear to see trees cut down or lopped, from a fancy that it hurt them; and late pruning, when the sap was up and the tree bled profusely, had been a positive grief to him in his infancy. This weakness of character, as it may be called, suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain upon his unnecessary life should signify that all was well with him again. He carefully picked his way on tiptoe among the earthworms, without killing a single one.
Thomas Hardy
The Hardy home, on the corner of High and Elm streets, was an old stone house set in a large, tree-shaded lawn. Right now, crocuses and miniature narcissi were sticking their heads through the light-green grass.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter I love otter Under a muskrat: I love muskrat Beaver: I love beaver
Peter Heller (The Dog Stars)
It is an imposing monarch of the forest in exquisite miniature, is the “sage-brush.” Its foliage is a grayish green, and gives that tint to desert and mountain. It smells like our domestic sage, and “sage-tea” made from it tastes like the sage-tea which all boys are so well acquainted with. The sage-brush is a singularly hardy plant, and grows right in the midst of deep sand, and among barren rocks, where nothing else in the vegetable world
Mark Twain (Roughing It)
The doctor says there are such boys springing up amongst us—boys of a sort unknown in the last generation—the outcome of new views of life. They seem to see all its terrors before they are old enough to have staying power to resist them. He says it is the beginning of the coming universal wish not to live. Der Arzt sagte, solche Kinder kämen jetzt manchmal vor – Kinder, wie sie die vorige Generation nicht gekannt habe -, das Ergebnis neuer Anschauungen vom Leben. Es ist, als sähen diese Kinder alle seine Schrecknisse, ehe sie alt genug sind, die nötige Widerstandskraft dagegen aufzubringen. Er sagt, es wäre der Anfang des kommenden allgemeinen Wunsches, nicht zu leben.
Thomas Hardy (Jude: The Shooting Script (Shooting Scripts))
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars.
Thomas Hardy (Jude the Obscure)
I bet it was also the triumphant Aha! and not the truth itself that had fueled all those famous literary detectives I knew not much about except their names - Philip Marlowe, Sherlock Holmes, Joe and Frank Hardy. I felt like yelling something celebratory on my way home, something like, Yeah! or Fuck, yeah! just like Marlowe would have yelled, just like the Hardys would have yelled, and maybe Holmes, too, although maybe that's why he kept Watson around; to tell Holmes to simmer down and not get too far ahead of himself.
Brock Clarke (An Arsonist's Guide to Writers' Homes in New England)
If you told me eight years ago that I would be sitting here on my wedding day, Stryder married to the girl I once thought was my forever, Hardie a father to Joey’s baby, and all my boys still alive after the multiple tours we’ve been through, I would have thought you were crazy.
Meghan Quinn (The Left Side of Perfect (The Perfect Duet, #1))
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
Jane Yolen (Once Upon a Time (she said))
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars. To him the houses, the willows, the obscure fields beyond, were apparently regarded not as brick residences, pollards, meadows; but as human dwellings in the abstract, vegetation, and the wide dark world.
Thomas Hardy (Jude the Obscure)
And I thought how the seed of men that might have gone to make hardy boys and fruitful girls was drained into that house, and nothing given back; and how the silver that men had earned hard and needed was also drained in there, and nothing given back; and how the girls themselves were devoured and were given nothing back.
C.S. Lewis (Till We Have Faces)
the one who stole the small float plane at Yellowknife.
Franklin W. Dixon (The Viking Symbol Mystery (Hardy Boys #42))
with a duffel bag over his shoulder.
Franklin W. Dixon (The Phantom Freighter (Hardy Boys, #26))
anything
Franklin W. Dixon (The Twisted Claw (Hardy Boys, #18))
What shall I tell Mother?” The boy continued. "Tell her you have seen a broken-hearted woman cast off by her son.
Thomas Hardy (The Return of the Native (illustrated))
As Littlewood said to me once [of the ancient Greeks], they are not clever school boys or 'scholarship candidates,' but 'Fellows of another college.
G.H. Hardy
the deaf man interrupted. “Let the boys
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
Oh yes", said the old woman, "but I've heard these so-called stoves are by no means all they are supposed to be. I never saw a stove in my day, and yet never ailed a thing, at least as long as I could really be called alive, except for nettle rash one night when I was in my fifteenth year.. It was caused by some fresh fish that the boys used to catch in the lakes thereabouts." The man did not answer for a while, but lay pondering the medical history of this incredible old creature who, without ever setting eyes on a stove, had suffered almost no ailments in the past sixty-five years.
