Hardwood Floor Quotes

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when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job both will feel right one will feel better she will only understand the first when she wants to cut her hair off or wear her brother’s clothes you will feel the words in your mouth like marbles you do not have to be pretty if you don’t want to it is not your job
Caitlyn Siehl
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
He pats his way around the the bed and slides back in. "Ow," he says. "yes?" "My belt. Would it be weird..." I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "yes" "Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Can I help you up?” "No,” she said bitterly. “I prefer to drag myself along the hardwood floor.” "Bitch,” I said, squatting to help her up.
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
I used to cover my windows in heavy curtains, never drawn. Now I danced in the sunlight on my hardwood floors.
Kimberly Novosel (Loved)
I like wooden shoes—John Wooden. They are better for playing basketball. Nail them to the hardwood floor for increased shooting efficiency.
Jarod Kintz (This Book is Not for Sale)
Calla.” My mother’s coaxing voice stopped me. “It is of course perfectly acceptable for Renier to call on you, but remember that you are a lady. Don’t bring shame on yourself by making poor choices.” “No, of course not.” I kept my eyes on the hardwood floor, thinking about Shay’s kiss and how much more I’d wanted from him. A sly smile hovered on Ren’s lips when I returned to the kitchen table. If he heard what Mom said, I’m going to kill her.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
She still sighed out her answer, though. “Fine. I’ll go.” “Now, darlin’. I know I’m pulling you away from playing grab ass with my oldest boy on his nice hardwood floor…” Angie barely stopped herself from spitting out her mouthful of coffee. “But if he’s anything like his daddy, trust me, he’ll still be here when you get back.
Shelly Laurenston (Here Kitty, Kitty! (Magnus Pack, #3))
When your little girl asks you if she's pretty, your heart will drop like a wineglass on the hardwood floor. Part of you will want to say “Of course you are, don't ever question it,” and the other part, the part that is clawing at you, will want to grab her by her shoulders, look straight into the wells of her eyes until they echo back to you and say “You do not have to be if you don't want to. It is not your job.” Both will feel right. One will feel better. She will only understand the first. When she wants to cut her hair off or wear her brother's clothes, you will feel the words in your mouth like marbles. “You do not have to be pretty if you don't want to. It is not your job.
Caitlyn Siehl (What We Buried)
Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan. As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.” “Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?” “What do you mean?” “I mean, how the holy hell does he afford this place? He looks like he’s twelve.” “He’s twenty-​two, and he happens to be quite successful.” “At twenty-​fucking-​two?” “He was born with talent?” Alyson said questioningly. “He’s a lucky wanker who blew the right people?” suggested Aaron. Alyson tried to scowl but grinned instead, “A child prodigy?” “A deal with the devil?” “Naturally gifted?” “An indulgent sugar daddy?” “How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio.
Giselle Ellis (Take My Picture)
We followed him through the wealthy splendor of the house. Hardwood floors. Custom carved woodworking. Statues. Fountains. Suits of armor. Original painting, one of them a van Gogh. Stained-glass windows. Household staff in formal uniform. I kept expecting to come across a flock of peacocks roaming the halls, or maybe a pet cheetah in a diamond-studded collar.
Jim Butcher (Turn Coat (The Dresden Files, #11))
When you eat, I want you to think of God, of the holiness of hands that feed us, of the provision we are given every time we eat. When you eat bread and you drink wine, I want you to think about the body and the blood every time, not just when the bread and wine show up in church, but when they show up anywhere— on a picnic table or a hardwood floor or a beach.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
My favorite days were the ones that barely registered. I'd catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I'd remember that I was alive for a second, then fade back out.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I think my dad was so fascinated by this idea because he realized on some fundamental level that he was not in control of his desires: I think he woke up every morning in his nice house with hardwood floors and granite countertops and wondered why he desired granite countertops and hardwood floors, wondered who precisely was running his life.
John Green (Zombicorns)
It had been me—it had always been me. And Ren—oh my God—Ren was here to find and kill me, because the prince of the mother freaking Otherworld was free in the mortal realm. The Prince was here to knock up a halfling, to make an apocalypse baby . . . with me. Me. I was going to vomit. Like all over the hardwood floors of my bedroom.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
And when the music died, life was always a little less bright, waiting for the next turn on the sprung, hardwood floor.
Alana Albertson (Love Waltzes In (Dancing under the Stars, #1))
Lie there panning, looking, all ribs and elbows and dilated eyes. The awake floor is littered with gear and dirty clothes, blond hardwood with sealed seams, two throw-rugs, the bare waxed wood shiny in the windows' snowlight, the floor neutral, faceless, you cannot see any face in the floor, awake, lying there, faceless, blank, dilated, playing beam over floor again and again, not sure all night forever unsure you're not missing something that's right there: you lie there, awake and almost twelve, believing with all your might.
David Foster Wallace (Infinite Jest)
He pats his way around the bed and slides back in. 'Ow,' he says. 'Yes?' 'My belt. Would it be weird...' I’m thankful he can’t see me blush. 'Of course not.' And I listen to the slap of leather as he pulls it out of his belt loops. He lays it gently on my hardwood floor. 'Um,' he says. 'Would it be weird—' 'YES.' 'Oh, piss off. I’m not talking trousers. I only want under the blankets.That breeze is horrible.' He slides underneath, and now we’re lying side by side. In my narrow bed. Funny, but I never imagined my first sleepover with a guy being, well, a sleepover. 'All we need now are 'Sixteen Candles' and a game of Truth or Dare.' He coughs. 'Wh-what?' 'The movie, pervert. I was just thinking it’s been a while since I’ve had a sleepover.' A pause. 'Oh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The sound of a boot heel striking her hardwood floor. The darkness coalesced, gained an outline. A tall, broad-shouldered figure dressed in black stepped forward. A deep voice said, "I won't let you go to Worontzoff's house, Charity.
Lisa Marie Rice (Dangerous Secrets (Dangerous, #2))
And what I said was I’ll miss you, What I meant to say was that I love you, What I wanted to say was that I meant what I said I miss you like I miss my own bed after too many nights of sleeping on couches or hardwood floors Or sitting silently behind the doors Of hotel rooms became wounds Breathing life in to this loneliness I miss you Like a burn victim must miss their own skin I miss you like a sad ending Must miss someplace new to begin Because some say that the highway becomes a flat line if you travel it for too long I can’t tell if that’s true or false, But I’m racing down it towards you trying to find my Pulse.
