Hardcover Quotes

The paperback is very interesting but I find it will never replace the hardcover book -- it makes a very poor doorstop.

My chest ached, my body speaking a language my head didn't quite understand. I waited. But Grace, the only person in the world I wanted to know me, just ran a wanting finger over the cover of one of the new hardcovers and walked out of the store without ever realising I was there, right within reach.

Their house had real hardcover books in it, and you often saw them lying open on the sofa, the words still warm from being read.

It is the individual who is not interested in his fellow men who has the greatest difficulties in life and provides the greatest injury to others. It is from among such individuals that all human failures spring.

Hard-covered books break up friendships. You loan a hard covered book to a friend and when he doesn’t return it you get mad at him. It makes you mean and petty. But twenty-five cent books are different.

I've come to think of Europe as a hardcover book, America as the paperback version.

Their house had real hard-cover books in it, and you often saw them lying open on the sofa, the words still warm from being read.

How’s the book?” he drawled later, when he’d finished his workout and I’d grabbed the closest book I could find before he entered the living room. “Riveting.” I tried to focus on the page instead of the way Rhys’s sweat-dampened shirt clung to his torso. Six-pack abs for sure. Maybe even an eight-pack. Not that I was counting. “Sure seems that way.” Rhys’s face remained impassive, but I could hear the mocking bent in his voice. He walked to the bathroom, and without looking back, he added, “By the way, princess, the book is upside down.” I slammed the hardcover shut, my skin blazing with embarrassment.

I don't keep mistresses; it's far too much trouble. I'm offering to marry you, although I might regret it. And if you think the Lim family disapproved of your marriage, wait until you meet mine.

My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.

The fact that they're shaped like tiny elves!" Keefe said, clapping his hands before he pointed to the label. "Hang on-THEY CALL THEM 'ELF WITCHES'?" "They do, Keefe. They do. And that's not even the best part." "AHHHHHH LOOK AT THEIR LITTLE FACES!" Keefe shouted as he peeled back the plastic cover. "THIS IS THE GREATEST THING I HAVE EVER SEEN---EVER!" "Greater than when you discovered Fitz slept with Mr. Snuggles?" Sophie had to ask. "Um. YEAH. They have names, Foster. NAMES!" He held up one of the cookies and pointed to the name tag the little elf was holding. "This one's Ernie! AHHHH AND THIS ONE IS FAST EDDIE!" he said, snatching a different cookie. "And this one is Bickets! And Elwood! I don't know who named these guys, but whoever they are, they're a genius, I tell you--a GENIUS. - Legacy, chapter 37, page 596-97 hardcover.

What if I meet people who don't like me or the things I do? asked Tiny Dragon. 'You must walk your own path,' said Big Panda. 'Better loose them than loose yourself.

Men were good for one thing only. Killing spiders. Other than that, I was on my own. It was sad though. Where was the chivalry of yesteryear?

I think it shows that sometimes for one person to keep breathing, something else has to stop." (hardcover page 37)

Jewel moved 432,000 hardcover copies of A Night Without Armor, thereby making her the best-selling American poet of the past fifty years.

O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.

And then he did move, because my hardcover copy of Breaking Dawn whacked him full in the face, with all my vampiric strength propelling it.

Thank God for old-fashioned hardcovers. The e-book reader she had at home wouldn’t have packed nearly the same punch.

It's time for bed. And here's what I'm going to do. I'm going to get in bed, and I don't have anyone to sleep with now, so what I do is I sleep with my books. And I know that's kind of weird and solitary and pathetic. But if you think about it, it's very cozy. Over a period of four, five, six, seven, nine, twenty nights of sleeping, you've taken all these books to bed with you, and you fall asleep, and the books are there. *** Some of the books are thick, and some are thin, some of the books are in hardcover and some in paperback. Sometimes they get rolled up with the pillows and the blankets. And I never make the bed. So it's like a stew of books. The bed is the liquid medium. It's a Campbell's Chunky Soup of books. The bed you eat with a fork.