Halldór Laxness (Independent People)
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
The boy's face expressed the whole tale of their situation. On that little shape had converged all the inauspiciousness and shadow which had darkened the first union of Jude, and all the accidents, mistakes, fears, errors of the last. He was their nodal point, their focus, their expression in a single term. For the rashness of those parents he had groaned, for their ill assortment he had quaked, and for the misfortunes of these he had died.
Thomas Hardy (Jude the Obscure)
That was close!” Frank gasped. The car had been traveling at such high speed that the boys had been unable to get the license number or a glimpse of the driver’s features. But they had noted that he was hatless and had a shock of red hair.
Franklin W. Dixon (The Tower Treasure (Hardy Boys, #1))
The boy waited, played near her, caught several of the little brown butterflies which abounded, and then said as he waited again, “I like going on better than biding still. Will you soon start again?” “I don't know.” “I wish I might go on by myself,” he resumed, fearing, apparently, that he was to be pressed into some unpleasant service. “Do you want me any more, please?” Mrs. Yeobright made no reply. “What shall I tell Mother?” the boy continued. “Tell her you have seen a broken-hearted woman cast off by her son.
Thomas Hardy (Return of the Native)
Hanade’s Puppet Repair Shop did, indeed, carry “all kinds of doodads.” The tiny store was crammed with Oriental trinkets, samurai swords, brass Buddhas, dolls’ heads hanging on the wall, birds and bird cages, aquariums with darting tropical fish, and numerous other items.
Franklin W. Dixon (The Ghost at Skeleton Rock (Hardy Boys, #37))
Late that afternoon they rolled into Larchmont, an old town built around a main square containing the courthouse and a Civil War monument. Stores lined the edges of the square, and the boys soon spotted the building which housed the Record’s offices, which were on the second floor.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
So began my love affair with books. Years later, as a college student, I remember having a choice between a few slices of pizza that would have held me over for a day or a copy of On the Road. I bought the book. I would have forgotten what the pizza tasted like, but I still remember Kerouac. The world was mine for the reading. I traveled with my books. I was there on a tramp steamer in the North Atlantic with the Hardy Boys, piecing together an unsolvable crime. I rode into the Valley of Death with the six hundred and I stood at the graves of Uncas and Cora and listened to the mournful song of the Lenni Linape. Although I braved a frozen death at Valley Forge and felt the spin of a hundred bullets at Shiloh, I was never afraid. I was there as much as you are where you are, right this second. I smelled the gunsmoke and tasted the frost. And it was good to be there. No one could harm me there. No one could punch me, slap me, call me stupid, or pretend I wasn’t in the room. The other kids raced through books so they could get the completion stamp on their library card. I didn’t care about that stupid completion stamp. I didn’t want to race through books. I wanted books to walk slowly through me, stop, and touch my brain and my memory. If a book couldn’t do that, it probably wasn’t a very good book. Besides, it isn’t how much you read, it’s what you read. What I learned from books, from young Ben Franklin’s anger at his brother to Anne Frank’s longing for the way her life used to be, was that I wasn’t alone in my pain. All that caused me such anguish affected others, too, and that connected me to them and that connected me to my books. I loved everything about books. I loved that odd sensation of turning the final page, realizing the story had ended, and feeling that I was saying a last goodbye to a new friend.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
In the bright sunshine of the next morning, the waves rolled in from the blue Atlantic. Frank and Joe, in bathing trunks, dashed across the beach and dived into the breakers. “Terrific!” Joe yelled, riding in on the crest of a wave. “Where’s Chet?” “Getting breakfast!” Frank shouted as he swam. “Since when can he wait to eat?
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
All of us are starving … for attention, for love, for understanding. I don't care what the sisters say: we take more shit than they do in this life, 'cause we are brothers in a white man's world, and there ain't no space for us. Never has been, never will be. All we want, all we need is someone to love us for who we are, to grow with us, so that the world ain't such a bad place.