Shane L. Koyczan (Remembrance Year)
when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job
Renee Engeln (Beauty Sick: How the Cultural Obsession with Appearance Hurts Girls and Women)
Should I try to help her? Surely I was strong enough to loosen that stubborn backpack. And, in doing so, I could make a clever comment about how cold it must be outside for her nipple to get so hard. She'd laugh and toss her head back; her long blond hair would fall off her shoulders onto her back in slow motion. Thankful for my help, she'd lift up her shirt to give me a better look at her tits before I rip her clothes off and throw her down on the dirty hardwood floor. Shit, I gotta stop watching so much porn." - Tyler Campbell, Safe With Me, Part 1
Shaina Richmond
Despite all her efforts to not be one of those historical romance heroines, walking into the marble foyer and seeing the slick hardwood floors beyond, the glittering chandeliers and sconces, she felt like one. She felt small and alone. And like maybe her dad lost her in a poker game.
Molly O'Keefe (Indecent Proposal (Boys of Bishop, #4))
This is exactly what he wanted: to have an apartment with high ceilings and bookcases going all the way up, the hardwood floors and the coffee table of glass and polished metal.
Silvia Moreno-Garcia (Velvet Was the Night)
This wasn’t a house. It was a movie set. The art, the hardwood floors, the rugs, the grand piano, the Italian lighting and furniture,
Anthony Horowitz (A Line to Kill (Hawthorne & Horowitz #3))
The fever, I realized, had gone. Beneath my feet, the hardwood floor felt cool on my feet, the air gentle against my itching legs. This was just the world, after all. Big, thoroughly mapped place to sell joy or buy it, hunt company or flee it, trust yourself or your friends or your instincts, stretch the hours as much as you could, and one day vanish. ("Safety Clowns")
Glen Hirshberg (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
My mom is now on the ground, checking out the original hardwood floors. Did I mention she’s into wood? And I know where your head went just now, wood equals penis. Ha ha, my mom likes dick.
Meghan Quinn (Co-Wrecker (Binghamton, #1))
You believe what you think you believe, until suddenly, you realize that you don’t anymore. Or maybe you do believe, but it’s no longer convenient to do so, so you decide to forget. You decide to find other beliefs, ones that more comfortably fit the constantly evolving puzzle of your life. To put it more finely: There are those beliefs that you will carry with you until the end of your days. A belief in friendliness; a belief in long vacations; a belief in the power of the press and the merits of good coffee. And then there are the beliefs that seem so vital when you are young, but that the passing years steadily leach out of you: a belief in not selling out; a belief in the superiority of the artist; a belief in hardwood floors and staying fit and your ability to change the world. Most of all: a belief that love is forever, that you can climb into a stranger’s heart and know that person and be known in return.
Janelle Brown (Watch Me Disappear)
It really is a helluva fiver-upper," Henry said, because someone had to say it. "I feel like they should possibly renovate this basement if they want to get a good sale price. Hardwood floors, update the doorknobs, maybe put the wall back.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
If you were running away from me, down a straight hallway with an oiled hardwood floor, and I had a machine gun and a pointy mustache, I still couldn’t hit you with a bowling ball. But what are you doing? You should be running toward love, not away from it.
Jarod Kintz (This Book is Not for Sale)
On a nightstand in a teenager’s room, a glass vase filled with violets leans precariously against a wall. The only thing saving the vase from a thousand-piece death on the hardwood floor is the groove in the nightstand’s surface that catches the bottom of vase, and of course the wall itself. The violets, nearly a week old, droop in the light of a waning gibbous moon. Wrinkled petals are already piling up on the floor between the nightstand and the wall, and a girl only six days sixteen stares at the dying bouquet from her bed.
Jay Nichols (Emily Smiles for April)
He stared at me. “Every person exists in their own shallow bowl, and they can’t see over the rim,” he explained. “But they think that their world is the world—the truth. When in reality, no two bowls are identical, and all people are stuck trapped in their own.” Listening to my love, I felt as if we were transported back to the trail, staring at the inky field of ghostly stars. My hair dangling off our bed and onto the hardwood floor, almost upside down, I challenged him, intoxicated. “No that’s silly. We see the color of the walls, the same.” “There is no way to prove that your blue is my blue,” he said. And sobering, I began seeing how my love’s allegory was a hard truth, very dark—how our shallow bowls, differences of perspective, account for all declarations of others’ “wrongness” (one’s own rightness), and the sense of being wronged.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
That’s when Rob Valencia’s head explodes. Literally explodes. Blood and brains all over me, the walls. Blood all over the Bunnies and their whimpering boys. Bits of skull falling on the hardwood floor like hail. His headless, suited body remains standing before me. Then it collapses to the floor.
Mona Awad (Bunny)
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs. White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs. Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I go over the mistake in my head a dozen times a day. How I was hiding in a closet upstairs at the Salinger house. How I had to pee but couldn’t leave. So I pissed in a mug—a ceramic mug—and I put the mug down on the hardwood floor of the closet. I ran when I had the chance, and there is no way around it: I forgot the mug.
Caroline Kepnes (Hidden Bodies (You, #2))
Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.
Billy Collins (Taking Off Emily Dickinson's Clothes: Selected Poems)
My existence threatens you." He shoved me back. hard. I crashed into the hall table, knocking it over, smashing the jar of old marbles I had collected. Glass balls skipped and bounced along the corridor. I landed on my back, my head banging down on the hardwood floor. I lay there for a second, blinking up at the lighting fixture, taking in the years of dust and dead moths gathered in the etched-glass globe. The silence that followed was more startling than the collision of me and the table and the floor. I heard Jake's harsh breathing and a marble rolling away down the hall — which seemed pretty damned appropriate, since I'd apparently lost all of mine.
Josh Lanyon (The Hell You Say (The Adrien English Mysteries, #3))
And when I realized that the paint Had camouflaged an ancient door, And that beneath the smooth shellac There lay a trampled hardwood floor, I looked about through angry tears. For that remodeled house was all That I could ever own. And while I gazed around the shadowed hall My mouth curved in a bitter smile: I knew I had lived there before.