Time doing nothing is never wasted.

Some people are like candles. They burn themselves out to create light for others.

Spend 80 percent of your time on books and 20 percent on articles and newspapers. And by books, I don’t mean just any book. I mean hardcovers. A paperback is made to be read. A hardcover is made to be studied. There’s a huge difference.

I wish this moment could last for ever,' said tiny Dragon. 'This moment is all there is,' smiled Big Panda.

You break out of the box by stepping into shackles. From Imagine: How Creativity Works pg 23 (hardcover)

When I had no money, and a great book came out, I couldn’t get it. I had to wait. I love the idea that I have hardcover books here and at home that I haven’t read yet. That’s how I view that I’m rich. I have hardcover books I may never read.

He knew a wounded animal when he saw one. Knew the teeth they could bare, the viciousness they displayed.

Through Jesus, you past is explained, your present has a purpose, and your future is secure. What more could you really want in life?

Books have the same enemies as people: fire, humidity, animals, weather, and their own content.

My uncle used to let me pretend they were bricks," Linden says, startling me. He eases a thick hardcover from the shelf, hefts it in either hand, and then places it back. "I like to build houses out of them. They never came out exactly like I'd planned, but that's good. It taught me that there are three versions of things: the one I see in my mind, and the one that carries onto the paper, and then what it ultimately becomes." For some reason I'm finding it difficult to meet his eyes. I nod at one of the lower shelves and say, "Maybe it's because in your mind you don't have to worry about building materials. So you're not as limited." "That's astute," he says. He pauses. "You've always been astute about things.

I was trying to fill this gaping hole inside me with “stuff I couldn’t have when I was a little kid,” and I assumed that one day, when I had finally bought enough magazines and name- brand snack foods to feel caught up, the feeling would go away. But it hasn’t. And because I know the value of a dollar, when I get one, I want to buy the nicest thing I can with it. I’m still buying hardcover books and department-store mascara, still daydreaming about what I’m going to spend my 401(k) on when I withdraw that shit early,

live among the hardcovers stacked in piles higher than Everest because it is easier to feel through fictional characters the loss the love the heartbreak the tragedy it all comes at once and then it is gone with the close of the cover -from the comfort of my bedroom

That time when past begins to look longer than the future

Books have the same enemies as people: fire, humidity, animals, weather, and their own content.   —Paul Valéry

That night we slept apart, all those unexplored continents reemerged on the atlas of your bed.

Fifty Shades Trilogy is available in paperback, eBook, Spanish-language, and audio, and in deluxe hardcover editions featuring elegant silver-embossed jackets and bindings, red silk ribbon

He'd once explained that when he was a boy his very proper parents had forbidden him and his brothers to curse in the house so 'feather buckets' was the young boys coded way of saying 'f*ck it

What if I tell you what the rock and darkness and sea beyond whispered to me, Lord of Bloodshed? How they shuddered in fear, on that island across the sea. How they trembled when she emerged. She took something - something precious. She ripped it out with her teeth. What did you wake that day in Hybern, Prince of Bastards? What came out was not what went in. How lovely she is - new as a fawn and yet ancient as the sea. How she calls to you. A queen, as my sister once was. Terrible and proud; beautiful as a winter sunrise. Nesta. Nes-ta. How the wind moans her name. Can you hear it, too? Nesta. Nesta. Nesta. What did she do, drowning in the ageless dark? What did she take?