James Earl Hardy (B-Boy Blues: A Seriously Sexy, Fiercely Funny, Black-on-Black Love Story)
A few minutes later the Hardys and Chet were heading for Larchmont. The car crossed a crystal-clear brook winding through a shady stand of pines set back on a knoll. “Stop!” ordered Chet. “Here’s the place for our submarine sandwiches.” Laughing, the boys parked off the road and got out. Soon they were sprawled on the soft pine needle carpet of the grove, where they could just see the sunlight flashing on the front of the convertible.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
Huge live oaks, hung with Spanish moss, partly hid a stately white Southern mansion in need of paint. Wisteria blossoms hung bell-like from vines climbing the walls. The Hardys mounted the steps of the still stately portico, supported by high, once-white round columns. Frank knocked repeatedly on the door. There was no response. As they circled the neglected structure, they rapped on windows, called out, pounded on side and back doors, with no results.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
I loved all the Hardy Boy books. Once I collected my paperboy money each Friday I'd walk into town, make the rounds of all the local thrift shops (where you could buy a used hardback for a quarter.) I'd always get excited swinging open the front cover of a newly discovered book in the series. Let's solve a mystery! And investigate the long-abandoned water tower north of town. They were a lot of fun. And science fiction, although these were paperbacks. I stopped going to church when I was about ten. I'd get dressed and go out the front door telling my mom I was going to church, but I'd have a science fiction paperback jammed in the back pocket of my trousers. Once I got near the church (St. Mary's on Greenwich Avenue), I'd veer down a side street, pull out my book, and stumble along the sidewalks for an hour, visiting another planet, sometimes another galaxy. My mother eventually found out about my deception - a friend told her she had spotted me walking, reading, when I was supposed to be at mass. I explained to my mother I didn't want to attend church anymore, and she accepted that. If it made her sad, she never showed me. She was actually an incredibly good mother, which I realize more and more as I age.
Ralph Robert Moore
Well, Mr Markham, you that maintain that a boy should not be shielded from evil, but sent out to battle against it, alone and unassisted - not taught to avoid the snares of life, but boldly to rush into them, or over them, as he may - to seek danger rather than shun it, and feed his virtue by temptation - would you-' 'I beg your pardon, Mrs Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; and if you were to rear an oak sapling in a hot-house, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered form the shock of the tempest.' 'Granted; but would you use the same arguments with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be, either, that you think she is essentially so vicious, or so feeble-minded that she cannot withstand temptation - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin, is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, it is only further developed-' 'Heaven forbid that I should think so!' I interrupted her at last. 'Well then, it must be that you think they are both weak and prone to err, and the slightest error, the nearest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others.
Anne Brontë
We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage. We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be, in Nigerian-speak—a hard man. Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But by far the worst thing we do to males—by making them feel they have to be hard—is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
The Hardys led Mr. Worth up a side street. They stopped at a wide, steamy window bearing the lettering: CHARLIE’S CLAM HOUSE “I hear the food’s good,” Joe remarked, and the trio entered the restaurant. It was a typical waterfront eating place, with sawdust on the floor. The place was crowded with diners, despite the late hour. In one corner sat a group of well-dressed people who, like the Hardys, had just left a farewell party on board the liner. But most of the customers were rough-looking men of the waterfront district. The noise of lively conversations and the odor of frying fish filled the air. Frank, Joe, and Bart Worth seated themselves at a plain wooden table in the middle of the room. As soon as the waiter had taken a dinner order for Mr. Worth and sandwiches for the Hardys, the Southerner began his story.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
Storm Island is a little south of here,” explained Frank, opening a chart. “It’s nothing but a pile of rocks in the sea, according to Worth. The light hasn’t been used in years, since there’s no more shipping from Larchmont.” They left the harbor and headed the boat south on the blue-green sea. The white dunes of the beach were far over to their right. The horizon was a line where the powder-blue sky met the darker hue of the ocean. Then a pile of jumbled rocks came into view. “Must be Storm Island,” Frank said briefly. As they came closer, they saw that the islet was indeed nothing but a mass of rock, about a hundred yards long. From its center rose a conical wooden tower with a black roof and gaping windows. They landed at a little stone jetty and tied up the boat, then mounted some stone steps that apparently led to a path to the lighthouse. Quickly the boys looked around for the gangling figure of the professor. No one was in sight.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