Sylvia Plath
Lissie gracefully swept out on to the hardwood floor of the gymnasium like she'd been born for this role. Violet glanced inconspicuously at Jay, wondering why on earth he would have picked her over the stunning Lissie Adams. But he wasn't looking at Lissie. All of his attention was focused on Violet instead, and he caught her fleeting look in his direction. "She's not half as beautiful as you are," he promised, in answer to her silent doubts. She nudged him lightly with her shoulder. "Shut up." But she couldn't keep the smile off her lips as she said it. "Knock it off, you guys. Get a room, for God's sake!" Chelsea squealed at the two of them above the clamor of the crowd in the bleachers.
Kimberly Derting (The Body Finder (The Body Finder, #1))
He released my body, and I slumped down the wall, my butt colliding with the hardwood floor as I looked up at him with blurry vision. "What just happened?" Zane Smirked then leaned down, offering me his massive hand. "Demonstration. You want him to kiss you like that. You're welcome. Also, next time a guy tries to kiss you who isn't Lincoln, you slap him.
Rachel Van Dyken (Capture (Seaside Pictures, #1))
It is not always, as we might suspect, the hardwoods that necessarily live longer but sometimes the softer woods.
Lore Ferguson Wilbert (The Understory: An Invitation to Rootedness and Resilience from the Forest Floor)
I hear you stabbed my floor,' she noted. 'That's good hardwood, I'll have you know. Honestly. Men and their weapons
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Who are you?” Greg asks. Claudine steps inside the house without waiting for an invitation. “Who am I?” she asks. “I’m the motherfucking welcoming committee, bitch. That’s who the fuck I am.” She comes and stands inside, holding a cupcake with chocolate frosting. She drops it, the frosted side hitting the hardwood floor. Then she steps on it, mashing it into the floor.
Evelyn Sola (Broken)
There is no reason to deprive your body of love, beauty, creativity, and inspiration, Chopra said. I wrote out a collection of sensory memories from childhood, recalling how it felt to be nourished and soothed. Rice steaming, rain outside. Standing in a towel heated by the tall furnace, feet dripping on the hardwood floor. The smell of sun on asphalt. Cold water on my face in the morning. Eating a bowl of cereal at midnight. The sound of a page turning as I am being read to. The thud of a peach falling. The dusty smell of sand. The scorch of cocoa, the sticky film of melted marshmallow. Spongy insides of bread sopping up tomatoes and vodka sauce. I am reminded of what I am capable of feeling. The ways I consume, my senses opening to receive, at ease, indulgent.
Chanel Miller (Know My Name: A Memoir)
Grace cut across an Oriental rug done in a plum, navy, and cream geometric pattern. The colors in the carpet pulled the richness of the furniture together. She noticed that Cade walked the perimeter of the room, sticking to the hardwood floor. Off to the right, a glassed-in sunroom caught the first rays of sunshine from the overcast day. The forest-green wicker furniture, abundant greenery, and a small bookcase with monthly magazines and mystery novels offered peace and solitude.
Kate Angell (The Cottage on Pumpkin and Vine)
If I had only known kittens can climb drapes, perch on top of a traverse rod, and then screech like some femme fatale in a low budget horror flick to be rescued. That a kitten sounds like a herd of buffalo running on hardwood floors in the middle of the night. If I had only known a kitten’s claws can sink through a sheet into your balls while you’re jerking off. An old adage says, “Live and learn,” and I amassed an encyclopedic amount out cat wisdom in less than twenty-four hours.
K.C. Kendricks (A Cat Named Hercules (The Men of Marionville, #5))
Ty used his weight to pin Zane to the bare hardwood as Zane gasped for air. He had Zane’s wrists in his hands and was kissing him again, right there in the middle of the floor, and Zane could only whisper Ty’s name whenever their lips parted. Zane’s
Madeleine Urban (Divide & Conquer (Cut & Run, #4))
THE SPEED OF TIME VARIED, fast or slow, depending on the depth of my sleep. I became very sensitive to the taste of the water from the tap. Sometimes it was cloudy and tasted of soft minerals. Other times it was gassy and tasted like somebody’s bad breath. My favorite days were the ones that barely registered. I’d catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I’d remember that I was alive for a second, then fade back out.
Ottessa Moshfegh (My Year of Rest and Relaxation)
What’s wrong?” Not a damn thing. Everything. That he wasn’t touching her. The fact that she still had clothes on. “Ford?” His name on her lips snapped something in him. The Vacilli’s box hit the hardwood floor with a thump. His determined footsteps echoed in the foyer as he crossed over to her. She let out a soft mewl when he pressed his body against hers. He cupped her face in his hands and took her mouth like a man who had just discovered the meaning of life, because that’s what he’d just realized. Gina. She was his meaning.
Avery Flynn (Butterface (The Hartigans, #1))
When he first meets the dog, I cannot read his face. It is a blank face. But everywhere he goes, the dog follows. He allows him on the hardwood but not on the carpet. He allows him on the carpet but not on the couch. When the dog cries at night from fear of being alone, he sleeps next to him on the floor.
Weike Wang (Chemistry)
Jeffrey woke up, tied to the high-backed chair in his bedroom, nude. He could hear his wife giggling in the hallway, the hardwood floors creaking with her footsteps with what must have been someone else too. He was gagged, a tight cloth wrapped around his mouth, hurting his jaw when he tried to call for help. He looked down at his body, seeing that he was tied with an intricate rope pattern - a pentagram - on his chest, the hemp fibers tight. He could breathe fine, and he recognized his wife’s rigging skills instantly. They’d practiced Kinbaku, a rope bondage before, on multiple occasions, but this rigging was different. It seemed to be tighter than normal, and he knew that something new was being introduced tonight.