Pick one,” he says just as I reach the handle. “One what?” He nods toward the shelves. I run my hands over my face in frustration. “You drive me insane.” I move toward the shelf and look over his collection. I pause when I see a few familiar titles. “You have a whole romance section.” I giggle and pull a book from the shelf. When I open it, a receipt falls to the floor. Inspecting it, I see he’s just bought ten books and spent a few hundred dollars opting for some pricy hardcovers over paperbacks. “You just bought these?” Upon closer inspection, I see most of them are romance titles by my favorite indies. There’s also a few suspense and an older historical, all of them titles from a familiar list that I wrote on a bookmark in my bedroom. When he was in my house, he had to have snooped in my room while Sean was distracting me. “You looked through my stuff?” He keeps his eyes on his book. It’s a stupid question. And the answer is so obvious, but I can’t help myself. “You bought these for me?” Silence. And again, I’m floating off the ground as he continues to read, feigning indifference. But I know differently now, and it changes everything. Beneath that mask is a man who’s been paying attention, very close attention to me. He turns another page and pulls an empty pillow closer to his shoulder. He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.

Sell through multiple channels. Readers like plenty of choice when they go to purchase their books. Your book should be available in a variety of formats such as every type of Ebook paperback, hardcover and audiobook.

Byron clapped Walter on the back. 'Good work,' he said. Walter shook his head. 'You're the one who clocked her with the Stephen King hardcover. That took some of the wind out of her.' 'Thank heavens he's a wordy man,' said Byron.

I photograph anything that light falls on.

Branch Rickey once said of me that I was a man with an infinite capacity for immediately making a bad thing worse.

Men were good for one thing only. Killing spiders.

I had to say it gave me a warm feeling to picture Meredith Winslow spending twenty years or so in an ill fitting orange jumpsuit, cozying up to a great big girl named Beulah

The nice guys are all over there, in seventh place.

In my white room, against my white walls, on my glistening white bookshelves, book spines provide the only color. The books are all brand-new hardcovers—no germy secondhand softcovers for me. They come to me from Outside, decontaminated and vacuum-sealed in plastic wrap. I

He moves a stack of hardcovers off the sofa, then crosses the room to take the chair behind the desk. His expression seems to tease, See? I’m perfectly harmless over here. Except nothing about him looks harmless to me. He looks like a Swiss Army knife. A man with six different means to undo me. This Charlie, for making you spill your secrets. This one for making you laugh. This one can turn you on. This is the one who will convince you you’re capable of anything. Here is the Charlie who will pull you into his lap to form your human barricade at a hospital. And the one with the power to take you apart brick by brick.

I emerge into a library-study with the highest book-population density I have seen in my life. Book walls, book towers, book avenues, book side-streets. Book spillages, book rubble. Paperback books, hardcover books, atlases, manuals, almanacs. Nine lifetimes of books. Enough books to build an igloo to hide in, and then to hide the igloo. The room is sentient with books. Mirrors double and cube the books. A Great Wall of China quantity of books. Enough books to make me wonder if I am a book too. Light

Don’t write with a pen. Ink tends to give the impression the words shouldn’t be changed. Write with what gives you the most sensual satisfaction. Write in a hard-covered notebook with green lined pages. Green is easy on the eyes. Blank white pages seems to challenge you to create the world before you start writing. It may be true that you, the modern poet, must make the world as you go, but why be reminded of it before you even have one word on the page? Don’t erase. Cross out rapidly and violently, never with slow consideration if you can help it. Start, as some smarty once said, in the middle of things. Play with syntax. Never want to say anything so strongly that you have to give up the option of finding something better – if you have to say it, you will. Read your poem aloud many times. If you don’t enjoy it every time, something may be wrong. If you ask a question, don’t answer it, or answer a question not asked, or defer. (If you can answer the question, to ask it is to waste time). Maximum sentence length: seventeen words. Minimum: One. Don’t be afraid to take emotional possession of words. If you don’t love a few words enough to own them, you will have to be very clever to write a good poem.

Inhale autumn, long for spring

The climber, like a fox which is hard-pressed, should always have one more trick in his bag.

Be brave. You never know what a first meeting might lead to.

She wore leopard-skin leggings, a tight black turtleneck sweater and sparkly red heels. I don't make this stuff up.