Now, we’ll begin,’ interrupted Mr. Torkingham, his mind returning to this world again on concluding his search for a hymn. Thereupon the racket of chair-legs on the floor signified that they were settling into their seats,—a disturbance which Swithin took advantage of by going on tiptoe across the floor above, and putting sheets of paper over knot-holes in the boarding at points where carpet was lacking, that his lamp-light might not shine down. The absence of a ceiling beneath rendered his position virtually that of one suspended in the same apartment. The parson announced the tune, and his voice burst forth with ‘Onward, Christian soldiers!’ in notes of rigid cheerfulness. In this start, however, he was joined only by the girls and boys, the men furnishing but an accompaniment of ahas and hems. Mr. Torkingham stopped, and Sammy Blore spoke,— ‘Beg your pardon, sir,—if you’ll deal mild with us a moment. What with the wind and walking, my throat’s as rough as a grater; and not knowing you were going to hit up that minute, I hadn’t hawked, and I don’t think Hezzy and Nat had, either,—had ye, souls?’ ‘I hadn’t got thorough ready, that’s true,’ said Hezekiah. ‘Quite right of you, then, to speak,’ said Mr. Torkingham. ‘Don’t mind explaining; we are here for practice. Now clear your throats, then, and at it again.’ There was a noise as of atmospheric hoes and scrapers, and the bass contingent at last got under way with a time of its own: ‘Honwerd, Christen sojers!’ ‘Ah, that’s where we are so defective—the pronunciation,’ interrupted the parson. ‘Now repeat after me: “On-ward, Christ-ian, sol-diers.”’ The choir repeated like an exaggerative echo: ‘On-wed, Chris-ting, sol-jaws!’ ‘Better!’ said the parson, in the strenuously sanguine tones of a man who got his living by discovering a bright side in things where it was not very perceptible to other people. ‘But it should not be given with quite so extreme an accent; or we may be called affected by other parishes. And, Nathaniel Chapman, there’s a jauntiness in your manner of singing which is not quite becoming. Why don’t you sing more earnestly?
Thomas Hardy (Two on a Tower)
Chet
Franklin W. Dixon (The Curse of the Ancient Emerald (The Hardy Boys Adventures Book 9))
teacher’s class in his all-boys’ high school
John Lescroart (The Fall (Dismas Hardy #16))
The thing about Laurel and Hardy movies that you can't get from the chopped-up versions on television is how beautiful they are. Things happen exactly at the moment they have to happen. They don't happen a second too soon or too late. You can even predict what's going to happen—and it does happen—and it surprises you anyway. It doesn't surprise you because it happened, but because it happened so perfectly.
Daniel Pinkwater (The Snarkout Boys & The Avocado of Death)
Many years have passed since the exploration, and those who were boys with me in the enterprise are--ah, most of them are dead, and the living are gray with age. Their bronzed, hardy, brave faces come before me as they appeared in the vigor of life; their lithe but powerful forms seem to move around me; and the memory of the men and their heroic deeds, the men and their generous acts, overwhelms me with a joy that seems almost a grief, for it starts a fountain of tears. I was a maimed man; my right arm was gone; and these brave men, these good men, never forgot it. In every danger my safety was their first care, and in every waking hour some kind service was rendered me, and they transfigured my misfortune into a boon.
John Wesley Powell (Canyons of the Colorado)
The Hardy Boys [10w] Foolhardiness wasn't the least bit deterrent for the Hardy Boys.
Beryl Dov
Zach’s Fanfare #2” (MFSB)* “Comeback Kid” (Sleigh Bells) “Monkey Gone to Heaven” (The Pixies) “Spaceman” (Harry Nilsson) “Going Down” (Freddie King) “I’m Bad” (Rocket to Memphis) “Pumped Up Kicks” (Foster the People) “Nobody Does It Better” (Me First and the Gimme Gimmes) “Skull & Crossbones” (Sparkle Moore & Dan Belloc and His Orchestra) “Switchblade Smiles” (Kasabian) “I Wanna Destroy You” (The Soft Boys) “Drain You” (Foxy Shazam) “T.O.R.N.A.D.O.” (The Go! Team) “Woman of Mass Destruction” (The Woolly Bandits) “Tough Lover” (Nick Curran and the Lowlifes) “(I’m Stuck in a Pagoda With) Tricia Toyota” (The Dickies) “Apache” (The Sugarhill Gang) “For Whom the Bell Tolls” (Metallica) “We All Go Back to Where We Belong” (R.E.M.) “Change Reaction” (David Uosikkinen) “Satellite” (The Hooters) “Fanfare for Rocky” (Bill Conti)*
Duane Swierczynski (Point & Shoot (Charlie Hardie, #3))
Hardy said Ricky might be locked up in some institution for months, maybe years, if the doctors weren’t told the truth about what the boys witnessed. Hardy was okay, not too bright, and he was making the mistake of talking to Mark as if he were five years old instead of eleven.