Todd Misura (Divergence: Erotica from a Different Angle)
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
I am nine. We are bored and Karen is dying. We drove to Austin that summer so Sarah's dad- who described Karen as /the great and impossible love/ of his life, who taught us the word /lymphoma/ and then, the concept of the prefix, how it explains where the tumor lives- could say goodbye. The house is a rind spooned out by the onset of death, what's left in the medicine cabinet full of razors & we are hungry & alone & sitting on the living room floor where the light from a naked window slices the hardwood like a melon, brandishes each, individualfuzz on my scabbed calf a field of erect, yellow poppies & we have been alive as girls long enough to know to scowl at this reveal & what better time than now to practice removal. Once, I watched my mother skin a potato in six perfect strokes I remember this as Sarah teaches me to prop up my leg on the side of the tub and runs the blade along my thing, /See?/ she says, /Isn't that so much better?/ Before we left Albuquerque her father warned us, /She will have no hair/ a trait we have just begun to admire except, of course for the hair he is talking about we hold against our necks, that which will get us compliments or scouted in a mall, eventually cut off by our envious sisters while we sleep.
Olivia Gatwood (New American Best Friend (E.P. Chapbooks))
THE SPEED OF TIME VARIED, fast or slow, depending on the depth of my sleep. I became very sensitive to the taste of the water from the tap. Sometimes it was cloudy and tasted of soft minerals. Other times it was gassy and tasted like somebody’s bad breath. My favorite days were the ones that barely registered. I’d catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I’d remember that I was alive for a second, then fade back out. Achieving that state took heavy dosages of Seroquel or lithium combined with Xanax, and Ambien or trazodone, and I didn’t want to overuse those prescriptions. There was a fine mathematics for how to mete out sedation. The goal for most days was to get to a point where I could drift off easily, and come to without being startled. My thoughts were banal. My pulse was casual. Only the coffee made my heart work a bit harder. Caffeine was my exercise. It catalyzed my anxiety so that I could crash and sleep again. The movies I cycled through the most were The Fugitive, Frantic, Jumpin’ Jack Flash, and Burglar. I loved Harrison Ford and Whoopi Goldberg.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Ellie made her way up the familiar twist of Wicker Road. Even with just the porch light on, her house looked inviting and settled. The single oak that took up the majority of her front lawn was already beginning to collect the first measures of snow. She quickly walked up the three steps and went in. There was nothing grandiose about the place, but it was a perfect fit for Ellie. The house looked a little like an old English cottage. It was tiny, reminding her of a dollhouse. Which suited her perfectly. Any bigger and the place would have echoed, and Ellie would have been aware of how acutely alone she was. She filled the walls with various pieces of artwork, and her queen-sized bed with pillows she made from pieces of vintage fabric. There were two fireplaces and wall-to-wall hardwood floors with perfectly worn-in wainscoting. The back rooms were all windows that could be opened up so it seemed almost a part of the garden. Ellie's study was lined with bookshelves on every wall except the alcove, in front of which she had placed an old secretary. She even had a small balcony off the master that looked over the garden and was a wonderful place to read.
Amy S. Foster (When Autumn Leaves)
Inching into the room, it’s clear something is wrong here. There’s a tingling sensation up my legs and back before I can even really focus on the parlor’s details. There are silhouettes of people, but I can see through them. It’s like shadows were cast and left behind to do as they please. Lost in the surreal sight of them for a moment, I inch further into the room without noticing that some were now moving behind me. There is no warning. I’m suddenly in the air, and moving backward rapidly toward the wall. It’s almost a full second before my body registers the actual pain of the blow my stomach just took. Being hit by a car doesn't even compare to this, and I didn't even see it coming. “For a shadow, you hit like a sledgehammer!” The words barely escape before something else slams into the base of my skull embedding most of my upper body in the wall and all but removing my head. These things are like Lucy; the disembodied dead who haven’t moved on. I've never met others that can actually touch things physically, they must be fairly potent. I pull my face out of the hole it had been planted in, letting plaster dust fall, coating my chest and legs like snow. Looking around quickly I try to gauge my surroundings. I can’t see them, but I know they’re there. Is one easy night, without a huge dry-cleaning bill, too much to ask for these days? I only have time to dwell on it a moment before my head is bouncing off the hardwood floor; once, twice, and then a third time in quick succession. Now ‘pick splinters out of my forehead’ can be added to my Saturday night to-do list. Damn it, this is not going as planned.
Dennis Sharpe (Blood & Spirits (The Coming Storm, #1))
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
Can you just imagine the two of them next year at the Phi Delta Carnation Ball?” Laura Grace asks, clapping her hands together. Daddy looks confused. “The two of who?” “Why, Ryder and Jemma, of course.” Mama pats him on the hand. “You remember the Carnation Ball--it’s the first Phi Delta party of the year. They have to go together, right, Laura Grace?” She nods. “We’ve been waiting all our lives for this.” Mama finally glances my way and sees my scowl. “Aw, honey. We’re just teasing, that’s all.” This sort of teasing has been going on my entire life--second verse, same as the first. It’s gotten real old, real fast. “May I be excused?” I ask, pushing back from the table. “You go on and finish your dinner,” Laura Grace says, entirely unperturbed. “We’ll stop teasing. I promise.” “It’s okay. I’m done. It was delicious, thanks. I just need to get some air, that’s all. I’m getting a bit of a headache.” Laura Grace nods. “It’s this heat--way too hot for September.” She waves a hand in my direction. “Go on, then. Ryder, why don’t you go get Jemma some aspirin or something.” I glance over at Ryder, and our eyes meet. I shake my head, hoping he gets the message. “No, it’s fine. I’m…uh…I’ve got some in my purse.” “Go with her, son,” Mr. Marsden prods. “Be a gentleman, and get her a bottle of water to take outside with her.” Ugh. I give up. My escape plot is now ruined. Wordlessly, Ryder rises from the table and stalks out of the dining room. I follow behind, my sandals slapping noisily against the hardwood floor. “Do you want water or not?” he asks me as soon as the door swings shut behind us. “Sure. Fine. Whatever.” He turns to face me. “It is pretty hot out there.” “I near about melted on the drive over.” His lips twitch with the hint of a smile. “Your dad refused to turn on the AC, huh?” I nod as I follow him out into the cavernous marble-tiled foyer. “You know his theory--‘no point when you’re just going down the road.’ Must’ve been a thousand degrees in the car.” He tips his head toward the front door. “You wait out on the porch--I’ll bring you a bottle of water.” “Thanks.” I watch him go, wondering if we’re going to pretend like last night’s fight didn’t happen. I hope that’s the case, because I really don’t feel like rehashing it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
this. I can’t smile or fake things I’m not feeling. Digging chopsticks out of the drawer, I stick them in the bowl and pick it up, carrying it upstairs. I reach the top and don’t pause as I turn away from their bedroom door and head left, toward my own room. Carrying the bowl to my desk, I pause, the smell of the ramen making my stomach roll. I set it down and move to the wall, sliding down until I’m sitting on the floor. The cool hardwood eases my nerves, and I’m tempted to lie down and rest my face on it. Is it weird I stayed in the house tonight when they died just down the hall this morning? The coroner estimated the time of death about two a.m. I didn’t wake up until six. My mind races, caught between wanting to let it go and wanting to process how everything happened. Mirai is here every day. If I didn’t find them, she would’ve. Why didn’t they wait until I’d gone back to school next week? Did they even remember I was in the house? I let my head fall back against the wall and lay my arms over my bent knees, closing my burning eyes. They didn’t leave me a note. They dressed up. They put the dog out. They scheduled Mirai to come late this morning, instead of early.