So how's the putrid pile of caca doing?

La desaprobación de los cobardes es un elogio para los valientes.

I can't do much, but I can do something, she thought, and if I can do even the smallest thing, then I am a powerful being.

I'm an open book, but I am still a hardcover.

Do you ever wish you could hear?" "I can hear. I just listen differently than you." hardcover page 270

It was filled with books. That was the first thing I noticed when I went in—how many books there were. Three of the four walls were lined with shelves from the floor to the ceiling, and every inch of those shelves was crammed with books. There were further clusters and piles of them on chairs and tables, on the rug, on the desk. Hardcovers and paperbacks, new books and old books

Despite the rising popularity of the downloadable e-text, I still care about physical books, gravitate to handsome editions and pretty dust jackets, and enjoy seeing rows of hardcovers on my shelves. Many people simply read fiction for pleasure and nonfiction for information. I often do myself. But I also think of some books as my friends and I like to have them around. They brighten my life.

Today a pitcher gets fined if the umpire thinks he threw at a batter. In the olden days, the umpire didn't have to take any courses in mind reading. The pitcher told you he was going to throw at you.

According to Abhinavagupta, a yogin who is established in the understanding and experience of supreme non-dualism, sees only one reality shining in all mutually opposite entities like pleasure and pain, bondage and liberation, sentience and insentience, and so on, just as an ordinary person sees both a ghata and a kumbha as only one thing (a pot) expressed through different words (Tantraloka, 11.19).

You know for sure Jane would be annoyed she gave you all her money and you’re not even enjoying it. Should have given it to me.’ Myrna had shaken her head in mock bewilderment. ‘I’d have known what to do with it. Boom, down to Jamaica, a nice Rasta man, a good book—’ ‘Wait a minute. You have a Rasta man and you’re reading a book?’ ‘Oh, yes. Each has a purpose. For instance, a Rasta man is great when he’s hard, but not a book.’ Clara had laughed. They shared a disdain for hard books. Not the content, but the cover. Hardcovers were simply too hard to hold, especially in bed. ‘Unlike a Rasta man,’ said Myrna.

You, too, were supposed to be a one-night stand. A quick fix. A conquest. A ten-line poem in my grand anthology of lovers. But you altered the narrative, you marked your territory on my timeline o that as I look back, I find I can neatly divide my more recent past into two unequal halves: before you and after.

But Mario’s the one carrying Ben’s dreams over the finish line. I may have been Ben’s first draft, but Mario’s his hardcover. I guess that’s how it goes, though. Sometimes happily ever afters aren’t about your happiness at all.

Here,” he said. “I brought this for you.” It was a small hardcover edition of an eighteenth century book called The Path of the Just with a note he had written for me inscribed on the title page. It quoted the Talmud: Whoever destroys a single life is as guilty as though he had destroyed the entire world; and whoever rescues a single life earns as much merit as though he had rescued the entire world. So he was trying to save me. Why? I was having fun.

One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation

Deya walks between the library bookshelves now. They are thick and tall, each one twice as wide as her. She thinks about the stories stacked across the shelves, leaning against one another like burdened bodies, supporting the worlds within each other. There must be hundreds of them, thousands even. Maybe her story is in here somewhere. Maybe she will finally find it. She runs her fingers along the hardcover spines, inhales the smell of old paper, searching. But then it hits her, like falling into water. I can tell my own story now, she thinks. And then she does.