John Grisham (The Client)
rates
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Puzzled, the Hardys continued upriver. Forty minutes later they reached the little village of Brockton and tied up at the public boat landing. A little boy with a sunburned nose who was fishing off the dock with a bamboo pole scowled at them. “Can you tell us where Mrs. Lunberry lives?” Frank asked him with a smile. “That gray cottage over near the woods.” The lad indicated the direction with a jerk of his head and kept on scowling. “You guys realize you just scared off a big fat bluegill?
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
Biff rode in the Hardys’ car with Frank and Joe while Chet chauffeured the girls in his jalopy. Five miles later they stopped at the Hamburger Haven, piled out of the cars, and occupied counter stools. After the girls had ordered, Chet boomed, “Three burgers for me, a double order of French fries, and a thick chocolate malted.
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
Hey! Iola and Callie!” Joe exclaimed. The girls waved gaily and the trio hurried to meet them. Chet was chuckling as he ran. “Well, fellows, it’s like this,” he said. “You’re about to be kidnapped by two dangerous dolls—for a beach party!” Frank and Joe stopped short, their jaws dropping open in surprise. Chet, Iola, and Callie burst into peals of laughter. “Man, did I ever have these guys going!” Chet informed his two conspirators. “They were expecting some big underworld trap!” “Who’s complaining?” Frank retorted with a grin. “Callie can kidnap me any day.” “They even brought our surfboards!” Joe said. “And your trunks and two picnic hampers!” Chet added, peering into the back seat. “Let’s go!
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
Callie rode with Frank in the convertible, while Joe piled in with Iola and Chet. They drove to a spot just north of Barmet Bay, called Gremlin Beach, which had become popular for surf-riding because of its high swells. “What a day for surf-birds!” Joe cried as the foursome jumped out onto the clean white stretch of sand. An onshore breeze was blowing, and the waves from some distant storm were piling into high-crested breakers. Two boats came into view, kicking up plumes of spray.
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
The brothers set off for the Bayport airfield minutes later and arrived at 2:57. Presently a loud-speaker blared: “Flight 401 from New York is now arriving at Gate 12.” Frank and Joe joined a stream of people hurrying out to the apron to watch the plane discharge its passengers. Suddenly
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
Then Joe turned on the record player. Chet, usually bashful with girls, asked Mary Todd to dance, and soon the living room was a blur of motion as the young people gyrated to the latest steps.
Franklin W. Dixon (The Secret of the Caves (Hardy Boys, #7))
As the boys walked down the stone steps of headquarters, Frank said, “How about a milk-shake?” Joe grinned. “You read my mind. I can sure use one!” They drove several blocks to the Hot Rocket, a favorite eating spot of their high school crowd. A familiar yellow jalopy was parked outside. “Well, well! Look who’s in there!” Frank said. The chunky figure of Chet Morton, the jalopy’s owner, was seated in one of the booths. He was poring over a magazine and munching a hamburger. “Hi, fellows!” he mumbled.
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
The Hardys gave their order and slid onto the seat across from him. Frank flipped up the cover of Chet’s magazine and saw that it was Muscle Man. A weight lifter with bulging arms and torso decorated the cover. “Wow! You really are going in for physical culture!” Frank chuckled. “And he-man food,” Chet said, as the Hardys milkshakes were served. “That stuff you’ve got is for sissies. From now on, I’m sticking to ground beefsteak, milk, raw fruits, and leafy vegetables. No more candy.” He paused to flex a bicep and compare it to a photograph in the magazine.
Franklin W. Dixon (A Figure in Hiding (Hardy Boys, #16))
Everybody ragged Chet Morton about his bone-rattling car. But he wheeled it around the busy streets of Bayport, and boasted a good safety record, partly because pedestrians and motorists who heard him coming got out of the way.