Penelope Douglas (Credence)
my list of requirements was hard to meet. Ideally, I needed quiet neighbors, a landlord who took rent payments in cash and wasn’t picky about background checks, and hardwood floors for chalking down the occasional ritual circle.
Craig Schaefer (The Living End (Daniel Faust, #3))
Rainwater had been tramped across the hardwood floor in ill-defined footprints.
Scott Mackay (Fall Guy: A Detective Barry Gilbert Mystery (Detective Barry Gilbert Mysteries Book 2))
We fell silent as we heard the click-click of nails on the hardwood floor, followed by a rubbing sound, and watched, dumfounded, as Viddy walked into the room followed closely by the puppies.
Lani Lynn Vale (Kevlar To My Vest (The Heroes of The Dixie Wardens MC, #3))
He watched her through narrowed, half-closed eyes, keeping his breathing regulated so that she dismissed him to take his clothes to the laundry room. He heard her but couldn’t see her as she started up the washing machine. Then she was back, meticulously wiping up her hardwood floor until it gleamed. She must have warmed some blankets because she stripped off his blanket and tucked two more around him, still muttering to herself under her breath. He really was far gone and confused, because he was beginning to find that habit rather adorable.
Christine Feehan (Water Bound (Sea Haven/Sisters of the Heart, #1))
She understood that becoming a nun was a lifetime commitment. Testing her daughter’s resolve was wise. The Koehler family together, 1923 First Homes As an adult, I visited Rosie’s first home at 83 Beals Street in Brookline, Massachusetts, to get a sense of her early life and that of her famous family. The compact Victorian residence stands three stories tall on a small lot in the Boston suburb. It was easy to picture the young Kennedy children playing in the back yard. Rose Kennedy wrote in Times to Remember, her 1974 autobiography: “It was a nice old wooden-frame house with clapboard siding; seven rooms, plus two small ones in the converted attic, all on a small lot with a few bushes and trees . . . about twenty-five minutes from the center of the city by trolley.” 5 The family home on Beals Street is now the John Fitzgerald Kennedy National Historic Site, run by the National Park Service. From the deep browns and reds of the rugs on the hardwood floors to the homey couch and chairs, the home felt warm and comfortable to me. I suppressed a desire to kick off my sandals and flop on the sofa. The Kennedys’ house on Beals Street, Rosie’s first home But my perspective as a child would have triggered a different impression. I would have whispered to my mother, “They’re rich!” (I’ve since discovered that money isn’t the only measure of wealth. There’s wealth in memories, too.) A lovely grand piano occupies one corner of the Kennedys’ old living room. It was a wedding gift to Rose Kennedy from her uncles, and she delighted in playing her favorite song, “Sweet Adeline,” on it. Although her children took piano lessons, Mrs. Kennedy lamented that her own passion never ignited a similar spark in any of her daughters. She did often ask Rosemary to perform, however. I see an image of Rosemary declaring she couldn’t, her hands stretching awkwardly across the keys. But her mother encouraged Rosie to practice, confident she’d
Elizabeth Koehler-Pentacoff (The Missing Kennedy: Rosemary Kennedy and the Secret Bonds of Four Women)
Can I help?” “Hold this.” She handed him the wreath as she climbed the ladder. It wobbled on the hardwood floor. “I guess the floor’s not level.” “Part of the old house charm.” At the top she stretched high, reaching for the bottom of the picture hanging on the wall, then handed it down to him. The ladder wobbled as they swapped pieces. She grabbed onto the sides, but it wobbled again. When she looked down at Murphy, he wore a roguish smile, and his eyes held a mischievous sparkle. “Stop that,” she said. “What?” “It was you.” “I don’t know what you’re talking about.” She spared him a look and climbed to the highest safe rung, hoping he had the good sense not to fool with the ladder anymore. The wreath wasn’t heavy, but it was awkward. She tried to hook it on the nail that had held the picture. Missed. She rose on her toes. Just out of reach. She breathed a laugh. “Sheesh.” After another try, she lowered her arms for a rest. The ladder moved. “Stop it.” She steadied herself, then realized the ladder wasn’t wobbling. It was vibrating as Murphy climbed up behind her. “What are you doing?” “Helping.” She tightened her grip. “Get down. It isn’t safe.” “This is the heaviest-duty ladder I sell. Since neither of us weighs three hundred pounds, it’ll be fine.” He stopped behind her, the ladder stilling. The warmth of his chest pressed against her back. The clean, musky scent of his soap teased her nose. Her throat went dry. Her heart flittered around her chest like flurries in a snowstorm. He took the wreath, leaning closer, reaching higher. His thighs pressed against hers. His breath stirred the hairs at her temple. A shiver skated down her spine. Her legs trembled, and she braced a hand against the wall. This is Murphy, Layla. Remember? The guy who practically threw Jessica at Jack? The guy who didn’t bother mentioning that your fiancé was hooking up with your cousin? Even as the thought surfaced, Beckett’s words came back to her. Had she blown Murphy’s role out of proportion? Her thoughts tangled into a snarly knot. Murphy settled the wreath against the wall and leaned back infinitesimally. “That where you want it?” His lips were inches from her ear. If she turned her head just a bit— What the heck, Layla? She gave the wreath a cursory glance. “Yeah.” She didn’t care if it was upside down, backward, and flourishing with a moldy infestation. “Can you get down already?” “You seem a little tense.” His tone teased. Did he know the effect he was having on her? “You’re shaking the ladder, and your weight is straining the capacity.” Her fingers pressed against the wall, going white against the oak paneling. “Have it your way.” He leaned in, his lips close enough to brush her hair. “Let me know if you need any more help.