Starting from the source of vibrant Consciousness, the first two tattvas of Shaivism are (1) Shiva tattva and (2) Shakti tattva. It is important to understand at the beginning that these two tattvas are only linguistic conventions and are not actually part of creation. According to the deep yogic experience of the sages of this philosophy, there is no difference between Shiva tattva and Shakti tattva. They are both actually one with Paramasiva. They are considered to be two tattvas only for the convenience of philosophical thinking and as a way of clarifying the two aspects of the one absolute reality, Paramasiva. These two aspects are Shiva, the transcendental unity, and Shakti, the universal diversity. The changeless, absolute and pure consciousness is Shiva, while the natural tendency of Shiva towards the outward manifestation of the five divine activities is Shakti. So, even though Shiva is Shakti, and Shakti is Shiva, and even though both are merely aspects of the same reality called Paramasiva, still, these concepts of Shiva-hood and Shakti-hood are counted as the first two tattvas. These two tattvas are at the plane of absolute purity and perfect unity. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 73.

You are not your circumstances, you are your possibilities

Gracias, Señor, Dios mío, por haberme dejado el odio. Es la única fuerza que me sostiene.

The clock was striking one as I was in the Crescent, and there was not a soul in sight.

We behave like people who have right hemisphere damage

...був добросердним, та в цьому світі бути добросердним замало, надто-коли відповідаєш за безпеку дітей Розділ перший

His smile is laced with dynamite. "Go to sleep" "Go to hell." He works his jaw. Walks to the door. "I'm working on it.

Mockingjays are about as rare as rocks. And about as tough.

yes, love

Because I forsee many romantic picnics in our future. You, drinking a Virgin Piña colada. Me, drinking the blood of a virgin.

Without fear there cannot be courage

Oh! many are the Fin-Backs, and many are the Dericks, my friend.

I'd missed my entire junior year thanks to some business we won't get into (Hera) on account of some meddling gods (Hera) for reasons of a cosmic apocalypse (Hera).

I'm wondering how many times he can possibly use the word alliance in one sentence when Tiny Cooper cuts Mr. Fortson off by saying, "Hey, wait, Jane, you're straight?" And she nods without realign looking up and then mumbles, "I mean, I think so, anyway." "You should date Grayson," Tiny says. "He thinks you're super cute." If i were stand on a scale fully dressed, sopping wet, holding ten-pound dumbbells in each hand and balancing a stack of hardcover books on my head, I'd weigh about 180 pounds, which is approximately equal to the weight of Tiny Cooper's left tricep. But in this moment, I could beat the holy living shit out of Tiny Cooper. And I would, I swear to God, except I'm too busy trying to disappear.

Although he could barely hold the weight of a hardback book, he couldn't abide paperbacks. Only a hardcover felt protective enough for the valuable words inside keeping them safe from harm. Now that he felt so unprotected himself, with Time and Death gnawing at his every extremity, he wanted security at least for the words that acted as his companion for this brief time.

What’s your favorite book?” Doubt colors my voice. “If you have a favorite, I don’t trust you. Any book lover has at least five they can name off the top of their head.” His blue eyes hold mine. Oh, wow. This guy actually likes reading. He grins when I roll my eyes with little effort, not putting much sass behind it. “All right. Name your top author then since you’re such a scholar.” My voice rasps. I imagine him in bed, blonde hair ruffled while he rocks reading glasses and a thick paperback because he’d rather be practical than carry a heavy hardcover. Sigh. Damn him and his nerdy secret. “Brandon Sanderson. No questions asked.” His voice drops. “A man who prefers to live in a fantasy. How cute.” “I’d be your best fantasy, no book needed.

Book lovers have strong feelings about bookish scents; some of us get poetic about the distinctive smell of freshly inked paper, or old cloth-covered hardcovers, or a used bookstore. I’ve never cared for the smell of used bookstores myself, but as a devoted reader, I’ve noticed how the books themselves serve as portals to my past, conjuring similarly powerful memories. There’s

The essential nature of samvit is the subtle stir of spanda. The introverted and extroverted movements of spanda cause samvit to manifest itself in both the noumenal and phenomenal aspects of creation. These two aspects of samvit are known in Shaivism as Shiva (transcendent) and Shakti (universal). Shiva and Shakti are the two names given to the monistic Absolute (Paramasiva) when it is being considered in its dual aspects of eternal and transcendent changelessness (Shiva), and the ever-changing and immanent manifestation of universal appearances (Shakti). — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 17–18.

Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder’s widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn’s museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: “Our stuff looks tinny compared to it.” At a time when commercial values are systematically corrupting the museum - one of civilized society’s most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever.

Copyright © 2021 by Dave Eggers All rights reserved. Published in the United States by Vintage Books, a division of Penguin Random House LLC, New York. Originally published in hardcover in the United States by McSweeney’s, San Francisco, in 2021. Vintage and colophon are registered trademarks of Penguin Random House LLC. This is a work of fiction. Nothing described herein actually happened, though much of it likely will. At that point, this will be a work of nonfiction.

The root of the trouble lies usually in the mistaken attitude of the beginner. Instead of looking at an easy scramble close to the ground and thinking "I could do that", he looks at some forbidding vertical wall which he knows has been climed, and feels "I could never do that". When told that an impossible-looking building is a field for climbers, he is apt to feel, like a child watching a conjurer, that there is magic in it and it is not for him. So he shies, and perhaps never makes a start.

All he had ever wanted was to tell—in the best possible words, arranged in the best possible order—the stories inside him. He had been more than willing to do the apprenticeship and the work. He had been humble with his teachers and respectful of his peers. He had acceded to the editorial notes of his agent (when he’d had one) and bowed to the red pencil of his editor (when he’d had one) without complaint. He had supported the other writers he’d known and admired (even the ones he hadn’t particularly admired) by attending their readings and actually purchasing their books (in hardcover! at independent bookstores!) and he had acquitted himself as the best teacher, mentor, cheerleader, and editor that he’d known how to be, despite the (to be frank) utter hopelessness of most of the writing he was given to work with. And where had he arrived, for all of that? He was a deck attendant on the Titanic, moving the chairs around with fifteen ungifted prose writers while somehow persuading them that additional work would help them improve.

We were looking for opportunities to share the message with people who wouldn’t be caught in a church— unless they were wheeled in via a casket! Matthew 11: 19 says this of Jesus: “The Son of Man came eating and drinking, and they say, ‘Here is a glutton and a drunkard, a friend of tax collectors and “sinners.”’  ” Jesus didn’t get that kind of reputation from hanging out only in temples and church buildings. Going to a bar or pool hall doesn’t mean you’re a drunk, just like sitting in a henhouse doesn’t make you a chicken. It’s the same in the opposite setting. Sitting in a church building doesn’t make you a follower of Christ. In fact, Acts 17: 24 says: “The God who made the world and everything in it is the Lord of heaven and earth and does not live in temples built by hands.” God lives in heaven and in the hearts of men and women on earth. Misunderstanding this principle is one of the reasons so many people act one way in a church building and the total opposite everywhere else.

Books are an absolute necessity. I always have at least two with me wherever I go, to say nothing of my digital collection, and whenever I can get my hands on a delicious new reading piece, I will finish it at a slackened pace, to savour it with all the esteem it deserves, gratulating in its pleasance, deliciating in every word with ardent affection. I have an extensive library that I could never do without, and there are at least four books decorating every surface in my house. A table is not properly set without a book to furnish it. Half of my great collection is non-fiction, mostly science and history books, ranging from the archaeological to the agricultural, and my fiction section is dedicated to the classics, mostly books published before the world forgot about exquisite prose. I have all the greats in hardcover, but I do not read those: hardcover is for smelling and touching only. For all my favourite authors, I have reading copies, which I might take with me anywhere, to read in cafes or to be used as a swatting tool for unwanted visitors, but books are always fashionable even as ornaments; everyone likes a reader, for a good collection of books betrays a intellectualism that is becoming at anytime. Never succumb to the friable wills of those who reject the majesty of books: there is nothing so repelling as willful illiteracy.