Franklin W. Dixon (The Bombay Boomerang (Hardy Boys, #49))
Joe volunteered to stay awake since he was not particularly tired at the moment. While the others turned in, he stationed himself in a chair near the window. Turning over the pages of a magazine, he listened to the sounds of the hotel coming to life. The buzz of cars in the parking lot indicated that the day shift was replacing the night shift. The elevator clanged as guests arrived and departed. A low hum of voices from the street reached the room.
Franklin W. Dixon (The Bombay Boomerang (Hardy Boys, #49))
In the moonlit graveyard leaves rustled in the wind. Tombstones cast eerie shadows. Off in the distance a dog howled.
Franklin W. Dixon (The Bombay Boomerang (Hardy Boys, #49))
More cautiously than ever, the Hardys approached the old mansion. The house, covered with fading clapboards, was fronted by a low veranda and topped off with turrets and decaying latticework. Ragged clumps of shrubbery grew close to the walls.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
After a long nap, the Americans spent the rest of the afternoon watching preparations for the fiesta. They helped set up large wooden tables on the patio. Bananas, oranges, limes, and avocados were heaped on some of the tables. Food that was cooking gave off tantalizing odors. “This will be a gastronomic adventure!” Chet exclaimed as he viewed the preparations hungrily.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
Joe grinned. “We might never get Chet to leave this place!” Guests from the village began coming shortly after sunset. As the festivities got underway, torches were lighted to illuminate the area. One man arrived leading a bull and put it in the corral. Many of the younger villagers swarmed around the enclosure to see it.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
When they left the hotel to find a restaurant, the weather had improved and a magnificent sunset was visible. Palm trees swayed in a gentle breeze and the chatter of myna birds and parrots could be heard. As the group strolled along, Chet gazed at the first seafood restaurant they came to with such a hungry expression that the others permitted him to lead them into it. After a hearty meal they walked back to the hotel. Chet, burdened down by the two large lobsters he had devoured, trailed behind the others at a snail’s pace.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
Vivira is less than forty miles north of Mazatlan,” Frank said, examining a road map. “Just off the main road.” A little over an hour passed before the Hardys and Chet arrived in Vivira. It was a quiet little village with many trees, and a fountain in the center of a small plaza.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
Frank and Joe marveled at the scenery along the coast. It was extremely craggy, and geysers of white foam shot up from the sea splashing against the jagged rocks.
Franklin W. Dixon (The Mark on the Door (Hardy Boys, #13))
A short time later the convertible pulled into the driveway of the Hardys’ large, pleasant house on a tree-shaded street. The boys jumped out and hurried inside. Fenton Hardy, a tall, rugged-looking man, was in the dining room having a cup of coffee. Seated at the table with him were Mrs. Hardy and the boys’ Aunt Gertrude, his unmarried sister. The detective greeted Frank and Joe with a warm smile. “Sit down, boys, and I’ll tell you what this case is all about.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
A short time later Frank swung up the graveled driveway leading to the Mortons’ farmhouse. Chet’s pretty, dark-haired sister Iola was seated on the front porch with her blond, brown-eyed friend Callie Shaw. Iola bounced up from the porch swing as the boys stepped from the car. “Hi!” she exclaimed. “Wait’ll you see the surprise Callie and I have to show you!” The girls’ eyes sparkled with excitement. Joe grinned at Iola, whom he considered very attractive. “Sounds pretty important.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Aunt Gertrude paused in the midst of trimming a pie crust as they rushed out through the kitchen door. “Land sakes! Where are you boys off to now?” she scolded. “Don’t you realize you’ll ruin your digestions?” “On your cooking? Why, Aunty!” Joe grinned and ducked out before she could retort.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Just then a car pulled up in front of the house with a squeal of tires and a series of loud backfires. “Don’t tell me—let me guess. It’s Chet Morton,” said Frank.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Joe grinned and glanced out a window at Chet’s red jalopy. “Who else?” He went to open the front door as their chunky friend came bounding up the walk.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
He paused to sniff the aroma wafting from the kitchen. “Mmm! Do I smell chicken?” “Fried chicken.” Mrs. Hardy had paused at the door and smiled as she glanced in. “And there’ll be honey to go with Aunt Gertrude’s hot biscuits. Would you like to have dinner with us, Chet?” “Would I? Boy, and how! But I’d better call Mom and let her know.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
The boys hurried to the Hardys’ convertible. A red glow of sunset suffused
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
the western sky as they drove out of Bayport’s residential district and into the wooded outskirts of town. Soon they pulled up on the dirt lane directly in front of the Perth mansion.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
Frank sighed from weariness and disappointment. “Let’s take a short cut across the square.” They headed for the small park which lay in the center of Bayport. Various municipal buildings, including the town hall with its large illuminated clock, outlined the four sides. Frank and Joe reached the square and took a diagonal path through it. The place seemed empty. Part way across, Joe suddenly said, “I just saw someone dodge behind that big tree ahead.” “We’d better wait,” Frank answered. The Hardys jumped back of a wide-trunked maple. When no one ventured toward them, the boys peered out, looking in opposite directions for a possible attacker.