Denise Hunter (A December Bride (A Year of Weddings #1))
river rippling behind the tree line, and the rich purples and deep oranges of the random wildflowers that had sprouted up all around, were absolutely stunning. To her, being in Hope Falls felt like she had been transported into a Thomas Kincaid painting. The entire town was postcard perfect. She didn’t miss the fact that she was one lucky girl getting to spend a significant amount of time here. That luck, however, was not translating to her house-hunting efforts. In fact, the apartment above Sue Ann’s Café was looking more and more appealing. After seeing six properties, Lily had come to the conclusion that settling was most likely her only option. Four out of the six properties Lauren had shown her had had everything that Lily needed. Space, hardwood floors, updated appliances. But they also all had one thing in common—they were totally secluded. She had been nervous just being at the properties and she’d been with Lauren the entire time. She couldn’t imagine what she would have felt like being out there alone. Which, logically, Lily knew was a completely ridiculous reaction. Whether or not there is a neighbor for a mile should have no relevance in Lily’s house hunt. But…it did. Maybe next year it wouldn’t, Lily thought to herself, trying to put a positive spin on her neurosis. “Okay, I think this one might be the one,” Lauren said confidently. Lily felt the car coming to a stop, and she looked up, squinting in the sun, to see a quaint cottage-style house.
Melanie Shawn (Snow Angel (Hope Falls, #5))
Instinctively, I held my hand to my chest sure that holding pressure would prevent my bleeding heart’s contents from seeping out. Needing a reprieve, I dropped the announcement. I heard it sweep across the hardwood floor seconds before I turned to leave. - Allison La Crosse
T.R. Graves (Guardians of the Cross (Warrior, #2))
hatch our survival plan in the coolest place we could find. We made our way into the cluttered room at the windowed front of the deckhouse—what our boat builders back in Hong Kong called the “lavish grand salon” in their sales brochures. With us, it was more like the messy rumpus room. True, the room had, as advertised, “a curved couch, sleek teak paneling, and hardwood cabinetry with a built-in sink.” But the sink had dirty dishes and empty soda bottles in it, the paneled walls were cluttered with a collection of my parents’ favorite treasures (including a conquistador helmet, a rare African tribal mask, a grog jug shaped like a frog, a rusty cannonball from a Confederate gunboat, a bronze clock covered with cherubs that probably belonged to King Louis XIV, and, in a glass shadow box, a rusty steak knife from the Titanic). There were assorted trinkets, necklaces, and coconut heads suspended from the ceiling. Add a heap of scuba and snorkel gear and assorted socks, shoes, and T-shirts on the floor (the floor is our laundry basket), and our grand salon looked more like a live-in recycling bin. “Have we even seen a map for this treasure hunt?” asked Beck. “Nope. Dad just said we needed to be in the Caymans.” “Then we need to find his map.
James Patterson (Treasure Hunters - FREE PREVIEW EDITION (The First 10 Chapters))
Now, Daniel and I propped ourselves up with pillows in his bed, our legs stretched out in front of us, passing the lo mein and dumpling cartons back and forth, digging into them with chopsticks while we heckled the married couple with more money than sense on the television. “Really?” I yelled. “You have a quarter of a million dollars to renovate a Philadelphia row house, and that’s the cheap garbage tile you pick for the bathroom?” “They have to make up for the money they spent replacing those hardwood floors somehow.” Daniel crunched into an eggroll. I tsked and shook my head. “They could have refinished the original ones for half that, easily.” “Oh, yeah?” He bumped my shoulder with his. “Refinish a lot of floors, do you?” “I watch a lot of TV where other people refinish a lot of floors. I think that makes me an expert.” He considered that. “Close enough. I’ll accept that.” I slurped up one more bite of noodles while the couple on the screen bickered about the color of the shower tile. Their marriage wasn’t going to last beyond the renovation of that house. “I wonder what it’s like,” I finally said. “I think the green would have looked better, but that’s not the hill I want to die on.” “No . . .” I passed the lo mein carton to him. “I mean having a space like that. My place would fit in their kitchen, you know? I watch shows like this and wonder what it would be like to live that kind of life. Where you have an amazing space like that, and the money to make it exactly what you want.
Jen DeLuca (Well Played (Well Met, #2))
Crystal light fixtures give the dormitory halls a golden glow, but fluorescent bulbs hum inside our bedrooms. The floors are glossy hardwood but lined with industrial-grade rugs. Fresh flowers and Tiffany lamps grace the lobby, but the chairs are ratty love seats, and the tables are carved with initials and rude words.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know I could make the effort and join them, but if I jumped, there’d be a strong chance I’d bust through the hardwood floor and land in the basement in a heap of splintered wood and concrete. The stoners would have the laugh of the century. The party would be ruined.
K.M. Walton (Empty)
The floor squeaked beneath my feet and I knew the previous owner committed one of the worst crimes against any great structure—they’d carpeted over the hardwood floors. I
C.V. Hunt (Ritualistic Human Sacrifice)
A second later, a third knife sticks into the doorframe, the two sides of its handle calving off as well, tapping into the hardwood floor one by one, like they tried to hold on, they really did, but… they’re just from the dollar store, come on, this is all they could manage.