It is important to understand that, according to Kashmir Shaivism, this analysis of all phenomena into thirty six tattvas is not an absolute truth. It has been worked out by the authors of the philosophy as a tool of understanding for the ever-active and inquiring mind and as a form for contemplative meditation. Through further analysis, the number of tattvas can be increased to any level. Similarly, through synthesis, they can be decreased down to one tattva alone. In fact this has been done in the Tantraloka, where one can find doctrines of contemplation on fifteen, thirteen, eleven, nine, seven, five, and as few as three tattvas as well. The practitioners of the Trika system use only three tattvas in the process of a quick sadhana: Shiva representing the absolute unity, Shakti representing the link between duality and unity, and Nara representing the extreme duality. [Shakti is the path through which Shiva descends to the position of Nara and the latter ascends to the position of Shiva.] Finally, a highly advanced Shiva yogin sees only the Shiva tattva in the whole of creation. However, since the contemplative practice of tattvadhvadharana used in anava upaya includes meditation on all thirty sex tattvas, that is the number commonly accepted by the Shaivas of both northern and southern India. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 79.

Abhinavagupta does not prescribe a hermit’s life for that Shiva yogin, who is free to live without restrictions, to remain in the household, and to participate in pleasures of the senses and the mind within the limits of the currently acceptable social standards. In other words, one is free to live a normal life and at the same time to pursue some method of Trika yoga. As soon as the seeker’s practice in yoga yields the experience of Self-bliss, worldly enjoyments automatically lose their power and fascination, and one’s senses develop a spontaneous indifference, known as anadaravirakti, to former pleasures. Once seekers have become expert practitioners in the experience of Self-bliss, they are able to move freely through worldly enjoyments without any fear of spiritual pollution. Such enjoyments can actually serve to further illumine the extraordinary experience of Self-bliss. As Abhinavagupta explains: The mind (of a Shiva yogin) does not become wet (or stained) from within, just like the rind of a dried gourd which has no opening, even if it dives deep into the water of sensual pleasures.

Warner told me he loved me, and in return I insulted him and lied to him and yelled at him and pushed him away. And when he had the chance to stand back and watch me die, he didn't. He found a way to save my life. With no demands. No expectations. Believing full well that I was in love with someone else, and that saving my life meant making me whole again only to give me back to another guy

Sensing can feel passive, as if eyes and other sense organs were just intake valves through which animals absorb and receive the stimuli around them. But over time, the simple act of seeing recolors the world. Guided by evolution, eyes are living paintbrushes. Flowers, frogs, fish, feathers and fruit all show that sight affects what is seen and that much of what we find beautiful in nature has been shaped by the vision of our fellow animals. Beauty is not only in the eye of the beholder, it arises because of that eye.

The Absolute is Consciousness. It is always Self-conscious, meaning it is always aware of itself and its divine nature. The Self-awareness of the Absolute is a subtle form of activity which has two essential qualities. First, Consciousness is Self-luminous; the light of Consciousness (prakasa) requires no other source of illumination. This is Its aspect of jnana or knowing. Second, the process of becoming aware of Itself (vimarsa) is the Absolute’s aspect of action (kriya). The action is a kind of subtle stir that gives rise to joy and the creative impulse. This subtle movement is not a physical motion or any form of mental restlessness. Rather, it can be described as a spiritual stirring that corresponds to the sensation everyone has at moments of direct self-awareness during peak experiences. This stirring of Self-awareness is spanda. It makes Absolute Consciousness vibrant and expansive, and it is this activity that is the basic source of all creative manifestation. Everything that exists, sentient and insentient, is a result of this stirring of spanda. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. xx-xxi

All souls come from God—individualized rays of pure Spirit— and evolve back to their native perfection by exercise of their God-given free will. The ignorant and the wise alike require equal opportunity from the hand of a just and loving God in order to fulfill this quest. For instance, a baby who dies prematurely cannot possibly have used its free will to be either virtuous enough to be granted salvation or vicious enough to be damned. Nature must bring that soul back to earth to give it a chance to use its free will to work out the past actions (karma) that were the lawful cause of its untimely death, and to perform sufficient good actions to attain liberation. Ordinary souls are compelled to reincarnate by their earthbound desires and effects of past actions.