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
The boys continued their journey in the deepening darkness. Ahead, the road wound through isolated, hilly country. Here and there they encountered patches of light radiation fog, a phenomenon common to this type of terrain.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))
There were clouds in the sky and far off toward the open water at the distant end of the bay was a hint of fog. Frank eyed the mist doubtfully. It would take some time to make a close search of the caves on the north shore, and if fog came up, a hunt would be difficult.
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
They had rounded a little promontory and the boys saw a ragged row of gaping holes in the face of the rock. Most were just a few feet above the waterline. Chet said, “I know them. Some are small but others are big enough for an elephant to walk through sideways.” Frank brought the Sleuth in still closer to the base of the two-hundred-foot-high cliffs. “Great place to hide someone,” Biff commented. “I bet there are hundreds of those caverns.” “We have our work cut out for us,” Frank agreed. Some distance on, he spotted the first of the larger holes in the rock. The cave was six feet wide and high above the water. Frank ran the boat in close
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
enough so that by scrambling over its bow one could land on the tumbled heaps of rocks and boulders just beneath the opening. “Let’s take a look,” he said eagerly. “Jerry, will you hold the boat here?” “Sure. Go ahead.” Within a few minutes the others were climbing up the boulders toward the cave mouth. Presently they vanished into the dark interior.
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
The motorboat edged its way along the face of the cliff. Whenever the boys noticed one of the larger openings that could be reached easily from the shore, Frank ran the boat in among the rocks. Then, while one boy stayed in the Sleuth, the others would scramble up to investigate the cave. The hours dragged by. Finally they navigated to a place where the cliff sloped and began to give way to sandy hills and wooded inclines. Biff
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
Chet dashed from the room. Moments later he reappeared, his stout form draped in a white sheet. The others roared with laughter as Chet leaped playfully about the room with the sheet swirling behind him. “Better watch where you’re going!” Frank warned the cavorting phantom. Chet now spread his arms wide under the sheet. Looking like a huge white bat, he took a high running jump across the room. Coming down hard, he tripped on one corner of the sheet. Chet lost his balance, stumbled, then fell and rolled across the room in a tangled mass of cloth. The girls joined in the Hardys’ fresh outburst of laughter. “What’s so funny?” Chet groaned as he struggled to free himself. “I thought I looked pretty scary.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))
When he reached the selected cruising altitude, Jerry set the plane on course. Hour after hour passed as it bore through the sky. Lulled by the drone of the engines, the boys caught up on some sleep. When they awoke, the first light of dawn was breaking in the east. Gradually the light grew brighter, revealing a fascinating mosaic of deep blue and jade green on the surface of the ocean below.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))
Frank and Joe briefly told the officer on duty they might have a lead and dashed off to their car. They soon reached New Street, where most of the old-fashioned houses had “Rooms for Rent” signs in windows. Number 49 was a large run-down mansion, set far back from the street. Frank and Joe climbed the high steps and rang the bell. A neatly dressed, middle-aged woman opened the door.
Franklin W. Dixon (What Happened at Midnight (Hardy Boys, #10))
You boys picked a fine day to pay us a visit,” he said with a laugh. “In a little while that fog will be so thick you can walk on it.” The Hardys peered through the tinted panes of glass enclosing the control room. Already the ramp area immediately below was vanishing in a milky fog.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))
Light rain was falling, and a heavy prefrontal fog was beginning to move in as the Hardys arrived at the field. They walked to the tower and climbed the winding steps to the top. As they entered the control room, Lou Diamond, the tower chief, waved a greeting. A short, stocky, good-natured man, with crew-cut red hair, he nevertheless had an air of authority.
Franklin W. Dixon (The Great Airport Mystery (Hardy Boys, #9))