Stephen Graham Jones (Don't Fear the Reaper (The Indian Lake Trilogy, #2))
That set off the home security system—a chorus of deep barks from Rex and Sherlock, the two Rhodesian-mastiffs Tracy inherited when she and Dan married. Roger squirmed free and shot from her arms. A thud, followed by a second thud, came from upstairs. The dogs had been on the bed—against Tracy’s rules. Nails clicked on the hardwood floor as the two dogs rushed to the landing at the top of the steps. They looked down at Tracy, tails wagging, but tentative. “You know you’re not supposed to be on the bed,” she said. Rex shifted his eyes back to the master bedroom. An admission of guilt. Sherlock, apparently deciding to seek forgiveness, lumbered his 140 pounds down the steps to greet her. “Good boy,” she said. “You’re in the will. Rex, you get a lump of coal.” Rex whined and trudged back into the bedroom. The
Robert Dugoni (What She Found (Tracy Crosswhite, #9))
After the blaze burned out, John called Samsung to report the incident. He estimated that the destruction to the nightstand, hardwood floor, and carpets totaled $9,000. The company said it would call him back within twenty-four hours. It never did.
Tripp Mickle (After Steve: How Apple became a Trillion-Dollar Company and Lost Its Soul)
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AWAKENING A moment awakening: Clouds knotted across the sky And I let the day flood in Listening to the heartbeat of the world As I gaze out of my window Around my room are lullabies Of light dancing In glorious forms Folded like dough Across the hardwood floors I cannot sleep I must arise
Trisha North (From Here To Eternity)
find. Henry said she lived right across the hall.” Chapter 14 “So, this is the scene of the crime,” Ida said as they pulled up in front of an old Victorian. From outward appearances, it was hard to imagine that something sinister had happened inside. It was nicely kept, with off-white siding and purple trim. “Looks like a birthday cake,” Ruth said as they walked up the steps toward the purple door. She opened the door to reveal a small entryway. A set of stairs loomed in front of them. Old-fashioned green flowered wallpaper papered the walls. The floor was hardwood, scuffed from years of wear. To the right was a solid oak door with the number Two on it. “According to the case files, Rosa and Henry lived at number two.” Nans gestured toward the door on the other side of the hall which had a number One. “So this one must be Mrs. Pettigrew.” Ruth was standing closest to the door, so she knocked. “Who is it?” A voice drifted out almost before the knock stopped echoing. Clearly, Mrs. Pettigrew kept a close eye on the place and had seen them come in. “It’s the Ladies’ Detective Agency.” Nans’s voice took on an official tone. “We have some questions on a case if you’d be so kind as to answer them.” Of course, Doris Pettigrew would be thrilled to answer questions. If she was truly the busybody that it sounded like she was, she wouldn’t be able to resist the lure of gossip and finding out exactly what case the ladies were referring to. Lexy heard a series of locks clicking and chains sliding, and then the door cracked and a rheumy blue eye appeared. “Do you have any credentials?” “Of course.” Nans shoved a business card at her. It was in a laminate case, so it resembled an official badge of some sort. Doris snatched the card and pulled it inside. It took her a few seconds, but Nans’s card must have passed muster because the door opened and Doris said, “Come in.” Ida went in first. “Oh, this is… unusual.” Lexy peered over Ida’s head. She couldn’t be sure exactly what Ida thought was unusual. There were so many things. It could have been the giant four-foot-tall dolls that stood around the edge of the room. Or it might have been the knitted afghans that covered every surface. Or maybe it was the stuffed animals that were sitting on the couch as if holding a conversation. Then again, it might have been the herd of cats that was sniffing around Ida’s ankles. Doris handed the card back to Nans. “I’m Doris Pettigrew, by the way.” They all introduced themselves, and Doris gestured toward the living room for them to sit. Ida gingerly plucked a large pink elephant off the sofa and put it on the floor then took its place. A black cat immediately jumped into her lap. The rest of the ladies followed her lead, moving dolls aside, disturbing stuffed animals, and pushing cats out of their laps. Lexy sat in the only chair not occupied by a stuffed animal. The smell of mothballs wafted up as the rough wool of the crocheted granny square pillow irritated her arm. Achoo! Helen sneezed and pushed the fluffy tail of a white Persian out of her face.
Leighann Dobbs (Ain't Seen Muffin Yet (Lexy Baker, #15))
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We’re pattern-seeking creatures. There’s even a word for it: apophenia. We constantly make connections between completely unrelated things, tease meaningful patterns from meaningless noise, and find familiar objects in the world around us. We see the man in the moon, or climbing kudzu looks like a crucified man, or a blackish stain on a hardwood floor stares right back at us. Birds make smiling faces in the New Mexico sky. The world is a mirror, and our tendency to see ourselves in it was once a matter of survival. As soon as a baby can see, she recognizes the human face. The baby smiles at the sight, and her mother picks her up, holds her tight, loves her, protects her. See . . . survival.
J. Todd Scott (The Flock)
toenails skittering across the hardwood floor.
Margaret Mizushima (Tracking Game (Timber Creek K-9 Mystery, #5))
Coming, baby,' Shana murmured. She tossed back the covers, brushed her sleep-tangled hair from her face, and slogged out of the bedroom. The hardwood floor creaked beneath her bare feet. Jaydee's cries grew clearer.
Meg Gardiner (Into the Black Nowhere (UNSUB, #2))
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As we sift out, I deposit a small indoor conservancy in the center of the third floor, with young trees, grasses, and rocks draped with tender mosses and delicate berries to feed the lemurs while we are away. As a hasty afterthought, I add a circular, stone-ringed pool of water and remove all rugs. Poop is easier to clean off hardwood.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
The chair just inside the living room stuck out its leg as if it had agency and sent Marcus sprawling to the floor, the vase he was carrying smashed, water creeping over the polished hardwood, and the marigolds just under his nose, tickling his nostrils with their pungent odor.
Vincent Traughber Meis (Bay Area Queer Writers Association Presents: Queer Cheer: Holiday Stories with a Queer Twist)
Such a pretty fucking princess,” I muse, letting a grin touch my lips. “And do you know where pretty princesses belong, Summer?” “Where?” Her voice is soft, but thick. I point to the hardwood floor below me. “On their knees.
Elsie Silver (Flawless (Chestnut Springs, #1))
Rain giving way to a spectacular sun. Its rays speckling through the stained glass, dancing off the hardwood floors. The orchestra’s music lifting through the open windows and out over the block as though it had always belonged to the Brooklyn air.