According to Shaivism, anupaya may also be reached by entering into the infinite blissfulness of the Self through the powerful experiences of sensual pleasures. This practice is designed to help the practitioner reach the highest levels by accelerating their progress through the sakta and sambhava upayas. These carefully guarded doctrines of Tantric sadhana are the basis for certain practices, like the use of the five makaras (hrdaya) mentioned earlier. The experience of a powerful sensual pleasure quickly removes a person’s dullness or indifference. It awakens in them the hidden nature and source of blissfulness and starts its inner vibration. Abhinavagupta says that only those people who are awakened to their own inner vitality can truly be said to have a heart (hrdaya). They are known as sahrdaya (connoisseurs). Those uninfluenced by this type of experiences are said to be heartless. In his words: “It is explained thus—The heart of a person, shedding of its attitude of indifference while listening to the sweet sounds of a song or while feeling the delightful touch of something like sandalpaste, immediately starts a wonderful vibratory movement. (This) is called ananda-sakti and because of its presence the person concerned is considered to have a heart (in their body) (Tantraloka, III.209-10). People who do not become one (with such blissful experiences), and who do not feel their physical body being merged into it, are said to be heartless because their consciousness itself remains immersed (in the gross body) (ibid., III.24).” The philosopher Jayaratha addresses this topic as well when he quotes a verse from a work by an author named Parasastabhutipada: “The worship to be performed by advanced aspirants consists of strengthening their position in the basic state of (infinite and blissful pure consciousness), on the occasions of the experiences of all such delightful objects which are to be seen here as having sweet and beautiful forms (Tantraloka, II.219).” These authors are pointing out that if people participate in pleasurable experiences with that special sharp alertness known as avadhana, they will become oblivious to the limitations of their usual body-consciousness and their pure consciousness will be fully illumined. According to Vijnanabhairava: “A Shiva yogin, having directed his attention to the inner bliss which arises on the occasion of some immense joy, or on seeing a close relative after a long time, should immerse his mind in that bliss and become one with it (Vijnanabhairava, 71). A yogin should fix his mind on each phenomenon which brings satisfaction (because) his own state of infinite bliss arises therein (ibid., 74).” In summary, Kashmir Shaivism is a philosophy that embraces life in its totality. Unlike puritanical systems it does not shy away from the pleasant and aesthetically pleasing aspects of life as somehow being unspiritual or contaminated. On the contrary, great importance has been placed on the aesthetic quality of spiritual practice in Kashmir Shaivism. In fact, recognizing and celebrating the aesthetic aspect of the Absolute is one of the central principles of this philosophy. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 124–125.

The nahab are like the dead; their souls have escaped their breasts,” he said. “The nahab have no knowledge, they know nothing; they cannot spear a fish with a lance or fell a monkey with a dart, or climb a tree. They do not go dressed in air and light, as we do, but wear stinking cloth. They do not bathe in the river, they do not know the rules of decency or courtesy, they do not share their house, their food, their children, or their women. They have soft bones and their skulls split at the least blow. They kill animals and do not eat them, leaving them on the ground to rot. Wherever they pass they leave a trail of filth and poison, even in water. The nahab are so crazed that they try to take with them the stones of the earth, the sand of the rivers, and the trees of the forest. Some want the earth itself. We tell them that the jungle cannot be carried away on their backs like a dead tapir, but they do not listen. They speak to us of their gods but they do not want to hear of ours. Their appetites are unbounded, like the caimans’s. These terrible things I have seen with my own eyes, and I have heard with my own ears, and touched with my own hands.