Jacqueline Woodson (Red at the Bone)
The Return Season On March 19, 1995, Michael Jordan officially returned to the hardwood floor as an NBA player in a game against the Indiana Pacers wearing jersey number 45, which was his brother Larry’s number and the number he used while playing baseball. Still feeling the rust of being away from competitive basketball for nearly two years, Jordan only had 19 points on a poor 7 out of 28 shooting clip in that loss to the Pacers. But while the Bulls may have lost that outing, they were happy enough that they had the franchise’s greatest player back in time to help them with their playoff push. While Jordan took his sweet time getting his groove back, he still had scoring explosions even as he was shaking off the rust. On March 28th he helped avenge the Bulls’ seven-game series loss to New York the previous year by exploding for 55 points against the Knicks. Just three days before that, he had 32 in a win over the Atlanta Hawks. Just as the Chicago Bulls had hoped, they got the push they needed when Jordan returned to the team. They won 13 of the 17 regular-season games that MJ appeared in and went on to make the playoffs with a 47-win season. In that brief 17-game campaign, Michael Jordan averaged 26.9 points, 6.9 rebounds, and 5.3 assists while shooting 41.1% from the floor. It was clear that
Clayton Geoffreys (Michael Jordan: The Inspiring Story of One of Basketball's Greatest Players (Basketball Biography Books))
Sometimes I wonder if there are still bits of my heart slit into the floor, the story of my heartbreak hidden in the hardwood
Raquel Vasquez Gilliland (Witch of Wild Things (Wild Magic #1))
I’m not an amateur, so I grab the mixing bowl full of brownie batter and make a break for it. Except…I’m not moving. My socked feet are gliding on the hardwood but going absolutely nowhere. Who put a treadmill in this floor?! I look over my shoulder and see Nathan has the back of my shirt pinched between his fingers. And now I’m being slid backward, closer to him. That large hand reaches over my shoulder, and I watch it dip—his whole entire hand—into the bowl of brownie mix I’m clutching tightly in front of me. There’s nothing for me to do but close my eyes as he slowly presses a blob of sticky batter onto the right side of my face. Hair and all. That’s going to be fun to get out. Can I just say, this is the weirdest, slowest food fight anyone has ever witnessed? And oddly, it’s making me super hot and tingly. I spin around to face him, and it’s my turn now. I take a dip of batter then smear it across both of his eyebrows. He looks like Eugene Levy now, and I have to press my fist to my mouth to keep from laughing. With a subtle grin, he loads up his finger then uses the batter to paint brown lipstick across my lips—really…freaking…slowly. Oh.
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
And do you know where pretty princesses belong, Summer?” “Where?” Her voice is soft, but thick. I point to the hardwood floor below me. “On their knees.
Elsie Silver (Flawless (Chestnut Springs, #1))
the almighty Roman Petrov strolls in. His cane makes a slight tick sound on the hardwood floor as he approaches with quick steps and leans in close to my face. “You are grounded,” he says through his teeth. “I’m not a child. You can’t grou— What are you doing? No! Leave my laptop alone! Dad!” “NASA?” He puts my laptop under his arm and yanks the power cord out of the wall. “Fucking NASA!?
Neva Altaj (Beautiful Beast (Perfectly Imperfect: Mafia Legacy, #1))
She knew his footsteps; knew them across carpet and hardwood floors, and knew them now across the gravel on the common parking lot. She turned and smiled at him, and Ravi's feet picked up in that small-stepped half run he always did when he spotted her. It made Pip glow every time.
Holly Jackson
A male staff member living with us…? I mean, for all we know, he’s some sick pervert or sex predator. No offense, Elliot.” “None taken…” I gave her a forced smile. “Well I think it’s cool,” said Wyatt, dribbling a basketball on the hardwood floor. I would have to knife that in the middle of the night. “I see enough of the team at practice and games. It’ll be fun living with you guys. Did you request this, Elliot?” “I most certainly did not…” I muttered under my breath.
Dr. Harper (The Disturbing Incidents at Lonesome Woods Boarding School (Dr. Harper Therapy))
when your little girl asks you if she’s pretty your heart will drop like a wineglass on the hardwood floor part of you will want to say of course you are, don’t ever question it and the other part the part that is clawing at you will want to grab her by her shoulders look straight into the wells of her eyes until they echo back to you and say you do not have to be if you don’t want to it is not your job both will feel right one will feel better she will only understand the first when she wants to cut her hair off or wear her brother’s clothes you will feel the words in your mouth like marbles you do not have to be pretty if you don’t want to it is not your job
Caitlyn Siehl
Ben looked so f****** hot twisting that wrench. The way his muscles flexed with every move made my core tingle in excitement. I knew that it was over for me when he decided to lie on my floor and fix the pipe, and let me tell you, the hardwood surface wasn’t the only thing that got wet.
Leah Mahon (Secret Baby for Dr. Billionaire (The Sunshine State Billionaires #1))
She’ll tear out that one wall in her condo that makes her feel uneasy, and she’ll finally replace her bedroom carpet with hardwood floors, and she’ll train for a marathon, and the absolute last thing she’ll do for the next ten weeks is sit around with her thoughts.
Alison Cochrun (Here We Go Again)
I paused at the top of the spiral staircase, and soaked in the view. In the daylight, the bookstore took on a new life. Motes of dust danced in the sunlight that streamed through the windows. It looked a lot cozier, as the colored glass window ornaments threw rainbows across the bookshelves and pirouetted across the hardwood floors like flecks of dappled sunlight on sand. Bookcases, filled to the brim, reached up to the ceiling, cluttered with so many colors and kinds of books, short and fat, long and wide, that it almost felt like an assault on the senses. The center of the bookstore was open to the second floor, where tall bookshelves towered so high you had to reach them with ladders. Heavy oak beams supported the roof. Planetariums and glass chimes and other ornaments hung from the rafters, catching the morning's golden light and throwing it across the store. The shelves were made from the same deep oak as the ceiling beams and the banisters on the second floor, signs hanging from the eye-level shelves detailing the different sections of the store: MEMOIR, FANTASY, SCI-FI, ROMANCE, SELF-HELP, NATURE, HOW-TO... This place was beautiful. I wondered, briefly, what it would be like to own a place like this. It was magical. A shop that sold the impossible inked onto soft white paper.
Ashley Poston (A Novel Love Story)